HABLEMOS DE LO QUE NO EXISTE - Duendes Intrusos, Entes Nocturnos y Habitaciones Siniestras | Episodio 399 | Hablemos De Lo Que No Existe

Episode Date: June 15, 2026

Bienvenida #FamiliaNocturna a esta #OscuraFogataDeHistorias en #HablemosDeLoQueNoExisteHoy nuestro querido #narrador César Gonzalez nos trae historias que nos hablan desde entidades que atacan los lazos más fuertes magias poderosas que sólo se conciben en el silencio; ataques espirituales desalmados y espíritus sin pudor alguno que perturban a personas inocentes; pero lo peor y más horrible de todo este episodio es una casa dedicada a los duendes a la cual no te conviene ir.Todo esto y más en esta Oscura Fogata de Historias en @hablemosdeloquenoexiste. Por cierto si ya leíste hasta aquí te tengo que decir que ya está la primera #PlaticaSecreta de este 20 26 y ya también tenemos los boletos disponibles para que puedas ir a separar tu lugar para las fogatas en tu ciudad y toda la gente que está esperando los de Ciudad de México, prepárense porque este jueves esos boletos van a estar ya a tu alcance. Ahora sí nos vemos el próximo jueves en el #especial de 400 episodios del canal, pero de aquí hasta que nos veamos el siguiente jueves, deseo que tengas #DulcesPesadillas #ByeBye

Welcome to Family Nocturna to this Scura Fogata of Histories in Let Me Let Me Let Me Noxist. The day of today, I'm going to talk about duendes intrusos, Entes Nocturns,

and abutations iniestras. But, before to start, let me say to you a lot of you as you as much. And we're not

important. And is that the next Tuesday, will be the next episode, are going to 400 episodes

of let me of what it is still. And prepareate because it's be the episode most aterrador and

that we've seen in the year, but this, which is an episode a supermently and very

sinister, is only the preamble of what is the point of so that before you do you

recommend something, no, it's a a lot of the light, because this,

this is a obscure fogata of stories in let me that no that's

episode 399, we'll let's, if I I don't have an enemy in the world paranormal

is this that I'm about about and are the and they're those things to know as you know

as you don't know we're not we're not used but it's that I'm don't know

I'm not specific is that I think the other the stories most those

but never good have been with these subjections and in this

story I'm one of the other many the story is very direct and he occurred to a chick-tock,

if I'm a little record, if I'm a guy, he's called on the same. The husband of Ji-Gi is a person who like to go to carreterer.

They're in a vehicle family, and she with her husband, and she, the end of the time, the

husband of Gi-Gi has prepared a surprise that is very good. Because he has decided that this

end of a summer will be a city that is very close to where they're

one of those the people magicos, a place a good and they're a day, but a

good, they're going to go to go to get to a lot of and they're going to be

a good, so is that when they were on the vehicle that that end of that

they were very much they were on the radio in your vehicle, they were they were

on the can't and while they were in the time there he's

he's he's he he's to where to he he was

he had to Now you know, but Gigi no had idea. And he said, no you don't you preoccupies, because I have prepared all a day of surprises. When they're getting to this city, she's marvelloused. It's an ambient

different, a place that's much more despegated, even is a bit of where they're living. The environment, the arbores, the temperature, all there has changed. The panorama is bellissim. So, is that they're, with your

a little, very a good and the first they're in a place and put to come to get a lot. The restaurant

that had been gone to all the time, so it's that in a minute, 45 minutes, the field, better they

were to go to the restaurant, 45 minutes after, the second, the two are very concerned, and the new ones, where is the second place

that's going to go to go to visit, and the husband is he said, stopate, tranquillate, if we're not

we're not we're not about it, and she's like there's like there's like there's like it,

and he's not, I'm doing, and I'm doing things that you're doing so there's that's

there's there's for the place and not it's for this food. After that

they've the pastels and Gigi and Gigi no's the sonrisa to be because what he was the morning

was delicious. Very probably the hunger had something. But, and being so content, he said,

he was going to get to a place. For that's why, when they were going to the front, she,

she had to the man, to the child, the while he was coming there, and he was going on

when the husband, the husband of a repent, he's detient in front of a

door of a local commercial, and he, like if if if he was presenting

something in a show of a circus, he does a unbrink and he says, Taran! And Gigi

he's he said, what's he's he said, he's he said, to give him,

he said, I've been the excursion, look, yeah, we're, and she when he

he, he's, he's, he's not of special, and he he says, no I'm

getting nothing, you can't understand, when he when he opened the a

Sometimes the surprises not are how we're because Gigi just saw the interior, the corpse

celestial mesio. What saw the front of the house was the was a house

a duendez, puras statues of duendez where the most beautiful ispantos

and that she didn't get to with her little, her his husband is to

say, oh yeah, well, no, that's so, no, that's a

She's supposed that you like these things? And she says, but here she's a little extra. Let us.

We're said that this tienta is very famous. His husband he gets, he'll get the little,

he'll get in the time, and he's stuff fat, impacted, is almost immovible, because he's

surprised, but at the same time has a mind, it's a little rarer, but finally

decide that I'll enter in the town, da one of some passes for a pair of escalons, enter into the

local, and there's a little there's a really good. Rapidly, a dependent, he's out of the postard,

and he says whatever thing, I'm here to say, what they're doing me, what they need, we need, we neednets,

these formulas magicas, and we can't do any kind of kind of that need to be used

as special. You, let's get into, and what need to we need to get to and it's

she was very incoomod. not the type, not the subject, it was the place, and specifically

the parade of the duendys. The papa, cargating the man, going to be going to directly

to the walled to this chica, and he says, well, what you're going, what you say,

she said, no see, he's something, I don't know, because you know, that you're

that tiendas has been much there's, there's been there has been in the moment in the person,

that are saying that is very extrano, because in the moment in the moment in the cruises, the umbra, the head is a little turbue, like if the ideas not couldier than there are fissas,

and they could have control of them, and they're to feel that all overused, there are people that have suffered mareos.

There are people that there are some that some of the end up the back of the sparrer of the back,

and they're doing during all the whole the whole, the local. What all those,

all those who are they can to say and assure is that, is that you know you don't you see

only, and that company doesn't seem a lot. Giji is a sustata because he knows how

express to this, he will take a little bit to make the situation, only is very incoodable,

and then the husband, in a rebatto, in an attempt to make you and a

form explosive to act to act trying, and it's to be to be to be able,

What? A-pok you're Asusated by these duendes? If are pietas, if are statues, is more, is more, Voltaic with the encarguer, and the encargue, and the encargo, he says, Well, there are ones that us bring things

perdid, others are very good to make your case be harmonica. One of them are very how is it how is it, how is

how it's supposed that function? He says, well, the first is that have to invite us. And the the husband, at instant, revienta,

and I'll go to the door to the door with the little, and he says, well, well,

to all you do the permission of that you have a my, my family, and my house,

and there is to do what you want to and he and he and he a face of

pink, with a face of what I have to do, and he's paled,

with the back over with a some of a hark it to be a while,

She's out of the local commercial, and behind him the husband, and when he's outside, tragling the little bit of a little, he said, well, what happened? And she'd prefer to not be able to nothing. It's very strange, because those things are statues. Those things are made, perhaps, of arcylla, of cement,

of ceramic, or some other material. But it's supposed that are things inertes. For those the next days, in those that in the house of Iiji is a she's very

strange, she will do to assume that's suggestion that when the things start

when the house and I'm and heii and he went, saying that the

day before before to do the morning, I've had done

the the little the right just to the back to the

house and one once the before the first that

his entry and he does know that in that mess, that religious that's he does

all the things there? It's a little a little extrano? He goes to his husband.

It's a one of the one of the two does do. His husband his quite,

like, nokiy because not a because it is a time time and he

and he he said, and he he's he and the he's the the little,

the the box, no, no, no, don't have to be to be in the

end of the I'll look and not are. And if they're to be there. Tal-bees are d'nought-dermida. The dormido is you. The dormido is you. Where are the keys and the box? And she again will go ahead of the room just to find out of the

house, the door, the door and the box, just in front of the entry. A place where nobody would nobody would be that. A good for nobody. Because not they were they're not turned or evented. They were perfectly accommodated just in front of the door.

The next days, it would be like if his little bit more ed, and it was a very traviso, because all in this house

is a little if you he has a peony or a peepio up of the commo' minutes

after that that's a second, and it is a other part of the house. His

son- is looking the when she he has your your and he

signate the corner to the camera, not and then after

after the refrigerator where nobody would I would have. The house starts to have

a sensation maybe extrana, pesada, a little lubre, and it's there when she does because he

occurs something a very strange one morning, she's up at the six. It's a light, but

not does not a time, so one that's that you get to come to the quadras,

and it starts and it's a lot, and in the moment in the moment in the

the time when it gets to a back, and then it's to do a

In that moment that that's a place is very strange what is a phenomenon that has never been

a little but she is that is that that's saying that the light of the sun

enterer directly directly for the but but not they crossen

the umbral of the door in the house all all of

all so they're like seven eight or nine of the night before

that before the the totally obscure. But no be the rations,

no be not even his somber really reflected in the piece. It's

very tenue. It's like if it's a point of to the night. It's very rare.

Because it's in the house, and there two windows that are the direction

to the right to be in the sun. Sub it, it's all the dark, something. Something that

is a little bit to do, he says, oh, go, coming into the room in the

that's the window, and says, no, I'm a little and she's, no, I'm not the

door, this chica he'll say, oh, but the rations not are you, and he says,

ah, yeah, I'm, go to the work, I'm sure, some they're

there, he's, he was a very dark, but that in that no,

there was there and he was to he was to be to be not going to

not be more more, because it was sufficient the that was

in the house. Semanas and of things strange, movements of things, pacitos in the habitations, and the worst, ricits, of what for

she were like were like children, that were that were the other. The problem is that the

house is very well in a colony very secure, with persons very educated. There the

children do not are exploring houses that not are of them and the families, and

after three months of of them, to be able to keep in how sanar the energy of that house,

no-se did they were all the or simply were to change the mood or the but after

that they were the days, the day in that they did you the day in the house of

the house and no didn't come that's that's they've been that they're were those malditos duetters.

person very very happy, that's a good at the thing of the

thing of not a general, because in the time of your infancy and in the

family occurred a pair of things that she not really really

really but that he was clear that it there can't exist

phenomena and that can get to be dangerous and because

that was prepared for this situation that almost nobody

is to be. Yeah, has passed as I think, between 10 and 12 years of

their marriage, the two have a good relationship. They're very

good. They're their days and his days, Patricia, is a person

is a very very very character. And she when she is a

very happy, wow, the house the house that

she doesn't oh, but when it's no, no, no, no,

there Lull, in the world that Lomte's Oscurity. Lalo, is a person that's a more frivol, more

superficial, not in a bad sense, but he like to be more relaxed, not profundize so in

some things them, it's all in conversations superficiales because he doesn't get to

get us to get in the day-a- having a good relation, they're many

many parts, and they're many parts, and always when they they're together you'll

you'll be there's a pair of maraudes that are in the man, that are

abasasas and the two are very content. But, for certain circumstances

in the work the last two years have been complicated.

The part of complication of Lalo is that he has that much,

much, and that is something is something that's a little before they were a

part of many many years a great part of the

time together. Now, the major part of the year are separated, and are there, maybe one of the month, that if they're in opportunity to be together to be but even as they're in jobs, then no-se-la-pastan 24-7, just a rata

and this has been a change that for both has been brought in a mountain-rosed of emotions. The things are well in the relation. They've had been his moments, but the two, to their way, have put into this, and as they've given much, the things

have put forward for the for the for the why they're going to occur these things.

It was not much, after just about three months, when you were more or less

they were maybe adapted, after after a two years to be to be a

situation of the years, that started and they said, Patricia, the first

narrator that was something was a very rarrow. I have to say that

I'm a person more religious to my manner. I am a

Catholic, I'm from a family of a cenocatolic my parents are people are very practicants,

that could we're saying that in some sometimes are still like that I'm very much

more sobrier. Let's have my forms of my or my or my moments in

which I want to this contact with God, but it's something that's

a little that's a lot now that Lalo is had been going

of the year past, and you time solo in the house, I said

from the first year that me the last I'm a long, we've been in having to a perritte.

The perrito our little is a perro salchicha super-liando super-hermoso, is very

good, and when I'm sorry in the house, I always let go to get to get to the

little to the house and it's all the and me do you make a much a because a

little you see the sometimes you see the little, but raras you do it's

complete because they've been to one side to another, of one side to one side and it's

so much that you're just you're just you're just you're just the poppies of the dog that's not

maybe you're and I'm really the and I'm really I'm now I'm there's a time,

but Dogo is my company, it's my companyero we're really with him

but for Lalo D'A dogo, his place is aflo to be over in the car because the

first time that he was he left to go to and he was left free for there. Two hours

after, he was was still a tremendous movement in the cell and when he was

he was he was made a gritty and the hand to the back the back to and it was

put into the cello. It was not just that he's not

the little Lalo had to do you get to get to he and

he said, no, me it's all this is it's part of the house. Dogo is my companion, Lalo's had gone, he was going to,

he was a month and a half out of the house, and there is where they're going to occurre these things. The first thing, is that, as you know, when I'm going to go to go, and I'm going to doggle, and I'm going to doggis, I'm subbed

my vehicle, me went to a tinder of convenience, because I needed to do some offers. When I regress, it was a little of the night. My cochera was apagada, no took the precaution to leave the lights, I'm a portem electric, so I opened the cochera,

met my vehicle, and the lights are done de-enno with the front in the way of the front. In that wall of the cochera, is all of color black, and for the illumination of the faros of my vehicle, it was even more black. Dethrast of me,

there's like a parkseito that has a lot of those lights more potent, and those luses, when it's at point of to the nightceau, and no there's light on the

light on the car, like the car, or the I'm in the car, when it's been very light. Because if you

is sat down into the vehicle, the light you get in the part of your head and it's a realtor in front

of the car. So, then it's something that I'm a thing that's prepared. Apag the

lights of the car, and the time, and you're in front, and you see the For me, it's like the effect special that you have been two, three

times that I'm just. But what what I was over to the other than that was never that really me astusts. When I'm meting me in the cochera and I'm the light of my vehicle, front of me, is that my sombre. The problem is that at the other side, there's a somber of someone that's in-mobile.

I'm afraid of my cochera and stay immobile. Me asthust. Me, I'm sorry. The residents, no, we know we're doing this, we know all the same. We know all the relationship. Well, why would be there someone there

Fijo at my back? Voltee rapidly, only to not top of nobody? I'll

go to sender the buses of my auto, but it was like in reflecte and I'm

I'm again, I'm again, I'm saying, that's the tontas, and see it and see the

sunbara, and where I'm again, I'm going to give to there, no, I'm again,

I'm going, and the sombregrey simply's go No, there was nobody there, and no had nobody to project that somber, and, without,

he was being projected in the wall, not was over the floor, only was over the wall, I wasau, me I sussed, no, I did see, see, disappear, or if I traversed, no, I saw, I was, I wasu'n't

much, me met what more rapid that I could to doggie, when I was dog, I, etchado in the door, I, went to hearse, the note nervos, I, I, pretty,

the lights of the cochera for that that thing, or so, say, or so, that's, or so, that's, it's, or not know-se, and even after of that I did

know that the cochera was open, I had had been to get to get to the vehicle, but with all the fear of the

world, the most rapid that could, me met the car the carre the blocker of sol, you

know, these miryias that you can't get into the auto, the backer because

there's where we're put the control, I'm getting to the car with the car,

and the car, and I'm a pair of the car, and I'm and where I was in the house, I tried to start the cochera, but no I saw. I was very astusted.

Dogo, permanence nervoso all the night. He's going to be to be with me. But no occur nothing more. And I said,

well, no it's all the idea my. At the day the next, when I'm going to I'm going to tell this to

Lalo, no, I didn't say nothing. But at the day the next, I'll be

with the other I'm put to be to be to be to be to be

to say to-day, to salute them, to be all the thing, I'm going to say a guy who I'm going to hear a

and I'm all paniqueied and for so no he's got to ideas that I'm going to be stressed. After that

in the night of the day, I go to the house and in the middle of the madrogate.

Bajo the second piece because I had had served nothing to and when I had served

nothing before the second to my plant-bara, the center of the plant-bara, and if I look at my right, I'm going to be the cochera, I see this ventana, and there are something that's even, I want to

look at it, I'm afraid, but there's something that you're trying, it's like if it were that I'd just ever before I'd turn to put me a silhouette of someone just out of my cochera observantly to go ahead

of my house. For that you know I'm more I'm more than a narrator. It's because not the silhouette of a person. Imagineate that

someone is a saba and then does a curve to your head to

his arms and it's the that's the I'm not so I'm so much I'm

felt I'm that I'm that I did you to go out of I'm directly to where I'm

the switch of the foes of the cochera those all the and that thing

front to my eyes disappeared it. It was simply a sombra

you had you had you've put a lot you I kept a fria. No, I tried to

to apply the focos. It was the fire all the flos of the plant back, all the foes of the plant

altar, it was to go to and when I thought I had the back the I was

that I'm a fear, I didn't go to I can't go to in the house.

It's dogo in my house. And it I know no not I know don't know

that's a perrito that is a little to an abitation, if I was with me, but if I wanted to go to the night, and I don't me accompanied, and that's not normal. Dogo, first, before, back the escalers, and then, you too, you're going to

go, no, it's active very rapid, and now no, and it was sent me to feel with me. Passed, no-se, two or three days more, and I'm going to say to Lalo, what I'm living, minimum, for that's been tried, but one part of me me me says, like, that's like, that just, I'm going to worry,

par. He's by the business and he goes to go to go and the work on the time.

He can't give a sanction, a time of attention. So, I decided to make the

future and I did my principles. Oh, and to ask you, do you know I've done that.

So, I'm a rossario. A. Lest, I'd have a lot of time. He'd

a lot of the front of a little, I'm trying to make sure, and I'm said a little,

but I'm made. And is that while he said, I feltia something else was, I mean, I thought that the house never no, sentia that something

that was, I thought, it was like if my house had to be a lot and it and it were to be alexer, and that was a

great power. It was a sensation of a presence malignan that was to go because I was doing that. I did a

fear that I can't explain. The most terrible he was that night. That night, just before

to do not to do you, I'm at restar, my rosario, I'm in the camera, and of a sudden I'm

the reja of the above. When it's over the rea, I know, it's Lalo, is Lalo, yeah came, he

came, before the time, me, he brought the surprise, and then I'm not, I'm a

little bit of Dogo, and that he says, Dogo, Dogo, how you're and just

after that, when he went to to go, to go, and I sat d'etitito in the but all erisado

and is starting to groanier in the badito, like with much fear and at the best trying to defendants but is that

this perr not can't defender not the so I'm so I'm doing the poor Dogo

and I know what I do you do you see what the door to be

and that I'm that's all because I'm the sound that I'm a little that I'm

where you see Patricia? And in this moment I don't I'm I'm a

little telephone, in what I'm abriending the door of the quarter of the quarter, lander, I'm about to go ahead of the room. Apenas I'm put a

foot out when I'm paro in seco and I'm going to call and with a voice of moderro, me says, what happened, my love?

He, where was in the 12 of the night, narrator, no, I had to ask nothing, because the voice that was

about, in the first piece, me called, Patricia, come and his voice not was sweet not amable

me was I'm just I'm sure you I'm doing because I'm doing a little because I'm doing a

my love you can't you can't you and he in this instant I think he

he got to the moment because me said for I'm not I'm doing no one here

but you be giving me the door I'm doing it's I'm doing it me sent in the piece, me pegged

like the back to the door, doing pressure with the because I'm the way of the foot up

the second Pissue. Lalo and we were we're saying the Rosario, and when I hear the

the posto that the door, we're going with a glory. And when I go

and then again, again, that's in a sensation where something else to go

to the house, and I, and I, term, the rosario, was with tears in the

eyes. No, we've got more. It was like if we've communicated because at the

day next in a little bit of emergency he went to my house. When he gets Lalo,

I'll I'll say that if all all right, that's because he said no, me you

have to tell you nothing. I know, I'm going to be a raro here,

you have to tell something. Narrator, this what I'm to say is for

that the people have when you when really you're connected

with someone, and for That is that the people not fantasen. A lot is perfect. But there are

very very fern and when that's a reason things that some bad are they connect

one or another. I tell you don't know we didn't know because they were not

idea. No practicable we don't do anything we're things like things or that

some that's we're to do we never in the life no

we as we're as a couple, no. But Lalo me told her something that made off a few. Resulta, that me said when he's going to this business, in the moment in the time in the end up in the door of his abetation,

he sentio like a calamre he recurried from the base of the nook for all the spal. The piece was put chinita, and perceived how the abitation in the was there was a presence very dense and

is a lot of Lalo not is a person like perceptive of those things or that's very meted in this time but he said

there was impossible not sentiel you're you're there and you're a lot of

desperation she took to get there because the hotel was completely full, it was

a time and no there was no way to move to other apart and it was

another but it was that night they started things in that No, no, he left his

Maleta, just the side of the door, for if he had to escape, for if it was to say that he said that he

felt like much a fear of the person, and he was a moment, he did how the bad at the

mind. Because his un'n't put them, and the malet's in the malet's in the night. After that

he was able to conceive something, because he was to be to to let's just beckonar for that, he's the first

when you're listening passitos into the room, like if someone was someone

was going, but it was more well, more than a little, he said, he said, he said,

a me, you know, I'm going to be spanting. I don't know who you're not

you know, but in this moment, I'm I'm going to you're occupying it, and you

prohibit that me you're saying, and it he was to rest. I know

what I said. But what said is that he started like the place to get a unasante

in his contra. And then he said, to me not you going to be going to

be going to go to the night and I know that you're that you know,

that's the bad, this is that's better be to be to a way.

And he he's to be and then that was the first night where

appeared the the of some form they were in a way.

Because Lalo he was quite with the question in that he's exactly what I'm in the

question of he's not a question like you know what you're a question,

what I've lived, if it was something that was a thing that the next he was

the next the people who were in the hotel to the people

that's to get to get to get to get the he's

he's he's $5 $1 $0 $0 $0 he

It's a very car. He says, yeah, and where someone is where I can't me corran. So, chame 500 and chiton.

Chiton is a form of saying, like, Kedathe Kalli, guardate the secret. Lalo, he says, that's fine,

finally it is to pay $200 pesos, and the person, he says, in the

court in the time, and it's in your vanier. And since they've done, and then they

can't, that there's the person of the that I'm, but to let me to say,

here here in us. What that's in that part of the little is something that's a lot of

what they call them torturators of things that are those little that are that they

are using to use as well as those so I know that you I'm into contact

with that and if you can change the rest of the night me

I'm that that's that's that's he's he was he was

he was he was very distracted out of all the thematic of the work,

but there there was a lot of that I'm going to be going to be going to be not having

much contact with me, because I'm that I'm that he was was going to and if not about

and I'm going to get to get, she was to get to but a day very

very time in the morning when he went to go to start to say

well, well, yeah there's five days, five days and I I'm going to

five days and all will be very, very well. I'm going to be with my love, and when we're going to

get to and when it's affected. When it went to the regadera, that front of the regadera saw,

he saw the he saw the his reflexe as formated as if he had a real and a ser that

was a translucid but was absolute and completely malvado. That presence he was

so much MEDAW. And the PEOOR is that had some effect in the environment. Because the regadera that

had had been in an water ardient and need to have moved nothing of the the water the baby.

The presence was going to that I saw in my house, that my husband had had yet

the and the love of the and all of that was too, because that was the

thing of the hotel was like that was like that the thing, and I did

that I friend he, he said that he had left him to go to me.

After that he went to a pair of misas of liberation, we're we're doing more as

a pair of and even that's even a thing, he's been we're doing we're

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there's a Volvo for everyone. Learn more at VolvoCars.ca.com. There's a magic very powerful that very few people have used, and that is the magic of the silence, and in this story, we're going to talk to this story. Before you tell us, you have to tell about three people.

Licha, Martin, and Andrea. Licha is a little that's a little he's a

living, he's living practically since his father and his mom, he's called

and her mother's a type very peculiar. He has his own company in the

that's in the company, but if saw his physical, it's a person

that's a person who more be the is a type morano, that is almost two meters. It's exaggeratedly strong, the shoulders

summously anchors, and the body entire is full of muscles over-musculous. It's a person impressionantly silenciosa.

Very few words say in the day. If you're the word to the person, but it's just a penas necessary.

In many occasions I've got a little bit to and see and it does and it's really

to do it has made that in the long of your life, a lot of a lot of

a lot of another side, and then the part complementary of Martin, a woman bellissima,

mid, one and literally, and in some moments of her little regortetta,

but in many other moments, we're in a body, but also in other

moments very delgated. She, we have had been a life of these changes.

It's a person that he I love to talk about it, that if you topas in the car, and even you know it, even the cross in the mirth, you're going to start platica. You know, what is the best, and the

best, that you're going to get there because it's a bitabroo, the woman. He's just like the person's pass in a good rato. Always has been a little comment, something to say, and it's of these people that are the soul of the fest.

No, you know, don't those people who say, oh, and other way, you're over the box. No, no, no, no. They're of those who you say, oh, yeah, I want to get to the Fiesta to see,

Andrea, because it's goody-a- or to all those are all those are all those have to be to be in the

thing to be interesting. Andrea, that in his youths, was immensely wapa, and now that

is adult, also it's but it's really a immensely beautiful, it was of these chikas

that behind her have a more of 20 or 30 people, and where every

woman or any child, she's that detals to her, she's enamor peridently

of Martin. But there is a little very strange and it's something that I'm going to say,

that's that I'm going to not to be with a discrimination, but it has been

with an observation, something something that's nobody in the family

of Andrea understand how he could put to his eyes to

Martin, because a martin he had a part of a

so much, and even he was very arms, it was his right.

He was a middle of the arm, a little above of the coat, and it was the we're not the

person. But it's the family of Andrea, that had to be a little little, and she was

going to the type, that was a little bit of a little not really to turn to understand it,

and they did the life of quadrits to the poor Andrea, and they had done peroratas

and my I, but for favor, you could you could have someone

much better than he. And she just made them and said, no, I think you guys don't know that you're not and for that's

tontaries. And from shecuela, she's enamorededly of him and until the fecha are the

one for the other, the love of their life and never have never have done to

be parted in start to be one of the one of because they have a realation

that that not pern't that it doesn't that If it'ssiera that they're that they've

done lots so little those last ones, tan profound, so solid, but it's that there's many of the

language in the love. But this story is a story of love. It's a story of

terror absolute. That has to be with a family that is the care,

and that they're that they're on the pendent, the things not

escalar more the the day. The day that Martin and Andrea,

commenced to have this relation, as you the little in the

circle of Andrea, nobody could understand their decision. In the

Circul of Martin, they were impacted. They were a woman

she was a woman. It was a beautiful, that was a

whole and all the attention but it was really the

family of Martin. Nunn never had had a

new the man the and now the a mancha,

a man, that she had a woman, he had a woman had a woman who had a lot of the family

that was in a certain position. It was of the most accoudalas, but a family of a certain renomber,

they were they were in one and they another and they said, O'ye, Martin, well,

who's you know, you know, he's being in the time, and I'm going to

see, and I'm going to see, but I'll say, Martin, Silencius

Vee a He was a guy A type, a littleigente. He studied his career and he was a

time and he was a time and he met her to work. There is where he learned about

about constructions but being in theory, and apart, as I study

architecture, Callate. The type, when he does a practice tremendous,

and I had a want to a Pocos and I took a lot of five

years after after the career, he propone Matrimon

Andrea you, has a small-emps but he knows so people of the media,

that the things started to do you're a person of a guyardia a type

that was that was that never nobody doubt about him and he had a reputation

and he was a Licha is the that we says the story and me says

narrator my family is a family a mon particular my mom my mom is a

cotorra parlanchina and my My father is a monge very silencioso. I those two I want and those I want to my father

is a person that with the mind you do you know, and with his character is impone as you know,

if he's no-and-a- and no he can't say a word, for how you see and

how it's you know, you know, you know, you know, you know, you know, because they

are to put the things difficult, and I And, I'm a person

sweet, but has a character firm, determinedatism like many, and you are you're

seeing a person who's a lot, and no he will be to have nothing. My

father, my is always a lot, and we're a person to even a question that

he has, it's a thing, I've never I've never been something that I'm been a

person, I'm As I was growing, to me he started to make a bad a bad

my first my parents my remember that this that I think that

I'm going to go to go to it, it's like a

a permanent, it's something that I have to have much

care, I get to I'm thinking that they're getting that

when I started because I'm to give a and I'd some rylittas

and then I'd drawlitts and when me they were I said whecitos

and they're not they're not they're not they're that's but as

many I've got that was something my papa I prestable much

attention and always me I'm signaled the and I

made a signo with the hands like saying that I was

the and I'm moving the the sides. And I I was thinking that I was about

him. They'd say, Wesitos, and he'd and signalable. And signalable a little a little bit of

a bit of and said that my papa was very tense. And so I went, but before he had my

mom, that would be to be in me that I started to talk more, let's I'm going

to talk about a perrito that was a little a pussos, a perrito, flacucho,

that he had to the the skin of the path of the back's the back and that I said

whecitos and I was and I was my perrito and my papa me put a hand in the

head and I was that he was very energicly very contundent me moved the head

to the side to and I and me he said a amico no

I don't I don't I not my papa were going advanced,

they were passing the years, and it's there, when I went to the third or

fourth, quinto, the primary, I don't mean exactly, that's they were

to be to be in the class. We're in a different, a a little

my mother, a and a wesitos. Of that I think I

remember very I'm a not right. And I made a

I'm thought that the other because a waycito was a person, and in the breast or in the

person, but never tocabana the perr, never they'd never they'd be and I'm understand that no, I'm

when I'm talking about to questioner, and I said, it's my perro, phantasm, was the

burr of the school, the maester manda to call to my father, and they go to the

psychologist, how, that has a master, what kind of relation has to you with you

and you're to my father, and you the man of the barbilla, being the maester

with the marina and And I was, I was going to be to my mom, and just said, no entient. And no, I said

one word more. My mom- my mom, he put to talk to be able to be able to do you know, you know,

you know, he'd be limited the creativity of my daughter, apart in these ages, it's normal the

people who are like people people, for favor, let her do you, do not, and no,

cacki, my mom, it was to comeenser to even care, but the maester to say,

no, are norms of the school, and she said, I'm indignant, narrator. I'm indignant. If you had burrothed of me, that's the alborot. All the children started to groters,

whecitos, whewesitos, signan. And I started to grueling, wurgues, mugrosos. And the lady mends, I was there is a manse. I was very indignated. And there was my papa me put in the mind in the case and my mother, a case,

and my mother, a case, When we came from there, my mom made a brazo and said, no van't understand. Tranquilla. Tranquilla. No,

I know how time passed of that. But that, me irio, me, it was very feo. I felt like that I was

still in the game, because then I'm going, I don't remember exactly for where, but I

began to that there had problems in the head of people and that were and that

people had had the situations, vire, there were things there, that not

They're not. And I said, I mean, me is happening that my papas are still and my papas and I started to feel very bad with me even. I'm going to be a little bit more rare in

house. Aforea of my room, I see that someone passes out of the court, I'm and I'm not how it's a sombre that's a sombra

a sombra complete, a silhouette but with those eyes blanks. And I when see that, I'm thinking if I'm

I'm like and that thing comes when I'm when I'm when I'm

I'm I'm going I'm put a rigid, rigid, like if no I'm

but I am sitting in the camera I'm I'm not not

I'm not I'm looking that so it's so it

and it's a form some some some some

some some and they're like they're they they're

a mordida. I don't know how time passed. I was so scared, but so I was afraid noceion of the time and when I'm going to get to I'm the only that I'm

saying I'm getting, but it's got to get my papa, I'm up, me he'll be the and rapidly me he goes to the and Ivienta a lot of salem in the

brazo, me tap with a pao and me he gets to the patio, preend some and it makes to make a like a

hume and he and he's to do the and he's not the never in the

life my father had done that's my father and he's a lot of he's moving over

me, making some some more doing some some putting me the hand,

putting me the hand, and the person, and I think my my papa is like a

man and yeah it's all the idea, I'm I'm like nocues

because the impact emotional was a very very some problems nocturns, we'd, let's come,

we'd beck, I'd have been with the psychologist, with the psychologist, me say that that's been when they've been very

much a chance, or there's circumstances like of a mannage in the house, and that's a form

in that the man is that the incapacity of his parents to control. In fin,

my papas, only they're in the game, and I'm they said, while you they're,

we're going to do, we're to do, you serve or no, you know, you know, we're going to support. That is the voice of my mom.

My papa, with a brother to say to all. Well, it's like a time when a day standing there in house, my papa me but me

a voice and me and me says, Licha, for favor, come back back. Never, he had

heard of saying that's never, never, never, I'm so I'm so getting,

I'm going the escalas just to say, but I What happened? I know to him preoccupied, I know to

a little a little bit my mom is sent out of him, they're in the commas me signaled

a chair and they're saying that's my mom said, and that night I think that

going to make a my life. My mom me says, I think that's already in

the age for you know, this is the moment that you have to know,

something that's going to never, that will to pass always that

you have your father my papa but he talking in a way of the

way in the way in the way in the way like it's like you not used to move

to move the mandibula and me said Licha how you see a whecito

and I I'm I'm you're you're you're you're you're

you're my man my mom my mom says respondel for

your father that how you can you I'm you let's and my papa,

and my papa, it's like moving to the mandibula. Revisa. For a here's there's

how you're in how you're another way. And I'm another way. And it's where I'm the head.

Oh, yeah, maybe my father had a lot of all the life, I know and so

he's a little, and I'm to talk. I'm, it's a form of and is another thing,

and my case is and my head's and my mom and my says,

but my mom and it's very important. Busca whecitos. Your papa says that's for here.

And then I say my mom, yeah, mamma, I know that's an alusinations and my papa rapidly

and my back up the eyes and me be to the eyes, but with a turnour and me

say, no, don't it where is whecitos, well. And I know,

I'm sure, I'm the hearter, because it was a moment very, very rare

for me. Volteo narrator for a corner, and I see that

between the sombras, he wasculting whecito. And as I I preste the attention, as I was direct, I see to

see, and the wesitos yeah not were whesitos, he was more more gourdito, he had the skin in the

bones. And then I'm a susto, because it would be like, I'm going,

and my papa is the one of the way, I'm not, I'm not. I'm going to

see, and now I'm the that he moved the head and I and he said,

he's he's my brother, he's my my father,

he he's my mom, he he's he's a

and he she she's she and she she very like

consternated and she she she you know you have

you know you know you don't know the

father of the father of your father of you do no

he doesn't know you we don't want that you know your abuel is a

good person and he has a many, many, many years, he dedicated to stafar

persons, he said to pass for a grou, for curandero and he said that

he said that he did to bring things to get to know, your

papa in that then never had been born but when nace your

father, nobody knows exactly what happened but your abuel

he was to cobrough much fame and they said that really

was a real real he's a good, and if he's he was

saying, that's he was a little he was to say, he was because

the little the man, and if he was a good person,

now apart of a person and was a malvator,

he he had a thing, in the form of in the form of When I

know you to your father, that's a man not was in the family,

and he had gone but your his way, he was when he,

when he had a three years, he went to be a wheystos.

I know that a story. A perro that's practically

in the muscles, that he was he was he was he he was

a little more more more more more and that

he was he was the idea of the waycetos was his so much

occasions he was to get a carisial to have this moment of a mascot

of a dogo, he had put a and he pute a little

intents interact with but but one your old

his his back his when he he he

he said I see he going to your

father not he not he he he that said that man,

as well, he, he, no he, he, but he he was a side of

your father, when your father look at, he's he's here,

he's here, he's hadiante, never had ever had that. So,

he has so, he he said, and he says, he's, he,

doleart to be a bit of and that he's he went to do

to do do do, he said that in the night, he

he got of the the body, he the body rigid, rigid, and wussitutes, standing in the abitation,

he kept in a corner, when of him sawed various sombras and eyes blanks, they were emolinated in the brazo, and started to masticard. It was like if, in some form, he had anesthesiated because no set any doubt, but it was horrible what he saw. And one

that was a desperto in the morning, it was like if he had been cauterized. No, there were rastros of blood, no there. Only there was there.

Ousitos had changed. And at the two days of that was a little bit more very strong,

much choncho. His mom had had been found to protect to his papa,

and he started to get with people, he learned to do things with sales,

things with plants, in fin, your papa never did his

services. He he was to because he did count that if WECito he would

get a back, his character, his force was the that Wesito not could have that he was

that he was the day that he saw the day that he got into he was he got into it, and that

Wesitus is the form in that you deposition you, it does it just like something

that you that if you do you do you then you then you transform in his

no we know we is. Jamas we've never had

with your abel. But your little but your father after you're after you

know, when you was there was in a time, when your old you put his

his man in the panza and he said, he said, also, he was going to

visit to her and the day that the day that we've got wesito is going to goosito

in your mind, in your spirit, And in your because Jocitos not is going to

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531-2600 to speak to an advisor free of charge. BetMGM operates pursuant to an operating agreement with Eye Gaming, Ontario. Are you one of those media strategy people clicking through slides, scrolling spreadsheets? Yes? Good. This is for you. Because on Spotify, there's an audience that's different, locked in, loyal, invested. They're called fans. Fans don't just listen to music. They feel seen by it, like it belongs to them. So when your brand shows up on Spotify, that's who you're talking to.

And you're right next to artists like me, Lizzo. So, are you ready to talk to fans? Spotify advertising. You're among fans. This story of my, my, dear family nocturna, we've got to the final of this is a scura, fogata, stories.

But before before I despeg, let me say to us all go. Dear family nocturn, of Merida, Cancun, Puebla, Pachucle, Ketaro, Saltillo, Torrion, Owascalientes,

Guadalajara, Tijuana, Tijuana, Mek,ali, Tuxla, City of Mexico, and Monterey, go in our our radies to separate

your bullet because no I'd would be able to the obscurial those devore and we're that they're

in a little in the dark in the obscura fogata of stories. But one once you've said this,

thanks for having been here, prepareate because if this episode was aterrador the

next next you're not you're not you're not you never once

said this you're I'm dulces, Pesadillas. Bye-bye. The narrator, the stories

were very good. Of the fact, I'm just me just like the real chinted.

But another. It's in serious other? It's was sufficient? They were

aterrower but never is sufficient, another. Well, I've to have

one, but it has to super extra extra that they passed to a

person to the family nocturn. This this story is very

rather for all what has to be in torno to these

situations. There's the grand doubt of the people of those who are in the

paranormal. I'm include you and at the same I'm put a way to

think I do it more than to conclude but no does it is this

really this is a name Martha. Just for put to

a name and Martha has I have really

super super super extra extra extra extra extra a little with the form of

the way of Martha. Marta is like, is of these people who not they're not like to be able to think about,

the things like, as they're like, what you do you do this what's the

thing is accept it, and start to be doing it's not a way, for that

probably not he doesn't not that, but no has to be

with that has been to be that kind reactive. She she has

It's that's super strange. I mean, since she has 18 years until she has 16 years, she has been very a

friend of a person anciana that no should be ancian. Oh, right you're going to understand.

It was a mother of her, that was a little and very nice with her all her

her entire, her infancy. But of the 11 to the 15, 16, years, was too

similar. And it was a person more, it's a person a person a major. It's a person much major than she, because it was a

little bit more than to talk, like the chisements of the day of a day, there was a moment in the daughter of this woman, because she said, no, well, yeah, comes more to visit you than me, and you're just playing more with her than with me, but there was a little kind of a little bit. The mom

of this amy that had been a lot of more kids. They were saying, that's growing up that had about nine children. So, they're a very good relationship. But I tell you I'm a person adult or a major, anciana when no I don't know

it's ever to be a lot of this Marta, that's entera that this person for there had about it had been about a

70 and and a lot. Very cansad, crubated, the body is still like reduced

without energy. He had much a little but for her not was a surprise

when simply a day she had not disperto. She had seen in those a year-

going to be deteriorating much, but I'll say say, Martha, not overpience. No, it's to start

analyzing. Then he said, he has to have a problem, and it's a degenerate.

Nothing. I was just a little. And, look, and it's my amygita, my

my amygita and my bigita, my amygia, and you know, and the of a way,

and they're all over, and they're all of the family of this woman and

Martha also, but not for a situation social, not it was like like, oh,

she would have her in her she had to be her name genuinelylyly. Oh, my amy my

but I know that I'm when I'm that you know, why you know, because she

me has said, that's that all that all all right and not he's

and he and he said, this this is this this is this year and

after this she's all this all this they're all this is that people are soontas,

why they're so when they're so on when they're going to be going to be with her, because when

I was in the time, and I was in the house, and I'm, I'm, I was, I was going to

visit to see to see at the novela. And now, I'm not I'm going to the novela

because the novel I got, and he was and he was sitting to me, and we were

to see the and we kept a view and I'm, well, no, that you not,

you're going to be to to be here and me I said, well, it's that I like the

novel. He said, ah, well, we're going, never I'm getting down to

and I'm like, to do you know, for me was the most normal of the world,

well, I had that that I had that I'm that I know, a little

that I get a last years, enter, open the door, the I'm,

I'm, and I'm said, Marta, with who you're and I'm here with

my friend, she's the the door of the bathroom, he comes and he says,

where did you know, I'm he said, well, here's the and in that's that's in fact, because the

seat and I'm saying, I'm saying, I'm going to, I'm going to, I'm going to me, and he said,

that when he went, and he went to the he was the day the woman,

the year, and the woman, the cabo cano and I did, then I said,

well, so the she, the she's, the woman, but she normal? Passed the years. The senior, one day,

I'll say, hey, yeah, it'stube well, of a sudden I'm here in the house, you know, when I'm going to doorm, and I'm, you know, and I'm, let's, and then I'm just can't ask. And the then, well, I'm saying, and, well, I go, well, you, let's get to

get to ask, well, if you, you get to do, and the the senior, like, in those two, three days, she me appears in the life real, and me says, well, you want to say something, you're going to do a nieto, me going to do you,

and it's going to do with one of my kids. And I don't, man, if they're being feos. And the, the signora, it's was, and it was, like, it was

very inexpressive. In the life real, no, but I, but I said, no, man, no, man, you're not, I'm just

it's not, but they're too, they're too, they're they're too, and, like, all the year of

that, that me to start to courte to get a woman, and that's me have been

about the woman, we've got to the child, we've got to have a little little new to the

son-o-and-a- and I said, hey, look, that's a little bit, and pass the time,

and falle a tia, and it was a she had a that we had a that we'd a family,

much, much, much, much, and my family was really, and I, and I

was, the he's understand. And they're all just resando the rosario,

and one of the tia with a little bit of some of the and all yorona's, and I'm

I'm saying, but I do in a bit of a bit of my time. If you do you

don't get very tristes and it is a thing that there's more in the

other in the other than they're to be that they that's that they

say that's that's and I can I mean I'll just say that all in silence I'm with a car of a whirka

imbecile and I'm just just what I'm what I think so what I'm so what I'm the door of the entrance

and it's a prime but so with the eyes disorbitated with a very impact and we

said, it's me I'm just to appear an angel and all what's like what you

what you're and we and we're coming to the house be afura of the

house sat in a a little a little bit of a man, a man more or

about a little red or a white, all the vesty- and then I'm to be in the

person, and I said me the prima, and I said, and he said,

he said, and he was like, if it was like, and I'm the door, and I'm

a man, and where he's there's there, and then I said, Martha,

well, it's that's he's manifesto, but I don't understand because after that's all again, I don't know,

I don't know I don't understand but that's so, if I'm also, I'm also, this thing I'm

so that's the thing I'm don't know, I'm mude a house with my marid and my son, and we can't

be even a house in the house in that I'm moved, I don't not firmamos the contract,

it was to have a lot, but we had made a completeed what he had been,

and the first night that we we're we're going to hear of the banion. When I go out of my apartment, and see what happened, she opens the door of the baio, and a woman, like, descarated, without

rope, sale from a-of-a-coulde, he's out of the head, but me is down the back. And I go, oh, Chuchita, this is your house for that you and is like, and I'm coming to go and when I'm front of her, that I'm again, that I'm trying to, I'm again, and I'm trying, this

is very rare, me do a half-wilt, I'm playing the lights, no-lust, no-a-n-n-n-n-n-n-a-woh, All this week, all the day it was my my son I was going to and I'm going to

and I'm going and I'm going and I'm going to this house we're going to get this thing's the thing is.

The chuchita Descarada? The chuchita Descarada. So, look, dear family nocturna

if you're going to the story of the chuchita Descarada there's in the comments.

You got to do the story? Thank you. Thank you. Family Nocturra we're doing and as

city, fogatas in your city, foggatas in your city, in your city, in your city, bye-bye. We'll see the Wednesday in this episode most attractive. Bye-bye.