HABLEMOS DE LO QUE NO EXISTE - EP020 - Historias de Terror

Episode Date: August 3, 2022

EP020 - Historias de Terror * Hablemos de lo que no existeHoy nos acompaña Lluvia y compartiremos distintos relatos, que nos han aterrado.Acompáñanos en este episodio de relatos de terror, narraciones extraordinarias, algunos fenómenos ovnis, fantasmas y otras criaturas espeluznantes, que se ocultan ante nuestros sentidos.

Let's What No Existee Episode 20 Histories of Terror Welcome to

Family Nocturna to another episode more to let me to hear before to start I want to

thank you for all the support for all the comments that me have been having been stories very good in Instagram

and I want to give you the great especially. Because I've noted that the people

that have done they're when they're responding. When they're to ask you, in what minute

occurred that's I've seen many of you've seen all the time and pass an

information. And in all the reds, in TikTok, in Instagram, even

even in Spotify, in the moment in the moment in the we're the

time, and the community with with the with the with the which I feel very

very very good I'm going to be more long to start this, thank you. And we're going to

this episode. The day of today we a newia. Yubia, how you're doing? Hello,

very good. Very good. It's a good. It's a good to be here. And, well, first,

thanks for your valentia, darts the opportunity to come to talk to these stories. And I

want to that today that today I want to to show to something

in something that we're not in the other episodes. You want to do three

questions in the first thing. A very is, you cres in the

paranormal? Well, yes, if you, I think. I mean, I think. So, I

feel that energy and I feel that really we're really not we don't know

that's something with us no- so. I'm so. Like if there

other type of realities or... Yeah. Siento like other type of

realities, other type of other type of worlds, I'm also that other type of beings, that are not necessarily have to be in to be

human. Okay, that not necessarily are not not necessarily are humans. No, so so,

that there, energies. Energies. Crens? You think in the good and the bad? Yes,

for the question. I think in the good, but also in all there be to be

something, and in all the bad, there be to be something. Something like

the thing, yeah, I'm, I'm am, I'm with the jing yang or with the

something? With the element, no? That's the element, no? In all the bad, there's a lot of bad to be to be

to be a good. Okay, very well. No, no, there's totalities. Nobody is 100% good and nobody is 100%

malo. I like, me got the way to plan it. Ultimate question. You think there's that

there's a life? Yes, totally. It has to have to be something. It has been

And look, a little we don't know much of history, but in our pastos precisely

was in that in what they were in the life terrenal, but also there was the spirit

or the spirit, it had to have to another world, other other

life, clear that exists, and I think in that I think that we're in

material, we're in the world, but you know, I mean, we're a

something more than we're more than the thing. In this I think I'm really. I'm

good way to put in the form to put it. And that's profound. I said, we're doing. I'm really.

I'm like. For the people that we're going in TikTok, we're going to live a moment more

and then we're going to do you yeah. Me said for you know, you know, I'm saying

some you're going to get some I'm very emotional. I want to start with the stories that spelunate. Well, what do you

do you do you want to be just those? And as well, I'm going to be a story of you. The story that I'm going to

tell. It's one of the stories more macabras and strange that me have been. The story

me was a story me and yeah andrea me said that this he occurred before two

years and that is something that has traumatomed and that he had been deposited in the ball of the records and it was a ball that he no wanted to be able. But after to be listening the program

he gave a point that maybe it was a moment of externar, to record those things, to advertier to the people that if it could exist to something and that not necessarily

everything is good, that you have to have to be careful. What what he What happened is this. Andrea had some years, since she had been independent

at 100%, and she had been very very happy to a department. As a little in her house,

they'd many types of animals, perritos, gattitos, tortugas, she always grew

with a contact special with his mascots. And, in fact, he's not they're

like his companions, his friends. She considers that with the people, not

it's not easy to do things but with the animals, so it's very natural

very she. In your department, he was the opportunity to do you

a dream that's much. To three Gatitos. All came

for casualties of the life. One person subed to

Facebook, a publication where they were some gatitos and if

someone was they wanted to they've abandoned the catito. A day, and he he was not appeared. And it was a catito black, a catito

a little bit of a catito doradito. So, she was a very content and he said, well, a quote of fantasy. I said, I wanted to three colors different and those view very caricatural, he he's got to. No,

he was, he said, I want to him, I want to all. I'm just kept. Yeah, I had with them two years, and had made a relation precious.

They were his companions, they were their and they were the own the

department. What what happened is that in this relation bonita, yeah

had she generated like these interactions where you you're you're you're

you're a need to use. If you're a partos,

ah, it's blankita that's in the second was looking

their and the second was she was that If you say there's a little

The Doradito is in the Coceina and he's He's looking to To get the food That's all right in the Borsa And she All the time

I was always Was it But one day received a A job His mom He said Your mom

She said To Tia Carmina Is it She's very in the hospital And he He said

The doctor That no There's There We're We're We're Because you

You're In that Casona and he had contact with from the from the from the

and we've put us to get to get to get things because she not

after she was going she had been a tia kind of extrana that

had been we had used that not they not the rest of the

family and had been a cumulator no not passed

three days when the she felles and then and then Andrea

says let me to go, no, I don't, I don't any contact with my

Tia, then I'm going to get to the family to get to the house.

When he gets, it's top a first, in the first a room, and that had like

that he was a thing, he was a little, something that something he did

click. When he gets to see to the mirror, she says, is very strange. It's like

if not were, not more the reflex, it's like a little bit a lot, so I'm a so I'm a and I was

different to the rest of the spejo's, but distinct like very real, very vivid. And in many those speys it's not that

you're seeing a little traceless to be a little apco, a little bit plano and this space no. It was like

like to be a movie in the better of the cameras. So, me much the attention. And yeah,

no me put to do this in the house. I'm not he's not he's not he's not

he's and the little he he's he's right to the place you

that the two quarters that had the two doors there was that

the door and the door's and the doorstos and the one

passed one when they're going to pass things rare.

After five days to have the space of she's to make a little that she

had normally her tablet and I put it to see there things in YouTube and so

she started that that the the table I'm

there moving on the part of the space not these movements

that we don't the things that sometimes are the pastions the

the house and that we're interpreted as as a movement no she was being something not she was moving and something is

to move in the periphery of the eye. It's so he is a rarro but has three gats then also

also had an explanation very simple not was not being not to hear and what it was

that's rare now is see the the same the part of the after after a

second the the somras not the same the movements are

almost at the middle of the spejo and it's a rare because you know

correspond with the height of the catos. But then thinks, well, the sombers

also the sunras also the those are the problem, you have been the way, it's not a future, I'm doing the

thing, I'm going to something really strange. she is viewing the tablet is looking YouTube see a

movement and he the window and see the doors of the quarters of the is strange

because she has been they've been open and the door and the doors are

open to the space and the door is so it is very strange

but he said you know I'm I'm I'm many So, I'm

alucinand also me right on the other and he's and in the the space

see where the part and the doors and the the door the

she's she's because no there no when when it the

door's but in the space and she's not in the passio. He goes and he goes to the court,

no is the catita and never he never did. At the day next, because he was looking the cat

like a and he didn't know he said, he said, he said, he said, he has a

man, he said, he's a cargaredon, he went to have a containerer. When

he went in the time after after the time, after the And he says, and the day of day of day

I do know that I'm going a lot of because the person that he was he was going

to be able a little and I was going to me I'm afraid maybe I'm putting in

a person. Wow, right? Yeah, that incredible no manches. There's

very, very, very, very locus Yeah, very spilusnance. Very spilusnance. Now,

yeah, and then yeah, yeah, yeah, and I, know, Tell me your story.

Well, I'm going to tell you, well, I had my daughter. This, always my

I've been had been like much communication, much, much, much, much, much,

much, much, so my daughter only had like, like, three years.

This, I had had been to get to work, always was the routine,

to get to work, to work, to do the dinner, and to dinner to

see, to be a little to get a time to get to get to her to get to

her to get her to then. So one I think I was I'm going to I'm

very, very, very very very very fastidated and very very

and then Frida not was and not she could do not not she wanted and not

not she wanted to doorme no yeah yeah I can't more

yeah, yeah. I want to see the and I'm going to get to be the end up

you know. Total of that you do not. I'm sure. I'm yeah was a

manned she's she's done with we're we're we're together

we're this the tap to her this me tap I'm and me

doer and then so of a repent I don't know what I

didn't why I I was like, I was I mean the eyes. Abri, the eyes. So, not even is like

a movement that you do you, that's you know, I'm sorry, I'm I'm desperte. Why me

I'm desperate? Why me desperte? Why me I'm scared? Well, I was to conciliate the sunno

and I'm was justperating much because I was really really very can't. I'm really really can't

me, I'm wanted to get to be the morning. I'm at the cellular at the last 3 of the morning and this I said it's on the 3

me level to 6 or so yeah me have to go to get to do that total me moved on

the other no more to do you know I said you go to the I went to the

bathroom and where I'm I'm I'm I know that's I'm

a a cato and in my house no gats

there a a cat a and I do do do

I go, I'm trying no a no no no no

no no no no when I when I I'm I'm the

the and frie and I'm mom mama and I what my

mom mom mom mom mom mom mom mom and I go to she

and I'm and I yory I'm I'm I'm sorry to calm

let me I'm I'm you're what you don't to get her to get us, blah, blah, total, the, she'll be, blah, total,

the whole, she'll be a little. So, in the morning next, when you know, when I'm sure,

that's the time, that's the time, that's the time, and we, we're, we have to get to have to be here.

Total of that I'm talking, we know, we're talking, this, weintra and then we and then we say, mommy,

in the night, you've been the gato. Wow. How, Mamie? In the

night, did the cat. No, he was the blood. And I, Qual gato,

my amort? The one that's the last I'm because I know.

And I'm no. And I, okay, no, no, no, no,

no, he's got to see, so I was and I'm so much I'm sorry,

because I'm too fear, and I remember that when he was I'm

I'm, I'm agrrava but I'm piscated, brazada, brazada, brazada,

encanicately abrasated abrasada and me I'm so I'm so I'm not just

I'm I'm I'm no pass nothing no I'm nothing was a

something was a something in the same in the you know you're you're

not you want to I'm but my I'm I'm I'm and I'm

I'm a time my wife has a year and she she has a

she has she knows she can't that she's that anecdote, me I said,

in a little we're in a reunion and they're talking about something, or something we're going to we're going to

the story of that the we're not a lot. And the cat was defined? Yes. Totally

definitive so it was a cat. A cat. A cat. The eyes, the sombrass,

it was a cat. It was a cat. And then who knows what happened? Who?

Who? Who? No. No. No. No. No. Only we've seen

the cat. I was that's I'm in the back to the bathroom. My, my

my I'm my I'm so I'm my I'm said that you see that he saw the she's the

side of the camera. At the side of the camera. Ah, the cost of the cat's over

simply they're just they're just I'm in the view. I mean, I mean I I'm like

like the I mean nothing, I mean nothing, the door to the bathroom and see the the bathroom

and when he back he to get a bad at the frida's I'm sorry and then I'm

and I'm and know and I'm and I'm and I'm super like so like this is like

this is like yeah mamam here I'm okay okay no pass nothing no pass nothing

but no but no me says nothing me said the mom miss the mom you

miss the cat my mom the cat that's all the catto for this I don't know I was

I'm going to do I'm going to I'm going to I'm too I'm too only I'm only I'm I'm going to

but I view the gathed that with some of the people who have been here we can't intuit that

some of these presences they're like a type of an type of a sensation of

un-tankilid although the figure in if you if you think you don't have to give

you'd get to you get to directly in that part that generates like the the fear in the person, that generates

the necessity of a disdancement and, inclusive, that reaction to say like no we're going to, maybe it could be a little natural that we defend this type of entities. There's a chick Colombian that

has some years, was very famous a YouTuber of a YouTuber of a Kika Nieto. This chicka Kika Nieto is a, creus in a family very Christian and is

very cremint. I don't know exactly of what denomination but she is very creient of the religion Christian

and a day he occurred something very rare standing and she he gets because

she starts very intranquila as invadida and that sensation not was an habitual

or never to and get that there something in the When I open the eyes, when the lumbra of the

door to a man. No, a sombra. A man. With a gabbardina, a sombrero, with her spada recarged in the mark of the

door and fumand a cigar. And she does that something that not because he can be a ladron,

but she not percibe no aroma of a cigar. And she does a that that that's

that is there that is there that's there. And I'm instantly

to order. And while it's to make to do the oration, that's to be

to be to disvanseer. He said that it's a very good a

time. So I don't have no, I don't have no there's because no

there's there but that was a thing was a so it and

it's saying and I know if contigo occurred this. She said, and she said aeration,

the moment was over the eyes to get to get to be, but that he was up that he

was there was a because he was a atmosphere of a pure tranquillity. And there

was like that who didn't know that was, he went. Contigue changed the atmosphere

one that you got to? Figate that I know, I know, I was

the atmosphere confided. It's a good or bad It's a bad, it generates a energy And so when one evade

When one evade, I think it's precisely for the MEDO For, for, for being,

not me is saying, because you always you want to get a explanation to the

thing, something, something, something, something, something, something, something,

something, when one is when one is to this type of things paranormal

or of these things that not are going to and you know

you know that you know that's going to you know that you I'm in you know

a new a new a new person a new a new thing and then so I know that's

when it's a connection I don't I think never never, you know yeah

so that so that that's that's being and to be being I immediately

seero the eyes and I don't go to I never never

or until the never So, I think So, so it has to be very much that the energy

is present and it's a clear, a atmosphere. Or so, a tension, an emotion, exactly.

Sure, that is, the energy move. The energy moves. The energy move, the energy is the energy

is sent. Figate that just, this is, I consider it is very important to remarkar it because,

because, because of many cases that I've been doing the long of these

episodes, I think that is very with the energy that's emitting emanating and I think that certain energies

that emanate one of a same person can emanate many times of energy certain types of energy

that for the general this type of entities that we're not good and the people

you're they're emanar like the mind the angusia the angusperation

the agonement that that for it's that for you I mean to generate a vinclude with them

and that's that's that's a future you do in a certain manner you're

you're because every every that you hangas the time you think in that

you you'll to bring in their plan spectral plan as you

know what you want you to make to be to be to start the element

that then then that maybe that that you is susceptible to, but to that

gamut of entities. And there are other type of entities that generate peace, tranquillity, love in a level very profound. And those entities, there are a type of connection

when you're in that gamut of emotions. So, I consider that is important to be conscious because when the people start to enter into the thing, as the thing,

as the paranormal, normal, the part more and the part more and many times don't know

that what they're doing are doing with these type of situations that they're going to

develop much phenomena that I don't you want to those phenomena there's

there's there's there's that I'm a real credent of something a

sometimes the stories are so complicated and so that you know

that you are Because the Cerebrough has a power creator impressionant. But when are simple, when they're

simply, when it's simply a little detail that not should be there, a lot of a reason,

it's proof sufficient of that the things are rare. Carla he passed this.

And it's something rare, a rather, she a day out of

a fiesta. She goes with some people and it pass incredibly well. There was a

little of alcohol, but not a lot. She said that he's a good. And that day was happy,

but no nearer. And that's when I got to the house, is the sufficiently

conscientious to say, a very, no, I'll have no, that's a lot of

your papas. It's silhousa, no no, it's the door,

the door, the door, the the appasants because rechinnan a pico in the piece of the house no,

it's a move perfectly well and he's done that for doing this all what had to

in some degree of that's he was and is totally conscious when

when it's a court occurred something something the door

and then a place and then a closet an closet antiv a matter and it's

and it's up of the camera and the doors and the doors are

and the and she just like you like you like I look to see the

panorama and I see the closet and he says what because

different is that you see that you're that's maybe you're not put up

was not put was a well but if they are in complete

something something that that no has a way to and they they're

to do it. It's like if there's a man invisible that

is doing the movement that's what you do you do you Ohy

ohy ohy what yeah so fieie this story

was this before before that to the fact

was in the fact was in this how so

it in examines was so so So I had, this, in my court, that no

had a port, because it was the stanza. When I do you know that I was the court of my papas, in front of the other quarter that was of my brothers that I'd share. But as I was, because I worked and I'd study, then

when I'd get to the job, I'd put in to study. So, then it was very too late. Okay. Yeah, it was very tired. And I was very tired. So, yeah, I'm to study. This, I

I had my, my, my mesa, that was a of a different of a big because he was this, the,

I was, this, I used to, this, and I, and I, and I, I bought a chair with

a back, because my father was a bank. Well, all of all of the

matter. This, this, so, I remember that was, I, was,

I was coming to study, and, and, and, I could concentrate, not I

could concentrate. Then, So, I, uh, at, a, uh, a, a, a, a, a cocina, me did a coffee. I've, I've, always, always, always. Bajo, me, me, me, I'm, um, I'm, um, I, um, I'm, this, I'm, I'm, I'm gonna, um, this, uh, I'm, so, I'm, so, I'm, so I'm, so So this is, yeah, for,

for fin, this, me fum all the cigar, the apago, regress to the and I'm not I can't concentrate. And I'm not

I can't, and I can't, and I can't, and I see. I'm going to do a good my friend abogado.

My friend me said, when you doorm, do you know, do you're not, 20. Dorm,

doorm, to 15 to be a 20 minutes and you're going to to be to have to get a energy, but

doormete that time for you can't get to get to get a little. I'm going to do you know, I'm going to

my friend, I'm atose my hands with the palms to the right, I'm going to my body right and

I'm going to sleep 15 minutes. Only me going to do not evens and I started to breathe,

I was exhaled by the back. Respirable by the narisse, exhaled

for the mouth. I think she was tired, dormied, but was

conscious. So, I'm to see to how the air that

was from my back, like when you pegs with the or with

a spejo that you soplas and you know that I'm

to get to get to to have to have to be and then I felt that the air me rebuttable me rebuttable in the

car, me rebutable in the narwhis, me rebuttable in the labus. So I said, what's going, what's going to my hands,

I was having put to be up your I'm going to go to the back the back to and I'm

going to see that I'm so. So when my hands are up and I'm going

to turn the back I'm not see the camera. So, no I'm

so I'm. And then I'm levittant. I'm not going. I'm not going.

I'm floating. I'm going so I'm not a concentration. I'm not going to

get to the naras and me is going to the lips. I'm levita. Total,

me tranquillized. I said, and if I'm able to, and if I'm the eyes, and if

no, and if I those Sabro, total. It was a sensation so, so, tan,

so different that I could say, I could say, that I said, I thought that I was

to talk the the thing, I was a I was yeah in the

teche, that my nose was on the thing, I was having to

get the air to the nose and exhaled to the back, I felt

I'm was levitable. I was Like, Ligeria, conscientious,

that was Dormida, but I felt, me sentia, very, very, very Rara. Decid I

not to open the eyes, I decided, if I'm levittating, I'm to do you

think, I'm a exam, I'm going to the reality, I'm to get to get to

get to continue to the encounter that I'm to be the time and

to be in the time. Total, I got to relax. Me I started to relax. Me to relax. I started to relax. I started my hands. I started to move

the feet. I began to move my body. And then I started to see the camera. Yeah no sent to the respiration that me regressable in the rostro. And this, yeah could open the eyes, I'd be able to

exactly 15 minutes. 15 minutes. I had been done with I just I was. Me Styrte, me Stere, and I started,

I'm much concentration, me was very in the examiner the day next, but if I had that

rar, raricissississim this occasion in the that I can't make I know, I

know, I see, I feel that all those characteristics that I felt I, I didn't

open the eyes, not me I'm just to get a fear, but terrible.

And no I don't want to open the eyes, but I can't guarantee that levite. Sentiste when you went to the camera and you did to talk to? Yes.

Yes. Okay. If I was in the city. Yes, I sent. I remember. A bit. Alejandro me told this.

He sentia during some some years that when he was he was to gostable in his camera,

just to his feet, I sent that someone was at the In the principle, no, he important. He was adjudicable to be able to

be used to be so frequent, that there was a moment in which he was involved. What is that? Why? Why, something

something is something in my feet? When she sat down in the cellions, or she was to be

not over when she was on the time, I sent it that's he on day. And he

commented to his spouse, because her The husband, I started to get that with the time he was like intranquil

and the tranquillity was in security the insecurity the insecurity was irretability the irritability was a

person that was to be a taciturna incisimismated with energy more a more bad,

can't the the husband there was a problem she she was she was

she was he had some other type of problemat and was it

was a It was like somatized it in a form creative for not to confront a problem of the real. He asked him every day.

It's your job, is something between us it's something with your family. There's something that you're resolving?

No? Just is that when I'm sit in the camera, someone is she's she's not

her husband, she was thinking that was a question more of the psychologist. But a

day passed a little rar. One day, she had to the door of the quarter. No, it's the night. He, that day, no, he had to

work, for different circumstances irrelevant, as to the history. But he was sitting, in the camera, more well, sent to be sent out of the attention, is that has that he has been a care of

fear. And then, he is to be in the camera, and the camera is a little bit undied in the zone, in the zone where he always that he's that that's

a man that's a little a little man's a little that's a car

with the little a but where he'll see to see on the

the on the the there is that's sitting there and not

he not look to see the but he's that the

man is like on these mue that's like some

of a person cruel then she she said, parate, parate, parate,

if there's there's a there's a there's there's they're going to the house and

they've been to pass to these things. But at a few the things we're

that we're that sound that are very for our part psychologic a lot of but other

other times no exactly yes, yes, yes, yes, that

I think that you can you can't you can't because it's a little of your

media, a little. You know the director Mexican Guillermo Toro?

Sure, that all he knows. The creator of monsters more prolific of Mexico

he he said that he lived a situation paranormal that is the most

aterator of all the things that I have been to

do in an hotel in New Asaland. He he's he's he's because

he wants to make this pictures. It's like he lived something in the infancy and that

that's that sensation of terror pure he wants that's that's that's

he's but he says that the monsters most most terrorific that he do not

are those fantastic but it's the man in his maximum grad of

malddad and is what who he lived in this hotel, was something was like, it was to be able to

his team, and he was standing in his room, decided to see a little bit of the room

that was in the house of him, he was going to hear an assicato how they were notating a person.

He's the thing the thing more aterrower and horrible. Gritos, dolor, it was it

was an assinat what was presentiating there. The situation is this. For the circumstances in those

We're in those We're in the We're only We're eight people As we're in this hotel And in the Abitations around of the Mia,

no there was Nobody. Yeah, we know we're because the hotel was a Vasio. And we

had been Confirmated. To all Mienererer I'm I'm afraid that really was occurring

something I'm so I'm and when they were the ruses instantaneously I contacted

to all the team to be I've heard. Decid we We've seen to lobby.

We went and we're the door. And all the quarters were in intact.

It's that it happened in the past. That's every certain time

is that there. Minimim in the audios. And we say, and we

confirm we that's not that were any type of that they had installed some

type of equipment. It's something that's something. Oh, no.

That's very hard and very cruel for the people that are you are you in a cycle in a cycle in a cycle exact that also there's a theory eh a

sometimes there are certain type of entities that are like they are like part of our energy after that we pass us to this plan in those that they're in consciency and si are like if it's like if were our essence yeah

after that we're not in the but there's other entities in those that no, there are some that are like if they're videos or audios of us.

Inclusive this podcast. In'tro of 10 years, the people those are to be. But that,

although we have plasmados there, well, to you in image, a me in

voice, no is part of our essence. No, it's not affect.

If that they'll altering the voices, altering the images, not

we don't we're reviving one and other once. Only is something that was a

little and some some things it's not the essence of the person but it's something that's

something that's repeated and it's a repeating like a video. There are others that if they're

and it and it's not that they're part of the essence of the person because

the repetition there there occasions in that the person interactuant and it's

and the things that are passing a phantasm that move,

things that's that's they're they're doing interactions and then

you're different. Exactly. There's there's that they're being a repetion

of some moment and they're not a movie. Yeah, yeah, yeah,

yeah, what you are you are the stories? Oh, are you are so

are good. Is it good, yes, we're goodismas. We're going to let's

hear to the episode, let's subscribe. If you in Spotify, in Apple Podcast, or in YouTube, and remember, if you have a story,

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more profound and give a more more of fear and there they're in a coffee

with a aroma of terror. So, so we continue we continue this episode.

Juvia. You know, you know, there's for there story? Because there's a pair that

I'm just one very good. A very very, this, well, well,

well, well, so, so, I'm I've been used to have been to be in the theaters. In the theaters, there are many, many, energies, many, many energies, much energies.

So, I was in a time in the theater university. In Monterey. Here in Monterey. Okay. In the theater university, here in Monterey, in where Medeiros, near the Faculty of Arts Escenics.

Yes, sure. So, we're, we're nother, we're doing a, Piel of Asno. It's called Piel de Asno. In this montage, all the women

of the second act, we're going in the first vesties of princesses. This

montage is called Piel of Asno and us aborda

some about some about some about this it's

a story of a princess that has to passers for a

for a a scondit to to be able to be to be to be to be

to be a second act of the first we're in the first act of princesses

and then then they're all so they went to to be well we're we're doing

the first act we're we're the apparition and we're

so I I had the the the paper of the the

postadera was the the mal the mala the viana the the history, the

that's the woman is, this Piel-D-Azno, and she is Piel-D-Azno and she doesn't say

nothing, and she has no doing a P-E-A-Sno because Piel-D-A-Sno did a pan richeim. Well,

then I finished the first act, and me go to Camerino. So, the Camerino, in the

Teatro-Unversitar and the Camerinos are very long, because there can many

people. So, the camerinos are designed for many people, many, many actors and

many ballerines, no? And in every space is the mark of the foquitos, no?

So, every space has marked the focus. When we get us to that

function, to do that function, I'm I'm in the first mark.

In the the first, in the first mark. They're like three. So, it's the

of the the middle, the middle, and the first. So I'm in the first

I put it in the first I put my things Ike my things, I started I'm going to when we

we're doing my companyer Alma Perales, that we said we're a man a woman

much chaparita she said she said oh I did a scalofry and so for her

the that you have you can't is that was that was that was that

always he has mentioned always he did scalof passed an angelito and all, oh, yeah, right,

clear, right, clear. Then, in that same day, there's my companyer Lisette, I think

was she, and then says, we're not us, we're we're doing in the, in the part

of our back, there's the containerers of basura. But the containers of barcura

are of those that the, in those that's in those that, when, when you, when,

when, you make the hand it's a balance it is a I'm

the I'm the top the tap the tap and they're the top and they're

so we're so we're we're we're in the in the in the in the

space and then we're the movement that see for the rabbi for the

eyes of and me he said he's moved the tap the tapadera of the

basurer and I oh ah so no he no he no

no he took importance and I oh so X well

do the first act, I'll go, I'm the princesses, blah, blah, blah, blah, I'm regressal the Camerino. In the Camerino

only was I'm because I was who was the second act. There's the princess Piel of Asno, there's there the madrina,

I was the carerina to make me to make me to princess a mala, to the braw. So where

I'm going and I'm putting the arugas and me put in the personage with factions more durs

and more more of Bruchita, I see a presence and suspend the actions that I'm doing and me

kept viewing the picture. So I'm like if someone me was being and

then where I'm going to my right the only that I can see a very

high, very and the sombra has his brazo recarged and

me is observing. So, I was a Like, I was, I was in the first

Requodro is the the middle and the last. Well, this thing

was in the ultimate this spejo but not in the space. I was,

I was out of the space was re-cargated in the bar in the bar where we

put him those things was being with the hand on the

knee in his barbilla and me he was always he was so he was

so he was so I'm so I'm so I'm so I'm I'm walk I'm

I'm going to I'm out of the carmerino in that then we're so I'm so I'm I'm going

the carerino and me top to a my companyer who Gerardo and me I said

you know I'm saying I'm I'm sorry and I'm why what's what's what you do you there's a

there's something that And I'm, no, chinges. I say, there's a, I'm going to the Camerino. It was like a somber. It was very high. And he was recargating

his arm in the barbilla. And me was being. Me, I'm saying, no, it's certain. Me says, no, madre. No, me assombo. No, me assombo. Me says,

yeah, what you're gonna? Yeah, I'm sorry. Yeah, I'm sorry. That's all right. All right. All right in the Camerino. I'm kept there with you. and all those two

we're going to for the scenario. And I've done to make I'm going to make sure of make sure

I'm going to make sure it's all this to do and then so he's the voice into the

endro of the and then there's a person in that that was my company Oslo

also there also there of the faculty of arts escenica this he comes

and check and so met because that also those camerinos have a vanes

they're in great to be so I'm so I'm so I'm know to see a way to see

the car to see the car and he'll see, he says, no, you know,

there's no, there's a little, I'm sure, that I'm going to and me

was going to me said, no, no, no, no, no, no,

no, to the day's the fact, the all the whole world said,

no, all day the second, me my, my, my master

Jose Luis, I mean, come back he was very great, very high, the sir very robust,

and with a voice very and he said, come back he said, he said, what was he said,

and he said, he'll hear that he he can't the or he he can't the

question the word, that I know me and he said, count me the

word, he conted all what I said, and then me said, and now

tell me the fact that you you told the fact the fact that I was the

the mark of the focus me encandil point and me said in what you want to

you know, I'm can't the caroled the there

let us you're you're you're but that that that

that presenia that something that was something I was I was I mean

I you I mean I I was I I was being,

very, being, I was seeing, me, me was going, I'm starting to get a

to get a thing, it's your form of the vincal. Yes, yeah,

totally. So, I'm, so I'm, so I'm too, I'm too meadosa.

I prefer I, I'm, a story, yeah, to create in that image,

and not start me um, preoccupying, alucinging, taking more more more fear

or to enter in panic, so I preferriffure to Oh, yeah, yeah,

I'm encandilar some focos and that's the so far, and that's much more diggerable and you can

survive so very much yeah, yeah, so, yeah, totally. The

theaters occur in things raras. Yes. You know Daniela Lujan? Yeah,

yeah, Lujan has an experience espantosa that he passed in one of

these theaters. He said years after, when I was present a work,

that was like, with certain tintes like esotericos, there was a scene in

that she had to crosser by the part of the scene in that

there was nobody because part of the work was that only she

was to get to to get to the point and the

scene in the they were making an invocation or an

time, all the times that were doing the the end sysys when she passed by

back, just when she was going to the point of the invocation she'd be able to the time.

I'll with the staff. Nobody was doing any time doing any kind of any kind of

the invocation, the lights of the light of the thing that's aterrador

that I've lived because no I had an question and it was that was that was that

was that was in what was that was trying Exactly. Yeah, totally. Yeah, exactly that's what you invocably.

Or another thing, who's who knew, but it's, it's the environment, and it's that sometimes the actors have experiences super raras. There's an actor

that all the people have seen, but nobody knows his name. And is the actor John Woodman. John Woodman was the other many years, it's like Pedro Pica Piedra

in that movie of the film of the Flingsdon, of the Picabier. When you have passed many years from that movie,

to him invite to the movie of Cloverfield Lane, a anthology of terror. And there

in the interviews about the movie, if you think to ask to the girl

that she is trying in something that's he's a car, he gets being

and he says, clear, the paranormal definitely exist? the man's like

so surprised and says why it's like so so much so much he was a person

totally septicic but at the 100 if they had asked if he

had said I think he he would have said that's not he happened a house in New Orleans and so I'm

there's a reason I'm a doubt that exists something more. We've heard, we've seen, we've seen,

all those who have been in this place, we know that exist in the houses enrujured we're doing,

we're we're doing the we're doing something, we know, and that's we can't or not,

that's that's existing. No, he's not no, but the car,

if you, when they're doing the interview, is MEDO COMPLEEN CLEARET

No, I see if you took to you to the series I don't see the big band theory.

Oh, okay, yeah. You got to hear about this? This series, the person principal is

Sheldon and his best friend a child that uses Lentes and that's nobio

of the muchach of the department is Howard and Howard. And Howard is

interpreted by the actor Johnny Cienic, Cienic, he has a peedo, strange, that the people say here, the name the name of the actor, this actor, in an interviewist, in the case just started

about various persons of things paranormal, says that he has a reason that he has a reason that he bought a house that has more of 150 years of antiqued, that the regla that he he has to inventor

to subsisting or coexisting is this. We can't talk with the entities but we don't we can't talk of the entities when

we're in the house. And then the interviewer he says like it's very rare of what you

do you say you're and he says there there there there's a

phantasm is an fact no that is indudable a raise of that case

we inventing that because from the day one that we I'm going to tell that I didn't declare the war and I don't want to make the

war to me. So I was so I'll be with them and I'm coexisted. I'm going to be here and you're not we'll

not molest we have been my family and my friends but a day that yeah that's much free I'm

the rule of the reason. Never we about the things that we're not when we're not the case but

a day came a man a lot of a lot of and he said, I said,

hey, I'm saying that's so I'm not, if you want to be going to be

a lot, but it's much that's a thing, he's not that's he's not more so that's

he said, and he said, the reala the house is that we're not about us is strange.

Yes, yeah, yeah, yeah, totally. It would like in this other plan

or with these entities, there's a certain things, there are some, like, that are

that are very agenas to our but that have a certain sense like the

the, the to give us permission, or like in this case, the point

a line in the that I can I can talk to be to

you. So, exist. There's, like, certain regals, if there's

that people know more about this, that's, I mean, I have a question for you.

A bit of you have. You have some superstition? Ah, I'm sure. We're don't know

that in the theater there many. Yes, so, yeah, this, this,

I mean, that, you know, the past, the sale, and they're passing the sal and

or, or, if, if you're in the manitas, some, it's,

the function. How is that? So, every that the actor will start to see the

scene, has been to make hands with the actors or with his companions of the

time, they're in the circle, in circle, they're doing a circle, so they

take them the hands and they're so they're so they're so, so you know,

if no, if no, if no, generate this energy between the the function

not will to be not because this energy is what they have connected to

here, they're they're connected to there in the tables, so they're so they're

not they're not doing the manitas, if not there's a really to work. Okay,

that's not that was very good. Yes. That has really much sense because that's the

flow and the mindset, no? Exactly. Exactly. Okay. And the other was

the the salt. What is the of the salt? Well, I mean, I'm going to I'm going to

I'm going to the salt, I'm going to you know, I'm going to do you, not me la you know,

so I'm going to my man, no. Of your man, my, I'm, they're, I'm,

they're, and I, let you, let you, let you, let me, I, I'm,

and now, I'm, and now, I, now, I'm, for you, what is the explanation after that

that claim? Well, for me, the explanation of that that that's that

the sal or the mal the person can be it's transferer

to me it can be able to so I'm so I'm so I'm that you you're going

to do you make a pause in the mess and I take you the table

it's it's it's it's with the soirst the yeah

exactly exactly I am a person that I have been very good suorpe. I've always have been

very good suorpe. Always. I've never had very good suorpe. So,

so I'm, I'm, I'm really good a suorpe and that with those little

details, to pass me the sal, I'm going to be to change the so much. So,

so I want to get the sal of the hand of someone more. Wow.

Wow. Wow, wow, wow. I go, I go, I mean, it's all the

sense because every kind of people have those parameters of what is important, no?

And if for you, the factor suerte is something is something you're in you've got to

you have done to affect us. And so then it's the salt. And the

salt only is really a relationship? Or there more with what is a

relationship? Andro of what you know you know, the sal is an element

very important in the magic and into the magic black. Okay. of the

two magias. So, the salt is an element very important. Of there in the way and it

that's not, that's it, but the salt is an element merely important. Okay. Okay.

If, in many questions of protection, inclusive in exorcism, dan sal exorcised.

No see, if someone knows, why in this element specifically, that we

don't know the commentary. It would be interesting to indigar more in the time.

Sure, the symbology and the semiotica are, yes, is some things

very, very, very, very, very, very, and that they're

they're in this thing. Entran in this time. Totally. The semiology,

the semiotica, totally. You've got to talk. You're the first person that the

person that the worded there's there's certain don't in the people

that I don't think that all those who say to know what have taken but me has to know who yes,

that are that are images to your mind and the interpretation of images that no

has no has been information of things that they don't know and there a version

of the semology and the semiotica about this abstraction of the signos

in those can be even can't even when the signo and the symbol is

a genu to you. And then it's it's some of some those symbols that could be

like arcans like in this inconsient collective of all that they can have a certain reference

for all everyone when you never has never has never been a signer

so so what you so what you say you yeah I'm

like symbii symbiotica and and other super susan also

that I know is is when a a a glass of a

or when it's a little a also always when it's me

a a little a bad a water of the light I'm

I'm a quanta and I go a cross on the cross or over

the the the the the spejo I go a

with the with the the water of the the water of the I mean

that I'm that I'm a tomo and I go a cross. Because also fluke to me to make the good suority.

It's related to the work. It's related to the suorpe? Both, both? For the the spejo

seven years of bad a sure? Yes, I think it that's a I think it's that's been a

one of a a box, without that be because it's a or something it's there and it's

just there never, it's never, it never, no, no, no, no. No, no. No,

no. No, no, no. Very well. So, if, if it's has rote or one of the cause physical. Exactly.

And there's where you're doing this. Uh-huh. Yes, very. Juvia, you know, you know, another story?

Yes, I've got another story. Quentam, for favor. Well, this story me passed

a little. This story the, um, me passed in my work. In my

the job, this, we were, we're, we, we, we, we're,

we'll do course of the course of the course of the year of 80

90 kids 80 nine to your so to the

to these I'm the so I'm the master and

so I'm I do you like on the month a

week come the week on Wednesday on we're

we're we're a A little spectacle that the Wednesday is going to present to the papas. So,

I was looking a place in where they were to present to the kids. So I'll know that I

say to you to say, come here, we're going to the auditorio of history, no?

So, me says, yes, we're going, this, total of that we're all the

two, it's totally apagued, but the scenario is encendid. And the lights that mark can

what is the the the door and what is the door of is the

door. So, I'm, I'm the scenario that's the

and I get to the scenario, I'm up the scenario and I

put in the center. And then where I say, I'm my

company oh, hey, that good would be to

be to be scenario because yeah I had time that I

would be that's good would be able to be and then where I go and

my companyer and then he was there was there where it's

and where they start the light so where I where I

move I see that the the lights the light

the light of the light of a light, a space without light, another space

without light and light, like if were there in some people. So, then I went to be

and he and then he said, what? And I just I just, what you have? I said,

I'm going and I got to me say, I'm saying, he's, I'm saying, I'm saying,

there's a there, and the chases, no, there's, and the chasos of the chas of

the matemines are there someone there. Me, he said, no, I'll be no, there's nobody. I'm going to try it. I go, I'm not. I'm going to enter there. I'm going to do you. I'm going to do. I'm going to

do it. I'm going to do it. In the other auditor. Here, no, no, no I'm going to go back to make, at least that the losses are still? And I'm, yes, see, see, I saw something. If I saw something, if I saw, see, but how you were? Because it was. The, the Lutz led,

so his and then it's like it's like it's like again, it was like

like a like a like you like there's just there's a little. A very

what? Much people it's possible that's a remember

of a time that she's called Sophia Castro a Colombian and this she said

that when the little a little was a little bit was a car

that was called Ringo. And she see, like a car, she's

move, and he's going to go to and there's nobody that she's moving.

And then she is like affected because it's totally abnormal. But what he gave more fear

is that Ringo starts to see the piece and he starts to move to a

little to see up and the mind and he's down to see that is there being

something in front of him and the the girl's to start little to be the little bit of the voiceicits

of when they're much fear of when is being intimidated for a and then he said there was a

there that was that was that was a big of the carha me remember you know with these

little that's there's the the time the only was the somber only was

a sombrer and the light was was apaced for something. It's allopacada for something.

It's all and it's too, oh, well, it's done. No. So, clearly it was there something.

Distinguished form of a type of, no, so I don't if me explain, like faldas,

pantalones, shorts. No, no, distinguine nothing. Only, I was a little.

Some of some, yes, very well, very well. It's that there's there's that

there's here we've of entities. They're like if were and not they're so they're,

then they're, they're not so defined. There are other that are very defined. But we're

told a very times that it's not that's like it's like if it were a three-dimensional

is like so it's so it's so it's that's a topopote and is of his pure.

So it's so is an dark. The figure that you didn't the theater,

the that was sat sat and being that I'm I was going. It was a bit of

It was gris. Gris. Gris. It was gris. And so he'd be able to have some of the

no. No. It was like a, it was a, so it was, if you me did you

know, I'd like, a bit, a, a, so like, a, a,

like an alien, a mune. Like an alien like an alienigena. So, so, so super-stirated like a,

like a mass is a styrida, but gris. A anecdote, that me you have you call for the

question of aliens. It's a thing that manhe, but when me told them

this, it was so so it's super strange. A chava and her and the

carterterer. And, of a carterer that is in Veracruz, I don't remember

well, of what the people, that the people, but it was

detient the car. And you can they can't do they can't. And the car was in very good conditions. In fact, it was a car. Practically, of the year.

It's made very strange. And get in a moment in the one of the way, well, we'll ask us auxilio of some way, but we're in the middle of the nada. Revised,

and cellars, not have a signal. The vehicle and it's like if no, they're not of electricity. But the battery

is new, practically. They're like confused. And they're And they're to present attention to see in some light, or some vehicle that's

that's coming to help. Then, then, that the way on the road that they're there's

there's a light like between amaryienta and blackusca, as it was the focus antivos,

that were very amyos, or of the new LED, and it's they're just they're supposed they're a

motorcycleta. And then they're that I I get here, we need help, or minimum,

that we see the public for that we're in a grue or we'll see a little. But I'm to do

something so when it's going to when they're doing, they don't know that they're not the motor.

The light see every more great. No, it's in the sky. It's at the height of

the piece and comes to here. There's a moment in that the two

because they're not a motor or not a not a lot. Yeah, it's a minute to and they're

going to it's something enormous to make a ball of the and it's and it's they said

that it was overpassed the and it was over and it's that they they were

a bruce because they're that they were like they're like they're like but when

it's when it comes to a lot of air enormous in the that's the car

no generate a kind of any type of the motor but I'm it's

a little it's not it's it's not quite it's it's like for five

meters so it levo to the sky and it's you've heard of that

sure for sure for suppose I'm I'm I'm

another story super so let's in my court this We had both litters.

A me not I'd always been really, very, very, very, meaudous.

Sin embargo that time, I took to do to get to get up up to

me to do me to get to get. Of a repented, I'm to hear

many voices. Much voices, many voices, many voices, many, many, many voices,

women, women, men, and, many voices. Despired, and I'm

me kept in front of the ventana. So, where I'm so I'm going to see a light super brilliant in my ventana, but brilliant, a light

intense, very intense, very intense, and in that light, I'll know that I'm a window, and in the window,

in the part of the above, they're going to see figures like, little, of the

men, of the people, that were, this, mientas, palos, picos, asaders, pallas,

or so, and they were like, one, after other, one, after other, one, after other,

one, and other, one, through that I be. After I, Vy. The only that was

tap me the head, and I don't want to see nothing. At the morning the next,

my my brother, she's always said that, because in my house, that is in

Satakarina, that is my house, that's your house, this, this, is the serro very pegged. So, we're, we're,

we're, we're, because there are many constructions as far as up, but we're just like the

first houses of the fadda of the serro, the first. So, my one,

Rita, always, I said, that be I had a luses in the serro, and that be I

a light, and that a light, I never I never I never I never I'm going to

I'm going to I'm a lot of but I'm always say and she and it's light and it

comes to the other window and for that she never she didn't get to get a

the letter of the right was more directly to the window than the

the letter to be so so for so yeah not I don't never

I never I'm and I said if I don't don't you I don't I don't

want to be I don't moment in the moment in the and I said my brother and me my brother and me

my brother you said I'm saying no no I'm saying because I'm because I've seen it's a very intense

that's a very intense that's part in the but she never had seen with the people with these men with with picos

palas like if were to the mine no see but these men are going one or another

and not they were how can like that's like the of the of us they're little

they're little little titititos and they were one coming on on the other they were they were in

sombras three-dimensional or planas no three-dimensional because even so they were

so they moved so one was about to the other and the other went to the other with the

those those those voices they were, they were and they they were and I I saw

these people and I'm okay my doubt is see you

a through the window like if they were they were in the car

no a through the the window like in the front of

they were they were put they they're put they're

like they're okay okay okay me you're you

me you story. Very, very rara of a song

that is probably that you have you do you do you do you do you have a

story in the that he said that said he was that was very very

that when he was when he was he was in the house I think they were

of his abelos or tatar abelos but they were in people yeah very

grand. And not I was to go to go to get to get to a place

that's very disagradable. Start there was like to be in an endierro

and one one of they were to be up and I never wanted I never

to get to start to start to hear some of the women of

and the women and the voices I don't I

say in some but it's a sensation that's a terror d'n that I don't want to go to

that's a place. I've been looking many times but never I've

seen that he's kind of so pass as much this anecdote. And there

there that right me came to the mind that that me surprised

you know that he had a story there there actually a

person a person political in Canada that called Jordan Peterson. Jordan Peterson is a

type very polemic but is someone very sobri when he's a little an interview the next way. They said here, for

regla, we have to do this question. But, sit and to tell you don't say that you're

in that. Cres in things for normales and in phantasmas? And he he's kept doing,

and he said, and he surprised. All the staff. He said, you think in things of

phantan? And he says, if I'm a new something that's in a hotel. And he went to

this. When he went to the hotel, he said was a old old, that was

very famous in the 70s, but that still being being he's

he did to hear of no? No. You don't. You know, you're

he's pretty, he's he said, he said, he in the 70s

probably was probably was a actuality is very beautiful but that you

not is a great hotel in the room that they're they're they're they're

in the services of the hotel not are so good they're not they're not they're

not they're not they're a restaurant good then then they're just to

just to just to let's let's to come with the people to give to

his computer a computer a his maleta, all the fourth is in perfect

order and he's when he goes. When regress he's top with something

all the carjones are open but open for complete so his

equipage in where he had left and her computer also and so

that's very because obviously someone somebody entered so it was

to go and because not so he was my laptop nothing

so so you know that in the cajone of the middle is a Bible abiered and is open in the passage of when marches for the obscurity, nothing to them. It's one of the

Psalmos very, very known. Well, he said, well, that's strange. Cere the doors. He's going to doorm. And in the madrugat

and he says, no, wait, no, no, is very strange. It's very extrano. Why demonios

have been to be the doors abertas and the Bible is there who's

who's who's what you and the morning next and the morning he said to

I'm a day and the other he said it's me it's

the the doors were and the Bible was to be to be

we're to we're to when he reception, there's a chica,

he says, we're going to this to night, and if the she's a little we'll be

not that we have said, but in this hotel we're we're doing, we're doing we're doing, we're doing,

we're doing, we're doing, because they're moving, things, appear, there's sombras and so.

That's horrible, that's horrible. That's horrible. Oh, no, no, no, no, no,

no, no, no, no, I'm I'm, me, I'm sure. There, there,

there's, there's There's just to be it. Yes. There's a story that this I'm just for the final.

For favor. Because it's a story very, very, very real. This story me happened, I

think the year past. If I'm not I remember the year past. Well, the

Faculty of Artes Scenica's, all the students, we're all those students we're we've done,

all the students we have a relation. Because, because you invite to the

projects of your examines, to those going enter into, those who are entering, you're invited to you, because you're a veteran. So, it's there like a armandad and a collision, like, that much alumno is known, no? All those students are you know.

Well, here in the history, a friend that yeah fellacy. He was called Jairo. Well, Jairu and I came to the faculty. He was of generation different to the Mia, but we

we had we had coincided in certain examines, in certain projects. Then, we came from the, of the faculty, and out of the faculty,

we're in a project infantil. We're just in a theater of sombras. Har and I

did we, we were the great friends in the faculty, only were not we're known, but

in this project that we did we were out of the faculty. we did we

did we a good relation we we're we're we're we're

we're we all right all so very so so he died

and this and it's it one I do

I'm I'm I'm I'm and I'm I'm the

next the I'm I'm I I'm I'm with

I'm I go my routine, me to banning, me go to my work, I go to my house, I go to the dentist of

my house, I know, I mean, I'm just, only the morning, I'm going to

get to be to work, I'm going to work, I'm going to and I'm to doorme. At the

morning the next, I'm with Jairo. The same routine, me met to to be in

a time, I'm going to my job, I'm, I'm, and I'm doarmo. I'm I'm

a day I'm going to be a year I'm and I'm always I'm always I'm always I'm

I'm sure you I'm in the because of the sometimes you're a lot of the routine so I'm so I'm

even you know in my case in my case is that my case is that my my mom

you know my time I'm in a time I'm going to put in my agenda I have to make the routine and

you know is nothing more than the time. When I go to my house, in my house, my house, always my

is a house in that's a much, much, much, or so I think also, there are some there are some

there's a very well, because my parents always have been in the oration. To me,

my and my brothers and to all the people, I'm always, I'm

so I'm my mom, my mom, you know, my mom, my mom, you know, who's hiero?

Jairro. Jairro is a that he was with me when we we're we're together in a project

of the theater of somras and he fellacy, mom, he fellacy very, very,

very, young. And I have I've seen with him three and I said,

my mom, you know, no, I've read and I'm my papas are very Catholic

and are very appellate to the oration. Of course, my mom he's, he's,

and those read and are and they, and they're and every me invite to read a

oration and no to me a me, a me a me a lot but

so I'm in God and all no. So, I put to resterle me say

my mom resale and what he wants is that he says my mom very secure

he said what he he said and how he's and as you know that's

he's he's he's he's he's to be so the his

his own his his own I just cance, no. And I, well, total, me disposed to and in that more than I'll,

I'll, I'm going to, I'm going to. Tranquil. The problem that has to be solosioner. I'll be able to help. If you want,

talk with me. If you want, we'll solution the problem, we're going to solve the problem, but yeah this platica, I'm very

meadosa. Yeah, this practice was like if Jairos was there's

not we're not we're the people I'm the only only we have been

in work nothing more so I've this so

I'm this with with having fear without without

just just just just just just I'm just

I, I, I said, I said, I'm sure you know a problem, no pass

nothing, you're going to do you, we're going to get to keep in peace, this, your entorn

is another, you need to understand it. If you come here to you do you do a oration,

but what I need to is that you be in peace, that you are sure, that you are sure,

that you whatever that is you, that you, I'm happy and this is tranquil. Recet,

I'm my oration, terminated my with him, and I never to say. Wow. Yes. Many people

say that in the moment of the dream is where they're in contact to sometimes with those presences in that many of

the presences are people who not are not here. But a sometimes is the medium of contact, no,

the the, the, the, the the, the So,

it. It was a house in San Nicolas, in Monterey, more than in New Lyon,

this. Recien a family to his new house. He received the best of

the next side of a house. A man, a very very

amable. He was from the door of the door to the sunridden.

RBC Training Ground has discovered potential in over 20,000 Canadian athletes and county. Your story could be next. If you've got the drive, they'll help you find your path to the Olympics. Let's see what you've got. Sign up for free at rbc training ground.ca. Moving the man,

then they're saying, we're doing to bring upro in which the people is very amable. They're going to do the men of those mudansas and they're done into that the man of that house, is very amable, but very roidoso.

And in the night, it's put to move to move to make muele, it's like to put

to put in the martyye clavos, they're many, and they and the house.

And passing a time, decide the sir, that

even the only that he was the only that he was going to ask you to say,

to let him to say, and the night to do this time,

the time, nobody's the They're They're They're They're They're in the

Wroids, And they're They're Toaping Toaping Tov'n Tov'n And

after a month And then I don't I don't I'm No, I'm No, I'm

That's He'll be And he He said, He said, He said, The He said,

The Lord of He on the What's The Lord De Rado? My Viscin, The Lord He died

before three years. The house is a vacill. When I I came, he said, he said, he's, he, he's, he, he died after three years. The person that was saying, he received. He died died of three years. The family

started to do an oration, because he understood that, that presence, I still being there, cremending, that still was, part of this. Part of this.

Part of this world, sure. Passing some months, after many the few times of the house,

I'm going to do this things. But, yes, a few, a few there are

things and there are in the things that we know, yeah, thank you for having

been here. No, man, thanks to you, it was a pleasure, me the

I was, I felt, the time. Nothing. For the people that you're seeing,

remember Sigginess Spotify, Instagram and YouTube if you want to you can't

give us to you're going I'm very