HABLEMOS DE LO QUE NO EXISTE - El ritual de secado SABADO DE SOMBRAS en Viernes de espantos

Episode Date: September 13, 2025

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Bevenue at board of Via Rai. Embarked and profited. Embarked and relax and syrot and bookine Oh,

that also and profited. Via Rai, the voice that we love that we're going to this Saturday Nocturna,

to this sabbado of sombrass in Bairn's of Sustos. Oh, give me a second because you know that we're doing

to the total terreno. Family Nocturna, what's here? We're doing we're doing

stories atterradoras. I've a ton of things to to talk to let me and we're

to do this because the end of the time of the same the fogats in the because

we're like we're going to the 2026 and part to go to the 2026 is

these fogats in vivo but because we're probably probably not

probably not there no there just that that and I know that much

Famine Nocturna are going to have a beautiful Wednesday because I know that many of you the time have been given to

my time. I'm going to be a time and I'm a moment in the while can despehars, disconnectart.

So, digan me, for favor, dear family nocturna if all is all and it's

well, because if see see and it's good, so we're going to start this

Sado of Sombras in BIRNs in BIRNs Desmante. Let's see, yes,

yes, all good, all good, all good, perfect. Dear Family Nocturna, we're

on parts. First part. This week I took a video in internet that not

is of something. It was something that me did fear but

not paranormal. I was a person in a a concert and

he was to get to to the public and the public

no he was He was stooped and he went to go tome. And then, me, I'm thinking much and I said,

Famine Nocturna, these foggates in vivo, I'm going to that's, to venting us to get a gomazzo in the

piece, because I have to say a great, I have a super surprise. Yeah

we're all the places now see where we to be, I said, I've been, I've been,

we've been just we've just we've been on two places. now we're going to a lot and let me tell me,

I'm going to where we're going to go. We're going to be in San Luis, Puebla, Guadalajara, and the city

of Mexico. Yeah, the bulletes are at the end of the end of the meat and grids just are

in all the in Mexico yeah are you in San Luis and Pueblo I think they are up

the 50% of the meat and gris and grid and but now now

are the places, or more well, me they've just the last few places in where we're going to present to

this tour of the year of year of year 25, that will be the first and family nocturna, will be our

first reunion family. I'm going to be a great and it and it's the first of many of

many of many of the places that are we're going to have a time in Monterey

Merida, Tijuana and Monterrey Merida, Tijuana, San Luis, Puebla, Guadalajara

of the city of Mexico. Those are all the places. So, so dear Family Nocturnal I'd say, for all those

those who want to go to the fogata in vivo, if you're from you're at the final I'll repeat

for that you're so if you're doing you're doing more information of the channel, there there is a

book on the link in view or boletos to the can say whatever of those two,

you're going to send a page in where they're in the page in the that's

click to that and then you're going to send directly the company the book and there and there

can't be the city of the day and all the day and all. If you're on Spotify there's a

pesterner that says about the that's where it is where the description of the channel

and then then the first line says fogatas in vivo there's

there's a link in color blue and click pressional and you go to

send you to make directly the page where are all the cities

with the Feches and the bullet. So, so family nocturna, these are these are the places that we're going to visit in this 20 and 25,

and justly is part of the important that today I'm talking. You know, you know, you are my family.

I love much, and this time was a moment like a little difficult because I received many good

on a good heart, that me said, narrator, come to my city, and they put there different

cities. Well, cities and states, because some were not specific. And me were talking

in many points of Mexico. Let's want to why we're going on these

places. I'll tell you a part of the history, I think that's I'm going to

say that's and it is that when we went we're on

April to Spotify, to know to know a family nocturna was like an

injection of energy of the good for me, for the voices

of the more for all the the team. And we're so entousousousousous, we started to talk to and we said, oh, yeah,

and if we do this, like one and other once, the idea original, it was spaces little, because in Spotify we were we're 30, 40 people.

But then, in less of one or two times, we're going to contact them to a coffee and they're saying,

oh, hey, vint here, presentate, we're, we're in the family nocturn and that they're

in live and I said, ah, it's super good, because me enchanted the experience of Mexico, sure that I'm going to be in Monterey, or more than

it was in Monterey, we're not those boletos, but it was the separate the entry and in less of two hours was to reventing

that the same was on Spotify, that's also too too, but well, it was to get to the person that

was invited to the cafe, the J.S. I'm, I'm going to a barazote Brother, and us

what is this? I'm, has not has been to come to be

many people who have been, it would have been very that's that you're that's, but we're

not we're not we're more people, we can't invite to more people, and well, the point

was, we, we, we, the point was that a raise of that

we're we're we're we're we're more more than, because

it's a family nocturna that nocturna, that he's where we did assist and that's the first presentation of Fogat in Vivo, yeah official, here in Monterey, we're almost 170

persons, so it was all, it was full in less two days, and then we're allowed, because we know we didn't even if we were to or not if it was to be able to, if it was to fill, if we were to enous, and, well, we'll get us locus.

And at a raise of that moment, entablamos conversations with some people that are in this medium of the gyras and when they we're saying,

we're going to do the tour in Mexico and they're very directs with me and it's it's more to do a

two to 26 not 20 to 25 and I but why it was it was too it was it's

we've got to the family nocturn and well no no it's no it's that's the

problem is that probably probably not there are places. Probably what we're going

to separate are, they're like places that are going to canceling feches and then you

are you cancelling the time and you can't make in many problems and we're not no, no,

no, no, so, no, no, no, so, no, so, no, I'm, I'm, and I'm,

I'm, I'm, I'm really, I'm, I'm, canadae, I'm separate those

places, and you have to be a problem, but it's 26, because you're not

to be able to start in that cities. That's that I can't do do with that's in

not a lot of not in many people, the other would be in the other going to be going to the

places that's so-as where's these points. I'm I'm in asquas. I don't

know what's they're going to be negotiations with one and other

the other theater and one and other other other there. And then we're

a moment of one or another reason was no. Because there were other places that

they were rent to do you do you don't know there's a night of the family

nocturna always the hour that has to get to get but there much family nocturna

that there's so they're options also of the times that are

impossible and at final was that the places to go to go

Monterey Mirida Tijuana San Luis Potos Puebla Guadalach and

the city of Mexico are are the places that we are in this

tour 20-25 that I hope to the heart that's the initial of the

tours of the foggatas in-vibo because it's part of those that I'm

for all those for all of what is the foggata in-vib is what I'm

what I want, we're we're we're here in the comments if I

am I am going or me end of getting the family nocturn

want to hear the stories of Viva voice, what I'm

I'm quite I'm infinitely. It's something that never would have ever

ever I'm not you know, I'm think you may I'm think I'm think I

think I visualized so with with the theaters even even

or I never I visualized that people were there to hear

the stories that that that that that's so

so for me it's a but the point is that

we we And, say, I'm saying, or is I'm bad, but you'd like to hear those stories of

voice, standing there, because it's more intense than through the screen. Not only the terror,

all. You know, there's stories of all the type. But, tell me,

for a question, we're going, because when I'm in Spotify, Mexico, I don't

know what we were to say I was, I've prepared many things, many, many,

many, many, many, things. And then I started to give us data, factos, as I said. Comence to give them facts. Let's I'm going to talk to certain

things. And notable that the person if they were still in the same time, something, I thought, and I asked the family nocturnal that we came to, O'clock, O'Gian, to what is what you want in this moment? We're just like, that they're, they're going to, they're

that we're, and they're, and me they're all, and they're, and they're, stories, counten those stories, and I I was in serious? Yes, yes, I said,

all those who are in these people come to be these stories those are they're in listening to

listen to live and at the same time as if they have put to be all of

all of all. She sent no, no, the energy that the energy that

put the little chinted and then I put to tell us

a lot of stories that was part of the promise

what he was not not to not after because

one of the fogat was a Unica. Two hours of show, two hours of

stories, are to do the foggats, and those who want to go to meet and greet, the meet and grids, are three stories more that can do during 40 minutes,

one hour extra, that are going to do you're that's just listen to be ined, and grit, or more well, after these

stories, in what we're taking one of the people, we can't know, let us, talk, a minute,

two, tomarn us, three photos, and a video-and-a- and if they're things to

firm, with much to sign them and yeah. More or less in Monterey

for the idea, all the show during around for those that were in the

five hours, the five hours, for those that they went in the general,

two hours, to us we're to ask to the question to have

done some videos in the that I say, I'm saying,

you know, I say, we're we're the part partick

on the people, we said, hey, is that really not we know if the family nocturna

is getting feeling more or was going to a expectative and she went with another day, we're going to ask us.

And they were all encanated. Encantados. They said, no, it's me put the skin, it's

that I'm really a that's a real, and then I think, it's not it's much

more because in the panel is the many of those who were, they were,

they're I'm never never never, never, and here he's been more of

fear, more of fear, there's things things rare that were in the presentation, there's

little little little a child she's that they put here the hand on the side of a

part of the behind the there's a person, and there's there's a person, then I'm going to

make you know, manches, on the function, you know what you're going to get to

a sustra, I was emotional, she was being a emotionatism. And she said, I always always wanted to live some kind of paranormal and me passed. And I said, this was

a bit of strange. Passed things with the equipment when we were. At least, at the final, they said that when they're carried many energies, pass on things. But the reality is that,

after we've been rented that premier theater, we're that was being a hospital and that if there were many success in the works of the

theater that presentable. So, well, Thank you Family Nocturna For all those Those who want to

Be sure It's a good San Luis Potosi In two Semanas We've been Puebla

We've been in four Semanas And a Partier and go you And I

I'm I'm the opportunity To have the opportunity to We're We're in the

in the vivus We're in the Fogatas and that's Not

Murtos of Because that it's that's that it's a

experience Traumat but what it's the sensation that they were in an episode

to be able to be able to be there's a there. And for those that they have the meat and

grid, well, I mean I'd that it's that they're like that all,

so that all those that were to know to know to be my family but

it's so it and I got it in person in person and we put us

to talk and three hours, family noctourn, we're chutamos three hours of pure

and with 30 people, three hours to say one and here

and here, and that the video, and that, oh, yeah, for favor, a audio, and what are

and they're to tell me and they're about me, and they're about them to say, I'm going to

the WhatsApp of the peser of the end of this episode, because yeah there's a moment in the

same the same people, and I said, yeah, so, so, so, so,

so, like, so, you know, we're, we're just we're in much time,

and is that me, me, they're doing and as you can be to make count the

cord like no it's it's not a way, it's a way to do

the time to do it and grid for that that's space to be to be

and get there a moment so it can be in the envivos. So,

that those that are people who want to the mit and three stories more, around the 40 minutes,

one hour, and it's a moment, we're going to talk about, we're not much, but we're

we're Firm, photos, videos, and all, there's and so. And well, now, now I'm going, said,

and the explanation of the foggats in vivo, of what are, that is living an episode in live, with stories

inedits, and every one of the places to go to are we not going to get to

because I'm to go to get to and say, oh, and if you want you to present

to Montoray you, you're going, you're to be not necessarily the format is the

same. Talves the format can be. because? Because if if there's a matter

nocturn, as like the Saturday of SOMras and he and he and he looks to put it

in the day that he there's a way there's there are stories that are there stories that are

there's and there in the fogatas are going to live these episodes

so. So, well, now, now we, we're we're we're

we're all we're the thing to let's try to the would say my sobri-nita,

permit me. Ah, for the people that say, oh, you, you're going to go out of

the country, I'm going here, Chile, up I, the Salvador. Family Nocturna,

if it's for me, so that's that I'm, I'd be the way, to be a theater in

theater, knowios those all the things, I know, you know, the thing,

the time, the time, the time of the time of the time of the world has

transformed in problem. Pardon. Every one of the presentations that we have to come to with certain things of the locality. There's a lot of things that's not.

And I'll want to say, it has been a rompedero of a head impressionant, but if it has to do form, conformed the reformed, for that we

incurrottes in some type of problematica, for that not we generate a problematica at the family nocturn and not termines being

some type of disaster at the reunion. very in serious that. For me, I'm, for me, I'm, to say,

you're going to live a episode. I'm going a encounter family. I'm going

with my family, and to my family the care of so I'm so I'm that all the pass in a

good, that be something that's incredible, that what you're still to what you were to be a lot

so much better. So, for those things we're going, we're, we're partes,

first, in this tour of Mexico, and And we're being the person that knows how how get us

but understand those. If it were for me and if no there were tantas questions, yeah we're doing all the feches,

so that's about two, three times, the one to one to know to know to know

to know a episode. I'm going to get a family. So I'm very familiar, I'm very

amiguer and me would be in all parts and to learn all the numbers and

but also, that's the So, so you say, that you say, that you say, that you know, I'm sorry,

it's a but not you think it. Because not so. Now, this is this. And,

remember, the stories, have patience, people, dear family nocturna, from 20, 23,

that did you the WhatsApp of the pesadels, they've started to send us, and we

just we're, we're all we're, we're going to put them there, we're going to let us

much time, revise, that you have your name, of where you're, more or less in two ringlons, of what you

talk about, of what you're about what's, about what's, because as what's up, all we use, for the

booker of the words, is how you go, so, if you were, if you were the WhatsApp of the time,

are getting messages, and messages and there's, there's, but I'm there's been, but I'm, you know,

put asteriskito, does that you actulize in the WhatsApp, deja some a little moment in the moment in the

we're going to let me have to get a message and a part of that's all because it's a question in some

episode and we'll let me say. Ditch one this, welcome those those

that is your first in live, it's a good to get us to get us we're

we're doing in the Sabbath of Sombras in Biernes of Spanus because the Sado of Sombras

no tian day. Stavosos of Somsbrass, but it can be in a Friday, Saturday, a domino, or when he Kierre. If it's a Sunday,

it's a Saturday, on a Sunday, but if it's in a Saturday, Somas, in Biernes of Spanthos. Now, so, Ditch, one this, let's see,

with this Sado of Somas, because I have some stories, that, as our great Family Nocturn of Spain,

those will be flippar, that I think not they're exactly, but the idea for there is. There are

there's, there's, that have made that I like much because the theme of the

thing of they're not a time that I'm know I'm reaffirmar here. Let me talk

of what no exists this channel the I'm because I am a hard

of the thing paranormal not in a morebos but I really think I'm

I'm I'm now after the time and that the can't

have been more for the of foggatas, the part of investigation has been a little relegated, but still having themes for there, that me call them too attention.

We're going to the name the family Gomez. For to put a name, the family Gomez has a one of a daughter, that's Sarah, a child a little biter,

and he'llalio, and has a her mom and his papa, that we'll say, and Sir, and Mr. Gomes. And they're in a house that

is very peculiar. The house, if you enter, the fourth principal, that, not the alcova,

but the first apartment to the one is the bobed more great, is a little. And in

that place there is a place that is like ovalada for six people, but only

caben three. Because the table they have a one a

part and a other a other a wall. And so there are two two places

and one to be in the family are you know, normally you're in three in the

mess and one is the one is the kind of a little a little so that someone

doesn't do you get a place and then they're in the change.

This is because the family Gomes not doesn't many

are very people are people are very nobles they they're

all all the world, but well, simply the life is the life and not have to be just a whole the time. I hope that the day of today of today they're going much better, but when passed this, I've been in that casita.

In that casita, when that's in the winter, there's a little bit peculiar in the casita of the family Gomez. There's something that they'd like you, they fascina, it's that they're just that they're just that they're in the stufa,

that when they're oner something. A a a time a hamon that's a

time of the time a lot of a very a lot of a party

of a family and that all that all that all the

time that that's very that when they when it

they there a aroma the sensation of the

the place a that a great that a

that that even Fault money, carino, no, he's a over.

If you do these bodes of these main, the only that you have been, is a

middle-bao that they're in a door a little a and a area,

a lot of a carjas in the they're all. It's all. It's

a houseita a little. But if you do you see you

the side, there's a door, there's a door.

And if you have a porton, you're going to see an one's an

unethicales because are some little because are the one of the one of the way of the way that

it was a and that was that was the there. So, it's what they are. So, escalons,

very delgatits that are one and there's one of one of more

long, and other more more shortitos, but no there's a distance very

prudent between one and other. Then there one's you're, no, a

one- but there's another, there's one, there's just see the filer between an escalon and a scalon

and it seems more like if is a deformated a little with the time and there are others that see the scalonzote that looks

about the one and a half two-pugated two-pugated and then you're just you're just you're doing

you're going and you again you're you're going and the family Gomes is used to

say to say you're because if if someone go to the people who if someone goes to

get a trancas a trancasso Dural and direct So, the family Gomes, that live in

this house and are accustomed d'n, those escalons, they're to get a door,

when they open that when they a door, and there three recamaras, the of the papa

and mom, a recamara that originally were where they were where they were a piece,

a, a a quarter, a a room, in the The abitation of in-medio, originally guard-a-courses to repair them

after this machine to co-ser, of mom-a, that now doesn't do you, you'll see, that in a future we'll repair-

you, that the bicycle, that the tron-o- the rin, or that has been very disgasted this turn-in- and then we

we'll find something, because when there's no-n- no-mobra. And in that-o-

-in-us- originally was full of these til-litches, things imperfect, things that they that the

tornilito and frasquitos that's that the clavito that's like because the sir. Gomes and of

a repent to make a little to get a bit more to buy things new as if even they were used

but look there's they're accumuland that one day the the little the child, the

little of the little we've got to be so we're going to this he's this he's

this he he's the right he's just he was he said that he was of the school and that he was

used to use hermientas the purest men, purestment of the truth, but he was a little little

intelligent. With that he took those papas on the time that could be on the whole time, revisating that

was what was doing, and the child of the Gomes, the of the little

what was doing really was was the was doing a thing and doing a

space for him put a tendido of mantas, savans, colchas and it

transformed in his abitation. Not he not had all for him. But intelligent

the manchach he. Oh, yeah, he, he knew, he knew a little of the

hand, with a part of tornillos and clavos, the bicycle, he gave

a part of and so he was not occupied and so he was

he he was in other part and it was like a

one of a piece of there put to do a repisis

in the repisas put the frasquito, he put to divide each one

of the things, because if Papa he said, oh, this is my tallyer

to work, he was going to say, I'm here my tendingid and you still using your

and you're going to be a way, because to be a little to be able to be doing with your

mother. No, it's a good, that not you don't let be very economically

but there there's then the muchachito separated very in his court and

he and his her and her and they were they're they're

they're now the two had a little bit of a bit of a little, but with that he was a

content. His brother was all for her because the he had in the room and he was

to get in the time and she was in a plan and yeah yeah get your and he

said but I don't I don't put my things the other room and I'm

just that's you is that you're so you're so you just that you're that sometimes

not we we're we're all we're always we're we're They were in this dispute, but no

to have to be a dispute of brothers. One day that's in this house, Los Gomes, resulta that they're in the second

piece and the her manna commenced a voice that for her, has that makes that

make a more coquet. Because is the voice of his nobue. And only has a few

some months or some months, but is she's enamored and where he only

he gets to talk to her there Much love and much zeal. Because with who is talking?

If just should be talking with me is here with who's talking. So, so it's he assom it

but not it's a somer to the look at the look. No, no, no. Aspia,

she assom, moving a little bit of the carton and asomandos to be back, for that

this type never never is never that they're having there, there,

there that they're in that they're that they're talking with another a man with a a man with a

woman with a time with they're going to have been derastraiser because if she thinks the little the girl of

the girl's she hasusts and then she assomate and see that's a newbio and he's

a forcegeating with the cartis and he's to move them to one and he's to come and so on

and he's he's not over and of a person and then he he's got he's a no he's your

brother so he's your That's what rarrow, her nephew and her brother never had talked about so much. She's

there, asomandos for the window, not is a certain sure that is his

brother, but now is it will confirm. What he is to open the

window and he says, my am, to call the attention and

to make that the person and he's so I'm that last

the night earlier how was fregando in that I

wanted to to take a pair of robes to go to go to get a bad to do that this

warker no he doesn't that this abatation is of her well the man she is fatidied

and he assomed and then see that the brother he'll look to see a

man and he and he he and he and he is a son

an her her man but a son enoja that he no

can't that he may be in peace that he just just time,

I'm going to fastidiar. So, is that you say, if you're going to come to

my court, and the man, he's a man to the man to the

new view of this child, and then the new he does, he does it with the

arms like, well, what, what you can't say, the

your manito and you want to talk to be and he doing the doing,

we're saying, we're we're we're we're we're a lot

the triple, and he he Vent to come. And he says, wait a

boy, let that I'm in anojah of his life, da me a bad over, now he's

anogated with his brother, he's no way, he's going to, open the

door, he's going to the three abetations and of the room of his

father, he's his brother, he's his arm with a carmiss and he

came in the more with some and he and he and he he's

a man very very I'm, for this passio. She's the he's the

he's a he's a question, why you're why you know, what you're he's got to

say, oh, that's the moscas you know, man, and I'm going to be

and I'm going to let me go. And she he said, why you're saying, why you're

saying, so he's he's like he said, and he's, he's, talking so, talking so

talking so with your no what, so, so, I mean, so,

if you did that you did you do you do you do you and you do you

and you're to be about to get a house out of the so all me of

a curate in pudd and then the the other the little the tawall

the and make a santa a ston a and the little a chica

threw a a grito the chico so he gets running in the room

of her because in the room has the the when I go the rope

there he, he he gotra and then come in the door and then then,

pardoner me, agar the rope, he assom for the window and he makes a little

and he says, her manna, be with your no- and that's no

I'm and when she does the little a little very good resvalon

for there there he's heard the he said

he said, but no I got a time, he met a rannazzo, a good good goal,

the nobio reaction, he's going to goreeland the door, the door was semi-abirt if it's that they're

to be the novia and the braz, you're doing, you're doing, two, three muretones,

van and the cures, they're they're in the part of down where this messita of the three cias,

agarran a cell, they're they're putting no-s and then they're doing, no,

she's, she's, she's, and it's that's good, of that that

that he said with who you're with your person and he

he said with your brother no it's not sure my my

brother was around and she she she she was she

there there there that probably probably because that so they

are so cell that a very that probably was

with a she and that was in a angle she

she not she she she's that that house and when

he goes to his room, be that his brother is in the court of her. He says, yeah,

he says, yeah, he's not, we're going to get to do this. And she says, because you're doing your

questions, go to your court? He's not, no, no, because that was the that was the

guy, and I was the was the he was not, no, I don't me doorms separated,

we, we don't don't know together. The chica of the Gomes is the

to send the story and me he says, narrator, I don't believe in that. I mean, my head not my

head, I'm going to think that was a woman, but my brother was so I'm so much,

and then my novi was told me he was so much, that I 've put this that I'm

even present in a doppel gangar. Then, RBC Training Ground has discovered potential

in over 20,000 Canadian athletes and county. Your story could be next. If you've

got the drive, they'll help you find your path to the Olympics. Let's see what you've got. Sign up for free at RBC Trainingground.ca. Dear family, no, what's a afternoon no? What, how has been it? This first story of this, well, foggata of stories, no, of this sabbaths, no, of this sabbred as sombrass, in BIRDES of Spanto. What, how does it? If you're going to, if you're going to be your like, if you're a story, veng a like. With that, the algorithm will give to more people. And if If you

like two or more stories, subscribe and you'll share in Spotify, I'm going to the day of day of the day of

the day, after the time, we have the episode there for that you can't hear that you but you

tell you what they're saying this story. These stories of Sabao on BIRNs on BIRNs

on BIRNs Well, the stories that I mandan. There are people that for the form in that they're

saying the things, to me me does a certain kind of, me a certain sensation

of what what they're saying real. There are people that are like if, they're

enogated, they're they're surprised, they're like if they're like if

something, they're really they And there are people that really are so excited,

are very they're surprised, and there are much difference. The good actors make these reactions of

a form that natural and so you get impacted, because you don't distinguish the

and are people who are people who are sometimes evocating an emotion but they have much

techniques and much preparation. Not it just just to simply to do

for some how many, but for the rest of the population, for the rest of millions of people, emular, imit, falser the emotions is simple. There are people that when they're

stories, what they're saying is so real, that me does the impression that is what I said, 100% of it lived. No, I don't know if we're talking on a theme paranormal or something of an indole more psychological, but this story

has to be with that. And we're going to put her name this chica, we're going to say

that's the name. We're going to say, we're to put her

the name Sarahi. And resulta that Sarahie has

a particular and from that she has after

around of his years she is the favorite of

her she have a have a thing that

that the bula for some a other reason,

you could say, I'm playing a bad the word, but she could say that's enamorough of her

she's a really, she's a time innamorated, the abel the baby has a little a little

a little, apart, he'll say a other, and say, narrator, my

abelel me me's very, my mother, I'd say that all, but not

is certain, but I'm so, but me he's much. Me, he's to plancher, me

to protect me he's insectos, me ensued of the vener of what's what you're

in the question of the person super movied, I'm a person was very intelligent. With my couple of times,

and we're a woman very intelligent. Never was never was a callied but it was because

almost always had the reason, never she had to be necea to talk

in things in those that simply or not I know or no saw it or he constable

that's never about when my abuel was about and she obstinable it was

because he had the reason and he was a manned but rest of

and fervrard my my papa he said always all he is a but

no it's that he's he was he was my abuel is

he was he was he was my there was there was

there there then, look, little, he said, because the neasio was he,

the one of the time, always to have the reason, was my father. Well, my abuele and I,

we were all all the time, in an occasion that we were about my 15 years, and I had a little

and my mom, was a little to give to my my mother, my

I was, I suffered much because I mean not me not even that I didn't,

and my mom, Prima, how she was And she was going that's and my abuela,

after those sermons, when I was when I put a very really great in my quarter,

I'm and I had some and then I'm and I said, oh,

my hita, a little bit so little you know to do you get to

get a and you and you always we always we're always we're

after after the 15 years and I know if it was

to the my family one two days after

my 15, enter in a type of problem. I think is something that's

something that it's exactly that it's a problem. Because it's a problem so a lot of

a time. In the hospital, in the time. And it's a thing, that's it's a time and it's

very hard for me. I was in the hospital year and saying to God that for for a

father to my little to be my he was a he would be able to be a In occasions,

notas that she kept like in a time in a tasked and not said it was,

my abelababla about brutal, I was, I was badsim, he used

many words. And now not you just used certain words, repeatia many words, it was very

notorious the change, but was to be back. And it was she was

very very very very very I'm, I'm did,

and I'm to be to get kilo tral, tral, and I put in the

peso that I should have to have a second two, three months after the and there,

narrator, when I went to my mother's, and me and he says, you see,

you see, you've been flakka and lomrisienta and no, narrator, me had

got me had been and had been on my my abel

about so, it was a was a one I'm and

I'm and I Chiigi, Chi, Chi, Chi, Chi, Chi, because no, it could be able to be to be able to be like to be able to be the life. Always we're

always we're not saying, that they're not going to be a lot of my and I'm doing. And me said,

flaca, the homicienta after all the effort. No, well, I was, I'm going,

and my mom, and I was to be a little my life, no, I've heard

and no I've heard to my abuel, grittando, saying mahadrillas

to my mom and my mama grittantly to her and my abuela, but like in

hergumena mal, mal, mal, very bad. And that my father

and he the carre to the house, a farranch of those narrator, I don't

think I'm what I'm don't know I'm and my mom me say my wife

remember that your old had a woman had some sequels but

one one thing, one is that's that's that's the thing is that he said, that's not

that's not really you know, and you're where me said, and I'm did a enojada,

and then I started to see to see, to see, and then it has been my little, my abel,

so much, my abueling to be, and he has a new, a courage, all the time that we've

always is I'm in a form fia. And this durer almost about a point in the

we're not we're not a question. They're not really really far as those that even even if

I've delivered to therapy, I've had to talk to talk to with many people,

because it was a woman, it was a little, was a point of my

feeling more profound and me desis what could. At final, as I

didn't being very dolorous because when when he fellacy three years after the accident cerebral vascular, resulta

that I don't feel anything absolutely nothing. No me important. And I sentia with

that much and me felt that that's that I had done that I didn't know

I'm I'm confused I'm I'm really but my mother. My mom

me said yeah yeah she's in a more place but I

not was thinking on her. I was thinking in me, me, me was a bad a badgerwens.

How it could be the person with the person with the thing that my life, my complice,

my friend, the that I'm that you know, not over that you not are,

I'm not that I'm and I'm many years in the end of that's the arisen,

that's the result and that had been to the accident cerebral vascular,

changed changed the form of now, now now,

so now, now, terco, obstinada, aggressive, and all. Well, what I want is that

is a matter of because it's very rare a before my father, when she was put a really malita, I was pedia

to my mom and I had my mom to visit her and I don't want to and in occasions me were

to the telephone and my abuela me I exigia, me demand to go to visit her and I was

said, no, sir, I'd dejected me, he'd be a little bit a little bit of the heart and I said a chiquet, but is that

I don't want to go to go to the woman, no care. Falle my abuela.

And in less of a time, they're going to do that things.

I'm a day in the Abel. In this house, what we are going to

start to get their because my abel because my mother, we're doing

my people, they're seeing my I'm I'm that if I don't have like my

casita of solterra I'm talking about I'm 18, 19 years and my

papa me said, oh, you, Mariacan, your name, how we're

going to do you're a a little and they were going to be having to

leave me and my mom me said and with you going to you're

going to do you no, we're going to not you don't know in that

that we were doing those things and that I did that I the house for me and me

it's nother. Me do you an ennojada, but the fact that was a barrenche, more actuated than real. I go to a bitation, and in that room, I'm just like refun-fueying for that you hear this house, it's like,

they'd be darned, and they'd be darned it, and my mom me grita, with what money? And me do you know, a nukhada, narrator. And then when I'm in that quarter, all the most part, I'm still, I'm sorry,

that someone me a braza but no I mean I'm I'm I'm

I'm I'm so I'm and the first that me came to the head

is abo and where I'm and there no there no there no anybody

nothing but I'm I'm and I gotrars it was

horrible horrible I'm I'm going with my papas

they what you say what I'm I'm I'm the house, me

I'm going and when I'm going to and when I start to be my time, that the ban on the

night, to get to what you're because they're to have been my nervous, I'm doing

my secada when then then I'm when I'm my abue, that's the say, I'm back

to be here to be saying, and I say, I'm, I'm, no,

I'm in pass, and I feel a my hand, the but I'm

the abel. It's much because I'm a a person major, like,

so I'm very little and I'm put in the hand on the back. I'm going to the gritty,

I'll, I don't know how they did, but my papas are out of the bathroom and

they're saying, you're well, you're that's good, say, you're going, you

want to be to the policeia, you're well, I'm to come to get the

to the thing of the and I gritty, but I don't I'm

I'm I'm going to say, why grittasted? What's the past? You're going to and they're going to be

to do this. No, no, no, no, nothing. No, no, no, no, so, are my nerves,

mom, are my nerves. My name, I've done, do you know, to do you, all of the house, yeah,

is that I'm a carer to not that's a carer, no, that's I'm a man on my back. From,

from the day, all the days in some moment that I do you in the house of my

past, I'm, I'm It's a little bit. It's a sensation of a a dead, it's a hand that's a

hand that a little bit more and it's a point out of my armory and me repreted tantito. The problem is that every

that's it, me quita the pass, me the rower, and apart I'm going to get things in the house.

The house is really, I'm my nervous. I'm just my minding this,

is what I'm the first to say, oh, say, you know, you know,

you have not And I, that's rare, are some these days that I've been feeling this.

I'm going to talk about. And in occasions I feel that the camera can't be and that a sensation is

horrible, but me does that I know I'm that I'm I don't say, and it's then when I

know I know my mom that's to say, not you have done to come ultimately

that the house is a really a car a night narrator.

I'm sitting in the Cemetery. I'm my mom and my mom open the door and say,

oh no, God, this is not so no, it's not because when I went to her back,

I don't me have done a but I was getting to be so I'm saying,

Sarahy, how you can't be in a place so? What is this?

Because it's so that's so I'm just, I'm I'm just that someone

I'm trying that's that's being that My mom is persign. He goes

to me and he has been to get to get a point. That is where it's a

thing. Because not me could get to get the camera. It was like

if someone me took there. After the two three force

geos me he he'll and he he and he's not a

time. And it's all the days go and he's my bed.

I'm not I'm not. I'm They feel that in the camera is in the they're in the they're in the camera

they're going to these types of psalty, but it's all of a color like kindo similar to this color that I've got already in the gory.

And then she has she has like the palacate amarrated to be those atras, some arrethes large-simus has a type of pae or blouse amarrared to the

cintura of color blue. The rest of the rope is like with much solanes, a fadda so grandota, all of color black, salvo those rematches of gindo and the other, and there's much jollery, pulseries of plastic, pulseries with piedras.

Entra the woman, and the woman is strange. Because enter to the house and then he starts to come in a way in that that no can't do any other

just that's a woman and he's a and he's to say, oh, in this house there something,

and I'm, mom, who's this woman? And my mom, she be with the car of a

woman, and she said, me the recommender, I mean, and I'm and I'm and I'm

and I'm and then the woman does a middle of a way going to and then

then she again, she'll be so very rather than the hands abjured

and me because there's a spirit that you want to you can't And I'm thinking, no, it's

She's trying to the charlatan of the charlatanhas. Volteo to be to my mom with a car of, you know, the error that you've made to commit, my mom,

my mom, she's made with a verguyen and then this woman, other way, coming rarrow, he's got

to the house and my bedation and me say, ah, oh, oh, no,

oh, no, no, no, no, no, no, no, no, no, no, no, no, no, no, No, no,

your abolita what you're looking. And where me said that's a narrator.

I feel like if me have passed a man by the neck and the

whole the back on a lot of scalofrios. I know that my mom says to the wrist

and they put on the little and we get them and then we're doing, and then

we say, let me say, let's be to go to help, I'm going to protect, but I'm going to be very clear with you. That thing

you liked, and you're like to you. But not you care to you, as you as you as you you're going to, that's with her in the other side. You're going to chuped the life. No, has noticed that's been rare these days? And then

I started saying, well, I've been very tired. And I'm saying, you know, you know, your eyes that's eyes that are lightened, you know, the senses that have You have like, as far into, your dents

that also are you like if not you have been like, I'm going and I'm fissue in the mirrorer,

no, I know the and I'm not, and I'm not you know, I'm going to I'm going to and then I'm

going to say, what we're going to do? We're going to get right to get back to me. I'm going to

say the things that I say you go saying, and then after that I'm doing the

question of the game, but But you know, Entient this. You're I'm trying

a unique and exclusive a time. All what you do you can't do you can't do you can't never,

and if you do you do you know, you know, it's a start, and I said, and I had a lot of

the lady, and I know what do you know, and me say, Ponte at back of me, but I'm, you know,

a form very little bit more and if it repeated she was to say in voice more more than

it was a way to understand and then I'm going to repeat like she after she

after the after the after when we when we get to my apartment, when we

get in the camera and then he's a little of the fat that's

a kind of a liquid that's I'm it and it

and it and it and it all my sabana that was black

black black fia fea and then So I say my mom, what is this?

And me says, you know, do you know what you're saying, the lady's saying more things, and after that was

something more rare. It was like if a air, start to reemboleteer around my pecho,

and it was to get up, and it's and it was very strange a narrator. Because the house was

more tense than never, but it was like the tension that was sentia in the house and

there were a burbououou and not we could talk mutuamently. Any that

sensation of tension me to talk about, nor I could talk but we're there's there

those and those two we're we're supposed and I noticed that that's that thing

was that thing, because I was feeling of where I was that was in the

corner of my court and she said she's saying, she's saying,

and that that's that's that's that's that's that's my

old, she's my to the skin and me and say and he's that's

that's there maybe she quiss to make your little bit that's to be but that

that's there never was human he he's and he and he and he

to get and not you never to never to call her to call her

to come to do you do this you're going to do you do you don't me

you know me and it's so I don't know if my mom and my mom they paid. No, I

know if something that did a question is that he did a matter that's the more and not all

good. Thank you, my name night. O'clock Saturday, on the Bairn's

and we're two thousand four people but with 900 likes, I'm a doubt,

don't they don't you don't those stories? Because if they're getting those

stories, for favor, Firmerer Nocturna, pickenle that like because with

that like, us help them to get to more people and if they're a more if they

got more, if they're more, sharetans and subscribe to the channel because we're very

very much to start the marcher to run to this YouTube Family Nocturna so

so you they're just like these stories and me just they're just

and they little Sheili me says narrator I'm married

and I think my baby will recognize your voice, he'll recognize more

your voice than the father. We're here in the house. Yeah, there are

people, Chey, I'll say, that this is something very very

very allagate, that occurred the same that you, and me said that when the

children are doing months, others, and the way of to put

them to do you to put them my stories, what is, do you, take them

those precautions, take your precautions. And then they say if you want to make stories of terror for children in a channel apart for that's

something more tranquil for those chaparritos, but that they can't be able to be in their cun. And then, and well, dear family nocturna, tell them.

They're just just like these stories? Because I'm when they were when I was, when I was when I heard,

when I was I said, they're so those people who've been getting getting to, none of you're coming

when they're to get. Salute for all of you for all the hydrophobic and how me said

this time for the syrophilics for the other than a lot of all of you now.

I'm going to the ultimate history of this Saturday of Sondras in a

yearnes of spantos this yeah yeah I'm but the one is that I'm the

list of stories let's I think we we have a quantity of a

for very good days. I'm going going to be some episodes but this is a story that

I have to tell you're to tell you. There's there's that there there are two

friends, two people who are two people from the secondaria have a relationship

of those that are not are friends, are men, they're they're all the

day, they they're even even they live in two or three

colonies of three families no have car. So, so to go to the

house of one or the other, is coming and day to do you and they're

doing the time in the house of Jaime, the on the house of the house of,

I see, Elazar, we're going to get him, and they're super- when they're doing to the different.

And then you know, while to Jaime, they're They like the chikas, that are of the skin, like very terse and black. A

Elazar, he are the kids that are of pale morena, cabo very obscure. He they're very much the attention, and they're very much. Because they're not having

goodsts-present. Never can't have a problem of that they're just to the same woman. They're at good. These two, all the time, are talking, or of cars, or of football, or

of women. In the part of women have much discussion, because when one

says, oh, that chick is super wapa, the other and the other is

no, man, it's feely, and with the time, they're to be

going to to be in mind that they're different, but in this moment,

it's only was this critical of one and vice versa. The chicas

didn't know, because these two types were the two types as the

adonis or that were the more most more popular, they were

pretty promedio, they were the two great friends. All those were all them were in all parts.

So, they're in the preparatory, continually are in pleading for the women, but not because they like the same, but they're

because they're saying the other, and the other and they're not to say, but they're not even if you're a dialogue that they're

and then we're to say that Elazar, to the chico that they liked in the chica's morena, and then

to start to get to a child, and now see, yeah not are the l.

The other and the day I'm a week, and I'm now more than more than

three times for a new year because two days are for the novia

and the other is to put so, but soeloso and he and he

I'm kept waiting and you know me said, no, well you see this

chava I've to be with her and yeah, but so yeah,

but minimum he and the other oh, I'm said me salis

more so And they're with these is styr and afloja and afloja and they're in a time in that they're in a

time of this thematic. And then then, the re-pente, the Jaime, the chico,

that no, he says, you, you know, you, you know, why not we don't we're

all three to see? Yeah, of one you're present to a newbie fea, and the other

he's enoge, and he says, no, if you get to talk to the way to turn

the So, so is that, no, you're saying mal of my no. You're going to do to see? Maybe,

maybe no, but in that attitude no. He says, no, no, that's the peace. For the

we're not, I'm sure. I'm sorry. I'm sorry. I'm trying there in three time. I'm doing

a lot of, and then I'm my friend with her newie, well, we're just let's say

and the other so he's easy, so, why no, so it's true, let me, and then you and then you

two-a- fours all the time. Ah, a very good idea. They're with these things

of a form very superficial, of a form aborted in that many a day to be

a lot of a lot of a lot of so so they're so they're going to go to

the cinema. Jaime know a novia of Elazar a little a little the

rostro moreno the eyes dark dark but it was with

a personality very and very and there is a very rare when the

when the says, I don't know how they are the people because I'm

saying every everyone their people but we're those

people are the people are the people there there there there

is a reason to the scene they start they're to

start more but they do a question to

do all the people to all the the cinema, Eleazar, the child that has never

never ever to eat for him. He'll buy her. In the case of Jaime, he'll buy him the food, but Eleazar if he comes, but no is to eat eating the food that he bought. And no it's been put to, like to be that a lot, so he's a quote, no, but he, for he going to do that place? If he never comes to the

place, if he never comes, he never come. And then he's just to do that. He says, he'll Azar, if he comes, and always he's like some types of bandegittas, of toperwares, a lot of times, servietas,

doblades, always he's something, and is what you're eating. And a day he's he'll ask him,

hey, why, why, you never you know, for the places to those that we

go to, well, and then, well, then, then I, well, I,

we, we, we'll part we, we, but if it's true, why you never

you know just to do to do you to do you say, no, I'm always come, I say,

but never you can't you try's like your lunche, says that she she's that she

I've got done to you don't know and I'm not I'm going to me'll get an o'clock

and so then I said that's what I'm so, no, I'm not there's some lunche

of her and says yeah I'm I'm a me did lunche of the hamon, well, well,

well, go, so it's the he's a and he's and he's getting thinking, this thing

this thing says very very fair, not has no, it's a good, and we

know, he's the thing, he's the narrator, I'm not a person in any

sense, it's always a way, it's a thing, we're not, we're just even,

even if you even, like if you could be, even, and when the I mean, I go to

eat my friend, I'm saying, I'm going to this. This woman doesn't know. And he's no,

he says, no, you know, and say, no, I'm going to get to do you. So,

I'm going to my distance, me the I get a little, we'll get a day, and when

we're we're a restaurant, and now see the colmo of the colmos. This

quate try a bandegita a lot a lot that's in a envuelted, or in a

gabardina or in a type, is that here we use a jacket, but the chamarrar, for a chamarra, is it involved in a chamarra. And, you say, we're going to be able to do that my life, because where I'm going to the chaperware, sacer up,erware, the topperware, it's cald.

And I'll do, no, this is much. This is much. I don't, no, you know what's that? Pide something. And the woman she's a

little bit with a car fey. So at final the novia to not

show the so they're going to go to you know you don't you a got to

then you get a badeer and he says you know what you have to

you're going to try to I'm in friega all the time I'm I'm I'm

I'm I'm I'm I'm the topperware I'm I'm I'm

I'm I'm a It's a bit horrible that But horrible, horrible. No, I'll say, no I'm a person exigent, I'm,

I'm of all parts what it's all. That's how far. Sawia, something, I was teachado to to putter, but after

to putt, but after my box, me don't some arcadas, me don't get to go back,

and me say, where you're vintes, not you don't you have to go,

not you I'm, but I make the panza little, how I can't I want to my

want to the I go the same I'm going to go to go to and I'm and I'm

a little and I'm where I'm where I'm I'm I'm see super wapa

the eyes beautiful little little I'm I'm I'm oh yes

I'm so I'm so I'm so I'm that I'm never I'm I'm

I'm I'm ask you and I let's let's let's let's

let's let's Aracelli. Oh, yeah, Araseli. And where says Araseli, in my head, one and other every repetiento, Araseli,

Araseli, Araseli. What beautiful sound Arcele. Oh, I, that's beautiful. Me went to my house, narrator, as an imbecile,

but as well I was thinking in her. It's a wapisima, it's very little, how she moves,

how it's how she's precious, I understand how he wants to let usar. And, standing in my

house, I'm going with her and I'm very subidded and I'm in the narrator. And I'm going to

I'm going to I'm obsessedionate. And I'm a little bit more and I go. Hey, let's the series. We're going to

go to do. Apart to do the lunche for the two, because yeah me got her food and

prepare very good the food and I'm a person. And narrator, I don't I'm not

a person a person traditioner. I don't I'm a person that and I and looking the

novi's of his friends for the inside I felt a very very very but the

woman I'm really much much much much we're let's

let's let's let's let's let's she's I'm I'm

I'm I'm I'm when she when she when she I'm he's

she you know you know no not it's for you you do you

prepare you're you I'm I said you you do you I'm

you you say has been I was going to my food and I said, if this cald

was very good and the chava but furrica, furica, she's par, he's back, and after she is my

my friend, my go and I'm saying, and I'm going to go and my friend, and I said, or not you

don't know, you're going to be a thing I'm there, I'm like, I'm, I'm,

I'm, I'm, no, so I'm, disculpame, my my friend, I'm going to

say, oh, yeah, I'm to you, to you didn't even you'd say you and you

let's to be to someone for you and we're not a narrative and and strangely

a day after this this chick is out of my and when I remember I feel

like a very I don't like nothing, no me doesn't nothing

no no more to be and not and during much time

I'm I'm I'm with the other never we never we're

I'm no, And, as there had been two, three piques, we don't we're doing

we're doing so much, Eleazar and I, and I'm, when, when we entered

in the university, a day, yeah, passed, a good time, Eliazar

brought another novia, and then we're talking in a tomadera, and I

said, oh, what was that she was your first novi the morinita

this that you did a lunches, me said, no, man, that's, to get her to get her

a problem, is that it was a brao- how it was a woman, no, no, man, not they were

lachers, me was about, me had been a manridden, I was, I'm very, like she, and I'm

and I'm a manhraor, that after after having tried, I, I'm sure, two comid

of her, I, I was, I was, I was, and I'm to think, in the

torre, me came a marre that not for me, I think for so they were

But from there you've got the idea of that the same, the amarras are there. And have a way in what

is of you you're in so. So, the trava well, enbruised. It's correct.

And with this history, dear family nocturna, we've got to the final of the

stories of the Saturday on on on Bairness of Spantos. But, before we

to go, we're going to let's talk about a part of things, and we let's

see for here. Well, because that many of you are going to say, well, to what

see. Recurting that there's those bollettos in-of- not that you want to be a good to

have a lot of there. And if you're just got them the stories, imagine them as

in the because if we have said much that is that very aterrador,

not at the point to you to get to be to be to be a

time. For me my, dear family nocturna will be a very

very much to be know, to be to be your name, to be Oh,

halla that we can accompany us. Recurred that the boletos, to get the bulletes,

is if you're in YouTube, there's a link in view. If I'm not I'm remember, it's in

the description of the channel. From the application or in computer there you do you

find it. If you is a about the and it's where it comes the description

of the channel, there the first league. If you you're on

Facebook, in Facebook bus in the Pestania of the Instagram

VETA link in view. It's a link that we have in the page principal and there's the link in view, you're pression, and you're going to send this page

in the that's there, every one of the bullets and the feches. Ultimate, ultimate detail. In all the

channels of diffusion, also we're going to put this link. And remember that we're we're notes

on WhatsApp, we're not on Instagram, in Facebook, and TikTok. And in all they put there the link.

Especially Instagram is a actually because a bit of YouTube is a little bit Facebook too.

But well Ditch one one of this we're going to go to various comments that me made here

many thanks thanks for those apportations to the channel. I'm thank you much.

Dias Zeta, many of the support. After to Tonyito and says thanks for these

stories. I'm thank you thank you Mets good to do you do you do you

have come you guys that's a Sado of Spantos. Ah, no, Perdon. Sadoes Somas in Biernes of Spantos.

Yes, because the other Saturdays'Ombras in Domingo. Narrator, this is my first in-vibo. That's elegant. Basta, Basta. Ha! For

suppose, we're we're doing. We're here. Saludus, from the good Brandon. Brandon, you send a super

brusote. Thanks, her man, for being here. And apart, me appears the insignia, where you're

part of the family nocturn but super-activ. Much thanks. Vienn. It's here from here And my

brother Gemela also I'm Emily and Amy. A see,

Emily and Amy. At the two, I'm a super, super abrason

thanks for being part of the family no I'm

I'm I'm I'm not I'm want to open portals.

Well, remember that there many people that have seen on audiophone

and others with other on those are situations

in that it's that's all that It's all here.

This is DePili. Narrator, much thanks for the stories. You can pass the WhatsApp

of the pesedias? Of course that's the WhatsApp of the pesadies is

more 52, 81. 3567 6757 54 more 52

81 355 67 67754 for sure family noctur

apart of the fogatas remember that we're we're about

the march of million. We're to have we're not to get to 900,000 subscribers in

YouTube and and I'm a favor. It's a favor, a favor that maybe you'll be

a favor. If you know, family nocturn around or suspecting that someone

in your entire, is family nocturna, part for a sabbado of sombras,

or put it in your status of any application, WhatsApp, Facebook,

and because me have been been I've been being some

stories that are good very much where for put it in the state the her mother,

the professor the abuela, people super-sercas they're there's there's

there's they're not they're they're saying it so so far for the

helpen us every we're more and we're we're going to get to the year that

this is going to get to the year we're we're to be a episode super

special. Well, narrator, thanks for the stories. You can pass the WhatsApp of the

Pesadias? The WhatsApp of the pesadillas is more 52, 81, 35, 67, 67,

67, 67, 64, more 52, 81, 355, 6, 67,

54. That is the WhatsApp of the Pesadillas, me mandas a message,

you're going to get a link for the channel of diffusion,

and if you want the link of the in live, for favor in the

WhatsApp of the pesat the most 52, 81. 3565, 6,

6, 6, 7, 6, 7, 5, 4. What you is to say nothing more is di boletos

in-vibo and with that phrase, I'm going the link for the book. Very

good. We're going to the family nocturn of the Buenos Aires. It's

will be brutal when we're going to let us let's let's some things.

There's many things the intention is the 100. Dice for here. SWAT

SciFISIC? Yes, SWAT's FISIC, narrator. I always I'm a little

from a time. I'm a big. You know a surprise to the U.S. And that's

part of the family nocturna and if once you're in Mexico and we're

in the fogats in vivo, well. Well, here says D-Z-Z Dias. Much

thanks for your other way. You want a super abrassote. of Hassam-Marie. Good afternoon.

It's my first in-vivo. I'm very embocean. I'm sure the Fecha Phaughas-Createns. Look, yeah in the Tour 20-25, you're all the feces. Are, let's say the cities. Monterey, Merida, Tijuana,

San Luis, Puebla, Guadalajara, and Mexico. Monterey, Merida, Tijuana, San Luis, Puebla, Guadalajara, and Mexico, and there. There are all the cities to go to go.

I just commented at the initial of the en-vivo the situation. For me, would be in all the cities, would be in all the states,

but there was a thing related to do that we're doing that we're doing those there were in those that could

be able to start a whole process and at the hour of the hour they were to put to all right

and we're going to get in a problem to all. So, then I'm we're

we're getting with the places that were going to the places that si were there separate

and those are the other. There were also there were also. But we're not they're

not sure they're not sure they're what they're the day or two of the time or two of the time. Then, Fabina

Nocturna, the tour 2025 of Fogat in Viv Monterey Merida Tijuana San Luis,

San Luis, Puebla Guadalajara and Ciudad of Mexico. Not in that order you're

to be the first of the first of San Luis in two a few days

the function. Because if we're seeing seeing a minute of if there's a family nocturn of San Luis, for they're in the

time of sure. But, well, we're going to, we're going to a few of times. It's a good to know

to know my family. I'm going to go to come to come back. I'm going to say that Montserrat.

Montserrat, thanks for your pollo. Michelle, thanks for topoyo. Narrador, you'd

send a little to my wife, Nicole. I'm going to give a brother- and it's

a couple before. Okay. Nicole, mil I'm a brosote and I'd say I'd just that permit me,

for felicitations of I think it's the first first time I do like something so I'm very thank you first for part of the family

nocturna second, million felicities in your year year and third of here Nicol until your

single year and this will be so I'm that I'm that you're I'm a brusel

much thanks thank you thank you thank you very thank you for the importation and thanks for to have more

people in the family nocturna here in the carl, you know a super brasote, thanks for the support. Charlie,

Narrador, I'm very embrassated. Oh, and was the commenter who was a bit more so chiley, you want to your baby?

I'm going to get a pretty that's going to very well, abrose to get you a little bit of the next.

What I'm good, francisca, what I'm thanks for having been here, thanks to all the first being here in

the sabbado of Sombras even when in this occasion was in a yearn's of Spantos. And, well, here in a salute, a narrator. For finally I'll

have been in vivo. For all those those who want to go to the fogatas. In Tijuana, in Tijuana, in Mered, in Mettina,

San Luis, Puebla, Ciudad of Mexico. You can separate their place, you can have their space there and

it's going to put very good. Meat and Grit will do all the show, because the Mit and Grit include all. Not is

Meat and Grit more general. Meat and Grit includes all. It's going to a very good time. Because are the

two hours of the show general and then a hour more more of stories, 40 minutes, one hour

more of stories and then of that photos, the videos, know, to talk, autographs,

firmas, all that's very, very chido. And there also is where they want to

every little that they don't I don't let's say, I'm going to say

about the chabesta that she sent that they were talking to the woman and all this. It was like, ah,

that we were we were in the same theater, in the same event. I don't see anything. And to

you're there's this catitos and I'm made some some photographs that's that's

that are that the and the people are being the video, and when they're going to be

getting to be an o'clock to the companyero human and and they'll and they're going to be

and they're seeing because I'm in the my time. It's the you. It's the is a

Quenta a story of the Capitolo Prohibido for favor of the episode

that we did it clear that there there is a episode in the

we are that we don't in comments and if no in the next

the next Saturday of Somras I I'm I'm the what is

the episode where we all all part part

part Dice my first in vivo But yeah Cases my My dear Narrator, Bessos and Abrasos

I'm my first in vivo I'm love to Saludos Good Family Nocturna of Oregon

of the city of Mexico Is the special 300 is the special 300 we're saying because we

did this episode and things that were in turn It's very very good

recommended recommended Mm Let's let Let's where Where I

Okay The people that want to separate those spaces for the foguarts in live, yeah, of Monterey, Merida,

Tijuana, San Luis, Puebla, Guadalajara or City of Mexico. First, San Luis and Puebla I recommend

that they're there the more more rapid possible because it's in two months and four months.

All those they can come to let them depend in what platform is. If you

you're at the Pestana like the more information where you're there the description

of the channel and you look one that says or a venta or link envio.

Enviot is and that you're going to send to the page where they're the venta of the

business. If you go to Instagram, where the photography, the name

of the channel, before the all the publications that we're there says link

in view. He presone the link in bio and at the moment in the moment in

the person you are the in the canals of diffusion. We're doing every certain time

for the people who want to separate their space in the fogata and in Spotify, when you

metes in the channel where they are all the videos, a merriva there are some

there's more information or a about that pression that that pesta and the

first link that you see fogatats in vivo or vent of boletos and you

send to the page and there there you can separate your space. But so, family nocturna, it's going to be a good to have those. The last time,

in Monterey, in two days was a lotcura. Much of people went to go. Siguero, the years after the business, and then now we've used

a place more more than a time of the night that I'm an opportunity to come back in these events, and have the experience of

being in a video. Because if you are the stories for Internet, if you like the stories in your cellular, imagine it in vivo.

Now, said, no, this is this. Dear Family Nocturna, let's see a a good end of the week of the summer.

If you know, people of the family nocturna, compartanle this video, and to we'll see on the

Monday, in the next, in the next episode, that, for sure, will be that episode,

if you did it, the day's, because many said, oh, and the Juevice, it was too

very strong. The Lune's not for the terrorado. They're of the histories more raras scalofriant

but rar ascalofreant yes, but raras in excess. Now, so, to see, to see,

we'll see that you want to be those, I'm going to go to the foggates, remember

that in the channels of diffusion, there also we also and if they're

in the WhatsApp of the Pesadiles, that's the M. 52,

81.35, 67, 6754, they're in there, a message. And if you want to know the foetos, of the boletos, put a narrator, I want to separate a place for the fogata in-vibo

or fogata in-vivo, and I know what you're asking and you send the link. Now, so, to here. To be we'll see you on the lunas.

I'd like to see you want to be the lunces pesadillas. Bye, bye.