HABLEMOS DE LO QUE NO EXISTE - EP 062 SAUL DEPA EMBRUJADO
Episode Date: February 9, 2023Y Saul esta de vuelta para contarnos de su aterradora estadía en la Casa EMBRUJADA de Linares.Hola Familia Nocturna! HOY en HABLEMOS DE LO QUE NO EXISTE les traemos el EP 062 LA CASA EMBRUJADA DE LIN...ARES, en donde Saul nos comparte sus escalofriantes anécdotas de cuando vivió ahí... conocerás el cuarto de las cruces y sus secretos , el cuarto helado, poltergeist en el baño y un montón de eventos paranormales que presenciaron ahí y te dejarán con la piel de gallina.Escucharás historias de brujas y leyendas de nahuales, sueños progresivos, historias de apariciones, sombras y entes que vivieron personas que se quedaron en el trabajo durante la madrugada.Si llegaste hasta acá y aun no nos sigues en nuestras redes te dejamos el link mas abajo... pero antes querido lector, escribeen los comentarios "Ya conozco el secreto del cuarto de las cruces" y yo te responderé "hay secretos que no deben revelarse" y nadie más que tu y yo sabremos, de lo que estamos hablando.FACEBOOK: https://www.facebook.com/HablemosdeloquenoexisteINSTAGRAM: https://www.instagram.com/hablemosdeloquenoexiste/SPOTIFY: https://open.spotify.com/show/7EWdV2gdRnrX0092k12QUJ? utm_medium=share&utm_source=linktree Acá te dejo algunos videos paranormales relacionados con los temas que hemos hablado en este epidsodio:EP 046 MARIJO PARANORMAL ESTO NOS PASO POR JUGAR LA QUIJA https://youtu.be/E-RUVOVvYWIEP 034 HOSPITALES FANTASMAS DUENDES Y OTRAS HISTORIAS DE TERROR https://youtu.be/XyD4HU2_VQc
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Welcome to Family Nocturna
To this new episode
To let us do we know
And the day of today
We have a episode
very special
Because Regress to the channel
an inviteo
that I'd
a story
that they
used to the
great majority
of the
community
and the
audience of
the good
Saul
good
good as far as
her man
good
good
good
good
my esteemadis
esteem
a good
good
after after
after
great
I'm going to
I'm going to
commentate
I think
I'm
I'm a
moment
we're
we're
we're
the audience
maybe
not know
this
conversation
that
we're
that
would be
that you
after the episode
that we
we're going to
talk about these
these treasures,
of this
buskid of
this book of
the time
the Chona in
New Orleans,
us contacted
a person
and we know,
and we said,
the day that
they want to
come,
come and we
just,
I'm,
I'm,
and he's,
he's a
little thing.
And then we
need to
get to
in some
moment,
but for the
audience,
if there
is the
place
called the
Chona in
New
And if exist
that legend
of Charrone
in that
not the
other people,
many other
people,
they were
with many of the
stories that
you've got to,
and I think
it's of the
episodes more
that you're
to get to
your channel
to continue
to tell us
to get to
you know,
I know
that's been
many things
because
the agendas
of both
have been
very difficult
to be
to be able
to be
a honor
and I think
this is
to be to
be a
part to
this is a
very,
very good
very
a fond
well
I said, with
time
pendent
and
and thank you
to your
community
in having
accepted all the
thing in that
that's
that's
and could
ask me
again again,
I'm
here,
we're here
we're
we're
there,
some other
some other anecdotes
and stories that
for there
us,
we're
not going to
I'm going
to entertainers
to all
to us to
all right
to
me.
I said
you've
some
some stories
that
is
certain
this?
Sure.
What do you
if to be
just in this
interchamble
of stories?
I'm going to
one.
Adelante.
This story
me the
story me the
Alejandro.
Alejandro
has a situation
with his
couple of
years.
No,
they can't
have children.
At
the first,
it was a
thematic
that they
had to
be a
time.
But then
they were
to get a
question
that
no.
That simply
something
something
something
something
was in
the
genetica
of
them
impeded to have
kids.
It was a
drug
a margo
was a
little
but at
the time
it was a
whole
and then
he's
a man
to say.
They've
got a
kind of a
style of
a
life that
he was
that
situation
and he
he
he's
a
thing
the
the
time
but
but
a day
they
came
on
some
things
sometimes
he
had done
that
that
have
to think
the day
of today
that
that's not
not a
question
of
a
question
of a
more.
He said
he
he
he
said
he
because
he's
he
was
he was
he
was
because the
things
of
the
the
problem
to get
to this
I'm
to go
to
he
he was
going
to
he's
he was
he
But, in a
time
he started
to
know that
he was in
his
house,
but there
a music
of the
music of
a violin.
He says,
I know
how express
to the
good,
but I
like the
sound
of the
violin,
but what
was
listening
much
me,
me made
to feel
like
like
a
like
in the
moment
equivocado, but at the
same time, it was a
sensation of contrast that
so desegradable because I was in my
house, and my house is my
house. So, it was, because
I'm so incoombo in my house, and
who's is trying a violin here?
The first times that I
only those surgian, like
pensamintos, that
kept about the dream.
As, I repeat,
he not was a lot of the
The other
of this
dream is that
he was
accorded when
he was
the
first he
was just
the violin, it's
came
of a sotano,
a sotano
that he
has been.
And,
and in
a part of
his conscience
was able
to find out
to get
to get to
the place
from the
sound.
He went
to a
door
that no
exists
under
under a
escaleras
that
simply
not
they're
and
when you
get to
that
soton
that
in the
world
real
never
nobody
had
built
he
he
He saw a
A cell of
a cinema
very
and in the
cinema
passed,
platics
he took
with his
couple of
but
all the
was he
was a
black and
black,
he
made a
surreal
but
there was
something
in the
environment
that
he
he
was
that
he
was
a
feeling
not
not
not
not
he
was
like
something
he
had
was
so
he
I was
not
I didn't
because I
was doing
that's
not I'm
not because the
dreams are progressive
and so
they're
the questions
because I'm
talking about
in a
version
rapid but
this was
it occurred
like a
time
two,
three,
four months.
The
dream of the
final,
that was the
quieted
is that
conformed
going to
go
going to
the
only the
last
he was
a
one
was a
person
that was
a
front
the
And he had just
the other
of him
puros
asients
full of
babies
without
this
this
he saw
that he
said
what he
emanaba
said a
a
odor
a
and was
a
conscious of
my
presence
and it's
but
it's
like when
you
you
that's
that's
more
more
than you
more
powerful
than you
to
the point in
that
not
he's
not
the
if I didn't even
direct
to the
mirro
me
I'm
trying to
him
and when
I'm
about I'm
just I'm
just I'm
just said a
carcache
a very
very
tetriced
and there
was clear
all what
was
what was
in my
life in
this
negative
of that
I'm
that I'm
that
he was
the
causeant
he
he said
he
that simply
have
been
kind of
that
was
something
was
something
psychology. The problem
was that when
he started
the podcast and
he started to
hear the
people, the
dreams,
those have been
given to
get to get
to get to
get to
the first episode that
I was called
about so
the suns
lucidos.
And that
did that
had a
different than
what I
have been
to be a
day of
today,
I know
what I'm
so I'm
tell me
my story.
I'm
with what
you've
I just
of
the
part of the
other parts of the
life of the
story.
I'm
a good
and it's
something that I
know, I
like to
put it to
get to
get to be
the person.
I imagine
that I'm
also that I'm
have been
a lot of
other episodes
but not
on other
episodes but
I don't
see if it
has been
that's also
that in the
part of
the
life
in the
you know
you know
a
house,
a place,
a place,
a place,
you always
you
know you
you know
that
you know
that's
you know
but you're
you're doing
you're
familiarized with
him and you
know where
is all the
yeah at the
this is it's
like it's
like it's
like it's
a other
but you
know you
know that's
you're
you're
so much
and you're
very
sood
with that
because
you're
always I'm
always I'm
saying
but
but
but since
never to
see that's
a
piece of
this
tranquility
of that
you know
you know
you
you're
in that place where
you've been in the
place where you've been
that's in a
dream.
The truth is that
is where it's
so that's
me so that's
like a place in
a department,
like with a
city complete,
that's always
that's abetable
and going to
walk in
the city
of the city
of the night
meo and
that's always
that I'm in
that I'm
that's like I
I'm going to
visit my
city and
so I'm
and I'm
going to be
going to
and it's
all the
city
abandoned
nothing, all premeded.
Fabricas
functioning,
but I'm there
coming on,
but I'm going to
in that part in that
place in that
in that department
that when I'm in
that's a lot of
the habitations and
know all the
other places, but
me does that
that's a
to do it, or
because it's always
the recurrence
of being
to start
soying with those
places, those
in specific,
and the other
people also
and they're in
a particular
with
that's
in a particular with
they're in
very
segued
and if
are in
a good,
could be the
way,
could have been
to be able to
be a bit of
something like that
has been a
question,
you know,
with these
places, the
department and
the city,
you went
and you're
more more
the place
or never
you've been
exactly exactly
about all
I think
that you're
that you're
you're
a new
but in the
mind it's
like,
oh,
yeah,
you're not,
so if this
this quarter
was here
that's
How's it
I'm
Oh,
and it's a
bit more
I'm going to be able to
say it's a
different way,
it's a lot of
the other times
that's the last time
I'm going to be
really it's a
house and it's a
but for me
the same thing with the
city.
I know when
I'm in that
city but
every time
I know these
places different
of the city
and others
with those
who always
I'm in
this city
in this city
that's
I'm sorry.
I think
I think it's a combination of two
phenomena that occurren in the
dreams that are the same
but one
one last question
in these
dreams that's exploring
both the city
and that you
have been the familiarity
that you know
what you're
you're going to
what you say
you're just
for the
this is so
it's so you
have talked
that something
that's
something you
give your attention one
two
that in the
world real
some of
some of the
things of
those
you see
in the
world
real, fachadas of
houses,
a building
in special,
something projected
in the
panllas?
The fact,
no.
No.
I don't.
I go,
maybe,
the city has a
poste like a
liminaria
to illuminar the
car yeah,
well,
I'm going to
what I'm
doing the
way in the
way,
and I'm
really, and
I'm re-re-
but if a
place, that could
relate to what I'm
like those
I'm doing.
No.
No.
Not.
Or in the department that you
I guess, oh, I visited a
place I visited a place similar
of that department
when I was in the same
I'm gonna say,
and in the sunn't
I'm trying with that
and with that, with that,
no.
Or so,
not,
or the other way
that you've seen in the
life,
is the place,
that's the place
that's the
place you're doing.
In the reality,
you discoveres
after the same
that's not
not.
No, okay.
It's very specific
of nothing more
in my
life,
I know,
I know,
I know,
I know,
I know,
I, yeah,
yeah, yeah,
yeah,
yeah,
has it.
Hasn't
of
extrano,
of a
old,
or the
city or the
depa?
No, no.
No.
Only the
only the same
that I'm
in that
house.
Or in that
the city
I'm just
only.
I'm just
only.
I'm
just so I'm
feel like,
me feel like
so much.
But I'm
the attention.
That's something,
that's a
time,
and that's always
me,
I'm very
comod
standing there.
And of
my,
my, my question,
of my question,
of my question,
I'm the only person
or the other
person,
it's the way
that you're going
to put it.
Right,
right,
you know,
I want to start
with those
but I'm going to
get to the
mind, no,
no, no,
and welcome.
Here really,
the forum is
abjerto,
and the
talk about
without
any,
it's going,
and all of
going to be
so it's a
person,
for the people
that's been a
YouTube,
and put a
here,
if you're
you identify
with this
type of
you know,
that you're in a
place that in the
world real
no knowses
that continually
you know,
that makes
a sense
to a manner
specific because
it can be
comod or
with a
way or a
way
specific and that's
the same time
and that's
the same
that's a
point of the
thing you're
that's going to
be that's
you're not
that's
I think you
think you
see that's
they're
crossando
two phenomena
related with
the
first are
the first are
the
first are
you're
going to
the
the same
place and
when you
explore it
is going to
expand.
So that
into the
progression of a
dream,
the second
part is the
sensation of
familiarity.
As the
part logic
is the
doorme
in,
we don't
we have
a logic
in the
sense of
the logic.
So,
all what
what
occur in
the
dream,
it's
the feeling
with a
sense
of that
that
should be
there
just
when you
do the
sensation of
this
not should
be able to
be there
normally
is the
activator
that's
the
not the
normally
because when
you know
you're not
you're
you're
a point to
live a
a pesidia
lucid
have you
have you
have been
those
are really
remember
some
I'm
I'm
I think I
think I
have
I'm
not but
I'm
some
some of the
so
I'm
in a
sight I'm
in a
life
in a
life
in the
which I do, I think, this is a
a dream. This is a one
possible to pass to you. It's a year in a
way of the way. And as I'm going to get
a little more of conscience of that is a
dream. All right. I'm going to be, I'm
starting. Because I'm going to get
the conscience and regularly
me has been able to. But
if there have been some situations in the
where I'm going to, I'm, what I'm going to
what I want to do? I want to do. I'm going to
go and I'm going to go ahead. And I'm going to
and I'm going to be able to be.
I want to do,
I want to
to go to
where I'm
dispirto.
And what
I think that
are the
best things
that are the
when they're
lucid,
in the manner
when they're doing.
but if I'm
took a little,
and I remember that,
I mean, I'm just,
the piece was a little bit more
paredites,
like, of gravel.
and they were in the
games.
And I was
playing in the
park,
no I remember if
they were in
some of the
kids that I
was I was
and I was
and then they
started to put
like that
so that's going to
like that's
all the year of
and then it
and they're
to start
to say,
oh no,
it's that
there's the
devil
and there's
the devil
and you're
there's a
thing you're
there's aubo
in the soil
and so there
and when I'm
there's
so there
some
those lights
those
those
those
I mean,
I'm
like me
to be
a bit of
a bit of
because I'm sure
that you're a
sure,
you know,
I'm not you
know,
I'm in a
sun know,
but then I'm
in the light
and I'm
going to be the
light of the
sun and it
and it's
like a
little,
like a
little bit
and she
me,
he was a
feo,
and even
even knowing
I was
that was so
that I'm
that's a cagued
in the
fear,
I'm
I'm going
to start,
me want to
get to
me
and I'm
I was going to
go to
get to start me
I'm going to
start and patinable
in the
grava in the
little bit of the
little bit of
me and I was
concerned that I'm
in the same way
I'm sure you
I'm going to
get to get a
and I'm
a technique
the pellisco
if you're
yeah it's
where I'm
where I'm
to start
so I'm
so I'm just
every time
I'm a
lucid but
that no is
what I'm
I'm going to
see I'm
I'm trying to
start being
I'm doing
I'm just getting
car carricking
in caricatherherst
in a
in the
real thing is that
is that I'm
the hell it.
I don't know
if it's
a real,
or I'm
like my
amulet or
something that I
think I'm
to get to
but I'm
help you.
Figgate
that just
in the
lucid and
presidias
exist
the
publicators
of reality.
The
first or
one very
one very
very simple is
a
realo
a little
he'll
observe two
things.
The numbers
and the
order.
So the
first is
no, it's
very important
this in the
life you know
and the
people that
listen to take
a note
the sensation
of familiarity
there's
to be to
start,
you need to
get a
and you need to
get a
and get a
and then
to get it
and say
let them
don't you
get you
see,
look,
there's
no, leelos
and that
you see as
the symbol
is as
the one is
the one,
the two is the
two,
etc.,
because normally
in the
dream and says,
yeah,
it's,
there's,
there's,
and when
you're in
those things,
the signos
not the numbers.
It's other
thing.
But you need
to get to
the sensation.
The first
is that the
symbolology
is the same,
normally,
or in a
grand
quantity of the
population,
the symbol
no,
and that's
you'll be
with,
this is a
thing,
the world,
the symbols
that have no
the same
is the
order.
In what
order
in what order
are,
and in what order
is they're moving
the mansees
of the reloch
and that's
you're doing the
you're doing
you're going to
you're going to
you're going to
and you're
to observe with a
little of detail
and a
sometimes the
mannissillas
are going to
like those
some times
there's seven
manisillas
10
is they're
moving all
together the
reloc not
has been
the
or you're
so it
or you're
not
it doesn't
no it's
no it's
no
you're
where you
you're
to
get to
and
you
just
that you say,
no
it's
a lot of
you're
you're
you're
because
it's
where you
know,
the part
the part
logic
of the
thing
is that
is that
when you
when you
see it's
a sign
and it
is,
it's,
but there
is a
really
there
is a
bit
and so
and
so
then
then
then
then
then it
and
then
then
the
things
sometimes
not
the
things
not
the
things
you
say
oh
you
do
you
to present attention if
really
you're really
you're in
the piece of
the piece of
some the sensations
tactiles.
So,
with your
hand,
you know,
it's a
other than
things that
have the
textures and
with your
eyes,
you're doing
you're
and you're
going to be
a lot of
something that's
something that's
something that's
something that's
that's this.
And then
is where you
get a
disperta.
The peyisco is
when you
you want to
generate a
little bit
a little
to make
a
but
But in si, the pillisco,
it's being,
it's being,
it's going to
a certain,
it's the same.
A sensation
tactile,
but that's
like a
kind of a
sensation very
great.
What's the
thing is,
it's not see
it has been
in the
dreams,
is that it
doesn't feel
absolutely nothing.
And then
it's like if
you know,
you're just
pegyzcating.
Because
I'm just
people,
I'm just
perfect,
if you're
getting this.
So,
so,
so,
so,
so,
so,
so,
so,
so,
these symbols
of
reality,
just
in
Swaynees
you
are in
you're
a
time.
With the
practice,
not they're
they're
to get to
get to
but at
you're
to learn
to have
many,
because when you
are a
Psea and
lucid,
you need
you need
to be
you
not you
get a
time.
But I
think that's
one of
the
thing,
no,
I'm
I'm
I'm
recurro
the pegy
but I
think we
have we
have to
have many
like the
movie
like the
movie of
a
little
a
doing
whiltas
at the
movie and
know if
really it's
a little
a little bit
right.
Correct.
Because
what's what
what's
with that
ballerito
very well.
What
what occurs
with that
is that
just the logic
not can't
maintain.
So it
makes that
being
and it
goes to
and the logic
not permanes
in the
line
habitual.
And that's
where you
start to
you're
not you're
in a
world in
that's in
a world
you're
in other
other
now.
Now,
you
don't know
they're
that
now I'm
going,
right?
From your
of your
two times.
I think
I don't
like to
see to know
right?
So,
they're
between
parents and
animatic
you know?
You
think you
think there's
some
suns
premonitorious?
I think
I don't
have
been
so I'm
so
but
I think
so
maybe not
as
premonitorious
this
this
yeah
that they
they're
that they
they're
exactly
exactly
that
to be
like
we're
we're
we
a
maybe a little more
more,
like to
give the idea,
no,
of that something
about it's
not,
I mean,
you know,
that's
the vacas
black,
the vacas,
those vases,
so,
so,
so,
so,
so,
so,
the,
the crisis of
the
food,
and the
years of the
year,
and I'm,
he was
saying,
or precisely
to,
that it
was going,
to be
the simology
of the
six barcas
gormas,
that's,
that's,
that's
the
,
it's
was,
it,
So,
I think that
the
example is not only
the Bible,
I think in
many of the
many of the
many of the
and have succeeded
situations in
those cases in the
ones are
the ones are
premonitorious
to situations
that are going
to be
but much
are men
are of
interpretation,
no?
And also
it depends
much of
the person
how they
are going to
interpretar
but of
the
there, I
think it's the
part of
the mysticism
of the
same
so I'm
coincid
with you.
I'm
coincide
personal and others
could have
that have
a message that
tracienda
the person
but also
there have
some
some of
some of
some of
some sort of
some of
strange in
those that
it's like
they're
that they're
that's
another person
that's
one time is
that's
so yeah
and that
in the
life
real they've
they're
they're
you're
you're
the other
and said
you're
also you
also you
also you
also you
And when
platica in the
dream
they're
exactly the
same
and it's
like the
two
dreams
they're
connected
and it
and that
has been
to get
that
there's
a certain
world
or new
sort of
the
world of
the
life
in the
that
sometimes
like a
whether
a
frequency
or if
really
actually
there
really
actually
a
time
to be
a
time
that
yeah
yeah
yeah
yeah
yeah
have known
someone
that's
really
passed
for that
I've
had been
a lot of
a
similar
but if
really
that's
of that
I think
that's
I think
to do that
this
part
mystica
of the
thing,
that's
it's
very difficult
is very
difficult
the
because we
we're
that
yeah
that's
yeah,
that's
that's
part of
rational
and
like you
can't
be
to be
feel
or
or
disconnect
to
get to
you
don't
so
what
we
need
we
I think that's one of my
questions,
the why.
I know that we
know we're
to do that.
But the
dream as a
thing as a
part in our
part of our
part spiritual,
that has been
that has been
with the physical,
but of some
way I think
that the
I don't
not that's
not a
way I go
I'm at
my point of
a point
medical and
but I'm
really a lot
because we
know much the
thing we're
like a person
human in
that we
know
and then
from the
there
for
the
types of
the
types of
connections,
the
dreams premonitorial,
the
dreams lucid
when
you know,
this,
with people,
this,
that's,
what you
do you know,
that you
with the
people,
with people
and people
and
that were
that were
not you know,
they've
had been
there,
they've
many,
many things that
I'm
that I'm
that they're
to
do you
want to
something super,
super,
super,
super interesting.
And the
The fact of that you say that two
persons
soniated one
with the other
and then they
like they're
connected on in the
dream,
you know,
like the way
to be the
head,
like the
possibilities.
The possibilities
of the
dreams.
And maybe
there are
more things
in the
dreams that
we've
discovered,
but if
I think
that's a
thing that
that's a
thing that
you can't
talk to,
no, and you
don't turn,
difficult that
you can't
there's
there more
something that
we're
that's
we'll
help to
make a
way to
make a
yeah,
yeah,
so,
so it's
definitive
fission
that
it's a
little
related to
the time
between
dreams,
premonitions
is something
that's
last
last
last
minutes and
before
before
before
you get
it's
it was
it was
not necessarily
is something
is something
so
mystical
but
it's
it's too
it's
some
some
sometimes
looking
materials
and
looking
where
where
I'm
I just
I
want to
I'm going to
the idea
the idea of
New York
but at the
same time
me asked about
and for what
New York
in,
in,
in,
in,
in,
things of
the questions of
the
life,
of the
stuff,
but in the
time of the
terror,
I don't even
I'm
the
I'm not
so I'm
really a
present,
the other way
and I
put to
look
stories and
nothing.
Just
before
that
like 40 minutes.
Abro the cellar,
where they've been
been started
mandating the
stories of the
subscribers.
And the first
story that I'm
saying,
no I'm going to
say the name,
but we're going to
put a number
a new york.
Hello,
I'm going to
hear you know.
The story
that me
told, I think
is something that
is a lot
that's a
certain way
and that
and that
was the part
in the
I said,
this is the
interesting.
At the
final,
it's an
interpretation
personal,
but it
interesting.
She
me
and she
she
think she's
of the
Salvador,
I'm
Angela,
if I'm
sure I'm
going to be
a little
but we're
going to
suppose that
is the
Salvador.
And she
will be
to be in
certain
circumstances
in New York.
He has
been working
various
time and
the things
not been
and the
she did
be in
a department
well,
the
that's a
good,
but he
said
that's
happened
something
rare
from
the
first day
that
he was a
time,
how they
call them
duplex?
Uh-huh
right
right.
Exactly.
Exactly.
So,
that's the
first day
that he
came to
he was
a house
like a
very
of energy.
And he
said,
rare,
rarro,
because
not are
things that
I,
I,
I present
attention,
and when
I came
was,
this
house,
has a
thing,
but
I'm
so,
so it's
something not
not
important
and then
it's
not much
really
during a
year and
never
never occurred
absolutely
nothing
only
if there's
this
sensation
continual.
And it
was a
sense that
was not
just not
more
just a
cargated
was
like
to be
in company
of
someone
when you
you
you're
in the
house
and
you know
you
know
you
your
your
brother
your
partner
your
and even
they
are
doing
you
that's
and in
some
occasions
even you
can't
you can't
it's a
it's a
it's a
thing
that some
that people
say we're
that we're
that's
and someone
that's
I said I
had a
that there
was a
person
no me
pannoica
just
I'm
just
she was
she's
doing
she's
she was
she
was in
class
but her
was
she
was
she was
she
she and
nobody
more
well
the
situation
occurs
after a
a year and
in some
a few,
in some vacations,
the time of the
father of her,
when he gets
a house,
he's a
person yeah
great,
then she
was she,
so she was,
a good
stanza,
a good,
that she would
be a
good,
what she
did she
was separate
a quarter
and
he established
like certain
ori
I'm
very well
with her
and he
said
a part of that
that your
abuelito
enter the
and his
the
door to the
end of the
end of the
time.
He's
he's a
time.
He's got a
time
and he's
a little
the door
and let him
and he
really the
not a person
like a
person like a
so much
that's
that's
that's
that really
really
that's
that's
that's
that didn't
the year
the year
during a
month
no
no bronca
but
a
He was up the papa of malas.
And when he
started to
talk with him,
the father,
no, he said,
because he went to say,
he said, no,
let him pass.
No,
no, no,
no,
not me,
don't know.
But the day
the next
was the
day he was a
day, and for the
third day,
he was a
other, then he
says, a
question,
like,
I'm gladdened,
but your
little bit
she has me
harked.
He said,
why?
I don't know
very content.
He says,
yeah.
But of the
night,
he's,
he's in my
quarter.
And it's in the
night,
pegated to the
camera and I
do you're
saying,
Sophia,
yeah,
let me to
your
court.
And he
I have to
insist,
and insist,
and insist,
insist,
until I
get to
and when I
get to do
and when I
get to,
and when I
don't know,
but it's
so it's
so,
and he
said,
and I
and you,
because
you're
here,
we're in the
same
camera.
I have my
dream
very little
when you're
when you're
that's the
I was there at
time.
I was there
was in the cellar
never was
never she
she's not
she doesn't
the night
and then
then the
father he
did you
get you
you're
there's
there's
there's
the same
that's
like it
was the
last year
they're
not
no occurr
nothing.
So then
it's
Like,
I said,
me
this chica,
there's a
moment in the
I dode
of what I'm
doing,
I'm trying to
maybe if I
did you get
because at times,
if you're
so on the
cellar you.
You know?
You know?
And so
it's just that
it
was the
same.
And I,
one day,
standing
only in the
house,
that my
I was,
I wasperted
in the
madugada,
and there
was Sophie
in front of
the
camera
and I,
and I
know,
and I
know
perfectly
perfectly, that not
she was she
because he had
led to the
house of
a house of
a mouser.
He said,
me
gave much
fear because
there was a
detail that
my papa
no me
said, she
not was
going to
her,
she was
she was doing
the
back,
and all
the time
was it
was a point
to be
to be able to
look at
a bad
and my mind
and me
to make a
I said,
for
favor,
that not
I'm going to
go
for
that I'm
going to
and I'm
to do
and I'm
doing so I'm
doing so
I'm
going to
last
some years.
After
the
the rent
to the
down
me said,
oh yeah,
no
deches that
your
little
you're going to
get a
night of the
house.
And I
I was
that was
me.
And that's
my wife.
I'm
sure,
Salo
tell me
your story.
Well,
no,
man,
with that
with that
story that
you
have
you
know,
you're
completely
the
end of the
story that
I'm
to open
that's
the
famous
house
of
Linares.
And
there
I think
I
think I
mentioned in
the
episode
past
I
I
I'm
I'm
a project
for a
time to
start a
time
and the
two
2011
2011
2012
so
we've
done to
do to
do a
project
in Linares
it's
I
did I
with another
companyer
and we
initially
not we
never
to be
to be
a place
more
longer
we're
we're
more
to rent a
house
or
a
place
of a
place
where we
we're
we're
looking the
stance
there's
that
a ex
company
of the
office
had a house in linare's
that not occupant,
that she had
had been there
to be in the
familyers and that
they had they
was occupied,
that was occupied,
that had had
had muebles,
and they said,
well,
if they were
there,
and then they
and then,
so if they were,
they're going,
so we got
to see,
it was all
involved,
so there,
yeah,
and there's,
well,
many,
many,
many,
and,
so,
so,
just
,
I've contracted
a sign
of a
cleaner,
and then
he was
and then we're
the same
and we're
my,
my
company and I,
no,
this,
I go,
for that's
a idea of
the case,
were a
house of
a house of
a
house,
you,
you're
you're
the cell,
and then you
then you
had the
table,
sal and
there was
the entry,
and there was
the room
was the
room, and
the side of
the
kitchen
was a
a little.
And then
three
quarters.
So a
quarter,
two quarters,
and other
quarter
long.
That's
all the
house.
Okay.
I'm
doing a
little
croquis
of the
house
for that
can be
visualize
right that
they'll
start the
things that
happened to
happen to
do that
but
initially
my
my
companyer
Ricardo
that
is,
Don Richard
we
said,
he got
the
quarter
of the
room
that was
a
great
that had
to
his
year.
This,
because
they said,
no,
man,
is that I
runco
much,
and I
had a
reason,
so I
got to
that's
to do
not to
not.
The
quarter
of the
other
intelligently
I'm
I'm
I'm
I'm
because
the
last
two
two
two
that's
that
had
that
was
that
was
I'm
there
was
there
I'm
but
crucifix
on
the
side
the
of the
right
the
of
they were crucivus in the
tachio.
But all the
walls
they were in crucifio.
Of the
actually I'm
a photo of
that I'm
going to put
the photo you
when you can't
put it
a photographia.
It was.
It was
something that
why it's
a crucifio
in that
room and I'm
a room and
had a little
closet.
It was all.
So,
as we
need us,
we're
he gotre
that car
that one of
a camera individual
for having
my privacy
and that
that's
that's
that's
that's
It was
for when
they were
acopland
more
companions
to the
part of
the project
and we
we're doing
we're living
this
Richard and
you
and I
regularly
normally
had only
only had
a
mini split
in the
part
where
the
cell
and the
small
then you
you're
you're
a
little
you're
a
open you
to
open you
to enter
the airy
so
I'm
when we
started
there's
a temporary
of
the
mini split and regularly
I'd
normally I'd
with the door
like inter-abirted
so no it
was like
like entree
and just to
get to
and then they're
and they're
so like
some of the
things
that's
that's
that's
being done
I was
I'm going
the sill
of the
commas
but
so a
movement
just
just
just
just
just
nothing
nothing
that you
never
that you
was still
was
constantly and I'm
was
And I'd say,
out of this,
and move in a tentit of the commas.
No,
the fact,
the fact that we
we'd have some,
the fact that
then we'd
go to the
night's,
then they'd
be able to
hear that,
ah,
he'd
back on the
the bayon,
the bayon,
the bayon,
the bathroom,
and they'd
go, and I
said,
I'd have,
I'd have been,
so,
they'd say,
they'd be backhap
and I'm,
and I'm,
and I'm,
I'm,
and I'm,
I'm,
he'd,
so,
freo,
I was the other.
And
I don't
I mean,
I did
much to
this notary
to do that.
Some
things that
in the
maddugat
when the
morning, we're
to hear the
food in the
little,
we're like
those,
they were
in the
doorcese
and then
they're going to
those people,
and then
there's
there's
there's
there's
and I'm
and I
even I
had to be
my camera
because with
the door
that
had been
a
to see
directly
to the
kitchen
and I just
it was
like the
end up
the end up
I'm
I'm
my name
I'm a
other way
some
some things
that
were going to
happen to
not
this
until
that
a night
so
it's
a
something
I'm
a
I'm
I'm
my
my
company
so
I'm
I'm
I'm
we're
this morning
and the
mother and
he
he's
kept
watching
the
at the
cell
in the
there's
there's
I remember that
I
see the
door
because he
was going to
have a
light
and the
and the
and the
I'm
so I'm
so I'm
so I'm
I'm still
I'm
hear of the
voice
so where
says my
name
is Saul
but
I'm
so I'm
I'm
I'm
I'm
the
open the
eyes
and I
but I
just
so that
I'm
so that's
the
what I'm
that's
the
door to
the
window and
wow, I mean, I saw,
I mean, I saw,
I'm a bit
a can't
a new year.
And at
after that I,
like,
I'm coming
and I'm
feeling like,
I'm
like that
some part of
a room,
a sensation
of an
feeling,
I'm going to
manches.
But when I
see, I mean,
I see,
the entry
of my
room,
I'm,
I'm,
I'm that the
light
is on
the light,
or the
that's the
cell and
the comedor
for
above
of the
the door of
the
door
the
light
is a
place
and I'm
the rich
still
I'm
so I'm
going to
the
television
but
where I
think I'm
to hear
and I'm
like ha ha
ha ha
so
and I
and
and then
and then
he's not
not
he's not
he's
I'm
I'm
I'm
I'm
I'm
I'm
and I'm
like
so that
you're
that's like
you're
yeah
ha ha ha
yeah
yeah
So I was, like, like,
Like the mawainito,
not, that's like,
wah,
like,
so I,
so I'm,
I'm going to
with the richard.
I got to
get some of mygillies
for there,
and da tracheasio.
I said,
no,
well,
this,
no,
but no,
it's been
so I'm,
so,
with that
tranquillity,
I,
I,
but for that
the more
I'm,
I'm,
I'm,
but there was,
there was a
rare there,
no?
First,
I'm
I'm
Desperto,
I'm
a sensation
of a
commodity.
I remember
that I'm
going to the
door to have
seen the
door,
the light
on the
light on
and when I'm
like,
I'm sure,
I'm sure
me want to
get to have
done it.
It's when I
know,
that's a
Richard,
and when I
am I'm doing
the
conscience of
when I'm
when I'm
start his voice
and I'm
start the voice
and I'm
when I'm
yeah,
no pas much.
I'm
there's
and yeah, no, no?
A bit if she's
a little bit
when the desvela
that's
not getting.
So,
then with that
I'm going to
do nother
and I'm
going to
be to be
to be
to be too.
When I'm
I'm dispirate
a noise.
Segun you
passed on
two,
three hours.
When I
when I
did I'm
and that
I'm going to
do you
and so
that's the
one or
the one of the
morning
and for
the two
of the
the morning
I'm
I'm
open the
and I
I realized that in the
techo of the
house,
like if
from the
entrance,
there's a
block in the
techo and they
they're going to
rasterer.
And so he was
he was to be
to be the
door to be the
door to
and I'm
all the
shahed,
yeah,
yeah,
and it's
and he's
and they
every bit,
and a little
a little,
a little, a
little, a
little.
Oh,
I was a
little,
I think it was my
abitation.
I go,
no manches,
you,
it's a
good,
I do you,
you,
you know,
you,
you know,
to pass,
so,
I'm going to
get a
I,
I said,
if,
if someone
got,
if
someone,
so I,
I did
know,
that I
know, I
know,
I do so,
I,
I did count,
that I,
I did get,
to,
he came,
a good
a bit bit
a bit
I want to be
going to start
to get to
get a
dormant
that's
the same
the part of
the part of the
part of the
part of the
little
no?
So, it's
the wall
and all the
house
and I'm
so I'm
oh la
and that
I'm out of the
big
room to
I'm just
I'm
to open to
I'm
the door
and the
room of
Richard
is
that's
all the
other
room
to the
door of
No, me go, I go. I go. I go. I go on Ritchie. And me
and I'm sorry.
Chagherne, Richel.
And so, like, I talk, Richard. And no,
I was gonna be loonky, ronke. The other day.
No, manches, it's, it's a good.
So, yeah, me go. And me zoom, so, like, the,
I don't see anything. I see. I mean, there's the part of the crucifix.
And the window that I had the window that I had,
I go to go and a mini passiottie.
And the court of the
of the crossifix.
It was a bit of a
minute more of patio.
But no,
I go and I'm
a somo the front
for the street
for the car.
To be
there's some
or something.
Yeah,
no.
Well,
well,
who's
know what has been
been.
But,
but the
fact,
it's a
bit of a
fear.
It was a
weird to
get you
something.
Yeah,
that you
had been
in those
times,
no,
if you
If you remember
that
the
2009 and the
10th
is the
insecurity
of the
tremendous
and more
in those
zones
of the
inneres
and areas
and
but
but the
Nabo
no
so I
think that
that's
my
major
the
the time
the
that I
know
that I
know
I'm
my
room and
I
go to
get
the
door
I
say
I'm
I'm
so that
I'm
to
go to
do
I said that I'm
something to
for that you
can identify
how I was
seeing I'm
if I was
in my room
in the middle
there was a
column that
had a
a lot of
a churras
of things
and things
and a lot
and the
other door
the other
door of the
court of
the crossifix
and here
there was the
other
door of
the bayon
so I'm
so I'm
so I'm
so on the
because I do see the
the door
to me
I'm going to
Brinko to the
vitrine
I'm
I'm in
in the
bathroom
No,
man it's
he's
he's
he's
I'm going to
I'm
going to
let's
go to
let's
go to
the door
and I
go to
turn to
and I
just to
the
pat you
get a
big
no
no
no I'm
the cigarette
I'm
I'm
sure
I'm
put on the
the
car
and I
go to
the
car
so
see,
I'm
doing, and they
got a
vitrine
so they
were,
they're
to be in,
you're
when I'm
to get to
see that I'm
getting so
a little
between my
knees,
and I'm
getting to the
entrance and
where I'm
getting to
a little
I'm just
like,
I'm going to
open the
eyes,
but the
pincrella
of the
door,
but no
did you
see the
thing,
a little
but it
started to
move.
I don't
manches.
You want,
you want to
get
to get.
And now
So I started,
and I said,
I'm
quite the
that's a
something
that's a
kind of a little
kind of a little
normal,
no.
The fact,
I was a
bit of a
person to,
like,
like you know,
like I'm
like,
I'm going to
get you,
I'm just,
there's,
there's
when you're
when you're
to look,
to see,
again,
and you
start to
start and
to ask,
and I'm,
and I'm,
and no,
I do you
know the
I did you,
I'm done,
I'm done
I'm done
I'm done,
I'm
the light was
I was on
I was there
was done
over my
rodillas
to see
recarged
in the
and I'm
I'm just
I'm sorry
that's the
whole of the
whole
I'm gonna
get a
back to be
back and I'm
let me
we're gonna
let's get
to get
the pet
or not
you know
the manata
no
I'm gonna
go the
I'm
man if you
tell you
is that me
got me
you know,
you know,
just you
metiste
there,
not you
don't you
know,
what I'm sorry
I'm gonna
I'm gonna
I'm gonna be
I'm gonna
see the TV
I'm gonna
hear of the
voices,
I don't know
who's in
who said
me
you know,
I'm gonna
go, I'm
gonna be
I'm gonna
go,
you're gonna
be there's
there's like
you're
I'm gonna
go to do this
after you
me go to
I'm gonna
I'm gonna
I'm sure that you're
there's
there's
whizteying
with
the time
with the
shit of
I'm not
well,
I'm not
I'm not
I'm not
I'm not
I'm not
you know
I'm
no mancha
you don't
you're
you know
no manches
me pass
this
this
this this
and the
bato me
well
no man
no me no
no po so
oh boy
yeah me
me the way
I said I
well
I'm like
day not even went
very
well.
Don't
be to
a little
to put up
a little
of that's
a man
yeah
great,
it's a
actually
so I'm
a maid
and she
went to
so it's
a second
that's
my guard
the back
my guard
the
really
really
I appreciate
really,
I appreciate
much
this
but he's
very
in his
in his
process
in
in his
in his
form
and so
and so
so
that's
so
that's
so that
did
so
so
did
this way,
I think
we
accustomed
I'm a
little
to do you.
But it's always
to be in the
door
with the door
and with the
door to be
and in occasions
me,
I felt the
sensation of
incoomodity
in the
room in the
room.
That's a
lot of the
light on the
light of the
time.
Yeah,
I had a
routine,
no,
because I
had gone,
sonabes,
and I
connected
to my
PlayStation.
It was
when I
was the
Grand If
was
the
hours of the Grand If I had my lunchecese, a mansemitta, and I
went to the hour, to go to the hour, to sleep, no, to be able to
do that day, so in the light, and if yeah, when I gotrave the
swine, if, de-recent, me'd be in the madrugia, and I'd go and pundia, and I'd
go ahead. But I got that routine, and yeah, no problem. And the
really,
still
I'm
the rube
that's
the room
and the
room of the
room
and the
of the
kitchen
but they're
so
they're
that they're
that's
the
really is
the problem
was
when
not
when we
came
and
other
other
other
other
to
to
integrate
to
and
there
and
they're
there
got
a
got
a
company
that
is
let
let
let
let
Loland
And I'm not
to quam it
But we
We'll get
To get this
Compa
No,
let's say
Not he
Not say
Not
He'll say
He'll say
To get a
Yeah,
So yeah
So yeah
And so
We're
We're
We're
We're
In the quarter of the
Of the
Two,
nights
And then
Of the
Of course
I'm
You know
I'm
And
How'd
How'd
How'd?
No,
Well,
Well,
Well,
Well,
me dole the
body
like no
I'm doing
like no
no decances
well
like no
no
well
well I'm
but so
yeah
but I'm
but
he's
they call
they're
they're
for that
one
one of
a project
and
we're
and
they're
not two
people
that
they're
that's
they're
so
they're
so they
they're
so they
they're
so
so they're
not
you're
not
you're
you
don't you
of the day
that
you know,
to get to
90 of
of the three
months that
were in
them started
to make
carro,
they were,
they were,
they were,
they're gonna
do they're
to say,
ohio,
what,
what,
what,
is that,
we,
we're,
so there's
something,
there's a little
incoomod
I'm so
I'm
don't know
of them
said,
and then
every time
they're
being done
He's a little
and they
are in the
regattas
the regattes
and they're
they're in
the ragas
they're in the
They're in
the kitchen
well,
they're in the
thing they're
but they're
in those three
months,
no,
they're not
those
were,
they're not,
no,
yeah,
no,
we can't
do, we,
we can't do,
we're not
we're not
we're not
we're not
we're not
the situation of
that's being,
that's horrible,
this quarter,
in the
cell,
put some
some
around in the
the other
back
I don't
they're
in the
quarter
boy
those
compas
van
and he
he's
the
he
put him
and we
did we
see that
again
then we
then we
then we
no well
it's
no well
no
two three days in
you know
me said we
I'm gonna
do you
don't know
so we're
we're just that
we're not too
we're
we're so we're
we're just we
we're just we're
we're just we're not
we're just we're
and move in the
sills.
And I said,
I'm
a way
I'm going to
a lot of
that's a
way, that's
he moved on
that's got to
be a little bit
that's a
and all the
thing,
well,
no,
no,
so it's
and the
really I'm
really,
man,
no,
you know,
that's true,
I'm sure,
I'm sure,
I'm,
I'm,
I'm the
question,
the real,
I didn't,
let me say,
no,
I'm just that
you're
saying that you
again, and
you're not
that again
that's
another
again,
how they're
degrees, like
he's got to
the chas
the chas
the chas
no,
and it was
it was
it was for
for being
so it's
so that you
if you know
if you're
if you
want to get to
get to
the cell
man no
no no
no no
no I
no I'm
yeah
I'm just
I'm
past the
period of
the time
with the
when we
we're
we're just
I'm
the
I'm the
really was that
I'm
really was
really that's
I'm
got a
a cell in the
So when
So when they're
Those compas
That's
They're not
They're not
They're in
They're in
The climita
Directo
He'd go to
He'd
Yeah,
I'm just
Dormita here in the
Yeah,
but I'm sorry
Yeah,
That's just
That's
Yeah,
That's
That's right
In the world
Well,
So, I'm
I'm a dorm
Yeah,
I'm a
Yeah,
I'm
Oh,
Oh,
I'm
Oh,
Oh,
Oh,
Oh,
I'm
Oh,
No, man,
no,
Momm,
no,
no,
No, ma'am, no mames, biches, oh, no mames.
And you go, when the
I'm spurt,
what, boy?
What, whew?
What, you?
No, you pass?
No, you.
Don't you.
No, wait,
tranquill, yeah,
tell me, what,
what, did you.
Well, no, mame,
me, me,
I was there in the camera,
I was about,
and I was sure
and they were
to get up, boy,
so it's called
where, boy.
I'm,
what,
yeah,
she,
she's,
she's,
where, she's called
where the,
she's called,
the camera?
Or,
she cored,
camera.
The
two,
we know,
but I
do you know,
but I'm
there's
I'm not
I'm,
but I
didn't know
where I
where I'm
where it's
like,
and it's
like it
and then it
and then
it came
and I'm
coming
and not
you know
you know,
no,
yeah
I'm
I'm just
I'm
I'm
I'm gonna
yeah,
let's get
here,
wait,
so I'm
yeah
and then
there's
there's
there
there's
then it
And he's
he's
He gets to
get to
get to
work
in the
room.
He's
he's
he's
he's done
and he's
he no
he doesn't
he's
a way
a more
he'd be about
two
never
to be
what the
other
he was
he was
he was
he never
he never
he never
he
but
but
but
uh
before
he
before
he
back to
get the
ch'roral
we
yeah
he's
to
get to
get to
he
Yeah, no.
Oh, boy,
he got to be
dormied.
No, manches
that's the bat.
Also,
I always
he'd be able to
the gymnasies
and out of the
morning.
So when we
we got to
we've done
that's a
he had done
of all right.
Yeah,
well,
so,
he's always
always,
always,
so I'm
so we,
so we,
we,
we,
we,
we,
we,
we,
we're just a
company had
to get to
the
yeah,
say,
sal,
well,
well,
well,
well,
we'd be
we'd say
we'd say
we're the chocorroll.
Chocroll!
Let's go ahead!
Let's go
let's go
and get to
see what we're
we're going to
and we're
we're going to
we know
we just we're
we're just
stationed on the
two stacionados
what we
well we
well
well we're
well
there's
every way
you're
you don't
you're going to
go over the
door
and where
where he's
where the
door and
my camarad
and I
know that
we're there
and the
richar
that was
that we're
that was like
that's
the
door and it's
like if
if you
have you
a little
temperature
way at the
temperature way to
like a
like a
quarter of a
like a
so
so it's
so
and we
we're gonna
we're
we're gonna
we're
we're
like we're
soderia
super delgatita
we
encapuched
with a
garra
so temland
so
we
don't know
much
frio
oh
What?
P.
And the P.
And he'll halle most.
Salt,
what?
What?
He was going.
He was doing
not it.
We're doing.
We're going to be
20, 22
grader.
What?
What?
We're going to
get to see
to the room.
And you
see when he
he says
in the
in the
cell.
And it's
he
he's more
more.
No manches
we.
If you
see something
a jintazzo
of free.
We said
when we
when we're
when we're
when we're
you're getting
of the crucifix?
I was,
I say,
well,
five,
zero
uh,
of the
salies,
and it was
19,
20
degrees.
And as
he was
really the
time of
the cold,
well,
this compa
not trai
not trae
not a
shodderrilla
because
I was
like,
like you
like,
that's
like they're,
they're not
they're
the frio,
no, they're
a temperature
fresh of
18,
but you
had to try
a suadderitit
So, for the caro, I always
I always
for the time
of the time
of the time
of the
thing of the
car with the
girlita
and he's the
he was the
manch of it's
he was that
he was
he was
he was there
and he said
a man,
so it came
a front of
and then I
did the malette and
then I did more
and then
all the plieras
that I've been
in palereradmas
and then
around
and then I'm
I'm trying
to tremor
to tremor
to turner to
until that
I got
He was
He said and I could have
I could have
I listened
because I don't
do not have
I'm thinking
that was in the
quarter of the
door so he said
he said he
but the
no view how
it was all the
because we're
not we're
we're
but it
but it's
but
with that
what
with that
that
abitation
way
is very
very rare
then when
when they're
they're
they're like
all they
all they
all they
all they
He passed this
here.
It was very
rare to
that's
a bit of
that's
that's
he never
said that
he never had
said to talk about
and she
was always
he said
to be in the
table at
all over
to be
a little
the night
all the
night
go to
someone and
she's
in my
camera
all the
nights
van
and they
sit in
my
we
we're
Richard?
She knows
How? Did you blouse?
No.
The Devil Wears Prada 2.
He's the movie event 20 years in the making.
Honestly, can't with the secrets anymore, so I think we just, we should tell her.
Will you two please spit it out already?
This Friday, be the first to experience it only in theaters.
In light of the recent scandal, I'm here to restore your credibility.
Oh, because we're a team now.
That's a nice story.
The Devil Wears Prada 2 in Theaters Friday.
and she's
Sienta.
And yeah,
well,
let them
pass.
So,
and all the
right,
they're in
the camera.
He goes,
but the
more
talk about
that's
going to
do you
do that they're
going to
do it
that's
like that
that's
that's
that
has a
thing that
is,
when we
we're
to be in the
room
that I'm
we're
we're
we're just
we're
there's
not I'm
I'm
so
I'm
so many
months to
get
after
the
It's a little bit of the other than the
room.
You see it
you know,
there's a lot
more than a car more
than the other?
Oh,
yeah?
When we're
to the camera
high and
we're going to
get a
couch,
and the
other,
then the
room of
hospital.
For that
the camera
was more
more.
But the
covigas and
always
always were
to get to
back
back.
And the
very few
of times
there
people
that
were
to be in the
car to be in the
car
because it's
it's a
little
but not
to know
to know
to be the
things
were
redas
and then
was a
room
and we
started
to get to
do it
a
top of
a
hospital
a
a
part of
yeah
never
nobody
never
nobody
so
nobody
never
got
a few days of
the
project
we
we're
doing
many
of
things
more
simple. As
like I said
I'm the
I'm notary
that when I'm
a chair of
a commas
it was a
other side.
Before the
I was going to
get in order
now now
now the
yeah the
yeah
was to be
to know that
I'm at the
time it's
and there
was a
see a
car was in the
car
and the
other
it was
also we're
like that
we're just
we're getting
to get
that we
when we
when we
when we
when we
to the
person
of our
company
that
us
helped
do
to do the
renta
with the
other
ex-companero
well
he says
why no
it's
that's
for the
cause for the
case and
they're
a lot
of things
and the
and the
he's
the man to
they're
a lot
they're
they're
they're
and they
they're
and then
you know
a
a point
you're
a
one of
a
hospital there
he
said
he's
he's
he
he's
he
he's
that
that's
that
that's
that
what's
well, is that when my
mama was,
well,
and then she
fell in the
hospital in the
quarter of the
crucifes.
But the
she was very
amante of the
cruces
and for that
there had
there were
there's many
many people.
So,
yeah,
no,
I know what I
said,
so we can't
get to,
we're talking,
we're not,
we're getting
to the
respect to the
lady,
that's,
but it
was not
that it was
invited
for four,
five,
well,
or,
this,
or,
oh,
God,
what has
has succeeded that
it was
but the
fact it
it was
horrible
and in
the
company where
I'm
all the
entire of
the story
of what
we're in
the
house of
this was
horrible
but there
was where
I said
that I
could
be used
because the
truth is
that is
that I
know
if you're
I'm
you're gonna
get you
get
to do you
but when
it's
so soon
so you
could
get to
come
to live
with
that's
I'm saying,
I never
I never created
to get to
but I'm
there to get to
that case.
There's a
so.
So,
this I'm
able to
get to get
to get to
get to
me to tell you
let's be
going to be the
carho,
let me
continue with
my
life.
Of all
what you
did you,
what was
the event
for you
that you
that you
that you
that was
the most
impactant
for me.
More
the
people,
the,
the,
the,
A person, when they listen in the
relato, they think that the
most aterrador is the
that's the most affect
and not necessarily
is the same.
Because at times
something is the
that's the
person.
For you,
of what you've
what you've seen,
what was the
most you impact?
I mean,
I kept with my
anecdote initial,
I mean,
the situation
of where I
heard a
my companyer
with all his
fiesta,
with all his
boardlotte,
and it was
something that
was something
was a
so for me
it was a
thing was a
I mean,
I
caused a
conflict
for what
heard of the
episode
past.
That I mean
that I was
ragged
from the
thing of the
buskats
of the
desoros.
It was
like a
chimp
I thought
was calmado
and boom
the
another
another
again.
No,
no,
I don't
hear this
for
favor,
I mean,
knowing
that from
that from
that,
like,
without
kind of
kind of
kind of
kind of
kind of
kind of
this and I think
that that's
more well
for what
what's
and the
the fact of the
sensation
incoomod
to start
all the
night and
know that
they're
seeing that's
not able to
say,
so really
was that
that's what
that's what
most
me affect
in all that
process
or so
more of
that I was
to be
that I'm
that
the other
that
they were
they were
they
they were
they
they were
they
they were
they
were
all
they
those of ojera,
and started
to make a
macrooos,
and then
those were in
those guineas
too,
I'm doing
those in the
car,
so out of that
really,
at my
level personal,
what the most
me impacted
was that
part initial,
because it's
chin,
another bit of
initial,
and the
second is,
I'm not
a night,
because I'm
doing,
I'm not
not too,
I'm not
can't be
not,
I'm able to
do the project,
is the,
is the,
that's the
person,
I'm a
person,
and it's,
and it's
you know,
you're just
in the school
it's
so much it
can be
so much
out of our
outside of our
people,
we're in
the time,
with the
people who were
you're going to
ask them to
get us to
get to do that
they're going to
understand.
Then then you
of a
time you're
and then you
didn't, because
no, because no
dormiste,
and the
other people,
with the
other people with
we're doing to
run us,
are the,
oh, it's
well,
well,
well,
not were
to
have
been to
but then
how
you're going to
know
that's the
things
that you
know,
but
so something
something
something
something
was there
was a
thing,
they were
very notorious
those
the phenomena
that
were
these
and the
people
we're
we're
we're
so we're
so much
that's
that's
things
that are
that's
that's
that's
you're
there's
how to
explain
those
not
I'm
when
when
this,
for the other people that have
succeeded in that,
we're not the only
we're not,
we're not,
we're not much
those who have
lived in general.
I know that
the time of
the terror you
know,
so,
more than the
experiences
personales,
the movies
of terror,
the series of
terror,
are part of
the,
of the things
that you're
a little,
the other
this game
of this
game of terror
that has
seen and
consumed,
in relation
with what
you've
in that
the case,
a
you'd
a
A phantasm.
A demonio.
Some type of entity
of extra.
A phenomenon
type glitch in
which you're
living in a type of
simulation.
What?
What do you
what you
did you?
A level of
theory?
Yeah,
no,
I'm like,
like,
part of the
theory,
and I
told all
respect to
the
man that
fellacy,
that fellacy
there,
I don't see
she,
she,
she,
she as,
as,
at,
all,
at,
all,
all,
all,
to
her,
and part
of her
is the
that was
there's
that's
the house
abandoned.
Of the
of the
people are in
they're
in the
house,
where she
was the
other
that she
was all right.
And we
got us
and we
had
molestated.
And you
to be saying
without
me to
believe me
to believe,
I mean,
I mean
I'm
I can't
think
that's
that's
the
question
to do
what's
what's
so I
was that
was
that was
that
adopted
that,
this,
for
to be able to
now
I'm
a little
in the camera
the hospital
like a
very rare
the time of
the
thing of
the time of
the
crucifix
this
never
you never
you know
the past
the person
so
so
so
who
who
can
that
what
situations
could
have
been
in that
in that
in that
this
I don't
I mean
that's
too
that's
so if
not you
don't the
because
not
had rented
before
until
that's
so that
not said,
like that
the way
to be in
the same,
the house
I'm
that they're
that I'm
that's
there's
there's
so it's
there
but I
think my
conclusion
more
more
that's a
more
she could understand that
she's
she's
and part of
she didn't
she didn't
much that
we're
there
invading her
so,
so that's
so you're
so you
put you to
think you're
to put us
because of the
camera
in the
quarter
where she
was
the
bathroom
the
then I'm
there's a
so you
have to
have to go
that way
and he
was there
in the
kitchen
that was
I'm
that's much
to do
it's a
logic
also with
that part
and that
and that
when
they said like
when they
the
the room
of the
house
said
oh my
my mom
was
a
compulcio
that
I'm
the
cell
of the
commed
so
so
not you can't say,
really was her,
or it was something
that's,
adopt it,
no?
This, yeah.
I think that's
more or
more than it.
It's very difficult
to be able to
explain, but
it's,
but what you
what happened.
Yeah,
yeah,
I,
I think this is
one of the
stories that
more
desire to
the community
to know,
and more
to live a
boss.
So,
thanks,
because,
also,
because also,
this
also,
so,
2009, 2011,
right?
Yeah.
To this,
this,
this,
this,
it was between
the 2010 and
2011.
So we're
talking about
of 12 years
that's
that situation.
Yeah,
I've been,
it was like in
2009,
it was on the
insecurity.
And,
and the
project
after this
is like,
no,
right,
how are
the
things, no,
for favor,
then we're,
so we're,
so we're,
so,
until the
time.
Something of what
mentioned,
is something
some people
just something,
some people,
comment
that not
they're in
the stories
when a person
has been
living continually
in a
place of that
they're
because I would
go ahead
and I'm
there's quite
there's a
circumstances
like in this
case
that's a
time and
you know
you don't
you know
the possibility of
a part
it's
a fragment
of the day
not is the
day entire
and it's
something
it's
very difficult
quantific
really that
is too
in risk
there
if it was integrity
physical
I suppose that
the day
the next
you're saying
but you're
in risk
how it's in
how to occur you
in what part
you have
in what part
you know
the brain
the brain
the same
the same
that's
so that
aterrador
and with
all the
other other
that's
you've
been a
it's a
game
of the
you're
you're
a
little
you're
this question
this
this question
of
the
of the
of
the
way
what is
the more
you're
that's the
that's
the way
that's
that you
make a
thing to
you know,
I'm going to
I'm
completely
almost
disbordated
or
desbordado.
Well,
look,
I think
I've
there were
various,
and all
they're
in a
different.
But the
first,
that was the
question in
the episode
of the
past,
that was
I,
I think
that's
that was the
that was the
most
me mark
no,
all the
what we
did we
know,
all the
car
phantasm
the charro
black,
the car
and the
yeah,
no,
if not
I've
heard,
I'm
the
episode of
the
two of
the
two
those
and the
first
time
in the
first
time,
is incredible.
Thank you
and I
think that
was the
most
me impact
to a
level
personal.
I mean
was the
man
mark it
was
when you
when you
when you
type of
things.
For
supposed to
pass the
time and
many
details
of the
of a
right?
Yes,
but that
was so
so it was
so it
was so
it was
me,
it was made
very,
very,
very,
very,
very,
marked.
This,
I think that
and the
second,
this,
well,
the,
in the
house of
a man
in the house of
this.
Ah,
with,
you too
did this
case?
Horrible.
horrible.
I mean, you say,
I mean,
you know,
this case
that's a
anecdote.
What's,
what you
when you're
when you're,
well,
first,
how you
do you
the history
of what he
and then
what you
and then
in the
amisted that
we had
with him,
no,
because he
was,
that they're
to happen
to pass
to some
things to
sometimes,
the typical
things of
that,
no,
those are
somebs,
they're
like,
that
a
a
moment
more
things
I'm
I'm
I'm
a little
I'm
a person
that I'm
like a
person who
I'm like
I'm like
I'm
like a
kind of
in the part
of the
things of
the parts
martiales
and
the
other
so
so
then
so
so
who can
know
if
by
going to
and
to end
to
not
kind of
so
maybe
maybe
so
maybe it
was
there
was
something
was
but also
I thought
that I think
her mother
and the
father's
that they're
they're going
that's
yeah,
yeah,
yeah, I mean
I remember
very well
he had a
manna
that's
that maybe
that's in
that he was
in that
yeah,
I said,
in my house,
there's
and that's
and that
was very
notorious
about the
thing of the
summers,
I'm
I'm
much of the
stuff
of the
there's that's
there's coming
and you're
going to
you're going to
some of the
other people
So,
well, in one
occasion,
this,
I'm
to be to
do with him.
This,
but the
time is that
if the
case,
at the
more,
I'm not
some of the
things
sensible,
yeah,
of what I
was
that I'm
getting,
I think
was a
combination
very good.
This,
the
the truth,
when I
went to
with him,
well,
yeah,
but,
we're
we're
he gotro.
No, man.
Kattie.
And the
really at no
we're going to
think about
things
bad at the
normals that
what are the
people who are
to get me.
We know that
we're not.
So,
not we're
for that
no,
no, we're
for us.
No, no,
we're doing
out of the
life,
they've got to
the family,
he was a
house,
to come to the
house,
to come to come.
To get us
to do this.
Ah, well,
and we
just we're
we just we
just we're
we're just
we're just
tru-
poquettos and
platicando
to be
the madrogh
and then
well,
well,
yeah,
let's
let's
let's
let's
let's
let's
know,
we're
in the
room,
in a
room,
she was
a woman,
was queen
because
was a
room
so
a
room
of
the
postters
he
was
much
the
group
Corn
and
New Metal
this
yeah
that
the
rock
alternative
so
I
know
I
I don't know
of the
group of
the
I'm a
the Rampstein
Rosspring
this
well,
all those
those of the
groups of that
type of
no.
System of Phanom
sure.
That's
that I'm
like to
not I'm
not going to
never
but I'm
like the
postterns
and all
so we're
we're all
we're
we're going to
put him
put her
put her
a
grabator
for
those
who are
very
young
before
there
grabers. No, I've
bocinas Bluetooth,
and you put it's a
video.
So imagine
the time in the
time in the time
like the 2000,
no,
more than 2000,
2003.
Or there.
There's still.
There's still.
There's still.
The music
digital,
like we
know we're going to
already.
Okay.
It's when
we'd
still to
make-up to
buy the
CDs of
music.
So,
then he was
put his CDs
of music and
we were
we were
onosted,
platicando
this,
of the
chas
of those
times,
no.
And where
we're talking
to be there
apollo the
and he said
with the music
because we
got more
rolled,
hours.
And where we
were done
we're not
we're getting
dormido,
so I'm
to get a
cold.
And I'm
like,
I'm going to
get a
panico.
Then you know,
so prayn't the
abacca,
then it's a
start to
start.
And here
we're
we're the
ventana
and the
batto
open the
the baton
I mean a persian,
I don't
remember the persianas,
the vianda,
and then
there's
there's
other
again,
no,
so there
we're talking,
not we're
talking,
we know,
we're talking,
I'm
remember that
the CD
that was,
was the
of Adown
and it
and it
starts,
no,
with the
songs,
and like
that's just
like,
so,
so,
so,
so,
so,
so,
so,
so,
and then
and then
and so
that's
regularly when
the CD
was so
no
so I'm
yeah
well the Cidista
so yeah
that's all
yeah he's gonna be
yeah
yeah he's gonna
yeah
and so I'm
that I'm talking to
that we're gonna be
we had
like we're
like we're
like that
it's
like that's
like the
chava
had a
really
very much
back about
and he
he was
like retomar
the time
to get to
all the
stories
that you're
all the
that's
so in that
he says
no manches
we
wait
you
you
do you
you
remember
the
so
at
the moment
that
that you
do you
remember
to
try
the
thing
I'm
the
again
and
then
I said the CD
and then
then I
start to
talk to
the reverse
and I think
where we're
where we
how carho
is it
is to be
on the
way
they're
on one
for a
one of the
discos
of the
vinyl
that you
do you
don't
you know
this is
a
this is a
so
this is a
dude
whey
what's
what's
what's
that's
talking
the
I'm
no manch
manch
boy
I
I think physically is impossible that
that's impossible that's
possible that's
it's really
I go,
I know,
the net,
it's a
listen to
and he's
it's
to talk like
so,
no manch
I go,
I'm gonna
that's a
man,
but I'm gonna
let me,
yeah,
he's gonna
the fiener
and she's
it's,
oh manch,
it's too,
yeah,
and just
the name
of the chabella
and she
and she's
and he
and he's
like,
yeah,
like,
like,
we just
yeah,
I'm,
yeah,
let's just let's
without music,
no.
Total,
well,
so other
and we
sequester
and we're
talking about
when he
put in the
pink and
I'm doing the
thing to
do you
again.
And we're
sitting and we
go back and we
go back and
we'll go
and I
go so on
his sojotes
and I
think he
saw me
and I'm
going to
my fink
eyes
blacked
so he
turned the
car
manch of
she
turned the
brando
and he
turned to
the
show
he's
oh manch
manch
where I started
what I'm going to say,
what the caravust
what's going.
And he starts
to talk it
again.
And you know
and you know,
arrainkle
the cable and
you know,
manches,
what's the puss
with your
grabator.
I go,
no mancha
that's the
hell down to
this peter.
Warrantam
me,
let me try
a co-ija
and this
me's just
me have been
feeling
a pique
coigota
the typical
the typical
the typical
the
not the t'n
dude,
I'm,
well,
no,
but post
let me
let me
is that's doing
mehound
and she has
got the
we got to
we're doing
to get
to go
to the
chile's
like I'm
like I'm
like
yeah
let me
seeer the
window
and I
see how
she
where she
what's
what's
what you
what happened
we
did you
see
and the
window
and the
was
there
was
over
so
a little
but
never
I'm
I
never it
was
why
was
because it
is
look,
still with the candidita
that's
he's in a
palangita.
I was
a little
the window
and he
he opened
in any
moment
it was
in a moment
we're
like,
oh la
mouse,
what's the
what's the
man,
we're going to
let's have
me,
we're going to
yeah with
and all
and we
just come
and we're
and we're
and then we're
like
good machos
post
back,
right,
back with
the
there's all
yeah
there's all
yeah
And there's all, but not
you know, I'm trying to
I'm saying that
it's just
up a minute,
you know,
I'm saying,
yeah,
man,
I'm saying,
I'm not,
I'm gonna be,
I'm gonna say,
yeah,
said the net,
I'm sorry,
and I'm gonna,
and he said,
well,
let's go,
well,
let's go,
well,
let's say,
we,
let's go,
let's go,
let's,
we're,
where we're,
where we're,
where we're
to talk about,
and I'm,
I said,
you know,
and did you know,
that we're just
two spas
and the other
so like
like that's
like to
and then we're
so on the
right so
I'm
I'm
I'm not
I'm not
that's
I'm like that
yeah
the abanico
of the
teche
so you
see you
the
allamrit
no to
to put it
to let
let's
let's
let's put
to put a
to the
one of
the three
one
two, three
and we
we know
we got
we we
we're
we're the
madricia
the
the
that the
that
that
that down
that
that
Dole,
Dole,
Do you
No,
no preender,
no preends,
I'm sorry,
I'm sorry,
but I see,
a piety
a copra
no,
no
you could
you just
you know,
you know,
you know,
where we
did we
and he
and it
and it
and it
gets the
and we
just we're
we're getting
we're doing
no,
I'm going to
say
all,
but three or
four
posters of
those
that were
parted
of the
parted of the
parted of the
middle.
one's
like
about like
an
one at
one at
another in the
other in the
other
kind of
kind of
kind of
not all
but one
is in the
real view
that's
they're
talking
they're
they're
they're
they're
they're
they're
so that
okay
okay
and he
just me
just got to
the
covica
and he
he's
he's
and I'm
I'm
get to
the
car
and
me
to go
to
to
to
to the
to
and
in the
salas,
and the
two.
What I
said to
say,
Ligo?
No,
I'm
in Chile,
I don't
see.
And I'm
talking.
No,
manch,
dude,
he's
I'm
listening.
The
grabator
of the
phone,
with
the
system
fogodon
was
on the
car
man,
we,
what
that
is,
yeah,
we're
we're
in the
cell
with the
light
with the
system
of
there
there's
there
there
they
There's
That's
That's
According
But you
You know
Is that the
Grador
Is there
Disconnected?
What
PED?
Conclusion
We know
For
We're
We're
We're
When we're
When it
When we
We're
We're
We
We're
We're
Let's
Oh,
manches
What
What?
Blah
Blah
Blah
Blah
Blah
All
All the
thing
All the
Poh
Cah
That's
I'm
You're
You're
I'm
There's
A
Rousouonon
but well, but
but yeah
marked
aha
and see
he was
the ruggoynion
I'm gonna
what's what
what's what
he's
what you
put in the
manned
to the
back you
ah
you
said boy
checkate
and you
also
and also
yeah
also
all right
but also
all right
of the part of the
back of the
something like
a unyita
but it's
all right now
to the moment
we know
what we
know what we
got us
but the other
me impacted the
the charro
like the
kind of
that was the
of my
sure that's
I think that
that's up
that for
what I
took over what
that were
many things
strange
also I'm
too for
the age of
that I
had been
a little
more
more than
because I
think
yeah
it's
a bad
that's
he doesn't
there
there's a
point of
comparation
yeah
very
alteration
they're more
about that's the
time after that
was a time
after that was
a fey
this,
not so
to be able to
what I'm
in that
that night
that's what
that's horrible
very,
very,
very,
very,
very,
so I think that's
so that's
so that
so that
those rascuions
you,
you know,
you're,
because in a
way,
like,
like,
you're like,
oh,
I,
like,
I,
I,
I,
And then we saw one and then the other two that are
crossed us,
I said,
yeah,
not it was like,
they were three dead,
no,
that's not,
that's not,
no, no,
no,
no, so,
so,
all those,
all the two
and the
two,
and don't
to say,
no,
so,
we said,
no,
so,
we said,
we're,
so,
no, but something
that's
out of the
out of the
normal,
so,
and that,
and that's
when you're
coming,
and you're
about,
and you're
exactly,
exactly,
so,
so,
so,
where we
we're
and what
the casuality
that we
do we're in
it's like
we're going to
it's like
to get a
back in the
spalla
full of
the rugs
no no
no it's
something
you say
you say
no me
do I'm
do you
I'm
I'm a
middle of the
back
two
three lines
and then
I'm
two across
and I'm
another
here
here
here
here
here
here
there's
a
a question
a
but
some
for the
those
that
me
you're
done
in
your
relato.
In the
house
of the
naris,
you see
that they're
observing and you
see it's
like a
person and you
know,
and in this
house,
also the
type of presence
notice any
between one
and other?
No.
No.
No,
it's the
same
incomodity.
The
same
incommodity.
That
that's
that's
observing.
Oh,
no,
no,
the same
entity,
the
more,
the more,
the
more,
it's
a
open.
No, no, no,
I don't know.
Exactly the same
sensation.
No.
I'll tell you.
Your incommodity
was the same.
Exactly.
Like,
you know,
you know,
you're going to
see that you're
looking like,
with some
eyes.
But you say,
I'm going to
go to get,
but it's
here, but it's
you know,
you know,
you know,
you know,
I perceive it
to the rostro.
I'm,
so, we're
to put it,
you know,
this is a question
that's a
question that's
if you're,
if you were,
if you're
to be,
put it,
put it with your
hand or how
it's
so near that
your bonnets
and
being you
behind you
okay
I don't know
where I'm
like you
think of
that here
is when you
see that
that's
incommodities
here's
so if
if they were
in the
room
if
stood there
never
but when
me
I feel
I'm
and you
and you
pass in the
way
you're
in the
so
you're
they're
so
and I
don't
that someone
that
somebody
that's
that
that's
that
I like.
But not you're
from the
person.
Notas
at a
way to see you
know,
but no,
here you know,
I'm
here more
a certain.
Duda,
the only
that's
the sensation
that's
that's
the sensation
of the
kind of a
person of a
person to
just the
only the sensation
that's not
the
body,
no,
the
campos of
the temperature
not you
don't have
to talk
no,
but that's the
cause of the
you're doing,
no.
Okay.
Well, no
I'm going to
the temperature.
But I think
it's the same
of the same
fear that you
can't start
to start in that
you're going to
get to be a temperature
and start to
get to feel
and then you
see,
yeah,
that more
are things
or the
more can be
related to
but they're
like the
thing of the
time of the
time of
when you get to
start you.
That's
how you
start to
think it's
how much
that's
the difference
is the
temperature
in the temperature
of the
temperature of
the
It's
because when you
when you're
when you're
when you
feel you
know when you
feel like
the form
in the way
in the
body and that's
to be sent to
feel free.
So that's
the explanation
for many of
the changes
but there
people,
like in the
case of
dinars
in the
that's
the temperature
below of 10
10
degrees is the
is the
environment
that is
the
environment
there's
there.
we did we did
the collaboration
with Marijo
Marinole
and she
says that in the
house of
there's a
there's a
room that
they're
very
that is
where they're
things
that one of
the first
signos
that for
you're
that's
that case
is that
that case
is a
way
in the
all the
day of
the
all the
but
still
is
it's
to
the
the rest
and
if
no
have
no
sense
should be the
one's the
one's the
more
the room
because the rest of
the room
because the rest of
the
little more
and they're in
the sun.
But it's a
and that's
very free
and if
a person
permanence in
much time
there,
the temperature
and it
starts
it would be
something
like if
it's
like it
says that
when
that's
that's
there's
there
have been
to hear
to hear
to hear
out of
the
bit of the
bit
and there
there
absolutely
nobody
in
this
fourth. And in that
house of
his house of
his own
and things
different.
In that
situation,
it's a
other thing,
even they've
never seen
anything,
the abitational
is the most
terrible.
It's impossible
to be there
because you
feel you
because you
feel you
invaded,
you know,
you know,
you know,
there's,
there's,
there's,
there's
there other
room where
many people who
said, it's
it was, it's,
it's, it's,
it's,
it's a
No, I see, are a dweened, but it was like a person a little.
And I was, where she was approaching,
I was, I was, I was like,
the saba-posed, and she was coming.
When I wasome, yeah no-a-na-na-a-na-na-a-not-oh,
but he was done.
He said, it was one of the experiences
more atypics that I've been.
And in that same room,
that's the one that's the most-the-past-n-cossed
things,
he was
a type of
an entity
extrano,
that were
a man,
but very
squalid,
he was
rastranded
from the
entrance to
down to
the
one of the
house.
And she
he caused
so much
that it
was almost
impossible
to be
to be
that
that's
but,
but in
all the
of the
house,
there's
there's
one of the
most
me
I think
to be
to be
to
to
is that
in
Navid
in
many
occasions
they
they just they'd have all
accommodated
and when
they'd
they'd
they're in
the car
and the
twos
they're
they're
they're
they're
they're
they're
they're
they're
they're
they're
they're
and they're
and that's
the cold
and at the
moment
to go to
all the
objects
were
all the
unironed
on the
no scho
he
came
came
here
fex kiroga
a
comendante
of
monteree
he's
he's
he said
he says
my
Entrata, the
Mnormal
was when
me took
to go to
do to
my internado
to get to
get to
when I was
doing this
service social
and he
took to do
do it.
I said,
all said
that's
a
question.
The truth is
I don't
think it
that I'm
standing with
some guards
not,
we and
us were
making,
mark,
my,
my,
my,
my,
my,
my,
I'm
you,
no,
no,
no,
no,
no,
but me
did
make
another.
And so they're
Marcaing
And we're
And we're
For favor
Attient to
As people
And they're
We're saying we
If we're
We're saying we
We're
We're talking about
We're at
The time
We're
We're gonna
We're
We're
In the two
Minutes
Ohgan
In good
Onda
Atj
Atj
And
The people
When they're
We're
We're talking
We're talking
We're
At the 10
Minutes
Okay
Oh yeah
Atient
to the
People
Well, if when
When they're
People say,
we'll be able to
attender
and you
know
you're
repeated
the same
three
three times
well,
well,
it's
well,
it's a
man at
a hour
I'm at
one of the
guardias
well,
well,
well,
is that
people,
and he says
the
little,
qual new,
he,
he,
he's the
little,
the little
that's
he's
in this
instant
so in the
radio
of the
guardia
and he
he said,
what
he said,
so I
I'm
here with
you with
how you
the kid
in the
camera?
Like,
so the
guard,
and just he
was going to
see,
well,
this,
well,
the people,
and then the
person,
and then
he's put
palid,
and we
we said,
we said,
we said,
a rome,
so is that
a shot,
in a quarter
other comrade
was also
another one
one in a
key in a
one,
we're
we're not,
and where
we're all
the stions
were all the
things were
And we
We know,
manch
Cause three
Cause,
That's the
That's the
That's the
That's the
That's the
The last of the
Yeah,
The little
The little
When I was
When I
When I
I studied in the
day,
then I
I brought
to me a
turn
A night
of a
night of
Tynicomototrys
So
when I
went to
I was,
I was
going to
go and I
went over
only
and I'm
and I
was with
the guardia
and
so I
got around
at the
11
of the
night
and
at the 5 of the
time is that
they're going to
the carers,
then they're
in the orders of
the time.
And you say,
okay,
I've got this
order of the
work,
that I'm
to do that's
the maintenance,
only the
car and it's the
automobile
number of
that and there
you have to
goaboso
with the
key in the
subterranios
looking where
is the
mandible
where it's
the mandator
and it
doesn't
not it,
but
to go
to be
the
area of
service is
undid
and then
the next
the area
of lavado
and then
the area
of the
area of
estacionements
are three
one,
two,
three.
So are a
lot of
different of
subterranios.
So,
then,
then,
then they
never
had
talked,
the,
the ultimate
that me
to be
caros
there,
that they
never
those
there were
those
in the
first
two.
This,
and one
a question
if
me
took
of that
oh,
Well, level one, not
level two,
not stah,
not stahle,
not stah
at the level
three.
The pedd
of the level
three is that
the level three
always
was always
always
because it
was supposed
that they
were
long,
that were
going to
do that
so that
then you
to be a
light,
and illuminate
that zone
and more
when there's
there's a
man,
there's,
the time,
as you know,
the way,
the way,
the way,
you'd be
to come in
a obscure,
ascuer,
with the
little the
light that
was the
stacionment
to the end uproctoring.
where they're the interrupters
because they patsats.
I was up all the pastillas.
I was, I'm going to do.
And where you're going to
you have to do you have to exactly in the
the same place, because the
is that all right is that all the car
or the station, no?
No, I go to the car.
Well, all the stationament
is to be on the internet.
But when I go to the interrupters,
I'll hear a little chistigitin.
With those are premed,
all, all I was,
I'm going to get to
pay them to say,
the, oh, I don't move,
and go, and go,
and go, and I'll be
all right, there's,
no, there's, no,
no, but there's,
Total of that no, well, I'm going to go to
go to go to go to go to go to gore the
sky. I'm going to gore
and then I'm going to gore.
And I'll go and I gore. And I'll go to the
door of the video. And then, you know,
they go, they're in lineas to see, right?
Or so, of the area, as far as far as the
light, they're there on the floor one.
But, for the poca loose that back up to the
floor three of there.
Ah, well, yeah, free.
Abro the door of crystal.
And where I go, I'm going to go.
And where I'm going to go into the front of those crystals,
those be
and am I
see into
two carrillo
I'm in
a little
little
so you
where they
into the
two cars
and I
go over
and go right
and go ahead
and I'm
so I'm
all sustad
and I'm
my guard
to be
no,
I'm sorry
you're
that's
he's a
man you
so if
here's
here you
don't you
don't you
don't even
you're
normally
always
always
always
always
in the
sote
at a
right
I'm
at a rote
I'm
so
so
so
She's accustomed.
Net,
the guards,
veledores,
and all the
that's all my
idols.
In fact,
the people
that's
listening,
comment if you
in an episode
about a
guardes and
velators,
because we
have got
many,
many,
many,
many,
stories.
The story
that I
want to
me,
he's a
he said,
he was
he was
out of the
hours
normal of
the time,
he said
he,
in the
the
an edificio,
a
good,
a
new,
it occurred
a certain,
or more
well,
it was a
little
that there
a new
that there was
a
thing that was
a person
of that
that's a
style that
not so
they're not
not,
I'm
not,
I'm not
so,
so the day
that's
the day that
he had to
get
to turn
to him,
and
he was
a
I had a great compromise with the
company.
So,
that day,
in special,
this day,
me mark,
because from there
if they were
to be in the
forms in which I
proceed.
Me,
I kept to start
in my office.
All right.
But in that
officeina,
that said,
that's the
archive,
and I needed to
go to do
and I need to
do a lot of
papereria, questions of
the seuros.
So, when
me lanso for
the archiv,
and I'm
to revisit,
I do
know
that the temperature
and then the temperature
and
to get a
and back and
to get back and
back and back.
The
door of the
archive is
a door of
crystal.
So,
is where it
starts to
suppose my
mind,
that is more
like,
I'm more
a practice,
he said,
I see
what is the
bronca of
the rest
are very
tontu.
We have
a problem
with the
system of
two climates.
And in
this quarter
something
is
moving
how it's
with much
things
related to the
climate,
it's
and there's
where the
people are
that the
people are
going to
when the
door of
crystal
is all
to get a
down
for the
cold
that I'm
emitting
and in
the
middle of
the
nothing,
he said,
no,
he said,
no,
no,
it's
a fecha
that no,
I mean,
I don't,
I don't,
I don't,
I don't,
I'm,
my,
my,
my,
my,
my,
is,
the
with what is who is who is who
and he's a woman
say,
I don't even if you're
me question.
I mean,
or my head
it's like
a little bit more
or not
it's what you
is that's
that's day
that's never
I never
never get out of
my hour of
the time and
I don't enter
that place.
There are
there's
very,
very strange
too,
yeah,
definitely.
You in
what entities
you're at
the level
personal?
So,
what you
think you
exist in
the questions
paranormal. Fantasmas, duendies,
fadres, demons,
for you.
That's if it is
of what no
exist.
Pyrgy,
well,
I said,
I've always
been
that I'm
so,
well,
the things of
angels and demons
I think those
I'm much
more clear,
and it's more
more easy
to be more
to that
way,
to be like,
to be
like the
way and the
well,
so,
so the
then the
part,
I think
that all
that's
that
see
And the other, this,
over the other people,
always relate to,
ah, no,
so,
are the monies,
no, for
supposed that are
demons that are
librated and,
and that are
not,
and that comes to,
you know,
to be the day,
you know,
that's the
people,
that are the
people are the
way,
and they're
they're not,
and they're
and then you
where you're
to start,
you're really,
what's what's
what's going,
what are,
this,
and I think,
there are
many
explanations that
you could
give,
this,
as the
point of,
it's another
dimension and
they're
just a
other dimension
that's
that's a
part of a
chapter,
and we're
a little,
and then
from a
world of
possibilities.
The
thing of the
right,
you mentioned
the,
the of the
duendicitos.
Cres
in the
bandes?
No.
Countas
people
me have
talked
that have
have seen dovests,
but
infinity.
And if
they're
like a
car with a
man,
he's
monos
and then
they're
molestan,
he was
to do you
even to
go and then
they're
and they're
going to
and they're
and it
and it
is so
that's
so that
common
that's
that's
I'm
to be
so
to be
so sure
to
you're
that you
sometimes is
you
sometimes
it's,
maybe it
has,
maybe it's
maybe he's
So then it's very complicated
to be able to say, what is what I think,
if are men,
are the ones that are
that are trapped in this plan.
No,
they are, for me, it's very difficult.
But what I see,
to what most me inclino,
is that
whatever thing is
that is paranormal that is there,
for me,
is something good.
Never is something good.
No,
exist there's a little paranormal or no,
so like,
like,
like,
I mean,
could be,
but I think
that's a,
that would be,
that need to
be a,
that's a
matter, no,
at the final of
the point,
if it's a
moment, and
I think that's
a sensation,
no,
it's an
fear, you
know, it's
a lot,
or a me
not me has
been a
more,
more people,
that's,
it's been
completely,
right,
that,
that,
that's,
that's,
something,
that's a
thing,
that's a,
but it's
it's a,
I mean,
I don't think
to feel like
my way
was my
boy,
the way,
I'm going to
visit to,
I don't
I'm not,
but I'm
going to get to
understand what,
oh, no,
but what's,
that's,
that's,
that you're
to get to the
and if you're
to be more
with the
and maybe
if it's,
I don't know,
but for
me,
like all the
situations
that are in
the terms
paranormal,
is always
has been
something that
has been
something,
so,
but for
me,
if something,
being
Mios because
it's
something that
not
is a
right
or not
it would
be a
good.
So for me
all the
things
paranormal
regularly
regularly
regularly
with
the
other
not
not
and I
say in
all the
stories
like I
just
the
last
like
the
I
have
been
really
I'm
got to
very chid
those.
It's
has been
a
more
than
all
a,
a,
a,
to questioner.
You know
to do you
know,
a new
with me,
but I'm,
you know,
a new thing
to do you
to get to
think of
any other
and I
want to
do you.
I think,
way.
I think,
I think,
I think,
that exist
like two
forms of
about,
the
things
paranormal
or more
well,
there,
there are
two logics
or two
evocations
of the
fear
in the
thing,
the
one is this.
The
first
occurs
like a reaction
instinctive
and a
circumstance
atypick a
phenomenon
to you
not is
accustomed to
you can't
you feel
incoomomomated
because
you don't
have
what you
know
but
but
I think
there is
another
level
in the
I see
communaria
with the
idea
that maybe
you are
under the
presence
of something
that
is a
thing
is that
not
typical
what
you
are
is the
lack of control.
No is the
fact that's a
circumstance in
that you don't
you're not
is that
that one of
those qualities
is evocated
the fear that
you have to
it's like if it
was like
to do
that you
destilaras
you.
It's
that's
because one
part of
the
fear
because the
other is
evocating
because I
don't know
the situation
but
other part
of
fear if
it's
because the other
it's like
there's
one of the
qualities of the
entity or the
thing that's
definitely not
not a good
because it's
a little
a vampire or what
you want to
you want to
you want to
you're doing
is that emanes
that type of
emotion
the which is
da in a
but if
me didn't
be no
he's too
no no no no I'm
I don't know
for the
supposed and
I think
that's
we're getting
a lot
in the part
of the
time,
try to
look at
an
explanation that
no
think it's
so difficult
to discern
because the
same situation
that's
out of what
is the
reality,
it's
the way,
it makes
think about 20
000
things.
It's
to collapse
mentally
and that's
what I
refer to
I'm
really what I
think the
situations that
have been
so they're
so I'm
not going to
do you
do that
all this
manifestations,
maybe are
some of them
are good.
As well,
you're going to
be there's an
angel.
Talvez,
at the
more it's a
way,
it's a
little bit of
what I'm
to say,
well, no,
I'll be
all the
lamentableable
to go,
and have
cared,
no,
and they've
been
those
that you've
been to the
thing,
is like,
look,
if this
were a
movie,
you're
a great
productor
that has
a good
ideas of
how to
make
a
question,
I'm
so,
the
things
that's
being literally
it's to
it's to try your
attention and
not to make
you feel
comfortable.
And you
do I'm
just in the
time in the
time of the
we're talking
about the
phantasm,
and we're
there's a
million things
there's
like I
want to
change a
little bit
to the line
let me
go ahead
but that
has been to
be with the
bruchos
uh
uh
grand
theme
a big
a question
a doubt
you do
do you
respect or
or
well,
no see if
I don't
see if
I think
maybe more
respect,
no,
because if you
me
say you're
oh,
you know,
a more
a
a brao
or a
because I
mean,
but the
because the
the
person,
well,
because the
physically
would be
that
she's a
person,
but you
don't know
more
difficult,
what you
that does
that you
do you
make more
a
morecianito
that
you know
I'm
surro with
the
marciano
I mean, the
The thing of extraterrast
you generate
fear of
For me,
it's a
cause more
I'm gonna
but I'm
more more
because I'm
physically
probably it
is that you
see that
the other is
a problem
and that
you know
is the other
you can't
and if you can't
do you
can't do you
can't
and say
God
those decisions
so I'm
more
more than you
a morecianito
than a
okay
okay
so hey
so
so tell me
me for
and right
we're
right we're
to
episode of
the
one of the
I'm
thank you
the stories
that's been
good
relatoes
that has been
a gazacko
has been
a good
a great
to get a
great
I'm doing
for a
episode in a
future,
we'll be
that we're
that's
listening
that you're
that's
listening
on Spotify.
Recurda
let us
let us
let us
give us
those
us do you
don't
a lot
if you
just
you're
just your
comments
and if
you
identifes
with
these stories or has
lived a
similar or you know
you know this
type
make to get
by WhatsApp
the link
is in Instagram
and if you
don't have access
on Instagram
comment me
for YouTube and
I'd
and I'd
respond and
you know
you know
you're
you know
now you
now you
have you
have a story
for you guys
I'm saying
I'm saying
that's
something
there's a
something
there's
something
that's the
thing of
the
bruchess,
not?
Also
very
nombrated
and there
and there
and there
but I
know a
very much
a very
good
good
my friend
my
he's
of Montemorelos
and
and me
he told
an anecdote
that he
he took
to live
that was
very impactant
and the
of the
so that
I'm
that I'm
that I
care
the
one percent
I don't.
So,
so as
how we
we're in
these,
they're in the
stories,
and we're
the world
to be really
exist are the
duendes or no.
The of the
bruchas,
I think is
something that's
more
arreagued,
no,
in the
time,
in the
part of New Yorker.
It's
very known,
no,
the of the
the bruchas
and that
the
say you're
the same
and the
there's,
there's,
there's,
there's a
culture,
not in that
part of
the rucas,
there's
there's a
lot of
But never
I've
to live like
to be
like the time
to the
people who's
my
little to be
here in Montemorelos
and it's a
rancho here in
Montemorelos
but so
you're in
Montemorelos
and then you
get us to
getras for the
year to get us
a various
kilometers
to get into
and he
he said
there's that
there's that
my
abel no
he'd
not talked about
many stories
of that
rancho
because he's
the
he's the
always
I've been
been
a piece of
that
rancho, no,
I've always,
things,
things,
paranormal,
things very
rare.
Me said,
and so
we've got
some cameras
that are like
those of
vision nocturns
that's
in the
arboles,
but because
his brother
he's
like the
thing,
like the
thing,
and that
that's a
grab,
this,
according you
have been
like vision
nocturn
and the
man,
and he's
a thing
a thing
really
man,
he said,
and the
other
the camera
that
we had
we
did a
photographia
that's
a lot of
the time
where it's
it's not
where it
where it
it's where
the front of
the front of
the front of
the corners of
the arboles
and he
said a
where
where you
go see
where you
down the
right
and it's
like
to make
to say
to what you
see what
you're
I'm
I'm
I'm sorry
like
I'm
an omni
and
back
so a
A little bit.
I thought.
He goes,
it's really
it's a really
it's a very rare
but if it's
a little
a light that's
and it's a
thing that's
there's a
big of the
that's like
that's
in the nade
because what
that's
vending that
the law
so the
thing of the
other thing is
another thing
but
but like
entering the
things
rare that
that's
that's
something to
something
about
of a cabra
that they'd
and he
a cabo
and the
cabo
and the cabo
always
he's
a cabra
and he
was up
the serro
and then
the
uh
the fact
I'd
be a
there was a
caro
with a cabo
with a
cabra
that too
but
all of that
was just
just for
just to
make me
I'm just
I'm
that I'm
I'm very
things
and I
say
the last
that
they've
when we
we've
like
when we're
like
there's rancho
with the
rancher with the
family
I think he
he had
had fallen
his father
that's
that's
there's
but there
but for
respect
I'm going to
not to
that
part
but
after that
they're
that part
of that
the rancho
they're
in the
family
and for
the
family
they're
they're
they're
they're
they're
much relation
with
a
curandero
and
this
curandero
is
of
Linare's
that
I started with a
house
of Linares
and I
think it's
of a
area
that's very
famous
in Linares
that's
that's
where it
where it
seems
that's
that
it's
of many
curanderos
and things
of that
type
of the
drugeria
so
he was
very
very
a very
so when
when they
in that
part
of the
ranch
they
they're
they
get
a
lechusa and the
lechisa
and then
days,
three days,
three days.
So when
they went to
visit, the
lechusa
there was
and she
he was
seeing a
one of the
family.
Not of her
primarily,
no,
I don't see
that was
like he
was a
friend or
but
that's a
little
then they
started
very rarro
to come
with this
curandero
that was
the friend
that was
the family
no?
And he
said,
no,
then
let me
permit
to
we
we're going to
the rancho
to see
and then
and so
it was
he went
revisor
and I
don't remember
if it's
a lechusa
or no
but
he says
yeah the
situation
here is
there
there's
there
there
there's
there
like
the
of the
of the
because
he
like
he's
a
brauch
that's a
that's
that
that's
there's
there
then
then
then
then
so
there
to do,
have to
do a
job.
He said,
we need to
get us
in the
rancho,
I think
to get us
in the
madrugated,
I need to
need four
people,
and four
people who
don't have
me,
because we
need to
back her.
So,
I'm
a point,
my
friend,
but he's
one,
but
they're
just,
but they're
all right,
but
they're,
and
they're,
it's
like,
like very rapid letter that I'm
talking, but, well, he was a
friend of the family, for them, for them
they're a more normal.
Tal-beau-manche, he'd like, he'd hear him
a curander and that if is a
broader, and that's a
songar, like, um,
a, a quote,
an quote invented.
Uh, ha, a quote invented.
But,
well, in the context that
they were a friend of
all the family,
from, from,
from the time, and of
things of the pasto,
that I'd say,
I'd say,
I'd say, no mancha, I was a gulanderer,
I think I'd have believed,
so,
so,
so,
so they'll arm them,
and define what
fecha,
because I think this
the gullanderer
he said,
it's a time,
in tal,
night,
and like,
at these hours,
total,
they're arm,
and they're a,
like,
list of things
of those that
they have to
get to get to
that night,
that's,
when I'm
when they're
when they're,
they're,
they're,
they're,
they,
they,
like, I don't know I don't know if
if they top,
the lechusa or he
starts to
say some,
I don't see
if it's a
mean to say
recorations or
some rest,
something, something
he's saying
and it's
and then it's
the noise
like the
little bit of
so it's
so it's
that in a
part like
a firet
and he
said,
I'm going to
call,
he said
when he
he'll be
to get the
foggata
to put her
to puter
a little
one of
a bit
I'm going
to be
encarrag of
to
back her.
And when
it's
about the
things that
I'm
a cobi
a cobiha
a cobiha
a cobiha
a
little we're
going to
let me
go to
get to
endrojure of
every
and we
we're
going to
okay.
Total,
so as
he said,
it's
he started
and he
started and
he's
and he's
he's
and I'm
he said
he was
saying his
and
my man
you just
I just
just
just like
like
that was
like he
was
of a
arbor to
to the other
and we
just like
um
and it's
like um
it's quite
and it's
and come
and gorenle
and go ahead
and
we can't
the
the cobiha
above
or the
sabaunner
above
we're
we'llwe
we're
we're just
yeah
we're
we're in
the
middle of the
cobiha
then we're
two
and then
then we're
well now
now
so now
that's
we're
we're
we're
we're
we
we're
we're
we're
we
And the
he was
guiding
was he
we're going
we know,
but now
now we're
in complete
obscurity,
so,
that's,
I mean,
the
light of the
world,
it was
all the
dark,
we've been
going to
and we've been
going to
go,
that we're
that a
sometimes
I'm
more pesed
the
bult.
And you
go,
yeah,
yeah,
every
more pesidito.
When,
he was
a moment
of the
last of
you
he was
the
other
I was
I was, I was going to govying,
he was going to govigua.
Yeah, no, I was trying cobiha.
I just saw, I'm a pyrnita.
I, I saw, I saw,
I saw a little,
sentia a little bit of the
part that I was going to.
And he was going to do
make the bolt-to,
like, more grand and more
and more grand,
when we came to the river,
you said the person
this, the curandero.
Metance.
Those two,
I said,
those four,
two for
the
until that
to cover
all the
bult of
water.
And you
start to
submergy,
they're
with them
and they're
like,
no,
no,
not,
not,
not do you
say,
I'm,
until you
get to
all the
total,
they're
so on
and it's
to move,
and it's
to move,
and it's
to get a
a bulte
it's
very grandotte.
I said
there was
there was a
person
there,
in
seriously,
it was
a bulte
very
very
is a form
very
great
the bulte
or the
lechusa
that's
the
he said
okay
and who
did he
did he
did he
he's
the curander
this
he's
let's
open let's
every
every
everybody
every
everybody
until
that they
ever
so obviously
the lechus
that was
down
because
it was
down
down
down
down
yeah
it's
we're
we
we're
we just
we're
we're
we're
Enrico,
I got.
And the lechusa
yeah
said,
let's go,
let's go,
and we just
got to
get to the
water in a
little bit of
silence, and
he said,
we're going to
let's get to
get to get to
nothing, it's
no,
what's the
thing to do the
lechusa
because he
felt like a
person,
who said,
but I
know,
but I was
what happened.
Wow,
fifted
that just
in the
stories that
sometimes
that are
bruchas.
I've
done
that
I've done
many
types,
I mean,
just
we're
just let's
call them
a
like if
were a
person,
a certain
power,
but I
think that
the word
we're
we're doing
we're
catawating
many
things and
many things,
and
this case
perhaps it
is a
human
no man
what is
there's
something
with a
type of
in
that is
metamor
a
kind of
a
form
and
apart
of that
the moment
of the contact
with the
liquid
so it's
those
qualities
you know
like they're
not like
not even
those
Naguales
is my
big
doubt that
that
the version
of the
version of
is this
case
that the
women
that the
women are
in a
other
type of
and
in the
local
in
occasions
in this
entity
that
that
perhaps
in
where it
in Yucat
that
is in Yucatan
that
is
a
person
or in different types of figures.
But it would be it
these questions of the
brujeria,
not we are
sometimes talking necessarily
about the human,
I know.
And there's where
it's where it's
to be strange.
There are
some of the
America, in
the United
of America,
pardon,
that they
think the
Nahuales
get to
be a
kind of a
kind of
a pact in
that they
they're
their
humanidad
and they
they're
to
be a
person.
that,
even
they're
isolated
of the rest of
the rest of
the communities
and it's
considered as
a type of
a manned
so it's
interesting,
is interesting.
If someone
knows stories
of Nawales or
of the
and the
whole,
it's
that you
don't you're
not you're
not being
a,
it's interesting
to start
to know,
to
start to
start of
this type
of stories
too.
If someone
has
something
of what
I mean,
I'm
was of
someone
was of
someone
has been
something like
something
that could
say,
ah,
you know,
is a
method of the
choureners
that's a
or a
brouh.
To desacers
to do it.
Uh,
so like
so it's a
way,
or is a
procession
common,
no,
that they're
doing to
do that's
to do
the bruchas,
if
someone
else,
I know,
I'm going to
help,
not,
for a
bit more
to know,
so,
yeah,
I'm going to
talk a
story to
let's
to be
to be
to me
that me
me did
a little
the
peels of
point.
Astrid
has
he has
many time
living with
his husband.
Vare
a year.
But he's
that's
that's
something
something.
And so
that's
the moment
of the
time to
get
because the
two
work.
Is that
she is the
first
that's
she's
she's
always he
he's
never,
he's
he's
he's
then he
says that
he's
he's
he's
a
little
he
he
doesn't
her man,
sent to
his
cabels,
and like
he starts
a little
a tacto
a good
that's
like a
kind of
we're
let us
let's a
form of
a
kind of
that's
that's
that he
to get
a way
a way
kind of
kind
and they
they're
they're
they're
a form of
the time.
Yeah,
he's
going to
do you know
two occasions
that pass
things that
they're
doing
question to question
what she
is doing
and that
he's making
that maybe
they're in
a little
that's
a little
he's
that in
this routine
has a
only three
months
that was
the first
time,
he took
the
and he
he was
he
felt
as
so
he has
strange
because
he
he said
that
the day
earlier
he was
his
party
he's
just before
the
He said that was like
that's
the sensation
that
he quit
the
man of
there
and he
continued
moving
the toes
to get
to get
that
when he
he's
not
he's
not
he's
and
that
he
put
the
he
did
like
in this
sensation
like
of
how
that
is
that
he
doesn't
and
that
he
does
and
he
he
he
he
he
was
preparing
in
the
So, so it's
So, the
truth is that
it's
can sound for
many, like
how you're
running, but I
was kind of
I'm a bit of
then I'm
saying, no, it's
that I'm
that I'm
a lot of
and the
lot of the
amuade, and
I'm imagining
the
of the
carbeau
for the
routine.
And if I
was I
didn't,
and I
did more
whiltes.
The problem
came to
just
two days.
the routine
I was
I kept
and I
I went
I
see
me
I'm
and then
I thought
that the
respiration
was different
the coach
that was
up to
he was
more than
normal
and at
there was
there
and he
and he
was up
more
when
when I
took the
the
the
head
instantaneously
I said
that
that's
that
that
I'm
I'm
a little
my
alo,
because this
is I
know the
where I'm
the door
and he's
a little bit
and he says
oh yeah,
me have to
get to get
more than
more.
He's
I think I'm
doing in a
place that
not a
there's a
routine
that when
they're
in this
form
you're doing
a very
positive in
the day.
No,
no,
well
call you
imagineate,
imagine
I'm
I'm
I've
carried
from
that
car
from the
Saul,
many
thanks for
having been
and thanks for
your stories.
Something with
what you
want to be
the family
noturnal
the community
of this podcast?
No,
no,
so I'm
to say,
I'm sorry.
I'm sorry.
I don't
say,
I think there
some people,
I think
for there
those
was like
those
I'm
like this,
I'm
that I'm
like this,
that's
that's
entertained
with these
stories of
what that
also
that also
also
there's
also
some
identified
with
some of
these
some
of these
anecdotes
that for us
not
soceded
and
we'll
just to
we're
we're
we're
not in
some of the
situation
in some of the
we're not
we're
we're doing
but we're
we're living
but not
but it's
very much
here
talking about
talking about
with what
no exist
and from
over the
table.
A third
thing,
but of
the Omnis
and phenomena
no
humans.
Oh,
oh,
enchantissimo.
Wow.
For the
people
that we're
is listening. So I was going to say something.
Recurran that this forum is
an open. It's, is a place that,
in fact, it's a lot of
growing, justly, because
the people say, to me, too,
so, sit in the confidence
to tell your story.
Ten, for sure, that no
is to be judged. And
you want to be a good
a week time and
Duleses Pesadillas. Bye,
bye.