HABLEMOS DE LO QUE NO EXISTE - EP 029 - Experiencias Paranormales -Un Podcast de terror, locura y miedo
Episode Date: September 29, 2022Hoy estrenamos el Episodio 029 Experiencias Paranormales - Un Podcast de terror, locura y miedo.Acompáñanos en este episodio donde hablaremos de:1.- Gente Sombra2.- Doppel Gangers3.- Sombras con oj...os rojos4.- Escuelas embrujadas5.- Capillas malditas6.- Demonios7.- Hoteles encantados8..- Ben Shorts9.- Black Pink10.- Courtney Cox11.- Martha Higareda12.- Entes13.- Casas abandonadas14.- Slobotzky15.- Thalia
Transcript
Discussion (0)
Thank you,
Thank you, I. Moodooke, and this is,
let's do what no exist.
The day of today we,
we're going to.
Erica, how is you?
Very well.
Hey,
you thank you much
that you have done the opportunity
to come to talk to
because I know
that's a thing,
is a thing that not
you know, not so.
No,
is a zero, right?
Yes, I'm trying to
evad it as well as to.
Very well.
So, I appreciate
your valentia and the
Aperture, because
I insisted much
for that you
Because the stories
that you
have to tell
me got to
and then
then there was
my insistence
of the time.
So,
so that's
that you,
what I'm
good.
What I'm
What you
do?
What you
do?
I'm going to
tell a
one.
And,
go.
Very
good.
The story
that I
want to
never
I've
never you
I've
talked.
Okay.
I've
assisted
a school
during
the
primary.
That was
a
school like
Abolengo,
a school
a very,
very,
very,
old.
He was made
in a
cask,
in an
building
that was
almost
years.
The school
was very
great and
they were
every
being
generating
like
new
constructions
around
of the
base
principal.
In the
base
principal
were
like these
halls
old
in the
films that
dat are
the
initials
in the
lot of
those that's
very much
spaces
grandissimous
in each
one of
the salas
or the
salons in
those salons
were enormous
and the
many
many people
there were
there's
about about
about 45
for salon
but
even the
salon
not was
not so
the
the
lot
they were
those
were
very large
when
when
you
when you
were
in
pass
that you
make you
feel that
you're in
a type of
a
old old
and it's
a lot of
a sensation
like to
be in
some place
in a
little bit
really
not occurred
nothing
but it was
that
was a
sensation
all the
time
and there
there
two
places in
this
school
to
that nobody
never
never
was
in that
casco
an
salon
that
had
desucated
since
many
years
that
even had the bank,
and he washington, but
when I was occupied, is that
no she was used.
Yeah, no, it was
occupied.
It was strange because
it was like if
had been
congelated in the
time.
He had all those
books put on
the repisas,
books very
old old
that are you,
there was
there were a
little bit of
the books.
All right
all the
bankos
even,
some,
some,
some,
some
it's like
some
day,
they'd
have said,
they'll
go and
the day
next
you've
been
a place
a little
and the
time.
I'm
I'm
asking
that
what I
have
occurred
in this
salon
and
one day
me
told
the
story
there
there
a
professor
that
was
that
was
very
the
time
the
character
very
very
very
of those
who
had these
phrases
of the
words with
the words with
the word
and things
of that's
that's in
a refrain
that's
the people
that's
the person
you know
the
does the refrain?
Yes.
For
please do it
is the
the letter
with the
letter with
the letter
with
the letter with
the
letter with
so
then
then
then I
did I
mean
two
mediados
of
1900
was a
was a
little
was a
man
was a great
but not
he would be
cruel but not
he had a
pessimism
with the
much he had
a little
the group
but at the
time was recognized
for all of
a great
master
was in this
contraste
in the
he was
he was
a
but he was
a
a
a
big of the
the
man
he
he
started
toce
and he
he's
to the day
they retombed
classes normal.
We're talking
that no
there's
the same
of the day of
today.
No.
Rotomar in classes
normal.
And the
chas chas
started to
hear the to
hear of the
door.
And it
started to
sparse
like a
virus.
All
got to
the house
with different
stories of
terror
about that
they've
heard that
those
others
had seen
the
both,
and
frankly
the
papas
not
they're
doing
their
they're going
stories.
They're going
going to
the days
and the
kids
start they're
talking to
that when
they're
very
very time
the
master's
the master
is waiting
in the
bank
and that
when they
start
and they
they're
and that
when he
starts
the day
when no
there's
there's
there
the
side of
the
back
and some
they
did it
and
they
they were to
the
master where
he
is a
front,
as always
he did.
After
the
first,
the
things
were
to get
to be
little
in the
pizoron
where
they'd
put up
the
numbers
with
a signit
that
signify
and
when the
children
were
in the
morning
they
were
there.
Then
all
all
they
started
to
have
a
but the
was
when
a
the child
he was
to be able to
for situations
of not have
tried to be
the time.
Okay.
And that's,
the day
coincide in
that they were
in the
and then
then they're
in the
salon and when
he wants
and when you
see, the
door
and says
that he
says that
he says,
Jose,
Louis,
no you
going to be
to go to
you,
you're
to get to
you're
when they
were at
a turn to
a corner
in a
salon,
yorando,
disconsolated,
tarded much
time in
reponers and
that day,
pardon,
the day
the salon
was closed and
all the
access.
For that's
that's
the time,
with the
time, with the
other
and the
books.
When I
studied in
this
school,
we're
talking
about about
70
years
after that
that's
so-
so-
what
what was
when
you, is that
when you
were a
You're
You're
a salon, it was
a sensation
very abrumator
like if
to get in a
burbuck in
the air is
more dense.
All is more
pesable.
And it
cost to
work to
do you
and you
even if you
didn't
you're
in the
same
and that
seterisar
all the
perils
that you
put you
put you
put you're
and all
they'd
in that
all
but that
that was
the
not the
the
the other
is a
a
capilla.
The
place,
at the
final
you know,
and all
they were
the rite
of the
cross-ac-as-
and
yeah.
The
capilla,
nobody
was there
was
two capillas
in the
college.
The
capilla
number one
was the
one of
the
little
a little
and
a
acogedora.
It was
a
church
for those
that
they're
not
so that
in many
of the
colleges
get to
have to
have
an
Abel, the Santissimo
has,
they have
a space
for you
can't
do you.
But there
was a
second
capilla that
was a
because it was
a capilla
that was
a new
a convento
years
after.
But yeah
not
was using
because
in the
place
no
there was
religiousos.
Yeah.
It was
a college
was a
Catholic
but
not had
the
religiousos
living there.
In
that capilla
if
you'd
at the nightseer,
be you a religious
sentados.
None of them
were the
brothers of
the men who were
falling
during the
school.
And then there
was more
a man who
he was to
get to be
after the
class,
it was a
little bit
a place,
it was a
place where
not they were
and they
and at the
day next
they were
and never
they were
the
but they
you're
those eyes
the eyes
the
eyes with the
eyes
after a year
so in the
capilla
there were
somebs
and the
sombras
were of the
other men
were born
many people
many people
got to
have been
at the
night that
in the
church that
there were
in the
place
there was
there
not even
there
not even
so
so
those
and those
those
don't
people
people
people
that
people
that we're
talking
this is part of the
episode 29, that
I'm
I'm a good
Abrace
And remember
Sigginess
on YouTube
in Spotify
In this podcast
of
Let's do
Let's
We're not
I'm
Mourdock
And we're
We're in the
episode
You know
Did the
Yeah
Yeah
Oboio
Well,
that's
That's that
That's
It's not
It's chido
No?
No
You know
You know
You know
You know
You
know
Tell me
Your
dedicate. Well,
I studied in a
college
Catholic,
from kindergarten
to secondary.
So, you
imagineeras
always
incerraiserables
there.
We were
super
very much.
And,
my mom,
as a master
in other
school,
we'd
still be
more than
more
we'd
come back,
we'd
come to
get to
at the
seven and
and a
minute,
but my
my mom
had to
get to
at the
seven
to
the
school.
And
then
then,
well,
no,
at the
seven,
not it
did at the
time, it's
a lot of the
traffic.
So,
basically,
it was to
it's
about the
six and
a half,
six,
40,
more or
then.
So,
so,
then,
in Monterey
at that
hour,
it's,
it's,
it's,
it's,
it's,
no,
no,
no,
any,
the,
and then
it was,
in the
college in
the time,
was,
I was,
I was
a,
was a
college,
it was a
convento,
but
also,
um,
there,
uh,
to study,
it was basically
of puras
women,
I think that
my,
after my,
after my generation
were
yeah mixed.
But,
but I've been
been
so there's been
so,
uh,
so,
uh,
it was,
um,
how's it?
It's,
when they
get to study there,
uh,
the,
the chavitas
that's all the
time,
and then
the end of
the time
they're,
they're,
they're,
they're,
they're,
they're,
they're,
they're,
like they were like
abitations in rent
for that
could be able to
live there?
So,
like including
the,
the,
the,
the,
the,
the,
the,
the education,
no, so,
so they were,
they were
they were
they were
education,
like the
basic,
but also,
um,
to take,
for to
do that,
not,
no.
Cosses
of the
things of
things,
that were
very normal
to do
a,
well,
like,
a mama
of a
case,
no,
because it
was what
was
that
then.
So,
so I
didn't know
there was
a convento
so
there were
in many
many
little
and
youngs
and then
you're
and you
don't
I don't
I don't
I
remember when
it was
before
the revolution
Mexican
so
so so
so
so that
so
so that
so
you
imagine
the stories
that
there
there
there
but
I mean
I
took
various
that
they,
not,
they were
so good,
and the
majority,
well,
one,
one,
I'm
a lot of
there's,
there was,
there was,
there's,
there's,
you know,
all the
emotion
night and
the time,
and we
do this
frisos,
and we
are these
decorated
decodas?
Yes,
like,
in the
salons,
in the
part of
there,
there was
there
and then
there were
and then
they were
so,
so,
and the
then,
so,
so,
all
very emoconated, and,
the truth is that I me
I'd like to
go to the point of the
grito, and I said,
no, well, I'm fresco.
And as I'd
get a time.
Well, we'd
have done the hours
before the classes
to decorate,
no?
So, I,
I'm, I'm
very well.
That time
I, I think,
to, like,
at the 6.
6.5, 6.20
of the
morning.
And we had
to be,
they were,
they were,
they're,
like,
were,
three pieces,
and the
,
So, yeah,
I,
I,
I was,
where they were,
where they were,
where they were,
I was to
go to the other
extreme,
because there was
the salon where
we were
decorating.
So,
then I'm,
I'm,
I'm,
the door,
because,
because,
there was nobody,
and I said,
I'm,
I'm going to
get in the
maestras
or what
so,
no.
Total,
yeah,
I,
I,
I,
I put the music
backito,
because I
didn't care
problems
with the
Monjas, because, at
end of
count,
because they're
the
, of the
most of the
first of the
music,
I'm in the
music, I'm
backito,
I'm doing
the friso,
and then
so,
at the
way, I'm
a lot of
I'm
so I'm
so I'm
so I'm
my friends
that I'm
going to
help.
Well,
you know?
So,
so the
logical that
is,
I'm,
I'm,
I'm,
but where
I'm the
case,
but where
there's
the
passillo,
Negro,
because
still it was
there were
at the
night of
and then
there were
lights
on the
out of the
but so
like to
alarm much
well,
no.
I said no,
but perhaps
I'm
I'm,
I'm
the door
and then
I'm
I'm
I'm
I'm
I'm
I'm
so I'm
two,
three minutes
and
again
they're
they're
they're
they're
every
more
more
more
more.
So
to
still
they
they're
Almost where
the
escalaras,
but a little
more
more than the
I'm going to
and I'm saying,
I'm doing
a bit of my
time.
Then I was over the
door and sackle the
and I'm gonna be
nobody.
Capas,
me I'm
I'm just going to
imagine.
Capacus it's
the music or
something,
or something.
Apago the music
and yeah
me kept,
like,
I was more
more
the door
because I'm
for hear
well,
but again,
no?
But,
but other
Well, I was
I was I was done. I was used to come in the middle of the passio. I said, no, yeah, yeah. Yeah, no, yeah, no, you know, so, if, if I'm
and more in less time, no?
But, well, yeah, no
I wanted to go, because I went to
more close,
because I didn't know
who's the same
because I don't know
that's the time
and more close and more
and more close.
And then then
one of those
yeah,
you know,
I said, well,
well, well,
well,
well, or yeah
or so,
what was that
was that was
that was trying to,
well,
yeah,
you're trying to
then,
then I'm,
like,
like,
I'm,
like,
I'm,
they're decorating,
and then
they're in the
door
but very
very
so I'll
so I'll
so I'm
transparent
and it was
two chas
that were the
I'm going to
and I'm
because they're
playing a
brahma
because we're
not we're
not we're
not we're
just that's
we're just
we're going to
say but
not they're
not they're
various
and I'm
you know
I'm
I'm here
I'm here
I'm here
I'm here
so you're
I'm sure that
when we're
we're just
no it's
no it's
totally
yeah
we're
we're
we're
to talk to sort of the
issue and yeah,
so we got,
no.
Entrances and
and then we're
we're going to
to say we're
to do you know
like we're doing
we're doing the frisone
in the morning
and we're
we're saying
to hear of
that's
no?
Ah,
yes, it's normal
it's the echo
and I
never had
seen a echo
when no
there was
when there
people
that's
that were
like
that's
kind of
like
that's
and if
me can
I'm
And I said,
is it
Yeah, it's
normal
to hear that
It's all
Yeah,
in all the
schools,
and I'm
I'm sure that
that's normal
and so,
so if you
want to
you're going,
and yeah,
there's the
thing,
no,
because the
more of
the rask,
you know,
we're not,
yeah,
there's,
we're,
oh,
and when
you,
when you
heard the
, you're
to see,
you're,
you're saying,
has to
make the
, you're
the pasions,
they were
but when
there was
the same
because it was like
from the
way it was like
in the
tunneles
still the
sound as
but not they
not they were
like risa
or not it's
like the
people
it's like
like if
were like
like if they were
echoes
like
when the
rebote
of the
sound
exactly
exactly
so like
no
there
and there
and there
the echo
of the
the
and not is a person.
You're
listening
the echo
but
in the
the sound
exactly.
Exactly.
It's
very chistose
to know
because in
reality
not you
don't know
you're
or maybe
for a
little bit of
but that
is the
sounder
super phantasmagoric
Yeah,
because
you put the
the
skin
of the gallina
or
you know
you know
because at
the principle
it's like
yeah
you sound
yeah
so let me
surprise
my
surprise me
my
surprise
my
was I'm
And so I'm, and so,
and then so,
you know, and thence,
but no segued
passes.
And to tryer
those rizas,
so, not you
go, like,
like,
like, like,
like, like,
so you're,
you know,
you're doing,
you're doing,
doing,
or corrieing,
or anything,
you know,
in the
displacement,
clear.
No,
only rizas.
And then
that was,
it was,
it was,
it was,
so,
it was,
like,
what,
what's,
this,
not normal?
And if,
if,
yeah,
like,
like,
talking,
with the other
I mean, you're just,
you also,
you also, you
also, you
don't know about,
or you know,
the other side.
The other
because you were,
I saw as far as
where I was,
and they were
and they were
more to come.
Okay,
then she was
they were
on the same
point that you.
Exactly.
So,
because I was
in an extreme
and the other
and you had to
see you
I was in
the middle,
they were also.
Yeah.
Yeah.
So,
so it was
it was a
chistoso because it was like a
because
Chistoso is a
way of
That's a
What a
Dementes
I don't
I'm going to
Go ahead
So,
yeah,
yeah,
this,
what age
You know,
I think
I'd have
I had been
What,
13,
13 years
12, 13 years
So,
yeah,
you're not
You're a
No,
no,
no, no,
yeah,
yeah,
yeah,
yeah,
I,
yeah,
I was
that
and,
like the
distances
and the
you're
in the
paranormal?
Yes,
Although I would
not
create.
Since
when
when you're
in the
paranormal?
Oh,
well,
because
it's very
little
from,
you know,
there's
there?
There's a
socese?
Yeah.
A bit,
tell me,
for
favor.
I was
I,
I was
like,
I'm
in my
roomed in my
room,
and my
court,
and I
remember that
was,
like,
tapada
normal,
with my
edredon,
and then
I'm
so I
know,
they're
so logical is,
you know,
so amaze
to see,
you know?
Then,
me lo halan.
And,
my
camera,
no,
no,
it was a,
it was a
normal,
no,
then,
then I was,
then,
then,
then,
then,
I'm,
you know,
you're,
you know,
I'm,
I'm gonna
put in,
and I'm gonna
put in,
and then,
and then,
again,
I'm,
more eno-
, no,
because,
well,
I was,
I was,
I was
well,
and the
really is that
I,
for my
my
dream,
with my
son,
you know,
you know,
I'm at
like,
I'm in chiquita,
not me
get to,
at least that
that's,
at the
time,
or have
classes or
something.
If no,
you know,
you know,
you know,
so it's
really,
because my
brother,
I know,
I knew,
I was,
because she
not were
because she
were a bromist.
And my
people,
don't know
there was
nobody
more in
the
house.
And then
then
yeah,
I'll
do you know,
I'm going to
do you know,
I'm going to
do it,
then I'm
really,
then I'm
really,
so I'm
so I'm
so I'm
see I'm
a little
a little
a girlita
with a
little
with a
like if
were a
delantal
like those
that's
in the
years,
20s,
20s,
30s
for there.
Super
antivus.
Yeah,
super
antiv,
but it was
the
yeah,
it was
very
very well
vestigita,
I mean,
the vestit
very limpio,
and there's
aguerita,
and that
that's a
car of the
little of the
people who
know you're
that you can't
know how you.
So,
because they're
going to,
but I was
I'm done
and then
it's a
I want to
do you,
no me stires
the colch
but I
said,
so I'm
then I'm
the colch
and then
then it's
it again
it's all
it again
it's
I mean
I'm
I don't hear anything, but I
see the
sonrisa of,
and go ahead,
we go ahead.
We're just
we're doing.
And for me
I don't
I'm not going.
And then
then I'm
and then
see to see,
Erika,
with who
you're talking?
And I'm,
with the
little, with the
little that
she's halling
the colch
that I'm
going to
do you're
and not
he's doing
and not
I'm
really
much of the
car
of my
mom
because it
with, oh, okay.
Yes, my jitia, yeah, doormete.
And then it was like, yeah,
like, yeah, I mean, but I still
was still ennojada, no?
I was like, well, because
you're regauntas a me?
For regained the chagia?
I don't know.
And then I'm so,
I'm a lot, and then, total,
yeah, me levanted and,
I mean, I'm, like, I'm,
I mean, I'm, and so,
and the day the next,
I mean,
I'm
I'm gonna,
I think I'm gonna,
I think I'm gonna,
this is that,
I'm gonna
be hallowing
the colch
and my mom
was like,
no,
no,
no,
I'm,
you, come,
no,
I'm gonna have
seen to have
seen my mom,
the little
the little
was,
so,
so,
so,
if,
to have the
light
printed,
as a
count.
But you
know you
know when you
get a
light
because you're
that's not
you're in
the way to
see the
and the
light of her
was like that
was like
a lot of
and when
when I
remember to
have seen
my mom
I remember
to have seen the
gestures,
the
face,
the car that
put so I'm
but my mom
said
that no
I've
turned
the focus.
So,
so if
so it's
me
So it's a rarer, no? And so, so, so, so I'm talking about
years after, I think, in that then I'd have had been
had been, what, what, it was, what, four, five years,
more or less. And time before, we're, we're, we're, we're,
We're in the house of my
abelita.
And we're seeing
some photos.
And then
but photos
antivus
that,
I don't know
who I'm
never,
never had been seen.
Total, yeah,
viewing the photos.
I said,
she's me
made a know of this.
And then
then I,
then I,
then I'm,
oh,
ablita,
and she,
yeah,
who is?
No,
well,
she's my
one,
a gemela.
Gemela?
How?
How?
Like you have
a
woman
female?
Yes,
we're
quattas
or so
we're,
but
she was
she's
a little.
And I
yeah,
she's
she't
little,
so six
years,
more or
less or
so much.
And I
okay,
but
does the
photo
was the
same,
it was the
same
carita,
the
same
bestid
it,
he makes
to
she's
that
she's
that you
did you
see
to be
her being. And I,
and then then, then I said to my
brother, like, oh, yeah,
because, obviously, we're talking about this?
Do you know, do you guys? Do you know, and I'm saying,
Yes, well, is she she?
Oh, I, I think no.
I'm, I'm not. The Lord,
that's she yeah.
But it's that, you know, it's that
existed. Well, is that's what more rarer, because
as, as, as, no, there was a noceau.
Of course, it was,
like, oh, it was, it was to be able.
No, I mean, to startla bian.
And has to
The same
The same
The same
Co.
The same
The same
The same
All the same
All right
It's
To be able
Obviously
The photo
Was black and
So
So I'm
Nothing
So it
So it
So it's
Fecha
I'm
I'm
I'm
I'm
And of
And of
That
And
My mom
To
even
Remember
I'm
That
I'm
I'm
I'm
For
For
You
Not
So
For
To
It's
For
To
your mom? Probably
so. For your
car,
but I remember
to be able to be,
I mean,
the little, I was
doing, I was
doing, so,
and when you
see the photo,
you're going to,
you know,
no,
fifted that
no,
or so it's,
oh,
it's a,
that's chistos
that,
I,
came to visit me
to play with me,
I mean,
knowing that
I was,
I'm,
like,
because,
but,
but,
but never
was a,
oh,
oh,
that's
my
It was
because
not
it was
not so
not she
was agrisive
not
not
it was
malintentioned
or
no,
it was
a little
a simple
a
a little
a
sometimes
with the
with the
there are
things that
we're
the
lack of
the
knowledge
the
the
fact
of a
the
thing
and
the
time
there
there
there
a
family here
in
Monterey
that
hered
a rancho
that's in
Nair is
that has
that has
about six
or seven
generations
of being
in a member
of the
family.
But the
rancho
not so
the rancho
goes on
a
little
the rancho
they're
that's
maldito
that they
have to
that's
that's
that
that's
that's
that's
nobody should
need to
get to
get to
get to
the
years
then
really
the
generations
new
they're
doing it
practically
not going
and they're
going to
keep getting
a
way more
more
the ranch
costable
practically
in a
terrain
a car
and a
cabin in
the
center
and
in the
last
generation
the
the
the
he was the
the
little
the
he said
those
are
those are
those
are
those
are
things
so
so
so
so
so
so
so
with a group of
of
a group of
that they
tended to
castes.
So,
they'd
do excursions,
they'd
in the camp
travisas,
they'd
manage,
rifle,
scopeta,
pistol,
et cetera.
They'd
like the
gaseeria.
Okay.
So,
they were
these,
they're
like,
people
bragada,
no,
of character
so,
so they're
those are
those are
those are
those are
just,
those,
let me
to get a
group of
people,
they're
they're
there,
a
Fing of
Seminary,
supposedly,
to send a
maldition,
uh,
they're going
to eat,
and then
a lot of,
as a while,
like,
as a minute
as the rancho,
and it was
it was very
used to be,
to pass it,
a little
accustomed to.
Be,
and it's going to
get a
day, and really,
not a
thing,
and they're in
a night,
they're in
a night,
they're doing
a carazada
that is
a custom
that in the
north,
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Well, there's a data that I'm
that's close of the cabana,
like, almost,
there's a little bit more than a little bit more,
that's
that's in
when they're
when they're
when
not all the
sun is
so much
so much
so much
then they're
in a
time of
the year
they're
they've said
that when
that's
that maldison
was in
the lunas
yeah
if you
you're
you're
but in
luna
yeah
they're
they're
they're
they're
they're
they're
and it
and
coincide
and it
coincide
with the
Semannas
And then
that rachuelo
was a
Cargadissimo
of the
Okay
For what
I'm going to
This is
Transcendency
Conform
I'm
Okay
They're
They're
They're
Arounder of
Five people
Okay
All the
People
Yeah
Manytut
Manyt
Tenth
Some
Yeah
Pekaner
At the
They're
They're
They're
They're
They're
They're
They're
And
They're
And they're
And the
door,
despegain three
times.
He's
one,
open the
door,
no there's
the door,
they'll
turn to
three times.
So,
he's never,
open,
no,
there.
He's
kind of,
you know,
and you
know,
and where
it's
instantly,
and it's
instantly,
and there,
in sec,
be a
sombra.
A sombra.
The type
So, it's
And as a
It's a lot
And at the final, no
there's a
person with
some person with
a little
type of
a lot of
So he says
what you
And then it's,
and where
says that
it's like
a raffa
of an rafaga
of the
people in the
person to
he's
so he
something that
he comes to
get to
desporied
but
he's the
reason
and
just to
get to
grater and to cry. And so one of the
one of the companions, he, he, says, yeah, he's
going to go, where's where? Who, who's, who we? To go, where's
he went, and he's going to, let's see, this type of
he, looking, that no, that's going to go to happen
something. And the other three
are, like, disconcerted. Hey, okay, what we're going to
go, and then we're going to, you know, we're going to
say, well, they're going to, you know,
when they say or if, if we're going to, we're going to,
what's what happened
with this
chavo,
no?
Salen
the three,
and the
man, and the
manchus
still
and he's
like,
being a
nothing,
like,
and he's,
he said,
no,
we,
well,
let me,
this occupa
a, a
hospital,
a doctor,
something,
and so,
and then,
they're
going to
the cabana,
and the
cabna,
and the
carca,
and the
car,
and it
in the
center in
a
cell,
so,
so,
so,
so,
so,
so,
see,
a,
like tintinian
And one of
of them
says,
who who,
who, who,
who, who,
who, who,
who, who,
the,
of the
things we're
using,
so,
he's,
they're
doing two
to the
cabna,
and where
they're
in a
door,
they're in a
sunbra,
like,
they're,
like,
to be,
and they're,
and they're
, they're,
but at
final,
are types of
kinds of
some people,
they're
sometimes,
they've got
they're a rifle and
they're
and the
and the ballas
sound when
they're going to
they're
in the
center of the
cabana
and one of
those people
and one of the
carre,
so they're a
red that they're
in one of
the can't
and they're
they're actually
see where that
cause can't
see where that
and then where
the agar
it wants
and it's
it's
and it's
they're
they're
they're
they're like
like
type
lona
taping that
to have more
points of
and they're in
the other
except the
he's going to
the other
those other
they're going
and they're
and they're
and they're
going to get it
and say,
we're going to
go to give it
because
because it's
the situation
is that they
they're going
to get
the fear
and euphoria
and all
to rastra
that they're
that
they're
to get
the river
it's
desace
yeah
no try
nothing
they're
like if
never had
the people
are disconcerted
they're more
like with interrogants
than with fear
but they say
no boy
let's go let me
go back
coincide
that in the moment
in the
time that's
the chabbo that
he was
he's doing
he's doing
here's going to
and he's
he said
you're saying
like you're
what's about
how you're
like he's
like I'm
because I'm
because I'm
all raguio
because you're
you metiste
in the mato
you
you're
you're
you're
He was
a lug
Yeah,
I don't
remember
in
nothing.
The situation
is that
decided
better
to get
to get
for the
situation
of the
way,
get a
get a
not,
no,
they're
not,
no,
well,
well,
well,
well,
well,
what's
that's
the next
time,
go,
they're
going to
go,
and then
and then
go,
and it
exactly
exactly
exactly
exactly
where sonned three
times the
door,
they were
and they were in
chinga.
Yes,
well,
yeah,
well,
so,
why you
get you?
Yes,
yeah,
and I said,
no,
no,
we're
we know,
we're not,
we're,
but,
no,
but,
then it's the
garra.
Yeah,
no, no,
uh,
a,
sometimes,
no,
we know,
we know the
things,
since
that's
generated
the history
that
we're
that
part of
of the
really.
That is
where you
are the
things of
the world.
You
do you
think of the
thing?
You're
interesting in the
stories of
there?
I'm,
see,
I remember
that one
that's
was a bit
chistos
because,
chistoso
in plan,
what fear?
What
yeah,
but right,
but now
it's a
pasto time
and I
don't
to us
not just
no,
we're not.
We're
basically
was a
salon where
they were
like events
and had like
many people
and had like
a lot of
another salon
atras
that was
like to
a salon
of the
hall of
there
a door
that you
had a
little
never
we never
saw
where
and then
then it
in an
event
one of
one of
the
one of the
master
or
titular
in
that
us
we
we
was
that
we're
that
we're
that
we'd have we asked us
if you were that
that was that I don't remember
because it's
a fecha that I don't
I remember
of the fear that
but we said
ah,
well, it's
not just that
me,
I was I was
with other two
amos
and then
total, yeah,
us open
the door
and it was
a little,
it was super
strecho
so we'd
we're just
we're just
we're of
those
passillos
that's
very bigito
super
discuidados
a
chero
volvo
a chorro
old
and
oldos
and I
remember
that there
there
were the
two
doors
there
there
and we
I remember
that we
said
we were
to get to
the
long
but it was
it was
long
but it was
longito
you
I've
been
me
first
and
there
go
I
go
I
first
I said, I'm
doing conversation
for that the other
people of
not,
because what I'm
going to go.
And then I'm
going to be able to
and then I'm
with a bit more
probably the
same that I
had been made
there, but no
you could say
to the authority
that no.
Then then
then I'm
so I'm
so I'm
so I'm
there's
like a ventanitas
I don't see
you've seen
the doors
that are by
Ben.
That they've
like a
ventanita
for that
no chockes
with the
person,
if
comes to
someone,
I'm
so I'm
so I'm
sure that in the
windows,
I'm not sure
so I'm
so, the
other men's
better than
then we're
literally like
like a
like a
total yeah
we're going to
the last
door,
I'm the
door
and so
it's
so it's
a bit
a
one
a bit
rar
so
not it's
not
like
to
get to
whatever
and
so
I'm
I don't
I'm a
I'm a
I go, how do you
don't know,
I don't know
but tryte
something.
I'm how
going to try to
something?
No,
not I'm
going to say
that I'm
to get to
a little.
Total.
Where I
because
I'm going,
because you're
a
kitchen
a little
but of
that's
like a
convento.
It's
was chisdose
I don't
I think
I'm
I'm a
of convento, I suppose
that I,
I, I,
I remember
to have been
going to
a Puebla
and you
do they're like
a tour
for a convento
very famous
of Puebla
and he's
to count
that were
like stufones
and like
and like,
and so,
like it was
like,
something.
And then
total,
yeah,
well,
I don't know
to get
to get
to
and where
I'm,
I'm,
I'm going
and the other
so,
and I'm
said,
then,
me entered the fear of me
also.
Then I'm
I'm going to
I'm going to
the door.
I'm going to be
going to be
going to be
thinking in that
they were
to be thinking.
The other
they were going
and then
I was going
so I'm
so far far
no.
Total,
yeah
I'm going.
And then
we're top
to the
titular
to front.
Where
they were?
Well,
no,
you know,
but not
to be
to the
to the
door
to the
to the
door?
The door?
What
Puerta.
Total.
We've been in chinga
because has to
it's like we're
like it's like
it's like the
door of this
side?
We're going to
we're talking to
the titular in the
other door
in the door
normal.
So,
here we're not
we're
we're doing.
Of extreme
extreme?
Yeah.
You're at the
way,
like,
they're like,
well,
like,
well,
no,
I was there
where we
were we
the other
part.
Perfect.
So,
where
we're
we came
to
say to
say,
that's,
we're able to
see a
but it's,
so it's
a lot of
you know?
Then we'll
we'll get
being and she
was going to
because she
was there
she said,
she said
she said,
she's called a
but she no
so we're doing,
and then we
the trailer
that who
who came the
that's
the door
where you said,
the door
that's the door
not so
that's
How, no, it's
Abre?
Well, if we're
We're able to,
we're going
The valiant,
and we said,
well,
it had a
Canda,
I mean a
of the
old,
so,
I was,
like the,
like the,
the,
like the,
the,
like, the,
it's,
it's that,
where's the
key?
It's that
there's a
door,
nobody
can't,
nobody can't,
no,
how,
that nobody
that could
be,
if we're,
and we're
really,
the,
and we're,
the,
we're,
if we're,
we're,
But is that you
You know
I'm done it.
I don't let's
I'm done it.
I don't have
Mandated,
so then who
did not know.
So,
there's,
we're more
asostated
than the
freda.
You know,
as we go ahead,
we're going to
know we're going to
know what?
So,
the person
that was
that was
the master,
had the
had the
yeah,
I'm
put you,
and when
started in the
master,
they said,
that port,
nobody has
nobody has
nobody has
nobody
didn't
and I
didn't
I was like, but
you're doing,
That's great.
And we're just.
So, no, it was like,
well,
I'm like,
well, I'm
imagine.
No, no.
We're just three.
I'm
I'm trying to
a mind
a story
that occurred
I don't
I don't
remember
if it
in San
Louis or in
Durango.
I know
the states
geographically
not have
a relation,
but it
was a day that
was a
persons of both
states and
every
who told me
told his
story.
Okay, okay.
We're going to
let him
for intuition in
Durango.
Let's just
my intuition
also don't know.
Let's suppose
that it was
in Mexico.
Uh-huh.
We'll
to have what
was in Mexico,
it's
right.
Figate
that in
Durango
me
was a person
that he
lived during
his adolescence
in a
house that
he was
to feel
very
insecure,
but
not for
that not for what
what was
there,
but not for
what was there
when not
they were in
okay
me told about
they were
not they were
his family
was he
her mother
and his
family
a family
little
but
they were
super
a gusto
and in
a house
mediaramently
great
okay
had
had
abitations
of
sobara
for
for them
and
they were
all
they were
all
all
they were
all
a
repent,
after three
years
to live in
that
property,
a
one day in
a day in
the morning
and they're
saying,
I need to
talk to
talk to
you know,
I'm
correct that
they're
generating
that's
many times
with the
other
the
other
and then
he was
there.
He was
talking to
talk to
talk about the
papa and
he says,
no
I'm
the
question.
How
the
the end of
the
same
we're
we're
we're
we're
we're
we're
we
Because from the
We're
We're going to
No,
sir.
You're not,
you know,
I'm going to
get you.
All the
time,
since it's
like five
a month,
put in music
to do
a volume and
they're in
a quantity
of people
in their
carces,
they're
in grises
and the
time to the
amazer.
So,
then we're
we're not
so,
so yeah,
yeah,
yeah,
yeah,
yeah,
yeah,
yeah,
so,
so,
so,
then,
then,
then,
then,
he says,
Mr.
Okay,
let me,
we're going to
revisit, because
no,
not we're
not we're
to put cameras.
When
it's the
first time,
no occur to
nothing.
The next
time,
getting the
Friday,
the cameras
are the
camera and
they're
to be able
to activate
until the
domino,
perdon,
until the
lunas
initiating
yeah
like the
madrogada
of the
on the next week.
So, then
the
sir says,
he's
getting people
to people in
my house.
They're
in the system
of security.
So this
no is
nothing of
the other
world,
is very
of this.
He,
he's a
vigilante.
And the
vigilante
he's
he's present
to the
people,
he's
he's going to
be there
and et
et cetera, et
et cetera.
And as
it was a
colony
private,
they had
a
a caset
and
they're
a
can be
run dins
from the
casetta to
the house
because
also he
into the
house all the
same time.
No,
he has
not a
confidence.
So it was
like external.
He does
give them
the colony
no they
make a
problem.
And the
sir,
he brought
the report
and he
said,
sir,
sir,
is going
is going
what they
are what
they're
in your
but
not are
people.
I'm
am I
and some
somebers.
I see
I see
I see
see
sombrass
pass
one
and other
but I
never
see nothing
that they
was the
just
those are the
suns
and then
the
sir,
he says
like,
you know,
you're saying,
and he
says,
no, no,
and I
the only
that I
just that
was that
I'm going
to do this
with you,
I don't
go,
I don't
want,
I,
I don't want,
I'm
want to
get to
a other
person,
no he
does the
context,
no
he explains
nada and he
he says,
Kedate in my
house.
This is
yeah.
Ketate.
Ljewricks.
At the
12.30
minutes
is you're receiving
messages of
text without
in the
that he
is saying
your house
is too
is too
that's going to
do you
but no
no,
no it's
valid that
you do
you know
they said
no mamme
they're started
to move
things,
they started
to be
they're
going to
move
I've got to
go
going to
do you
know what
you're
in your
if this place in a
if you're in
that's a house,
that I think is in Durackungo,
or in some of the world.
Or in a little bit of Mexico.
Or in San Luis.
Or in the same thing
are the ones that you say,
oh,
that's if
so,
no,
I'm going to
live
never.
Oh,
and is that,
it's
there's
there's
but I'm
that's
something about
demonies.
Demonious?
Yeah.
So,
because
if there
exists the
bad,
then
then I mean,
I mean,
to know,
then I'm
mean,
then I'm
to have
to be
to be
a person,
I mean,
minimum,
I mean,
I can,
I'm,
I can
read it
or the
but when
when I
when I
go more
that's
that you
see
and I
think
I'm
really that's
I'm
really
but a
final
I feel
a
a
so like a
so like a
person
no
could
not
not put
not
he
and he
he revive
and he
revive
and he
revive and
but
yeah
when they
are more
like
like
so
well
like
demonious
or
like
something
something that
more
or that
has been
like a
kind of
kind of
and that
that's
where I'm
really that's
because how
I defiant
that's
intelligent
uh
yeah
yeah
change
or it
and it
can't
constantly
constantly
like
the
kind of
kind of
that's
that's
elaborated
no
no
I'm
not
that
that
that
for there.
A demonia.
Yes.
And I think
also,
for that
not I don't
like that
the terror in
see.
Why?
What?
What's the
relation
you see?
Generally,
the most
the more fear
are the
that's not
in the actual.
But the
do you say
to,
Pato,
that's all
that's supposed
that you're
supposed to
you have
to be
to be there.
No,
at the final,
when you
she's
It's just
It's just
I can't generate
a stress
because I know
it's a
It's just
you know,
it's going to
go back to
go back to
you.
Exactly.
Exactly.
So,
although
you know,
that's not
to be
with that,
because
many times
are people
that's people
that's
people who are
many times
that's
not even if
you're in
a bad
or you're
a bad
or someone to
do something,
just it's
that's just
that you
can't
mal
to get a
to get a
to
you know,
you know,
you know,
you know,
you know,
you know,
the group Black Pink?
Yes,
yeah,
yeah,
yeah.
Black Pink has
an anecdote
of just what
you're saying
in the
real.
Yes.
The chicas
of Black Pink
just,
uh,
they're just,
you know,
you know,
in those of
the K.
But,
we've been in
a house
because,
you know,
and,
you know,
and the
Pago,
and,
like,
you know,
and you're
to learn
to learn
to learn
to learn
to
in that they had
been
in-
and they were
like a
car in common,
although
they were in
a lot of
the other
in one of the
habitations
that I think
was a
room
had a room
had an
armory.
In that
one of
one of
them,
I don't
remember the
name,
commenced
to hear in
the nights
that from
the
inside of
the armio
they're
to
a chorro
and she
She said to
His
Amigas
She went to
His
Covent of
Yes,
a time
After she
She's
She's
She's
She's
She's
She's
She's
Dormida
She's
How they
They're
And in
That's
She does
She does
She's
She's
She's
She's
She's
She's
She's
In the
She
She's
She's
She's
She's
She's
She
She's
She's
She's
She's
He goes
CERcando
She's
She's a
He gets
And he starts
And he gets a
He made
Much more
MED
But the
Peor is
There's a
Yeah,
She's a
She's a
She was in Thailand
In a
Yeah
No,
I had
Not been
And she had
Entrated
Of this
Okay
Reyes
To be
To the
Resto
of the
Chikas
But
before
to have
To have
To
She
She
She was
She was
She was
She
She was
She's
She
She's
She's
And
And when
I'm
and at
start to
talk to
it's
random,
exactly,
nothing
related
with questions
paranormal
like,
he says,
I'm,
I'm doing,
I'm having a
vision
in this
moment.
In your
house
there's a
armario,
and
there's
a
spirit,
take much
care
because
is very
so.
She's
she's
a
anecdote
chistosa
and
when he
and when
he gets and
they're
all
they're
have not occurred
that
situations
of
a time
that's
that's
that's
based on
in the
reales
that's the
problem
if you know
if you
know
that's
that's
that's
that's
that's
that's
that
that's
that cano
also
there's
there
there
there
there
there
there
an
actress
that
all
in Mexico
we
know
Talia.
Yes,
yeah.
That during
a time
it was like
maybe he
had been
a bit of
a little bit of
a
question you know,
me
you know,
you know,
you know,
that's
that you're?
It's
because it's
some
because it
also.
Also, we
were a
time we're
we're just
we're doing
the
in-vibing
so is
that
with the
benefit of
the
question,
he
did it
was a
very rare
in the
year
last
okay
said she
she
was in
New York
in
a
edificio
a
big
that is like
like the
officeines
but she
is in a
area in a
area
in a
one of the
officeines
not are
okay
has it
has been
being in
the area
the zone is
pretty
pretty
very very
but not
she's
not said
she's
not even
that she was
there
there no
there
there was
the piece
was totally
basically
and she
is
is sure
is sure
and
she's
doing
something
is
she's
is
grabbing in vivo,
mandating messages,
responding to
call your camera,
preends the camera
to grab in vivo,
and detract of
her,
a sombra
pass from a
officeina to other
and regressa.
So she
says, well,
who is in the
place in the
place is totally
vacuio.
I think that's
the
worst that
you can't.
I'm not
I'd
if you're
if I'm
asked
if I'm
going to
do you
ask you
I'm
the first,
it's more,
it's not,
I'm going to
go to go to
something,
and if if
yeah,
I'm going to
yeah,
yeah,
yeah,
yeah,
yeah,
yeah,
yeah,
he's got,
you know,
a time,
a time
a message,
uh,
a,
uh,
and me,
he said,
oh,
he said,
I was going,
he said,
a little
really,
he was,
uh,
was,
that,
was,
we're,
we're doing,
we're doing,
we're doing,
we're
talking,
and,
and said,
and I,
And, of
and then I
started
to see to
see a
all the
and I'm going to
and I'm going
a video
where I'm
there's a
but I'm
doing they're doing
so I'm doing
so I'm doing
really a lot
because it's
an attack of
panic and me
and me
says no
no no
I mean
really
really it's
really a
really like if
you're a
okay and he
you're in
some point and
me says
no now
now it's
me did
me do
I see, I'm
I'm seeing, I'm
seeing various points where
there's
see the
of
observation,
of a
chance chance,
etc., etc.,
even there
people
that say
that when there
are explosions
of a
storm or
or there
have many
many.
And that's
that's
you sound?
Well,
yes,
it's
a
end of
because at the
end of
all we
don't know
we're
so we're
so it
so it
so it
so we
feel
that if
something
we
some
point.
But I
suppose that
we're not
we're
like,
oh,
if someone
me is there
probably the
majority
we think we
and more
in Mexico.
If someone
they're going
to robar.
That's the
first thing.
Yeah.
You're not
you're not
your
paranormal,
but your
security
personal.
Exactly.
So,
so I think
that's the
is the
rare,
no?
So in
reality,
like,
let me
see,
I'm sure,
let me see,
I'm
see,
It's like, well, no, you're in panic.
You're seeing that you're being.
Well, let's go,
then we're going to.
Then we'll be able to be.
Okay.
Okay, okay.
Oh, Erika.
A bit, do you know,
how was the only thing you saw?
Oh, yeah,
just we just happened,
like,
we were, like,
we're,
we're,
we're,
the,
of the,
the,
and,
my,
my papa,
I was I,
and I said,
look,
Papa,
that,
that,
that,
that,
that,
that,
that,
that,
that,
that,
that,
that,
And I go my papa,
it's a
me ask that that
not is a
star is a
big great and
it's a big
and it's
I'm
I remember
to have her
but
you know
you know
the stars
because at
certain
point
they're
so for the
rotation
and I
remember
that no
I don't
so I'm
that no
we're
we're getting
to
up
and then
we're
we're
we're
we're
we're
no, there was nothing.
Nothing.
Nothing.
So,
I was,
it was there,
it was,
it was like
the night.
Nine of the night.
Yeah,
so,
so, it was too.
And then,
I said,
but I was,
but I,
but I'm,
he said,
and I'm,
he said,
I'm sure
of having been
an Omni,
but he
he said,
and I said,
Papa,
so I'm saying,
if it was
that's,
he said,
he said,
I thought,
he said,
he was
he was going
but in reality
no, he's
quite sure
that I've been
been seen an
Omni
because he
had been
talked about
various
and then
it was,
well,
I guess
and yeah.
We took.
Yes,
so,
well.
Okay,
he,
you know,
to Sloboski?
Yeah,
of the
cross-ter-Riz.
Fiatte
that I
didn't know
I don't know
the idea
that
he was
like
totally
exceptic,
but
it has
that
has two
anecdotes.
Two anecdotes
that he had
occurred to
his family
in which he
says,
no,
I'm going to
not going to
not sure
but they're
rare.
Okay.
Quintes
Lobo
that with
a subrino
that he
that for
circumstances
delicate
that we
could not
notice
about the
fallacement
of a
tio
because
not he
was going
to be
going to
have
been many
years,
no see
months or
years or
years
from
the
fallecement. And one
they're the sobrino
in the kitchen and he's
talking. Very good.
But no, but no, there's
nobody. Then, then
they're asking, what's
talking? And he's talking. And he
said with the Tio X, the
that he had fallened, that nobody had been
he had been there. Nobody
had said the news.
A proposito. And then he
he's to practice, and pletique, and
passing those, the months,
So, so he
in occasions
vented him,
and with others
that had
had fallen
and he
also had.
So,
then they're,
like, the lobo
says,
well, who knows,
but he's
to do you,
and the other
is, with other
sobriino,
much more
little more
that he
had like,
those
people,
those amigionaries.
Yes,
and a
day,
going to the
house of
the
abuela,
looking
a album
of photos,
he's a
a photo,
he says,
Tata,
Casa,
Mama.
And then
they're
like,
we're going to
get to be
but you
know,
and then it
starts to
say that
he said,
Tata,
where no
there was
a little
people
that was
the
photo was
his
abelel
someone
that's
someone who
never
knew.
And then
they're
to get to
realize to
the
little
to talk
to
those
amids
imagineries
all
it's
all related to
photos
of people
that he
never
knew of
no
well
you're
in phantasmas
I
think I
would like
I know
I'm not
I'm
but yeah
yeah
yeah
yeah
so I
have to
I'm
so
I'm
perce
but
but
so
yeah
I'm
so
I'm
uh
yeah
um
I
took
one
we
went
to
a
because I was
there's
and we
we're
we're
we're in
we're
we're
like we
got the
people of the
people
and the
frugat
but you
like in
20,000
hotels
of Mexico
have those
so
then you know
they're
so you know
and then
when we
when we're
they're
like the
tour of what
is what's
what's
what's
what's
what's
and
total yeah
was,
I was a
very bigito
the hotel,
I mean,
yeah,
I'm,
well,
yeah,
easy,
it's a
few hundred
years,
Fasil.
And then
I remember
that they were
a elevator,
that's
kind of
that I was
to come to
the world
and it was
like those of
those of
the titan
that's
like 20
Ports
Yeah,
bigito.
That rechinable
all,
yeah,
rechinable,
so recinable,
it,
was a torrajava,
the
page.
No,
feo. Total. X, no.
We'll get us a certain time.
But I remember that one of the nights,
I remember having senade
very pesable and I began to feel
in the night. And then
I'm paro to the baio.
But where I'm
I'm, I'm,
I'm the sombre of a
perro.
Like if it was a
Rottweiler. But with
eyes rogous. No.
I see, if you've seen the rito?
you remember
of the
Caboyo?
Those
Those
Those eyes
Those
Injected
Sanger
Fewewos
Yeah
That were
Very
Very particular
Well,
you know
I said
To count
that
I'm
I'm
And I
In the
Silueta
I
Yeah
I remember
I
I'm
I'm
I'm
because
in my
I'm
I'm
I'm
I'm
I'm
But I
He was
to
go to
And
I
did
And I
was
the
camera
here
I
was
on
was at this
side,
here was the
door of the
door,
that was the
car to be the
and the
place of the
place.
So I'm
a fuercita
had to
go to be
to go to
to go to
because I
could be
to get to
back.
Well,
well,
I'm,
I'm in
a matter
and I
did you know
that was a
back to
a,
a,
to the,
I'm a,
to the
camera,
I'm
and then
I'm going,
I'm
out of the
and I
was,
he was,
he had
been,
was,
I had moved in the
camera.
And then
so,
it's just
me kept
and he said,
you're doing
the perro.
I said,
ah,
the frugat
no is my
canentura.
I mean,
I don't have
calentura.
No,
I'm not
I'm not.
And I'm,
yeah,
is the
door.
And he's,
but
how you see?
He said,
he's a
rogler
with eyes
and he's
groaning.
I'm,
I'm,
I'm,
I'm,
I'm,
I'm,
no,
I mean,
let me
just,
me pass
for in front
to
and then we're
to be
not just
we're just
perhaps
we're
not just
we're just
totally
yeah
we're
we're just
and we're
and we're
and the
day of the
morning
the next
I'm
I'm
I'm
I'm
maybe he
maybe he
can't
maybe
he's
maybe
so I'm
so
I'm gonna
and he's
I'm
you know
you're
you know
I'm
I'm seen
the perR
and you
no
if it was
of
really.
But it
was very
car,
I mean,
I don't
because in my
head was like
like the
parrots
that are the
inframundo.
The servero.
Andal
The cancervero.
But,
does it
to know
that the
other than
the three
heads
was a,
it was a
that's a
fear.
And then
then was
so it was
really a
really
because,
but yeah
a
place
where you
have
been told
that there
had been
there
was a
person
that's
me will
appear
then then, then, then, then,
I decided not
to get me the
night.
But,
yeah, it's,
I mean freaky,
I mean,
because if,
I was,
I was,
I was,
you know,
you know,
you had a
feeling that
was in the
door, and
not was,
to a,
of a
person,
or was,
it was,
it was a
, so,
so,
it,
so,
it was a,
so,
it was a,
so,
I'm,
it's,
I'm,
but I'm,
but I
,
because,
no,
what I'm
,
I'm,
to quit her.
Never
they asked
someone
of the hotel?
Fugate
that no.
No, we
didn't even
we asked us
to my
papas and you
also didn't
them have been
seen, we're
like a
let him
let him
we're going to
we're doing,
so we're not
not so we
did not.
There's
family
nocturnas
if anyone
know,
a story
related with
this per
perr in
sacatecas
or in
another part
because
a lot
they don't
not
but a
but a
perro type of Rodweiler with
rogers.
If anyone
knows more
stories,
for favor,
commentenla.
It would
interesting to
know more.
Fiatte
that you
really with
these visions
strange that
there's an
actress that
we know
that's
Kornik's,
that was
Monica in
Friends.
This series
of the 90
that was a
boom,
no?
Well,
Kornikov
Kwe Kunt
Kuntz
Kwekk
Okay.
So, he's going to dooms.
And you have said that
that's the department
was inbrujured.
But never
never had passed
nothing.
Okay.
But then he
going to doormy,
he's got to
the morning, and
he says that
he says that
he's going,
and that they
are being like
malibulas.
So,
no, no,
no,
they're not
good,
amigables,
so.
So, then
then he
And the husband, he says,
the case,
what are you?
You're talking?
You're talking,
dormita.
And he says,
you're doing.
And you're
doing, right?
Then he says,
okay, I
think I was
so yeah,
I was going to
the day
next,
it will be to
occur.
And she says,
no,
yeah.
After those,
after the,
after the,
after the,
after the
other,
visions of
a
light like
like
liquid
that's
that's
a little
that's
a little
very rare.
Okay.
And then
he's
that's a
second
occasion
I'm going to
get to
the
second,
you know,
I know
what are,
but
are not
are very
not being
that I'm
not
not I'm
not so I
want to
want to
because they're
here
but this is
my
house and
yeah
and then
after
then they
don't
go back
there
no
what you
well
what's
what
pantal
is to
say
because
no
No. No, no,
I mean, because, well,
because, well,
you know,
they're going to
go to get
a better, no,
know, you know,
I'm totally
of a quarter,
no, I'm
really, what
is what I'm
and they're
and they're
very much,
and they're intelligent,
and conscientious
of the interaction.
No,
and because
many,
so,
so,
because,
a fin of
the count,
well,
nobody's
and then they'll
be, and then
they'll be,
and then they
and then
he's about,
I'm not
I'd have done.
No,
no,
No, I would have done.
No, I don't know.
No, I've done.
I don't think of it.
But what you did
for you were to get into that
car, you're doing that.
So you're doing...
Because I don't have,
because I was,
and I was...
I was...
I could say,
I'm...
And now,
adult?
No,
yeah, now,
yeah,
let me,
you know,
I'm gonna...
I'm gonna...
I'm not...
I'm not.
I'm here,
I'm...
You're a...
...to...
...you're...
...with...
...with...
...with...
...with...
...with...
...with... ...with... ...with...
I don't know
cobarred.
Very good.
Precabida.
Yeah.
Pacale-Woevue.
Erica,
you know,
any of the
you want to
you want to
have done?
There's two.
Ah,
for a
For a
But there's,
you're a
podcast.
I remember
that was,
I was I
was a little
eight,
eight years.
Seven,
eight years.
And I
remember to have
been a
one year
of those
that were
like,
that were like
they were
like,
and that
they'd
and that when
they were
they were
and they're
and then
they're
and I
remember
that I'm
my
my parents
never they
really
like they
like they're
like that
they were
not
I'm
I'm
I'm
I'm
I'm
I'm
I'm
I'm
I'm
I'm
I'm
because
I'm
I'm
I'm
I'm
I
I'm
I
I don't
I
oh well
I'm
I'm
I'm
that we're
that we're
dormied
all
and in the
madrogada
no I
remember,
I don't
know, I
remember
that in the
plant
of the
there's,
there's,
the court of
my
room,
the court of
my
mother,
the
and in the
center
there's
like a
little,
a
so, like a
space
abirt.
And so
I
remember
that
that's
he was
in the
madugated
the
the,
the
So, the
Caminar
of the
landadera
and she
hear the
and the risa.
And the
risa was
very particular
because if it's
a little
a bit of a
little bit of
because you
know what you
know that's
yeah ha ha ha ha
it's a
pretty.
This is
spantosa
yeah,
it's horrible
it's horrible
I don't
I know
to a
a little
put it
and then
imagine
in the
madrogada
all dormid
all dormid
so
they're
in
pasitos
and
they hear
ha ha
ha ha
ha
ha
that
What, fear. And then,
we all-so, with
with us with fear, no.
What, no?
The muke, no. Kittal her the
pils.
We cut them
the pilas.
We had to
a place that
not was to
get to be,
so, because
it was like
up to be
you know,
the trancas,
and then then
to be able to,
no?
And that
was a,
one night,
we got them
the time,
and we got
we had to
just about it,
no?
And,
I don't remember how many nights
if it was the
night's the
next.
I don't
I remember.
But I
remember
another way
that's
and they were in the
past
and so yeah.
So,
more fear,
no,
because it was,
no,
I'm,
I'm,
I'm,
I'm,
and I'm,
and I'm,
ha, ha,
ha, ha,
oh,
well,
we're,
we're all,
we're,
I'm,
so,
so,
so,
so,
so,
appeared in
the,
I,
not it,
was in
the
quarter where
we had
gone to,
I said,
no, no,
no, no,
no, no,
I was,
I was,
I was coming
in,
in the middle of
that cell
and you're
you're,
total, yeah,
what I'm,
that's the
day we're
we're doing,
and we're
going to
see,
no,
no,
thank you,
you know,
again,
never,
never
to be able to
see,
no,
but,
but,
yeah,
yeah,
yeah,
um,
this,
and another
that's,
in this
case,
no,
I don't
know,
because,
I said I
It was
I'm
A climate
Central
That's a
I'm very
I don't
see,
but when
it was going to
things
weird
It passed
the muke
and we
We had
We
Like
Like
Like
Alacranes
So
there's
There's a
Chorra
Alacranes
And
And not
Not
Because
No because
No because
I mean
Of the
Of the
Bucinus
You
have you
You have
problems
of the
clenies, no,
nobody.
It was rare.
But there
were there
were there
were like
strange.
And I'm
a couple of
the other
the other
I was in
my camera
and my
camera
had the
the door
of the
door to the
entrance.
And then
I was
I'm
there's
I'm
so you
the time
that's the
time
you're
you're
you're
that you're
you
so you
then
then
then
Well, I'll open the
eye because I thought
that was someone
that was a guy
I'm going to
my family.
So, then I'm going to
the eye.
And then I'm
and I'm,
literally the silhouetta of my mom.
Negra,
a color,
black, a black
black, a sabache
and the same
eyes
rogos.
Del perro.
The perro.
The same
eyes.
But with the
the same
figure of my
mom that
when my mom
was to put in
contra-luse,
it was exactly
the same
silhouette.
I said,
Mama,
you?
And where I
said that
the silhou
the silhouettes
and it
put her
in front,
so with
his eyes
here.
Wow.
And then
obviously,
was paralyzed
a,
but how
I'm
move.
And I
remember
have
parpadiated
and
in that
parpadeo
and I
said,
Mom,
you're
you,
I'm
don't
parpada
and
there's
And that.
And that's weird.
No.
X.
Me, I don't know
to be to investigate.
We're talking
to that's the
Cobardy.
Precabided.
Precabided.
In this case
I said, no,
for that I'm
I'm gonna do.
I'm gonna.
Okay.
X.
At the morning
the next.
I'm gonna
say,
oh yeah, ma,
not you know,
I'm gonna be
that's talking?
And my mom,
what's about?
And I'm,
How, what, what,
I'm talking
yesterday in the
madrogada,
you went,
you're doing
and you're
very quick,
no,
I'm sorry,
no,
mama,
no, mamma,
not you're
not,
I'm not,
you know,
is because
they're in the
eyes,
I said,
I said,
I said,
I was done,
I'm not,
I'm not
a minute,
and I'm,
so,
yeah,
well,
yeah,
well,
in a second,
because in a second,
because in a
second,
you know,
you're doing,
no,
you know,
so lotas,
and so
total,
like that's
so,
at the morning
to the
morning, to the
morning,
I'm,
in that
my mom,
in that
I'm going to
get a
little to
get a
with the sensation
but no
there was
I'm going
and I'm
and it
and me
passed like three
four
days
a few days
no
there's
no,
but no
there
no,
yeah
for the
I'm
yeah,
I'm
I'm not
yeah
so it's
like
so it's
and it's
like
and it
and it
passed
I
moved
to
my
my
camera
because I said
I don't
want to
I'm
I'm going to
do you know,
you have
done the
idea of the
idea of
it was
that you're
not
I'm not
I'm sure
I'm
know
I'm not
I'm
suppose that
a
kind of
a demon
demonium
something
I don't
know
the truth
is that
I'm
put to
investigate
that
there
someone
a
silhouette
with
eyes
eyes
we
we're
we're
we
have
someone has
someone
has
Silhouette of a family.
And has passed,
have you guys,
this situation that's
a situation that we're
interesting to see.
In where,
what,
how it's been
how it's done,
no?
Because,
fiftate
that there was
an episode in
that I
told the story
of the Hatman,
this being
many people
have seen,
in the
when you're
in the
when you're
in
when you
when you're
the
silhouette of
a man
that has
a
sombrero and some
some have
some are fumando
others do
do they're
and they're
and they're
it's
talking about
many,
literally,
millions of
messages of
people that
have been in
presence of
the Hatman
and
all
they're
different
we're just
more
we're going to
have a
special
about this
entity with
all the
relato
that they
made
but
could
be interesting
that
maybe
the
silhouette
of O'OGO
It's another of
One of the
entities that
too much
have been
contact with,
no?
There's
there.
There's two
stories with
that I'm going
to be able to
do.
The first
is about
a YouTuber
of here
of Monterey
that was
of the
first that
was the
question of
YouTube
that's
that's
his name
works.
You know,
that Ben Shorts?
Oh, well, the
Wettita
of Ben Shorts
she has
she
he lived in the Ramirez.
Okay.
In the Ramirez or in the Ramones?
Well, me does it in the correction.
No.
Ramones, no?
Could be ramones?
I'm not sure if there's
some Ramirez.
Well.
I know that there's
some of the
Ramones.
But I'm also,
but I'm the idea
that said Ramires,
but I'm going to be
totally equivocal,
which is not a normal.
So,
we're going to
put to the Ramos.
Okay.
My intuition me
to say,
that are the Ramos.
Well, in the Ramones,
she lived in the
house of her
yeah,
she was married,
the father of
Ventures
was just a
man, and he
said that in that
they were in a
caballiery,
a caballierisa,
had a
place in a place
quite, but
that were
they were
in serious.
The papa
of Ventures,
when was,
when was a
muchachach
he was
when the
restado of
his time,
in the
night they
were to
talk.
And it's
how you
you say,
you're
looking at
the tension,
you know,
they're
so on the
then he's
a sustava
much,
but the
abuela
the abel
the ballop
of the
caroom by
a madrogated
and she
wasomable
and while
he was
there was
and when I
went to
to check
to the
table
the
the cabo
and
then then
was there
another
caroy
and
never
there
never
no
no
no
no
there
of the gallop.
Then she said
she's
that in the
other patio
that they
had to
get a point of
a minute
that was
a little bit of
his head
and he
started to
get to start
the head
and say
always
not ramas
or that
that's a
sensation
of a
same
on the
so of the
so then she
was literally
with garrafas
of water
and pede
benitions
in the
water
and
that he gets
with tambos
and tambos and
tambos of
the
and he's
the same
for every centimet
of all the
places.
Okay.
And after
of that
I'm going to
make you
make sure that
we're doing
that's a
story a
quite old
and I'm
and then
and then you
know,
and it's
that's
that's
that's one of
the stories
that's
me made
really
because always in
the rancheries
in the
zones
out of the
there's
there's
there
and is
what I'm going to have
passed out of
there?
I mean,
I'm going to
have passed
many things,
but there's
no, in the
rancheries,
all is that
all the rancheries,
but all right,
to find in the
madrugas
silence.
I think it
very,
very related
with that.
With the
the noise and
the silence?
Yes.
Well,
if if it
could be,
also,
it could be,
with the attention,
well,
there are
various factors,
but yes,
I, I,
so, I coincide,
that in
rancherias
you're in
an
environment very propitious
to present
attention in
details
that in the
city,
no.
I'm this
story of the
hermana
of Marty
Gareda
that's
going to
some of the
cabas
and in the
cabas
and they're
to be
phantasas
and they
they're
all in
the cabas
then they're
so they're
so many
a big
bit a
bigita
a repent of
a
a man
a
a man
a
and then
she does
she does
she does
she
has to
to raise
to
the
purgatory and
they say,
Deh,
and where they
they're going to
and they're
to be able to
get to be
the woman of
Martigareda
and there's
a story
that they've
told them
that's about
this time I
want to
that's about a
one day
standing with
a group of
friends and
he said
my man
is going to
be my
destiny
and I
go to
my
destiny
me to
give to
where
I'm
so
in this
a game of
words
they're in
these
these places
that have
these are a
very,
very,
very,
very,
great.
They're of
various
pieces and it's
saturatedissimo
of the
books.
So he
says,
he's my
man,
and I'm
my destiny
and I
go to
my destiny, I
go to
my
way to
go to
my
destiny.
And I
start the
hand to
like it
like it
like it
like
a
kind of
a chiro
and it
Abre, de repent.
And he's, he's like,
he's like,
he's like
a little
in the
thing he
and he's
a little bit of
a lot of
and he's
like there's
like if there
is a
thing that
is a
little bit of
a book of
a black
that comes in
other
and he
signs very
raros.
So when
we...
We're
very mal.
We're
back.
He,
he goes,
and he
he goes to
his book,
he was
into
of a
Brom.
He was a
little
he was a
question
he said
after the
years of
that he
had been in
his
friends and my
and he's
and I'm
doing this
all you're
I've seen
that you
see that
yeah
that's been
that I
did that
I'm
that I'm
going to
I'm
so that
once
that I'm
then once
that I'm
going to
start
things
things
first
first
I'm
the
book
I've
I had left in a repisa.
And the day
next to
the house.
It was in the other
side.
In the
commodore,
I'm going to
a page
specific.
Yeah, yeah,
he's going to
the
sure.
Cere the
the book,
he's never
the paper,
the book,
then I'll
put in the
repisa,
how no
there was nobody
in that
in the
house,
no,
I don't
I'm going,
but he
came in the
time,
and it's
another
at the
other way,
and it's
on the
the same,
and then
he's
who's trying,
or someone
who's trying,
or someone,
and the mom
and the mother
and the
he's this
mubrero and
it's a
little bit more.
I mean,
I mean,
you know,
man,
tirer it.
And then
then he
says,
well,
for what I
want to
do you
want to
do you
do the
next
in the
same, in the
same
in the
same,
he does
he does
he'd
ask a
man,
me is
you're
recogiced the
the basura
and the other
his
his
his own
his
way, no me
is getting to get
the time.
He says,
he's not
what I'm
saying what
he'll
do you know
he'll
the day
after the day
after a
second
the book
reparese
in the
table
in the
table
over
he
he had
with
sacerdotes
exorcists
and
that
could
to be like that's
dis-vincolated
and they're
of the
book.
What's the
thing?
What's the
thing?
There's,
no, so,
there's many
things
there in the
life
diary, in
places
in the places,
in the
places,
in the
stories.
So is that
what you have
a story
to tell me?
If you're
a story to
tell me that
you can't
make to
the episode,
subscribe to
give us
like,
give us,
and share
it
with your
families and
because it's by the recommendation that we're
creating in this project.
You know, the dynamic.
If you're going to talk a photo
and sub it's story of Instagram and etiquette
me and I'm to send a message.
I'm a very brother-a-nauturn.
I'm Ais Mourdesk, and this
for, let me know what it's
let's do what he's.
We're going to see.
A good semifference.
Bye-bye.
Thanks, Eric.
How did you know
past you?
How did it pass after?
