HABLEMOS DE LO QUE NO EXISTE - Duendes , Brujas y Encuentros Siniestros | 296
Episode Date: June 2, 2025Bienvenido a ésta Oscura Fogata de historias de Duendes , Brujas y Encuentros Siniestros en @HABLEMOSDELOQUENOEXISTE Conocerás los relatos de diferentes miembros de la familia nocturna que los ha...n dejados marcados y traumados por haberse topado con la realidad mas oscura de las vivencias paranormales. Escucharás desde entes cubiertos con cal hasta seres féricos con los que nunca deberías de interactuar . Y lo mas aterrador es que una miembro de la familia nocturna vivió en una casa habitada por un angel caido asi que prepárate porque estamos por comenzar una oscura fogata de historias en @HABLEMOSDELOQUENOEXISTE HABLEMOS DE LO QUE NO EXISTE es un canal de youtube con el formato podcast que comenzó en abril del 2022, su primer episodio fue "vivo en un casa embrujada" en el que una chica narró sus vivencias y sucesos paranormales a lo largo de 20 años en la casa de sus padres, desde ese episodio hablemos de lo que no existe ha marcado una tendencia en exponer casos paranormales de personas comunes que viven en diferentes partes del mundo. Ice Murdock es el conductor o host de éste canal, durante casi 100 episodios no apareció, nadie conoció su rostro y la comunidad de éste canal , la familia nocturna , creó teorías acerca de quién era el dueño de esa voz. Hablemos de lo que no existe se destaca por tener apertura ante las opiniones experiencias y vivencias de cada uno de los invitados. La comunidad de éste canal es conocida como la familia nocturna, de hecho por estar leyendo o escuchando ésto, tu ya eres miembro de la familia nocturna.. bienvenido. El duelo de historias es un concepto que se creó en el canal @Hablemosdeloquenoexiste, idea original del narrador, se estrenó en el episodio "Comité de la Muerte ,historias de Hospitales" el 1 de junio de 2023 y empezó a implementarse formalmente en el episodio "Abrí la puerta a un Demonio" el 11 de Enero de 2024 ; consiste en un duelo entre Narradores, una dinámica sencilla, donde cada uno cuenta una historia y busca superar a la anterior y al final la familia nocturna nos comparte en comentarios cual fue la historia más aterradora.El Narrador y todo el equipo de Hablemos de lo que no existe trabajamos para darles a ustedes querida Familia nocturna contenido original y de calidad, tardamos a veces semanas ideando formatos luego de tomar en cuenta las cosas que nos han pedido a lo largo de la temporada anterior y por eso el día 23 de Septiembre de 2024 comenzamos una nueva temporada que llamamos FOGATA DE HISTORIAS, en donde el narrador prepara una serie de historias escalofriantes una tras otra para retar al espectador a terminar el episodio por el nivel de miedo que genera. En este canal se relatan historias de terror paranormales, sobrenaturales y reales, prepárate para conocer el miedo de una forma en la que nunca lo habías experimentado.
Transcript
Discussion (0)
Welcome to Family Nighterunah to this
oscura fogata of stories.
The day of today we have the episode
296, and I do
the name, because
every we're ever
we're more to episode 300
that will be a special
that they'll be to
but today,
today in this episode,
I'll be about
the duentes,
bruchas,
and spiritus
in in in those
that,
believe me,
no you want to
start.
But,
before to start
this video,
I'm here,
I'm sure,
to you,
a member of the
family
nocturna,
the audience
of this channel, that me
helpes with something,
that me appellees with
with that union
that's always
us make characterized to
all those who
are part of this family.
Help me with a
part of the first.
Revisa here
in the buttoncito
that says
subscribe to YouTube.
Revisa that
is pressunated
because there are
many members of
the family
nocturna
that are
that are
not that are
not still
so-script.
So,
revise that
is subscribed
and if you
not you're
simply pression
it and pression
the
campan-a-
the notifications. Second
thing with that I'm, to
pay help. And this is an
help of the heart.
We're doing a breached for the
20-26, to start in the Spotify
Awards. And we're going to
to work now, for that
of the repent, well, not
we're not getting nominated, because
we're not getting a near. So,
so now we're not getting
a certain. We're going to
help. No, there's another way.
You know, I'm going to this video,
you'll go to Spotify.
And in Spotify, simply no
you see us and
give us
five
stars.
With that
that you
think me
us is doing,
but not
it's a
greatuit.
I know that
you can
take a
two times
a pair of
minutes but
not it's
but I'm
going to
pay with
stories.
Because
today the
stories that
I'm
profoundly
terradoers.
So,
so let's
we're
going to
the
stories and
terminate
and
subscribe
and
subscribe.
Sivettett
and
give us
and
the 5 stars.
And
This story that I'm going to
tell me,
the story that I'm
manned
Frank
Quenta that
only has
only had
a living
paranormal,
not a
encounter,
a vivance
long and
tortuousa
and after
this
experience that
happened
after
years,
no
want to
never to
know
to know
that's
even
this
can't
because I
have
heard this
because I
have seen
that they
feel that's
that's
not a
because
what you
is
to
to have one or all the torrentions
that you have to be able.
Resulta that Fran,
has around
10, 11 years
when he lived this,
was a little
a child.
At the day of
today is the sum.
You're talking
you're a adult
of 25,
26, 27 years?
Phantasmas,
more, phantasmas
less,
but Fran,
in that time,
being an
adolescent, a 15-yearer,
received a grand
gift of his
birthday.
First,
she had
had spoken with
her family
when they
they said that if I wanted a
fiesta, if I wanted
some gift, if I wanted, and
he saw that
father and mamas
were all over
what they were,
to be able to
do a house,
she said that
no.
That's a
good, that's
going to be
to start a
party,
for that they
were to
get to get a
house.
And you know,
as the
papas,
were people
very derivos,
and that
were really
they were
planning a
little,
because Fran
was her
first
little,
she,
had a
her brother-a-chiquita-chikita, but being
her first little, they'd have been to venting a
year-two, and even if they were to
return a year or two, in the
company of the house, they were
all the party. Traditions,
at the final.
But when they were, like,
this profile, these
guys of help to help
to help them,
they were to start
much more gas,
mom, she put to
make to spend to
make pastels and
empanadas,
Papa,
I've,
a second job,
poor-sitos,
because the two,
no manches.
It was,
it was over
had to be
a carmion diarious,
can't
those
desechos,
but they
had a grand
surprise.
When Frank
he was
your surprise
was the
house.
Yeah,
they had
had been
and they
they were
they were,
they were
for the
enganche
and with
that they
were to
their
place.
And there
began the
pesadia.
They were
in illusionated
they were
many
emotions
encountered
in a
,
say,
we're in a good way. Much
felicity, the situation
of feeling to feel free as, not to be
paying a rent, but now
they're going to be paying their house, the
house in the case in the way they were to
their family minimum when they were
children or in those first years of adult.
And they'd have all these illusions
and maybe was that, or
that maybe, that movement
emotional that occurs in those adolescents,
that say that sometimes
despirting things in those
places, because that
house was received, but
like if they had opened the ports of the
infirno. In the case,
there were things very strange
since they were. First, a sensation.
A sensation that no
were not even to say it, it was
living, but, caged it, you
see more beautiful in these circumstances.
Ante the illusion of the
papas, or under the illusion of
Fran, all those assumed
that not were good to say
to the other, that when
they were alone in some
an abitation,
they were
observed.
And they
were always
from the same
those most
points, just
where there
was a
place.
It was like
if in the
person
you were
being a
feeling.
And this
story,
maybe,
for a
motive
personal,
a me
was a
real
repelous,
a certain
sensation
incomodod,
and it
was because
after
after the
few minutes
in
one of
the
habitations,
sentian
that
of them.
Yeah, not only
it was
to feel
observed
from a
space,
it was to
get to be
someone
and there's
and there
was a
person,
and the
thing there's
things
strange,
sonnidos
in the
house,
a
sound
a
sound
recurrent
of
some
the
two,
those
that
are
that's
that
the
back
the
house.
The
father,
the
the
father, the
father,
the
Maybe the system that they had to hauler water,
a type of bomb a mechanic or electric,
was it was a perfect.
And genera this type of system
because sonnable like a cadena
that was rastrava for all the techo,
but always durable more or less the same time,
always genera more or less the same rhythm.
He commenced to asker to the residents,
because we're talking about that
is a colony with casas made
by some constructor.
Then,
all those
have
more or less
the same
model of
the same
model of
tinaco,
the same
bomb of
the water,
etc.
But nobody
had to
that's
and for
more that
he had
a problem.
He said
to the
company,
the company
that they
send to
the
company that
they're
they're
a person
for that's, you're, in a
There no
no
no
no
there's
nothing
so it's
so it
I'm not
I'm not
he said,
I'm here
do you know,
I've got
done some
three years,
45 minutes
to have,
over the
the key,
back the
the key,
stry in the
bano
to get him
a movement
in the bomb
we're going to
get a
time the
bomb of
we're going to
get to
let's
five minutes in
those that
no
he's
no mows
no mows
no
no mows
there.
that the papa
yeah
started to
feel
he's going to
feel
he's
he's not
the bomb
of the
water was
in the
techo
and they're
even
the bomb
of the
water
was
behind
a
piece of
a
place
in the
area
the
water
the
water
and
then
the
sound
of
the
the
door
no
doesn't
but
he
he's
he's
he's
he's
to
try
to make
to
the
story
that's
invent, to
bring the
technical.
As they're
good migas, and he
did some
good at the
technical, the
technical he does
his data and he
says,
look,
then let me,
let me
come me a
car's, and
you can't
not you
care, no you
want to be
doing it,
because no
I'm going to
make a
perfect, we
don't know,
we're going to
get a
good,
and I'm
saying,
you know,
I'll say,
I'm going to
get this
story,
when they're
going to
let's come
to come up
very rapid in that
house.
There's a
sensation
continual of
intranquility.
No,
they've done
after after
a month
and a
but nobody
want to
be there.
Nobody.
The
Papa,
of a
great reason,
to be a
house to
a house
with a
little bit,
a
time, a
time,
because he's
doing a
work,
because he
doesn't
be in
the
air
little
there's
no,
he's a
small of the
many demonies,
and he's
because he
not want to accept that he
does fear to be
to be in front of
the house,
she's a
feeling incommod,
that sensation
of a presence
behind him,
that's a
sensation of that
someone
has been
being incrementing.
Fran,
is strange.
Because first
was she was
she was
she was
she was
her,
and her
past her
and her
and she
got the
the colors
that I
wanted to
the
other
and they're
being
been
a come
a come
a
comoda,
some repisyses
for that
put there
a pair of
new new
and there
things that
yeah,
and the
quarter
after two
months not
was never
done.
Fran
had said
that they
had said,
and
you know,
Frank,
not is the
type of
person
that
does it
and not
it's
that's
he's
and that
one
after a
second
after
the first
time
that in the
first
same thing,
made,
and it's
was just a pen to the first
hand
and the
tableons of
madeira,
yeah,
the lot of
painture,
even one
semi-abirted
and had put
the picture
yeah
deteriorated,
but Frank,
not he
had to be
to paint.
I don't
say to
him to
make a
and he
was a
final, the
last
he was
a little
he put
over the
she was
and he
made
that so
the last
so the
last,
it's been
like a
little bit,
because
where where
when
that
that man, she
she left her brook,
she fell to the brook,
and she went to
a muggerito,
a muggerito,
that was easy
to tapar because
moved the
car to the
house and look,
but Fran
he knows.
But Fran,
no,
he doesn't
worry to
Mom, and Papa.
Mom,
and Papa
did a great
effort, and
she is very
conscientious.
Moma,
has been
many times
with the
little vultas
with her
her mother,
he has been
many things
to do
out of
house.
Cosses
that all
just
did
know
that's
things
that they
can
get a
and even
even to
get to
his
husband
he's
not quite
to
do you
do that
and they
will
be six
months
six
months
that all
those
families
not
that
they're
that
they're
they're
they're
they're
more
more
more
but
not delgated
well
not delgated
like
when
you
exercise
and
a
diet
you know, you can't very well your life, that you can't
see with a little bit less
of caches, but with much more energy and
with much gas, no.
They're consumed,
cansed, those eyes undied,
desgasted.
They're very pressonated,
and yet in some occasions,
those families have said,
of form individual,
oh, hey, vent to the house when you
you want, take a little bit of a time.
You know, if you want to, we're not even if you're
we're going to give us, we're going to
us, for
we're going to
and they
disconnecting,
but for
some strange
situation,
although you
don't want
to be in
house to
keep the
house at
there's a
there,
there's a
don't they,
not they're
not they're
not much
years
after,
when you
they're going
to say
directly,
I don't
I want to
I'm
not like
it.
It was like
it was like
the
house
me took
with
grillette
in
in
some
point
of these
months,
he started
a
sound repetitive
in the
house,
sonno
that they
were just
a little
little bit
a lot,
sony
that they
had been
given to
have been
a lot of
very
very dangerous,
he said
that came
in moned
the
great problem
here
is that
just in
the
entrance
of the
certain
mornings
there
monas
there
monnas
antivas,
moned
that no
correspond
to the
time. And you can't
say, as you
ever
ever we've
seen,
there's a
technique to
the windermin'clock, and
has to be just to put in
certain kinds of monadies with some type of scintilla, and
that technique not are, there no
ventilators of the techo. What that is
there, is that even if there's no ventilators of techo,
what is that. After the
madrugated, listen
the
call of
moned at
times in the
entrance
of the
house,
there's
monetals
they're
they're
not even
what's
what's
they're
the
that's
that's
they're
not
not even
and this
solopamient
this
intent
of that
all
will be
so
can't
be
and they're
and
they're
very
bad for fran.
Because Frank,
from all this
our own intuition,
called internal,
necessity of not
there,
she'd get in the
house.
Papa and mom
have to
get to get.
She says that
she says,
no, if you
want to come
us, and for
some strange
situation that
the day
of today,
Fran,
no,
he doesn't
get to get us
in the
house.
Gras or
her
because she is
the first
that she
is the
first that
see a
the
daughter of
the
house,
to the
a
real inclina.
It's in
the
bathroom.
When
he's got to
something,
something he
doesn't
look at
the
picture,
because that
that's
a sensation
that someone
never
never is
after you
have a
room,
you see,
you're in
a space,
you're in
the sky.
They're not
they're
not even
they're
but in
this occasion
being
being in
being
so,
and it
and it
and it
long to
that
that
minute and a half two,
it's a
second and he
he put her
button,
is it looking
how that
was a
door that
was perfectly
serrated?
It's not
to move the
cerrature.
It's not
necessary.
It's like
if never
had been
been
started to
get a
little bit
and it
and be
by the
space
as a
way,
as a
woman with the
skin
totally
black
but black
not me
refer to
a
a
real
a real
normal black,
but a
skin
that practically
is the
one of a
mummy,
covered of
some type
of a
white.
And this
skin,
that is
a black,
but
black,
of a
color of
a gis,
the color
of the
color of the
color,
let's
see some
those
eyes,
horrible,
full of
maldd
of a
woman that
is
so mott,
and the
rostro
and the
person
very
very much
that.
Frank,
when he
that,
he's
feel like the
heart of
a second or
other
brinked to
be in
a carterer
tremendous a
in a
little bit of
that's a
little bit more
that's
a lot of
and has a
great-of-a-
but the
word is that
is to cover
to be the
parts nobles
to be
in the
piece and
that cover
the car
that thing
that is to
get to
get to
not to
get to
no-
there's
no-
no-mere-
and that thing
is a little
and it
she's going
she's going to
she'll get to
she'll
know how time
passed,
until she
she'll hear
to the car
and she's
a lot of
fear of
leaving all the
puddor
to go ahead
and he
going to
get to
say,
Papa,
Moma!
Help me!
Help me!
When
enter in the
papas
they're
they're
they're
and what they
do you
what you
what did
what?
What did?
What did you?
What did?
What?
The poor
the little
she's
a little
he's
exactly what
happened.
Because she
didn't know
that she
was.
That same
time,
hours
after they
about
about that
her
of the
black, the
eyes,
of a
face,
of a
other than
has a
contrary,
he has a
great
enoch.
And
my mom
and
they're
going to
want to
say,
no,
I'm
we've
been
been
very tens
and
very
very
can't,
but
those
both
know
that
really
she
saw that he saw that.
They've never been so desustada.
Lo know because Fran is a woman
very puddorosa.
Beardly, and that no
he import to her snudeness,
and he was talking
that he was fronted to
something that really
he had quebrated.
Frank, yeah no can't
be alone in the house.
No can't be alone
in the house, because
at that time,
that woman is still
she getting.
If she comes
down to the camera,
the other side of the
camera,
be some feet
black,
also covered as
this cal
black
and they're
some grittets
in the
these.
Those grillettes
are old,
they've been
that have
lastimated to
the woman
that they
have put up
and then
she can't
get with a
man to the
camera and
it's down
and it's
to turn to
the
hand to
and not want
to give
that the
people
they're
to be that
and they're
to start
to
start to
move
to
the camera
until the
the moment,
that's
so yank
or maybe
his grito
is so
that
They make
that mom
and papa
go to the
room and
they're in
there
and they're
down to be
down to the
car,
yore and
disconsolated
rota.
Papa and
mom
know what's
they're
not the
idea.
The papa
the papa
start
what is
what I'm
what I'm
what I'm
that's all
she's all
she's
like a
thing,
I'm like a
kind of
a demonio
and I
start to
ask you
to the
family
and
it
there's
a
a primo
a little,
someone
who,
maybe in
his infancy
had been
a good
relationship,
but yeah,
with the
past of the
years,
every
kind of
every
he's got to
this prism,
he's not
very much
kind of
of a cult
Christian
that he
doesn't
know,
but when
he's
that the
he knows
of those
things,
even
even having
been
more of
a
little
a relation
and he
he said,
he said,
he said,
he said,
I'm
you know,
for what
what you
most
you're,
but God,
Jesus,
Santo,
we need
your help. And the
Primo says, what happens?
For favor,
come to the house.
They're going to
things here.
Me said you
you're going to
God.
We're the
words of the
Lord.
It's a
man that's a
religious.
But it's a
man who
is a
desire to
his family.
And you
know what
is going to
do you know,
I'm going to
say,
why simply
not they're
not in the
maletas
and they're
something
that's
they're
not to
answer.
and is that when you're
much time in a
place in a place
in a lot of
your form of
your form of the
way of the
way of
and your form of
and so
many people
that have been
this in this
probably that
may be the
decisions but
not that's
those are
influences
malvats
are being
being manipulated
by the
things
that are
that things
perhaps
that sometimes
they're
that sometimes
one of
the things
that they're
they're
at the
an initial, and not they don't
count, is the liberty of election.
For that's the
Lord, being used to say,
what you do with you, the person,
and he gets to try it in the
person, and when
he gets, he gets,
he says, Primo, here is something, and
he says, yes, I, I know,
here is there are something,
here is that for this
I'm trying, no, no, no,
you're saying, Prima,
because you're here in this
house, here is something very
Mal. It's that Primo is the
house that we'll buy us and he says,
Primo, if not they're going to here,
what is to be here, it's going to be
a lot, very mal. The primo, he says, no,
well, but you're going to us to help.
Primo, that is more important in the house or your
family. He said, but still haven't done
you've done. You know, I'm saying,
what is here is malo. Necessitar,
they need to be here. The prim,
understanding that the
Papa of Fran
not is going to
go to
say,
Accompanion
for favor
to do you
try a
the airing
the airs
the airs
while he's
doing a
oration
that is an
oration
that is a
not a
pre-fabricated
that with
this
not I
don't want to
that the
restos
that are
that are
simply
in this
case he
he had
he had
like
things
he was
he was
his
way to
express it
or his
devotion or to be able to be
to be God or
to give the
help divine.
He did.
And,
and while
he said, he
had the
family,
he had to
say, and
he was
arrohating the
and the
family
was stupefacta,
gulpied
totally by the
reality.
When the
the
oil that he
had,
he had in
the
the
part of the
instant,
making
like it
like it
was like
the same
and they'd
of the
Sanger
for
all the
part.
And the
first of the
first of the
other,
and he said,
they had to
go to get
to get to
this
this thing
this is
good.
The father of
Frank,
to do
say,
no is
a matter
to be
a person,
it's a
thing,
it's a
way,
you're
you're
past
much time,
and here
you've
been more
to
get a
person,
you're
you're
not the
other
you're
just,
you know,
so you
don't know
they're
Vendas that you're in the eyes
even when the
other do you
can't look
they're in
the head.
Some things that
you're not you've
done to know
that they're
doing that.
I'll tell you
want to pass
two months
before the
time and you
know why
she's back?
Because
the right, the
woman of
Blanco
has his
shirros,
trai the rest,
his sec,
and maybe
his legion
when they're
when they're
they're doing
because you
In occasions, Fran,
he's here.
And for the rabrillo
of the eye,
the side of
the left of
that's all the
person,
that's all the
time, and he
starts, and styrase,
and styrase,
and styrase, and styrase,
and then,
Papa and Mama,
now see it,
around the
camera,
there are people,
people that
have in the
hands,
persons that try in
the feet.
And if you
have the error
to close
the eyes in that moment and concentrate
you, you're going to hear your
comments, you're going to
move to there, but there's a
odio, there's a courage, that
has been present precious to the
place. And if you commites
a poor error, as well,
the father of Frank,
to try to talk about
to dialogue with them,
they're going to transmit what they're
because, of a repent, the
papa of Frank,
de la nada, of a moment,
another,
he begins to vociferate
malas words,
he gets to open and
he started to
a wallpired
at a point
that's
lastime
the muddil
and of the
time he's
and he's
he's
and he's
that's
that's the
that's the
that's
that's
that's
that's
when the
when the
he didn't
control
and of
his own
his own
he was
that was
that was
he was
they were
they're
going to
go.
So,
that thing
he did
he
was there
was there
he
What did they
occurred
in these
things?
No,
they know.
What
is that
that case,
for more
that they
intended to
rent,
never nobody
supported
to be there
more
than a
time.
Decidion
that
they were
to continue
paying to
another
or other
way,
they got
to get a
bank,
the bank,
the bank
to get
with the
house,
and the
pasted
the house
still
back,
letter
of that
lettered
that's
quita and not
during
any one
month.
Obviously,
they don't
live in
the
place.
And then
they're
exactly
they're
they're
to do you
do you
do you're
the second
thing that
also
is that
the family
of Frank
turned
two years
in
recuperate
in
your pass
in the
heart
and then
they're
the control
of their
life.
Lazang
surgeled
Puisance
Moyin
Pus
Puerre
to
enjoy?
Fere to
Live the pleasure with Leo Jo.
The casino in line
that proposes the
the most recent
machine-as-as-soo
and the game of
casino in direct.
Profite of 50 tours
gratuys
on Big Basneza
without exigance
to miss and with
payments
instantane.
Hey, I've gained.
Woo-hoo!
Sontier the pleasure
Play-Ojo.
108 and plus,
1,000,
10-turb only depose
bank-a-Bas-Ban-A,
deposit,
depot minimum of $10.00. Veyereroyer justly to be able to bea-raise.
Publiy,
savoury,
admire,
and profite.
Via Rae,
the voice that we
am.
Aprenner
Artes
Oscuras,
in many
they're
going to
say,
but it's
like to
a rouleta
Rusa.
There are
many
possibilities
that no
pass
nothing,
but if
you get
to
happen,
it's
quite
pretty.
In the
case of
Selene
he took
something
something
too
and
this
history,
no
they can't
send her
she's
her mother.
Resulta
that Selene,
more or
when he
had a
17 years,
she decided
that I
wanted to
know about
something.
Something
she was
a
little
a place
and it
was a
little
little
a little
little
kind of a
situation,
that not
she was
she was
attracted
for
to
talk
with
people,
and
to do you say to the tarot,
to know
about questions of
rituals,
ritual,
and the
family,
the day of
today,
no
know where
he's
this information,
because
he had this
inquietude.
No,
he's idea,
because no
a brother in
the family
of them,
the family of
them were the
television that
was the television
abirta,
neither even
they didn't
have a
time,
then they
didn't know
the best of
Selene
for this,
but well,
Selene finally
came
to some
other
way to
to travel to the city and
to do something.
With cositas,
I mean I refer to
a guy,
I bought a whiffa,
and he went to
do something in
solitary.
It's a little
there's a little
there's
a little bit of
a little bit of
a little, and
the people
is so secure and
too that
that's
cars abandoned
that are
even even
even have
puttas
there are
even that
they're not
they're
not even
they're made
and you're
just to
you make this.
There's
no way
in that city.
They're like the vestigues of
something that would be
to be a city that would grow.
But now is a little
a little,
little.
So, Selene,
in that time,
Ibi's got in
some of those
houses and started
those things.
There were the
scandals.
After one or two
months that
she had their
bells,
the tarot,
and these
things,
there were
people who
started to
cases abandoned
in those that
had been
not because
those
had seen,
but because in the night
they were in the lights
those were in the lights,
Luses that
were
Like they were
Like the
Luses
And the
Family of Selene
With much
She was a
Percuitable
And they were
A-sia of
Aeser of
But they were
Selene
They'd
They were
They were
And they were
They were
Oh-oscos
Not they
They were
Like a
Like a
Like you're
Doing those
Because
You're
You're
To get
bad with
What's
What's
What's
What's
They're
The day that
They're
They're
They're
They're
People
People
Ignorant
Papa
People
Ignorant
Mom
not they have
done
you have
to support.
And they're
they're doing to
you're doing
but you're not for
you're doing this
and you're
doing this
support of mom
and the pap
not they
would be the
time of the
why you
do this?
Because
they know what
they did
exactly.
No
know what
what practice
he was
first,
what practice
he went
and she was
she was going
to go
she was
only idea
what he
did you
what she
began to
to terrall
to all
mom
and her
her mother, that is the
that's the story
many years
after this story.
It's that
Selene a
day,
he went to
say,
I'm
I'm going to
see you.
He was
sitting in the
table of the
commodeor
and me
said,
this I
did with
my eyes.
This is
this is
and she
said,
Selene
wants that
the light
be able,
and the
switch
was
and the
light
was
I was
I was
I'm
and I
did.
And then
I
wanted
that
the
the light, and the switch
was up and it was
turned.
All we're trying.
Because at least
time that she did
that the
house was
a rara,
rara.
It's like if
the reasoned
the house and
if it was muck,
like if it
was full of
to be able to
be able to
be able to be
that every
that time,
every time,
I am sure
so I'm very
miedos.
So,
so more
I'm not
me do you do
know
me
I want to
with this
witch.
It was
something
was it
was a
but she
little to
start to
use more
and more
these things
after
after five
that's the
truce of the
time
that was
she was
that was
so much
we're not
much
we're not
we're
we're
we're
I'm
I'm
narrate
because
I know
not
not we
did a
other than
she was
she was
she was
she
put
on the
place in the
and they
they were in the
lot of the
plate those
they were
to move
to one
not all
so they're
so they're
to get to
get to
and it
not normal
no there
no there
no
there's sismos
in this
house
and so
there was
making
a moment
that's
I don't
need to
never
I'm
simply
where
posable
the
there
there
was a
postable
on the
door
and I
saw
that
I'm
was
there to be
the
door
was
serrava.
She'd
out of the
house,
she'd
get a
little
the
little
and he
over the
rattito.
Narrator,
I'd
say that my
her manna
was a
man who
was a
man,
was a
person,
but not
that's
every
that I
used
those
things,
the
house
was
a
bad,
and
conform
he was
using
those
more,
more
feo
to
the
point
in the
nobody
he
had the
nobody
did the
My mom,
after she
passed and she
went to
she persinable
and if I
was there,
I'd have to
the hand and
we'd put him
to rest to
say it.
I'm sorry.
We'd have
a menaceant
but because it was
a menaceant,
but every time that
the house,
it was always
to say a
little the
place.
If it were
our nerves,
I know.
But for
what what
was then,
I'm almost
sure of
that no.
One day
my brother
no's
He's up. Moma
he's
talking the
door.
He's
like if
if he's
talking to
a pair of
and he
he's
he's
he's
he'll get
to get
to get
to
a night
so.
So he
then they're
toke and
toke and
and it
and it
and it
sounds like a
but
not us
call it
and say
but
it's a
voice
was a
sound
gutural
horrible
horrible
it.
It was
a sound
like
a
They seeer in the
boca,
so pesed
that we
kept in the
and my
father,
no it was
two times
he said,
he said,
he said
to make machetazos
to the
door,
no he
functioned,
three,
four patadas,
at the
final with
a
little bit of
a
little,
the door
the kebrew
complete,
my
her mother
was a
over
the camera
and the
voices that
were
the people
all were
allian
when I
when I
am
because I'm
Mewartre of
MEDO, and
I'm
understanding what
what happens,
his eyes
are completely
negro,
vying the
page, and
then they're
to see them
to be in the
life.
It's been the
moment
more scalofient
that I've
lived,
and to be
my sister
I'd say
her manita
but I
know that
she was
to be a
horrible,
like burlanda
of us
and they
they're
like they're
like
some people
he were
strujown,
it's
like to
move
to move
the camera. Moma
to prays to her. No
we had to do not even though to get her
doctor. We had not even
and we had any iglesi in that
poldit-in-the-pola. The pastor
or the sacerdote
had one, a month, months, and a half.
Then, no was in that time.
And my brother, simply
never regressor.
I'd have been with these attacks
rare, she kept in silence in the
house, she'd want to bea
and no, it was. It was like
if had ever been a girl
in the
body
adult
but that
the
caskaron
was a
and when
it was a
little
no it was my
woman
that was
black,
grises
burlona
things
that
we said
us
and he said
to say
things
you
never me
you know
you
know you
know
you know
she's
she's
she's
with me
and you
know
I'm
my
her name
two years
after
she moved
she moved
a
one
he
no
He was just a
No, he was
well,
we're going to
a woman
over the girl
and we said
oh, hey,
this, this
this,
I know he
could be able to
the city,
and a day
fellacy.
Why do you
think you
this,
Celen?
Since
that you
the channel
until the
day of
today,
there's
certain type
of entity
that every
that every
that we
generate
like a certain
incoododity
and a
a certain molestia, because me
it's impression that,
that even when
many people think
that are
very people,
I think they're
more than other
things,
quite more
oscurasas
to get to
the people.
I'm talking
of the duendes.
There's a
little to
call to
Camilla.
Camilla and
Bernardo are
quats,
are brothers,
and the
best of
all is
that are
complices.
The two
are those
are some
brivones,
but bribones
is
a little,
since
that they
were
chiquitines,
since they
had five or six
years,
these two
were making
making a
bromas
to all the
house.
Bernardo
he was
a little
a ball
that he
was in the
middle
and the
and Camilla
had to
make it
to make
that they
in a
portita
like
making
a tantit
a lot
and
he got
in a
room
and they
when when
they
they were
to
get here
under the
they're
they're
like
some
bandilleros
but the
reality is that
they were just
pruas
that never
done you're
to do you
and all of the
rissue
things
weirds,
they'd
just to use
to use
to find it,
and they were
very good,
they were very
and they were the
time they're
that in the moment,
in the
time they were
to come to
other
room and
they were
just asomated
and they
were just
bribones
complices
that's
a lot
and if
you
those would have you had
seen as
the same as
the entire
the family.
No,
they're going to
be able to
be sure they're
attacked as
the risa
to the two.
The best
people.
That's
that they were
so they're
so far they're
so far
those,
they're
their own
their own
language,
the story,
this is that
they're
little bit of
little,
for the
ten
years that
they're
to say,
you're just
they're just
they're
a code
no,
he's
a
question, he
he's
so in
occasions
there in
a lot of
they were
Morrowed,
chistos,
a lot
and quite
irreverent,
a little
irrespectuous,
but in those
limits
sanos.
For that
they're not
questioned the
day,
that's
that they
were all
on the
house, and
standing
in the
room,
someone
he's
took the
door.
Three
glowsitos.
Three
glowsitos
just to
the
height of
the
This door was like a
door of granary.
Not are these
doors that are
going to be
back and to
be a door. It's
a port
that's a
door to
do you.
Why they
exactly
that type of
port there?
No,
I don't know
but
so it was
the
door in the
house.
The
door
was to
the
right to
the right
but there
was
there was
just to
the center
and
they're
they're
they
don't
identify
the
that he and her
hermanita Camilla
so he
is that
he'll turn to
in the
room.
And then he
he makes
a signo to
Camilla and
he does a signito
with his
head and diso
putting it over
his labos
like saying
he doesn't
come to
come in pointillas
and just when
he gets
to the
door,
he's got
to get to
start to
get to
quickly
the door
and he
quickly
and see
how they
are entering
like
a sombra
little
a little
some
piecescitos in the
abitation of his
papas and the
door's
and then
he'll turn to
Camilla and
he says,
he's that
we're going to
get him
and Camilla,
we're going to
ask him.
Well,
who's
we're just
some of
some of the
children and
they're
those
so that
so that
she can
goreying
to the
house
to come
and the
one
he's
part of
the
door
then
first
Bernardo
he took
two
and then
Camilla
he took
three
three
and the
two
go to
those
so that you,
for you
don't they're
to find
then they
they're in
they're in
they're in
quarters different
and they're
they're
the door of
the apartment of
the room
and they're
some piecesicito
that went
to the
room to the
door to the
passos
and then
the door
of the
door of
the
part of the
part of the
father of
him and he
said,
we're going
to come
to come
to the patio
they're
they're
they're doing
to get
in the
ventes to
the
ventana. Bernardo,
is just in the part of the front, and
then he starts to-y-to-to-to-to-to-le the
door, but no he'll be to talk when
Camilla says, yeah, va!
And that was the indication for,
Abre the door and meddete, because here we'll
go back. But when they're the
door, that room is there
is a lot. There's no-in-navety.
And so, they're both
watching, and then, they're
some pass-itos in the pass-yio, and
they're getting, oh, see, they're going to
escaped. Intentan
to play to the
Skondidas that day,
but yeah,
who is that
was playing with
them, you know,
they're still
the game.
Passed a
few of days,
and they're
more of the
them about the
things.
Here there's
a problem.
Yeah,
no need to
be the
they're still.
Papa and
mom,
they're going,
and now
Camille
Bernard,
they're talking
continually
about that
they've been
a friend,
and that this
duend is
very,
because this
It's scone very well and
always
they're getting
and that they're
going to get.
The papa and the
mom are dead
to the riz.
A game more
of these two
locoes.
Now, they're
invented
that they're
so they're
a man.
To give us
a drama,
a day,
he'll buy and
a lot of
duend des,
a lot.
I'm talking
of a
bolsa
mediumamente
in the
that I
had more
than 20
or 30
types of
different types of
different types
of different
things of
second,
of third
a man,
things made
with
yes or
plastic,
Jugetes
of the
conventional,
things
about stentosas,
and they
started to
reparting for
all the
house, and
they said,
oh,
your friend,
the duend,
he had
more
a man,
and you
imagine you
and you
Marrador and
Camila,
mortes,
and that
the rice,
and that
not had
any pantaloncy
puttos
puttos
with the
hair all
parted,
and with
the hair
to be
they're used
and they're
they're
they're
they
they're
they're
they're
they're
more
than you
and they
And they'd
to say that
one and
another
once.
A the
morning
the next
he's
his
he's a
he's
very
enoched
and he
said,
oh,
now
see you
pass,
it's
it's not
that you
did,
although
yesterday
was
that they
did you
did it
did you
know,
and
Bernardo and
Camilla
don't
they're
saying
like
like
but
we're
not
we're
not
a me
don't
come
with
those
things
is
one
is
they
they did.
They said,
to be what we
did you?
How?
How did we?
If you're
to do you
do you get to the
cell of
the games,
all,
all the monos
that were
the house of
these dohons
that they
brought
the papa and
they were
all right
and the
one of the
part
and
none
one of
they got
the
and the
papa
was
so he
was a
so that
then
then I
did it
that he's
how he could have cuted the
head?
And the
sir,
he's quite
thinking,
if it's
certain,
to cut the
things,
we have to
use certain
types of instruments
and these
two are bribones
but not
are not good
to get
not a
hand,
nor a
armory,
how they
did you
put to
you know,
you know,
how
they're,
because
this is a
bad,
this
no me
really,
but
Bernard
and Camilla
are
a little
susted
they're
that his
so
so-s-
that the
other
duend
was the
was the
that is
that he's
that. And Camilla
says, oh,
you, papa, and no,
you know,
you're not
you're not.
And then
this is chistos
or not me
being done
about the dween.
How do you
did it for this?
Obviously,
Bernardo and
Camilla,
no, they
don't get
any information
because they're
they're not
what they're
and the
father's
so that's
so it's
so it's a
kind of a
game of the
game.
And that
he's not
and that's
he's going to
be there.
Acto
so,
Camille and
they're
talking about
to say,
oh,
but is
that's that
the Lord, you know,
then you think you're wronged,
and feero, then you
think you're
to say,
duende, doende,
no you knowches,
not be celos.
And two-two,
in the situation
that the day
of today
do you,
has that
they don't
want to know
of this
type of
entities.
In that
the room
of the
house,
in the
door
that's a
great-e
like the
granero,
that's
a new
another,
the
the door
is to
start to
start
and then
Bernard,
he's
something
really rare.
Like if
a unya
a
whole of the
noca
and he
generates
a lot
but at
the same
a sensation
of scalofrios
horrible.
And Camilla
she makes
that some
something
that's
a razzuja
and has
like a
garritas
marked as
and he
he said
what is
that's that
is that
he's been
over
the door
the
he's
try to
try
but
something
it
but
it's
maybe
he's
maybe
a
a grito,
it's tap
a boca and
he's
signaled
by the
red not
and he
a man
roger
grandota
that's
just in the
real
where he
that's
the door and
he no
he's
he's
he's
to move it
to turn it
with a
hard with
the
eyes
with the
not want to
see what
that's
the other
because it's
a
one
more more
more than
that you're
that's
that's
that's
that
it doesn't
that
ferra,
for you
and Camille
and say,
yeah,
doende,
we're not
we're going
to get to
this,
we're not
going to get
to get to
you,
you know
you're not
not we're
very
bad, and
just they're
just being,
how long it
back to
go to
and it
and that
that's a
dond, you
know,
again,
but the
papa,
I'm
to hear
to hear
to be able
to the
times,
and then
he had
tried
that they've
tried
that they're
having to
investigating,
until
that one day
they asked
to be
what they
they're
in the
house,
when they
they're
they're in
this
story?
They're
they're
they're
just they're
on the
house
there's
a
thing that
they're
doing to
do
things
and
things
and
things
that
was
a
fascination
because
they
was
to be
he's
there's
there
was
he was
he
and they
they're
they're
not
the
but the
father
then
with the house. It's good
that in occasions you put to think about
your amissities more cercanus.
If are people that really have
a linkable reciprocal, have been
people who have brought to your bid and all the
life of them, and if are people
that really are good
of heart. Why do you know this? Because in
occasions us manned stories where it would be
that the traditions more crudas
are people that in some moment
they're called people. No, I don't
you think that with that all those people are
a tradition in potency,
no is so.
But if it's good
in occasions
to put it to
reflectionate.
Revisar.
Lamentably,
in the case of
Marvin,
no took opportunity
to do it.
Marvin,
in that time,
I had 16
years, and
the amissed
the question of
the time of
the time,
was a friend of
his father.
Resulta that
the papa of
Marvin,
during
a time,
took,
you know,
a life
was, you
was a
time,
before to
He was a type that he
liked much
the bars,
to go to
places where
there were
many people,
and he was
a lot of
a life of
pleasure.
Why Marvin
said this?
Because the
Papa of Marvin
in many
occasions
about about
his change.
About how
the life
there are
moments in
those
you take
decisions
that you
think you
are doing
that's
doing you
can't
you're
you're
being in
prison
that are
too
can't
like invisible
under
the
eyes
but
you capture in the
Cerebrough
or the
heart.
And he
he called
because he
fell in many
because he
came in many
the sex,
for other
other side the
other side,
the alcohol.
That's
he did
all the
but then
then the
mom of
Marvin,
and he
starts
rebtinga
she not
he doesn't
he
apart,
he takes
the time
and he
he gets
a year
and a
year and
he
does a
the conversion of
the
case
that not
all
the
of him
took
to
be
to be
to
be
Christian. This
church in
special
was
focused about
in persons
that were
in situations
in situations
in situations
very
lamentable
for dependents
so there
some ways
of the
help
to help
to get
there and
little
a little
was
changing.
The
Papa of
Marvin,
during
this time
of a
person
different
to turn
to the
career
of
engineering
to the
two,
three years
to
end of
this woman
have a
Marvin, and this man,
after having
finished of the
career of
his own
he was a guy,
he was a
super
responsible,
super atent.
One person
that in the
community in
that was
he had,
all the
people were
they were
all the
people
all the
people,
they were
a great
type.
Why?
Simple and
simply
simply because
he had
a
person
a lot,
he was
a
person who
was
that was
that was
that was
very emphatic
with
the
other
but
also
very
very
He not send downed with medias tints.
If someone was in malice, in pastos in those
he was stoop,
his pecho not was a bodega,
he was said to front.
No, he had the problem
with that's enojured with him,
and no he important.
No, he had to change the world,
but he had clear
that he was a second opportunity,
and let's tell to the others
that also that also.
That's so,
that there were people
that were people who did
and there were people
that not.
Well,
before all these
changes of the bad
the way,
and be a new
person to reform
and be
someone to be
someone,
before that's,
when I was
meted,
but with the
fango,
after the
cooel,
he had a
good friend,
Luciano.
Luciano,
when he was
he was
changing,
one and other
other way,
was over the
other way.
It's that
you're being
mangonying,
you're
being,
you're not,
you've been
seen,
you know,
I've seen that
were as too
that's too
that's too,
but
But, little,
a little,
he went to this
man,
that Luciano
not was
not a point
and in a
moment,
he was in a
moment,
not with an
disdent,
simply he was
just he went to
frequent.
His can't
go to
runes
and had
had been
all contact
with Luciano.
Much of
years passed
from the
reform of
this
year,
since that
Marvin
and went
the years,
and were
passing the
years,
there,
for this
rank of
the age,
Luciano
he no,
he,
now with
canas,
a type
regorrette,
he be
very much
and he's
he's been
he's
he's
he's not,
and he
can't
he can
present a
quartito
to live.
He's
he's
he's
he's
and he
well,
the life
not he
had been
he's
he's
he
he was
he's
he's
friend of many many years,
but he was asking
help, and he
could have
terminated so.
So,
he's not even
he said to the
wife,
he's not even
he's a
his house,
you had a
little in the
room, that
in some
occasions
had been
had been
people who
had been
and they
get to be
there.
But since
he's going to
live there,
there, there
there's things
rare,
there
there's a
aromas that
come
of the
room.
Of a
repents
are the
kind of
that's
not a
time.
In other
occasions
are aromas
to plantas
mortas.
Yeah,
there are
two or
other
occasions
where the
mom of
Marvin
she
he says
okay,
it's good
we're
getting the
got right,
but he's
doing it's
not doing
and it's
doing
things, I
know the
people here, and I'm
I'm going to
to support,
always when
they want to
change.
Well,
well,
a part of the
beginning to
a luch
internal.
This type
that was there
said to him,
why he said
that's going,
that's
renovating, and the
father of
Marvin,
he's to
make a
call to
and to
be the
old of
many years,
but at
the same
time,
no is
a tonto
and know
that's
that's
a pester,
apesta,
that this
type that this
type of
this
the colors to plants
mortars, it's very
rare.
Passing the
time,
they're
that when the
house is
that's
for a report
of a
person to be
a person
in the
house,
not women,
a basis,
sometimes if
are,
sometimes are
men,
but not
see that
they're going
with
some
type of
plan,
to have
to have
encounters
intimos,
not they
are going
with that,
are things
different
because
it's
because they're
that
people
are
that
are
A lot of people
get from
very preoccupied
and they're
in the
people are in
there's
a lot of
and it's
then when
in a manner
fortuita
Spirit,
Santo,
God,
Suerte,
as you want
to be
the Papa
of Marvin
is top
in the
period
an
anuncie.
You
want you
your
life
better?
I
you do
amarrs
you
make a
Marers.
And it's
a direction
the direction
of your
house,
the
direction of
the
house of the Papa of Marvin. When
this, he's
indignant, defrauded,
robbed, molest,
he's cargid of enoch, and
he gets with the periodical
to the house, and he was with
his friend of that
time, oscura, and he put the
periodical in the car. What is
this? What is what?
What is that?
You do you do chisery?
Vinista this house and you're
doing chichesteria? For that you're
trying people
every
every time
I'm trying to
I'm going to
do you know,
I'm going to
live.
And if I
did it on
my don't
my don't
do you have
to use.
And the
father of
Marvin,
he's enoja
with him
and he
said,
look,
much things
you could
support.
But this
no,
you know,
you know,
you know,
you know,
but give me
a time,
no,
you do you
do you
do you,
you know,
you
and before
that you
need my
person
and my
little
you,
you're
because me
meant
you're
the car, me
utilized. And apart
of that,
knowing that I'm
doing that I'm
in front of this
things,
transformed my
house in a
cartel to
do your muggero.
No,
I'm here.
No, I
want to give
a day.
You're not
you're going to
have been
shown to be
how these
faces of
a new time,
and he
says,
well,
sir,
Papa of Marvin,
not you
don't be
to confront
to a
brute and
to settel
to the
enemy.
or me
you're going
or you
you're going to
you're going
and the
father of Marvin
only is
he's put in
front and he
says,
you're going to
you're going
to make a
patas
not you
never more
the sir
the sir
enter in the
room
he recoo
a part of
things,
they put in
bolses
to the
handado
he's
he's
he goes
and he
when he says
something
he says something
in
a little
that the
papa of
Marvin, no
and scupe in the
entrance and he
he's a large.
The Sir Luciano
no
we'll never
to know
during a certain
time, but in
the house of
Marvin
they're going
to pass
things very
strange.
In that
the room,
the first
is that the
son
he did
know that
Don Luciano
if he
had things
there.
The
pardes
had tisne
they're
like
Diojin
like if
this type
to quack
things and
with the
senisas,
to start
to do things
in the
wall.
They were
in horrible
and askeros.
The
piece was
mancheded
at
point in
that you
with any
no
non-trapi
or
no formula
chemical,
they got
to do
him.
He was
he gave a
courage
and
that
decided he
they were
to repinted
the
room,
they were
to put
new mosaikito
or a
new type
like
of a
form
prepared
in the
piece
for that
was
so they
were
again
in rent.
He got all
the moules
the regal
all the muebles,
but when
when they were
there were
to start to
do all these
changes,
they were to
tell that they
were they were
the way that
they were a
moment the
maletta
was a lot,
that in
occasions
after having
all the
put out
and they
and they
had woygretted
and
there were
the work
the workers
not much,
they were
directly
with the
papa
of Marvin
and he
said,
the Lord. He's that here is
there's a person. And the papist,
as a Christian, and he had friends,
pastors, let's say that, for
favor, go ahead and let's turn
to do you. Comminces to
and do you ask orations, and every
every one of the videos
cruhe and truena,
a basis in the room,
a little bitation, a
the house.
All those days,
a part of that
they're going to make
to doorsions in this
quarter,
they're going to
do things very
strange.
If they're
the keys
solas.
I'm
talking that
are these
antiquesimous
of the
area of the
house that
not they're
not used
those things
have been
redumbrs
that's
so you
want to
if you want
to get to
get to
a place,
and move
it to
the
the key
the
the
man of
the
man
saw
and it
was
and I
went
a lot of
a chorre
a
car
the house
in occasions
So, the
Sir,
Papa of Marvin,
that one
he wonceo
the ad
dark,
venceded all
that type
like the
stuff,
he said,
no,
in my
house,
no.
And he
went to go
all the
days for
a pastor
different.
What do you
to do you?
He said,
he went to
a brucho
and no
he was able to
he was a
mugrero.
Ayudem.
Pastor
after pastor,
one
after other,
seven
pastors
They were and in the seventh pastor
He recommended one person
of the community
that said that this person
had a little
done of liberation
that had been
had given possesses
and only when
this woman
had said
and if they put
to the hands
they were
and it was
like a don
that God did
so they'd
do you.
They said
they'd
trygherer.
When this
woman
came to
to restar
the house
began to
creugier
and it
It's a
Arombeer horrible,
horrible.
An aroma
like if
all the
place
was inundian
like
the plastic
that were
there,
and some
of the
chicharrar
and they'd
all this
hum,
horrible
of plastic
quamado,
cabels
that,
some askeoros,
but that
aroma
inund the
place,
the woman
no desiste
and still
being sent
without
a grand
calm.
They're
they're
about a
month
after
that
Luciano
That same day, when they said
when they were living,
the place was incendied
and the type
ended all the time.
After that,
he said the perdidiso,
and finally they were
that they went to the city.
At least,
that's what he did
in the house
of the Mr.
Papa of Marvin,
he'll regress to three
times.
This story that
I'm going to
give certain
data that would
that would be
that point.
The fact,
I recommend that
you want to
you want to
say,
posits, that if you
like the
thing of the
paranormal,
are those
that are the
things that you
have to
have been
precautions
very,
very clear.
There's
people that
me has
said,
I'd
be good
that you
do you
do you
do that's
a good
and I've
said that
that's
not going
to occur
not
because
obviously
for questions
of
entertainment
would
be very
interesting.
But the
reality
is that I
think in
those
things.
If I
think
there
places that have
certain energy,
I've lived
of the
area, I've
lived in
the same
that I'm
when they're
not they're
in a
place, because
it's supposed
that the
entities not
have been in
some of the
thing, it
seems,
it may be
that in
occasions
are some
some
times,
and these
places are
a
place in
that they
live,
or they're
in the
Bible,
it's
it's
cregian
or
creed in some of the
antivus
that the
demonios
habitable in
the mountains
in the
coves.
Also,
I was
the
same in the
exorcist when
is the
time when it's
the
people who are in
the escabation,
this demonio
and then
there's a
great viento
that's
aparted
into this
demonology.
Those
spirits think
that are in
the
I'll tell
all this
because a
a
very
not you
know it
what is what
it's the
that they're
incultes
with these
entities.
And so
we've
a episode
in Angeles
Ceyes
Ceyes
4,
in the
that Paul
Minerva
and the
person,
I'm
made a
good,
he was
about
that was
that was
a
one of these
entities.
You
I'd
say
because
it was
that there
our reality
and the
reality of
them
converge.
In
a
point,
in which,
in the
without
your
eyes,
you're in
a place
but
on your
spirit,
you're just
in the
fire
and you have
to have
much
care.
We're going to
put her
this
Chica Paola.
Paola
Vivio
a success
that
is only
for mere
suerte
for grace
divine,
for the
providence
or for
what you
want to
you want,
but it's just for
more than
than she,
more than
to her,
to be the
day of
her,
her,
she,
and her
husband
are in
their
like the
thing,
a place,
a lot of
that is the
same
in the
same
they're in
a situation.
They're
know,
they're
they're
they're
super
enamorated.
Decided
that not
to be
to be
to be
together,
and they're
passion that they have
that they're
that's
they're going to
go to be
to be a
house of
her wife and
they're living
in the
mother of your
mother, the
mother.
The
lady,
I don't
say that I'm
so I'm
so that's
because it was
another boca
to eat,
it was to
get a
little
refunfunion
in other
other occasions
not so much
that's not
so much
my
mother's
always was
very
we're very
can-e-
because if
we'd be
the man
very
and we don't we've given
we were young
we're doing it.
But the mom
of my wife
if we were
diminutioning and
we're saying
well you're
what's going to
do you're
what kind of
family are
to do you
do you're
to offer to
your partner
and to your
children when
they're going to
let's do you
let's get the
we're just the
not you're trying
but not the
but I'm
saying in mala-onda
it was
because I wanted
that her
he was forced
a little
the passion is the passion
and a veces
no entient
questions of the logic
so is that in
a little time
Paola and
her wife are
embarrasseded
Paola is
yeah it's
she's a pancita
but yeah
she's a sure
yeah was if
did a proof
and the
surprise
and the two
with a
sonrisota
of orejo
orreja
no can
they can't
get to
after after
after after
after
after
and he says,
we have to
know,
you know,
you know,
you know,
if my mom,
de-reptain,
I think I'm
going to put
better when
the boy.
Let me know.
For this
then,
I had a
job here and
he had to
some peccasito,
but if
he would
allow the
renta and
to plan
malvivable
a
but they
have been
a quartito
in a
house.
This
house is
a house
that's
in the
community,
are known
of this
type.
It's
a family
very little, very
good, that they
are in the
doors of the
house,
they're in
the chica
is there
and they're
not in
any problem.
Vente
to come to
here.
Here we
receive us.
Denle
a little
I know
you'll get
in a future
so.
So,
so it's
that you
do you
want to
the mother
to the sograp
the sogra
not is that
they're not
that they
they're not
they're not
for them
and they
they're
they're
they're
they're
they're
they're
they're not.
Paola
said that
since she
came
she
she's
something
she's
something
that's
a lot of
the city
in the
city
in a
city
in the
city in the
city in
the
city
it's
all the
day
is
so
is
you
know
if
you
know
you
prepare
to
get
your
your
clothes
all
all
time
you
don't
you
don't
you
know
there
so
you
suas
all
all
all
you
Paola and her
and her pair
no
have been the
air
air-condion
and send you
go to
get a
lot of
and the
things are
they have to
give to
calm
so they're
sacrifice
a little
the temperature
Paol is
a woman
in trona
is a
woman
that's a
woman who
does
and
not be
that
that's
that
that
that's
a quartito in
that is a
carthew
because it
has a
a zone
in the
one
a
a
there's a
and there also
the camera.
All in a
little bit of
a little
little bit
a little
Paola,
there he
has to come
to come to
the husband.
There's
the time.
The embarazzo
that you
a little
of risk
so is that
also
also is that
also
he's going
to work
and regress
there
a little
time.
And
always that
he gets
his
dinner and
he's
the
stereotype
is the
the best
but for
Paola and the
part of the
and the
they were
they were
they're
they're
Paola, sentia something rare, and I sent something when
was alone. He was a frio, much frio.
But me said, in narrator, I should have taken into
that account from the principle, but no I did it for the
embarazozo. Oh, well, there are many changes those that I'm
hormonalalty. In occasions, I have tox. In occasions,
I have untojof, for our situation economic, the
antojos, no, I can't live, God, Mio.
The asco, is going to do all over and, de
I don't
go to
the
bathroom and
I'm
no end up
quacks,
but when
I'm in
a pre-a-minute,
yeah is a
detail.
Yeah,
not is
something that
has a
really that
so it
so I'm
my
I'm
so I
do the
little
some of the
little
other
probably
probably
it's
a time
that I
have
to be
with
my
changes.
But
you're
going
that
that
that
that
the
free
in
other
other
she
she
she
she's
she
He's
He's up
to
do you
a
time
but you
have two
or three
occasions
that
have
rasgued
those
two
and he's
very
tensed
no
there
the baby
what will
do you
they're
to do
pay
and
they
they're
to
pay you
don't
because
they
just
they're
there
the
renta
the
renta
that
they're
in that
casita
that
that
not
in
that
car
in the
very barata.
Really,
they're doing
that's doing this
for help us.
And she's
thinking, and
he's thinking
of a repent,
what I'm
going to be
here, in what
problem we're
in the
question.
Here,
afloire,
a woman
and it's
a man,
and she
does not much,
and she's not
more,
like,
to get used
to get to
a job,
he,
he's coming,
to come
a door,
for here,
took a
chambi,
she put in,
chambi,
oh,
okay,
is,
compas here
out of the
I'll
do I'm
three hundred
pesos.
Oh,
that we
have someone
if you're
going to
my own,
I'm upunt
because in the
time I'm
my chambon.
Where there
time, the
type no
he's
the time.
But there
that's a
thing of
the free
that's
very rara.
Yeah
have notated
in two
occasions
that the
free is
that.
That before
that gets
her her
benta
bow.
The
the body
tiemble.
The
cugre, no
is ceding.
And when
enter to
his wife,
he says,
oh,
Paola,
for a
don't preendas
the
air air
condition.
Because if
we're going to
get to
the count.
Paola
no it
just says
for that
not you
don't you
don't you
don't you
don't you
have to
get to
get to
make a
long,
no
want to
he's
he's
he's
and you
think you
I'm trying
so I'm
too at
I'm
rask. Because at
sometimes you have
done when
when it's put
very nervous
and it's
a rasky,
rask and rask
the brazo.
Ah, the
problem is that
those things
are like they're
of in in the
little,
little and little
titititititas,
but profound
and large,
large, large,
large, large,
large, large,
like it's like
they're garrittas
that they
pass rapidly
the raskuio
and they
they're just
marcas
there in the
brazo.
Paola not
to be
to go to
to continue
echin
a gunnast.
I've got to
do it.
I'm going to
do it.
Something that
not you're
not going to
say it's a
very she's
not a
mobility and this
can't get
it's a lot of
it.
He learned
that he has
a little
sweaters,
calcettas
and even
monitos of
stambre and
those
and they're
not if it
was the time
of the
digital,
I'm
got the
impression
that was
before
this
thing
digital,
but
of some
manner,
has paidied
and it's
it's
it's worth it
and it's
he's going to
all the money,
it's got to
have got to
the colchon
in the
he put some
some boxes that
are these
of plastic
that they're
in the mandatio
and the
monetitutes and the
monad that
is going to
the people
of the family
and that
he's got
to goard
for when
the work
to have
to be the
for the
leche,
he does
he does
the time
the
time
but in
this
house
there are things.
Cosses
that not
does make
feel like that
the time
about the
morning,
yeah four
months or
five
standing in the
end of the
time
more close
to have the
baby.
One day
he's
a
little
and he says
Paola
I'm
no,
no,
no,
don't you
don't you
don't
want to
do you
want to
I'm
I'm
but I'm
just
some things
for the
baby
no
no Paola
right
I'm
fear, there's a little here in the
room, no you know what you
there's a little, you're doing, you're
dormido, you're not, tranquill,
decans, descends, he's, no, Paola,
there's a little here in the court. And
of a sudden, when
preste attention, sheente
something, something, or
someone, but
not something, you know, something
that has passed, a little bit, that
a person great, enormous,
that you take, I know, two, three, palms,
two, three
hands and the
the ombros
more
that you
are in the
way,
it's about,
and it's
a lot, and
you're in a
little,
you know,
it's just
it's a
little, and if
they're in,
they're in the
room,
and they're
in a lot
in a lot,
and they're
there's a
time of the
camera,
in the an chute,
and in the
old,
the techo
he gets
a cortito,
But no, they're
but it's
a feeling.
And the
sensation is
horrible.
And in
some moment
during the
next next
he's,
he's
and there's
and there.
And where
Paol
is all
all the
thing that
is a
big, that's
a
little bit of
a
common.
Like in
some
that was
a little
that was
a turn
in a
window.
Because
it gets
from the
base
to the
piece
to the
I
think
to be
two
meters
30
to
20
150.
It's something.
Of ancho,
to be able to
almost a meter
and a half.
If you're
in front,
you're over
50 centimeters
and not is that
that's the
thing.
That thing,
it's a
start to
completely
covered,
like if
if someone
would be
to be in the
room,
and it's the
same
sensation that
have been
the last
days in
the
madrogada
that there
there
there
there.
But now
it's
now
is a
manifesting. Paola
Sientre a fear
that,
that's in
their eyes
are in
their eyes and
they're going to
start.
He's going to
do you know
for the baby,
and that's
not going to do
his husband.
His husband
he'll get a
hand and
he says the
o'clock,
gore,
here I'm going to
this thing.
That thing is
not going to
say with the
voice,
trembling.
This type
has got
a bit more
to the tuetano
but not
he's going to
get to
to be.
From that day in
the
way, the
things
are bad.
They're
going to
much.
They're many
ideas in the
head,
ideas
feas,
they're
very,
and they're
in some
moments.
Paola,
has been
a certain
thought,
it would
be a
life,
and when
it's a
she's a
paralyzed
because I
think that,
that's
that's a
thing,
and then it's
a lot,
and the
person,
well,
her
her own and
another
other
other
a good man. I am a very
little thing. If you're a little, you're just a little,
you're just a little, you're just
talking? If we're just going,
no, but see what you met in, the problem
that you met, and it's elvite. That's
living in a place in the place that there's
etchance of the day-a-day. And they're
adjudicating all the vivience of the day-a-day.
And as, as well, you know, to do you know,
have to be careful when you passas much
time in these places. Because
those things contaminant, and, since
When you're going to get in the
head and, standing in the
head, a lot of times it's difficult
for not to say impossible to take
good decisions. Paola
Decide something.
He has to romper that maldition.
The baby, every time is more
closer. They're not
to let's be able to wincer because, for
a sombra, for fear.
It's the initial of this
pair. It's the initial of this family.
That's what is there is
a poca-coce and it will be
demonstrate. So, for
a situation
extrana,
decide that the
form in the
way in the
way he is
more important, is
a newke
an moosee.
Aosito
of color
blue,
all made,
great, great,
gordo, gordo.
Paola,
no has done
money to
buy the
reenel.
The stamp
that they are
pure retasos
and retasos
and the
family that
live there in the
house,
being dindos
and good
people,
they also
they also
they did
retasos to Paola because they
they were looking
for all the
and they gave
retasos of stambre
and they were
and they've been
a part too
and they're
they're little
a year,
and the oso
grandote
and it's made
that's reen
of pure
rope used because
no-upper
to make
the reenel
newecito
but the
rope used
has that has
that has a
bigot
grandotot
grandot
catcheton
cacheton
with the
panza sul
very bonita
and with
some
little little
a little
grandot where they'd end up to
the eyes, because
they're not to formarsel.
But there's the osote.
That oso,
total the time,
he'd be below
of the camera because
he knew that his
parke had no
metia a man,
there no
had nothing to
be looking and
he was very
respectful.
He was always
he was going to
when he was
he was done when
he was to work
in the morning
and he said
that he left
the last things
he dedicated
the morning to
let him, to
get him,
He's made he almost he no utilizes,
of the calcetaset of stambre
that has made,
and he has made,
and well, it's all regortez,
and all grandot,
he put up to the camera,
bolteying for the
door, because he
has yet the surprise.
When he gets,
he'll be that
he'll be a little
to feel like she
and to understand
that that thing
he was going.
Paola,
it's waiting
in the cell of
being nice,
the family
well,
and was intero
of this detail
that he had
to do it,
they say that,
that's clear that
when he gets
a couple
is a surprise
to see her
to see her
and she
says that
she's that
they're
going to
get a
door,
open the
door
and the
other
the other
the other
the
head
and they
the
where they're
there's
the
scene is
so
scofferant
that she
she's
she mure
the
the mano
and he
he's
the husband
has to
ask you
The oso is so
so ripilante
with those things
negras
covering her in the
car,
with those manches
that she has
that she has to
the door
and he says
something,
and she says,
she'll get
to move the
head to
the roof
and back
like saying
that's
all over
that is all
atorado
there,
sheent
that that
he's
he has
to make
a message
to me
to be
to be
to
you can't
not you
don't
two
They're going to
talk with the
family.
It's
going to be
going to
let's be
you're going to
you're doing.
But it's
going to
and they
start to
tell you.
There's a
very
extrano,
a detail that
I've
passed to
say to
but it's
very important.
There's
something in
that house
that
all they
pass but
nobody
it's
that if you
you're
a jarra
a barra
a vase
or a
garrafone
sealed
You know, you'll do you a night,
to the day
next will be consumed.
Paola did
an experiment in one
occasion, just
before the oso,
experiment that never
will ever be
to do back
to do with
the minute.
Puso 10
basitos
percied for
all their
room in
different points,
all of water.
This
was just in
the middle of
the madrugated.
He was
he wasposed
and in this
occasion
he was up
for the
the time,
and when
he went to
the
morning,
all were
vacillos.
She
guard those
vassitos
before that
his husband
an ane
and no
he said
he said
in that
house
all they
all they
all the
same.
When
they were
to tell
the things
that they
were
there
the
family
with
much
they said
that this
that they
were
not
a new
that
he had
passed
something
there
had
and
they're
and why
not
they're
and
why not
We've had just a incline, we've
had been much
and, well, no
had passed more than one or two.
So, then no, no, we're
to do we say to
that people not sogestion, because
no pass it ever, but, pardonen
or not, they're not, that they're living
that, we're going to help.
And in the modanza, they're
this. And they're
that the first inclino
that they were there, was a
subject that wasolted, a type of
many-tant-and-o-year, a
a coate, very, very hermitano.
Vivia solo,
vivied and with them,
pagable, was always
his rent,
it was a
very simple,
and at a moment
one day he was
to work,
and you know
and they're
in the period.
Some versions
count that a
carmone
he was over
that they're
that the
carol.
The family
recoo his
things,
nobody gets
to reclamar
after a
after a couple of
months,
put the place
in renta
and since
then, of
a bit
when,
they're
about the
sombra,
about the
rugs,
about the
and about
things that
in the
situation,
and a
part of the
he's
when he
is when it
is when it
the idea.
That's
he has been
with a
sad,
and his
spirit,
for that
he's
the
family in
many
many
occasions
he has
gothars
in the
night,
you know,
and the
rest of the
house,
no past,
no
the rest of the
Paola and her
and her
decided that
it's done
the family
and they're
they're in
this move on the
move on this
person who
they're going to
and finally
Paola and
their wife
are in other
house, the
rest of the
end barasso
the sombra
the sombrae
it appears
in some
moments
Paola in
less occasions
but of
a repent
amneses
rasguu-gna
and only
on one
on one
on a
occasion
but they're
but
a little
that thing
was going
that
No, they prested an attention,
they were more in his baby,
and of one day to another,
now was no.
But,
junto with the nacement of her baby,
came a tragedy.
The family with that
had been started living
it was mark a day
to say that,
that of all the heart of them,
because they didn't
for the martyry
that they did happen.
And Paola and her
and their pair,
not understand,
clear, that they
accept them the
disculps,
they didn't
that not was
a malay,
that in any
moment,
there was a malintention,
But they're the doubt of why they're saying this.
We're talking that Paola and the
Paira are they're a child,
and it's practically the theme of conversation.
And it's there when they reveled.
We've a new inclina.
Apeness they were you.
No, we did not,
as we say,
no is something that's what I'm going to do.
A few days,
we found out in your room.
And we're we're going to
and we're going to
now we're not we're the spirit
of that person,
we're we're going to be
that our first inclino
took a bad decision with
your life,
and how good that's
we're going to be
a lot of this,
that's what you
had passed to
you, and we
we're not
we're doing
to what it's an
angel
and it.
And with this
story,
our dear family
nocturna,
we've
yet to
this obscure
fogata of
stories,
now so,
the pago
was pro-delatated.
If you
You've got this here,
I think
that you
got to
the
stories.
So,
if you're
on YouTube,
subscribe and
give the
little to do
the time
to get in
the notifications
every
that we're
doing the
and then you
know,
let's be to
Spotify,
see us
and give us
and we're
the five
stars.
Because we
have many
many times
because we're
to be a
time,
but for
that we need
to do you
need to
that you
need to
that's
that's a
click,
is a
idea
incredible.
So,
so please
Spotify,
We, see us
and give us the five stars.
And now
see.
We'll see
the next
next time
with more
more about the
episode 300.
Prepared to
because that
episode is going
very well.
So,
so that's
that you
want to
you want to
you're
that's
sweet,
this
myracles,
I don't
I want to
say
nothing,
but there
a history
secret
signal here.
Mierclius
History
Secreta
atent.
Bye-bye.