HABLEMOS DE LO QUE NO EXISTE - EP005 Un espíritu salvó a mi hija - HABLEMOS DE LO QUE NO EXISTE - PODCAST DE TERROR

Episode Date: April 29, 2022

EP005 POLTERGEIST - PODCAST DE TERROR Hoy en "Hablemos de lo que no Existe" nos acompaña "DIDI"; para platicar acerca de su caso, donde en su casa, se abren y cierran las puertas, Tocan repetidamente los vidrios. Se encienden los aparatos y ponen canciones que no tienes en tu playlist. Y se sienten presencias que han aterrado a mas de Uno. Mientras tanto el Narrador, se adentra en el caso, aprovechará para narrar algunas de las historias mas terroríficas que conoce. Gracias por ver este episodio. SI te gusta el SUBSCRÍBETE comenta y COMPARTE Si te ha sucedido algo extraño mientras escuchas uno de nuestros episodios, COMENTA. SI te ha sucedido algo paranormal envíanos tu historia por instagram @hablemosdeloquenoexiste. Gracias por ver este episodio. Bienvenido a la familia y te deseamos dulces pesadillas

Let me Let me The book No. Episode 5 Walterguise Didi, thanks for

to be here. Thank you. I'm sorry. I know I'm living, ultimately, situations very difficult

in your house, so I thank much the valentia of that you can

to tell me your stories, your relats, your and I think I

am getting that the thing is something is a thing. Yes.

Okay. But But, but live it in Carned Viva is the more or less More or less

Or less Or less. In a movie, it's a time in the night but in my

house, in the night all the time is listening. But I think it's

good. Okay. Well, more a bit. A sometimes and sometimes

no. Yes, yes, very. Before to start, you do you

do you do you interchambo a story of terror? Yeah. When

when I was fascinated for the the topic of all the paranormal. Some

months before what I'm going to tell you something I said that I did a

episode in the one of a friend who a paralysis of the

that you that's that you see the person and you see a

he he does know he's two types of phenomena one in the

that relaxing could get to the paralysis of the

and another in that the sombra, no he was and

not so much I'm fascinated the thing. I'm really what is what is what is that I'm

and I'm and I'm to make much. I'm to start thinking continually in

the day. Of actually I felt like my vibra if my state

animic were another. I'm was so clavable with with

to start to think to be that that's Sentiment tense was like the day-a-day.

And, of a sudden, and they were going to go to things strange in my house. One day, standing in the quarter of

my father, there was a door that was directly to the patio. That door, for the general, the door,

we'd have been very rich, the air, and ventilable to be in the house. And, standing the

door that was reading a book, and, and, I'd reo-o- and

I see the sombra of a signor with a sombrero and a maletine and I was surepending I'm

so claventy I'm the same I'm going to go to the time and I'm doing and then you

think there a man a man in the door in the door of my father

there's there no there then I'm I'm I'm I'm I'm

it's all past some days in the the like a

a little a color black and not that was it was like it was the

sombra of a little three-dimensional very very strange it's like if

you're seeing a sombra but not is a a sombra is plan

and this is and this is fereicic. I'm a sfering and I'm not a nothing.

It was that that tension was generating that but passed

a couple of a time in the car I'm going passing

near the house and just in front I see the the

sun and the and they're static I go

to two meters and the sunbra see in the

front of the house of my friend the house of my And the sombers

permanence were there, voltio for the light of the light of the window, and I'm

going to be my house and I'm going to know what what's going to some

few years there's no more more and a day I'm I'm

I'm and I talk and me you too you're you're

you're doing? After of that after that after they're to

not over but I'm I'm the sensation that if if you

have It would be said that I'm going to to occur certain things. Now you, what is your

story? There's a all. It's a baby to Chani. Chani is the mom

of my father. In December, I was in I'm and we

went to visit her my daughter my daughter, in this six

months, two years, I mean, has to have to see the time, because the

sensibility that has the two years six months, we went to

visit her and result, he was going to do the santo

solos. He was going to get a child to get a man, he was I'm going to

my daughter in the kitchen. He's a sacerdote the that's

a person casual. No, that's a tally. That's no, that.

The bandita Blank not was not. Nothing. I didn't normal.

A person not a person, no a sted because of the count. Well, total, I was I with Robert in the

kitchen, because, well, that's very sensible, and me says, Robert, Mamie, he is God. And I, Dios. Yes, Mammy, he is God. We're going to and I, my

cuneado is named Diego. And I, no, Diego no, Diego no is to be. Yes, ma'am, we're going to give, Diego. And I, Diego no is to keep. And in that, Moma, I want to go to Diego. talking in voice

of the chiquita, no. What I went to Diego? We got to like, no, no, he's he'll go

with with Diego. And the I'm I'm going and I'm that's the so, so

I'm put with the eyes and I said, I'm really, it's

I'm sure, I'm I'm I'm here to Roberta to the room to

my little six, seven meters, six, seven meters of of the quarter

where my abbeauita and Diego doing the santo solos and robert was getting

a cell phone of the of the old people that are disconnected to play well

to play no he got and he he said well and he said

mame he he has about Beto so with this Beto

I'm I'm I'm I'm in my life he had been

no Bauder no no no no I'm She'll have give.

I said, I'm going to give her. Well, then you know for my abolita. Because

they were the same, it was a lot of the santae was a God, that's a child,

and that's a little bit, and that he was a telephone Alberto. Alberto is the name

of my abelito and my padrino that's in that moment. So, so I'm

so I'm kebred. I'm like I'm like, I'm and I'm and I'm and I

So, so he said, he plated Nora, and Nora, too, my hermina, she's kind of, how does it? I know, I mean, it's like, he said, oh, he's my abulita, Alberto. I mean, see yet I have photos, or so, circana, more than the cellular. So, so, so, after that day, I'm going to be

symptoms of the end barrageau. In bed, bimit, all, all what you can't imagine. Horrible, the truth, horrible. And Nora, she got to sleep with me. no I was to go to do with

I'm I'm in a day my my husband I'm in a know it's a

not a night yeah, we're in not a climate, no my house

no has no it's like it can't get the air no

it's a a bunker literal well total we're we're we're

we're not no no no way so I'm there so I'm

we're we're we're there So, there's a cae a paink. Where? At the other of my camera,

I'm, well, at my camera, in the there, there's a bardita

empotraed. So, there I had the panellas. But the bardita, of the

archo is so, is that is so, you're in, the, I, pegas to the

page. So, there was a pair, but I know it, but I said that

there, like, and more not even, and now it was that, What was that?

And I, What, he? He said, I know, I'm gonna'raikist. No, no, no. So, I'm gonna,

you know, I'm, well, I'm, I'm, I'm, I'm gonna, no, no, it's that, no, there,

no, there's a no, no, there's a way, that's the first of the house.

Entendamos something, the paul was in a surface lisa, and no any

type of inclination that be that by that can't, and can that can't

in a point? Nothing. No, no any manner. No, no, not it was

not a way that eventually for the not there's no way, so it's

that this is the ancho, uh, inch, is, so, the

is, so, is, this, is, is a great, and the paul's

in the, in the, in the, in, in his bolzas, apart, in

his bolzas, and put you that there was one around, because, the

really, no, I don't see, and nothing. But there was, norita's a sustoo a chorro.

So, to start to understand to understand this atmosphere and understand the context. Your

your mother overrexion to things that are that were in an inexplication or that

they're a little kind of or that this in special was for to give

and say, no there's in the way that it's a guy that. Because is that what he took much in

an hour, I always me said, you know, you have to put a ventanas in your house. You know, I mean, you know, I mean, I mean, so, I mean, so, I mean, two windows, actually, I mean, I'm, you know,

to say, I'm gonna, right? For example, right? So, no, I'm gonna'am. No, there's a way, no matter, no not was not been the climate, nor the caliphation, nor a vanico

that I have the front of the quarter of that's a very big, that I'm not a part of the not really,

and there's no, there's a there's, there's, there's, there's a day. I think, I'm sorry,

I'm sorry, I'm supposed with all, I'm more with sensibility, but me did my

gynecologist that he's I'm when a person is embarrassed normally normally

says that someone comes to care. So, someone, we're in doing?

We're talking. We're going doing. Yeah, we're doing. Yeah. Total. There

started all the things. One day I was I was in my quarter.

I was was a vestidito. He's two years and a half. So, he was

sending a video to my mom that that's that's getting the

bestidid because is my little my little. My my

little. In the video, I me said my family, that, oh, yeah, what on

with your video? And I, of what, what video? Because he I'm gonna every rata. Total,

that is that I'm going to go the video. It's Roberta. I, that's, I, I said,

what you're, I'm doing, because he's got to be to a point. I'm, the fact

in the video, I, what you're doing, what you're going, let's,

in the video, yeah, being it, it's is moving a meze hour.

I'll repit. No, I don't have ventas and less in that space. I'm in the quarter of the room.

How is the mecedora of what material is? It's a a secanette or reposet or a boating?

Like a my abulita? Yes. Of those that's in clinton, all. It's pesable or not

is light? It's pesable. Or so you're saying that no it no move the air. Even when

when you the windows no the air. No, no, move it. A tornado chance, yes. And you you have used? Yes. Tiends to move with facility? Hmm... No, no is...

...the-bye-been, like if it's like like a type of columbio or whatever. So, if I'm a mucle, it, is that I don't know how to explain. Okay. If I'm, I'm, I have to, I'm to move for that, so, no. So, no is that that I'm...

Well, then, then she's just... ...and then she's just... no anybody in the house. house and the sillon is moving the continue.

And she she was in she was a little bit of the sillon. I mean that's not that's

my husband he said, oh, he said, I'm, I'm going out of the video, we're

coming out of the carada to and everything never was that my court, it's the

door where I got to the side on the side of the on the

right, well, the side there's all the there's there's the escalar and a a quartito

abirtito abirted to the cell where there's there's a there's a concept

of poltergeist the concept of poltergeist means it's like a phantasm roodoso

okay that is a type of energy or spirit that you that you can't

clear that there and it's to make and make to do movements with the

many is in many there here here here there was a

person that said I was with my nobio we're we're going

we're we're in a minute a minute a minute a lot of a little

that's and it's not there and it's there there's there and there

and being a day moving things in my house a book

that's a little that's specifically that is the thing

and it's no there there so there there

two situations that me put that like it is a paltrygeist.

It's a pachial that's a piece that we understand we're a piece of a object

physical that's about about 100 grams, 150 grams, has a piece of that's

not so much not it's a paperit not is a one is a thing, it's a more

more than it. So, so it needs a force for that you

can move. If there an inclination eventually it can

be can see that part and it can move but if it's plain, then no there's form that so much that's a sign that's that needs a force

for that has a movement of Bay, Ben. There's form in that you can't make you make sure that? In these two

episodes that you've told, do you think of a change of atmosphere or something in your house or is all exactly

exactly equal? Simply they're moving things. I feel I'm I mean, I mean

I'm moved there and And then I'm embarrassedada, I mean, I mean, like, I'm familiarized to the house,

but I never had seen anything. Nothing? Any nothing. When I'm not going to be nothing. When you're

not going to not. When I'm not. When I'm, it's a open, but for me

it's normal. But the door is a door that's a door venced. No, no, no.

So, if you the, the, the, the cerrard? Uh, but for me that's

normal, because I think, it's a house a house big. has 30 years the

And the And the serratura also No, because the The sir is The sir is He does a much Maintainment To the house

No, and it's It's not It's a But then It's a So it'ser The carada It's always

The same And Robert I'll wait Let me Let me Let me Let's You the

When I'm You're You're The sound you The The door Or the The door

The click The click Yeah, well well, that's if, if, if, for experience, could have many things,

but you see, where it's the door and the door's over. Yes, it's able, totally.

It's open and it and it's always let's, Lento. Lento. Sientre. It's that

is that complete. Rechinied to Vizagras? No. No. So, so, so,

so it's a little and it's a little completely, a bit, and then just a

And then, of a rebutt's but I say something. Is that my husband no creed in this,

and he made, he said, he said, that one that one of he went, he's a

court of studio because he took a guitar and so, okay. He tried to open

the and no they're, and when was to be to open to open,

he, they were when he were trying to open, it was and they're not

nobody in the No, there's nobody in the house. In the quarter, no, nobody enters that quarter. Let's see. He was trying to open, it's the, they're putting, they're on the palanca, is a ballita? It's a little. Bollita.

Toma, of that serratura, intent to turn and no, it can't turn. No, gira, and, and, you know, and they're, and they're gonna, okay, and he's, they're taking the hand the hand, and he, simply the serratura regress a, like... It's from, in the

quarter, and he's out. There's There was when he said that. How he? How did he, how he went he, after this experience? How did he tell? And why did he tell you?

Because there had been passed to many things and he he said, oh, you're gonna. Oh, that's like no. Oh,

no, no, no, no, no exists. But he's, he does, he does, he does, he'd be scared,

many of many things. But I know that's a Vibra. Accepting not he's, not he's

not. Okay, it's more is like evadir it certain manner for

that so not pass in what you do you what's what's

because Robertta says is that the sir okay he's

a a man very yeah you you've you've you've

you've so if is a person specific a a a

oldie an abelit an an abelito and you he's he's

I did one of my abelito pancho and my abolito

panch no is And my abulito, Alberto, so he kept being, because I'm going to because I'm a photo of a

little, a little bit, in what way it's not, but it's he kept being. So, he kept being.

Much, much, much. I even, the photo the man, of the son, of the mom, of the

that I was there. Because in the quarter where she's all, where it's my wife, because not only is my little

the child. Okay. And the that they do, and the they, so they're, so they,

so they, they're just They've What's What's the What's? You know, They're

They're They're They're in The door The door The door Where I'm One of the

house One of the One way literal, in my key principal I have

to have with the key because no halla the click I'm going to change But well

always always is the key and the key of my house so are two doors

and a driver that's so sure So one one of the girl has

a so stute much because that I felt that someone was trying to open the

door. I don't I'm to say you don't know so I'm going so I'm so I'm

so I'm there's the air but there's the no way no way there's there's

where the door was opening and where they're trying trying to move those not the door

not more the the keys the the keys that they're just that they're

trying because it's of that's the that that chaba that you do you

the chaba that they're that The room. The other of my Sprodo. And that quarter of your Sproo, that is the studio, that is where he

passed, the little of the impugue, and the that he attempted to get, there? There is a story in that room? There is where the mom, of the that was the house. And the she was? No, still alive. Sige Biva.

My mom was that was the husband. Okay. Of course. But Roby, no. That's not the sir. He was shown a photo and said, no. No, that's the no. Roby, how

is he sent and the presence of that the sir? No,

he's just no he's just a not much just he said, he was that

he went and he and he and not they were in the stuff? Because

all the all the all the different sides. Dehate different lads

a like the maybe a piece of rompecabas and there's

there there's there a I don't I don't I don't I don't

I'm not sure I'm but I'm so the he's the Okay, okay.

Let's see. If you're on the door, so you see where the door and they've seen that

they're trying they're trying practically in the case of your husband. Yes, he has heard have seen

the situation with the that you did the thing with the paial that what's there? What else

there? We're in the we're in my patas of the the sal,

of the cell of the the cell of the cell of I put some I don't know how they're so they're

for that the little not can make them it's a fomby but with anti-derrapante

no, no, no see how it's called but they're much in the chairs for that you

see much to the so you you're sitting and you don't put it you can't you know

I'm doing that I'm you're gonna you're you're with a so with

with a with a anti-derrapant so so it's like so that sub to the mess, because

we intend to marrars and nothing. Okay. With what the most has battal tallyed.

I was I'm not in the kitchen and she heard that's no way. I'm here what?

It's that is that is that we're not going to not more the sound. Only the sound.

So, the sound. So, the sound. But the kitchen, and I'm, you know, I'm, so, I'm,

I'm doing, I mean, I mean, and a a quadro very great that

you know to do this to the homeowner. So, never we've been because apart

I'm not that's that I'm not going to go to be the commer. No, it's that they're not

more than a place, not were a place in that you were not. Uh-huh. Then

you've got to see the place to see the si yeah, if the same no way. I'm not

no, that tranquilla. Yeah. Because you're And even my sposo, of what?

Yeah. And I'm, for what I'm saying? If you know, for what I'm going to say? I mean,

I mean, I think that you did that was the carer over here. When, no, because as

it's very redonded, the really, no, I don't know to be a little.

Oh, then it's not a visual, all is auditive. Yes, but the sillon.

The sillon the movement and the and the of my spouse. Exactly. That

intend to to try the door. And that quarter is the other the rest of the house?

I'm the your new your new year want to get to get to the room? Never enter that's a

car to get because we do it because apart there there's a there's but as but as

but as I'm going to get a that's like that's like in what we're not with cars

of mudance no does the make the make the make sure not the I'm

thought of there. There's there. There's there a esposito. No if you know

the sposito me suen to the elite. Nothing to see if is the same actress.

It's a cantante actress Argentina. And she she said when she

when she was a little she had to her old little one

once that she felles her she she not she doesn't she doesn't

this story she she's she she's she she's like she

and her and her and he was in the house. And one day

were all the kids in a terrace they're and they're a great to

the house where they they're they're they're keepens but very

very and they're the voice of the and they're the people

and the people they're so they're they're the voice of a

person that I don't see a months of fallacy, it appears then. And then the

mom, and then the mom, asking for the children. She isom, she has done, and she says, no you move,

I'm going to go to the mom, and they're asking, what are doing? And they're going to

to send her messages or give to give to the abelito. But she does a mom,

that they had put the a sill pegadita to the carid of the balcony. Then the

sir said to get a point that's the time to get to give us to give us

he's not that they're doing what they were doing and they did you're there's a real bit of

his abelito there and was like the ultimate action that is to to redact

those what you me you know to start at the the santo

solos of your oldos of your day of today, your abulita, is there a little bit? Fallio.

Fallio. To the eight months or seven, nine months after the nine months after? Yes.

The successos when occurred? They started from the Santos Soles? From the from the from the

from the same? Because he was a real, and that me, Albert. No, I know that Alberto still

he said. Okay. And not he referred to Albert to a signer in your house?

No, no did No. Never has with fear. No. No.

So, so, let's, the presence or what is necessarily something a negative.

I'm not. You think it's that no. I think no, because apart, is that has been

going to be, right that you're of the desk to, the expoit, me

was going to do something to make to do you to do but I was there was to

I'm sorry, and was and that's at point of the paris. And my escalera, when I'm

going to see the video, you're going to see the the escalero and then there's a

barid, and then you in the escalera you can you can't to be about the

back of the back of the stairs. roberta was just about in my court,

I go to the back, I go to the bathroom with the door

with the baby, well, the new then, then, of the I heard, and I said, with a voice, temlante of fear, that me astusted, me said,

Mommy, Ben, and I, I'm in friega, me, I'm, I'm, and so, and Roberta was a parada in the barretta, the sclera. So, so, yeah, it's a, she was, normally when you get, you from, like, like, a yenna, or, so, so,

so, so, so, so, so, so, so, so, so, so, so, so, she had subied to a maceita, and then it's so,

but no there's a way, although it's a even a she's

she's she's she's well, I'm sure. The thing was that

was an accident sure. A accident secure for the space. Yes, in that

moment of you no you, no you move, not you move, not you do you

let me try to the piece with her and the next table the table the

matter so you tap that's a top of that

totally So I feel that the person that's in my because still is, me said, your house not was ready to be, so, for that you have been

another person. I'm a salvo. I'm 100% sure that I'm going to because it was for an accident that's sure. So,

no way. It's a lot of too chiquet. You see that he was retained to certain I'm sure? I'm sure.

Me it's, my heart, me do it, my heart, me do all. Okay. In that moment

you know that's, I mean, like someone he was getting to be there,

no, in that way, but yeah passing the days, ah, because I didn't even could

pass by the car, because it was to be and you're and you're and you're, so yeah

days after I said, the the sir me, he said, and me said,

you're not that's that's that, I'm sure, I'm sure that was that. Why do you

that's the day of today? What's that's what? Well, after

That was a month before to be, more or less, before, that one was my

her mother, no, no, not not was my my mother, my she was to

my house, and she was, and I were to get them to the Amazon. And I was

talking, and she was in the telephone in that moment, and I was just was going to

get to not more, but not not just, I'm going to go, so, So, the door of the patio

has to have to be with the I'm going to with the case, because I'm not quite,

like the of the end of the okay. So I'm there's I'm just making a

or I know what was doing in what was my my friend and I'm

and I know that I'm on the door to and I'm oh, I'm not,

oh, well, I'm I'm sorry, I'm, well, so, well,

so, and I'm and I'm manded one audio. Now, now, you've beenista to the house? Or, what on? You're you? She's a good. I'm sorry. I'm gonna'er, me contested in the home. I'm just, I'm gonna, clear-isimmed, in the vidrio. In the

video? A, two, gulfes, three blows? T'a, ta, ta, ta. So, various? Yes, yes, si, no. It was that just, no, no, they were, ta, ta, ta, ta. So, so, it was, it was, I don't see if if it's, it's gonna, even a man, another thing, but, or, I mean,

you know, you have done the point? You have found out of if there's in those that this

has increased or has been in the time? All the time. But, now with more tranquillity

is that there's that there's a point where came around the things. It's my

oldita. But, but I felt a one more more more than a story more

my mom was to come with me when my He was a job of work or whatever so that

I'm to get alone. Salé to get to get to to come. It's

no do you do you do your cigar? Is that you hear you? And I'm a more

a little to be there back in out of out of the door too.

He took to be a freyga but she was because it's

like so it's like you don't or dilubian or chispy and then I

have a is a a techito and then you get to the

out of the okay nobody never has never seen Robertta I feel

that is the is the that's the one of we're we're we're in the

cell I'm there we're we're we don't so

so Roberta and then so when the kids start at at I'm going to dole, and in that so it's

the door of the studio. That's not because it's open. Always the door is closed. She assota? Yeah, soot. But if, no, there's in the house? Roberta and I, we're, we're down. So, and it's apollo, where we're over,

Robert and I? There, I, so, of what? And Roberta, Mamie, the sir, cowered the door, and no, the TV? And I just, in that's the telephone, is my spouse. And I, well, and Robert. Papi, we'll

the door and we opened the and we're in the sir. So, and free

yeah. Wow. Yes, yeah, the really, I'm going to go to the

no. Very well you see that the person that's there in your house

to do to do you but you're still getting fear. No, no,

no, no, but me it's so that make, um movements

grusos is that the more me I'm that's it's not

not No, I see. Like, yeah, way. You know? Because, is fastidio because you make a sustos

or is because you're sitting intranquila that is something that is or? No, I'm afraid

that I'm don't know I'm but I'm that I'm to put all the light to be to

do the I'm going to get to nothing. You know you're not you're not no, no

no, no, no, no, no, Yes, yes, if I'm Miedo to be something. You know

You're a So, you know, grittem what you want to be no, no, no, no, no, no, no, no

no me do you know to me do you is the only, the only, but no, no

no, it's that no, no, no, it's not I don't know I'm going to me do, no.

No, I don't know to tell you I'm not I'm to tell you this, the expectation

to be something, that's, that's, that's, that's, atererererer or very

or that's you can't be able to but the expectation is the problem because you know

you know you know you're exactly how you know well well

also I'm well because you're because you because with me what I

what is what is what is what's I'm not going in a mode

spiritual no of phantasm I I'm a more

more more more than for example if I'm a my abelita.

Why? What I'm? You know, you know, what's going to? What's the thing? You know, you're going to

the angusiness that's the question? That's right. Also. Well, I think that's that's that.

But if if I get to be to someone, then I don't you know to be not. And for you

better so. So, we're just so. So, no, and there are things and my friends

of my and I, and you know, I know, yeah, not is the thing, for me.

So, right I'm living with this. What's what you have been to have been

in your house? Some of the other or a other way? The of the

party? In the patio? Yeah, she was with me. And, I'm just, I think

an assotone of a or something. The really, no. The assotones

of the door? So, only occur in the studio? No. And in

the room. In your court? That is where I where you see? That's what?

That me open the door? And there. And there's, and the door. The matter. And the matter? And you're to talk. And the to talk. How are the sound? Puerda. Hello. How are. 3, 4, 5, 6, 7.

No, it's tak. In what hour of the day is when it occurs is? In the night? No. It's in the night. It's in the days. It's in the days. In the days? In the days or the mornings when I'm in my room. I mean, I don't know. I don't know. count. There's a

person that, especially when you're always something, I'm in

whatever, I'm in yesterday we're doing and she opened and she just going, and

she still playing. And she did a way, she used to do you know that

so. But yeah no he has much emphasis after after my ballita.

Yeah no does it emphasis? No. Well, no. Nothing

more. Well, is that there is that there is going there are

there are going to and there and for example an hour what was

what was in my water and I'm there no I'm on my

postados and a repented there something there was a little

the was a one and I mean the the tina

where the baby I I'm I'm I how

you put the the tina that's that's that's I mean, I'm, how, I'm, how I'm, how I'm, I'm going to put it in my

baio, there's a, a lot of a tina, and then there's a space lice. I don't know how to explain, or so, does it? So, do you know, that's the piece of the baune? Yes. And then, then, well, for the, for the profundity of the banera? Yes.

Well, but it's all, to, to, the, time of all the baio, so, the cavernia, put, you, cubre three-quarters, and the fourth, the other quarter, as the whole, the escalon, and is piso. Okay. So, lice. Yes.

Well, if I'm explained? Yes. Well, whenever I ban you the little I, I'm, I'm, I,

the, I'm, well, yeah, no, yeah, it's recital, and I'm, and the area lisa. Lisa,

for that's so, so, I'm, so, because it has a pomey for that's so they're not they're just

so, so, so, so, for so, so, for so, Well, the tina Ah, well, for this,

I mean, it's up a little bit of a tina and then go, a little, a scaloncita of his own, and it's the part the lisa. Okay.

So, the tina was, was there in the tina. And I, he was, and me, and I, where did you,

the tina? And I, where's the where's where, I'm, where I'm, I, so, the,

I, like, the, like, the tina, was in the, the tina, was in the Latina.

Okay. What is the situation more that's the situation more my oldita? Uh-huh. It's the

misa with the sinisa. I'm kept with the senisa I. It's very

that the nita that's a situation familiar, no see. I'm with the

senisas. I'm in the entry, I'm like a altar-cito. There's a person

I'm there's a little, and I'm a cross of my oldita that was

that I don't know that was the Cuba. So, there I have to go. And there I was, I saw, day one, we went to the ballerio, me that I put, I'm at least, I was in the 12th of the night. I never, I'd go, I'd be a dormia. At last, I'm saying I'm saying, but fear, I said, I mean, I said,

vibra, or so, like, he'd call out of my papa to say, they'd be, been for Chani, yeah. I know what's what I'm going, I mean, I mean, I mean, I don't know. I mean, No, I could. Like if you were at a point of to be attacked? Like if

if you were in danger? No, no, no, the ambient. The ambient. It's a very tense. Okay.

But very, very tense. I mean, really, to be able to my papa? I mean, I'm okay,

I'm back to be done for Chani. No, I'm just I'm just there, and I'm

saying, Chani is playing with the man, I think, no see. No. I'm not I'm not

the night like at the night, I'm not I don't know of the hours, three of the

morning. I don't know I'm going to know the because, like, at the three,

the time. Fouartal attention and the day's going to do that. But, yeah,

I'm not to put the light. So, just, no more, with the cellular,

I mean, I mean, I'm, so, so, you always, you know, you're,

you know, you're going, and you all, that's that day, until the time,

you, you see, the ambience, the atmospheres? Well, in that moment I felt very strong. Very strong. But,

but out of that not is something not a place and, oh, it's like a way, it's a little, no.

No, no, no. And I'm, and I'm, I'm sure. No, I'm just I'm, I'm just hear of,

okay. Never been past. No, never had never seen like, a, no,

oh, no, no, no, no, no, no, I know, I don't know, Much of fear. I've been the time I've been

the time I've had been the kind of the kind of with you know, what you're you know, that's

other thing has you know that's been in your life? Because there's many different because there's many times,

the fear, I mean, the fear, for example, the accident and all this is a fear.

But not it's like or if is it is different? No, is distinct. It's

very different. It's very very. Very well. In one you have you know

in relation to the other. What going to pass for the accident. Exactly. Because I'm thinking that I've been going to be able to happen. Exactly.

Exactly. Yeah. Very well. And in this you're having... Because it's going. Something is going about to my

house. Something is about to your house. And no, no. No, no. No, no. No, no. No, no.

The sense of in what part of your body of your body? It was in the head, in the head, in the back, in the

back. All. I had said, all. All right. I mean, I was, I was just, I

was a lot a ambient feo. Algen was they were in your house? Yes, I was my husband and

Robert's dormied. And they were not very not used. Oh, okay. You're super dormita,

you're that's that sensation. Yes. The sensation could you could you could be

like if emanar of some like, like if came or the door

of the entrance or if to you out of the the sensation? Oh,

I know the other is, is that also, it's, it's,

it's also, it's the first night that was Cheney. And, I mean, I'm conscientious, that, that's weird, to have this, a little bit, but it was

a lot more, even, I guess, even though, I'm going to tell you, I'm going to be, because I live in peace right. Right, it's in peace. After that, that's it, they're, but...

The same thing, the cliques, the, forth, sure, is, to-the-pocket, so, that's, it's a bit-a-pirted the door, we're playing.

Well, I was playing and I was playing and was playing and I'm saying I'm going to see, I'm going to see, I'm going to

see the and she's And I have not have been to mention the then then I've

never mentioned to the year as but it but they're and you're mentioned to that's the

I'm saying but I know, no, no, no, no, I'm not

can't happen that's my abu't clas much my abelita, we've passed for situations

very difficult these these these my baby he gave COVID and the

so so I'm this I'm I'm sorry and I'm give us give us and give us

and I'm when I'm when I'm when I'm Alexa with can't I'm the music

the the Dorma I'm I'm so I'm so so that so I'm

so that so that is a well that it's a And that's he loved my ablita Chani. I don't have my playlist of Spotify. And Alexa no, no, no, no.

It was like if they were put on. Like, play. So, of the cellular, you put play. So, no, that's that I'm reproducing or Pavarotti. No. Yeah. That. And one, no me is the name, but.

Another song? Yeah, of my abolita, this, no me's the name, but it's of Pavarotti also. Okay. It's like, like, like, I was a spaghetti. What I had said. One

A can't an Italian. A song Yeah, my only a ballita. a while. It's, I mean, it's, I'm a fan of Pabotty. a lot.

You know, I'm aubilant. I don't know. I mean, the movements that all can see them like the sillion, that they're in a video

and things like, she can see visually some things. She can be able, for what you

have been and she not, you know, not has been when when they're going to

some other that you know, but you know never is Roberta when I know of the music.

No, that's the Luceyna Pabato and no just the baby. Nothing more the baby.

Mm-hmm. okay is in an hour of food to get a Roberta apart of the that was up

to pass that it's good that you know that's a thing that's what you have passed

that you have been that you get the the key the cellion and a certain

way to pay to the but there there's that you do you that you

say that you know that what you that's that's what you is the

what you what of the other the success that me is the that's the most you

impactated The paparotti? The paparotti. It's very specific? Well, no, I mean, I'm of fear, no,

I'm not going to I'm sure, the fact. I'm the way, how you're doing? Me, you're doing, Abolita,

you're here with me. Ah, well, also, also, we're in the quarter of the other, the part of the

where I, the part of the the page, we were, he's never to be at the bao of the bao of

I don't know I'm in the bathroom the the bass then we put pauses to the

video and they were pastuplets arras arrasn't the feet and I

there's there's I'm I'm there's I'm I'm I'm

because you get us because they're the same about the sonno of my my old my baby

that one of my ballita My abolita, I thought, I thought that was my abelite, and said, no, well, I'm going to open, she opened the door, but I heard the pantuffles, of the of the abulat. And, above, you know, I'll see the...

I don't know how to speak. Yes, I saw as in the sound. So, I was called, like, I was like, I'm going to I said, my abulito. I said, yeah, thinking all all, that my tina, I said, my oldito, Alberto,

because me, in the telephone my ableto. He's, is doing his her, her daughters. That time is that's the pantoflas and she

she was there not even she was there. No, she was I'm that's the back on the bathroom.

Roberta, the only that I've seen in this house and that's the person, is the man

that's the other oldita Chani, occurred things there there too what you're in the

house of your daughter? I don't don't know the video. This man, he had a person who had

a little a woman she had used to her she was a little she was just in

the quarter where my daughter my wife, Robert, me say, you know, you know,

does your mind that the court is rectangular, but you can't the door, because it's a

a passio great, there's the the door where was my abolita, you're

the way, you're still, you're still the door to be the room, so, so it's

all over, so, so it's abient, and there's a mecedora, that's a minute, my

little, no, I don't know I don't know I remember. But my never said to sit there. I'm not. I'm sitting there. I'm not. I'm saying it's a hell. Okay. Like, when someone else. I'maugh. Well,

you, when it's a messia to, you know, when you're using, you get to move. Yeah, but when you get it's the movement? Yes, that's in seco. Someone literal, the of the tube. Exactly. And let's see. As one of the other?

Yes. So, no, no, no, there's no one more than the movement of the

mecedora. No, I've been never, I see, what I'm that's a so I'm

back. They're more perceptive that, that the people, that some some,

some of, that just just like they're they're starting to perceive the reality, still haven't

they're their mind, like the multiple possibilities and, and,

and not they're to see them to what they're simply observe, perceiving

and then they're to interpretate. When my mom was a little,

they said that she and her and the her and that in the patio

of your house she a and that they said that was the

man like the photo but they were that

the sir they were that the They were like translucent. Okay. And they said that the sir

always was looking like a one part and he was always with the and it was like if

they were looking a type of holograma because they were the same one and

another and other and if they were on the ventana be you being the

man and I'm the man and he had a one point

my my important to that passing the time they're moving

to come to and they're they're they're they're they're a person so that's

this I'm talking about a story of a very much but but in a

way it's like if they could perceive the people

sometimes things that for the adults are impossible I

I've mentioned before in this podcast there there

there a psychologist Mexican, a neurosicologist called Jacobo Grimberg, that he studied as, as a phenomenon

parasitikos. And he said that the beings, for our body, we have the receptors of fragments of the reality. So, we don't know we can't say

what is the reality because we are limited to our receptors. If my o'iddo only can distinguish certain quantity of frequencies not is that no existan more

is that I just can't hear those. If my eyes only can perceive certain range of

frequencies no, is that no exist are other things, is that I don't perceive.

And then he said that we we're, we're only we're a receptor a medias

of the things that really are there. No we know exactly what more

there, because our receptors not impid perceive it and it like if

the children in a certain type not I don't do those but

some some are more sensitive or these those are a little

a chance major but it's very very very very that in the

experiences that you don't go the mind with

fear they they are they're they're they they're

but that's that's that you can that you can't that

you can't that what another in your family. There's a other story that no me has

told? A be. In my house? In general. It's that there's a chorro.

There's a chorro of a lot of you know, the most you know, I'm much a lot of

that I'll tell very very quickly. I was only in my quarter, Robert, I was

was in the Instagram being stories. Just I'm I've too, I've many

I'm much to go to Las Vegas. You're I was watching that one of my was to go to see

a little because, look, my man, yeah, I'm gonna like that's, like,

I'm gonna like, Alexa, act a second, a song, a song,

there's a music classical. My brother. Oh, and I, yeah.

Alexa? Apagra. But, but it's that, the command of boss no

occur in your house. No. It's Like if you did it as Direct Play? Yes. Okay.

Like. Okay. Because I said the name of... Yes. ...ofus. So, ...andus... That song?

With that song? No, you know, how I was just... Why? Because I was... Because I was... And, boom, that. Okay.

Why you're... What you're... What you're... What's... What, is... What, you're... I... I mean, I'm...

I'm... ...you know, I'm... ... Well, no. ... Because if that's, the apparato, how you're going to

see? And because me will reproduce something? We're to do you see that when you're doing,

some of the zapato's, you know, in the algorithms, but I'm in my head in my

case, but I'm in my pasting the world but you. But the reproduction of the song, no

the function normal of the algorithms. The algorithms is most more images or

more products of the same. We're going to do you think,

you think for what you have that's that these type of

entities have intelligence or simply like actu in the case

that I do my mom and his her not

that would not interact to interact with it's

like a other I don't see if are things that are the thing that's

the stout the door to try to try to try to but that directly only have been

one or two cases in those that are the other people are the other the

cellion the to start the the studio that in the case

in the the that they didn't but no there no there

interactions directly are sonies. Not are the same sonny another way again? Well, is that

is it could be. Because, well, the door of my courtroom, oh, well, my closet,

also also, also that's the door, to get to out of the

front, to be there, that's out of my quarter, to be, to be, to be there, so,

so, so, so, so, the passillo, for so to say, to say, to say,

to hear never, no, never, voices? Bendito God, no.

No. What has done to try to do you apart of now that now that's no,

yeah, what you did, I'm going to a yearveria uh I, I,

I, Pallosanto I, I, oh, how is the of the the

of the incozo? No, no, yes, but, but, Opal.

Opal. Opal. Opal. and there's another ramita I don't remember the name of the ramita but I have to be a narration in every place to put the opal

in every place barred from the house and then then trapeer with acid and

that's not so that's why they're going passing things because me felt to trapear with the acid

muriatic acid muriatic I felt to trapeer with that okay did you did

all that and it and it and it's no zero zero so you

so it's you could say that it has been you know you've got you have done

another other other thing we're we're we've got to a house because he was talking

and he said I'm going to you can't go to your house because I know I'm

I'm so I'm I'm I'm so he's he's he's

he was that Roberta that was a a He said, my son. My son, he'll be of the paleo black,

this, very little a little little bit of and so. But he was in all parts of

my house, and where he's very rare, on my and I'm in my bathroom I put the

bellita and so, of that, and then, and then, then, and then then was

when Robert of the the sir, the but Robert no was when

my My brother's my other. And she how reaction to that's

that's a me, my mom to be in my house? To your um she?

Yeah, she's she. She has something in the time? You know, it's also,

you know, that's like I'm, I mean, I'm more, morbo. Morbo.

Morebo. Morsbo. Morebo. You'd like, that's, you'd like, that one day

in your house? Yeah, oh'al, that I'm going to put here in the video the name of the actress

that's that's she said this okay she's she's known to

for having stories as strange the cell no no no no

no I don't I don't I'm in the United I'm I'm

going to put here the information and she she says what he

is interesting She's interesting. She's going to doorme and is in the 8th floor. Just in the 9th, above of her own of the

room is a salon of a field. He gets to do to do. She has to do a day next

to work to go to do a roadage and then so, the next of the

night the start of the on the the floor of the

music, the pieces, plato, risas, all. he said that if I heard the sound

but atenuated no I've no problem but yeah passing the morning it was going to never to

never so it's he's he's he's a reception and he says I know

that you're you're I have to work tomorrow then then they're they're they're

that's about and he's the party that's there's no there there's

so it's we're not we're we don't we don't we're nothing So, they're

to investigate on the and the the piece and the there's still. No, there's absolutely.

She's she knew? No, they made one person to revisit and yeah. No,

no, no, she was aterrata totally. So, so she still listening the sound

during a little a little more. Although they they confirmed that up there's

there's no there. The winner of Operation Triunfo in Spain.

Okay. I'll also here the title. This story is very

interesting because it's the second that I'm the same type of phenomenon. I mean, me I like much to differentiate what we're living, because a lot of everything we get into the same box or

in the same concept. And as we've talked, the fear, the fears are different types of fear. And the fear is a way different when

you're a menaceable, or when you're not you're having the control of the situation, or when going to go to pass something and no you know what is.

They're doing. And the body reaction a different way and our head processes the information distinct. And this chava,

the fear in the situation, it occurs in the situation, because it's to understand that what is normal. Standing in the

school, he said that in his first days, in the new grader, they had been a building,

it was an building was a building a lot of a very and standing in

the class and he comes to a repas some of some and he

listen the class of music that be initiated in another

other other and she she can concentrate because every

is more the music until that I'm to

I'm and he he said where they're that class

of music and the company he says what the

that that they're soning, what is the is on. What is soning? Then, then, then he's to ask her and the only that's the

one that's but they're passing the day, and the phenomenon still repeat and she she's

a new sounds that nobody more perceive, and one day you say, you know, they're not

in the cellular, and in the cellular, suena a little little sound, sound,

the instrument as very at the phone and a voice of a little bit of a little that you

never could hear of the world. Until that I'm in the cellular. In the cellular,

if you're the music on the sound a strange. Put it. I want to get it.

I'm going to do it. I'm going to see, it's still everybody was going to hear a

little spoiler of a story that I'm trying to anxias because it's a story that's a

person someone very very very but he was in a place

in the place in the place is a house, so on three people

pass several years and a day in a reunion very most

those three they're to do and then so people

one two two or two or the of the fourth one, or the he said,

he's he's he's he's a car and the other he says

what are two You, Deja, you're to start to start

and you're in the cell of there's a and he says, and the other, the other, the one, they say,

I'm at the mother that they're doing fiestas in the night, and me make much noise

and me are talking the door. They're in a discussion very large,

that no is none of the three, and that they're seeing things

things different in the house the same the a

Fiesta, the other is how there's a room of a room in a

quarter and so. Perceptions. There's something that is a clear and audience,

that is like to hear of some kind of and they they're a phenomenon

in the that coincide times, coinciding moments but not the perception. None

no lo he was but there was a moment in that someone grabbed with

a camera and they were in some sombras that start in

the quarters when they're in those phenomena auditivus the video they're

they're they're they're they're because were in some situations

of the story. But the story is much better and he's going to tell you

he's time in time one in time that was what was going to

because it was a thing because it is like a two a lot

that much things that then then then then I will

then No, that's very good And very And my My, It's very Very beautiful

The same It's very It's very It's very So It's very It's very So,

And with And with I, I don't I'm I'm sure But but after

already Some Some Polderkeyes So, I'm trying to say Here

I'm I'm I'm I'm And for other Like you've

Like to live to The house of Like if you were the inquilina? Of course, they're that they're always in the

end of the question, I mean, the fact, I think in all this, but we're in other dimensions, it's,

they're saying, because I don't know, I'm not, I'm not, right, nobody, but that are in the corners,

because no they're not that they're not to put it, that's what I have heard, and I've seen, and I've been

done, and I've been the people, we're, well, the other, are the next Esquins.

For so, always when you're doing, you can say ritual, because I don't know how

it's a ball and all the thing, I'm saying the yearberia. In the corners, in the all, but in the

corners, in the end of the place, what is it. What is what is what is

in the what I'm, so it's that, is that, I'm, when he was when he was the fact,

me said, this, this, and this, just in front of my I guess in a yearbriah, this perro, that. But, well, me, he said,

fizzate in the ventas, in the windows, where you know, where you're at your abuelita, this, where, where does it, I don't have a glory,

because I have a glory there, because I have a girl there, too, I'm, I'm sorry, I'm, when you have that glory, this, there, there, there, there, he said,

there, he said, if there, mancha, And I, how? It could be. If there's someone in your house and you're close,

you can't be those. And you know, you know, you know, I've seen, pardon. No,

you know, want to revisit it? No. Okay. No, no, I want to do do you know, because I'm going to

say, oh, it's going to say, oh, oh, I'm going to do you know, I did this, but really, I mean,

I've done because it's very lejos of where I mean I'm going to get to

do you know it's very it's really it's really it's really yeah yeah yeah

but no I've checked if there's there's but mehh check it let me

check it I'll check it I'll check it you say yeah check it

I'm I'm I'm a story that me I'm a

little a one she's going to live to the house

of her because her she's put a Infer. Okay. The story is real. Me,

I'm the story is real. Okay. The co-kneed is still in the care of in the hospital, a situation of

a little little bit of a little bit. The brother has to go to continue to the hospital.

She lives in other city, but for questions of the pandemic. Then she's in line.

And she says, you know, I'm moved to continue, I'm to give

to care to the The brother no one says, perfect. It would be a super favor. He'll be a super favor. He'll get the first day. He goes super well with the sobriena.

And, after that he's done, the first day, he's a single thing, and he's doing, a little bit of strange with her. Like,

no, he wants to do the mirroated. And he's a little bit re-selosa. This chaba said, eh, could be that simply like,

like, so, like, so, like, house. Because at the final, nothing more they were mom,

Papa, and she gets a little bit she's getting more more than she has been obvious.

I'm living in a house new, I'm going to be a my co-na is a little

a little a situation of the situation of well it's normal that's normal that

can't no no and it and you go not and the

subrenita no doesn't not want to interact to interact with

her for the third day she has stuced a because she is the sky and it's very very can't

you know and she can't look at the skin more palida and she she's

too desganated and starting to feel like a feeling and

that's that's not that I so I'm a person I'm a very vivas with

much energy and me sentia and then I know that my

so that with a little of a bit of a bit of a bit of what is what's what's

what's I'm going to I'm I'm I'm so I'm

that he's because you're so so that so me

and says the man is that the manor he and then he says

the the the the the you met you did

what I'm what you did you the day you did the

day there was a that you metist, you got to you, he met with him. And I saw, and I saw the first night that you were dormita, and

the sir malo, he was able to see, and since, I see, I know, that you go to you go to

you're going, he is going, and then says, I was aterrata, but not saw it was to be the

imagination of my sobina, or what? And said, at the final, no I'm,

only I'm, a rato, very I'd extra-estan you're living that. I went to go to

and I have a dream horrible. In me a dream to open the eyes,

and just saw the only did the only the time. I was the door and my

sovereign was with the eyes and I said, then I said, I

did I said my man, we're we're to go to another other

another one, a city, and we we've made many

excuses. At At final, she, I know that something was in tranquil,

me, he gave, when we we got, the first day that we got, the,

that we came, Juliana, and she said, Tia, the sir, the sir,

the man, he was out of out of the window, like, that's you,

no, do you, don't let's enter, for favor. And me say,

and today of day of today, no, no, I'm to be

to be that house, I've a good a little a little then. After I do you

know, but I know I'm back to get to my city and my my cuneada

is a but I'm still really to get a really to I'm a so I'm

so I'm so I'm to do you have to say? Exorcism and parr exorcismos

fathers, at final if you you're listening this podcast Tell us what happened and we're We're trying

That we're going to resolve this situation And you're very well That's very good That's really good There's many situations Different Me contaste That before

To start to To start off much The The The Seve-Muart Tell me how has been In you that experience A chorror? From when? When it's it?

No, man. I was in prepa In prepa was when he started? It's when prepete, where was the first first time? No. No.

So, is that before, it's just me subed on the morocto, and then we can't move. But, passing the time,

and they were three times in the same dormita two times, I mean, I mean, I mean, I mean,

I mean, I'm just, you're getting of the sun, you're doing the brain, or what you are, for me,

it's pancom, I mean, I, I know, I'm, I'm, I know when I was

going to the morto and I'm going to but the really, it was very

difficult at the right I'm more I'm still my mind.

Yeah, always you're you're you always. Your life.

The suing lucid is this situation in the that you don't

or dormido you know, you're you're so you then

then when you you can't in many can't you do you

you want So, so that's you do you do you do you

but you it's going to that's that's the same the same the paralysis

no, no, no no, no. Yeah no no, no, so it's that I'm

I'm doing that I'm doing so it's very rare, no I know how to explain

to this I'm I'm I'm I'm three, two years. Two,

three, okay, three, three, years, control your dream, what occurs of him?

Yes. And you're conscious during all the dreams or some? Of those I'm

I'm sure. I'm like, for example, my dream is to go to go to I'm going.

I mean? So, I know, I know, I know I'm not I'm not I'm trying so, I'm

know I'm doing all, I'm so I'm doing, then I'm trying to see this artist and no me important

if me to be in the carcel, type so, I mean, I'm like, I'm trying to do you know,

man to enter, all the what you're imagine to, everything is everything. And when

is the death, is a situation very, a sensation very, very explicit.

What is? I mean, I'm, I'm, I'm always me kept a in the

dream. That's I'm, I'm, I think, I think, I'm, the soul,

the soled, so, the soled, no I don't see if it's an explanation, how it's the same, I don't know, but I do. I see, I see the people, I'm just I'm just here, I'll just

or look at last, or I see some escalars grises, or the sensation of frio, but all is gris, of actually, all is gris. I feel like so, the,

uh, the, I see, and when it's a, I'm going to go, I'm going to do you guys, no, you're going to What happens if you

not you get to when you when I'm before? Uh-huh, because I've reted.

Okay, when it has what happened? Gano. Gano. Ganas? Yeah, so.

Yeah, so. Yeah, so. No, in the suno lucid? And, it's a way to

that you confronts? No, I know, I see, a, the person, what is,

the, no, it's more MED, yeah to be to be persecution, that someone

that's doing. But could I'm saying it's someone but not a person.

Right, I'm still about a man who's a lot of a shani, that's a rarro.

That where is the cell that has been and the room, in the front of the

sclera there, there, a little a part, but you

can't do you do lots running and we're going to make that you

never to be to be to be when I went I mean, go, I'll come, I, can't, me,

alcance, me. So, that's, that I'm, that's, that I'm, that's a no, that's all to be

to be in the house. It's a rare, very rare. I don't. You got me. You got me.

There's a phenomenon, that is a phenomenon of states mental, so this is something of

our system, that's a distortion temporal. I studied hypnosis, but I studied

a level scientific, not a level metaphysical or esoteric. As a therapy, the hypnosis is very, very good. But we had to see those states in the mind. And you

know, you know, the distortion of time, of the actual, you know, the time is, in the day-a-day. When you're talking with a person and you're going to be it's just, how do you pass them four hours? Yes. It's a distortion of the time. Pyryridstion of the time. But in occasions, it's a little bit of a So it's a little bit of course, it's not

it's like it's it's been hours. So that's perception of the time, it's a point we're

normally we're a certain conscience that's you're just perfectly if you've been you've been

a little time but when it's distortion it, change for complete that perception and things

little can be very much time and things of much time can be

very very rapid yeah You've seen the movie of Inception? When I saw that movie

Instantariment I said I'm sure that I'm to prove if that's if we can't

in a dream in a dream that can occur with our perceptions how

we can we can perceive the world and how weable

are to perceive to perci to when when

I'm 15 years I was I point of being part

of an accident automobile and I go to manage and a carmion was just

a vehicle and I was a lot velocity and the car in the was there was a

person. So, I did in that my brain that my braintisor

in the perception of time and was to make a time and it move

the car on the left. No, because you a vehicle you, you're

going to make that the people of the the carmion. If you reduce the velocity in this moment, it could be that no, do you

But that me surprised because fregated the head. Why I'mpe to perceive all the less than

I'm trying to do you and I did a point that our brain has some functions we've got

some different that's nobody no's when I said when I said inception was the

thing most espantosa that I've lived to have been the

inception I was I'm I say I say the people that

have been much careful. Because as as they are in sorens lucid and in the

pesadilla lucid, and in the pain of the fear. The fear

that's that it's that's that more. What was what I did,

I went to do normal. For this I'm manage a son lucid.

The experimenter was being simple. One once dormied,

tomable, I'm a conscience of being to start and while start

I'm going to be to be to be in a second dream. And then I was

to have to be doing that was doing to I'm doing. I'm

experimenting many months until that I do not normal, I'm a

normal, I'm to be to be to be to my life

in my house that in the time I I'm just going to And I'm

the distortion of the time. I'm to perceive the world as in time real. Normal.

We're going second to second, minute, a minute, the things are going that's

going to and the dream. The dream is a start a

a pesadilla and me I'm and I just, very tranquil.

The pesidia was that one of the the front of the house, it was to turn out of gris to black and like if it was just it was putriending.

And then he was sentia something like a presence, like something like a very aminacant that I wanted to get

to see that. And that sensation was like the first time not very much very disagradable, me despicable,

and I'm just in the camera of my court, me levant, I'm, I'm going to

to be to be to do you know, I go to work and standing in the work, of a different, a little

to start to start to be a little fettito, and it's to be able to know that I'm doing so

so I'm so now. So, I am a start. I'm in my room and I'm

just I'm so I'm so there something like, I've been I've never I

think they're like timbres of reality or symbols of of reality or potones of reality

and is that you do you do things that you can you know you mentioned,

the relog and things so there there are that I'm seeing textures

specific with the hands, and then the moment of press you to use to

try to do and try to learn books and try things

that not concuer that not they don't passen in the life

so I know and I'm there was a park in front of that house in

that time all. It was perfectly normal. So on the vehicle of the

the of the many of I've seen. I'm trying to get a problem with the

marcha. I'm perfect, I'm I'm go to the house, me baio,

I'm to the routine of always, I go to everything and I'm doing a time,

I'm going to be a visit to my novi, I'm going to talk to

my family, we're we're in a middle of a a platica and, of a

a part of a piece, it's to turn to dark and it and it's

to get to get to get to get to get to I'm I'm I'm in my

house. Dure in that so I'm in that repetition living days around

around around between nine and 15 days. It was the thing that was the

distortion of time, really I really I felt that I was living the

days entire. When me I was I'm a day entire

in could to be to be here if really yeah was here if I'm the person

if yeah was a sure of the time I'm because I'm all the 15 or

10 or 10 times that I'm repeating and repeating and repeating and

the situation most horrible and spant trauma trauma

totally after after after of that I'm I'm no

never more because this is this is so it's

too difficult to manage and the Swear lucid, beautiful,

Bolar, enter to places of artists is excellent. For the part of the part of a lot of

that's all that's never been pasted that. I mean I used the drama and I

had a chorro. But one day me happened this. We were

in a house that they said they're and the people that were

that just were the people were really were super

assuats I I thought, the net, that they were playing brumas and they were

saying, they were in the word of the word of one of the inclines amoeing with rascuos,

another said that was a man that he had that he had that a nalgated but in the

court when no way then it was that was strange. At final I think that they were

pure as men I did, then they were things strange that were that were

there I said, let's go back. Yeah, I was not to various very nervous. I said the moment. Perfect. I'm put in

a quote with an friend and we're doing we're doing the table. He was to go to the house and

he was going to start to get to make a force in the feet for that they were to

make sure to be a second piece in that there was an stante metal

and he would start with the hands, a road that would be in the rugs and

the end of that's going to be going to because the house we're doing we're in

the house, that was that was that was that was so it was so it was not

like to put in a stante normal. The echo so it sounded that

soundar it was spantos. So, he's he's going to the second

piece, the people people are being being a program of television,

he said he the techo, I go to the second piece, I'm going to general the goopeteo, my friend starts to come in, I'm going to accelerate the gulp and the rascuio and

start the glistening, and it's on a gritty to go back. No manches, you've got to start. Escuched the those passes, that's that noise. Let me, we're going to go, we're going to get to the riz.

So, so you're all in all. I'm trying to me, but ryeenom in the, but I'm doing the, I'm I'm going to the

Risa, I go to the escalers, and my friend at the end of the

thing, I said, I'm good good in the drama. But you back after you know,

no, I'm not, you can do you see? I'm, like, not you do you

see? And I'm saying, and really, me he's, because

only he could go to one part to the second piece, and the

day earlier had had you had a piece of the

and there form of that you could see when I said when I'm I'm

I'm I'm I'm I'm saying I'm saying I'm saying I'm not they're not

did you didy with what story you want you with a photo

familiar with a look I'm sure I'm sure that I'm a

family was a night in my abuelita Chani she took the

photo I that I did something, still no existia. But in my abolita, chad.

And in the photo, yeah when it's a person, that nobody knew. That nobody

knew. Nobody knew. Nobody, nobody knew who was, and I was in the party.

And not was there. It was a Christmas. It was not about. You've did the

photography? No, I don't know, I was. My mother was. My armana,

my brother, my the person is translucida, it's normal? Normal to what

We know what we said, Nora. I never I've ever Is it? No, still. The photo? No, I'm going to question.

Very good. But there's a person in Casa, my oldita Chani, and nobody knows who is. Nobody knows who is.

Nobody knows who is. Me want to this story, because you have to give you to

never ever a situation where it could be a situation where it could be many years when

surgen the cameras digitales, the first versions, This cyber shot of the Sony, all of that, my

hermany, my hermann was a when she went to when the photographs were in the

revela exactly, exactly, they'd be they're two photos and then they were

like the phantasm but if you see you those notabas that were

two photos on different in different like one more

translucida than one more transparent but in the digital

that but she no occurred. She and some amigas are and at final of the reunion,

all normal, they were in a photographia. In the photographia appears a chabo with a perro

that was there was a reunion of amigas. Not the chabo, and the man,

nobody know it but the child never was there and in the photography is a

picture as a person real. And that was with a camera electronic and then

my my brother and says I don't know in what I'm not a question

after the after the life, no, I don't see, but I know that person

there was that person and I'm not that's been doing it for YouTube subscribe and give

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