HABLEMOS DE LO QUE NO EXISTE - Encuentros en Hospitales, Brujas Macabras y Entidades Extrañas | Episodio 365

Episode Date: February 16, 2026

Bienvenida a Familia Nocturna a esta Oscura, MUY OSCURA, Fogata de Historias en ⁨@HABLEMOSDELOQUENOEXISTE⁩ El día de hoy prepárate porque escucharás historias que probablemente no sólo te dejen la piel chinita, sino que impidan que esta noche puedas pegar los ojos, advirtiendo que algo puede estar acompañándote en tu habitación; ya que te platicaré acerca de personas que tienen un carácter muy fuerte, muy bien, construido personas que se enfrentan las situaciones complicadas en el día día y estando ahí en su trabajo, algo absolutamente espantoso les quito la paz para siempre; te hablo de doctores y de enfermeras, te hablo de albañiles y constructores personas que entraron en casas malditas que entraron en habitaciones en las que nunca debieron haber estado que tocaron la oscuridad directamente, no sólo con su cuerpo sino con su mente y el corazón, y cuando tocas de forma tan incauta a la oscuridad, ella te muerde. Todo esto más en este episodio de ⁨@HABLEMOSDELOQUENOEXISTE⁩ yo soy tu amigo #ElNarrador y quiero decirte que esta noche te deseo que tengas #DulcesPesadillas

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Embarqued and relax. Ciroat, bookinet. Oh, that also. And profite. Via Rai, the voice con nem. Welcome to Family Nauturna to this obscure foggated

of histories. The day of today, I'm going to talk about about cases abandoned, encentures in hospitals, and breweries macabras.

But, before to start, let me say this all the family nocturna, give me a second with a part

of the family. If you still don't not form a family, it's the first time

you're not the you're talking, detent, because I to retive to be this video.

And that at the final of the video, without that you've put a single pause, me digas in the comments, narrator, sobreviby, and now what? And then at the final of the video you'll give a surprise. One of this,

comece us with this Scura Fogata of Stories. Prepared to hear the story more rarer that had been made out of something. We'll never have seen the name of the person that he made the story,

Claudio. Claudio, in the moment in which occurred in these circumstances, he had a certain of 24 years. He had to end the

career, and just to celebrate the series of the career, he put to agree with his new

and a friend, and with the wife of his own to go to the play to the play and pass there

a end of a week that would be a lot of a lot of a lot of alcohol,

but Claudio a past to get a lot of things to eat, is a time

a supermation and And, while they went in the car, it was tuesday to all those that were in a got of alcohol. Nothing,

no one little trangito, or not. The carreterer, certain trams that were going to be done to be a lot of

the way, he was a very good, but of the way, there had to have to have certain

certain precautions. Claudio is with the morning that are up up to be

the play, and mom of Claudio that is in the place where they were all to be

all they're they're they want to be a very good voyage, and they're at fine, adults, they're going to the carreterer,

and when they're just the carreter, are about the 10 of the morning or 11, and they're to tell stories

of terror, just for amanisar. The novia of Claudio he told something that Claudio never had heard.

Fifate that in my family, there's like a maldition, and since a much time there's a

other thing, that's a family of a not we have photographs, but that kept with a debt that never paged, and they're going to until that someone paged

his debt. And Claudio, he asked directly, but, well, if you know what, they know who is, and no knows how they did, and to do you, no, it's not any sense what he's going. And the noviour says, oh, Claudio, always you're going to be putting your head in all, always you, you know,

it's a story, and Claudio he asks, but you already, you know, Well, sure that no. If he had seen, he would have told him so clear. So, then you know, why don't you tell us that? Because it's a story and a legend of my family. And then the friend of Claudio, he's

to say, let's go, leave it. This cerebrito, all the time needs to be like rationalizing the things. But there are things that not can't explain, Claudio. I have said, in my house, and that's all I'm sure to all

in the night. I don't know exactly at what you're not the times, but a

sometimes they're a little little bit of my house my house my house, it's a little bit of

one of the other piece because it's a terrace that's a because there's a boiler, there's a

tank of gas, we're here we're in a little house in that my papa guard a

various things, things that you know that's not use and that's more

for things of But, so they're But they're a child, then he's and then he's

a boy, and not of a new, and why not of a child, and because not it's

an animal mediumamently great. There's there's a lot of, and then you know,

and then you know, is that you're a question, for he was the story, the story if you

you were to put in that attitude. And he's he's a interesting of the stories of

the stories of the is what is what's what's not to not

we're not trying all. And, while he's saying that, the noviour, the friend of Claudio, is with a little bit more, no, I'm going to be able to and go to hear. And, van as three, and it's a

silence super-incombo. When, there, in this point of the carretera, Claudio goes to the retrovisor, something that makes that he put paled at an instant. What he'll look to be, is that at the velocity of the vehicle and at the same altitude,

go to a sombra and it's a look to see to see a little and it's a little bit to see it's a vehicle

or something and what he he's able to see a an animal very great but absolutely obscure

there in the middle that is that is a velocity that's that's the velocity

of the problem is that is that about about 170 kilometers per hour

the car that is a very is a quite, a lot, but he's not a lot of

that's a little bit of the problem. The worst is he was not a part of the animal and he said he

had the eyes the when he he gets a all the he can, and the only that

is that that animal is that he move even more more rapid than the vehicle, and it's very strange because in

the other rather to be a solid and kind of the moment to bolt to the

right and see the Retrovisor? No, that that thing seems that the floor, he moves rapidly and disappears. He,

he a velocity of the car, the silence incoomod is a manned and nobody is your newbie,

the woman, the that is the woman, saying, curen me, for favor that someone more view

that thing, and all they're all right that chava at last, suelt a suspiro,

after a little yank, and he's he, he, he, he, he, he, he, he, he,

he, he, he, He glade his arm right. He was there. That was that? That was that? And then the friend of Claudio la braza,

he begins to make like enter in a cold, that's the little, but Claudio, he gets clear that his friend

not is a little, he's a light, the man, the friend, he's been palid, he's been

mal, he got clear that also he he's clear that he's been he, he he's, he's,

going to go, and more the right, they're, they're all, that all he just Muddles.

There's a old, a two meters, parado, up his patting his front of the

front of the eyes, like if were an osled in the plage is so much the light

the sun it appears more than a mancha and it seems like it's like in the

matter or in a piece, or in something of this type. So,

is that Claudio for iner commenced to get a velocity go

about when pass just to just to last on to open,

and close to the of the way it's a mind, you know, that's a little bit more

in the accelerator, he does a question, that's a little bit more, he's a carnet, he has to

get to get to get to make, all of all right, everybody's that's all to be able to be sure of

the impact emotional, but there nobody about, all of silence. And the Cerebrough of Claudio,

that is a thing, it's a possible, that can't be going to be what we've we've got to have a lot of an explanation

rational and it's doing all kinds and times and then the moment that the way of the head of the head and it's a chance and

when he feels that the canstance is tremendous a vehicle pass just to the end of him but

at all velocity more of fast. It's rapid very much the vehicle he's

a quote but it's being a carterterer and the sun in the security but because there curbs, there vehicles that

can there are there derrapar and can't have some type of problem, chocar with something so it's that repone, and it's up, and it's there, when

it's up and he starts a slow, and it starts a time, it's to advance in the car, nobody is to say

a single a word, and a two, that's the vehicle that he was past to the

vehicle that's the caro that was across the carousing, and for the velocity to the

I was, it was that the people that went to not all they're in. Here there's a situation.

The head of Claudia, no he's deter you're detenied, if that

thing not you'd have seen, you would be you're in the place. And Claudio

that was a can't get to the play. They're back, it's a

impact so, too great that no they're not so they're so much,

what was what you what was what you who did? And after that the

mind of Claudio he will start to say that that's that's a really. Probably it was a dream.

Very probably it was a vehicle never in a little bit done you know, so they had made

some more that they've had made to some type of light roger, so they was to

get to and they imagine things. There are also there's them

them can't have seen seen something it, it's one of

one of one of the one of all of the all they were They were saying that they passed.

And the mind of Claudio the next years will be able to inventing one situations. But there's a very strange. Because, because after all those stories that's about it, he says that no last

there's a lot of it. And I don't know how many years passed. Talves, a lustre, but, of a repent, Claudia, yeah, with another

noviour, a point of to castarse, he, he said to talk this anecdote in the family, and it was

something tremendous. The familyaries not were impavidos. No, they were like if no they were to beckon to beckonarer of this man, that's a little bitaloid. No. No. They were surprised. They were

in black, they were muddous, like if they were a story that Claudio never had heard of nobody. Why they were reactioning so? Why the family was put in paltry, because he'd be kept bocky-abirtos, because they'd,

of a repent, how to intend to they'd, and they'd by them, and then he'd be used to investigate, of one for one.

And so he toped with that all the men, in the other side of his family, all, he had toped

with that thing. He'd he'd like to go to to go to his little,

he, he'd be things important, because he was a time, he'd never regressable

with a person, but the Tio, always to go to the busk to pass a

time, and a day he was a little bit of a little bit of a bit of a moment, he did a desperation

and it's a lot, and it's, you're, in the thing you're in, in the is alt-simal, the time of an arbor, has gotcha, and it's like if he's like to he's like he-cured,

because never he never got to get to-attrapar. The Tion and Foursas has, he goes to happen, and he's thinking that

is falling, that's going to get to get, but never it'll get to to get to a moment to another,

it's coming in a rio, and when he comes in the rio, two persons enter and they're gonna,

and he's sure that when it was taken, and he was that he was that was in the malice, that washington. That's,

that the bosques were baddits. But now that I'm called Claudio, maldita that's,

because that thing, he went to the person, because he was, he went to be totally in

other direction. One of the primos commenced to tell her, that in one of he was at

a point to live a situation like a lot, or something or something more than

that is, he's getting to your house and when is going to two people are going to get around, he's got from

the arms, he's in the moment, they're going to get to get the force sufficient, because it's

a type is a supermently delgated and the two that's he not he not he's not

but he's not he's but for the power and in this he's he's like

he's he's a sombra just down this thing the two types both types

both types bolted and he he not he's do they'll go to be because they're who's going to be when he's just about

and he's about because that thing was an exome enormous, sabre, God, that thing, that thing is there. And, too,

the person that's going to to let's and so, one for one, of all the men, of our family

paterna, of our own Claudio, they've got to reveal something that that was that's a

thing that really was really was really they're really to tell me one of the stories most

that have given in hospitals. Mayra, He lives with his husband since 10 years.

The two are doctors. The relation that they've is a relation different to the habitual. For the type

of specialities that I just know exactly what are, Mayra me says, that has had been

to have a life of a life in that in many moments they're they're

only. The guardies that actually are being Maira, are

are that are that are that are of three days in the hospital

and then it's going to go to five days of a time,

I'm in the question of any speciality, or if it's some type of a particular, but it's

to be in their speciality. And Mayra is in an area in the last in the last time

there's not a time, but that has been to be there the three days. It's in

this rach in these times, that Mayra live like a chock of things.

In these days, in those who, Casing, CASE No, he has to work, CASE, or when he gets to his house, his husband, no, is to a little bit of a little bit of a

and the tristence, and the Cansancy has made that she can't be able to sleep. Not is a person a poco professional. It's that is a rhythm that too pesado and so cancathes that it is to find out of looking

there, a little bitation totally vacill, and to be a pair of hours to be able to reponar mental, physical, and emotionally. He's living this time a time

this time a time in these three days that he has he pego a ball of a

consensio and there and no there's a that's a and he says oh yeah I'm going to

go to go to go to two three hours for a more they say

I'm going to go to the last court you know you're you're

in order in order in order by never you let's be able to come

in counter-wronging, and that's a verguyen. The infirmary says, no you preoccupies, even if we do you get a dorm, if you get a dorm, I just

I'll justen there, like they're in the way, you know. Maira, go and she a custer. For this,

I've got a a sleeping bag, and he'd all the adipations, articles of personal and all that's, get this

room, that's the room, and in that room of four camas, there's a lot, a lot,

somameame, so much, so much, so much, so much, so much, is a summently limpio.

So, it's going to lavarse the car, if he wants to get a dispegated, because she

he's a time so that he's that you get to get to get to get back, so it's

just a little of a little bit of a little bit of a time. So,

your cerebral they're doing images and more images, of her being on the

camera of her house, of her and she on the hospital or in the

hospital or very, very, very and being so very very, and being so really, it's quite totally dormita,

but totally dormita, at a point in which it's disconnected, it's and there's

a single thing, and it was a way horrible, the desperto with a sensation of alarm,

the desperto with a sensation that had to be to be a lotesta

and that had to get to get to someone, and is that when was that

profoundly dormied and he said, he said, and it's anosabund, the

odor of the tobacco. No, is that a problem with the problem is the

place in that it's a little an abitation of hospital, a

place a caro that's to be to come and she with

much courage she want to get to get to do when it

is that totally rigid, the the only that is

to open the eyes. The body has carried on the armory right, has a smallada justly above of the head. The middle of the body is covered with the sleeping bag, what is to be able to be able to a position in a position in that to see after the front of the

room of the other side of the other side contrary. And there, in a single in the moment in which she was there was a vacill, there you know, a subjecto, a subjecto that I have a gabardina, a sombrero, and has a cigarro and it is a

fumando, tranquillamently vying it. Mayra Sient a asco, a od, a courage,

and of all of that's in a second, in the moment in the

moment in that that was, his rostro that was there, because

was a absolute obscurity, the the body, that were that

were not the adaptation of the eyes to the there

there there there that you'd like it was confundier's with other ser like you, but that no it was, and one that mayra, he said to

her, something something that's all the courage was transformed in a fear, and a fear profound, and some of the tears that

their eyes, that their eyes that were that they were, and then see that that thing is up and it's

a little bit, and mayra enter in an attack of panic and he wants to get to move if you want to

startiars and listen those the few passes that are asker coming a little, a little,

and no he's a thing that's a thing, that it's a any of the do you, that's going to

cause a little, the aroma to the tobacco, is askeros every way more closer, but not it's

a tobacco normal, it's so potent, that Nauseabund that Mair being being being

that's fictsia that's that's fictsia, that no can't be the foot to the same the camera,

she just never ever never ever never never ever They have like all vitrious, no longer never to be

a little bit of the fourth is totally vacuous, the door is a big of and a exomberer

and he says stupid, Mayer, don't you are stupida, here you can start fumando and he

a door to get the and he and he's dark, the lip and he has got to get to

all the anxiety and angstead andguste that's when he when he starts to

to ask her to ask her that the demon us had passed all what you I said.

And the infirmary he said, ah, no I'm he said, that there says,

he's don't he don't he said, don't he said, he's a he's

he's he said, he said, but they are poor stories, Mayra. And Mayra,

and my mother, and he says, no are stories, no vows

to get that you don't know to get to he's and I'm said,

and I'm saying, TARD three months, three months, full of angustia, sentient that me were trying me were in

any other, because I was going to that thing was going to be to be a bad before, I'd put me to do this,

I'd say to go to work, and I was, to give to work, and I'd to get a contrust to make, to me

to get a one, a lotura, until that I could change. That thing I don't see what it was,

but what I see and I can say is that I want to destroy me, and in my case, momentarily, if it was done, you know, if you've never been a bad presentiment, no you've everes to hear this story. Pao me made this story. Pao is a

and Pao me says, that she has been made to formarse in two lines. First, as professional, in the theme of infirmary, but second, in the part as emotional, mental, to support a certain type of

investidas, because for some extrana reason, The Lottery of the Like, he's aorteur, like he's a paro, no, he wasntor, and it resulted that was very

good for situations of emergencies and situations of crisis. She's not how, because it's a manoeho of nerves, or well,

it was, when he took to be in the first circumstances that were almost due to death,

it was very rare, because with all doing a manojo of nervous, it was all I'm

and it's to start rapidly, conform me going to the career, all they were

directly for those salas and she said to no, that's a she'd be in the area of pediatria,

I'd want to the other people, but the things not so that's in the cell of emergencies,

she began to start much, and that is the Pao of the many years. In the

actual, almost 15 after after has been professionalized Bao

has been a temple of Acerer Pao has a power

of character tremendous, tremendous, jeffa of a that it's that's religious affect

nothing in her labor. She is a person Catholic and is a person very very

when he's doing all his work in many sometimes is rezando because his trick or

his clave to start to start much as his temple was by the prayer

not you don't you don't that you do you do you do what you do you

what you do you what you did you know in the I mean, you had

many orations for this point. There were days in those that was to

do you do you know there's a thing that's that's not it's not that's part yeah,

of a routine the the fact of being mind and record and rememorand these

and at the same time to be what really the really was the really

there really there's a good she was she was there also it there

has a part of her that has been to with her with her. She has been escalating in places, he has been better, has been gaining as better places of work, is a part of service, but also is because

it's because he has gotten to a pulse. If it's a question divina, or is a question of routine, now has no has relevance to this point. It's part of the day-a-day. Sin embargo, pese to all this, and knowing that she has this part religious, but that is very conscientie and

not permit that influe, because he has to tend to tender people of all type of creencers and simply it's a patient more with

a patient more with all your professionalism, but there's a question. if it's like a person, some some just, something that's

something that's something that's that's in it and not it can't control. If we If we understand all this, then it would be so rare that a day, standing in emergencies, a day in the day in the case not had

a single emergency, a day, a mucher, and that she has been for customary that those days, nobody mentione that the day is that a time that nobody let me say that you have a bonoita night or a night tranquil, because normally it's all the reverse, and those days for custom, better she'll have to be talking of things trivial and It doesn't work, but that day in special, was the exception. There was a little rare in the atmosphere.

Tal-be-boughed a little bit of the temperature. It was rare because no-be-noticcould any a climate gelid, nor a climate-friot, but it was going and was going considerably. Tal-beau the sensation of the ambient of that cell of emergencies is especially rarer, much attention, something strange. Of course, she will be a juror, and every time that this story, will say that in some occasions, the lights partediaabed, and that even when all the focos lead

were encasedlyed perfectly well, it was like the place were a little more obscure. No, I knew for what, and I had a sensation of inquietude to enter.

Something in her he said that was going to be that she was a person, she's a professional. She's not going to be

her acting his instincts. She has been a good going on contra of them, she has

been a better when having the temple and guard and actuando to a way free, a calculator

doing the things as as it is like the do you do they're in quieting, she, resigning in your mind also, but nothing of this

I was going to prepare for what what happened. A sudden, a ambulance gets to do that a sudden, it's

a lot of which in occasions is normal, in other occasions no. Here, between a time,

it was a big issue tremendous, she was a little, he'll be a point, but there

is instinct into her, he says that any that is that is Two infermeners enter, they're open the door,

and then they're going to to talk with a chick that's in reception, and he says that he made two men to do's more. Salen two types that are the most

corpulentos that were the hospital, they're directly to the ambulance, and between the four, viren't a

poor woman, very delgatita, very anciana, that is sentadita in a sill of the rues, but that when it's made,

it makes to make, be it's said that these types brinked to come back? Pa, no, do you do you do you get to

the woman? Why don't they put in those agraraders that are used in more of an occasion? When,

for some situation biological, the body, the body is moving to only with a force

tremendous? Why don't they put in those amars and that this woman could be

in some kind of kind of in a kind of when the anciana when the

old I'm a sonmri a Pao, he's left the sand to the

floor, the woman is a question, is a moving the armions, and in one of

the arms, he's they're put into a way, he's she's

she's you know, never you never ever ever ever a person robust,

great, and even of those things, this this woman does

part of two a marre a old, this is what people, these people not had

putio some they put that when one of the subjects that she knows, and are people that they're like to post to

the men's because they're a man's that's he's got to the man on the ancianita, and the ancianita

like if were a little, a little little bit, a little and he does so, and the man gets

the man's back back, like if he'd have been vented an orangutan. All are all

are in the force of this woman, and this woman is making force in the chair of

to get but it's something supermente extrano. Because the yantas not doble. It's been a force tremendous, and what he has been if that's imprimmere in force,

say, it's a bit more, should be deforming the yentas, but not is so. It's after that someone's intent to talk, that this woman, with a movement tranquil, makes that the person is all over a plumber, and it's not a plume, and

no ententee what is happening. There are something that comes in your head, and it's a little phrase, the enemy of God. And when she thinks in that, the heart is the acerer, no she'll be what to do, and the anciana

is going, and she goes and the other four people, they intend to grab of the brasos, the type of the ambulance is a pegated to the door, and yet doesn't want to get to get. The other type that was with him, but

yeah was hit on two occasions. The two enfermeros not are sufficient, and that's then, when this Pao, has to guard with posture, and he says, no do you don't you enter

here. Toma your paper as a professional and then the two the two

they're they put in in this camilla yeah. And there there was there

was there was there was going to a person to get to the and the

old and the old and the one and it doesn't be a

power to be no he's no he's no another part of she

is more she's not a thing that's not a attack

psychotic that that very, very, very, very, extrana. He has lived many many attacks psychotic, and

that's one. Apart, the sensation of malevolence is tremendous, but it's very rare. Other part of his head, he says that no

he's move. That's not the way of it. The two types of the ambulance, for this moment, the two of

the ambulance, and they're out of the they're going, they're not more of this. And it's then when the

two infermeros the woman in the camilla, and when they put it in the camilla, the woman wants like to

get to get to get to the camille and she me molesta and and he's upher but with a corage tremendous and it's

a power and something. Entienta what what's going to what's going to. Let's say to the two that's get a

middle-wilted and he makes to come in the passions, enter for other in the passillos of the hospital,

that if you just were the first time you've been you've been you're you're just you're just

perfectly to where caminanded between the passios and he was abriending and it's

and it's and it's it's a other side of the part of the where is the

woman there's there's under the capia and in the capia there's a

there is incate that's to the place where there there's and he's

and he he's he's he's we're he's over he's he's

he's he's he's let's let's let's let's let's

to do some rhesos, camina with Pao. When he gets there, the sacerote

directly, he put the stall in the armro and commenced a oration of liberation. The

woman, deja to make to doffid and simply get dismayed. Two or three days

after, he will get a subject, delgatito, chaparito to say that's the

nito of this woman, that came to get to get to the hospital that that is

there, but Pao discover something more rare. That day is a

day that's much and this subject has a a capis a

coat of a very very very and he's in a one of the

movements that's that's and he discover symbols probably hypoth

either psychic satanical something about that and he he's

the subrino or is something more. Finally for things

legal no can't do do nothing and they

the first that Pao he said and he he's he he's he

he's in front of the enemy of God Don Teodoro me

made a story and is one of the most a terror

and my favorite that me don't he a

son he don't he he he he he

he took he he he he got about the

45, 50, and in an accident just in a construction the papa

passed a better And then, Don Teodoro decided that not he was going to to be a albañelry

for nothing. But you know I know and I know of that. He was he was a friend of

his friends of his his father, and just one of the electricist another carpintero and that

so he's that for the time, Don Teodoro was a toodoro, but aodolo he said

to albañeliria of carpinteria of plumeria of electricista and for all the good. Not was

the better, but it was good, and if you had a problem, you'd be it back to-doer apart. As he was getting different types of apprentices, he made that his mind kept to things very important, and discovered something that no

saw his pap, and not saw it, his vicinos, and it was a lot of a client. That was, he wrote that Don Teodoro was, like, Don Teodoro was, like, colocation, first, for some places of the collocation, and then directly for the owners of

houses. The job for when he, he made this story, the work that was working for a rick.

This subjector that directly was the he was the people who were the men who the family's of a tarabuel, but

now the sir that was a man who had been a time, a little bit more and simply living a soltero, I'd calliado,

and had much properties. Don Teodoro was the he was encarred to get to there's a matter of the management. All the

he was called to work to dodoer. And Don't do you know he was not a job at a

time, was perfectly well paid, he was all the all of the person

for the person who was a divos the house, the house of two

house of a house of he was he was he was to be he

he was in a he was a back he had a not there

had a money, but but for this doing were questions

more more administrative. They had many properties. We're talking from

from the buildings, casities of rent, locales commerciales, casas very

great, that in some some time, and he made, and Don Teodoro

was there working more of 14 years so he was that he had been in all

the properties minimum one and and of there there there

there five there five there had got the

the the sust of his life. The first was a house that this person

was like in a litigio and finally he got the litigio and then they were there

to make a recuperation of the when he to do that when they they're to do

to do you to do you and then something to make a part of the seragery and they

could be to help to be the other I'm that this man

he said to be a all Don Teodoro, standing there into, he says that he'll go

to go to to get to the sotano because there a lot of a rome, a pestilence and very

probably are things of drainage. When they're a sotano, he to a situation

that he got a totally disprevening and for first Don Teodoro he did

know that he could get to a octaves that the scale

because he wrote a grito that so, that first were first were

the person and then they person was in a person was in they're in the sotano, and what they discover, to all those dejo the other people, and then it's

a crime and, finally no. It was like a situation passed. Yes, a crime, but more of a theme as a time as administrative, a mal-gestion, was a family, causes natural, all of all, but well.

The point is that Don Teodoro to tell you, how he went in the ballet, and in that ballet he was a very good a sust. In the second house, the second house that was this man,

since many years, a senior major. The senior major had to pass to a more the other and then

they said to do you that he not were to repair a thing that that were to get a

something if you see a a little a little that's that they

get to that the because the woman not had had had

family and apart of that the that the kind of

a kind of a concubina of a year years after

or a person with a another don't of theodore, she was she not pagable rent.

She rentable the place, but no pagable nothing. So, Don Teodoro entiente, that the moules really are the

man, and the things that are there are the parton. She was a little bit of this woman, and very probably

knowing this sir, what he was to be to be the patron, was to renovate to put her in rent, and

was so, well, covered, for all the years that not was the problem is that when

Don Teodoro enters, it's to change a little idea, the idea of concubina and the idea of a noviah, maybe changed and maybe it was

something more. Talbess, he not protectia. Talves, she had to be it. Because what he was absolutely the house of a brook. All the details that were there was of a person that mannedguals and

manned things that were like, quite oscura. Not to do you know, for having like a preconception or justgar, but when you enter in a cell and you see a cranium

up of the mesa and is up of a table that has symbolologies pustas not a cera derramed and in the

walls there are signos that are put put out of that it's a lot of that is a one of the

same thing that's a thing that all the really the place in literally is quite

dark. Don Teodoro is a sustado no he doesn't that of that he doesn't

never, and so his patron he says Don Teodoro you is the person in the person in

that he confi he He's just to do all the can't try but not to enter nobody more and

you're in sure of and he's he's got in a perjura, he said he'd more than a other,

that he had and he's a door and there was a voice that he said Teo, but he

was a and he was working and he was to be working more acelerated

and that has been the place in the that's the more he has taken to

have taken to work there, to 11th of the morning to 3 of the time, now when the sun is

in the maximum, when the temperature was very really old, and when he was so much

he was going to see to that's going to any any no power in the

world, he was able to be able to be able to that he would not the

sense, he was, I'm more than he was he was he was a moment

in the practically a o'clock in bols of basura that were reinforced three, four, five, one

or one and into other he was going to get to get. All right. All of the bathroom in

that house. The third house in that Donteo was, to try to this patron, was a

house that was a kind of a sensation very strange. He was he made

a little but it was more more than more than more than he was he said

that it was like a person was the house and never was

into the center in any one of those four-pissos, all the bellows of the body, and his cabo was up.

Absolutely all. And the quantity of electricity that was there was a atroo.

He was to do just to reparations of electricity and in the house no

disperfecto. Simple and simply simply, that there was the problem that all the

bellito were never, never did because he was, revised, cableado, revisor connections, back the light, and

he was going to be the same. Never understood. The most rarro, too, he was the dwean. When he passed the report, the only thing he

said, me it was never before. When we go back your services, we say, let her and no, they made

more hand. What did you with that house? The door, no, he took to enter to

get to he, he was doing more and when he was to do work, and

when you do to do you go. There's. There's a house in where Don Teo especially recall that she susted well, but not for the poor of all. And it was a house in that each abitation

had the paredes all covered in speys. Every time that was that place was a lot, it was a sensation horrible for something strange. He can't assure, and you can't even even for the most sagrado,

that he no has problems in the vista, or in that time no those had. And when he was in the habitations and I'd sendia the light, could have perfectly his reflex in the spejo's, but one or two minutes

that were in that place were the same space, and the figure of his was deformed by complete. And it was like if the speys were like of a circle of an attraction that you'd become as great, more small, deformed, or that you make a form totally diffusa. The problem is that if

permanence more time, I felt that alucinable, because I could assure that they'd bea in rosters that were they were They were in Alucinations that he had at the final

he'd that case simply and simply simply simply simply to put up because

some some they were out of the place and one that was

he not had to be on the piece there all the time

to the space so he's he's he was the idea

that he is but the the one the one

he said Teo I'm I'm a a job very special. Of each, I'll give a

bon. This casita to go to go to be a little bit of but also with much respect, but also with

much discretion. No, I want to be a patron, for something, there's a problem, no no problem.

But I'm to say, you'll be a car that you go to present. And you're there's there, and

until there no, there's a person, and then then says Patron, with all respect,

I'm incurring in some type of a or in some type of risk and the patron is a re-rear and he says, no, Theo, no, Teo, no is any type of delito,

maybe if there's a risk, but it's nothing that we're going to to import, and no you're doing nothing bad, the house is my, and I'm doing the permission and I'm doing the

keys to enter. And then, the mind of Teo, he said, Preguntal the patron, then why so he's-sigilo? Because we're

to know, and when he was to say, then-you-and-you- then-you-and-you- the patron, the patron, the patron, he said, then,

Teo, you're going, you're going, no, I'm saying that's a a charge of special.

You me says, because I've been working I'm doing, but you're saying,

and Teo he was saying, if you're going to you're going to need to and I

know he was very so, so is that finally, if there would be a problem,

the patron he will want to be manchated for nothing, and less,

for a type that is aododod that has to do and they have done

and they've so many so years. So, so just he said, Patron, I'm going

to get to the problem, but if it's a good, and he's a little

he's not a man, but you're not the not the illegal, then it's going to

that you that's that's he's a mind, but then then you then I'm

saying, but I'm then you're I'm the little the person, you're very

neceo, Teo, go, go ahead to the For favor, revisem all.

I want to me revises the tubel of the stucan I'm revises the electricity of the third piece.

I'm revises all, alfombras pieces, all revisame in that and if you get you

see that all to get it to see exactly, Patron. Nothing, Teo, you don't

be looking nothing, nothing, just you to be to be to say, how I'm

not I'm doing those nothing if I said to do it to do, the

will be to is a surprise for someone, or who, this type of a repent has his loqueras like a lot of,

I'm going to do you know, I'm going to do a lot extra, that's all I'm going to put the abogates and

there's a and he's all with suor and it's all the time, and it's all the

ideas that just said, all the things, no, there's no, there's no,

man, this type that too this type, that's just kind of kind of when I'm

put to do some time, it's He baza rapidly, suby-ace to the house, that are various escalars to get to the entry, open the door,

and it's nearer, and in the moment in the that they're there, there very rare. A-Sensation friar, afuer,

is a cold orrendo, espantos, but there there's a frio, no gelid, but feo.

If he'd have a manga a-off, he'd be repentio, and he'd have desired and had

a rungerer and a little bit of a briggit, but not he'd, So, Don Teo, he says,

I know what is the problem. This is a problem of tubberies. This is a problem that has a problem that has been with transmissions of humidity in

some part of the house, and that's all all the lot. We're going to do it. And he said, and he said,

and he said, and the sotano, I'm going to a lantern, he has a car of herramentas, and he's

to realize all, and he's going to be able to the right to the right, is when it is when it

is when it is a Sootano, no, it's not even windows, and two, that's sotano, no has a single mobile, but the

piece, although is of concrete, is all full of the little, it's very, very, very, rare.

And then, Teo, is we're moving the light of one to the other, and the windows,

the wall, it's, he'll be a tubelies, and it has a little, something,

and it's a moment in that he's there's a thing, he'll be a lantern, he's kept

thinking, what is the process that is the to convene to do when, when, for the rabbiot of the eye-isquired, be like the silhouette of a little bit of a new, that has a lot of very suce, and has some bracetons,

he gets pared, just the side of him. And be those details, and he's a little frio, so, with that sensation maybe extraia, of that is a man, that's a man, he no knows, no way that that's so if possible, because he closed the door, and this is a house where no

should be a single a little bit, he'll be able to a little bit of the right, he's here to simply to put up to the same

room in the that I've been there's just he's sure that that he was over back, he'll be to turn to all the end of

all the there's, there, there's and when he's the third escalon, it's clear, that maybe

no is his imagination, because when he he's a single, there is a piece, and he's a single and there

there is a the stairs the and when he gets to be able to arrive, the door, and it's a good thing. Something that's probably could be a little, something could be able to do it, open the door directly, even against all of his The abitation principal has a temperature

normal. No captains. What carajos has happened to do you? No, it's going to be asking.

More, terminate the thing they're the pattern that no there's nothing, and get it. Then he's

going to all the plant-bacher and it's going to another place to be a lot of

a lot of there's a second piece, he's a time to walk to the

walker to the and the behind the windows the ventana are certain are in-cerned, no

there's no way there's a moment to bolted is sure that is looking the silhouette of a person, behind a

carterer, and Theo, he says, I'm sure, I'm sure to make a thing to make sure. So,

so please out of the property private, and just see that the feet that are so

they're being back, making the the cartina caigas over it, and in

that moment, as if the person was never and the cartina is going to get

to be That's not he can't believe. The heart, he's sure, that for minimum three seconds, he detue, he was going

there, no I think he's going that he's going, frio, the other, without, and then it's a little

way, he gets a way, and he gets a a bit of all of all, there's a sensation combined,

there's being being observed, there, there are there, but not you're all they're

being, but they're being they're so more close. And when they're very, very close to him, the wall the end up

the end up the other the problem is the type of the type of a dog, expert, well, no

the better, but is good and he very experience that that is normal. That is a goal

is I've heard. He's heard in a can't even a can't when

a little when a person got to a he got to a other,

he he has heard when a person it's a guy and it's directly against a tube at a

tubberia but never I've heard of a little bit a like a pass of

water, it's very rare and they're the and they're the and then

the gritty the question of a person to the back of the back of the back of the

back of the piece of all the skin, she has been a fear and with the

power that he gets a car of the hand it and it's there starts to

start in the room, and it's there where he's there

that's that you are in there and they're not in even to look at

but for a miletism of second and it still again, he went to do that,

he went to do a lot of the people, all the people, all the

people were all the hair, they were the ropa the top the and the

thing they was that he was that they was that he commenced to walk

escalareras to be a lot of the world of the times, the times of the turey,

the things that are appearing in the house and fear of a new a

fear of that you not is something that is a thing that can't get to

the entrance the cross the umbrar the door and he is a

pretty he's he's he can see a put in the little you know

you know and you go directly to the car and and standing there,

it's like in a shock. The body starts to tremble. The legs are to move. He not could even to breathe. He's not even to get a little bit.

Because the Cerebrose is like if he had stalled and not could make that the ideas can't have to have some order in special.

And, of a combination a strange. A gritty, a good, a gulp in the ballanty, and at the same time, a time of a lot of

more of 45 years, very, very extrano, has that various of the the residents go

going because they're saying that the subject was a minute and they're

doing the clachson suen, they're to get to get to a hospital and in

the hospital they're they're they're in the hospital, and it's there in

the hospital who know if after after a two or three days that

he gets a a rostro a person a rostro that you see

to see he said he's he said Teo you found

in the house is. If you know. And Theo, no, he was to say nothing,

moved the head of the head of and he said, well, you know, I'm very the time.

You have been indemnizal very well. You don't you preoccupies all the hospital

are paid. Thanks for your service and I lamented. And Teo said after that

never I've never to get. I got the cheque me gave the

money, but what was what did in that that that were

that and it was where I don't to look at nothing.

I'm going to be the thing. And with this story, my dear family nocturner of Spotify,

we've got to the dark fogata of stories. But, before, to go, let me,

family more obscure and more chided at all the internet. The family nocturna, now your family. Ditch, one of this, my dear family nocturn, we'll see us the next Juebiz, but from here, until we'll see you next that next week. I'd say, me de loses'clock.

I'd say, bye-bye. Yeah no kept pendent, so is that amon us getting. Oh, and the history of the one of the barbe? Oh, of the barb? No, I don't know. No, you said, you were going to be

a story of the barbe? When did you? Oh, yeah. Ah! I go, I'm going to I'm that's good

I'm me go to me go to the hair that we're going yeah, yeah, yeah,

I'm just could have confonding with the lobo of the more right? So,

I'm going to cut me the but, well, for situations yeah I'm can't

go to I'm went too and I was looking like to some

that was a bad We say in the rumble in the room in the way that was nearer, it was like about a

barberia, and there were and I said, well, yeah, the last option, because we're about the nine, nine,

and it was very very late, for the for the chirole barbarian. Well, well, I'm going,

and where I'm, and where I'm, he's not a chance of, for a, man, for a turn to, and he's me care,

and me says, a bit, and I'm, and say, oh, what? And so, and so,

I hear the voice from the voice from the endro, he said, Puro Corte! And then I was and I said, Puro Corte, or what? And I was,

I mean, I'm trying nothing, and I say, but I'm standing there just, hey! And thinking, as I've occurred in a

Chorror of some of the that I'm in what I'm in what I'm doing it's just, because I think that's,

but well, but then I'm saying, then so, then I'm saying, and then, so, so, so, I'm going to

get the, okay, I'm going to blah, blah, blah, blah. And in that's a guy that's all right, a guy that's all full of tattooing, the tattoos in the face, in the pecho, and me said, What on, Pa? And I said, ah, cabron. In what me met you really? And I'm in front. And me said,

you're the end up on the corte. And I go, ah, yeah, yeah. Yeah, yeah. See, yeah. I'm going to cut up to my head. And me says, well, s'allel. Sientate. And yeah, yeah, well, it's just it was like, chocked because never I've passed and

he's a and he he's he had a past he's

he had been in many problems and he had been in many situations

and there I'm I'm I'm don't I'm I'm don't

I'm people in the life that the way you know

notas where you have things gross and so are the

are the are the those are the eyes the the eye

has has it has a form is that

it part, like the micro-expressions facial, but also is something we call them like the rostro of

the rest of a realisable, that is when, for a moment, you're just to be conscious that you're being, and

you're with your face, and there, your rostro, a posture, there's a posture is of anogado, and there are

people that posture is someriending, and there are others that's totally relaxed, and there are

there's that are more very, it's more a mirabre, like if was an

alert, like if it was a point of that he had to be a mind that he was a look at

all the way, I don't see how describe it but it's a way a very particular.

It was what I saw the question of the question of tattooages is also because

a question of a question to have a question to kind of bit bit the

context but it can't significar a message and he is that he would have you have been a grower a great, ma me,

delgado, the mirabre, and he said titoviar, then all those these little things for me said,

this is this his second chamba and now where he's to say, that's the time, that he had been

in a situation in a situation very gruesas and that he was interesting because me I said,

you, you do do you do you do you do you do you do you paranormal is in the

terror and you're in that and you do you see why because because one

I'm going to some me too I'm and then I say that's I'm saying that's

and I say you know I'm out of that I'm going to work football so that

and the time and that I'm in the POMP and that we're we're

we were we, we did we we went us and that we went out of the fusca, a quixote, a squadra, a pistol. Me, and then so mobilized my friends, I got an ambulance

to the hospital, and, standing in the hospital, I'm, I'm, I'm not, not, it's not functioning well, what they're doing a, I'm doing,

in the middle of the middle of the and of the and, of the way, I'm just, where something I'm,

like out of and I'm I'm sure and I'm sure I'm sure the doctors that says

now and this fallio and I'm so I'm like it's how it's what I'm

here I'm here I'm here I'm saying this you're getting and in that where I'm

where I'm where I'm I'm I'm sitting and I'm up over and I'm so I'm

so I'm so I'm so I'm so because is going it's I mean a lot and,

of a sudden I feel much a pass and fum, like if air, something, I'm just

my little I'm there, I'm there, and I'm now, I'm not no,

nothing, I'm, I'm said, I'm not, I'm sure, that's, that I'm

sure, that I'm, that I'm, that's, I'm, and that's, like, I'm,

I'm, and then, I'm, I'm, I've been so I, extra-s that I don't know if

they're to be in group. I'm going to get in a carreterer and standing the way to manageing,

he's going to start to start to get to be able to you that's kind of stressed, me di-and-

and so then I think, what on? We're doing, and me says,

and I go chingga, we, and we're we're going we're we're going we're going to

what we we're going to where we going to move the camionette and if we're we're doing, what do? And of a is a brawrable? How, that's a braw? And me, we're going to pass. We'll pass. We say, and you'll hear what

one thing, an thing enormous, that you could say that's a pacharer, but the salas cubied the two carrilles of the carros and the body cubilea completely the car in the car in the we went, we passed, and the sombra I was going to go back and then we

crossed. That thing I was made to do the form and just went to get and he went to and he went to do with all right

with all right with all. The chas palid as like us and we're and as we went to

the house of the house of one and was that was my posta and we we're going

to hear that we're justing sheistating from some ardu she I lived in the

falds of a cerquey there and it was more well the malice of the

malleza there were arboles there are the hard of there's not a time of secue

so they're so they're very reds and it's and it's and it's and it's me make very

rarro because if they're going to do all or if want to not they're not going to

not going to I'm going so I'm well you and in this I'm a leteo and

me say my my woman of the moment me says is my my santita

and me He's a medal of the Santa Morty. No, they're going to do you do all,

because you're going to do I'm doing this I'm going to mend you know mendez with your freder you know

you know and so you see a troyo and comes a we've seen in the carterer,

I'm talking that I'm about more or less like here the pager we're talking this type

media then my altitude a little more about one seventy five, one 78

one 78 so that's a lot the type, and he gave to the nace of this pacharro,

and he says, he's parr, a metro, and a minute, and aided to get to get to come in the house,

and me says, now, now you're going, you're going, and I'm, no, don't you pass, if our

idea, she's there and she doesn't, I don't know, my, auntita, I'm,

he's that what's you know, I'm getting, and that thing, and that's thing,

I'm sure, I'm sure, that I'm to be with the thing, of a spirit, a

a brute or something. And if all these things had been past, I'm a

very far. I'm a house of a house of a car's a cop and I'm said that's

a reiss of a space. We're there's many people. I'm going to

they're going and they're in the room and the person that's the person that

they're not they're not they're going to and they're they're all they're they're

all right they're they would have been back to see a this is pure actuad this is just

this is the the thing I'mbe I'm really there's the and where I'm so I'm like my

I'm just up the one of the one I'm I'm just I'm I'm sure I'm still I'm

I'm going and my compo said that I'm that time it I'm sure that's that I'm

that one is the one of right? They're good. They're very good.