HABLEMOS DE LO QUE NO EXISTE - Ep 070: Jugamos a la OUIJA y Embrujamos nuestra casa | Ft. Oraculto

Episode Date: March 9, 2023

Un cuadro que nos protege, una casa que no nos deja salir y por juego embrujamos nuestro hogar Querida FAMILIA NOCTURNA, el día de hoy tendremos una de las pláticas paranormales, más extravagantes y deliciosas que he tenido en mucho tiempo. En este el Ep:070 Jugamos a la OUIJA y EMBRUJAMOS nuestra casa, nuestro queridos amigos Rodrigo y Paola Host del podcast @Oraculto, nos contarán, varias de las historias más aterradoras que han vivido, juntos y también unas experiencias traumáticas que tuvieron antes de conocerse. Episodio lleno de Historias Aterradoras, sucesos paranormales, hechos inexplicables y entidades macabras cuyo encuentro traumaría a cualquiera. Si llegaste hasta aquí, comparte una historia en INSTAGRAM que diga, Hoy es día de DULCES PESADILLAS y si me etiquetas, te responderé con un mensaje de voz, esto si lo envías en las primeras 24 horas desde el estreno del episodio. Espero que disfrutes este episodio. Por cierto, si el contenido no te es suficiente, ya están listas las membresías, en donde hay más de 10 horas de contenido adicional, que nunca ha sido público. Bloopers, pláticas en detrás de cámaras, historias fuertes, confesiones e investigaciones.Es, digamos el acceso a un maratón, que tal vez en un mes si lo termines, en lo que subimos más contenido. Con tu membresía apoyas al crecimiento de este canal, porque queremos hacer tres videos a la semana, ya estamos cerca, con tu ayuda llegaremos pronto. Ahora sí, te deseo bonita semana y dulces pesadillas.

Every Olympic dream starts somewhere. At first, it's just potential. But over time, with the right support and a few breakthroughs, it becomes something more. Make RBC Training Ground your breakthrough moment. Start your journey to Team Canada today at rBC trainingground.ca. Welcome to Family Nocturna to this new episode of Let Me Let Me Exist. The day of today, we have an episode distinct and special. Because me accompany here at the distance.

My good friends Rodrigo and Paola, De O'ReCult. Paola, Rodrigo, how are you? Good night. Hello. Hello. How are you? Hello.

How are you? Good night. Thank you. Thanks for for having accepted this this talk. For the

people that we're doing, we've got a little of conversation, but they have to know that this is

the first that we talked about us and the server. And it's that this play will

be a very interesting. So is that, before the episode, I'm talking to

Roderio Paola, me said that they have some that they to tell. Is

certain? Yes. We have we're very interesting. We're just one of those many good

21 years of stories recopilated. Twenty one years of history recupilated paranormal?

Well, yeah. Well, that's man. Cairn't property? Yeah. Yeah.

Yeah. So, have been good. What's been what? What's, this inter-

interchamble of stories? I'm I'm telling you a story. It's me.

This story me I know she said, she said she said she's

talking about the podcast he has brought his mind as that she had been

that she had been quite quite and then they have been

in the old and that and that was that I'm very

to get that so. And however, a the various stories

that were like those were very that her family lived

many situations paranormal during a time that's a reason that was, but she

know that was a moment of her infancy that made to her her

she said in this house in the house there was there there

was a time in the second on the second sonable on

a person came to be a person that no was no one of

them because it was all all of all of all of all of all of

so that's in more a occasion they're that they're in the house but there

something there's not so you don't know if you're the sound of the feet of

that they're on the piece that's a piece of when

when he when he he's when he the first occasions subed over

after after after they're they're they're they're there

above, simply of that the second thing that's strange and that's he was going to

make more un-trankilus. In certain zone specific of the house, just to the day,

he said, it was a bad-o- -d-o- -d-o- penetrante. That's they'd

get-gans, you'd have-gated, they'd want to devolver, because it was an

an olor very askeros. Limpied, tumbed the psalon the piso, and

they've tried can't can be can't the aroma. My mom

was trying to do you and I'm a little a new way of a

police and the police and the saying that had had been a

house and they did a retem and we we're

and we don't and we did do two perit

with us and they did that that in the

house that could be generating after the operative that they did it.

There's no, the odor permanenceia and the thing they were doing it. They were

going to some other when she started to happen to happen to occur to things raras.

The the ruses of the the partos not were not they were

they heard they were they were they they were on a repis

if there cruces or cosites that were metallic salian they were going to

one in one and one like if someone was that

they're not and she not put to invite to his

amy because their and the house. And the case

situations like situations like a feeling and the temperature

and the temperature was she sometimes it's sometimes sometimes when it's the frio,

after that the aroma started to change in the habitations. Yeah not just

in the commoner. It was in the madrugated to the part of my papa.

I knew that at the three of the morning Ioled in my court, and then

we had something that was that was about the house. The family of her

had a someone that had a person that was a person who was a

person in a special, but if was a very metid in questions

spiritual is, let's a form eclectic the day that he saw a mother,

he didn't even cross many words, he said, he's going to something he's going,

he said, he's pregated something, let me to your house, need to you need to when this

this sir is, he's he said that he and nobody he had got to

exactly that he was in the case, he he was he was he

he's, he he has the door that he goes to the area

in where normally it was a form putrefact during almost a day. So they did know that

he like he perceived something and he was where he emanaba this energy or present.

He he went to that zone and he started to do a type of ritual

and saying and then he said he said he's he said he's

not he's not he to but a somebody has been going to a

place in the they are in brujeria. And that person is the that she was the he's the

person is the one of the hermannas she had she had not had had come down a lot of the

other occasions to a pair of the two people that had some some of the other people. The

sir, he said, that no they'd go back to those those, no,

it was there was there was there was there was there was there was a part of

the books in the house that especially they've used in some rituals

that they're they're and that they're and the mom she's surprised

because I'm I'm a book of pasta red and one of a

black and I've and I've a money to get a money to

let the and in two occasions I see the destiny of

two people and I don't exactly how I don't understand

I don't I don't two occasions, for me, was very clear what was going to do to happen, and it was a little time.

Dissed she me, I said, we wanted, we did it and instantly they're just to pass the

things. The situation was that two months after this person who came and us died,

she died of a form inexplicable. And this is the history of this is the best of this is

a bit of the price no, very alto. way. How? How? And many

people who who do you know or what or what or whatever or what is going to

pay the price of high. In occasions, she's doing some kind of kind of and thank you

wow okay wow no this is that canyone and think

that are some of those experiences that we specifically we've not been

we've And I think that would be a problem putrefact in your house and that's not know that's not

where you're we're not we're not we're they're not yeah we're talking about yeah we

but he's madres but okay okay okay I'm okay I'm

yeah I'm with the story in a good you're you're you're you're

you're you're she let's she she that me that me record to a a one

a one a car let's we're the house. Okay. Well, you, go to be able to. Well, we'll go back. Well, we'll move to a house

before. Literally. And we're out of her, because we're going to go to say. It was a house super biggitia of an architect, like, a bit, for that,

count, count, help me. It's, between the two, we're going to help. In the city that we've, in the city,

in the year, a year, a little, we moved, and we stood and we, we've moved, and we're, we're,

all this was after the pandemic well, during the pandemic we were in other state and there's no,

no, there was no, we did it in the tour of this house for internet. We never did it physically more than the

photos that's all the roll. When he when he saw the when he was the first photos,

he said, this house you're to be to be to be to be when you're

looking so cases but but I did it was by the I'm this

he's going to Rodrigo, but no I'm going to because I'm going to be because I'm like a lot.

Specifically, there's a something that's something that I'm saying no, no, no, no, I'm going to

find out of well, the time. The house never, because with the pandemic, there was this

boom of rents and then there was a thing, but that house specifically for some reason,

it's a little a little price, and no, and no, and no, and it's

and it's special because was made in 1, 111, 11, made by an architect a quite a

famouson of the area, that's obviously yeah, you know, there's many other people, even the university

local is made by this same architect. So, it's like, they're very so the people who are not even they're

not, and they're like no, until they're in the price that I'm not even though, we're not,

we're going to get to the Angeles and we're we're going to we're going to we're and we're

and we're we're going to get to get to the other, they're right to get me to get to

all those that I mean, they'd like They'd go They'd just I'd just I'd like, I'd I'd like, I'd like,

I'd And then yeah, I'd say, and I'd say, oh, why no there's other

or no there. But, but pretty remodeledada. No, it's very beautiful. But something.

Biggissima. Biggishima, but very beautiful. Well, well, yeah, we're,

that's other story, but it was another but it was a little bit of a lot, but well, just standing

in that house, as you know, like, like, Paola, I mean, is very

aligree, is very frayette, we're going and we're really very very good,

but in that a house a little little bit really, you know. The house that

literally has to know that I didn't but I know, but I don't

something so I'm not, I'm not. I'm, I'm, I'm just I'm put

so, I'm so you know so, you know, so you know, so you know, like you're

well, but we know, we're we're much much in the area of the cell,

it was a like a common a commedor rare. Because as a house a very bigita,

because it's a kind of kind of like these areas are very strange. They're very very little.

Uh-huh. But I'm, like, like a, like, a, like, a,

that's, that's the photo that I said, that's like, I'm, that's so, literally.

But we're, well, yeah, here's to like the cow, like, like,

how we're, how, the, like, how we're, but I'm super-trister I mean,

I'm sure, for God, it was super-dens super-triety like no I'm not I'm not like I'm

like I'm like I'm like that was like to work, go to the house to go to the

garden, and I'm like, my mom actually, was to come to and came to

and she she was we're just we're to get to get to get to get to

in the area that where I did that I'm horrible. And that

that night took dreams espantos I said, hey, there's something that's my mom also, my mom

also kind of like like, I said, I mean, I said, I said, well,

yeah, if my mom me says something when when I'm, well, it's like to say

that I'm sure, but it was rarestim, it was super too, we'd hear most

rasos rather the things around the the stuff, that's around the thing,

it was horrible. It was horrible. It was Dwellah of madera. It was a duela, but... Of the pastoral, for example,

the houses in Mexico, normally, they're like a space, no see, like 30 centimeters, 40 centimeters, if much,

between the piece of madera of those bigitas and the piece, well, the concrete, or what it's, but this

house specifically is very rare because the pieces are of madeira, but literally it's the duela and yeah,

and then then literally what you are you're doing, with you're with bids that's atravesas

so obviously we don't so it's obviously the sound of that's very special and sonate so we know we know

our own our paths or the path of a person coming down so imagine you're you're sitting you're sitting how you

you can't how it's like you're coming around the and it's a thing I mean it costed much a job

also also to be also and not I'm not I've talked about much but well

this is like it's like it's like it's like it's like to talk of talking to

a little more content and I'm a little I'm a a lot of I'm sure

for you know I'm not you know I'm sure you and he said I'm saying there's there's

something that is until that he was a we've got to cable some things for the

internet and Rodrigo he's got to get to the sotano and I see I'm

so you I'm so I'm I'm I'm I'm the same the

sotano was was a bit of a bit of a matter of a lot of no matter of it's a lot of

maybe a but the middle of the sotano was a bardita and it was pure a entire time and

literally the middle of it was just just you just you had to get gotcha in that space

to put cableer so we we're we're so we're so I'm so much

so I'm so much sometimes things that space. One, apart of the earth

there was there's a polvo, there's a lot of but the the polvo is like a little

so every I was like I was put in the hand, it was like if you were back the more,

see those scenes like when you put us on the and you see, or something

and it's the all the all the all the all of the all of all of

all you know you know you know it was it was it was all a

there was all there there every that's I said, look,

I'm going to of the serrillas of cigars but of 120 no more than 20 20, so even talking.

I mean, I'm found I'm a little bit of a period and I know, the real of the

case is that when you do this type of them even though they're even though, you're

you're that's all you're always I'm trying. I was a so I'm so I'm and I

know, and I'm and I know like this, I'm going to markar no,

so the part of the story maybe kind of ported, but there said Clarito,

1914, I think that's it was, and I'm getting a little in a piece of history, I mean, it's

like a so it's like, so we're remodeled a and it's really, well, if you're

remodeled and everything, because the people who came to do you know, the people, don't get

those things, or limpegated, no? Because there there were things interesting, but you didn't,

it was like nothing so, why not so, so, so, so,

so, so, so, so, At the of the house, I think it was

very great, but the sotano, because is the time of the property, at the front, there was a

hole that, so, so, easily came there two humans there. So, so it was

discavado. We said, something, we said, so, well, for the time of the

person, the person, I'm used, to be his, his money, or what were,

so it was, but also, it was very easy to enter a cadaver, or if you say,

something, who's to tell so I'm we've we've got

we're we're not quite we're not quite I'm going and the little bit of

we're there's there there was there was there there

things there's like things that not so we're so we know

or not we know we're like spaces where there's where it there's

so so and then the most rable is to you know that the

space central where, where, the area this, where the

the photo, where I said, this photo, for that photo, no me want to get to get to that that house,

there's there's a soma, it's a comastal of those old, and the

other point was a one way, I don't see, a meter and a middle of the other

side, and it and it's maybe, but, I'm never, I'm never,

I'm not, I'm not to work to work there, I'm not, that's, that's in

really, is a a treasure, no? Nobody moved nothing. Nobody took nothing. So, that's

that's the intact. And then I think I'm like, like a piece of a kind of a

cat-and- so. So, then then the things are to put them to put more more aggressive,

like, like, oh, you know, you know, you know, I'm so you're

more frequent the sound those, the evistements, and Paola, so, yeah, yeah,

so, yeah, so, yeah, and, I'm going to go to you know, we'll send them photos to some, you know, that are like, also,

also, also fans of terror and all, and I said, you know, can't see this photo, and all the world, and everyone, I said, and said, oh yeah, I don't know what but your house is like, like, very, very dense, and I, I'm,

I'm, I'm saying, no, I, like, literally, I'm saying, that here I'm just living, literally, literally, I don't know what, and I know what, and I don't know if,

like, like, like, how, how's it? Empatio? Yeah, so, Yes, I'm very empathic, but I don't know if really it was like the phantasm at me was just about projecting or I, no, I know,

for me of the trestice. Uh, ha, for me of the trestice or something. So, you know, and then you have, you know, and then, you know, was a doctor, de, he said, yeah, we're doing, we need to get him more and obviously, I don't, I mean, we're, we didn't want to be able to the police or

and nothing. Yeah, it was a, we did. We did not, oh yeah, it's a little rarito to, you know, and to be a, and, and, and, though the, my spouse never never

like to go to the sotano. I think because he does a cause of the because that's

a woman. We know, we know, we know, we know, we know that's a woman, and you know,

that's a person, and how says, Pau, what we do we know that's someone who's there's a house, and

she's interred in that house, because we've been seen not seen, and the city is

a little, then if something if something had been had said in the news,

the duke, the duke, the the duke, but well, it's the first that our lives,

that's we're going to we're going to and we've been, and not it's because it's not it. Obviously,

I mean you know things, but you know that's the thing that's, that's a really rare because, normally one

about the phantasmas and thinks in the fear, and that's always the fear, but this no,

it's the first time, literally in all the time together together that we're one, in where you

was a really, so you're what, I said, never, never been passed.

For that also I like all the terror. Because, oh, yeah, I'm going to

never said, we're going to get to get to that's always. When it's my wife, I'm to do you're in this area, and it's very

rare, in the almoada the day the day after it was like mow like,

so, like mow, redisim. That's was perfectly lavated. The funder of the almoa

was a black and amenecing there. And, for example, our catita, we have a catita with much years in our lives, then we're,

then we're with my mother, when never dorms with my suzer. When never dorms with anybody, or not. In that area, like, like, kind of, so, it was very, very rare. So, it's... Yeah, like, it's very... Like, it's...

You know, you're saying, you know, a... ...you know, a...one, a newcortament in the mascot. You know, you know, that the person, you see, is, you know, they're saying, they're saying, they're...

They're not... ...they're... ...they're... no, we're my mom to do you know what's

it's a very beautiful to the but I'm like I'm like I'm I'm like I'm but

but what I'm I'm going to I'm We're going to But we're We're We're gonna

We're gonna Because of Sometimes Yeah, yeah They're They're They're

They're They're They're They're They're They're They're They're

They're They're They're In this place. Because I said, Buta, where we go to here and we're trying to this mother, this is a lot. Yeah, because that was my my mind. I said, well, and what are you? As I'm

more journal than what I thought. At least that we're going to. In fact, Paola went to. Paola, re- re-sought. And that's not... Rarishim. You know, I'm sure. Rarishim. So, for so, I said, there was a time where I don't care yet any platicor of this, because I'm of those that's a quarter and he's going to

go back. Or, so... But then, I'm going to... I think I'm going to to be able to superer to be able to to be able to because you know what you

know it's a question, there's that there's, you know, you know if someone more is going to

and then and a way to find where they're that's, you know, that's, well,

my mom, the more, you know, you know, it's true, but no, it's true. I'm not

a question I'm a question, I'm going to be a bit about this is a bit of my part, but,

like, like a , you give indices of that we've known to that's been

that's been that's been that's been that's been only been used just not more in the same but if I'm

like you're gonna be like the principle of a possession if is really that something like something like something

something I think this is the avenue and the pass one of the kind of a person to

get to somebody to become to someone to be someone but I don't know but all but you know what you

say you say oh that you're oh my antiquities and the oldies and the oldies we're on

a loft modern, where we know that's not what's the who's who's it's a

really a it's very rare to put it to put it you know we're not we're we're not

we're we're we're we're we're all yeah the is that it's a

bit of me let's not even not we're not I know yeah I know

I'm more more I'm more reproduct I'm if I'm I use something that I'm

a little to move to something that you know, that's the real time, the fact that with the

other things so that's not a lot of the thing you're in this taconian. In this house,

in the entry, thanks for to tell me the story, but I'm a doubt. When,

when you saw that that photographia Paola and that you gave that mal spina,

it was a thing or that was the thing was the thing? The instinct was like no,

no, no, no, no, I don't know, there something, is that I'm

a rechase. Yeah, I mean, I'm very like, I'm a lot, me lathe, and if no,

no. And, the real rare a bit of this I'm not, and I'm nothing, and it's

the point, and it's the, but you know, it's a kind of, what, what's a,

what's, what's, yeah, have lived in cases in brusable, or you, you've been

on other other ways, it's like, but, but no, but no I'm, I'm,

I mean a I don't I don't this, no, this no, this no this no I'm sure, but all

the universe he confabuled with the phantasm to give me that I don't want to me, I mean, I'm pel-

I'm pel-o. I'm I'm, I'm saying, forfa, put me another. No,

man, no, no, no, no. I was, I'm, I'm, all the days, this,

this, this, all were like, to be, a point, dem, let me give me

something, and, and no, that I'm I'm going to negate my tarot that way. That was the time said to be

a little bit extra in the house. But yeah, for as they're in those things, then there's more more

to go to get other house. Yeah, it was what we had in the moment, and we had been a whole whole

and we said, well, yeah, now, I'm going to tell a something. There's

also, there's a other than we're not, because is where we're all the things, you know,

and you put us there about, it oh, it was, it all a lot, it,

but no there for where enter and we we chom we chas a catas

a cat some little a little a little call geoff but there so no there's

there's so we're inalambricas and so and they and they they were nothing in the

camera so not so I don't so I'm so it's not so it's where you can

get it was just been in the part that was in the part that was

remodelable so it so remodelad it's it's really very strong, because it was a lot a lot of

a lot of and then the night of the night of the night of the there's a there's a thing that's

there's, no, no, there's no more than you and you no. So, the sensors

of movements were on the time and there was a exactly. Exactly. The camera

the camera was a camera and we'd and we're there was a camera and no,

we didn't do you didn't even didn't any there didn't even no

no more than the more than the pettos, well, the ridd of the maderita

and in general well, well, well, the passotes of the and really the sentiment

of a real thing of the feeling of no, it's like, oh, no, it was a lot,

it was a more more than me it was, it's a it's a really, it's a

rarestice, not me to be not a person, that's invading to be

never, never, never, never, never, never, of the never,

of the Duda, this emotion that this is this tristesse, is a the that you live, or intensity, I think I'm an

intensity of an intensity that's an but the, but the flavor of this type of that result was personal or you

were agena? No, totally, agena. Totally. Genes, so, like I know,

I mean, I know, okay, I say that I know, okay, I say that I'm And I'm like, I'm like, I think, I'm very, empathic and very sentimental, very emotional.

I'm really much for whatever thing, in general. So, like, all of the, so, like, all I'm, very intense. But this, I said, when, normally, when I'm, I know, I'm sorry, I'm,

I know, for the other. The other, it was, no, it was, no, it's, nothing to be. I'm, well, no, I'm sorry. No, there was, because, because,

not there was, so, it was totally, so, it was completely genuine, it was, it was, there, was, no, no, nothing,

nothing, nothing, that, I was, I was going to be like to be like it's like

like that it's a contrary, me just to me just a way, I'm a know,

I'm just, so I'm think it, because apart I'm very rational, that's what I'm like

I'm like, not, you know, I'm like, I'm the typical of, obvious, or, that's,

like that, like that just, I'm just just, to put me to put me to be

So it's like, like I knew that I was like, because I'm saying, because I'm trying to, so it's like, it's like, it's like,

Rarissimo, I'm sure that was, it was horrible. One, was I was in a food with some of those and then

I'm a question of these questions. Always that there's a that I've asked, if you've got to be

to say, and all I'm going to know, so that day not was the exception. And I

had advanced the Cena and I asked, oh yeah, no you'll I've got a little bit of a paranormal.

And me told this, that's that's a lot of what you've seen, that's a much something that's something that's a person super ecuanime,

super, super, co-anim, so, for questions of work, she has to have to have been nervous to do

all the time. She, she says, to some way, I've learned to manage very well.

My emotions those gestioned very well, and I'm, and I'm, and I'm, and I'm, and I'm,

but what really I'm doing I'm doing it's, well, I'm doing a job with my emotions in time real. So, no, there's nothing so strong.

It has been in situations very fervent, even of the, even of accidents, d'uropes. And she, you know, impassible, always you know, like,

but it's because she has learned to manage. Dice that she was a day, I was in a house in

the case, something, he said, and he said, like, you know, he said, it was the

house of some amissed that had much time but said I'm not a

little but in the occasion something, I'm in my interior me said, no

you're not you know, you know, if you don't know that voice, so please.

There's a question, that's a voice, but I'm for a question. The part

of intuitive put it can be I'm, I'm learning to distinguish being

that voice. She is very intuitive for the type of negotiations that So, it's,

the case, I came, I'm in, and then when I'm in a commode, it's, it's an

environment normal, the house is a house normal, is a being a little bit more normal, and I

get to to get to get into some of the and to know, but it's enormous, enormous,

but it's, to make I'm to move my feet and I'm, and I'm to go, and I

just, I'm going, I'm going, me go, me go, I have to go, I'm going to go, and I'm going to go back. And it's like if something had meted a quantity of emotion horrible, and where I'm

going to start, I'm going to and I'm, and of a sudden, fo, that's go, and I'm still normal. So, it's, it's something super-straning. Me, I'm

a month after, that we're, that we were that conversation, in the piece of the above, had a person in a state vegetative, and the person in

state vegetative was just the fourth or the way. And said, I think I'm,

like connected with the emotions of that person and it was what I'm doing, it's because

not were my emotions. So, so that was something so that's so I kept I'm

that I can't be a sometimes if the emotions can't the places,

but it was that in the house in there were there's there some type

of an presence or conscience apart of the pure emotion. Yes. Because when

we know the of the vessels about we said, oh, oh, so there's, when we're still,

we're going to, we said, we're going to a flower, you know, you know, you're doing, because he

like, like, well, no, so if a friend, or a, I mean,

or the more X, no, sign no, sign no, some, so, some,

every one, some, some some, some, some some like to say,

Oh, this is what is the like to make a and then, we're to get to

get to get a in pass. But obviously was a part of a normal. No,

you know, you're that put us a flower that was a little,

no, a flower. Yeah, no, yeah, was, yeah, was,

we're, we're never, we're, we're never, to be never, my plant

of the water with with the water and that had to the

above, and it was like, are the I'm of those parts that I'm that's just

that's just I'm saying oh man yeah I'm yeah I'm but I'm but no but no

never we never never never we never it's very strange that I say it's like it's

what you're you're we're we're we're we're we're that's

that's that's all it so in when we we're I'm I'm

I'm an ultimate an ultimate a last a last a last a little I just I

I tooked all the I mean and I move on And yeah Okay There are There are two

There are There are very interesting and are very contradictory and are And contradictory I mean

I mean I mean I'm not for this not for this not It's very interesting

that occur two things so that that's so that for one one

the one That that that I'm too Yeah

yeah yeah the the restilence and for the other side, a flower

that's not a lot of, normally the first two signos are, they're really,

with places that can have some kind of infestation and they go to the money with food that

can't rapidly, changes of emotional to a sense as a negative,

to get to get to the people, and that the people start to start to

start the relations in the other other side, a flower that

is very strange. That's interesting. That's what's a espantos and what that's a

really, but interesting much. I would be fascinated if someone me he'll tell. But the

truth is that so I'm and when someone me says more sarcastic, really,

because you know, because after that he was specifically specifically yeah

not I'm not I'm saying to say to say, oh, I'm not

true, me you're inventing. I mean, I'm in a lot to create a

little more not because not because not we're not there's because of this type never,

never, we've ever never had been nothing. What's what? What other story

that had occurred before? The other other are like like, oh, like,

we're like, we're, we're going to let's say, we're going to know, you know, you know,

of those you want, but of the okay. Okay. Interesting. Oh,

there Tampo we have been and like a sometimes we're

we're we're going we're we're we're we're just we're not,

we're we're we're exclusive for the family nocturna thanks. This is

this is first of Rodrigo completely because when I know I he had

in his position something something that changed that changed

so this is totally too but this you're you can have to give

to give some some little little little why me I said

of this object. So, well, I'm in your house, this

this, this young, well, always has been been fanatic of the audio, of the

equipment, and then you know, you know, you know, it's a time, you know,

to find out of times, to be a customary to visit a tindas antivuaders, to where

and I was you, I was, you were in the city of Mexico, and in San Angle

in the Park of the Bola, is San Angel or is well, the theater of the insurgents

this the the call parallel to that's a revolution to be there's

that's that's that's that's there's that's there's that's

I'm then I'm looking amplifying amplifiers of bulfus I was I was

I'm obsessed with on encounter equipment of oldos of

so so I'm and this and this and this this place

in that this now but it was a one of a space very great of a

two two have two fours on two in a in a point in the first was a

one point one way one meter like one one 20 for one 60 that's great the piece

and I really came much attention I liked much but I was a but I was to go to

the person that was I was the person that was I'm doing I'm looking a amplom blah blah

and me he said I don't I don't have nothing. But, so, I'm, I'm a little

and I'm and then you get to get a little, so I'm, no. And he's I'm, so I'm,

so I'm, so I'm, let me get to a bit of a little bit of the car, but me put a little bit of

all that's to get to say, I'm going to get to say up, literally to get up, being the

picture, I've been getting me so much, so it's so it's a thing, it's a

Christ, well, is a figure of a Christ, that no has a style, like, the Dalai, but this is a bit more a little bit more, a Christ, and the other is like, and the other is like meted in the

wall, then the hands are open, and the codos are metied in the page, so they're not, so they're, like, from the part of the, also, I can share the, I can't share. Sure, we're photos. For favor.

This, and the, and the hands are like, like, very dramatized, no? and this is that's a color grisaceo, palid, obviously, like,

but the interesting is that the side of the side, it's currower the whole, all the quad. He's scurrying

like if he would have scurrying to the whole like, a carton of the same.

With a tone very special. So, I mean, I, I like, I'm just the

c'n'on this quadro. Quere, so you have to get to this car is,

but it's badism. Well, but it said, oh, it's, oh,

it's a is that's a padrism, the quadroo, how cost. So, this, this, this is, here I've got the appellers of bea

art, and he gave a price that I'm not paid a but I'm not a good, so I said, well, thanks,

that good on, well, also, there's a other thing, you know, so I've yet yet

I've got to my house, that are two quadras and cacho, and, and it's, and it's on

the telephone. In that there's there were cellars, but not like me mark as

the cellar, no? I'm going to the house and son the telephone. And he was the sir,

oh yeah, that, I'm thinking, that's, I'm going to do you know, to do you

do a interchambo? And I'm a interchand like that what the story, a little more

after. Ah, well, but I'm described, I'm going to write, and then so,

I'm going to years at a year with a many, and we put a few years,

and you, You, you know, the disc, fiesta and blah, blah, no. So we've been bought two, three bocinas and all that role,

but those that's that's that's not fun but nothing so. So, then I said, I said,

I'm, I'm very insistent, I'd go to your time, in that moment. So, this, well, but,

but the really, I'm saying just that's I'm saying, I'm not a object that you can't

give to that's about, that's that's all- that's to get to my house to get to

that's a thing, let me see me to be. Then, well, he went. The guy went and we went and we're in the quarter where

had some of the house in the equipment, the team restant and a makelager and me said, oh, and I didn't know

I was able. This, you'd be to be to be able to with the face of inkled or not

so, well, you're not you're not. Me, and there's there's a story.

And you me says, if you let, or not? So, this quarter in the gallery

more of 10 years. And nobody and he'll want. No, it's much space and I'm not going to to throw to the basura, but yeah, no one I'm going to, yeah, take in this thing here. And you're the first person that's interested in

say, I'd like to give it to. So, let's see this. This lady, my marino bought this quadro in Europe, or so it took a year of a Europe, or a year of a time, and since that gave this quadro to my life, fellacy my marido and

my my kids. So, he said the woman, I'm sure that this is the

culpable of this mother. So, no I'm here are the papers of importation,

here is the value of the bea artes, you know, I'm, go, so you

do it's to the gallery. And the she was never never but obviously

the general the gallery not he was not he was going to go

and they never never did no no more me intrigued more me

interested no, it's an boy a little a quadro malditing wow for interchambe

of three chuchulukos so yeah then the time he's I'm going to go ahead well,

well he went in his car and he went with a old and he was

he was he was he he was he was he he's got and he

he's got and he and he's and I so so okay okay then

then I was going to describe how is the the quadro. The quadrant is great.

It has a this person this Christ abjointed and the one side has a a manh

to use to the cuckuruch of the habit this not is a Franciscan because normally for the

time he's like a kind of a point of a no, it's like a

noceido or a cuckoocule, no say a cuckooch a very but no he can't see the

car to be the catacch like you get a tantito the little the in the

point of the a nice, you know, you know, a nose you know, the other not's and it's, you're saying,

you're saying, you're saying, and it's a certain quantity of nudes that don't corresponden, this,

to how they've seen in the Franciscanus. So, so, so, so,

that's the mom of a friend of a man of a friend and she's, this artist, and apart

is certified of, the, but, for the email. So, then,

and he said, Oye, you could you can't be to check the card, no,

just to be a bit of a little bit of a little bit of a little. To be then the thing,

he says, hey, what the thing's so I'm a bit of some little little bit

some of little bit so the picture actually is a little 20 years

and this is a printed, is signed in Latin and he says Julius with V

with V V de Vaca in the other UUUU Julius Pictor Fesit

made by the Pintor Julius. So, then it's, it's very generic, but for the time,

we've got, we've tried, we've tried to do it. And, so it's, that really be completely

uncoxed, but to just get to the type of and all of a, a, a new,

a manseer of a little monastery. So, a monastery. So, then, then,

so, yeah, he kept the quadro there, and so I was the, I was, I'm,

my my best friend in that the moment and we're always always in

some redios of vampires of the stuff, we're doing and stuff and they're so much.

Rituated and so you know, we know, we know, and we're always to get to get a

there in the house, but I'm chasmah well, well, he's just never,

my friend, my friend, he's the never, my friend, he's, I'm not I'm not

no, I'm so, I'm, I'm, I'm, I'm, I'm, I'm,

I'm, I don't, I don't like your quadro, me does a mal spin, and never more to be a

back to get there. So, there are various things that have been in other stories, before the before I'm,

but well, that is like the story of this quadro, that for me has signified as

a, like, a element important in my life and in my house, I say,

I mean, it's part of me. But is that the picture has been a sombrate. Oh,

the same, the ones are so, and they're some of that some of those

same ones but like like a super creepy that's what that's what is what you see that

but it's pretty much we've seen we've seen so much so it's easy to imagine but really the

question is very old and then that time having painted a man that the man who was

a man who is it's a man who is a manh so it's like a thing normally not you know

normally you don't because it they've done the they've done the what it

was what what appeared that was rojo and for that it was when they said it's like it's it's like

it's like it's it's pinkura it's sand it's like it's really yeah yeah and we're more more

more more than more than than more than more than so much thing thing and this and this

the fact I never I've on that's but well there's if I'm some stupidness

for favor correct me and someone somebody's I'm can't be in somebody

going to going a little more to when I'm when I'm I'm I'm

a time a quadernation because it was the tarras, you have passed as poor-a-wela in other things, poor-a-wela. In other ways, nothersts, so,

then my mom had a little bit of the family had regalado a family, a book very old, of the life of San Francisco of Asis, because the piece is called

Vision of San Francisco of Asis. So, then I had this book very old, that had given a family to the 15 years

and there was written and all the role, so I did you, I'm going to repair, blah, and me to get to. And then

I'm going to my mom. Never was a never. So, and then this book, I'm preste

to the papa to a new bigotech. And he's doing, and he said, oh, well, this is the

quadro, he said, you know, you know, you know, you're just of San Francisco of Asis,

they're to see, what are the visions of San Francisco of Asis. And not you know

you're very easy. This, this this information not there, but in the book that

you say, and it's according to, in the according to, uh, that's, he was

two, three visions of Christ but none was Christ. It was Lucifer personificing to Christ to torment

to San Francisco of Asis according to this book. So, if we go to that person

is Lucifer, no is Christ. In the the quadro, you're saying, you know, that is the vision of San Francisco

that is. So, so, so, so it's very dense. To me, if you don't, if you remember, but, well, it's like, you know, we'll share you.

And it's very interesting. That's, it's a very interesting. So, so, so, so, so it's the photo. Then I, and I saw the and I saw the picture, and I said, me encaughts. Never me gave me fear.

Never seemed, like, your friend, of that no, you know, to do you. Oh, yeah, that's your car. That's your car. But I, I mean,

because I was, I said, that's the, I said, you know, and he's, no, you, is that's painted with sand. I'm, I'm a

more more more more than you. Because, so are things that when you're very bobo,

really, and you know, never never thinks that's in danger of nothing. And the

more creepy is something, the more, I don't know, it's a thing, one's more chingon.

But really yeah, you know, one, you know, you know, then you know, then you

know, so the thing's been, like, the piece of, this, in our houses.

No, we we'll put always in the way and we're

we're and we're in general, the decoration around of that's so we're so we're

so we're so we're so you don't want to you know you're so you know so

so you know that is the filter exactly yeah that if they pass on

if they pass if they pass those passions and says it's that's what's what's

what you want to passel you want so we've we've we've

rent a apartmentit in the Colonna of the valley. I'm going to give a data

for the people who know the city of Mexico you know, there's a place there a call

that's called Moras. In that Calley of Moran, is between Miguel Aubren

and... San Lorenz and Miguel Abel. Yeah. Well, I don't know. I'm

so, Pilaras. Pilares? Maybe. Well, no, but there's a restaurant

that's a Fonda 999- 9-9-9. It's a restaurant I think is Yucate. Well,

the This building, the restaurant and an old old old old old, the old,

well, of the old, and there's where we're our first department of casasas.

In the first place to play the door to the crystal of the building of the

door to the door to the door to that was that point to have a paces

little long with ventalitos up and you and you enter

to the area to the area of the cell and the So, no there was a

better to put the window to put in the first of a place to be in a gallery. So,

then we did it. So, so, you know, for, for you know, for

that's a little bit of that even we know, that's also a person

quite sweet. I know what I'm know. He was good Tigger of Winnipo.

Thank you just spoiled my fun. Okay. Okay. So, then, I gave

a, a globe, a, The head of Tiger, a gloom that had a nuka and had a car. So, the globe is part

important in the story. No, they don't think we're to, the globe is. The globe is. The galvan is this story,

and the protagonist of this story, that's the globe. So, so we got into the recamara. That is the

department, he had two recamaritas, and in the recamara the main for the carol.

I wanted to my globe for me. The quadro is perfectly well inflated, super yeah, yeah,

yeah, yeah, yeah, was it's always perfectly, it's not, it's not, it's

during two or three days, no I'm sure it's the two, three days, it was not the re-camer up the

room, and it is very rare because one, well, normally the doors, well, you're in

you have to back up you're like, you, see, see, see, that the door

not, that the part of, that the department, not, or some like you

like you say there's a current of air and it's a little, no, how did it's to see to start

to get to exactly in the place, but in the same place. So, literally in the middle of the

commoer, that's, because? Why? And it was to have to have to let us

to get to the corner and I would be to and I'm to get in the middle in the day.

Not. In the night, only amoe only the only the third day or

or by there, we went to do and just still we don't we were not we're

we're going to the raspadito of the globe those are these are most those globes not that's like a

yeah, that has been a uridita no, a salirita how you're the raspadito so you

so you so you're so so we're we're used we're gonna we're gonna we

we're gonna so so yeah so so yeah oh yeah we're we're

we're gonna we're we're we're we're we're just we're we're

And so, well, no, I'm not with the lamparito of the man, so, then you know, so you know,

he goes to get to the door, and of a point, like if someone, he's got a little bit more

like, uh, at the altitude, uh, a little, uh, and it, and it,

uh, and it, and it's, it's a same, in that same altitude, all the time,

like if it still, like, someone, yeah, I'm, I'm, so,

so, we're, we're going to, we're, we're, no. Right. And then we

we went to the recamara and we went to the area to the yeah, it's it was very poach is that

is that the thing, the the brain is the brain and the yeah, and we

don't know, don't be so per yeah, so it's like a short circuit, no? So,

so, so, so, so we're, then we're so we're so there, that's a

little, as I said, that I didn't, that I'm like, we're doing

the nucca to the globe. Of a little, the globe is like that's over the room

and it's a little bit more the freaking globe, literal, it's got a and we're getting into

and so we're we're going, we're going to see where we go, we're going to see it, we're going to

see me. And it's like, then so, so okay. So, so it's like so you're

so it's going to be doing, it's a brimmed this, no? So, it's like,

there's there's there's there's there's And literally, it's and it's just a little bit to get to me,

to me, to me, and I'm going to see I'm going to the wall, so I'm a rinkoenade against the

side, so it's a bigger because at the back because atras literally are some rallettas

of the hair, no? I mean, so, no, and then then it goes to the pass

to the passillo and he's kept together together down but there there says

well, statica, but I I was discarded, no? Because, I mean, you know, because, you know, so, I said,

well, so it's going to go to be, but it's, well, I'm doing to do you know, the typical, the air, you know,

the type of, you know, the type of, the air, you know, no, no? So, well, it's so, it's so, I mean, that's, the globe

came down, and it's went to the passigyito of entry, and it's a part of the the quarter of, the quadro, so the

quadro, the part of the door is there, we're coming so, we're coming down, that we see us to the top

and then here the the quadro and the globe can't and it's there's a way to do that

and we'll to look at and it's to look at the point. No, I was to hear you want to

where is the place? We know, we know, we're not we're used. We're used to check out three,

four, five times the best of the best of the bests to start about 40 so you're

so, so so, so, so, this, for something we've made sure

we've left the passers. I never I'm going to do not even I'm going to put all the travitas of the

doors, the ones that's the caravitas so much thanks no. We got it we got them we got them

we're like oh man, they're just they're like oh well well we're going to we're like it's like

it's like we're not it's well we're we're just we're going to get to the day next the department had

for the same five pieces Prices. Robed all the apartments of the building. One,

minus the one, minus the we're not the door to be able to do you. It's in

serious. No, we don't what on that what we're but it. But the

first, literally was the only of the one of the house. If we're not the

first. And we were so, we're like, we're not we're not we're, we're

we're we're, we're we're, we're, we're, we're just we're

we're we're but that I don't know that's the globe, it manifested. I don't

know how it's because, of it really. But it's like, then so, then the

the quadro is like for us like, us care, no, like, but rare really,

the story of the globe, I mean, when it we were, so, because for many years,

because we have been for many years, for many, but so like, ah,

nobody he's not nobody, nobody didn't, how it's kind of can't

be, I've had been many many like the globes

and really never another has come in the and then never got to come in

not the little to get to the fourth. It's so I'm and I'm and I'm

think, well, yeah, I'm do you know, but I'm really we're really really

because it's rarysim because if yeah, or no say, or phantasm or energies or

no-se but really really, they're they're manifest in some and they're to do they

they're to learn to understand, no- know how, but it's But we're

that we're We know We know Maybe for the She's a For the family The maldition of the

family And I For the For the For the For the Or no But for

Me or for us in general Has been Like a Like a So, Like a Part of

This story That's That's Caneer me To be It's Yeah The caro

Yeah Yeah It's The globe That's The Globe That's The Globe.

What What What What That's that night that assaults, robin the rest of departments? Occurried the robbered

during the madrugada? Yes. Yes. We went to the next. We went to everybody so talking. And we're saying,

well, what's what's what's going to? You know, you're not because obviously we're the first, they're

saying, these is why they're all right? Well, I don't see, it's in the mere moment maybe when we we were

to put up and at the maybe they're going to get, no. I don't know. But you

were so it was like so it Globo And it was of those robes raros because nobody

was there's that's that you to ask you to ask you everybody they're you know, you know

you're not that's that was that was that was to they're they're they're not

and they they're gonna well this was a so that still still not that's

that yeah there's there yeah Alexa yeah yeah

It's a building a normal, no. What a lot of what you're gonna. Something more has occurred with the quadro, what they've been that they're

exclusively for this? Or has occurred something? I think the, the house. Well, what the car? Oh,

okay. You know, I'll tell you. A little bit of, that's a, that's a little, that's the little bit of the

whole we think we're doing, after maybe maybe, I said like a year, I've to visit this

Tienta from the place of this is before. This is before to know

us. We're back back. And there was a piece completely

another technique, a tinta China, a pieceit that was like that was like about 20

centimeters with 20 centimeters with a with a picture with a and it

is made so it's so it's so so it's really so it It's

the attention and not the type of art that I would be a little a tinta chino a carilla

and I'm the person and I'm and say, let me be and also let me be a little bit more

a mark extra, like a lot of that they don't they pertensia to that mark and we

can't to be the firm and and it's the same author but but for

techniques that tinta china was made 80 years if the quadro has more

more of 200 because the other was The other is another other is another other thing

completely different So, theories, you know you know because you know because it's a vampireon no,

that's a bit more that's a family or is a man who and they're made a car of but not certain because so

if you're the photo you're going to see the photo you're so very never me could do that piece

but embonab perfect for medias and all to do like to make the the rostro of the monge

that no marce So I'm sure that if I'm able to have had been the possibility to be able to have been the

piece, I'm sure that was the car of the man. So I don't know like there's like a kind of a

that's never never was decifra and we've been moving we've been from us to from the and then it

is very difficult to find that role, no, but well that was it was like a

detailito extra that he'd he'd a little a little of some

the thing but well totally of I don't agree with that. Rar. The other thing is that

we're we're always adventures. So, we're just to change us, we're just to have new experiences

and all this. So, in the city of Mexico, we've been in different areas. And in one

of these we went to the north of the city, up to the mountain. And, because we're

trying to be in the boss. The houses are pretty good, you're well,

not right, no, but it's in that something, it was, it was very part.

And we If we got a house, we could get a house quite more more than the

way we're accustomed to be in the but that's that was a badia, well, we don't we're olders to fill it.

There's, there were areas with much to do you know, we know, so we're our comedor

to make a countering of the house had three pieces but the first piece was at the level

of the level of the house and it is in the mountain the house is doing

the plant to the place to the recameras were in the level

to be the middle we're we're we've been the cell television or where we've

put the television and the we've put the cellion and you know to the house

and the side of the side of a place of a matter where I

would have where I'm where I'm going to go to go to go to you're

down the escalas and in those escalas we have the we're

we're we're we're and then the arisen, a ricket was a great with a chemenea and all this

role. Well, for not to do it because I'm like to addle detail, I'm going to know, but

the rarrow of this is that, this, we went to, well, we went to we've got to a catita,

this catita that I'm that's a year, I'm, in that in that moment was a

little titty. Yeah, chikita. And the the bestinos of the other were the last

were the amants of the gats. So, we're we're going to the house,

we said, we're going to go to get a vacations. Some of the days, they're going to do you know

to get to do that's blah, blah, blah, blah. And he's, so, yeah, a bronca. So, it's a

new, my my name? I don't know. I think of the two. We've been to have the ones for

whatever cause of our families, oh, yeah, so, so they're so they're so they're saying,

so the so they're saying, oh, yeah, okay, good, that the the chichos, yeah

they're the same, we'll have to, no, well, they're no, no, no, no,

so, how, how, so the light, they're gonna, and so, obviously, the vacina,

yeah, no, didn't know, because, or there's because, or, there's, oh,

what on this, no? And, this, and we, we're, we, we're,

we, or inbruched, or the quadro, was doing, or the quadro , they're, in that

, many robes of the house. So, also part of of what the she said, he said,

no, I'm going to say that's a in a matter. But never said to get them to the house.

No, there was a never. Yeah. The quadro, the but the

house. The unmas of the purgatorio, the things are you are the house.

We're doing we're doing. Or, or at the more, he's not the other part of the

car and the car came to, the so, so, so,

but, but, But in that In this house, in this Oh, literally in that space in where not we had the

Commodor it was literally that were that we're We're not We're not even We're literally But that's

There's what I I think There's not There's not There's a Because there When I was My mom

Or my wife When I'm My mom or my Say there If there's If there They were They were

They were They're They're They're that's like, nothing was the of the family.

Yeah, it was the the really, it's the enbrued to my house, no? So, that's

like, you know, you know, you're not, you know, I'm part of them, what's, that's all,

like, that's, we're all, and we're like, and it was, like, that's,

never, never, never, but in that house to our little, to our

little, that we've been, those men, those that they have been a lot, that's, like,

a chango, large, that you're in a type of babosada and the beautiful to do the

and the way to do like a like a like a like a normal like a

like a clearly clearly so I'm so it's incredible great interpretation

thank thank you thank thank you public know so so

so so then so that's that we come to see we're

to our our our No, no, no, me I'm scared, me da me, I'm afraid. Okay, well, well, so, bye. And so, like,

like, my life, another day, oh, my life, no, that's so, well, that's, well, so, yeah, then, then I'm like, it's that

I'm like, we're going to let me, we're, we're going to let's get her the pils, then then, so, you know,

so you know, I know, I'm, all the pylas, and the mendiggo literal, and he's, to say, now, there's

there's a, there's a time, that's, that he moved and he made a sound so of the

horrible when the mandiog chango, you know didn't any the and I

did with a man bad bad because no no no no pass nothing

I'm there there there's there me, I'm there's me

I'm to hear that in that that diske that that

you're not normal little so it's that no it's so it

it ultratomba, the mendic of spantos, and there's we said, oh, oh, there's but, well, and in that house, it was

the, what we're what we're doing, what we're doing, that's another house, you know, that's a lot of, but in that same case, too,

it's too. So, it's really, the cases, in the cases. Well, in that same case, this case,

that was a, a quartito, a, a casita, a, past, to, where we've put,

well, we've always been doing music, so we've, we've been our studio of music there. We're

working in a project I think it was for a company that's like a video podcast, rare, like, for for churches or I don't know something, something. Something they'd, and, well, we're and, well, what it was, no?

So, we're having, we're doing, a, a, a chapter about the aborto. Well, I was, I was editing the audio, and, this, and, normally,

the people of the company to grab, and we, we'd write about the voice and we, we did it, and we were, but we were we were, we're revisando

and the of a how? It's a a little? If it's a little bit?

The case was separate and there's nothing to be there. No, there's no, no

there's no cases. There's not, so also the things that don't we're not

we're not partied with not, we're not there's not there's a house,

so no, no, there there was there was a houseita that was there was a place where

was a there was to be to be doing to the voiceover of what was going to So, really it was like, oh, that's

so, yeah, so. I don't know. So, I don't know. Cossita, chiquitas, like, like, a time of 20 years, no, or 21 years,

for the less, until that we we're going to, right we're in the United, and the last that we've been to the United,

that's about a few years, the quadro, we've left in Mexico. No, no, we've tried. And for

that this time, this time we don't we're protected, I think, in this case, because all the time.

In all the places. In all the where we've been said, it's been like it's been like it's

like it's she's like it was like it's like that I'm never to know to me. The phantasmatrice

with my super quadro to get me with the more confidence to let's know. So I think to have to

do that yeah yeah. It's that is that that's a story englobable

of the and all this I think the we're just we're going to we're we've been

we've been to get to get to back hands. He's not the

house. I'm trying to the mind to do you want to try to work to

do that a family nocturna. There's a video. There's a special that we're going to

give a context. You're going to do a question. You're going to understand perfectly.

A sometimes the people who don't pass that time revising audios, not you

don't get much the effect of the proxemia, no? So, so they're a voice-a-

and they're in some type of psychophonia and when you say, no, that's not, that's not for the labos of the

person that's she that's she's talking with a voice and the music-and-a- and the music-or-mede

and you think it's a psychophonia and the other person talking, or not-o-al that I think

that's my voice and also is my voice and that's not in this room, it's been to be a

real-you- the the the the way, the way,

well, but there's a video specifically in the in the which I'm

talking and I'm I'm I'm I'm I'm and I think the

person and the time he the same time that it's, it's, I'm, in a book, I'm gonna, and... that's I'll ask you

don't know I'm not we know it in post-production I'm I'm going to another

thing the she gets thinking and when he's talking about and when she's a again and

that's a person and that me put the little when when it's I said that's

that's so is very strange or so this is a voice that

one of someone that not is in the person in the not it's

no it's a sound that's a sound There are many audios and many videos that we're doing. That's the 20-unico.

So, family nocturnal. I, according I, is the video of Angels Caidos, two. But it's a voice of a woman in the moment in which is talking about CES. We're going to check out. Sure, I'm going to check it. Oh, yeah. Oh, yeah.

Oh, no. And I, and you know, and that's just is it's a bit loco because back the, or so, what they're listening in the videos, obviously, well, there's some, some filters.

But in the video original, the first I'm a little bit of the gallina, because no, mames,

that's is a voice, a woman, is about the microphone? And where it's all you? That's all you.

It's not doesn't exactly what is what you just said, no, and a phrase is a

weird, but well, there, there was to be to be there. But I'm, you know,

but they're to be any opportunity to communicate as can, it's like a

microphone right. No it's detain. Yeah. Exactly. And you know,

if you know, Jordy Rosado mentioned some that he was in experiments of

transcommunication during a good time for a family of him, I think that his

brother or his husband, he's were doing some investigations for a

reportage. And then they they're they're for many of the sonidos

it's need a sound. So, also, also, also,

this this person is an expert Spanish Pedro Almoreos or Pedro Amoros and he is an expert in

psychophonies and he also he also about of certain frequencies in the ruses in the sound and that's

he has been microphones also of studio and has shown how they can do you can do you have done

but what rare, no, no, I don't see if you pass with that

the voice of the musicphonies is a voice very electronic

and in occasions of those I get to to hear it, it's

a person and it's a lot of, and there's that you're that's that you're not I'm

not quite, but not not they're with the non-matices. We're not we're not we're

not, but if we can't say that we're with microphones with all our lives

adultas, no is something not normal. If it's it's so it's with that

with the voice, it's like if was a person physically here

talking on the microphone. And so it's how it heard

there. And apart and the music. If I was a lot of the occuping, we're

we're not about us with the sound of the sound of that's the voice of the right.

Exactly. No, there no, no no no more. No, no. No. No.

No. No. And, apart, it's a little. So, I know, I'm a realad

yeah. And then, there's there's a thing you and you say well, who say,

well, who sometimes that one knows when is certain. And that that, that,

oh, that's that's your totally. There's a guy, a good, me said,

oh, I'm, you know, I'm going to talk to do something something very in the

job, and I'm going to say the net. I think that all the stories that you

were pure ped. And that you're to put you to agree with

and then they're they're they're they're they're so, then I

the net, I, I, I, I put to hear One day, me citin

the work very temprano. And for this, there's a legend in the job, he's a restaurant in a

not a homeowner industrial. It's like in a certain departmental of a time of a time that

that's a parted have invited, invited, and they're they're not they're not they're

not going to that they're to be to get to make before the before the last of

the time and the day of the day of the time. and that there's a little bit

for me, no, the people doing the people doings of ideas. He's, I,

I know, I'm in my routine that when I'm going, I'm going the podcast of you

and I always do you always I'm the podcast and as there's a time I'm

no me put with with an audiophone and I put in the cellular and it

I'm I'm accommodating some things and then I'm I hear you, where

someone passes coming up rapid, but markando the passos, and I

susted, I said, the mother and the mother's because I'm not not even

when I'm when I went to no, there's there, but at the moment

to do it and it on a time, I'm so I'm just

I'm I'm done it with the mantil. I'm I'm I'm

I'm I'm so I'm exactly exactly at the final

of the you know, the the heados of the feet of a boy. They said, those I see,

blancos, blanks, blancos, blancos, he fell the the room, and I got to

get a shing at the thing, and I'm he got, me, he got, he got,

and I'm sitting out of and I said, you know, bad, man, yeah,

yeah, yeah, yeah, that's right, that's a right, that's a bad,

yeah, then, so, so, so, yeah, I think, yeah,

I think, that if there are not these things. And if are a sometimes are in

a fortuita no, not you know, you're not the places, and are in those

that's many people, but you know the does it does it happens, or occur in

this type of situations like you have done a lot of time, and of that's

this no, this no, this no this no this no is, this no this not is,

this not is, this not exactly. Yeah, no. That's, what, that's doing

a gazack Just a platica, it's a It's a It's like, I'm not We've talked With nobody

With this With people So, but not Not in, not not not

So it's like that Well, well, public or not to To share it

In our Show no We're not We're like of We're Like many

And we I'm I'm I'm Pardon So, I'm With

what you're You know And so So, And so is for All those

that This episode The The fact is that is difficult and it needs to armarse of value what you are doing and to tell things. For us, for us, we're, we're talking about because, for us, we're talking about this, but the

yeah, to say front to front, me passed this, then you have to accept and say that the people will say that you're saying, that's saying, no, like what you said, I think that if you invented the stories, well, I also, I didn't get to think many times, is that, no, with the man of peluda, but, you know, is what's what's,

until you pass? And, and then, and then the people say, ah, that's the people say, oh, that's,

oh, it's true. Pass. Pasa. After that you when you say, well, then so, well, the, you know,

you're saying, you know, you're saying pure babosada, but really it's, but the good is that, for example,

to, a, to a, to say, to you, it's because, aparted, you're,

you're preparing to, you're so, that's preempt, you know, you're saying, you're I'm listening to our

great friend that you can hear you hear it and that's to start a little to get a little to get a

and see this to me like I'm like it I'm I'm like I'm I'm

work and I was to be the video because me they're so I'm the prohibition and it was

I'm going to see and I'm and I'm I'm and I'm I'm I'm

getting the night and then then then you a man then a

one a part of a people were to the point in which if you mostrave you could be a malabola,

instantrement era no. But what was a, a zombie, no. Something that would be there was with much

blood, no. Yeah, if it was a monster, a demon or something. And in this portada was called,

if I don't recall, was called 12 after the midnight night, and it was

a book of Stephen King. And in the portada was the part of the part of the part of

the part of the talking that that's the book I think it he was

he was he was he was he he was a little for the illustration

for medial to the so it so it's very crud very with the

intention to be the the point is that I did that I'm

to learn I'm so I know to get to get to get

and I'm to get to I'm I'm the

thing really really was a combination between stories

of a writer that is a fear and probably

malinterpretations of the people of the success that they they're that they

don't they do but a day I took yeah when was

quite that I occurred things strange the first was that I'm

that I'm in my house and they kept in front

to me and I don't I'm just about I'm giving

a front of me where I'm have, yeah, no,

I mean, so it occurred to one and a year, I'm really, no, not really not

of the really. Simply I'm going to and it's not quite. Then I stopped out of

my house, it's me made, oh, no, oh, what has

been the story, with the part of the question, the story that's that's

the most you've been in that in that case? Yeah, well, so,

right? Or no. Yeah, so, because all the more more terrible

that could be to do it, I mean, I mean, it was like a like a kind of a

thing that's part of what you're going to you're going to get to a thing. I don't know to know what

you're going to get to get us. But this other, this is I'm scared because me disconoced. Not it was

because something I'm just only I said, what fregated me is going. And if someone or something or

something can be that can't that's what is what the more that me. Because I

I say I'm very rational. So I'm like, I'm like, like, I'm like, I'm, like, I'm, this, and this,

and this, and this, and the logic and this is a, no, well, that's, me, I'm, bad my mother. I mean, this is what,

yeah, what I'm madre? So, what I'm, what I'm, what I'm, what I'm, exactly, and you, you're,

you're, you're, you're, my perceptions, my, my time of decisions, because you're in some way in the way,

that I'm, exactly, and it's a, salt, no, there was of another, because,

like, no, who know, who didn't know, who had happened if we're going to get us, we're going to

me, I'm going to say, I'm saying, Ruggott, yeah, well, let me do you, we're going to

let's, I'm going to do, but not you want to you, but not you want to you want to you want to

you're not that's a mentalment. And I'm for that yeah, well, well, it's all,

but he yeah, but he's, I'm going to but I'm was very concerned, I'm very

conscient. Right, I don't want to go out of her. Literally at the other

there. Like, I mean, like, some um, you know, like a

little bit to go to get to get to literally, little, uh, and I

want to want to be past, for there. I mean, so, I mean, so I'm,

so I'm, I'm going to say, I'm going to I'm going to do you know, I'm not, I'm not,

I'm not, I'm not, I'm not have, and they've not seen, the case, so,

so connection with someone and no, that's a mother, I think that's a but not

but not with everyone does connection the people like the people, like the people don't

do you know even though it's not so it's not so we heard, so we're we're not

but me not not so it's met you. No, no, no, no,

I don't, I don't, I mean, to be to be a person, directly, directly

directly directly, directly. I mean, so so, but, no,

I mean, the the, the the fear, the deserable, because you're, because you're

because we're doing, and you're going to, and you're, I, you know, with this, I'm in,

you know, when you're not, like, not affect me person, that's the role.

But, so I'm, so I'm, it's more more, it's a more, but it's your

better experience. Yeah, yeah, I'm, I'm, I'm just talking to be to talk to

him, or without, or without or, without, because I, I'm, I'm,

I'm, you, I'm going to I'm so, so you're so, you're going

to be to get to be to be in bed and I'm doing the we're doing the passes and there's

so I'm I'm talking so I'm I'm put to talk about well and with a good

good very very very very very there there's

there there's there this podcast that is the people

that's you're sure yeah yeah so if of questions

paranormal that has lived in a body if you have seen the first of the consultorio

in the psychology? No, no. Okay, there's because it has to be

much with this that's like that he lived in that he was a child,

he was a psychologist, and in a consultor in the she, she, she,

she, and she, they were, they said, that was that was things that were

that was that was a kind of a kind of if they were things,

that of a sudden and they were to get to the patient and then he was

a question of the magic, the energy, the monology, all this. Still, we're not

we're talking about the podcast, so this was this was much before. So,

he, he said, he said, hey, then me chance, boy, I'm a checo,

and, and, well, we've got the problem, no? So, she

he has been the hepha, the jeffa well, well, let's,

let's see, uh, see a a little and a see, he's a little

so he's a protocol of investigation to put fichita and things in every court to

that's there's so I'm I'm gonna get the manga but with a logic and

then then it's not occurred really so so, not more a

thing so, and just a thing's but then we we did we did

we did it that the house there's a there's a there

a there's a that's a little and all around of the world was there

was and I see that I see that I'm I'm I'm

I'm I'm there there that you don't have much

time that it's and we're we're we we're

a mortage that that 20 of the long, in the you can obviar

that there there's so he he said that he quitted a piece of the mechon

and he he would have given pardon. Yes, the pantalones for not

say that no, but he he's we're going to let us we're going to let us

and we're so I'm we've seen many those movies like to see

yeah I'm yeah I said no manche you you're you're

you're so I'm sorry I'm sorry super picada with his story. But, but I'm

that we're just to interrupt us. Discuit. I'm sorry. But I'm there's the partes in the

not-conted obviously. Okay. Well, well. Oh, yeah. What you is that

after you this investigation he said the novia, oh yeah, there's a noviour there in the patio

and we we're not with a box and it, but it seems that they

it's you're to enderer to the delinquency, no could pass

her the report because she was cargave to all. So, more than to be the contract and

let me, the situation is that that was, that was, all the activity was

was very more more than the idea, or the entity or the entity if I

want to the entity, and I remember, I'm, I'm, I'm, that part of

that you know, that's, that's, that's it's supposed to to do more

no. Yes. But still I'm my gosh, we're just all the time to get the

people who's say, oh yeah, he's back the I'm like that you don't know, because you're

not here. I mean, you know, what I'm doing what I say, I'm claring. Oh,

well, let me say it's all to all right to do you. I don't know. So, the question.

The muscles that we've seen and that were not far far. I never I never I never I didn't open the costal, it was obvious that it was, but

never it never, never never, never, but no, because no-you-a-carried, it was the voice-a-pe-Grilla, it was said that, no, freaky, that no, but, well, you're, you're seeing, the tempest of no-tenkas, what on. So, that's always going to, that's not. Yeah, exactly. But, yeah, I can't tell you. But I'll tell you to get to someone more.

The muscles no pertaincyed in what was in. Maybe in some moment. Inual, there was, yes. Effectively. Or, or it was of another, or it was of other, or it was to, because if there like they said like ohios

literally of something of something that someone did something that there was not there's not no rest of the costal or not

but there was the thing that was there was there were there were there were there all those

and all all that and a box and another another costal that

we said we said no no please no no no temen so

so it's that you're parted with a That's And what you What you said Remodeled And they're

That's a So that's a So like Yeah, So, I mean Yeah, I'm sorry

It's the Curitia It's the Yeah, this time not because I'm Yeah,

I'm Yeah, or at Yeah, or the Maybe it Not you metas

with my Wess okay? I mean So, who's Who's Who,

Who's So, if you If there I'm I'm In serious I

I'm I'm I'm I'm I'm never My mother. No.

Why? Well, I mean, I'm stupid of my part, but the cabos are related to the many practices, um, so you know,

you know, or so you know that the, whether the wessos and the cause are, it's, it's,

the essence of that person, no? So, so it's supposed to the rest of soces and the the people, really,

well, it was, it was, the people, was, the people, they'd, not?

They'd have properties magical and they were invisible or invincible or... Like I'm not a good

to play to to get to the babos and I want to do you know to manage that then we're

okay so, so we're so, so let's say that you or a or worse

that's, I mean look, look, in my multiple avenues of trying to

try to try to find a response of the one a response

of the a, one, a subnatural since I'm a bit of everything,

I've been in what I've got to be with things esotericas. So, there are practices,

I imagine that I'm imagine that all of you know, where you're you're to have stilismanes

to control the spirit of that person. Although no you know it's known in some

moment, it's as a kind of guard- -spalda So, so, so,

it's that I'm that I'm when I'm put in that they're saying, no you can't

let's that they're to get your talismanes because they're to be able to and that's

very enojado because you've been controlled or, or this restringed controlled

so. So, for me, the to get me, I'm giving a webo or I'm,

I'm trying to And it's So, it's So, so, so, so, so,

so, maybe, maybe, are, I don't know, no, no, but I prefer,

no, no, but I'm, after we're doing, in this moment, I mean, I'm,

I mean, I'm, for that we went, for that's, for so, you know, you know,

you know, says, you know, so, who's, who's, who, who's,

who, so, well, let's say, if, if, if, if that's,

if, more, deposition a energy extra in doing or doing to do that's like to say,

I don't see, some much videos, but I'm not quite so I'm like that

was more than what one thought of what one thought, and then you and then a wife, no,

thanks, no, I'm going to risk to let me to have to lamenting, let me,

yeah, yeah, totally. Yeah, of the actually, me told a,

one, one, one a one of her car, one of his

hermases to enter, like in questions of occultism very cargats to the

brugheria. She, she at final, not know exactly like that was the

thing, but a time, she'll be, and he and he said, I'm

to give us because I'm doing a and I think that all of going to

have to consequences of this. I said, I was maybe a adolescent in

that time, I was about at my 17, 18, 18,

and it was was being a pallas. I mean, just to just to just to be

that's like to know, but no. The reality is that I after after I'm

to go to the house and something to where I'm going to study and and the point in the

place that I'm with my roomies they're that when they're they're

they're on my bitas one day, we're all my companions and we're in the departments that

there was like a alberkita but the alberkita was around the rest of 10

and really nobody used to the alberka after the night and was very very

dark and it was so sure so that never never we never that was

that's on the night but a day we're getting in the

madugada and I I'm really I'm especially especially strange

like something something that something I'm and I go with two

of my my two of my And I said, if you're RETN, it's RARO and my my friends

no sent to nothing. And at getting at the alberka, we're going to venting our water,

we're we're doing but there there's there, but there's that you know, I know,

I said, the situation, the poor that I'm was that one day I'm a one of the

house of one of my friends, and I'm in this country in that I study

in the when, when, when we started to hear in the second piece, a shorro of a row of like they

were in things. He was going to they're doing, they're doing, you know, you know, you know,

you know, to do you know, and always it doesn't, he's all the time, and then

the time, we're going to start the door. And then we're not we're normal,

that's not normal, that it's over that point, and we we're going to get to who's,

and result that out of the house, there's the nobio of my mom and we're going to

get to do. And we're saying, what's the thing? You're saying there's that you're

there's a person in the second door. I'm. And we know we're that all the

house, then they're not he was he's probably he's he's going to the part of the

right and not the things moved but he says that's that's he's

there's a little so um so. So, so so it's so my

person. So, me is my No, no, no, man. So, if, if, I, if you, I'm trying,

there's many stories, and when you start in this, you're going to these, are the precautions intangible, is the

poor, because the time's, and as it's, well, not it's been going to be a loco, but no

you want to you know, when you're, if you're doing nothing, and you're just I'm going to imagineate

if me me get the vessel, or now if I'm, I'm, I don't want to be

in reality with all these things one never never know if if no if something something you're

always you're always you're always to tell to the men's to say I don't know so then so

the more more mehous more meados for all the things that you know that says oh I'm

yeah I'm I've seen this for here I'm I'm sure for what for what for what

to give to give I been more, apart of the fear this yeah,

of the true, that's clear, that the of the of the situations

that's that's that's about when the when you're when you

when you when you you're when you know, so there's a little there's

when you see, and you no you know you know you're you're

you're you're you're not so you're so I'm so I'm kind of

I'm kind of traumatized like, ah! Two, three stupidesses, I mean, I'm,

I'm, I'm, I'm, I'm kidding, like, like, like, like,

like, no, no, manches, we need to talk to, let's talk about, you know,

to talk about, I mean, I don't, I'm, I don't, I'm, I'm, blah,

he, there, there, there, there, three, three, three,

umras I was, I was I was in the house, in the, in the, in the,

in the there's a point that a patio very in the there's we're in the

we're in a little because it's a very rich the air for there. And the

house if not you know you're to get a kind of a kind of a lot of a little bit

we had to let us that we're that day I'm reading a book I'm looking and the world

and at the word literally the silhouette of a man with a a smearer and it's a

man that's a thing that a thing. But no no, no,

no faction or nothing, but I'm not I'm looking like a sombra plana. So, literally

I mean, a, a number, details of the trache, but all is totally dark,

like if it was looking in the middle of the night, but I see the

the front of the patio, I, I'm all right, and it's a part of,

I'm talking, I'm, I'm, I'm two seconds, I'm, I'm, two seconds,

I'm, I'm, I'm, I'm, for the exercises that I'm I'm

So, like process the things, it was maskable the way different. So I'll go to the

book, I'm going to do you know, I'm going to do you know, what I'm, what does a woman in

the room in the apartment. But the man that was a human, it was a

only, I'm a sombra. And then I don't know I'm going and I know,

there's the possibility that me I've imagined and yeah. Well, continue on

some days. I'm in the Sala, I'm reading this book, it was a book, it was a

almanacke, and it was a time in a long time in this lecture. So I'm reading this

book of Tolkien, and I'm a little bit a ballon, but no is a ballon, it was a

ballon of a ballon, it was a ballon, it's that's all a song that no project a

sombra and he's so it's so I'm going to go and I'm going a minute,

and I see a hand extended as as if if he had had to the ballon.

But the new is a little bit of a little is a same, with a little

shorts, this, but I know, I'm all the all of all this

all right. I think imagine you a man at a little a little

a little a little a little that you make that there are

more more negros but no more colors apart of the other

then in the so I know I look that is short, the

cart of the I don't remember in that moment I remember that I remember that the cut of

the hair and it was all totally dark of so I'm so I'm back on

the ball and I'm not there's the ballon, and I did it that's rare that's

this is more elaborated I'm I'm I'm the ballon no didn't

no no so much pass in some some some and I

go I don't I don't I don't know I'm in the in a vehicle and I was going to

get to the house of a friend to get to a little 200 meters see where is the

house of my friend of the house I'm three sombras and I see a a man

and a man and a man are the things that my house. So where I

go going to I'm a woman with a a fow a little a phalda

an t' an pome an pome an psalm the home of the somberer and the

man with a and are the three like one on the other and see to the house of my

am I'm so I'm so I'm never never to be so much let's let's

let's say we're so let let's for anomal because in sure not not

not transmitting in a emotion negative now now that I'm

that I think that I'm because I I'm I'm I'm I'm

I'm I'm super observable in my in my court of a

a corner and that one I think I'm like like a sombra, like a

someone's a sombra no, I know, I know, and then I thought one I thought I

went to the camera, I'm, I'm, I'm, and I see a a man,

so I'm like a so I'm like that you're like you're like you're like you

like the more of the other there's like you you're not you know,

and then they're saying, no, but I'm you're also you I'm not

because it's It's supposed that the fantasmas that was, I mean, I mean,

I'm remember that I'm a think that's I'm a think that's you know, when you

do you know, when you do you know, you never, never, never had heard of

little, that's something, that's that we can't be the sunbra,

but really, without, since, without, without, you know, you know,

so, is a rar know, so it's, so it's not you're things, if they're

more silhouettes. And, but the essence is a capture. It's a strange.

But I knew that there was a man in my court. Rarissimo. But,

I mean, in the corner always, always, always, it was that I

think, I imagine what this exists, because obviously, because, obviously,

we're not we're not we've been we've been having been having a quantity

of information during all our lives as humans, but we have this concept

of that or a or a or the things of the people are that's that's been

very rare there's and us going to get to go to a lot to be

not so not so not you're to think in the you put to think

in where they're where are done the where are the brain

in the brain the so the apparatus real that the

people is a the is a not the not the an soul, not a

spirit, is a where they process in those data. And that's that's the brain,

and control the world, and control many things. And the sense. Although it's not

affected. But if you can't be a person has a sense of tact, not because

the person to get to lose. It's because the brain because the

terminal nervous, no, there's not there. So, the so.

So, the person fall yes, if a person the body physical. No there's

in where these these these pensions or this phantasm how could how could

like a place? And to be like a person? And to be human so it's not

our concept or our idea is that are energies that the person when a person

when a person fallece so they can't emotions certain energies sort of

flotando or pegated or pegats to something and that one is the traductor

of them. Not is that energy is literally doing that's not that you pass and you you talk as that energy

you make a like when you wetted a limon and you know, or wetted a limonade and you know because you have the information

that you even know, or you know, or you know, or you know, or you know, so you know so you know

so you're coming. So, so when you pass for a little bit of you or you're

some things that, how it's that triggers? That's, And she gottillos and and you

make sure to that person that fellacy or a person that's you know, you know, you know,

you're trying, and one, with his cellar, with our own their own personal, for that

everyone every one that's, a little different, because we're we're doing what we

we're in the we're in the case, so, so if, if I received a, one,

a essence feminine, well, I'm that's like, like, like,

like, like, like, to me make that sense feminine. Oh,

that's a pinch a mentiroso. That's a thing, that's

that we're that's a word of but the energy is that. So our idea is that that we're

that we're that we're that's a more, this more more perceptive to this, has this

has that this is a word of these senses that are these senses that's that's like put down

over there no it's like it's it's a very it's a very

it's a it's a a lotcura. If you put to think rational, then you say, well, no, no, but no, so on those, we're not, we're not, we're not we're not, we're not supposed, we're the producers of them. And maybe

for that sometimes, we'll work, we're doing the problems that have to be with all this world, because, at least, no we're able to be able to try to completely the essence that's there, what we want to then. So, it's

like, when, when you know, when you're, for example, you want to, you know, the, of the, the sombers and all of those, then, you know, you know, you know, you know, but now that's

certain things extras, you can't do a more more to have been this, this,

or that you have been in, but I was, I mean, yeah, I was, I really, I mean,

I really, I was, I mean, I was, well, it's like, a man, well,

it's like, bigot, bigot, but if I'm a little, so I'm so much, so I'm

all the, no, me, me, me, me, Every time Every time, he said,

He said, Where's... He said... My amor. My love, Bello. Okay. Never mind.

So, I said... I was about a phantasm that was and that was great, not so

that you. Great. And, of all the I interpreted like a but for me was a

sombre. And it was a concept of the phantasm that they'd be seen

to be Casper or you're too, you see, well, because you know, because one,

not, one of a one of the or the other or the other boy, I said, well,

they're a a little bit of their little, or they're to see a little bit more. And it's a little bit of

a little bit. It's a man, you know, and you can't, you know, I'm sure, I see the face of the

but I'm sure that never came a affection. It's a thing very strange. It's that

is that is very interesting because I think there are various angles of the

that's one that definitively is one that definitely is very well. One has to be and Greenberg, the doctor Greenberg mentioned or we know, we're doing, we're saying, we're we're not, we're not we're not, we're going to be a vehicle that's a lot of

different aditements or the mark and what type of editament to do do you're the type of perception that you've, then your eyes and my eyes and your receptors mental and your biochemica you're going to a experience

very distinct to the my name having like a argument a same phenomenon but also the

the the the thing that depends the phenomenon because there in some so here

we're we we're going to a a type of energy that is there is there

is a or in a point in the you get and then you're to have

to have to a cocreation with that energy and there And it has to have to be

with what you have trained mentally, or a level spiritual, or energetic, like what you want to do you have to be with that interaction, what will give a result,

and if they're in the years and what you have totally different, maybe the interaction you get a point to a different. But also

that there's that there are some type of entities that I understand perfectly the part of the Cerebrough, because,

that, in the I think much more in that is our brain, the world, that is

in many of the cases, is more the person who is more the person who is that the phenomenon, per se,

but it seems that there are some type of of things and intelligent. And that

those, I mean those, yeah, not is properly that, that you,

that you're not, you're not, and I, I, I, I, I, I,

there are, those, but it's how they they're in this question in the that's

they're using all your baggage because I've been having I've been in questions

that have with positions and all these these phenomena that are these and in

many of those the experts when they're when they're when they they're

what is the form real of these people they're they no no

no they're they're not they have with our plan, but not with

the other they're in their own, they're in your mind for the forms that they're going to adopt.

But not the form of them. But they're they're not they're they're not to use to

they're for a time. And there is where I'm a little in this situation.

But I, I think there's that's that are more than with our perspectives

of our and that we're those who we we're those people, many of the cases

of Polter Guys always are related with someone that's a thing that's

the catalyzator for that's that's the movement in the movement. But super interesting.

Grand, grand, grand, entiment. Well, so as we say, I go, and as you

has been said, or has been a similar, in something, we know, we know, we know,

we know, we know, we know, we know, we know, the form in the way in the that we

want to like, like, as a coerence to what, that is the problem,

the one simply want to never want to give to a coerence of something. It's just

someone that's a little. And if not is a someone, of someone, of someone, clear, to say,

you're just you're doing, no, not you're not going to do so. I'm not going to. I'm not.

A a little, a little bit. So, I said, I'm not, you know, I'm not

thank. Thank you. Well, thank you. Well, I want to to help. Thank you.

For all you what has been, oh, no, no, no, no, no,

Rodrigo. No, no, Well, and fiatty that is similar to this type of things that are now.

So I remember of when I when I was when I was we did the spectrum. Well, right, but we did

make a little to make that we're going to hear things interesting that we want to this specifically

to have been about between 10 and 12 years. I think maybe 8 and 10 years

for there even, even we were my papas, my mom, my my brother and I,

in a casino in the Colonna of the house. But the houseita had a

room and then the third recamara that could have been a student, or a whatever, who said it was,

but well, I'm, that I'm, you know, yeah, the other, you know, yeah,

everyone, yeah, every time, they're all even little, I'm just, I'm not, I'm gonna

want, to be the other you're gonna all, you're gonna, it's but, But, well, the

Chist is that I'm perr in the quarter of the other No, no, is that I'm I'm going to know,

so my my mom said, well, okay, get at the all the quarter of the other room, and my father

in other room at the house, a house, a middle down, in the plant this of

inferior, and the bathroom, and my mom me said, when, if you're going to use,

to use the to use the night of the night or whatever, the other, then the other, then,

then you're just to, that you're saying, you know, so you're not, cochin, it's going to be a guy, well,

I'm going to go, well, it's up, no matter. So the chiste is that in one occasion, was, it was,

it was, I know, the madrugat and me were going to get to be in a quadrault. And that's

a quadrower, and that had the door, the door to the door, you, in this port,

you'd be you guys, the front of, they're, they're in contra. Those, those typical escalaties

so, a man of the cell and the the cell and and the side of the other

side of you know it was a little a little a little where you was a little bit of

the little bit of the little the door the studit this that in this occasion was my

recamara so in this occasion in the night I'm I'm

like much other times to go to the back to the recamarita

and I'm I'm I see a my mom I see a my mom with a with a camisone

the camisone in the English the camisone is like my my mom and all the whole

so you you know you know you know you know you're that the camera is this is I

this is I'm so she she was she was she was I was still up to start

to see and he and adds to the man so I know I know I think

what was her so her man so so his man He'd like me like me want to

like I'm like that's like I'm like so I'm like I'm like a little bit like a sombra I was like

but I'm but I'm but I'm my mom but I'm the camisone the camisone so it's

black black with flowers and then he said the hand and it's not the cella

and the cell and the there was there was a structure or was a one of those casitas

that you came down to the two doors and it's all like pure rocks

all the the pi pegas so, you could you could, you know, you know,

and that's, that's the other side and the other and the commoer. And I'm and signalable, but then

then I'm thinking that my mom, then I'm, so I'm, so I'm, I'm, I'm, I'm taking

you the hand, and when I wanted to when I came to get a back, so, so,

was spantos, I, was, I've been, well, so, but so, so, but so,

so, I don't know what I'm going to contract. But, well, this, so much, so I said, I cried like, I'm going to goreting to the escalel. Obviously, my pap's, with an infartal over,

what's what? What's the past? What's the time? I mean, it took up to superar it, that all the time that we've lived in that house, then never could

super it during that tap. I said that my my papa could be in the space of the above, in the, in the spaceito

between the recamberas and the the vano of the the river, me did a little bit, I did a I don't want to

I don't want to go back to sleep down to for much of the presence and that this is a

horrible horrible I'm not your mom not your no, I don't know I'm saying

I'm sure I'm not I'm not I'm not I'm not I'm sorry I'm like I'm

I'm going to I'm I'm gonna I'm I'm sure I'm I'm sure many years

after many years after and not I'm I'm I'm I'm I don't remember.

But some this Investigator Paranormal was in some in a

program of television in those we're about the 80s no, finales

of the 80s and a person no say or something or a

call a story very similar in that this person that this person

he was when he was talking to when he was when he was her

was trying to her mother her mother so I don't And it's a

phenomenon very very normal or the that's a lot of not a not.

And then was not so I'm so I'm like my mom for there no, not doing lot. So,

so, I don't see to what it but I do a little bit of the thinking when

I was the only person that had passed. And I when I was when I'm

when I did it is a so I was a little I did form of my mom

but maybe maybe maybe not not that it's this is of those

beings that they're that's they're a specific form to the

because we're doing we're going it's it's not it's it's not it

because this phenomenon of the people of the imitators I'll have heard there

has been many there have many many people there has been many

people there has there there there there matis

there there there a person very when when I

around of 20 years, he's going to and when the door there's

his his camera directly to the umbrella to the point of the left and

no left a little one of two meters in the entrance to the entrance.

So there is there is a crossed and be as well in middle of

the night and without the silhouette of her just in the

endada. So, it His papas, for situations, tend to be around around the night, like to be, to be, to be there, and that all of all that. Then he said, Mom, to do you? And so, where parpadea,

you know, she'll have here in front. So, recorriot, 7 meters in less than a second. And he said, when you had to be in front, he gave much fear, because it was, it was the silhouette of her, but it was totally obscure, totally obscure. And the eyes those were red,

Rojo, no, no, no. No, no. So, then he said, me did much fear, he said, because you're

so far, paradeo, and it's another way in the entry, paradeo, and he's not ever,

never, ever, that's one. In the other, in other situation, a chick, she's,

she's, talking with her mom, and her mom and her , be a, she, see,

a, see, a, see, a, and he said, what you And you say, is that he said,

I'm going to a little a little moments, what was? I was to go to your man, and where I'm going

and I'm I'm going to, I'm a little, myrano, abrem me, and he he's a

mucked malewola, very malevola, is a one a sonrisa that he had never he had

seen, and I said, what I'm what you what you what you and what And, I just see where he's

away from the window, but never me open the door. So, then I'm I'm going to make the phone. And I'm going, what?

Because me said, that car. I mean, much fear. And yeah, the personal, he says, what you're saying,

I'm saying, I'm here in your house. And if I'm in the house, so there's in my house.

So, then there's no, there's not, so the like the, like the, like, those imitators.

Exactly. And here is a point important. This that is an is identical, no,

is an The other is totally Osko with no-rojo Rojo. Another chick, this is very rare. The,

the brother has been very little time to have been to have been to the house more there's a car in the

door to the other than his own she gets being, and she he gets a temprano and your car

and he accelerate the pass and he's going to the passio like a

point of the house. So she says, a we're going to do you

do you're so I'm so I'm so I'm so I'm what I'm what you do you

and you go and you're going and I'm going to the passio and the fourth is a

car to be to have heard to have heard to be I've heard and the car is

and the house not there no more just I'm just I'm just I'm just I'm Marked my

my brother and my brother and he went he went to work, he went to the but he had a little bit more

that has been to do this type of imitators that is one of the cases more rare is one person has a novia

and this novia has a little little two two children and he he gets

very tempran a domino and he's he tried tacos because it was like he was

they'd be a little time noviating then he was doing so point.

So, so, yeah, with tacos. Yes, the tacos. Yes, so,

and with barbacow are, they're still a little more. But, but he comes to

the child, like, I think is the minor or the major, no, no,

has a place, but he top to the little, and the little

and the little and he's, he, and you're and you say, he's,

he's went from from the time, but he's oh,

well, let me put here the things in what he gets to

get to get to some to get to a and get to the second the house

the little the little that's going to that's a time that's very volubble

and a way and a way and then where down the the

little that's the chow the the chab the child he's just to make

to make and she up the and he's she's to come the man to do you

she's she's she's she's she's so at a rato he

passed. Ah, well, you know, keep preparing the things, open the door of the house and

the other and the child and the child, the little the girl, the last had been the second

the second the second the person, wait, wait, for where you're,

and he's like, for where I see, and right we've got to be, we're,

you know, you know, you're going, you're going, you're the second the next, and you're,

and you're, well, you're not you're playing bromas, he's with me to the morning we're in

we're in a xxx dad. So he is up with the little to the new year

is there is a bit of there's that the other she can no he no no. Oh,

all that apart of all that interact with the reality. Yeah, interact with the thing

that's to put more that thing to put a little more while you're well,

I feel me that you're cruises that barrier and is when you're moving things physical. Yeah, it's when you feel vulnerable.

That's, puttie. That's, that's that's a little. I can't talk, me can do it. It's rare, but we're

we're not really in this world. Yeah, for that's for us to share to do that if all these entities,

if they're if they're there, if you don't know, we're not we don't have to have access to and then

when you're you know, you know, you're called? I'm, I'm here. Literally, they're actually

they're literally, you know, it's like, um, it's like, this, the,

the god's delusion the author that has, that has, that's, uh, uh, uh,

it'll come. Uh, well, there's a book that's the god's delusion. Dawkins, no?

Uh, Richard Dawkins. And, uh, and he mentions specifically, he's, this,

he, he, he, he exists, no, but, but, but,

but he does a, but, because in the moment that you're thinking in the moment, you're in

your mind and for the time it's so it's okay so so, yeah,

so, sure that if you're going to more esotericone with these dimensions that's

there's there's because we don't know to three dimensions or a fourth dimension

that is the time in theory this, then, then, then, then you can

have been to be there and interactual, one of the llamas and, and,

but, it's they're and, and point. And I'm the gachio. Who knows how functions the

regulations in this type of if existiering those type of entities or dimensions who know what I'm know what

I've talked about what I'm doing this line and they say, well you're taking certain precautions because you're

talking with things very very raras that you you're saying yeah I'm I'm picky yeah me

I'm pick who who who's who I'm because I'm the past about it I'm talking

to do you I thought I was to be I was to start you're talking all the Oh,

yeah, yeah, I'm sorry, me, for my cause, for me, me I'm gonna

me, I'm because I'm for my cause, why not we're not we're because in

some time you're at the you're gonna in a moment, and you don't know

that's, but well, it's, well, well, the, well, the,

I think that's is the that's been the most me had been that's

super chiqued. What, what what now, now, of the

great, literally was like a year, no? Yeah. But the other me

passed before I'm so, it's like, but it's that I'm I'm not, I'm not,

I'm not like a kind of a little brook, and always that we're like, we're

we've been we're getting to get around of a thing, no? And one

my mom took classes like, well, because, geometry sagrated, yeah

know, you know, Reiki, all, manipulation of energy, and all the video

and I'm because not like in the age of the time of my time because me would have seen

me weird all the other people of my mom, because so like, well,

but I'm really about this and I'm interested in all this. So, then I'm like, well,

but you just, but no more do you know, but you know, you know,

you know, I'm there's just I know, I'm getting all the stories, and that's

all the stuff, we're talking like I'm like I'm like I'm like I'm about

one-on- but it's when literally you're in the you know, you know, so you know,

because it's a years, no there's a internet, like, oh, yeah, let me look,

what's this, no? And just, I was a good friend, that also was he was he liked,

and also he was, and it's all the role, then so, like, we did

make, I'm, with a time, with a man, and the father of my family,

to the other, a pac-bulco, literal, but not to go to or not to go to, but literally it was like to go to the house and like, oh, I'm just

they're going to get, we're going, because they're not, we're going to the little to, okay, we're going to the little.

And it's a kind of a sanator. Why not? All the all the 11. All the first. I saw my mom and all the other.

But that, I could have done the time. For my friends, I was, to be and one of those friends also We went to

We went to We went to We're in a department there. So, the papas, let's

the papa, the mom, my amina, the her man of my friend of my friend of

the little, and the little, the brother had had been two, and the friend also

they're going to get with a so we're in the house. I was

literally, that's really really because never never ever ever never

ever never ever had had accosted to the papas, and they had been to

the kids and we're not just the three girls, the other two and I, in the

room in the apartment that we're renting, they're they're renting. I'm invited. And,

and, and the I'm, I'm going to get to a shillon, that's

a backio, not where we're not where we're just, I'm, I'm, I'm put

that one of one of one of them also, one of one of one of you,

you, you, and I said, but you tell me to me at me, I'm at the same time,

tell me, and the two we're at the same time, to three people. Three persons sent out of this sillon.

And then we we're, we're back spantoso because obviously we're little the great

was I, because the others were a year more more than I. So I said, so I'm

so I'm the responsible here, what the parents are the parents are not the

people are those ones and at the 11 you're responsibility to to give to the dog

and you have to do a lot of you know, then this let them but that's a way of

a matter of the mood thanks. Well, to be the I'm sorry. I was sent a little of the

years of me and we're seeing us but not they're not phantasmas because in this moment

with all the role that I did like my mama, not were not

phantasasas were they're not energy here and for sanart you see the

energy pesed here we're going to pass the energies and we do all that roll. So when

we were three people in the sillion, yeah, it was like, oh, wait, what on da

and a see, and the two at the time we're we're doing, we're not a senior and a new

and we just like a mother, yeah, it's all you because we're doing the same and it's

very rare because we didn't be talking stories of no more we're talking about we

just we're about talking to not make So, it's so it's a lot of

one of the things that my mom me was that can exist or not existier

because really today, I'm it's really really really that's a

really that's like a ritual to make them to send us that's they're

to be to be to some something so so I'm

I'm I'm I'm to do the ritualito and the

other was a lot of fear of and I was a lot I'm very good to be a

what I'm going to do you know I'm saying what I'm to do this to do more than you know to get in balentones

because you're in the little bit more you're doing this you're little you're little you're saying oh we

well well well well well well well well like the like the

two we're going to we're to attack the little to let's you're people who

they're that they're wrong um of the of a something, we we're going to

we're going to we're going to now, we're going to think, are you know, are you know, are doing

because really no, no, I mean, so, ah, yeah, yeah, no. Well, and in this

we're going, we're going to we're going to we're going to this, we're going to the child. And yeah

only just just there's one, no, ah, so we're we're still we're not

we're the thing we're not the we're not we're in the only we're but what we'd

not quite like any people of the same, we'd like like, but if with figures of

the light, you know, the other, the other, the opposite of the suns per complete. And a

a little we'd even one one one of a one bird. It was rare like, like,

like much light, like much light. Those are like, like, so it's

like, in this, I don't know if it's not so I'm I don't know how it was because it's like very confused, also, but it's a

sustra one, and says, yeah, yeah, let me do a minute, no, I see, that's, I'm going to goreying, and then they're going to the other two bobs are all those, they're in the car, and I'm going to do with them, because I'm going to me, I'm going to me, too, I'm to me, I'm going to get here, I'm going to, I'm

the last, and one of those is, met the hand and he apag the light, and I'm the It's what's the last and I know what was but I felt literally like

that's like it's like it's like something something horrible in the back. So we went

to ender to turn to the court and I'm don't friagent something in the

back on the spada and I'm really and I also I'm so I'm

so we're so we we're just we're something I'm something I'm so I'm

the little the the girl her brother of my my friend, he marked a

my friend, he's a my two of the two of the two pieces.

He? You know, does that the stairs? Yes, but they're not

getting to us to us she she's she she's and literally

literally, he he's saying, oh yeah, it's that's going to

this, Paola, we're we're doing this, we're we're to make, and so,

and he's well, putans to put them to to rest I don't know what, I don't know

do you I'm like like a like I'm sorry and it's a rarestim, no see. Also,

also also also another other thing in the life, I think, I think, and I'm, I'm gonna

be like, I'm like, no, is that ever something, I go, and all the

other people, they're saying, well, and resten, resten, and grita, that's,

that's gonna yeah, or, something, and, it was like it was, it was,

it was, all very confused and very rare because the other was saying that while these were they're saying that's going to

be doing the thing about in the house of them. Like, they're just being playing in the kind of,

so I know what on. That's been rare. So we had we We brought in the telephone

to the person saying that the brother was my friend, the that was I was I was doing,

he had I do this, then say, do you, do you, do you and I'm like,

because I'm like, one of the one of the manito chiquito. and he'd have dormido to the amygd,

and he's in the room, and he's been doing a little bit of a little bit of yeah, I'm imagining. I'm saying,

so we're just let me get it. So, then it's so, well, what's the thing to be, and me be there all the

back, so, then I'm putting in the hands, I'd want to be to get it, and put it

in a transmutator, all what they wanted to say, so, no, no, no,

it's, it's, it's, it was, it's, it was, it was, not even,

we were some little, trying to quit the exorcism of the amygia,

no see. So, I was I'm sure that I'm really felt a exorcius of Paola Treviio.

And but me got to the reverse, no, no, but in serious it was horrible. So,

then that so, it's still the newt too, and so so we're all we're

so we're very nervous. We're we're not, we're a history of 11 years, to

do you really, it's a lot of that's like, the mom is a a new,

she'd be saying, what's what's saying, what's the time, and then it's

literally, he said, salt, see the the door, so, because it's, because it

was trying that we were trying to that's that I was to get to the time, when we were

the door to the mom, so, little, literally, so, see, the door,

the They're all, all, so, all so, all, so, and the mom, put, assuited, and say, oh, boy, well, sir, well, sir, oh, well, so, no, no,

no, no, no, no, he's not, he never, never, he said, he's, that's, you know, he's, that's,

he's, he's got to, and we're, and we're, until we're, the other, he said, tell this,

tell this, that, do this, to do you, give a thing, good, do you're gonna' a good, but,

but, but, yeah, and, and, And then she said, and then she says, And that's why you go? And he gritty,

and horrible. And in that, literally, I felt like that's like it's a dead. And like, I'm going to cry to the

little, the other of the amigito also, like, all nervous, and, well, no, we're not, because we're all

in the camera, that there, was a one, a little, a lot, we're all, we're all, we're all,

we're, and we're, if, if we're, we're, we're they were in the church.

I said, literal, because we know we're to do. I'm not really a realiousa

or not. But in general it was the first that was going to tell you to do it because we're

too much a lot of the night. So it was very strange, very, very rare, quite that

the day the next the mom, well, you know, what you're going to get to

the church, because, sure, we're that we're the So,

of course, because we said, is we did we seem to to know the papas that we and we're going to be there before.

Well, since then we went to the church the day next. We're going to we're doing so very well.

But I, from that literally, I feel that I'm a area of the back to the where I'm

very sensible. And not me like that my fagged the light, that I'm not the ultimate in apg the

light, because, that I, that I'm the ultimate, I'm, I'm, no, that ,

no, I'm to pay in the light, so it's like, no, I'm doing, I'm doing, I'm doing, I'm sure, it's an area,

I'm so much some little bit , it's a kind of a bit of a lot, but I'm, like, when it's a

little bit of the body, but not in all the body, just in that pedas of the back. It's a

thing, a, so, I think that's really, literally, the, you can't say,

the the, the, the, the fear the most the more,

the Because apart, he had a secito of others that were very me and grittas to make, we're going to

get to be able to see what to see what we're doing. Yeah, more grand, you know, you know, we've got to

control the different, is another thing, but in the moment, it was intense, it was what we were doing, and I'm

to have been something that they've been there's a because I don't me get to me get to so much time.

But I know, I'm put this they're because that mother was to be so much

and that's inventing all, or because being little, because they're small, I mean,

because not you can't pass that type of things. Because also, one of when they're very little,

when they're like they, you know, but not they're when they're not necessarily it has been

that they have been to be, I'm not, I'm not, I'm not I'm not but a

more, what I do a little is that we've been to have to have to have

to send us to make to make them, why? Because, because no, no? Well,

no, well, Who has the power? No, no. Who knows? But as I feel, yeah, thanks,

after that, this anecdote or, after that event, of that event, yeah no, the spalda is like, that's my

filter. Yeah, when I see, there's like, okay, here's kind of tricky the thing.

Ah, it's a one social, that's like a lot of a detector? Totally. Yeah, that's,

it's an area of, energy, like, so, so, like, so,

not get so, so, so, you get to be so, so it's, bars in the middle.

I don't know. It's like rare, but yeah, like a little little a lot of

a lot of no, but when I'm scared to happen, it's like to happen the

hand here. And like I'm like, I'm like a comfort. Because I'm

kind of it's strange, it's rare and more more more great. You're

more more more more more logical than, more more

but more more tachant in pensions and more all talking

what frigidera is this. But, well, I felt it, and I'm really the thing I'm

in this car's the in the case, in the with the with the dialogue, also is active

that's not because that case no me never, no me knew me never,

that's, that was that was the thing, was the thing, was the never, no, no,

no, was the other. The the back is the exclusively

The spalda is when my really and it's when I'm talking to

my time I'm in my second like, I'm not because I'm going to

disappear to the phasasas and I talk to the but it's

a comfort I don't because it's a one it's a one, who can't

say it's literally if was a ankle and be it like you want to

so could be it like like you maybe you you you're you

could but it's but it is it's it's it's when

they're when they're when they're not in the things like they're in an apparel and they're

going to go over and they're doing the other than the apparatus but finally you know it and it's because

in some way, is because of the body after the life. So, so,

if, if, it could be, that there is some kind of because

was the area that was sensibilized on this type of event. Uh,

so it's It's rarestim, but... Rar a bit, I feel something in the back because I've felted to get that you know,

but when I have got to feel like I'm to get to see, I'm sure. I mean, I'm saying, I'm sorry.

I'm sorry. I mean, I'm not related. I said this story, because obviously, I'm gonna say. And,

I'm gonna I'm sorry, because... No, no, I'm going, I'm going, I'm going to be,

I'm gonna be, I'm never, I'm never, I'm gonna with a curiosity and that, and maybe you know,

and maybe you of insult to insult to the entities to be to go. I know. I'm a

theory. But, but many people, it's, right that I'm called it literally,

me call more the 20 because of the, I don't put to think that that's

but, but literally he he said, and let's and you know, and there was when

it's like kind of kind of it's, like, I know, I think, I think

this. Like, how you think a theory, I said, 100 percent theory,

no I've could have proven, but I think can go a little for there. This,

what I've noticed is that the people not not quite not much of our people,

there are, there are and they're saying, no, I'm, I'm I'm very

and all, I'm know, I'm going, and I say, I'm very

content and they're saying, well, you, see, that's he's he's going,

he's but he's he's to be, and they're in other state an

So I'm anymical. This is a preamble. I feel that the person not are so conscientious of our states emotional and even people in our own in many

occasions is a count of the status emotives of those who we're not we're not conscious or we're not

we're notary different. So, understanding this as a preamble, I think that this type

of entities provokan or they're they're they're they're they're exclusively

not more of certain or the other not inclusive could

be even are even even for for this type

of entities or energies when when a person

express malditions fift I know this not not

more the maldiction is the how it never

they never they say they to let get

to get to get you know always is with

voice very high of a way impositive you get a

mood emotional of a way of a form practice. So I think what I think that's

what's going to that's a lot of another energy that's an energy that's and for those much times it's a

very much times that you you know, you know, you know, you know, you're work on the moment

that you make you make triggers emotivos. When a person says, oh, yeah, tell you, give your five

foods favorite, the person to be about with a good, and love, and so,

even, even, even, so when a person says, maldition, normally,

actually, it's a thing, it's something that's made, it's, metidissimo,

and when a person you say the pendejo you, it's a little it's a

way, so I'm so I'm so I'm a book something that's that's

that's he was to another emotional mental, I'm saying, that's super logical.

So, so, yeah, is a can't so that is a thing, is so what's

a tradition? Is it is a minute? I mean, I think have been I'm sure. I'm

no, I'm, I'm, I'm, I'm, I'm, I'm, I'm,

there's persons that people that they've been living is like this me has a click for here. I mean,

I'm a percent. And normally it's in the Hispanic, because when when they mention even exorcisms or things of

that type of acts, although it's a lot of the energies or what they're, not, it's not,

but the Hispanos we have that role, no, of grosserias and you go, you

go, you're going to we've been present in things for the style, or limped or things

for the style, and it's, and it's, and it's, And it's insults and the and the

about the but it's but it's so it's so it not it evoke to go to it's like

I'm so I'm so yeah so I'm so I'm I imagine that's

I'm gonna like the cellulas in that I'm not I'm sorry I'm gonna I'm

exactly I think that's I'm this is this is interesting because in

the logic of the emotions the emotions are antagonists. So, no,

there are emotions that can be two emotions together. The, the, a pass, a path,

a path profound and fear, no point to be able to get to the unro-transmissory different, your body

reactions, a way different, you get a rhythm cardiac different. It's an

antagonist, or is one or the other, but not the other, but not are the time to get to

to be to get to a aspect victim, it's, there's there's many changes

internal that makes that the emotions like the desolation, the stilation, the sentient and they're

there. No, they're not they're going to be able to do it. I don't think it's the

more logical that's the yeah, yeah, yeah, yeah, yeah, it's a

can't, and it's we're just we're going, we can't be to think, well, what can't be

to think, and that's, it's just to me always, it's just You just say it's what you say it's and I never

I always never I'm sure but I'm sorry It's really It has a Yeah, we'll give us quote

When you know Yeah, if you Let's say You know, we're saying to Where's Oh, That's cool

That's That's cool That's Of course, the rest of who Let's talk about Let's talk about There's over here

Some way Because this is too I'm gonna There's a There's a I'm gonna There's a justice because

this this, this, this, no commensed with me so,

so I'm to go to what I know, probably probably probably then probably, but it's

a little telephor ascomposed that's the years, but of what I know, if

someone if someone see a person, see this this, jump in to adder

something, but well, we're talking of the 70s. In Mexico, no see, and I'm

not so, these, these funerrierers, that's funeraries that's galleyosos. No, so,

well, then the in the city of Mexico, I think in a time of the guyos, the colonel of

the valley and one in the or not where the but the chiste is is that the colonia of

the valley was the first or the most known of these. So,

my parents still don't be not of the and they and

felles someone, no-se- who- is relevant. But in this, in this

edific of the the place on Felix Puevas and

like you're all to be up those are like escalaritas to the different semi-niveles but the

last part the part the part of the other is the part most so I'm inventing the

numbers because I don't I remember but I think it's the capilla 15

or the 16 or the 14 and the 15 that are the last the final

that are where they are down where they're going to to the people to the

people that so my my this was my

my mom, her mother, who is, that's, that's, he's, and my papas,

they were in the family there, and the support, and when they were, they were in

a man, or a child, no, like, a little than the , you're, and the

people, he said, he was, he was desperated, with a, with a passion,

with a sentiment, that they didn't they're doing the to go, the

capilla, where was the family, the, the family, no? And that they're

in there, a hour and cacho trying to consoled this person, but I'm

and I'm and I'm and then this person, this person, this is called, well,

he asked him his name and he called him. I'm not me try and no me

him. No, man. But then this, this type was to yore and

he was he said, he was that he was a mano he was a accident of his,

and that was his reason to be, so, so, his, his whole,

his brother was the light of his life, and he was he was never in that capilla or close of that capilla or

it was he only just yurlaino so much he felt that my papa was he cruised there was a restaurant of hamburgicitas literally in front

and he was you're going to go to buy something to buy to help him to try to take to put it to put it

so my dad he took a hamburger and and he's he left there oh, well, blah, blah, blah. And continued,

and they continued, this, practically, and they did the telephone, oh, yeah, if you're really,

you're really and you know, my tia, he gave the telephone, this, to this, a question.

So, well, then, they're just they're there, and they got to the capilla that

for them was the left the left, the end of the left the building. This,

this, I think is Gabriel Mancera, is a avenue is a a lot

and Felix Cuevas The other side is a Craying that's a little bit of not quite not transit,

I was not transited to and it was the carrosas funnabres of this this same company. That's,

that's a little, I don't want to get to get a story of that this pedacito but,

well, total, they're not a few hours in the bellorio of the family,

when they're in the box in the burghasa that they've done there was there was the

there was abandoned and there no, no, no, no, it.

Still, they said, that's that's what I'm that way. But, but it's

good, it's not because to come out of it. I'm really. Blah, blah, blah.

For that this, they're all the night. Well, that's the same night.

A bit of the night the next at the last of the night and the phone,

and I still my mom and my time. And I saw the phone

and I'm and the mother of my mom. Oh, and he she

and he says Rosa. Rose. of who, that's the part of who, that's, he said my

boy, obviously, no, so my old old is in a while in a while, in a while, in the time, that's not,

the time, so it's like, that's a not a little. No, it's a new yeah. But the kid was a

year and I said, and I said, my little bit to go, to the other to the pass, and no,

so, so it's a so it's just so it's just like, and this is like a kind of like a

kind of always about times, and always p.m. And, the telephone. No, for that

but it was very really rare. So, so my abelos he said, and he said, in that

the section amarie, well, the, the director of the section blank. The section black.

No, the section black. It was where you could you find the people.

And it was to find out of all the all of us. All right, all of us all right. So,

so my father he said, I don't know how they can't know to make a that person.

Puck. So, this you know that's started of the man, all that role.

In that inter, this, this, no, no, no, they've been not, but my

abuelita, when I was to start the, the bellor and all this, he told then,

when, you know, when it's you know, that's the last of the history, that when was, they

had serrada with a rickie and the role of that you don't enter, that something that had

passed in the other but, things very strange, like, for example, that they were,

so, when she, when she, when she had to all, an this atada

out of the of the of the the door with the window of a door open open

a door of what's without so we know we know we know so we know if someone

somebody's there's something something something like something something something

that's not just that something that added to the history after after

that's that by the way is a story that I've heard I've heard

I've heard something like, not are imitators, but are desicators that are

some of the reason, and they've been to be a lot of the family, is that localized

in the name of the family this, the type and they they mark for the

telephone. And it has been died of two two brothers in the car,

he said, he said a man saying that what's that's that, that,

blah, blah, that that not some, no are not some manner. And then

my tia he was my my tia was the my was the say that she no, that he never, that he wascared. And he'll

say, well, he, well, he passed this, a tall day. This, this, he'stou. This, this. This, he, because he bought him to hamburgess. He is, so, and so, so, and so-asad. And he gave, those days, like, of him, to be the day that he was the day that the father received the news of the, the brothers. And then time, before, were belated there.

In that same, in that the same capilla, like that's, like, it's, like, she desprendio and he was suffering for the pernade of, no, so, a thing, so, so, more rare. But, well, that's just like the story that you can't, the chistos, the rarrow of all this, is that

this personage of George Abud is that he has been presenting with families, and even, even even with us, so, it's, so, he went to, generations, three generations

ahead. Uh-huh. Sentance in cases, very raros, for example, uh, if, operated, to the doctor said,

to George Abud, they're, the, the day of the day of the operation will get and the time George Bush

never gets. And they're oh, where's the doctor Jorge? No, because we don't have any

Dr. Jorge Bud. Or, for example, they're baptizing to one of,

a, one of the one of my primas or someone, a baby. I don't me can say

with Paola, but yeah, just a years after 20 years after of what had been said

this, and they're, the, the, the sacerdote giving, we'd the pass

and we we said for, no, I said, and he said, I'm, we're,

we're, we're, we're, the sacerdote, no, and then so, all the

family, so they, and then, he said, and who, who, who, we know,

so, me, we, so, I mean, he, so, I don't know what I'm,

the list, of the, the, of the, the people, to the, the, of the,

so, so, so, so, so, and the, and the, and the,

And the chisitoso is this. Every that was this story and we're we're talking to us and we're

not there has been to be able to but they're to talk about to say this story started to

get to get us to get us all of this question. And of this person, oh yeah what you

think you're to know to know to get to a Jorge bud, to and this

and all you have said and all and all all description. Cbeo chino eyes

almedrows almedrows this T's apionada So it's recurrent It's a recurrent

No, it's Like a lot of A lot of I'm not sure I've seen I've seen anyone Or stories Similares that

Have you've been An entity That's a For generations Appareciences But is someone That's someone That's a person

Or someone To be at The degree of The doctor With the Wither Many people Wither

Many times You know And I'm That they're They're They're They're They're

They're going to operate or they're going to operate or the doctor is Jorge Abud That's a little He's a little He's a little He's a little He's never

He's never He never used No, never worked on the hospital, and never in the hospital, and none of the stuff. So, well, that's era

weird, but well, that's was the story. Never had heard a story saying, wow. It's rare. It's terrible because it's

not a lot. So, but it's creepy. It's rumped the reality for completely, I don't know. I've been

I don't know of this that's It's not. I mean, no personal, yeah no. The last time the interaction

that I'm in the name of George Abud was in that baptism that I'm that we're saying, but that's all we're pasted, but that's, I think we're

and we've never said nothing, but for many years, many years, much years, and every one can't tell a story very similar

with things, in situations different where in George Abus so he presents. Or something or things where where, you know,

he don't, you don't go to get to to buy this car, because the, blah, a target and Jorge Budi,

and it's the he's got the second in an accident for example. Things, you say, no me's doing doing the

but he's observing and he's doing the family all the time. But he's he's over to say, not to say,

no, to say, like, what he wants? No, it's that doesn't, let's the sentiment

like on-ser, like, the sacrado? No, I don't know what is the word? Desagrato.

Or, or Nisi. Like, like, like, like, intranquil, no,

Like an... Onis is intranquino. Well, as intranquino all the time of the time, of the... Because there's

why... Why, why... You know, if you're real or not? Well, it's real. It's...

So, that's... But I referring real or a... or a... ...or a percussion real of

something that is... ...or never... ...on never... ...on't... ...on... ...on...

...on... ...it... ...it... ...it... ...it... ...as... ...as... ...as...

...as... ...as... Because you know, it's, you know? What the other is that, like there's that's a person,

no, that's the person's, you know, that's the first instinct, not necessarily the thing,

but the that's the thing, but the you think, that's, that's, that's a

fear, that's not, but, really, really, because it's has been, has been

from, it's, like, oh, wait, he's, for he, who,

between us the people, I mean, I wanted to, I want to, I want,

only form that we have access to a lot of people, like you know, you know,

you've been told a little about a little bit of a little bit of a story of a word and then you know,

or if someone tells you or you tell you, or you want to know, I'd like that that's

something that's someone has been, so this has been this has been 40 years apparently.

It's super interesting. Of course, family nocturna if someone has been a story

similar of some type of entity that's been like that observator or a long of

generations and that has this type of interactions and then as a like it's very important

that's that's that's clear the interaction and then there's no exists the doctor

no exists that person he's he's he's he's he's he's

he said he's he said so if that's this type of irruptions so

it would be interesting to see this type of stories it's the first

I've seen and it's the first I'm cativou yeah me catatio it's a and fictive and I'm going to see that

I'm going to to philosophar a a little that maybe all this type of things and these appearances or experiences

have been going to be in my case or in the family and it has to be much with

with the incredulity of but also the also the camera to all

all the all all so it's so it's so it's very easy

to continue the access or or to follow the pass to something and say no,

no, no exist I'm so I'm a lot of this, every every time I think I'm

dismissed this, ignored. But in those times where no this technology

was just nothing more literally of interaction where not they're not they're

maybe maybe maybe they're more more they're they're to

interact to get to interact with they're they're to find

very fast. Aspects, like real, as a person that were. No, I don't know. But I don't

no, no, no. And we've never done to let me do. We'll talk them. We said, I said, I've got to

this much that I don't this story. But in really, me intrigue. It's, it's,

it's, no me never me never been me has been me done me. It's a loco.

That's, there's, there's, there's, there's a a mind a thing, a,

a sensation that is like the something of an And when are things

terrorificas, the sensation of imminency is atroous. And there was a person that me told a

story, that, that's the same thing, the same, that Jorge Abud, in some

moment, could appear or be interactor or be to be that's a thing,

and they call them to tranquillity. The the the, the,

the is something that is something that, is something that's, but in the

say, one night I went to do not with the sensation of that I'm

going to get a bad. What I know, he's, the most strange of

the sensation is that never had had been in my life. I'm a person

very very very very very that night. And that night,

I'm going to go to be the switch. He changed the channel, me met to do to sleep.

I'm like at three of the morning. And at that hour, more or

I'm going to feel like that there's like a place. The door is open, the window,

that's a thing, that there's there the sensation of that there's a thing. The

right I'm I'm can't move, but no, because they're in paralysis

of the I'm a little there's something that's doing pressure in my shoulders and

me have done the camera with the way I've had done where I'm doing I'm intend to

get a there's like something that something that the pressure to increase to augment to augment to

augment or in my arms and the point in that I start to and I

start and I start and I'm start to start every more more more and

it's a moment in that the pression is abrumator. It's atroce. Something is it's something.

It's a little to kebrough the other the way of the and then a carcachada in the room.

While I'm feeling that this me amplasta. I'm, I'm, I'm, I'm a idea for the

case. I think that is going going to be a very bad. And, I'm

going to get to the morning. Like this could be my ultimate moment. And that

sensations like if something is like literally like like they were doing kilos and kilos and kilos of things

that I'm can't be but that they're doing doing that's doing that that's that's gonna

sound very very soon and then the the piece to get the and I'm to get to

get to the normal and I can't move and I'm not more you can see all the persones of the

situation where they move at the and so you I'm this

story I had I've jured not to tell her, because every that I feel like I

feel like that this sensation and I'm saying I'm going to get to get to this, but I tell you

tell you, because when they were the stories of paralysis of the dream, mentioned a

one an entity that's that's that's because they've seen in the

pecho and they're they're I think I'm in presence of that that

that cause. Oh, that that's not that I've heard. That's horrible.

What of the The Bruella, I've heard of I don't. I don't I don't know. The carcatcha I don't have

heard of the clasered in the camera, so I'm that the of the sacerdote or the

woman, the she said the putrefacta. Is that the sacerote what putrefacta

come in those stories. Yeah, and that's not I know those we know those we're just

because are recopilations of things that we've I've encountered that says, I weigh,

and that's that's all the lot of, but that's that they're they're, but they're no, no,

so they're not, no, so, that just like, in the episode, we're, we're,

we're, we're stories that don't encounters in internet, and that are things

that even not we're not we not us have passed, is that Rodrigo had a

type of Nana, that, God, God, so, how I'm liked

between her, and Edgar Alan Po, well, here to pass to do this barbara

I was really the stories of the stories of the of the stories of the of the

but not so of the people but stories that's that's kept on the mind of us and they were like we well

we're we're we're a woman the senior the senior of Rosario that's the

legend the signora of the story that's that's supposed to you're in the night

they're they're just they're there's imagine to And you start and you're a voice of a lady. So, so,

so, so on the people, or so, me the person, and see, and be sent out in the cell of your house,

a woman with a collar with a redone, so, so, he's saying, this is this signola,

there's a, there's a, there's, there's, and he's, he gets, and I'm, so,

because, so, so, so, so, no, no, of that,

resando the rosario in your in your cell. So, and there others that were being being from far as there. There's a man in my house, whey.

That's a man in my house that's a person. But in any of these cases, if you interact about

with her, she was she was overusquamity and he agredia and what you was to say, he was to come to come

to me? No, you to come to come to me? Or those who were to look at least. They said

that she was that she parable. She was like what you like what you like seven meters in

one second those agarrava those angolutea and they're to put in the roadies to rest her and they're all the night

until the madugated and it's a so we're talking because it's a legend interesting that never we've

heard about. Because the interesting of that was literally that's, to tell things that we're

not because not because they're not they're not they're not they're not they're not really

so they're there. There's there's the she was the she had to

this that, like you're in your and that's you're in the room, the cushion,

the cushion of the couch. And when when you're the eyes, you're in the girl, and when you're

doing, giving the spal of the other hand, and you're really desperated in your camera, yon't like, like,

all right. So, then you do you do you? You're just, you're doing, you're going, or what you

so, so, so, because if you you're, you're, you're that you're,

that you don't you that you, that you, that you, the abraces, for favor. So it's like,

the abasas are these images very that in a little bit that's not it's not, it's not,

because it's supposed to be because they're a lot of the person to say, but the only that is, Abrasam.

Abrasame. U. Wye, so. It's a woman who's and that says,

but she doesn't she doesn't, but the she said, the woman that was a story very

that was something you, you know, you know, yeah, this visitor the other she said,

yeah, and it's a way, so all the people had about these stories, and it was a

thing that's a little, like you do you know, or? If I was said it bad, the

re-ar-reglas. No, well, because I don't know, well, so, well, this is a

supposed to you're, it's a supposed to all, they're, they're all in your

room, in your quarters, in your chasm, yeah. So, then,

you're in the time, literally, and of a moment, then, like, as a more something, you know,

like, a good at a god, like, giving to the blessing, so, doing so,

on the hand, and all, the foot of your and then. And obviously, well, is a

but, but you kind of, but when you start so, you know, when you start, a good,

more, your sense, you're, you're just, you're getting, and you're, you're just like,

and you're, and you you're saying, I'm I don't know perfectly everything but he's for this

Santa unction and for your miscerity for your goddodos of miscaria no see what and you

at the most you can't be you're saying well at the more I'm saying

well it's not what it's is that is that the unction of the

Murtos yeah the Rens of the Rens of the Rens of the Morg of the so it's

a yeah it just you know the sacerote phantasm that

only is it's for three reasons. Or because someone you know because someone

you're in where you know, or because literally it's because you are doing the unction of

the infirmes because you know, or the other? Or, for the other? Or because you're super

in front of you know, or something? Or, like, but, like, so,

it's a, it's, no, it's, not, not you're, you're saying, you're going to

be, you're saying, but, but, but, it's know who's

because at the most of the first you know, you're not, you're not you're in there's a little bit of your

before you're doing before. It's rareism bad the bad news. It's literally you know, and it's a

don't know you've seen you ever. Never. They're very good. And no, we don't know

about the Sadorote phantasm and when he said, to do you do, where he's

to come to this somebody? And, and these are the stupidities that

one not does when you're more more to this

she said she was Fy, but she was Nana of my mom, too. And this, and you're like, you're going to be eternal, and that's ever to be there. And in some moment, my abelos, emu-cels were to move to Kretem, and the primos, we've, we've done to do with more frequency, and, of a sudden,

one day we're going, and never more, we'll be there. So, and some of those things that when you're and, desalcathetically, my abeliores, and, disliked, my He doesn't access to to know where where was

their population or what is that you say that's what I'm that's a bavoso, that's not me know, he said, to say,

to say, to say, but we're doing it. But, but, just, you've done the things,

and then so, that's what he said, disappeared, so, so, so, then the other,

we're the others are the only ones that we're talking to, trying to give to justice to these,

to these stories that, that, that, that, that, that, that,

you, or, or, you know, I think we did the end up we did, we did we need

we need to get them. We did we we're doing this. So, and we're not we're not. And for that's

it's, this is it was a tradition oral, the can't, we know, and so, and if not,

and if not it, uh, and if not, we've got to hear on other other side,

no, we've got to let's, let's, sort to let's, like, like, like,

like, like, so, so, that episode I hope that the family nocturna

that's listening to see anyone, because we don't know in various states of

to make some to make some some of these stories, to be some and they're traditional of the

and not that we're knowing the city of the city would be pretty would be

prettyable. It would be a baderer because your mom doesn't know

my even. It's the same. It's the is Fee and you know

he's and you nobody and nobody I don't of my abelowels, I never

knew much things that would have loved to question, even my father, even my

father, that's when you're you're saying, but I'm never, I'm not, I'm not

nobody's that you can't say because you know, yeah, so you're there's

many, many, those, you know, to have the story complete or certain data,

or certain data that you do you're all the point out of and then come me more things and

so, well, so, but, well, that's, bavo, that's

those me have much terror. So, well, if someone knows,

please. If someone knows, for favor, family nocturn, if I

know, I'm like, I'm going to be where they're in the point.

Fygette that I think, the few stories that I have there

there's one that is, are these, are these are the things,

those that are that sometimes not dimensioned really really where

there's the there many, we're we're in the parfernalia,

no, in the in the in the movements, in the apparition and so but also

there are that they're that's that's and you're and you're and you're and this,

I'm, and now I know, and now I'm in the relato's that you're in the people,

and start three girls and are being three figures that are luminousas, and at the time to get to turn to

do it's something that's a start aterrador but no It doesn't be something

that's that's that's going to get marked during many years. My my spald

is a record. She does it perfectly. And there there's a little

I'm saying, fichate that only I've lived a success in a life I've

when I had a 10, 11 years and no me can't want to

never to live to never to live a little more but it's a time to

make to come to tell us we were in a family and in that time I and my

primitas we had we between 9 and 11 years of the more small to the most we're all

and we and then my mom my mom has been we're in family because who

who can know but in that time it was he was to be to be insisting during the

the fiesting that we we can't we can't we can't do we're doing family and family. And yeah, the

he said, you know, you're just fastidying. Elena, yeah, let us in peace. We're just to the point in the point in the way, well, just let's say,

the woman. If no, no, we're going to get to be quiet. Juncted to all the primus, to all the

tios. And he said, she said, no, boy, all the rosario. You're all a lot of,

you're not a lot of a son-s- and you know, and the problem is that when he's to happen,

the a repent one of the primitas, one that had

around of the 10 years, uh, and he'll he's to start

to read with her voice of a new year and then a voice gutura and he

says, and he'll again and he's still rying like

she no, like he's all he said all we're

all and my my prim and my my prima and my

my there. Oh, and he said, and it's like, what? What?

What's the people? Yeah, they're all the other deserations. She's the end of

the party. And it's a time. I'm 40 years and I know,

I'm a thing that that's the thing more that I've been a never to have been

to the time to my prim, no, we know the day of I've got a that that day, if it was

something strange and not she. No, man, no, no. No, then there's, there's more

to our favor of what we're saying, no, that's the maybe they're to canalsals, this,

um, because if, if, if some moment recontando the story, I thought, no,

that I'm at the more at the 11 years and you're, well, but what you know, you know,

you know, not you're, because you're, for the, for the, for the, for the to know less,

you're more open, you know, you know, we think we've committed the error of, I know, I mean

to say, I mean, to be a person, you know, but in reality, they're the same force, a

little, because the energy, there's the energy, is the essence of that person, that's the adult,

like the adult you know, more things, it's like you know, more than you know, more,

you know, how, how, how, how, how, how, much more

is more, it's true. It's It's true. It's true. Rodrigo, there's a last story,

right, right? This is a little. A bit of, but also it's a smallita,

sympathetic, and, uh, and, well, and, sympathetic, because she

has been, yeah, well, this, this, this, this, this,

we're, maybe, some, maybe, he's, like, he had, like,

I was, and I'm, I'm, and I'm, well, because I keep, so,

because I'm, so, personal, but, my papas have been to divorceeat, so we're

in a house that we're talking about talking about about being because we didn't know because we're

always we're doing to be mad and we're and we're doing and my mom was working and then we and then we

really we really we really we're the house for us to make us to make sure to the end to the phone

I had a carocied to do something to be able to and it was like our godida all my

my friends putiering things there, and we're we're just going to and we're doing, we're doing, we're doing it's

madden so, so, we're gonna, call it, wait, well, what's that?

This, this, this, boy, to be, a rocker, boy, you know,

you're not, you know, you're not, you know, so, no, well, okay,

well, then, so, you're, well, well, the chiste is that's,

you know, a, you know, a, a week, the whiz, we're, we,

We'll go with the whiffa. So, this, you know, you know, you know, I'm over-poretones all over-a-

like, well, I'm five cents so I'm, then we're, so we're, so weh but we're

a wigha, not of the wichas that's, that's that's the way, we're all,

we're just, and we're we're all right, so we're so you know, you know, the rules of and blah, blah,

blah, and then we're we never passed nothing, nothing. So, is like, it's,

every other, that Chavez's madre and never It's for your because you know because you know It's not So,

so the chis is that as you Like, all they're doing to buy it So, like no, I'm gonna give

no, I'm la Yeah, no, I'm a leave No, I'm a So, I'm the way that's the I'm gonna

yeah, and then I'm and then you know, I'm gonna know, I'm gonna get to be in my house, no,

and so they're not gonna be not even though and total, that's gonna me me's gonna me gonna be my name of my

well, no, yeah, me la I kept I. Then, I did what I had made to have done. So, so all the

nights, me it was a little in the room, that aparted, in that house, this was, I was quite

that was a room, where was my house, I imagine, because yeah, when I got to

like, it was like, it was like, it was, and then in some years after,

and then, like, they were, they did you did it, they incorporated to the car,

but you can't enter to that's the where you're in the other where you're going to enter, you know, you'd have to passigyito. It's been a bit of a So the chiseste is that

I put in to play there and I didn't me don't even no time I was like I was in the night

so many times I'm done so I'm so I'm yeah I'm yeah I'm I'm molest so that

this no this no this no I'm so I'm so I'm like that I put

like that I'm so I'm and I'm and I'm for hettearm and and then

and of all the three four minutes I'm so I'm so I'm what

what's you're I was just maybe it's a kind of maybe it's a

little but when me as I'm a like, it's not that's perfectly

well, it's in the piece of and it's to be the rabbi of the

eye that was a maybe move to so I got a fear so

so I get the whiff I go ahead and I go ahead night

the night I'm I'm I'm at night night I'm I'm put to

the partito and I'm to go to this mad this mad this mother's but obviously, no,

no, no, no, I'm like, oh, whatever. So, obviously,

then I'm got a friend, I'm with my best of the time, almost all the

days there, and we started, and we started, so this quarter, saloncito

of fiestas, you know, the property was a property was a rectangular, that the front of the

house was angosto, and then was very profound, and the courtito that was

to be to the part, you were to come, to a patio-cito that's connected to the tauty-a-sionament

and you enter was to that room all of the walls are of crystal well, of quadrits

of vidrio so the only light in that in that the piece of the patio was in the

corner of the house, so it was it was in the sombra so that

so that into the partito of the when we when we we were we could

see our our our our our door on the quarter. Obviously. We cut them

the pass of the light. So, we started to do things very rare as to get we're just we're just

a quartet of fiestas and all this role, I'm brilliant idea, super-engineer here,

so I'm to canceling all the lights, and to controlable the light,

the light, then you're to get to dark, all over all to the front.

So, but the light of patio was being so, when we were,

when we went to the light there was there was more sombrass, came down to our side and we're just like, so you're just, we're like, so you're gonna be it as a somber.

We're just, we're gonna, we're just, not like to be not, so, not. But we're gonna, premed we're we're gonna, we're gonna we're gonna be, we're gonna, signaled, where, where's where they're gonna be, and we're gonna

we're, and, just we're, we're, we're, the, we're, of, the, of, the, of, where this, man. So, then, the house, it was a

it was a cause to things to happen to happen to get a time like my

father the first night we've we've visited in the house and we don't

we have children we my my mom is a year than we we're we're

we're we're we're a curva this these that's like on the

and they're and abasasas and they're like the area where we're we're

all kind of maybe tristeando blah blah blah blah the family rota and roo and, of

and then it's to hear and there's a little we're not we're not we don't have in the house

I don't know the sport but I don't do you know I'm not so I'm back the mother this and it

and it and it came a lot of we're not we're not we're all where the where you're

where the well it doesn't know the yeah we're the we're all we're not

like we're like my mom was my mom was bad Like, like, not, like, not was a good

to be able to be whatever. We went to another house, and that house that was in a house and I'm sure

to go, we've been to go, we've been to do you. We've been never even never even. So,

so they're quite a little bit of a lot of fun. Fiesta is, when, fiesta,

is when you invite to get a five and you're not, but here, but here,

here, there's a real Roska Oh, oh, well, all the road. Well,

so, in one of these occasions, I went with this quater and we said, we're going to we're going to night.

So we went to get to be the house to designate how they were to do the sustos. The house was just there was a back in

this recamara, ah, and I remember one of a thing that was in the house, but well, this recamara

you're going to get to the closet, boy. You're going, you're going to get to get to us and we're

to say you will be to get to the closet and when we're to start at the house and

when we're you're going to to get from the closet to all to us to do that's

to get in the sust. We did to us. When we were nothing in the house.

We were saying that and then we were to hear of the closet. Pah! Bah!

Pha! There was nobody. We were the only the only we went to us to get to

my mom and so you know, we're to do you don't know to do because our

plan was to do we're to do our time to do our mom in the tapette.

But well we're we're the ex-mario of my brother in that was novian

the way novied in me in Mexico and he was to be in my mom he was that in the

house so they were in the recamara to my mom my mom and I went to

my mom and I went to my court the way that is 15 15 years

more than I was a was a adult in that he was he

gotro his his his his was to go to the recamara

of my mom and she was in the room and she my mom obviously did this boy, what's like that

he's here out of the recamara no, no, I'm, I'm a panic, spantosos

and I'm don't know to be there's and I'm to do you and the person,

that's there was a person in the door a signer a and he was and he

he was and he no so it was there was just there's so I just like

so I'm being the so I'm So, I'm armed the walled and I'm

a commuade me a clueled and I'm in going to be going to be going to and it's so you

in the same room where it was in the court where it was in the car on the So,

so after of that we have we had we we're trying obviously the story that all

everybody we know it was no, no so no it no no no no

no no no no no no it for the this is what is what is

what is and of I mean, I never more, with the time with me to get to get to get to

get to get to the time. And they're to do you know this, this, this, this thing that

was, it was like that was, like the we've been those who we've participated. And in the

moment that the group, so it's no, and never more, like no, like,

like those of the hit, that's that's all over, they're just to be able to then they're to be able to

talk, and you're living together. But, but that's it's the is the that's,

the, of the, uh, what you have to do you is to have the pointer up to the wicker

if nobody that's using. You need to separate it. And with that that's, between, if a,

the, the, I think, I think, to what we do we talk about, we've got, also,

a little of a little bit of, what you want to, what you want, we did we we give us the power of

that it's a more because maybe could have been had been, have been, have been had been

been, have been literally, but we're doing that use you do you know,

it's like this microphone is a microphone for a little bit and I'm and I'm in an

in an arm in an arm so so one one one can get to to

the natural so for what that was that's what I'm that

what's yeah that's that's that's what that's that's what you know

when you did you you used and what what was what was what happened? gasoline and this

and the center so. Okay. So, so in the patio just we're just because,

you know, scouts, never put a over the because, because, so we're, we're doing,

so we're like to be like the light, we're, we're, we're, it,

it was, it was really, but, no, that you didn't get, that, you know,

that's, we're, we're, we're, we're, we're, because you're, there's,

there's a little, it's not, it's a thing, and there's no, shemava,

no, no, no, we're we're, we're, we're, we're, we're,

we're, and when they're they, they're they're so, because,

uh, castasos, fantastic, of Bruce Lee, uh, and all the, uh, the artists,

um, but, so, yeah, yeah, okay, yeah, yeah,

yeah, yeah, oh, no, no, oh, so, so,

it was, it's, it's, in his moment, right, yeah, but it's, Fruiter.

I mean, so I say I'm right because he's really a little I don't know I'm sure it and I'm sorry

to see when there's nobody way. No. So, I do you know, pass. Pardon?

No, no. That's, no. That's, no. What's a question? No. Yeah,

that's that you're that you're that's just just about the sombers in the room.

There's a there's a time that during a time when it was a I mean, I had a

20 years, he went to to live to a house of some family, he was just in front of a

semradio of maize. My apartment was directly the sembradio, and there was a

house in the house, for the house, and I asked that my

hand, and we put some some fourtings and that not to

make the night, because if was it was not possible for the

light for the light that was a night, I'm going to

do to sleep and I am I am a feeling like the light in the

eyes. And when the eyes I'm in the doorties, the world, what was not normal,

because I could do to do with the curtains corridas. I was sure that I was

put to and it was a person and it had been so I'm so I'm see well

the window, I'm maybe and I know I'm know

something very extrano. There's someone there. He's a second-pice and no there's any way in the

person's not that I'm trying to see the person that's looking like something like a window. So I'm

so I'm a wall to the wall and there's a sombra and is a silhouette of a of a woman, no,

of a woman, it's a little corpulent and the hands are are looking like

to grab the window to open it's I'm a really a

fear of I'm no, I know in what I'm getting dormied

I'm had been I'm had been I know but there the logic

no functioned between all the attack of I'm to get

dormied like my my cell so my and

in the morning when when the window the window

I'm And in the stories of the family, after the same, that's the other people, that's ever, we've visited the home of the mace. And so,

they'd be a somber that's intent to get to the venter. So, there, there are stories extrana, there are times

like legends that's been for generations. And these platics of today were very, very good.

What's great stories they've been those, many, thanks. Wow. Wow. Yeah.

Oh, yeah. That of the Maiz also is a good. Oh, yeah, there's a little to be able to the family nocturna? I'm so.

Me, I've got one of the episodes that most I've enjoyed it. Well, I'm especially in the way,

me, me the I'm just a mother. Muches much thanks. Thank you. And as this, and as

a rottito, this is, we know, we know, we know, we know, to get to get to get a

to be a to be a, to be there but I'm this, but I'm saying this, but I'm saying. But that you're going to tell them to, that's not that you

to start pursuing the people. Oh, oh, but it's, no, it's not, but it's a bit, oh, yeah, it's a day, no, that they're,

they're going to and they're doing all the truculences. That's cool. That's cool. Like, thank you. Thank you.

Thank you. This fogat this fogat, this is part of stories. It was special. It was very, very,

thank you. Oh, and, and, For For the Fameria Nocturna

Where they They're How do you? What do you? I'm sure. I'm a project, not the same.

The two two we're doing those projects together. Well, we know, we have a

project of music, we're doing also music, we've done two movies. Of terror? Of terror.

Wow. In Mexicans for certain. One of the year past, for if they

want to check it. What what is? the position of the position of Caren is in Amazon

Caram the possession in Amazon Prime of Mexico was the director of the more than than the night

Henry Bedwell and also we did one of vampires which is in origin that was the director

of Riverto Castaneda that was the director of 1.1 1 and 2 and

we have we have a project of music Aztecas and also we have a

podcast that's called Oracculto in where we're talking our things,

we're quite new in this. We've only only four months of podcasteros because the music is like the

music is like the most of the stories of terror and of all these things. But our concept is a little

different to what of today. We're like we're more stories of the things that

have passed with a little more of the data historical and things

like from from from a because we we're we're just we're

that sarcastic and sanglona can't say, and so I'm going to the stories with all

things. Basically. So basically if you want check out of the... Oraculto.com and

in all the radio social is about oraculto YouTube and if want to

listen part of the music is OME World. Ome means two in Awa

both we're two are two are Mexicans and our project is like music

Azteca epic, cinematic inspired in mythos and mythos

and Mishikas. That's What chido. We're going to put here in the page for

all the links and in the description will be also the links for that they can't be the

projectors that they're and definitely I want to see those and the doors open for

that's very good so much thank you for to say. Just to just to

talk to auto-venderned that so if not they not are not really to be

not really to be not. No, no you know to promote

that. Padre and so that's that's like they're like I'm like always feel like

we're always like we're like aosomot like I know I've got a I'm like I'm I'm in the final of the

episode always we're like ohye see us in this in this in this I'm sorry like like

oh guys if we're and if we commenten and say like that's like that's like they're

no and if no so no if they're they're so they're they're so they're

so they they're just we're just we're just like yeah so I mean, but like,

but, well, yeah, taran. Yeah. Promotion. For all the family nocturn, I hope that you've enjoyed this episode, I've enjoyed this episode.

I've enjoyed to see them on their networks. For example. We'll see the next week. And that

have a dulces peseradias. Bye, bye. Bye. Thank you. Hey, what was this?

Let me say to hear of here the court. That's what chida that's the shid a bananan. Oh,

Oh.