HABLEMOS DE LO QUE NO EXISTE - Descubrimientos Aterradores, Entes Perseguidores y La Carreta de la Мuеrtе | Episodio 393 | HDLQNE

Episode Date: May 25, 2026

Bienvenida FAMILIA NOCTURNA a esta Oscura Fogata de Historias en @HABLEMOSDELOQUENOEXISTE El día de hoy César González, nuestro querido Narrador del canal nos trae unas historias que hablan de encuentros que jamás vas a querer tener en tu vida, porque el Pibe por andar de testarudo, se topó con una carreta que nadie quiere ver porque los claven ya no van a poder contarlo. Cristóbal y Mary van a hacer su viaje de vacaciones, pero nadie en esta tierra estaría preparado para lo que ellos vivieron y hay tres maestros que tienen un gusto muy peculiar por lo oculto y sin darse cuenta. Tal vez han abierto un portal en su escuela, que da directamente es el infierno. Estas y otras historias en esta Oscura Fogata de Historias en Hablemos de lo que no existe Por cierto Querida Familia Nocturna, acabamos de estar en León y en San Luis, y el próximo SÁBADO DE SOMBRAS, prepárense para que les cuente cómo estuvieron las Fogatas en Tu Ciudad por cierto querida FAMILIA NOCTURNA de Hermosillo, nos vemos el próximo 6 de junio y prepárense, porque si les gustan las historias que han estado escuchando el podcast las que les llevo para este en vivo están más envolventes y un poquito más aterradoras. Nos vemos en la fogata de tu ciudad en la reunión de la familia nocturna en Hermosillo. Sonora el 6 de junio #ByeBye

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You're among fans. Welcome to Famine Nocturna, to this oscura fogata of stories. The day of today we're going to talk about about the discoveries, entice-persegiders, and the carrette of the murder. But, before to start, let me say to

a little, to know where I'm getting back. Because this end of the time, were the presentations of Leone and of San Luis. And if you want to enterer to what these things that were

good-simates, I recommend that we'll see us in the next Sabbath of SOMBASS. But, before to start, I'm a couple of recommendations. Be and serve you to have to come. Accommodate

where you're not psalm, but not apag the light, because we're going to start to start a fogat of stories. Comeensamos. The first error of Carlos was having to have been after a time in the job, and the second error to do you know in this story.

Carlos Fonseca it's from he knows from the 18, 19, 19 years, like the pibe. This, I'm talking, that is of the the time of finales of the

80 initial in the 90, and the apod they put for the pibe

Valderrama. A archer, a porter of the selection Colombian that

used the hair with a kind of a kind of

frondos very peculiar a style unique. And from the day in that

he said I'm I want to make him Carlus he had

the hair but he was a kind of style as the

to be in a way in the way that it was kind of in the middle, but the people understood. No, how to paint the cabo? His hair was dark,

obscure, but he was pein'nating in that way in the way that he was like it was a put to do that

the kid. The good kid, me mad this story. Today is a person that has a

newtons. But this he occurred much before to castarse and it's the only event paranormal that

has lived, but is one that has been one that has marked all the He was

He was in the aforas of his city. He was a work of

a work. I know exactly of the job. But what is that

how he caused a problem to the head great. Amarrasse all the

hair, guard and and over that the first that's

the first that he was a great, he gave a santa he was in

the reason, you know, that's even that you get to garrar a machine, no you know the you know,

and then all the day, it's just the day, it's turned to be, we're going to try them, we, let's have

some malle, that's that they're in the head in the head, he has to come here,

but very prepared. The poor kid, no, he was this, for a

situation. He maltratat much the cabel. And after to get us the red, look,

that the face fomdozo that's that was with a little the only, and that's interesting,

it was a cartonado, all like, all of any that's in any hard, do it, and doro,

do you know, but he didn't know, but he thought, but he said, that I'm good, because the

presentations were quite good, and the city in the that I had many,

there was that I'm, that's he had to maltraters the cabel. And, well,

that's so to do, to do, to be to manage the stress and not remet to get

to another way his house to the plant, it was 40 minutes. Of the plant to his house, 40 minutes also had a

way to go and back, no way, it was the only place that was the only little bit more problem. And is that

that carretterer for the carretta, not was a carretel that was transitated. At the

final, for that way, practically only was the people were the people, and they were

to be a velocity moderated because normally they were they were in the company. But the

kid, when I went in his bicycle, he had a problem. And is that in that after the

last of the night, nobody, absolutely nobody that were a court and was to

be a word. And that was the place, a cabo, and I'm

on your bicycle, or in a vehicle, she was not to be to be to you.

And they said, they were they're they're the many that many people had

encountered there, one's out of the other, others, chocating against a part of the serro that in the feldas,

let's go, because it was on the carreterer, or more than the carreterer that was over the falds of the serro.

But, all, all, they had a all of them all of those were born. The pibe

was a bad, but what also is that also, is that he was he's not

very good so they're in the turn matutino. It was practically the five of the morning and was going to be

around the six of the morning and with that's it's very well. After that after the two years,

they were the turnes rotative. The company started to implement this system, let me be

that they're one or two months of morning, one or two days of two months of time,

one or two two days of the time. The pi he was

the time when he took in the "'I'd go in the camion, "'regressorce in the camion. "'But he was so enoched and so stressed "'that he's made of words

"'withal a friender, "'and he terminated. "'And they were, "'and they're really, "'with the maledita Maya, "'me jenna, me jenna, "'me, I'm gonna' "'dean't do you

"'are you're going to "'are me going to turn "'corrying for that. "'And he decided that he was "'he was to move "'in his bicycle. "'All those quotes of the "'the no one of the

"'one to be sent "'that's I'm meantied, things that's invented, and the man, and the

other time, you know, he's in the bicycle, and when he gets around the seven of the time, the

he's not the security, he says, Pee, what's going to get to a double turn,

and the Peebe he said, no, why me says that because the tour

nocturno is the most short of you, you're going to be going to the two

the morning, and he well, well, well, well, well,

at the or so it was, I'm to be to get a bike to and the car to be

and the car to the car, it's a hour that you go to do you

do you know, it's about the morning, and he says, you know, you know, you know,

not there's the chofferes, well, well, that's the legend, that's in the

car, they're the time of the person, don't the question, not the way, don't the

guy, you know the He's going to go. There, "'Aye, he moves the "'mobile in your "'siclete. He says, "'Dehall here, and

"'Tel in the camion. "'No, pass a lot. "'Dice, but no "'you're not to go "'in' a bicycle. "'Pi, you're good a "'and then we'll get him "'and he said,

"'You know, much "'the bicycle, or what? "'Because the pig "'lowe, he'll have "'to be able to "'It was to arm's "'and he said, "'I'll just

"'he left those "'and he said, "'I just, "'in't just in "'in' in serious, and friends, of quates,

not you go to your bike. The man, he says to the guarder, he's not in a space

of the stasonment, it's a place to a poste that was in the security with the

that he was made that it was more to make a notion that this was a

but it was very easy. It was a make you it, it was

easy to get to get to that the car, but

they were there a robos, and less in the fabric that was a bit of a bit of course. The pibe commenced in his turn, and conform he was advancing the turn, he, he begins to feel much inquietude. And in his head, he came the vigilante, one and other

once, and he came in the record, where he says, Pive, as well, I recommend, that you go ahead, in the carmion, in the autobus. And then, they imagine in the autobus, yending with this company, that a while he left, and this company, etchandole, because no, that's

very valiant, that the bicyclete and no that's what, and so, here and you and then he was going to say, where I'm going to get to get a

little trompas in the naris and now see me going to go out. No, for security

I'm going in the bicycle. Terminando the turn the the friend the

he was the he gets with him and he said, I'm I'm I'm trying to

you, but not you're you're going to go you guys all you're all you

know the legend, and you're or nothing, and all they all know how it was the environment pesed in the area.

But the kid's a little bit of he said, nah, no to let's let's go to do you know,

and say, me going to make to make I know, you know, I'll just not to be so much

he said, he said, he said, for the amissed you, no you goys in the

bicycle. No, you're going in the bicycle, I'm making many, I'm sure,

not you not you don't you get to the and the the pibe, he says, no I'm going to

get. Mimma situation that the guard, he's got to my, I'm not I'm going to

you know, you're very necio, he's he's up, the carmion, the guardia is,

before the kid, is the little bit to get to get a little bit, he's a

one of the one of the one of there's, there in cabin, there you put a

there's a little, you're not you're not you don't you do you get to

he's going to know that you get us here. I don't I'm going the

I'm going you know you're a lot of you're doing this and I'm and I'm

not going to be insisting of that I'm saying they're getting to that he was a

bad that he was a little that the legend that he was that they're going to

do you a bad not he's not he he he said

with he he went to he he he went to the stuff

and you know you just to the head to one side of other and says, is a bit, that's a

man, you're just right, you're right, you know, I'm going to insisting. Pa,

he's met in his casetta, the kid he got in the meccate with the bike to and he

to make a all, but that's a guyy paces, pass in front the carmion,

he does turn a car, cling, two times for that all do you

do you and he's and he says, and they say, there's there's

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After the No, there was a possibility that the man had before the car car be the kid

and he has been a little a little light light and it one of the dinternas

begins to back the intensity because I had time to not change the batteries

the other the other is like a media light but it's more

better than when when they see a cold a lot not normal

in that area not something atypical, but he no he'd be able to coverise, and if he started a little bit of free, still advancing by there, when he's that in the long,

he's going to be the trailer, see the two focus, and he's going to, and the focus it's practically of the same time, and it's so it's rare, that not it's rarer that not it's that they're ever more grand, that there's steeos for all the

other, you know, it has taken the lights of the trailer, when they're in the bicycle, and this is different. And there's where it's where it's where it's not something that that's not quite it's a moment or other,

as it's, or maybe it's so pavolatino that's adapted before it's there's a lot, but it's there is all full of bruma.

There's a neblin denser, and if you can't see the light of that but are the distance and no there are

much so much opacas and he give the attention. Voltae around him and no can't be

any medium meter ahead, more than the doses of the trailer that are coming to come back. And when they're coming acercating a little more, but you'll say, that's what I'm saying, that's because the tintineo and the movement, it's not that it's static.

But no see more grand, nor more close, or nothing. He's going to the bicycle when he detain for complete, and there's something, something he's saying, that there the things are bad. That's not a trailer. And when it's a lot of

part of the that's a that's a that's a voice-cita maybe your conscience and the

part less necea of his cerebral so it so it's not you see in the

lenses the trailer those are lampars and when

he and it not that see no are not

so some those yams that are that's there

are there in some little and the two

have a movement tintinient pre attention in the

sound. There is a sound of a motor. There's a galopar of caballos. And apart, is the sound of a madera that is going toopoing against the soil, and something that comes going to goopocto, and he comes to the head to something. The carretta, the carrette of the world, she said to mention, that when the murder, his wife, she goes to her carrette and subes and the persons and she has left, and what is I was listening there, I had years to not

to hear of the because in the city there's a carretta in the road of the road,

in the madrugated, going to see the fabric, that's no more. There is something that

is a man, and when it's trying to get that the bicycle and get us to the sandro, because there

there are maturals and there's but where the bike the is a bigot is

a much it's the bike can to carry almost with a man.

It's a little the man. It's a little. There's a little bit

and it's getting to get to get to the little, this bicycle but with

a piece tremendous, it's a struend for the golf that's the bike

that's the world, for the type of the way of the the terrain

in the the car and he he's sunned there to see

that only his ear is how, even the light are in the light

and they're in the tintineo, the galopar is a and it's a circle, and it's a more,

and it's more, and practically is there, when he he's when he a little

a little, and the sound is horrible. And, after that it's aterrador, because I

have heard much relinchos in his but never like that, the

the nyebla the and he was two cabos enormous with eyes rogos, that are much more than any other than any that you have seen. One of them

is up with his patas delanteras, he'llpea with his caskos the the piece just at the side of the bicycle, and he'll be

a capuched that hasot that's afts there's a hand, he's getting in the bicycle, what it

is where it should be his head because no could be there, it's a complete

obscurity, assota the cabo, and they're to galop to get to the subject that is up

the cochero, the cochero, the that is a carretta. It's more well like a carromat, like a

caroage, it has, it's, it's, a car back, that has been a door, if you

enter you easily could be able to be a top of your head, that's a armatost

is a carter, he's a mancuched and, and it just a penas where is

the man, he disappears in and with him, the nyeblet entire is the place will be be able to

be able to be a bit of a kid is an idiot that is a thing is this thing

is going to be there is there this carromato where is this caroge where is this carretta

the the nibla it is the the same the same the same the same the pive is

the cat he gets behind the matter he can support the respiration no he makes

that any any type of sound and is there when five minutes after of a

silence total and absolute where not even they're the grillings

and no type of the animal he will hear

the the and now come and the new and the

never see and it only one just moving

on another on other he he's the rud and

the armatoste of the matter and again and again

to And it appears to Endendor. For that's Chocan. For that's they're in the

way of the way. And very probably not are the car's tannied. But this

cochero is detient and he to us to the car that he's and he

he's he'll go to go back to he's he's there

he's he's he he's to the he's he's he's

he's he's he's he's and the bruma, and it seems that the cochero knows that there's a guy who is

waiting and he's going to be to be in a car Sondor. He no he will be able to find, he no will go to go back to the way, and in some moment it seems that God said to bea of him, because it

are the rations of the sun, a lot more rapid than what they'd, and with the rays of the sun, there's a little the hope of the

the experience of the and with that the man's the piv's a despouried, I was going to the bicycle and never had seen a bike like a

little bit of a little bit of a little he can get to get to get up the power that has for the

adrenaline, he's up and go to the devil to his house, he makes to his

and he never, never, never, I'm going to go back on the car,

and in transport or nothing. I report I'm, I'm a farm, I, I'm a job

in other part and never never in a little a legend, I'll

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why. Mary and Christobal are nobios. Yeah, they're more than five years in your relation, and they've decided that this year is your year. Me one, I'm one with you guys, because this is our 2026, but Mary and Christopal decided that they were going to do a trip to three cities. This was like his vacations. Three days in one

city, three days in other city, three days in the ultimate city. They're in their auto, and yeah there are applications that can't get

places that's so just in your your present. You know, the first time, the one of the first thing

they were, they were really really well, the place in the place in a zone, oh, and when

they were, they're getting, they're not unsecured, but from the next one of the people,

out of the house, and went, and he's present, and said, oh, I, I know,

I know, that here the people come and rents because they're to be a way of the situations of tourists,

then what is it is going to offer here, here they're some people and they're doing a person super atent.

That's you gave much confidence and much tranquillity and you also the and they said the barrio and

he said the man and said the barrow yeah is very bigito and there there's people

that only confound with a barrio you, you know don't see preoccupied. We've lived for those we've been for those

we're getting, we're and we're in here. What you're offresk. Communiqueen's with me. And I'm incar. But here, we're just we're

going to get us and then you and then you said, fifted in the house of there in front, you see that

bicycle? And they're a well, it's three months, no, they're going to move to there.

Here, nobody's the person. And see, look at the house of there. That's

that they're a new Ropa called out of And they're in And they're in They're all right If you're It's all right

It's all right Yeah, it's It's over Oh, it's that Poverceita De'Reputt The re'n't She'll go

The chivas Almond And says But there A year Yeah, And who's going to

get to Not of here. A man She's She's a front, Andra's this While she

It's a She'd be Yeah, And he's Baxter Baxter Aller And it

saluda, they're new and the new new and the sir, and the sir, it's But, look, all over, and it was out of being so incredible,

and the experiences were being so diverse, that valia the pen, it was worth, for more chiquities that were the places where they were to get,

for more reconditous that were to be, and they were to be able to make some these experiences. Sentient that, that the universe

was conspiring to their favor, because they had said that year was a year, and this year was going to be a year,

and it was that if were the second the other the other things not only not only

not changed, but they were in the car in the little the car

the old the walls, the little the way, and what they were

more a lot of a camera socia that not they had

been not the house was the house was

beautiful and some things old not for colors pastels, but for the little decorations and details or of some person

major that had like collections of tascitas, of teteras, of figuritas. Every quarter, he had like little details. Some of one,

it was like a pallas somandos from a window and it was very chistos because he was at the side of the window and you'd have been to look at some and see someone

and so. And no, no, there was nothing of that because it was a kind of that was like that were

like beautiful. The place were so accocedent that they were so the opportunity

like to bring records good, records sensibles. And there the city, although they were

in the house, was like to be in a niche of love, like to know,

and they were more, strechated more laces. When they're they're in this second

city and this second house, they're they're a duke, saying to the

The place is incredible, that no see them for the photos, that have to go and know it, that not only the price is asequible, but the place is so, tan, bonito, that is an experience unique in the life, and that they're as a super-recomviansed for any pariah, a beautiful, what they put in.

To the third city, van enamorados, enchantos, jenos, as energy of expectations. This third city, they had rented the house more beautiful

of all. Because they're the we're we're we're

we're we're we're we're we're and we're in the first

because in the first had got to get into those cities all the

all the all the third they were to dispil farrard a

little if they're to do those those just those

sometimes they're they're they a car to be a restaurant beautiful

or visit in some museum or or something, but they'd have been to because they were their vacations

and they were they'd like to get to be a house and the house not does it a good at the description.

The house is a house that's a great, in a barrow beautiful, it's a good, it's

a good, is a little a little, it's what they see. It's a barrio, it's a little bit, it's a

barrio, it's a barrio, but it's in the few, but we're not they're interest in to talk

to talk to talk about any type of any any of each

everyone is in the world but the very the park never

never had been not not they're being they

were they were all all all part that

was that was so they're so five escalone

to get a porche abier as all air

living with a little teachito that there had

two Puartes of entry for the house. Hamas had been

seen a house and the two doors and the two doors, if you

have you do you make you get to put up these piano and things like that

the thing that they had seen in the life. A house with two

doors of a door to the porches and for what they had

paid something something something something that was They're subbing. The serratura is

electronic. No, they're in form to open the door to the side of the right. And when they're

there's a there. There's a other way. That door that was to make it to make things

enormous, not it's not so. So, then maybe it's some type of condomino. It's a

house duplex. It's divided to the middle, and this side live in some residents and we're

going and they're going to the house and they're on the escaleras and the escalars and the escalars are

tapas. No can't go to the second piece. That's very, very, very extrano. If you can

get a moment in the top you don't know there's not in the door. And then so two houses, are four.

We're in the right, and one of the right. There's a other right of that's just only is to have

a barrelhoous but really the space in the space in the space that's like those spaces that's like grandes, not

and they're little idea. The first night they they're going to do this kind of a

kind of a little claustrophobic a little incoomod. The abitation that is an abatation that's a

big thing that the bathroom is more than the house where they're living together. The time of the camera is

a king-size and the space that could have that would be maybe to two king-sides

more. The room is very, very, very great. Never been been to

a bit never been a an apartment so great, but to you'd be the impression that

a bit of a bit of a bit of a lot of a lot, it would be a lot of a certain

and you know, you're not, you think you're a little, like a little, as a cell,

like if you're as if you're a prisioned, like if not were a house, like

if it was more a carcel, the parche, these people are to put in

to talk, oh, I'm not I'm not doing to be able to be

after two hours to be closed with the light up and finginginging that they're dorms. Inclusive she

she began to breathe to be a very much and he in some moment, about because

is used to do you get in the words and if she respond is that she's that's

that's she's not she's that's she's a time. And then he says that

she's she's the instant. I'm too I'm sure you? You know what?

Is that I'm seeing that we're going for the and Mary he says, I'm too he's not

he's not he says look at he's not we're going to get to get us this is the

house most beautiful is the room we're the room, we're going to get to

the window and the window and what be out it's he's

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like if were an amount of animals that are looking there, the eyes are brilliant, when they're grita, and in the moment of gritty, he's up down to the

camera, and Marie he's a guy, he said, Christopal, you know, he's

gritty and what you know, and he's a question he's not he's never never had

had been a thing that and I'm I'm a dream of a man who and I'm and I'm

there's a man who's so I'm so that I'm and I'm and I'm when I

don't know I'm I'm and I'm and I I'm what you what I'm

what I'm I'm I'm was exactly the same, nothing more than in his dream

he was the he was the he was in the day next to the time. They're in a couple of

every time. They're in these vacations, not have been the exception, even if they had been

up more time time because they're much energy and much a day. Now at a medodier,

they're very much, they're not had been been used of something, like if you had been

been a thing you've been a sport and when they're not they're they're just they're

that conversation about those monsters of the eyes Amos they're like monsters. They say

monos or animals. Something that was there in the patio and that he was observed.

Christobal not he doesn't to preserve that emotion. So what does that

once he's when he got to your first hour was with the

day with the day, go to the door the door

the door and he come to and he he's he

comes but he caro to the caraj. And he's two, three, four

times, and Maria is a more in the risa and there's well, but nothing that's a

minute, and he's un' exagerated, and he said, I'm not to be

going to be doing my vacations Mary. And she she met to to be to

back. The things occurren as as they have with

a with a power with that they're going to come

to do perfect. And one of the time that they're going to get

any one minute more there's a minute more there's a thing that it's like it's like

it's like it's like the place, but the place is a but are sensations in the

sense of presences in the court of the house in the house that's

at the same at the same they're at the piece of the end the

person of is doing something in the bathroom because it's a one and other

that's it's and there there's that's going to when they're to be

to be not a hard and they're just just the moving

the muebles that not don't make a or two that

those that are and rastra and around and up and up shh

shh fash fash fash fash fash shh fash

and They're so arthur, they're in their apartment, there's a ventilator of the door,

they're in a maximum velocity, the two they're taping the eyes with a

one, and they're not in the light, and they try to the

eyes, to be the mind of these people, that the

that's the world, no, it's the house more and they're there

And when she gets a Marie, Christobald is pegged to the ventana and he says, Mary,

it's me that I'm making a house, and she's in a big, and he says, she's a

marie, I'm sure, because I've those who came down and they met here in the

entry, Mary see a one to see a after this this is this should be a thing,

this is this not can be a monos, we're a year but it was a a pesadilla. And,

and while it's thinking, he's how something is moving out of the room and is doing a room,

something like if rasguna, like if raspera, and then some pass-tits, he gets to the door and

start how they're rasguny, raskuny, raskin, and he says, Christobal, what we're going to do?

And when he he has the eyes Amarillo, Maripeg the grito in the sky, and he's

still the car, Christobal at the the side of her, he's sudden but in a manner

profusa and he's talking and she's talking about and she she's she's

getting a hand on handotasos for all a lot of a lot of time. Tard of

he's he's he's he's waiting the eyes and then he says

oh Mary I I'm I'm sorry you have two two eyes and she never he moves the

above and he said raskable the door too she she move the and she mory

Let's go here. Let's go here. No, it could be that we're doing the same. They're going. But there's

a little that I'm to comment. To guard the record those they were they were

a camera of photographs instantanias. And the day that they got to one of the

houses, they took various photographs standing the two together, and the

photographs they'd they'd they're they're they they're that

night, that night, that night, said, because not they did in that moment, metiered rapidly those things in

the mallet, they were. They were all the day next. They were in an hotel very short of the house,

no they said, they were not, they were all very so when had terminated that third night,

but yeah in the hotel in the they had been in those because you know,

they're in that the house of that the photographia that's the picture the house. No,

it's the only that and Mary he says, Christoval, no, we're not we're

going to let's talk, one here. I don't want to remember that that's horrible.

She said, no, are our records. No, I'm going to make a need to

get a morning. In the morning, we're we're still to get to come to get

to the morning, I'm going to get at the time, and I'm my message,

and we just we can't We'll forget about that place. But I want the photographia. Marie he says, I don't want to

go back to see that. If you enter and you enter only. They're all both to go and the

vehicle when get in the car and want to do you. I don't I'm trying to get to

get to that's a little, that has a little. Christova he says, no,

it's not no pass nothing, just going to go to start and go. The

door, the door, the door, the one minute after. corriending of this house,

but she has been a sustado what he's he's going to be infartate because he's palid, palid

and gore, corry, he's up to the auto and Mary says, you said, he's

saying, when the door's going to the door is going to go to let us, let's yeah, let me let's get

nothing in the hands. He says and the photo, no I want to say nothing,

Mari, let me let me let's yeah, let's just, let in middle of the carreter

to the I'm going to back to house. This poor man, it's

more than a time to be a lot of time. In more to be going to be

going to a slow, and I'm to do it. And I'm to say, you know, I'm going,

you know, you're going, you're going, you're going, you're doing it's you're going, but I'm

so I'm, it's not so much, it's not a dream, Mary, if it's never in that

house, and Mary, and Mary, he's, because, no, I'm, I'm,

and I'm getting where you want to get those things Marie Attras of us in the photographia were in the space and was there

and when me left I'm getting to hear about where I started when I started to get to and I'm going to get back back

I'm going to have the photographia Christoval and she said they're going to be going to get to be

and I'm so I'm so I'm so that's so that for favor so please have me

your orations. If me permit, I'm going to tell you the story of one of the schools

most embruchas of all Mexico. I want to tell the story of Noelia, Edgardo,

and Camila. To understand us well, the three are the three are a master of a

school preparatory. Noelia, let us is the that is the that's in the

other two people, because Camilla and God, not they know they were

but noelia knows both and has a amist with both.

There a in turn to the gusos of the three that's a noelia he's

and ultimately it's a lot of the lot of nonormal, investigations in camp, the Urbex,

videos of appearances in schools, and at that Ruelea without Edgardo and without Camilla,

I'll a spirit box. He bought some little some little some sensors of presences and he bought a

part of things more. Because Noelia there is a moment of the day in the space of time of time of the time

right. Just to at the 6 of the school is practically obscura's and there's

one of the first maestras that gets to get that year because that's

when it's not get in that hour and a half a year after that will

that will that would be that she's she's the only is the

intendent to the guard of the door and there there

and she she's a person sensitive is a person that the long

of the life he's a little the sensibility with

certain people not I refer to empathize to me

I'm more. Cargats, energies not he doesn't describe

because not doesn't do do but she does

she when a person is when a person is not and with

that's not perciv a child you is a beautiful, but is very serious, very callied. When it's a master,

it's the manda-mast of the salon, and he says, but with a bocerron to the students in those who they they demand the things. Then it's popular with some, and a bitipopular with others. But, just he's all right and it's very tranquil.

Casse no he doesn't to direct the mirage to the people. Not a person sociable, and no he doesn't want to to be my attention. His form of vestirese

always is like covering much her body, with a lot of so you're in the time timeative, then if you'd get to get a

madrogad, and in the school, you know, you'd get a question that you, until you

have you in front when you're going to you're going, what does here, sir, what does here, and you

see a surfer, and you see, and I know, and I'm saying, if they're in that they're one of the

things that more of the They have been to work in this school because a many

people who have to get to and they're in form to get I'm and I'm

and I'm and I'm think it and it's idea. And as I'm going to

colores a little apace, the light, and it's that's not that

all the majority. I just just I just I just I'm just I'm just I'm

if you're the reactions that they're some my my Spirit Box

I'm my sensors and just I just minutes to put them to prove and I've been trying in

all the salons of in the preparatory. In one of the salons, if me passed, when I put the Spirit Box, I started

like a voice that I responded to all this not in the moment, but in the recordings, when I put

to play to what he had grabbed, he was a voice of a person as a major,

of a man, and I respond to different things, Auxilio, help,

and in one occasion, he said, Noelia, and me made me fear, because is the same name. There's other place in where I put the spheritas to see there were presences. And when I moved to the center

of the salon, I made my pendul, the pendul so it started moving very rapid, and never had passed. And all the spherites have

started to learn at the way. And I said, I'm allowed and I'm just all overed, and I'm abandoned. To me the situations

paranormals. I like. I've lived nothing so far but I like it's emotional and I'm

sure I'm there's a thing I'm having to so I'm doing this all the salons of the

school. Edgar is occultist he's he's all of the occultism of the

actually Edgar's very chistos because the the cabo the the

he has a past of his 54 years he has he has

he has a color like a gris but at the that coincide with a mechon-blanko that has in the barbilla. So, it's a very chistoso, because I'm sure, and never I've said because he's going to offend.

But I'm sure that he's all right. He's he's going to be very dramatic. The line in the barbilla, the line in the and the hair, and as if it were a mark in the rostro. No, they're in the sejas of that color, and he knows that if it would really a little type, like, of problem, of mark, it would have to be in

almost all the rostro, but an Amado has been the barba, and I know that's all right. I know he's all right

to say, but I'm sure he's a little, like to be a master rebel, he uses

chaketas of quero, she's super-peinated the barba is always super-estetica never

she's all a little so much, and his mind, and his mind-you- is a good- like if you're

having to you're revising, and he's occult-ist, That never said the Adrupnos.

And uses chaquettes, because when they're he has taken, he has the tattoos

in the and he's that they're made that's made to make sure. I'm also that

he's other than other than other than things, but not it's about it

but I know I got to I'm that we had to do you do

do you do he's he's he was with the spirit box

and me he said, I, I know I don't that I'd persecut spiritus. And it was the only

person that, when I said, look, what radioe-city so, that's chistos. He was the only that he saw the name, and he said, that's a paranormal. And I've been started that he's said, but he's said in serious. Me, he said that in the school, there's many things, and that one day me would tell her. For other side,

is Camilla. Camille is a maestra that I knew the year past, in the me of a mid of a chismazzo that had provoked there in the preparatory had been a master, and Camilla I saw that, I mean,

and I knew a lot of that had some that I mean, and look, as we've got so many, me I went over, me went to do it

and I was a little bit of all the chism and all the details, all the details and was I've lived there, and the first

man, he was he had gotrard in the cell of the master of the same so they were they were the

was the she smearly all. And to me, me it's that, I mean, no see, but if it could be that Camilla was the that he started the rumor, who knows? But well, after that, one day Camilla, had much fear, standing in the Sal of Maestros, he said,

oh, yeah, what, it's, or, or, it occurred to something. She said, no, just, for favor, accompany, no, me, I'm not sure. And conformed for going to the day, I did count that, that she put her like, she was, I was, I was, I was,

or wouldte about one side and other like if there was a way and nobody had entered on the cell of the

master's, I'm going to say, I'm here with you keep here you're in a little a lot of

and I'm and I'm just a hand and I say, no me I'm just a

only I'm know, that she she's energy but also she's and that

when she was a little to have a problem in the cellver because

they're that they're that a house, where there combinations of caches, where there

secretes and they were to get a mind that they were dead. So, so he's

profondisar in the theme, but me he said that I know that there are

things that not are spirits of people, and that they're much fear

because they're very very very very understanding. Entendient

this context paranormal in we're to say I'm had much, I had much to contact to the spirits.

Edgardo me said, 20 at the 5 of the morning and I you're to before that you're not sure and in the

time we can't be able to work at the time in 45 minutes here we're we're saying oh yeah but if just

we're just we're just to come to make sure than a third person and he said and he said

that he only he only did these things with people that say to much much confidence and a

Camilla, neither I know. So, so we're to post-ergar the situation to

play to the whig. And a day that I'm in him to him in a little,

but he's a lot of the eyes. I think I had been a problem with

his husband, because look, very medium, but he has much

bronches because the husband has been he has got in various mov

and for more that he doesn't he he can't he

because he does he the husband. He gets Camilla, so, I think to me

to talk a little and he he'll the way to and he he's going to understand

no important if he's here. And he said so directly, me is going,

me is going, me is you know, and he he's got to do where he's

like a pastio where he had been a came to Camila and he he's

he's he's he he's he's you're he's he's

he's the he's no well. And Camilla I looked to see, you also see, you

also. He said, and I'm so I'm very so far you, you you know you know,

but I'm so I'm know, so that's the essence I'm still, that's bad you

and she was a little little bit that me he's a man, he's a old is an

dark, and he's and he said, oh, too, you know, you know,

I'm put you I'm pretty, I don't understand of what they're about,

for that I'm going to that this, Edgardo, he's said to the satanism, that he's to be the demons,

because I think they're going to be about that no, man, call you the boca,

that's it a bit of a bit of a man, and I did like that was

out of the conversation, because me, Edgar, he said, and I'm saying

how it was the thing, I'm going to come to come to come that

that day that had to get more because his husband he said

that in the work he were going to have done a venton but that was a hour much more

more than the usual. I'll say I'm going to get to do you, he's having a movevices in the actual, you know,

it's going to be doing the vigilance and that when he was going to go to the passio principal and he He's heard passes behind

of her and that when he he went to the final of the pastio, he was a woman,

that is a woman, that's a very incipient, a bad, very disordinated, and that the

eyes are black, absolutely. It's a presence that's a man, he's a

shirt, a short, like, he'll, it has a aroma like a kind of

a lot of the other people looker in , no it's a person

without a house that's had meted the school. Nobody he had seen. And she's

not he's not he had seen outside of the school. She standing outside,

he was a window and that he was coming and it and he was

and nobody was there was a person. For she she was

that she was not a person, but now that was in the pass

the voice of that a voice of that was a voice and he

of five meters and he said, Camilla, help. But the voice not was amable. It was like he was ordering Camila,

Ayuda. And that, to her did much fear, he begins to go to one of the

salons, and when he goes to do that he's a hour and a half, he was

he was there's there's in the cell of the master's. He's

he's he's he's sitting at and when he's sat down being

and without the because not to be the place, the place

is a little the time. Camilla here now.

And when he said that Camilla wants but the door not

and the door back and back. It's between the bank

and she was about three meters to to

talk her and she she she started like

the lights part partied without has been pended the focus and where parpadean, logger to open the door,

and it's the same of the guarder going and he's going to get into the guard, but all the whole the

guardia, he was abrassant, and what what was what he said, and she said, and she was being

by the rabid of the eye that he had been back, the she had been

she, she was she was she sentia like, because that thing was that was

like to change all his emotions, he'd cut a much control like

about your power, and one and other other way, he said, Teatro, Teatro,

Camilla, Teatro. And in that Edgardo he's met. And he said, ooh,

you know, I didn't that I'm and I'm back. And he said, the

blackos. And he said, oh, that's he've seen, those are

bad, those are they're what they said, a minute a minute, They're in the theater of the university,

the two contabond they're the same. That if you're a person normal, the only that you're going to pass is that you're going to get there, you're going to be so tonto to get you more than a half hour, you're going to feel the body that you're going to get a

and you're going to start to feel a enfermo. As much people counten the same, it's corred the rumor that there are things in the pothososyed or some chimicom. But they say that no.

That that is the place, no, that's the guard of the black. All the banks, salvo some, there are some of those are ones that are in color black, that's very much the corpses of a human. But if you look at least with detail, you're going to be that when they're in the box, those are absolutely black, but those are being marked.

And the book is red-reau-completedly, like if they were the liquid vital rojo therein' but the the worst of the blacks are in the scenario and

they're in the screener and when they're up there the actors, solos, they're

they're and they're very strange because the actors have dismayed and have done

the cold even when the ventilators and the air conditioneded the place is the

place is the 18 degrees and they're They have got And it's because these things are mount and those chuped. They're saying that they're not But they're not going. They're not mortgives spiritual and mordidas that they're going to get ridges profound. He said that if she's Yeah, he said, well, what you're going to find out? He said, well, what you're going to find out of

session in the school and we'll we'll look us to get to get to get to here. And that's a narrator, we're going to do the next week.

And I'll tell you know. And with that story, my dear family nocturna, we've got to the final of

this dark fogata of stories, but for the before before to tell me in the story that most

that's what was the question? What of these? That's all this maybe they're the same

maybe it's in this so, subscribe to the channel and if you're on the five

stars because 700,000 and reactivable the Plata Secret. But, well, before to terminate the episode, I have to say one thing. And is that the next 6th of June, we'll see in Hermosillo, dear family nocturna. We'll

see there in the fochata in your city. And prepareate, because the stories if these are you liked, those that you will be there, much better. Now, said one of this, dear family nocturn, we'll see the next week. And prepareens it,

because in the Sabbath of Somer, I'll tell how they've been started the foggatas in your city. Now,

so, to we're going to be the Jueves or the family of Armosillo that we're seeing that

the same of June, the desire that they're a good, desegias. Bye, bye-bye.

Oh, and I'm you're saying me you're not. And if they're another, in the

fogatas, if you can't do let us a bit a bit a let's be

a bit, from here until we we'll see us next next week the next week's

I'm sure that they're so that you have had a lot that's that's yeah we're

we're going the things we're we're we're the proactivity paranormal is present

in the channel you have one that I got it I'm I'm

this this time or the pasta but I've tried I've got to

but for another reason, we're going to do another reason. We're a lot of these stories. It's that here is the moment. No, I remember of what country is. And if you know

what country, what city, for favor, put it in the locometters because if it's a fair. There's a city that,

let's a quarter parts of the city, is a city very beautiful, and a very beautiful. But the

ultimate tram in the city is super insecure, but insecure at the level that the people that

are managing the automobuses that recorrents all the city, they're in the doors, and no they're not they enter there because it's precept for things very

very fervous. No, there's a time that's not without, you know, that's going to a risk of

tremendous. That's in the day, in the nights, no, there's a time that's and the

chofferes practically are going on the parades to get to the final.

Well, the person that no those mando, I said, I have a job in

the time in the time in the time. I'm talking the ultimate bus. And the problem that I'm

is that's a job very demandant. When I'm the bus, I'm of the last time. The bus

goes to be there's a car to go to a lot of a time, that I'm the only that's

the only that the people, let's have in some occasions that, oh,

hey, you know, and you you know in what part of the city is, no,

I'm going and I'm going to and I'm going to be in the question, you're going to be in front of the

but also. It's like politics of the company, and I know. The problem is that me has been seen the

time in various occasions. And in three occasions of pure a miracle I got two parades

before the that I took about and it was a pylisked and I mordia the language, me met

a cachetatat because no and I was and I knew I was to get to get to

those crumers and I'm going to be a lot of also. Also, I know there's

form of to get in the central of buses. So I'm have to go to go to

and no, no, no, it's going to get a bad. That's

that time. Really, the travel had been been very demanding. I've been

a situation personal outside. I've had taken to the time. When

I was I was, I'm had, but no I've done with the day, I don't put it, with the day, I don't with the

car, I'm I'm in a carmion, and I remember that Ibrass very very a lot of the

cellular, and I'm going to say, oh, please, no, you know,

I'm going to get to get a and now I'm going to get a and I'm getting,

no, no, dormied what he's seen, and in some moment I'm I'm, but I'm

direct in the o'clock, Chava, Chava, I'm name, Salvador. Only my friends, the most serkanos, me say, Chava.

Nobody else, for my physiognia, I'm very grand, and barbom. Nobody me says, Chaba. But my sercans, know that's it, and I like, because this is the sercania. The voice was so calid,

so beautiful, that made me that I was a little bit of really a bit, I'm a little the object, and there's a

subject that's like in cucklillas, and there in the carmion, around. Never he had seen, a A type ruby

and me is looking with some eyes and he says chava, you have to back here. It's important

that you back is here. You know you know you know. You know some places ahead.

It's a seat and it and so I do you paro, the carmion I'm going I'm doing

the carada and the chauffeur so far abruptly because yeah it had

passed that the carer of the caro but we let me go

I go caminando and and all bolted. No, I see the chico there sent out, but, well, it was to be able to the other side, and for the altruas, it was all. To the day next in the job,

I'm super-agreased, because really there, if no me would have to start. Me suvo the last carmion, now, I'm a lot more despier. Tomey my precautions. It's the same chauffeur of the day anterior, and I go,

oh, yeah, the person of the day of year, that me desperto, you know, where you know, you know, where just where, well, yeah, despite of where I I'm the part

dangerous. And he said, no, you're going to you're the last. I'm

not, no, no, I'm I'm just sitting at back, I'm a guy

ruby of eyes and he said, and he said, he said, what?

Well, that was, that I backer. And so, he said, a narrator, where he

asked, he said, he's not, he's not he's not, he said, my head, how,

how madres said my name, no no no I didn't any part

you have to you have to put in the world, and the man, the car of the bus, me is saying,

and I'm saying, a little, a little there, there was a little after me in the bus. You,

you've got to the last of, you did you do it's a thing, I did you go to the end of the

you know, I was, but I just I said, I don't put to be to get to get to

you, and so it's a question you're, where you did you, I just to go,

I was to be saying, for you to start us but is that there's that there's a

little to be your angel of the guard and a narrator and so it's that's a person who's the choffer

no way there's no no way, I'm there and how I knew that I'm that I'm

that I'm that I'm exactly there so that's my god's and I'm oh, that's good

really, yeah yeah, yeah, yeah, we're gonna we're we're gonna

we're gonna we're we're Bye.