HABLEMOS DE LO QUE NO EXISTE - Campamento De Los Duendes, Lago de los Lobos y Brujos Sin Corazón | EP 345

Episode Date: December 4, 2025

Bienvenida Familia Nocturna a esta Oscura FOGATA DE HISTORIAS. El día de hoy en el canal, hablaremos acerca del lago de los duendes, la cabaña de los lobos y una familia de seres extraños, que jam��s quisieras toparte, ni siquiera en la mejor de tus pesadillas. La familia nocturna nos manda las historias al Wts De Las Pesadillas y en ese WhatsApp, últimamente hemos estado recibiendo historias tan extrañas que no te recomiendo que las experimentes con la luz apagada. Así es que prepárate algo de tomar y de comer, toma asiento y enciende la luz porque estás a punto de intentar sobrevivir a una oscura fogatas de historias en HABLEMOS DE LO QUE NO EXISTE.HABLEMOS DE LO QUE NO EXISTE es un canal de YouTube con el formato podcast que comenzó en abril del 2022, su primer episodio fue "vivo en un casa embrujada" en el que una chica narró sus vivencias y sucesos paranormales a lo largo de 20 años en la casa de sus padres, desde ese episodio hablemos de lo que no existe ha marcado una tendencia en exponer casos paranormales de personas comunes que viven en diferentes partes del mundo. Ice Murdock es el conductor o host de éste canal, durante casi 100 episodios no apareció, nadie conoció su rostro y la comunidad de éste canal , la familia nocturna , creó teorías acerca de quién era el dueño de esa voz. Hablemos de lo que no existe se destaca por tener apertura ante las opiniones experiencias y vivencias de cada uno de los invitados. La comunidad de éste canal es conocida como la familia nocturna, de hecho por estar leyendo o escuchando esto, tu ya eres miembro de la familia nocturna.. bienvenido. El duelo de historias es un concepto que se creó en el canal @Hablemosdeloquenoexiste, idea original del narrador, se estrenó en el episodio "Comité de la Muerte ,historias de Hospitales" el 1 de junio de 2023 y empezó a implementarse formalmente en el episodio "Abrí la puerta a un Demonio" el 11 de Enero de 2024 ; consiste en un duelo entre Narradores, una dinámica sencilla, donde cada uno cuenta una historia y busca superar a la anterior y al final la familia nocturna nos comparte en comentarios cual fue la historia más aterradora. El Narrador y todo el equipo de Hablemos de lo que no existe trabajamos para darles a ustedes querida Familia nocturna contenido original y de calidad, tardamos a veces semanas ideando formatos luego de tomar en cuenta las cosas que nos han pedido a lo largo de la temporada anterior y por eso el día 23 de Septiembre de 2024 comenzamos una nueva temporada que llamamos FOGATA DE HISTORIAS, en donde el narrador prepara una serie de historias escalofriantes una tras otra para retar al espectador a terminar el episodio por el nivel de miedo que genera. En este canal se relatan historias de terror paranormales, sobrenaturales y reales, prepárate para conocer el miedo de una forma en la que nunca lo habías experimentado.​

Welcome to aboard Via Rai. Embarked and profite. Embarked and celebrate. Rigolet. Publiere. Savoy. Admire.

And, and enjoy. Via Rai, the voice that we love that we're a night. A lot of this oscura fogata

of histories. The day of today, today is a day special, today is an episode different. Because today

me pego the nostalgia. I'm I'll say that today for the morning, just when

me was going to up. I started to get a lot of notifications about the

family nocturner. That's our first podcast, both in Spotify, and it was

a moment very, very beautiful. Not just just, no, not just because me they'd

make them messages. And me made sure many things because we made

this podcast and me pego the nostalgia. So, is that today, because when

to me to get the nostalgia, the things are intetricas. And today I'll take some stories that

maybe they'll be in the If you're just to give a recommendation before to start, if you are family nocturna, before you're going to keep you're doing and that

you're subscribing because various messages said, no, how can be that so many-unutes those that are those that are sure that are more

but I just I'm just to have given that I'm just that you're still and that's so sure you're new and you

know you can't you understand that is family nocturna, and you know, at the final to do this recommendation.

Of preference, not you know, because you're about to hear a lot, because you're so much of strange and terracorough and that's

that night, not they're not getting to do that. So, so let's say this, comesement,

we're in this obscure, fogata of stories. I'm going to say that I'm this podcast I've been

a problem with a thing. It's a thing that a me cause a bronca, but much,

much, a bronca, in a a sense of, no, I'm not to understand, no I'm to masticar,

not the I'm not in a sense of that pass or not but we're really we're really we're doing what we're

doing, and that's the many, but many, not, is the thing of the duendies. When they

doundes, they're talking with a tranquillity, it's a and duend, my abel had a

manch with duend, oh, I think much in the duendus, we're to have to

those little to those we're always us and we're doing to find you know, you're going to you're going to

you're in a little more, you're doing many people, you're doing I've heard heard of duendes, a story that

has heard of this is here in fogatats, I don't I'm going to tell you in an episode of a

man that you and that that's a dwean and that they said they're explicitly that you're never you

never you're to put a person. And that that type that not I'm that

those things, that record, not I don't think, that they're, they're just simply are stories, but this subject, as if you're in this time, in a preparatory or in a secondary, I don't remember, in one of these days

gets to the secondary, but it's bad, it's very bad, palid, me, he'd be too so conscious, then it's just

to be very, very aggressive, and it's when they're to start to give up to some time, because it's that did a time

the date, he's been giving of his blood to that elv and the things ended up

and the from the person who's I'm not another story that I'm called when I

did the podcast and it was a person a person know a person who was incredibly

well but then they're a house in the people that the people that

they're they're in this house and duendes they're not of this they're an house

a car a car a car very very and a in a sector private,

a place a little bit, but it was in the fadda and they said that they were they were in the house, they're

to get in the moment, his life is a bit of a impicada, all the and the history in a total

tragedy. Twendez, that are making blood, that are coming into the chenry, that are they're trying

to make a minute, and me explained to the Luselush. And we We started to a talk about

and I asked to a subject to know if a man or because he was like he was like a tradition

chamanica's, but also he asked about the Alush, directly we came in a point. It's a

Lusch specifically and of those he called, no, you're not you're talking of the dweens

of the elf or something, you're talking more well of a goalem, something that is made that

then he's then he gave a lot and that you have to care of because they're vigilants, they're guards of

landers, and if you trespass the zone, you're going to do you do that's a big old

and the people of the people of the people of what I'm doing it. You know,

you're just things totally different. And those we're we're just we're just that's just

that's just the history of duendus more rarer that I'm the no idea because they're

that are duendes, and if you've heard of this, you know, you know, for favor, leave me it in the comments, there's a lot.

Resulta that in some part of America, no see if north, south, center, in a

part of America, there's a family that has a rancho. A rancho, we're going to put a house that

are the outside in a zone very little in a area rural. That rancho that not is

a place luso, simply is a place to get to there a pair of days and disconnects to get to the day to the day of the city, it's there's a lot, and that there's dweens there, and if you want to desacer of them,

you need to get to a lago, a lago, a kilometer, a mile, and aides of the rancho. The person that me manda the story, me says, narrator, we're not we're trying in these legends. I'm talking to me and of my

novio, because that rancho is of my papas, but since much that we've ever, we've been We were we were. We were, we'd be aburried, now, of adult, that I'd have worked, because I had much to go to there,

disconnect me, pass a moment of a pair of apart to start like more, to be more in contact with the naturalness, more risko, more salvage the

thing, and then, and then we've for that. And when we're on the rancho we're in a time, we're

not sure, and my papa yeah me had been to do the night, de preference, not you met to the mediation,

to the inmediations of the rancho, Ponte out, and then the morning, you get, because in the zone there are duendous, and are dangerous. Well, no, we did we seem to case. When we got, like, a one kilometer where is there, the ranchito,

if we can't get the car. And no, it's normal. The vehicle that's right, my no, is a good vehicle, and where it's a pager, it's, no, yeah, it's all. This is the computer.

This is not normal. He intends to do march, the vehicle is like if no, I'd have a battery. Then, then says, no, this will be

very, very bad, what we're we're doing, we're well, to be in a bad

bad, and then we're doing that we're to do this. We're we're doing the

carmett, only the things that we can't get, and we're to come in that kilometer.

Narrator, what you I'm going to say, no, I don't even I'm any way

to have I'm because the day the things were that were

different as how it's, After 500 meters, according us more close of the rancho, we're going to

a zone that was a lot of I'm not I'm not I'm going to but I'm I'm going to when I'm

a little bit more than 10 years then it's maybe so it has been I don't know of the so I'm

that idea and I'm I'm here I know I'm I know I know that there's a publicado

or we we're going to we're we're probably we're the the other other. So,

we're going to go to go to get to be the other. I'm a think you're going to

be a lot of that you're going to be that one of the little bit of going to they've been clear as voices

of persons. Not to say to say, yes, but they were those voices of persons that were

that they were going to and he said to the know you, you know, we're we're going to

we've been to do you we're doing we're we're doing we're not over the I don't even

I important. We started we're going to start to get to advance, advance,

advance, we're going good a lot of and that's what he's that we're that we're

when we're when we're at the three 30 of the morning, we're just we're

we've done to know we're talking to you're talking to a kilometer for more less than

we've done more of 30 or minutes two hours no we're to

any part, and those voices always sonnable at the same distance and of a sudden, I remember the stories of the duendos. My mind, me trajo different records of Papa, saying me things, of which I had to have careful. I never you

confies, they're like the people, they're like those people, but their eyes no brillian like those of a person. His eyes bring more, brillian like if were those of a cat, those of an animal in the middle of the night. If you top

with someone there a place in the rancho even to even to

the light and revis how bring their eyes, and you you're to do you

know. Narrator, I'm I'm do that things, I'm mean,

I'm really sound as people sound at people who don't and

when we get a moment in the time I get a time I'm

there are two hours, 15 minutes, no it doesn't

we get into the any part. The voices are moving the place and now they're not going to be the

point. We're sure that is a point very different to the time. I'm going to my novio, this is to no

me is going to be doing. It's like like if we're going to say, but it's, it's like you like it's like

it's not it's not that we're going to let the go back, we're going to the camionette because it was

a way to get a way, we're we're going to start to when we when we're when we're

we're just we're just and we're a person that has a hoodie of these that's like

a sudddera that has a capuchita all of color rojo and as we've been with lanternas the person so ignomina

and we're we're going to and the person is to move more rapidly and the I'm going to we know we

don't we don't know and he says no but it's that maybe I'm outphings or and for

so no no no no no are duendes and my no no so my nephew so me now if

now see now now see or those that you're just that's a bit of no, it's like this is that we're going to be

a carmendate my papa my papa yeah, me have said that we're going to and we've been

and then the and then we're we're going to all the time all the time and he says we're going to come back.

They're to start. New-Nions, seniors, nobody no-one to see the eyes.

It's like if they were like that they're not the fear that the fear that it was

because not made a sense to be a a man and a ratteditos of the hand

like if were a midday at the night at the night in a dark with a

dark of the night. The children were getting down to the little

and they were a lot of a lot of a man that we saw it we've made a

face and a naras that was a very strange it was like it was a prothis

like if it was a so it so that my husband that's a man

we said we go to the we're about 30 minutes and, de a repent,

we're they're to chistar and turn to be a new another, there's a

person and there's a little about a 50, 100, so it's a caro and

the camionette. How diandres we could get there in that period of time, changing the

route that we had originally and in what moment there was that no,

no, we're not, we're we're that person that was there in front

us he asked, what they went? Are the two-do- are the carionette? And my

novio he starts to respond. Yes, we're going to get to and this person and he's

see, me, I'm, we're back at the words of my father.

He abient the light, narrator, and the eyes, and the thing the

most that you're like the two spejors where rebotable the

light directly, forgetate the the poppil and it's it was like it

to be you put you to a direct and he he made a gesture with

with a great guy, my novio he said a excuse me and this subject he starts to respond like in a

language that not is a normal, something more but it was guttural, something but it

was like if was talking and my nobue nobue not could think it's a media

and he's and he's and he's under the house. We're going to the camera

we're we're in the camera and we're in the moment we we're not we're

we're not we're group of of the group of we're a group of more me I said,

I don't do you know I'm doing tonight. Who don't do you do this to do you

the world in the life, maybe not not quite not concerned of the

repercussions. You go to a story that's me make of the most

dark and this is a story that has a message. The message is

the message is good, take care, to not come sure. complicated. She was a mama of house, not was a mom,

only was a parke of a person very traditional. This person no was too well, and apart had a problem with the alcohol, and a day was a very violent with her, and she decided that she not going to be able to support that, sootting so, so when one morning, he

is set out of the house to work, she had done his tiliches, his mochillas, his things, and he's got to be a part of it and a situation very complicated. I'm talking about this of this

of the other years, and I'm probably a couple of decades, and this chica is a top of a reality in the

which has to have to go to get to a little bit to get to receive, the family no, he'd be a

raga-dientes, and with much ragaions, as her state civil, and she mentions a casada, and then when they ask, where she does a different, the one of her not because she has known, but she has been very transparent, she

revela, then, then, when he says all the history of that he'll he's all of the situation, and all of those situations, it begins to be in one and other place, like, oh, well, we're talking, we'll talk, and we'll talk, and we're know that she'll never will get. Yeah, they're two months.

She's a lot, she's sifted, Sient it not is functioning the things, no she doesn't

that the life and the other and in the other and in the other

he's thinking in a person that he has been have been

rumours that they have seen there have all the people

and it is a subject that don't it not not

not very for their form to so so

is that the only that has been to this type like of the type of the way of the restasas and make them

to make them to make sure. In that context, she knows a person in the supermarket that says

that she that she that be very very abatida and she she says I'm,

I have a know, I'm a know of a schoolita let me ask me to be to be

maybe it or something but a jobit a little something that did. And she

he said, what I put on to do you accept. Men's the second after the time. There's a time.

The a time. From there, they called. They invite to the school and he's a

time. More or a year, is what during the other work. And then after the

life, two years after, he has to get to get that the place,

and it's very very received. But when when he he took with a

reality very different once that was the job, the forms to get to

get to get to get to be a general, there was a master's, and then

the group administrative, and finally, all those who were as a security of intendance.

Although this was the hierarchy, all they were with much, much, much respect

and much of the children. They were very man firm. It was

a college, not, not of many not of any but it

was very very military. And the The parents were contentious with that. The kids, all the time were atentous to classes, all the time were

prestoning. And not to I'm saying that that's were the best method of ensuance. I'm just describing how that was that college, and that schoolita, that no, in what year exactly or for what grader,

it was, it functioned that way, very, contundent in the discipline. When she regress, the salons are a dismadre. All right. All right of gritos. The children

are out of the salons and go running in the passillos. That place no has control, no has any feet of the head. The alumnado has been tremendously. The parents that were looking a disciplineary, and now are there, and she begins to ask what happened. And they're going to

say, the director changed. The director changed. When she had her her trat, she saw, it was like a person normal. But now has done that now has been the character that he had two years after. Yeah, not is a person contundent, person that when

I'm a decision, look, that the land of wherever, but she's not going to change to opinion, that when I'm a decision

is because it's a reason sufficient, now is a person a un-easur. It's a person evasive.

No, he's going to be there in the situations of conflict. He's he's back to all the

problems that have the children who have been having done the because it has been

not said has been a year. In this year, have passed of all the

things in this school. There's a student of all of all right

that's much this is major than the other in the class

more robust and has a form to be very aggressive and

nobody he has put the she is very very demandant

with maestras with all the that all the that

have had had had been three times the

master it's It's just a lot of a character espantosos. It's a much much indisciplinated,

very grittona, very chiflada, a person with many problems in the house and with many problems in the life.

And you'll do you you're going to get to what you're what you're what you know,

because she doesn't why nobody he put the old to her because the school is

so disordernated it's obvious that the business in some going to get to get

to work to work a work for because if in any moment someone comes and

she can't that's a school they're because they're it's in this

situation and in this conflict when one day with a intendent the

intendent the said I'm I've seen that in two

occasions has been with this she the alt the

all the all we all and has been to

and she and this much she she's she

she did she I'm I didn't because I

know why He says, well, not more here to us. I'd recommender that you

go out of your job. Not you have metied with her. She is very can-y- is a

bad. Well, but is a little, what is a need to get a to come to

say, and then the to say, well, I've been to say, no, I don't,

no, you know, you know. If you know, you know, because the directora

not has put the , you have put the too, no, no, no, no, no you know, the school is like that, for that muchach and her mom?

Since that's here, the things not can't be because notherve us we're trying to be because they're bad. No, I didn't know that what carajos me was talking, a narrator.

So, is that I asked more details. No, he said, I said, not to talk more of the time. She's ciscared, with much in invite her to

get her to do not a don and a coffee-cet for that we're not and there's where I'm sopio

me told all the narrator. I'm I'm I'm a I'm sure that's a bad bad

with a fear that is the first time in the life that I repent to have

asked because the response that I would have preferred not

I'm that she she and her mom although this she's

a girl is a she's But brujas, no good, brujas, brusas, Corrason-podrided, brujas, the black-neevs with the manas that just wants to make sure to do you, of those bruchas, bruchas, that no le teming a nada,

bruchas, that no they do men to do not, and that's got to do nother to do this. When she gets to the school, nobody saw this. And after a month, or there's a situation disciplinary very strong, the directora, take cards in the issue of this

ago, he said a year and a while with her, but he'll talk about in front of the other. The same

students of the class are to applaud to the director, because what had done this much was a little,

and this man from to all, she's to be a class, and he back to the

director and they're saying, you're not they're not to end up with the diablo, yeah,

you're to get to the to see to get in the house. What was

what was what was a narrator? Nobody conted nothing, but they were all prodrided of fear,

all all the little cuddied in classes. And this chica, there, doing his things,

molestating one to other, about to them to be to the other, and now the second

day, and you said, that they were going to be to do that something,

they're going to get to get to a person, and then that was

the bully number one and all the other other other other

other other other was was full of fear. But not is the only

that I know that I know that when this woman, the mom had a problem

with one of the father of the people, he was always taquitos,

some tortillas of maize or the all of aubito with papa and they were

and they're very, very, very, very, very, very rich the people

and this she was really little with one of the much of the people,

he was a I was saludable, and then he said, hey, my mom to my mom, you know, my mom, to do you and your family for her, blah, blah, blah. She was it. And nobody's a cord about

that success. The intendant, the chick that she said that she had ever had to go out of that. Because she had a reputation of the mom. And she said, de-seuro that those

are the ones that uses to clean people and those are cargating of things very negative and they're going to to pass something that's that's eating those

taquitos and narrator me said, that person that's that I'm not a

time when he was in the hospital. Nobody was there was a thing of the food and

and as a time. And as a time you're that they're doing to taquitos,

people who were in the hospital to the next. The chick she had

all the things. In one occasion, they they found in the salon,

the Maestra yor-y-wrated in the Pinted the rostro of various marks and various alums

vendados of eyes, of the box and of hands, amarrated, puttos around a

circle and in the and they were a little a little and this chick

was doing a great-as- very very obscure, but the Maestra no could

do not do not be because was one of the victim of the

The Diolito the first day. Narrator, after that I'm

a bocky abirta, me kept a bad, me sent you horrible, I don't think about

that I'm going to be getting to the time in two occasions, I didn't that had been the

great thing, I mean had passed nothing about the about the about it, but now

I'm going to me still and I'm after after the story, I'm in my house, and

when I'm I'm in that moment in the house of my papas, that is something that is insupportable, I'm into my apartment, and my cabin is a move to the camera, as if someone was to have taken to hold it, I'm trying that my camera is media pesada because it's a base of madder antivou, and they're rastraing with

a rechiniddle tremendous, and one of them to run, they're trying to touch me from the down from the camera, from the base. I was proud of the need. Podrida. No, it was no. No cupable. I didn't hear nothing, me I wanted to know, no,

I wanted to know to know to see the next to be going to work I'm going to my uniform that is a

one small in the area in the person who I'm when I'm putting me my blusia and me

to come in the back to two times I'm and I'm this this chica and me said

you know you used the visit of yer because if you've to get to get

to go and it and it's bolt and he's he went and went and presented to my renoncion

her daughter that that she no he had no he had a no

her mom she was a more there's something else here now

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In this section, you're going to find where is this story or if in your place where you've had you've heard something and for a lot of the comments. Today, in Sebusca, we're a story that's of locus. Result that our subscriber is

from a part of America. Me says that he has also a very, very, very, very, strange. This has been more of 10 years,

he's going to a place in a encamping, a place, a interpairie, a place an place and near

of that there is a lake. In that in the night, he, he,

with a group of people, they're like a fogata for in around

some times and the And for what I'm I'm trying is something that I'm a certain

custom of the custom of a new to get a little, and there was there where they were

in this montage. Why I did you get in those, in the places,

in places, in places, in the places that not even in the mapas, and then

they're not even know exactly where is where they're they're they're in this

place, in the lake, and more or less a a half-kilometer of there or a one kilometer is where they're in these campaigns, the fogata, the tithes of

campar, they're going to cost to the foggatas. And in the night, it's to talk a little bit rarer. Our subscriber comes to hear that something is around your tinder of campar. He is atolled, he's three tinders of campar. In the ad of this sonnido, it begins to be more notorious, and it's like something that can't four patas

that's coming one and other way around. He does fear because it can be some type of animal salvage or it's a

hallucination that he's having because it's a very dormido but it's a pair of catchetadas

in the rostro to come to be back and the hour it's

able to despabilar and then then he that was that

there was that you're very little but be that there is a

some there something that's coming around of the the

tinder the tmpart and that the his subscriber, is a sustado,

he's not he's prepared for this type of situations. He is the expert, the manoe of animals, and

he's a doing a lot of the tent to get into the tent to out of that and put it to get a

beastia, that thing, and of a kind of a little bit, but she he's like a little bit of

a lot of a little situation, it was in case of the case he he was he was going to

say, with this, I'm going to defend. It's, He's with ramas and a little bit of the tiends

of the camp-a of one of those when he that that bestia that was going going to work not were one were three.

They're going from there from the campament and it's there a back to be a back to the lake and then

he goes with his companions, those companions, they're not they're not totally

dormied. He no could think that the noise that did these things at

the in the Tins of Campana, not was a bit of but his friends, for more that they're

not in their people, he's what they're doing they're what they're going to be going to

them, but very very, very lent, intentating not make noise and simply

see something that does it that's a certain distance, like a two hundred

meters of these things, he'll look to they're going they're in the

lago, log, to be the lag that was totally immobile the water, log to be seen on-ondas, and these things get in the lake and you

don't get in the lake, and you know they'd be, but he'd clear to something, conformed advancing, although the light of the lunar to the direct, they were like somebs, sombras, more than a figure,

and those sombrass when entered in contact with the water, it was like if they were deseched, because no see that they were under it, it was like

if they were like if they were into, and of a sudden they're not not even the lago they're going

and they're and they're even though that's not they're and they're I know know what

the next I'm going to the day of my time I know my my time you do you say they're

saying that I think I'm inventing things that I'm think I'm to look to look to

something they've never have done some there and I'm just to

my tient and the of my two people there are there are part of the

piece and a part of patas marked in the entrance in the entire of narrate as

they're trying trying to try to find out when they're when they're there's there's quite and there

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pay you to play to do this case. The first phenomenon aterrador that me

topo living it in carne property, and this was already was the paralysis of

the suno you're the word as you're Some of the other times I've told this story, but a grand rascals, a friend a day, a man, and me quote a story, is a guy that he no he has

a fear to nothing, and he's he said that he went to and when he's going to doorm, and when he he's going to do a little, a port abjured, of a repent, see how someone passes for the door, very close of his

abitation, he's that his mom, and that he is a man, and that he's when he looks like to get to come to and ask him to ask him that if needs something, and she does

that she does know that he has control in his body. His body is rigid, his body

is there simply simply without to be able to move, no it's and it starts to

do much panic. The door begins to open to the camera, he posh

there a person that's a mother, but not his mom, in a

partade this thing is around he, he's he's pressioning

the he's he has he's he has a attack of a

panic That's disbandese, recover the control of his body, and he's crying of the frustration, of the fear. When he me tell that history, I'm a manetka, family nocturna, and in a way, what fear, me did envy. Why, what, you're doing? I don't.

I want to live it, and I want to live that. I mean, I loved many of the stories of terror, but those were you've seen as well as stories, movies. I had taken a pair of successes, maybe strange in the life, but things that were to explain of another way. And, of a

three days after, I'm sitting in my camera, I'm going to be able to be a movement, to someone like if was it, and then I'm the door of my apartment, and then I'm going to look that I'm able to move, and I'm

put pressure on the pecho and I'm there. FIgo. And I'm like a person that's somed ampeda and I'm going to think, ah, is this? This is the of the same thing. And for some

extra reason like if the having been a don't know me passer, I'm gonna like he,

you know, what you cause a lot of how it's me occurrity how it's me occurrower to pay this

if it's that's like my friend, I'm being a bad, because I was asking this and

that I'm causing a much risa like and I'm over with a car reprobation

saying what kind of what kind of people that you don't think you

don't do you to the point is that for the risa, me could get very

rapid of that state, and a part of it it's transformed for me, as a great necessity of the endenters

that demonious that's not that's all supernatural, and this has to be with other dimension or with phantasmas

or things like, no, and I know that was a lot of and it was a state of the cerebral is

the middle the part that is the part of the person, the the major part of the times when

doormen, they can't move the because we're we're going, we're going, and if you move you move yourself as a person

you're doing your own, terminate's doing a because you're doing the movement, or more than

the brain, the movement of the and you can do you can't be with a tranquillity.

The problem is that if you're maybe you get, you know, your imagination still in

the world real besplasasas the things, but not you can't move

because still still Many of the paralysis of the that's the problem are to end up explaining with

this. But there's a grand detail and the great question and how you know when it's

a paralysis of the because there are sooenix there's some lucid and you can give

the impression that is a difference is that we say we a bell a telea a little

a little a little between the imagination and the reality when in the reality

so there maybe is something there is a something And there's the chick, that when she's a costada,

commenced to go ahead and a little, and a child that's that you can help you,

she'll do you do that you do you do the same that the eyes, she has

that's and a lot and much fear, because not you can move.

The the head has been the left the left and just on the

the car she's some she's somando the she she's

Poverid of Mired. Never have I've lived something. No, I'm

a dream he's a feeling, and this little, he's a way, and he's

put in a ventana, put his manita, and then then I'm and then this man,

and this man, she gets a day next, he's a day

she's she's she, he's had the bad the thing,

and the other the next time, is not do not in that abitation,

no dormit in that house, the preference no dorms, all of the days,

all this days, out of time, be able to get to and get to get a

time, will re-inciars the time, going to go back to another way,

so the part of your get to all the and you, now

now so, or you take the the riendas to the you have done,

she she's she's traumas. Then, standing the dominoe in your house, decided that

he's not there's a other more than to make the situation, and he's going to get to be to get back,

and he's not going to that's a thing. So, that's that's a sitting in the camera,

he's meditating, he is a bad to do you to do that and it's decided that if she's

the girl and he's in the son's I'm going to get the thing to get the

other more, and it's don't but he's to be to say to

front of all, and he's going to sit at a time when the

other he's the last of the day is going to the

window and when he there, there, there's there and that

and it makes very pretty because it's a dream

no and then there there there there there

there RBC Training Ground has discovered potential in over

20,000 Canadian athletes and county your story could be

next if you've got the drive, they'll help you find your path to the Olympics. Let's see what you've got. Sign up for free at rBC training ground.ca.com. This story that's a point to contart, to me me dejo much impacted by the context. If you understand the level of magnitude of what we're talking. There's there. There's a person of the family nocturnal and a

that he is a psychologist and he he's dedicated to to the general to the time of psychology. He says that he goes to the stories of terror

and that's always I've seen this podcast with a plan, an angle in which is nothing scientific is he's

doing, he doesn't ask you to questioners and there's there's no, no, no, no, no,

no, no, no, no, no, no, he has the feet in the earth in his work, his work has certain

his work, and he says, I'm good in what I do, I'm going to do this, narrator, because it's

very important that you understand that you know, so you know what I know what I know that

you're going to you're talking about a year and a minute, but just got to conclude a little,

me have more than a few, context. Apart to that the second, he is good

in his work, and of a time, I've had had been an alter ego,

a version of him, but that is controlled is conscientient for him, that is a version of him mental.

This version of him is a person much major, much more delgated and high, has a voice more profound, more grave. When I mean, I have a voice of pito,

I have a voice very aguda, I'm like, I'm like I'm a little of my age, and my alter ego about always

with tones every more more grave. My narrator, for me, it was a case fascinating what was

going to be that was I said, I put to discuss cases clinical. What was what was to be? I did a

exercise. In an occasion I read a book that about about about the ombrero's about the

emotion that we have made the we're not so much. And to be so I'm so I'm enojated,

the things I'm very molest, if I'm feel that I'm very well, the days

that I'm so I'm so I'm a my party or be a person, I've got I'm

to have being so I'm enoged, that neither me so I got into my alter ego, and I did count that that's the other ego, but I put it a form of a thing different to me, but the fact is that's an exercise that for me was more divertive than the locus, until that

he's got to control. I'm I'm in a lot and I'm not the people,

but I wanted, I desired, I was not not I'm not the idea of the

logic, nobody in my family, and people had had been a

part of a moment, but I wanted to I'm going to make a certain

people, that during much time were certain in terms in

things of certain institutions, times, and I'm not going to I'll give you details. The point is that I

wanted to enter to the Amazon area for a theme of growth. I'mpeas I'm trying to talk ports, I'm going to ask for here, for there. While I'm taking my cases clinical, that my new model of alter ego mental has been a great. Me has permitted

to have been able to you only. I know I know that's sullen a locus, but imagineate that you're talking with chat GPT and he p.m. He's a opinion for that me intends rapid, but the chat GPT is a model virtual and if

has a face and if you have a face, if you have a boss. So, imagineate it. So,

I'm doing, my intents to enter to the mausoneria, but it's very hermetic or minimum

in where I live, not it's not that they're doing large, not me they're doing

like to receive, and a day I know a one woman that's a man

with a maton of a major that's a man, and we are a patient

me, One day in the night, my alter ego, commenced to say to me certain things. I'm saying that I'd have to be here to appreciate this situation. That no to take the door, that the door at least, she has to be able to patadas. That this lady is the key,

and that not disapproveach the opportunity because she's going to go. He has a very soon. His husband, for situations related to, in fact, with the Amazonery, will have to bea to be to be to go out of the country,

about three months. This what I'm saying, is a little bit of a dream. Never ever see that of control. Where is taking this information?

Why is saying what this woman is going to and never me has said in session, and it's not so you know so you're so you're too

doing like with steroids, me going to go to do with and then my imagination you just to get and I'm going to put up your

but the real, so vivid, And in some moment, me disconcentro what I'm saying, me as farc, I'm a little face. And I'm quite impacted.

The real thing is a lot of the heart of the end up. And me says, no, me has present attention. What I'm saying is important. It's for that

we'll get us our metas. And I'm like, it's that real. And my alter me says, because that's real.

And I do I'm saying, and I'm sure in my mind. And me says, no, I don't, of your mind, and in that moment, I'm fascino. And I'm thinking in all the theories

of conspidation of artificial and the robots when in a future have their own conscience and blah, blah, blah, and me kept thinking in, no, it's not that I'm going to be happening this. With my imagination, create a one person who is the person who's going to beindependizing, this is to be locus, and I'm thinking to all this when I'm saying, I'm not part of your imagination, idiot. I'm just going to be orienting, because I need to enter's there, because you me serve. And I'm

I'm saying, this is fascinating. I have to have started me to point it. And me says, no, no, you've been to visit. I'm despirt. I'm going to point my dream. I'm going to point out of

the data that was about this woman. It's the day next. My day is normal. And at the day, this woman me is to cancelar me

and say, I'm a doctor. Resulte that my my husband, for a situation of a time, will have to have to be

going to be to be sure to be He was impacted. It's a muchada coincidence. No, no, no, no, no. And, de not even said, no, no, no. And, de fact, he's done. Do, doctor, I trailed nocions of what if I was going to pass, but no, because we're not in the sea and no, but she advanced. And I prefer to do you, see, look, to court, before that advance more and we'll get him to nothing. Me kept doing waltas, let me say, is it all right? And that same

day, two hours after the call of her still I thinking and me too confused, of where

he's the information this alter, enter to a call the call the call I'll

do you know, I'll review the number of cell and when the

answer, the voice of my altar is the same, it's the same that I'm

that I'm saying, if you know, it's he's you're going to

get, and the need, and the narrator, no to me started to tendle the

phone and I I'm going to go to get to get to my time I'm going to this time and I've

used to block in my head that that I'm going to think that maybe is a person of the

world real that of that's a way to get in my case. How is that's

how you know? And for far don't don't say because if you get to say

this, I'm going to get to get to cedula. What I'm going to tell more than a story in an run-the-cabes. Me mandarerunnered, me sent a lot of things for any

side, and I've got to take the time to order to tell this, that I'm going to say, that's one of the stories, most discabellas, rare, strange, and the worst, aterradoras, and that I think if you'd have everes, you'd recuperate your security personal. This occurred,

I guess, I think, for the description that I'd call in Columbia, and data of the years 80. We're going to put her name of his subscriber, Juan. Juan me he had a

old old, he had a person to be in an adult, a person major, that he lived in the

affuerres of the city and had his ranchito. And I had a pair of cabos,

a pair of beckitas, also had marranos, some gallinas, and well, it was a

little little, and pegated to the rancho to a one or 200 meters,

there was a house for invited very when he was a a new know she was

then they were invited and then they're prohibited to go that's a not for the family but the father of

the old old he was never a person who's going to run to run to he's got to

he's going to the old what is your story? Why did he did get mixed with all

because he didn't know to know because he went to know the years

and never discovered for the before the initial of the 90 the

tio-aubuel is put very infirmito, he comes to the city,

is hospitalized a time and other time in the family and is receiving attention and not doesn't

make sure in any moment, and he Juan he's to get us and he

and sopear directly. Number one, Juan had an idea of him that he was the idea

that this type, was a person unagradable, was a person arrogant, engreida

that much probably probably he'd all of a form despota because he had

his money, had his ranchos and his property and a part of properties more,

and no he was to get a person to get to get a person who he's not that's not

probably it's like a kind of and it. Resulted that the man, a man,

a person that's a little, he has seen with a sonrisa, he says he says,

he'd give you disculps for the molestes that's that's talking

Juan for to go to go to go and not, that no, intent to

that he was to pay what necessary and that's profoundly grateful. No, about to pay him. And then he's into enter that in the rancho, he has some years that no produce nothing, that what he had to earner was and he was going to spend his properties to be able to maintain the ranch. And then, Juan, he started to care in account. You know, this whelo? Well, probably he's got obsessed with a business that

not he's not those people that are that's the people are at all the and then it

he's got and he's not a man he he's got not more than the manch

and one that's my guys, he'll do you do you do it

but it but it's very that he's he does know that's

not someone ostentos no is a person codicious and a barra and no

has nothing to be formed of him all those families do

they're with much care and much respect And there's a moment in the

He has a lot But is that he has Many doubts And he's not He says He doesn't, In occasions He's quite

He gets a dormido, No, he doesn't He wants to find In his own His own What do you And why He's gone to the

family? Like a type That's He doesn't With a relation with anybody And in a moment

In the time In the Tio-Awelo and he Pied, for favor, a T, Juan Bai and he's

He's got his tea, that I'm that I'm a mat, and is there taking this mat or this tea, when

of a when he's he's not, he says, oh, he, he's aubel, I'm going to say a little

very indiscretto. And he said, Diggame, what happened? Well, I wanted to me, to me,

to ask him, and I'm to ask him, and then, well, one, you know, why don't

want to that nobody he's he's a rancor? Because she not us

I don't let's go on and the and the he said because those I'm sure

because those I'm really I'm quite my family and just not

that's not that they were but why that's and then he came

a one a bad baddives there baddives there

probably probably the ranch he was he and

they were they they were they they were they they were not

that he not he was that he was but this idea has there's a great

waycote, no? So how he was like and how I'm where I'm trying and buy a way,

he had to say, no, no, it's no, it's so he that idea of the and he says,

the key that he he's that he he said, and the he said, and the

he said, he said, he said, the rancho, Juan, the rancho is a man, the rancho is

malo, the rancho is malo, no I want to they're there, and then after me

go to go to go, no they're Let's make it putra. Deja, that the earth to go back to come. That's not.

No, go in that place. It's mal. Well, narrator, it's made to the mind of my old.

But no, I was about mintienting, no, was it was making, to what I was about

but he had a fear of what he was saying. I'm to get to all the people,

and a prism, and to all, and I toped with this. For one there, a story

very, to have use of reason. Tal-bees, maybe months, maybe a year, a year-and-a-half. They said, my abuel

had a quadrilla of capatasses, that was when the rancho was doing it but at a 100%. One person,

who was like a competitor with that same thing, no see, of the of the

whatever, I'm going, to do you to do you and he was to be money and he offered to

the amount to my my t'bue to be to accept it, and then the competitor he said,

look, you're doing money and you I'm going to start free. Ketate

with that. You know me make a act to work and when he says that they say that they're

very good, but at the final, ranchero, to him, to you know, you're going to be you

say, it's an menaceous, it's a man, you know, take it's but you're

doing something that's good, and said, he said, he did the old old he,

he made the house, and he he's a car, dispar to a fire,

a to fire, open, make two to the scopeta, carga and he he says, well, in this

property that's not you're well, you know, he's not a bit of this, he's got to

and he says, he said, he said, I'm trying for the bad, it's right, when it's

right of him and the he's up the he's just he just he just he just

just going to be the the sonbre of the old he, the pisa,

and he he gets to say something that maybe it's other language, but not he's Spanish. And

it's going to see, vending it to the eye little bit of the abuel. And the abelio starts to read as, and he says, Brugheries? Nah, with me the brujeries, no? And this subject is going to comeinandos

out of the but sombrae a, sombra that he mowel, sombra with a man who mowel and he says something, and he's a little bit of those things. The abelowel is a guy

like empowered, is a that's the type that no he has a superstitions and tantarities of this type. And of a thing are the

things are strange in the rancho. The capatasses, the body of catatasses, that are behind the whole thing of animals and

helping them in the production and blah, blah, they're to be sure, and in the three months, and there no

there's no one. The days, no, there's never to do things to all the people,

sir, trygan us here a kid a man, he has to do you have to do you

need to He did a miracle and he said, I don't mean, don't make these tontarious. If they're doing to work here, they're going to

do you're going to do you. I'm not the way of the other. I'm going to give to the fear here but the

fear I'm and he was germinated, narrator. No, there. After that, my abel

started to think in the capatasses, but they're that he's not he, that was he was a lot

that he was supposed to that he was often, he was like, in a war mental and he decisions. Of a

repent, he had done a time that he had done a lot of the poeos, all the mulliered all the

chickens, all the poeus, all the poeus, all the and the vackes of those and the whole time with

them, they were, no they were to what? Some type of gusanito that's met and then

they were to get us, at the final, he started to get to after that situation,

he begins to get to a depression and is in a situation to sell, the competitive,

he's going to the rancho, and the part that we know, is that this subject is,

no, I don't go the other people. And he call the telephone. Corren

many years a part of there. In those years, they're a little the kid

abo of the subcriptor. Of course, he's the same, of the rancho, and the people don't

understand because he does it. And it's a person very isolated. Very

isolated. No, He doesn't know of what what is there. He has

been two properties to make the place but the place and the

place is a case and the he's prohibited to do you visit it.

He's got in that that nobody is when a

time, no, so years of the situation of that's spantosisis. The ranch

is the area, there's a summer of a room, and a half, he he's done when he's

from some of the caballieriesas that are in those years, he's doing a limpease of the place, see that you

a carmion outside, a bus and notice that there's a new, and my child, and my

man, he'll say, even I'm saying that in those years, he was a type more more aggressive,

more serrado and all of that, he instantly he moved, he's, he's to help to help us

to help us, the person that he if you were not abnormal, when there were people there's hours, right you're going to tell you. But my abuelo is going to carrieing to the carmion.

He gets a carmion is full of children, there's a master, there's a conductor, and the children are and they're justly and he's afraid, and he's very desperated because they're just in a while

because they're not they're not getting any to get any way to move or to communicate because there no there's signals of nothing, you know,

they've been like the and that's a redone, blah, blah, blah, and that's a bad

that they're in a bad, they're they're in they're in their own, and they're not, it's

that's a little, no, it's to be a reason, the city, because the that's a

time, is being being very much, and the way, and the new things to the suns of

the storm, no, they're not, and then they're in the time, we're going to the

rancho, k, kents, and get it, but I need to guard certain reserves because the place in good state and I don't want to

that's not going to get here in the carmion. Because it was there carreterer was inundable and they'd and they'd be in a tormentor. Total that my abuel

help to come to all the group of youngsitts, 30 youngsitos and jovencites that go and they're in the rancho of him,

they'll do you let's go in a cell and and say, me go with the conductor, give him a list of telephone

or something to try to to bring to fathers of family for here. If it's not going to go to get to get

to get the carterterer. But we're at the time. Here, not they're

in a big of but for favor, not they not be the house, and no

important if they're talking to to enter, you're not over the door. Kedes

with the chachos, intending dormer and for for a even if you don't

start going to get with this chauffeur. to the city. No can't get because the carmenetet

not permit to get to and the father. The man is better that the master with this

group of children in what they're in the problem. He's just anticipating something.

If you're going to get nobody for them in the night and he's dangerous.

That's the place in that they're to be not to get to so. So,

he's the more option. Accompa, and they're in the carmennet to the

car, they're a the telephone public. The chauffeur commenced to be called, it's desata the tormenton, and while it's doing the call-as, this, in a place to do something rapid, it's prolonga, because he topa with all, fathers, very

preoccupied, parents, that are at board of the yank, fathers, that are very molest, and he has to start with each one of them. I'm referred to the chauffeur of the bus. For other side, this person, the tio-a-wuel, he's there, he's there, and

there's a moment in the that he's a moment in the that he has done to do do you say the chauffeur that will be be going to be crossing the street in the building the door open. No, he does more details.

The conductor, although is of the city, this is in a area that he no knowse, because is it's almost in the afours of the city.

It's a two, almost three hours. Yeah, we're talking that are about the 10, 11 of the night, and the

conductor, he finished at end the end of the time. He'd got with all the first hour for the

people, because no is a good idea to pass in the night and with the mentioned that they're in this rancho at

that altitude, et cetera, et cetera, and he had preoccupied for the abuel because no regressable. Salé of the tent in the the the cell phone public and, crossing the car, there's a car. The only the only building that has the port abjured, and then, he'll go ahead and

when it's a topa the altar, and in the altar is full of velas, and in front of the altar, dandol the back, just to the entry, to the entry, at the entrance, to the first of the

a sacerdote and they're rezzing in voice-alta. The rest of the father is in Spanish. The rest of the abel is in

Spanish, but the voice is more a voice more atron-of-or- in the place. The conductor

that the sensation of there was a sumamente tetrica, that the sensation in the

church was of the church, and when I went to the he asked, what they

had been to do you have been to be he said, I've said, I'm

a bad sentiment for for us. Accompaniam, and we'll rest of the night for the children for the

time when we get all the morning are all the night, all the night are going to be incated, and in

some moments dormitando, both the old old, the father, and the doctor, they're going to be

doing the conductor, and in the moment in the time in the time that they decide, that is the

time of going to get to the time, because there's the point of the country,

and all the parents of the family, they're they're there's a marabunt of fathers of family

that are apart with more family and you're talking of a mobilization complete that you're waiting. The abuelo gets a little and he says

to give disculps to all of the storming, not they're doing nothing, they're going to the situation of the rancho,

he says that he expects that they're very, very well, that never has been that never

has been that the careteer is intransitable, the people are all the people can't be

the car and they're conductor, in some moments he's almost he's he's

the time. He's the little little little little their attention, they're in the carreterer and in the

other time, the chauffeur, he asked the why was this? The night, why was the bad presentiment? And the

abuel he says very contundent. No, I can't say. But I'm with God

that at the final of the day, you simply you think that I'm a man man who

has a and that, that's that's all that's the conductor is a tonic, no entient to this phrase, the abuelo

go to regress with him, and when they're at the rancho no, there's the need to advance to

move to get a carmion because the carmion is replet of children. All the children are

there, all the are mojated, they're so so impacted for something that is, that they're

this mirate of the million yards, they're like in shock. The Maestra not can't expressing when they're in

when they're in the master's and they're seeing and it's a lot of time as in reaction in having to the door the children

don't even they're going to get to get to and they're in chock traumatized each one of his parents to his

or a his kids or a kids or a kids or a kids, they're in they're in they're in

they're in the way the master is bad at final the papas are so impacted

for the situation that nobody is has been all if the master has been all right, sent out in the carmion

school, the abuel, with the conductor, van with her, the conductor is up to the carmion, and his vehicle

and the and the he says, me it's temia. All of what I'm going to tell to, at this point,

who know how time took to turn to get to be to get into the city, nobody wanted to

talk about the people, the time in when when, the hospital, to a a study psychiatric or a tomography, to

to do a t'clock, and to do you have done to do something evaluations, but no it was anything, it was that they'd have been something difficult. The maestra is destitueda of the work.

During a certain time he's living with some family and she also also also in what order occurred the things. Simply I'm

to tell the the successos that were in the rancho. When all are into the rancho. And, after to continue at the foot of the letter, the regals of this abel. No, he

abramed the door to anybody that's talking. No, no, respond to, as, as, as if the windows are closed, betty to do you to drink, no, you do not gas, or not, and, de preference, if you , you're justas, not corras, they're going to do all the

letter? When, of a repent, after a little, one of the young, commenced to get to, the child, was coming to, from the house but for a window and he said that's a little in the relampago

like a perro grandot that had the fauses very abirtas and it was with some comillos tremendous. What he gave me a mind

that was that the type of the eye was the of an person, not the animal and he was being

and he when the when the person is when that when that the little

the kid to get to get the control because that is that is that is

that is that is that is that is more than a person more than a person, more than a little

start, and start, like, grittable, that's allarm to all the children, and one of the

children grita, there's to get us to get us to and they're saying, children,

they're in a problem, they're in a little, I'm in the father, and it was

the he was the boy, they're he said, he'd say that in other

he, that, and the ma'iast is a Mwirted of MED, because he

Peked at the Puerte and he says, you know he said, that no he said

to be able to the door, and he says that when they are the they're like they

are two people, exactly the same, an old, and a woman and they're

young, and they say, Callate Maldita Abre. Palabras more,

words, words less, the sensation was of a idea of and

after that were not they're they're a goalpess, intenting to derivar. All the children are armed, arestated, but it seems that in a certain way, not are in

danger, no is to occurring nothing, until that's a breeze of aire in the ranchito, in this cell. The brisa of air is so delgatita that suenna like a silvito, and

it's become to be so potent that it's runcating part of the sabanas that cover in the windows. When that occurs, they're people

totally palidid, with the Cable Blanco, asomadas from the place in the storm. But it was like if they'd

not they'd not a lot of water. They were they were there peggos, and if you were at the

view to you'd the same sonrisa of the perro, the same level of the maldard.

The children are to get to get to get to the door, they're to get to

get to one and starts to get the other for come to go. The maestra knows that they're in a danger, no they want to get and it's then when one of the

crystals is a quiver, but this is the strange. At the day next, they're going to find those virus out of the house. It's like if someone would have been having something from the room, but all of the

room and that crystal was that kebrough in the second piece. Like if someone would have been there had been there and had been to runper it. After that the crystal,

he went to enter the water to chorros, and, even a second piece, he was in a place, and it was in the interperee,

and as if were in the interperee. And that's so you know, that made to make the master to get in

panic, not for things over-natural. Although what was living was terrible, he was to be able

to the health of the water. And in that was sure, you know, he no

guard the control, saca the carves of this carmion, and it's then when

they're the door, they're going I was up about the ears, no I wanted to hear them, but just when

they were at the door of the carmion, when he was up the children, and he was doing the other people,

these were around the in the part of back, for her nuka and all that, and she could cover

to the ears. In what the last he said, the last he was just just like

that the cables that connect your ideas were to run here and their and their

ideas not connected and not could be there, and It was, months,

and after years in regress to the composture. What was what they were the

they were with what they were that they're not the reason for that the abuel

after that he was that he was that they're not to get to your fortune

because said that the place that was a maldito no he could desacar

to he. I don't he wanted to get to another person

to a person to give to have to give a that it would have been made. No,

until that he murieler, minimum it would have to be to protect, minimum it would be able to be able to be to get to the sinuses. It was tried to incendiary but, it was like if someone would get a-cintor and it rocyra, because of a repenting to venting humo where there was a fire, and then there's nothing. No me permit to destroy it.

So, after the day that I'm mower, I'm, I'm going to, just that's all, degen, that's destroyer solo, but no want to that nobody pice that I don't want to the tomb with more responsibilities. And with this story, my dear family

nocturn, we've got to the final of this scura fogata of stories. For sure, notar the changes in this

video, because in what we got to get us, it was a bit of time, I'd say, I'd say, like, about a seven

hours. And in those seven hours, there were many times because we have some for this

2026, but we're going to little, but as we're not a minute what's the time you,

tell you sections, they've got this new form of to tell stories. What you

like it got to do it in the comments, because family nocturna we're going to end up to

end up to 25. Thanks to all of us for let me be part of this year

of all of you know, today. Today, we're the day that we're up as much

as your first option, as the podcast more heard, and all those who

have made in the rap and those who have been the doors of the

house of your house, for part of this family. episode. SIGERSONSON, if you're

in Spotify, give us the five stilettas, for that every seamedes more in this family nocturn. And, dithes in Spotify, and put it in the comments in Spotify, if you want to regress on the Placique Secretas, you know what I'm referring? And if you're going to YouTube, for favor, subscribe to,

give the campbellita, remember that it's because we're in the marches of the million. And when we get them to the million of subscribers, we'll have a super surprise that they'll have done. One of this, we've seen in the Saturday of Somsras, but from here, until

we'll see us on the Saturdaysombs, I'd justeke to have a little pesedias. For sure, Merida, we'll be here. We'll be for

there, the 19th of December in the fogat in vivo.