HABLEMOS DE LO QUE NO EXISTE - Ep021 Lugares Malditos - HABLEMOS DE LO QUE NO EXISTE - Historias de terror

Episode Date: August 11, 2022

Hoy en HABLEMOS DE LO QUE NO EXISTE. EP021, LUGARES MALDITOSHablaremos de Leyendas de Nuevo León. Lugares Malditos, Maldiciones, Historias de la diablo squad, una iglesia que ha sido la perdición de muchos, durante siglos.

Let's Let's Let's The episode 21 Lugares Malditos Good

Nocutton, Welcome to an episode more of here We'll come to the we know

Johnna How's How's How's How's How much to have To have

Have accepted This This is a glitch Thank you Thank you Thank you for invite me. Oye, me

said you know, that you have various stories for a story, is a certain? It's true? What do you do you

do? If you're just in this interchamble of stories, I'm going to you one and then then

then they're and then. Okay. So, I'm going to go to come to some of 10 years.

When the situation of violence was very in the city. There was a area in

the center of Monterey that we we'd that we're going to have certain certain

certains. But one day occurred a tragedy. There was a place called the Sabino.

Yes. The day of the tragedy of Sabino passed something very

rare. Two friends that were used to see in

that were They had to be to see this day but one of the two was too was very very much

too almost two hours of difference when the second when the second is coming he's

that the place there's there's there a lot of there's there

he's kept impacted for the scene be that the people

are moving on one and other and there many people there

there is wanting to know what Not a For a lot of

Signs Manches of Sanger in a car caskillos of

the out in the thing things very notorious that

was that was that was he preoccup in the instant

for his what he he was he he

had he he got to make he and he

cell the cell doesn't and nobody he and

when he is You top to Gabriel. And Gabriel is being so the Sabino, but he's very

very and he's he says, Gabriel, Gabriel, you're doing? You're doing? He's,

no manches, me, I'm, I'm just I'm just he said, and he said, tell me,

for a my spouse, that I want to give me my spouse, I'm when he he's confunded

and he he'll turn, and when he'll he'll go and there's no nobody.

Passed a time. He's not not even he's not quite because the

circumstances in those he was in the same was not convenient. I don't know what

was there. I was confused and there was that he had succeeded. He topa with a

person who he said he's got you know you did something about the of the

of Gabriel and he said he Emette to go. At the

five minutes entered on the people and they he was the first

that they were the first that I know that I had been

about that a and that's, I'm, you know, I'm, I'm, I'm, I'm, I'm, I'm, I'm, force, like to react to a

reaction to a form positive. What do you do you think you do you do you

think I'm really meodos it's very interesting that I see you in this

podcast in specific because I'm really miedosa no I don't I'm

no any no any suspense or no of that

I'm never I've seen the warfana el these

movies that are the orfanato or the for the classic for no for

nothing I'm very very I'm so I said a time

my stories are very sweet because like the the form in the form in the

that me were told and um um um

um as as were transmitted to me by my

my abuel I think that that of certain

form uh like, I don't see if, if, if, if,

like, like, like, like, the effect that they have in me, but,

but, but, no, no, I've seen like, you know, you know,

I've been, the experience, no, I mean, I mean, now, I'm, now,

I'm, the same thing, last thing, the same past that that's a

that's a stranger things is terror but yeah yeah yeah well, so it's

the 80 no yeah um this uh I was I was

I was I'm I'm with Stranger Things I say what you do you think

because you don't because I'm because I think I persensible to

all to uh to the movement to the

sound, well, I said, to the movement, to the light, etc. So, I'm like in my camera, that's what was what

was what I went to do two nights. I'm in my camera and then I sent I was to get me

a small because I don't know if I conversed on a small and I just to

start to listen to in the techo and what I do the way in the form in

the I'm is that I'm like to my side rational

and And I'm, sounds, gatos. Ah, is that's some of the gats, ah, is that

I'm going to put like an image or the or the why is what is what's what's the

way I do me tranquilize. When it's very intense, I don't put a music. And it's

the form in that's a way to me get a dormida. What you is is saturate your

sense for that not get in other types of stimuli that can generate fear.

So, then you is like literally a persensibility in question auditive, visual and anesthetics.

So, you know, you're much, you're much, is much. And that's, it perturba because

it can have an explanation and that's what it's what to intensification the fear. Uh-huh. So,

for that I'm a bit, oh, it's the, uh, it's the, is the, is the,

is the, is the, is the scov that's a, I mean, I, I mean,

I, I mean, I mean, I'm, I'm, and is where the scobber and that's where the

night of Bechna if he's the night of Bechna son, something. And my Cerebron starts like,

and my Cerebrough and I remember the moment in the thing I was so it had been two days before.

It's like oh, yeah, I remember that I'm in this position. So,

so I'm so that so it's so I'm to get you to justific every one of the

things? You've have Have you ever how does the effects sonoros for the

movies? Yes, you know, you consider it good with your ear? So, in that aspect

to be able to say, to get to this sound it, it would be to be to be

with the kind of the golfes or the way, and that I do you do a piece of a

piece of a piece of things. You're just so, you consideras good, generating

or ideas of how could be ideas of someodod of this type. Figate

that not is something that has like a kind of a

but maybe I'm because if I'm like more of the part auditive

of the of the other and the always I always more the music

the the ambient the the ambient and just I'm going to Begna

while he was being trying to identify to what they've made

for example the voice of Begna and I saw see a

video of Jimmy Bauer that he has a ranger super

bad. So, in the video is he grabbing the voice

with his own, so one thinks that is there is there

but is he he can be that really, he I

really much his music for the music for it's because

it's like a tone very dark and it's

like dark wow I know that that so

but but, of the fact, me, it's, I'm not the next to

one of the couple of the one of the part of the question to the time of the voice, because,

the very, while I was doing, if I'm, saying, how it have done it's a

effect, I'm trying I was a voice of him, and I, I, and not,

he, and not, I was, so, I was, I'm, this necessity, to identify

where, even I guess I saw year that I saw the video where he is a one thing

like very very low very bad yeah yeah yeah yeah yeah

yeah so I I'm a question because a many of the

many of the people for not having so not have been the

ohio and we know we don't we can the the sound

because we don't we don't the sound the

when When you're a matter with a madera with a metal with metal also. When topas madera with crystal is another.

Metal with crystal is another. A part is a different, a rejena. It's one different when you and that when you

when you're when you're a, you know, something, it's a identification of the sonnors in the

persons hypersensible is a level of a real level of a normal. It's because the

the, the, the into the founties of what does tranquillity to the

human is the is the knowing. When when you know you know when you're not you're

that's not that's not that's all to get to panic. And when we're in situations of panic,

yeah, all is a kind of that's a consequence. Johanna, come, now see,

your story. Um, has been, we're in the secondary, I think. And we, and we

had been in the house of a friend of a A friend, Mm-hmm. That was the

that was the final of the colony, and in my colony, there was there were a fabricas

around. It's a colony very centric. So, in front of the house of my

man, there was like a barda that had this cartina of the lima.

And there was where we were to go to go to go to the house of

my me and we went and we went to one of the days one of the one of the people

for a right I'm going to go to go to enter and when he says

to the guy's oh yeah that's you're a old and my

friend my friend how the how the how my my little

she's she super sympathetic me I'm very well I

know I know the is like, but my abolita is a

but my obviously all we're going going to not not going literally but if

there was like a a reaction like general because we don't we don't we're

not sure if the person that had entered to the person that was being being

probably so that so it was so it was so it's so much that was

the the of the house and they were like, they were

like, it's like, she was she was she was she said, I'm talking about,

I'm and he said, good nights and things and things like, and then

I've had been a year to have a year, obviously. Wow. We're

we're we're going to get to to be in the house, but time

after I know when I when I did it when I put like like

very general the situation. because me I've done that's a situation

very recurrent when I know I'm going to come back to come to come

the same like a situation and me they said yeah in Matewala

I don't where was he was the I'm the the

time and so he's the he's the he said good

days how you you're saying, they're very well, oh, yeah,

so good, everything, et cetera, so when he's, when he said, oh, he's called,

and he's talking, he's talking, so, no, but is that he fellos a three

days. So, so we're we're trying to find, um, um, um,

um, like, um, the, um, all the legends, but are the

legends for something, are the and we know that you're the Yorona is the Yorona

here in South America and where you're but this type of situation in the

person comes to to be a or a or a or what you say right to

tell me to tell me my wife that I'm so of so of

you do you make you you make you to

that really when when when when you your

body if is like in a plan terrenal not

for so trying to connect with these people with that you

can't you or say because because of that that

that that there were like three stories in

that the same situation exactly exactly is that

was the so the so he said the

yerno and he he said that was was, et cetera, et cetera.

And it'sulta that was yeah a lot of no, no so I'm so I'm

not you're to think you like the way to look at the last you know, you know, so you

see one, three times you make like say, well, and if see, fickate

that I was being a program in the that Guzgri that is a podcaster, well,

now a podcaster, before a YouTuber very famous here in Mexico, interviewed a a chica that

is from Abrel Sandoval that is from this guy medium psychicca explained a little about this and it made so it was very

interesting and she mentioned that many times it dependia of how you've been what is what

was going to occur after to die and mention that she she has she has

this don of to be to see to the people

after after has a lot of a special facility to have contact

with them and I mentioned that there different types. There are some

that they have that they have a lot of light and for the sensation

that they generate she know that they're not not are not they

are not not they're not they're they're they They've fallen.

And, and of they're the facility to accompany to some of their

people. And she does call them like almas that they have

that's but there are many. That when she's when she says,

she seems much to a human normal, but the is a little more

more than are really, and normally are they're like almas in pen but

in pena is a form of mention the phenomenon in the phenomenon in that some not have done that fellesier.

And it's for the circumstances in those were in those were in accidents, others were in forms inesperated. And then

they're in certain form are still here and comment that this type of almas or spirits

especially are they're because they're very desperated because they're very desperated because

message to families, about something that is inconclusive. But there is something in this plan, and is that some things very terranal. Not are so transcendent. A some questions of the

blusa with that they're in the house that they're that they're not that they're going to that they're not going to the car who's

using that person and not it's like still still, they're very anchored to to the plan material,

not to the world of us, even when, because it's difficult to determine, but as if not form them part of him.

And there, I've mentioned in some podcasts, but there is where it's where it's to cover

a sense that many of the religions, in their people, those exponents more

spiritual, which have profundized more, many of the religions coinciding in the

non-materialism, or in the not being cloned to the things materiales, and

It would be that you're seeing from a perspective of a person that seems that's religious, but simply

can't have contact, it has a point, it can't be this plan. That's the thing.

That's the story. That's what also. That's the also, it has been to what you

have to say. Okay. One person was with her mom in a house that

after a couple of to take, thanks to a job that he has took a

great to get to be doing to him. When he has to make a mother,

the first is to get a house of the houseita of and they're a woman and the mother,

and the he's a kid, he dedic much of his time and he has been

great care because he was thanks to the time, and he the

time, and finally the senior fall yes. And for him was

a but mention that he's he's always he felt like with that

he's been able the person still staying with him what what happens

is something is something that he he he occurs to be his

and it and it when he not is the house they they

don't to the many many of the many of the

people of he for his time of his time

and no no contact with nobody. Until one day that's a

reunion of the people, he's not to ask you, why don't try you? He said,

how? He's not my mom. My mom fell yes. He's like, and he's, no, I

think, no. Every day the time, that's that we're in the

window, and we're very very good and so he's he entered in yant

and he and he he's because really he's because really he's

What I'm scared That's That's really Fitted I'm in The house of My father Of course

And that's Where I'm I'm I'm over And at And at the I I'd costable

A bit of Because it Because it was The Because it's I'm the I think it's Fech

That I No, I'm Like, I'm Like In the Cases And I'm

It's The It's the But I'm But I'm It was It Olii

It was Like like the Orno it was Orneying Like if

they were orneying something My abuel did a a psal a pastel

the fastel the fastel most basic of vanilla with

that she she did the betune or the bettune

or the bit of the the thing of the pan of

the pan of the yeah the first I really

I got to I did that was that

that that that was that there, no, no, I see, your essence or this

type of things. This, uh, right now, yeah, no see for,

for the time, yeah, I don't, I'm, I don't, I think it was like

a year, all year, that I, I, had a door, and the and the aroma

and it and the arrasy, yeah, yeah, so, so, and the or, so,

yeah, so, yeah, so, so, like, all the ,

of all the things, so, so, It was a very very curious and a

purpose of my abelos and of your presence and going to this

line, it was a little very peculiar with my little my I think

my my little the year because it was when when just

was all the was all that was all that was

so she was going to be going to and a

one my my daughter with me to go to

so a she and then the day and he's

and he and he still he still not he said

oh la uh and yeah oh bye no no no he said bye

no more so so so it's and I and I to

not to maintain the more time me I'm I'm

and I'm I'm I'm I'm to get I'm she she was

to talk and she was talking and she was I don't what I'm he said bye bye

she got she got and she was and I'm well those people people

know that they're that they're people we're we're we're we're

we're we're we're I'm I'm I'm I'm I'm

I'm so I'm so Chinita, because really was like very be able.

I mean, she didn't obviously not, obviously not not quite but then then so,

like, like, like, to, yeah, to, record, the form

in that she was talking, I don't have any a year, still not, I was,

but she was about five minutes. And with the, who's, you know, what

was talking? So, really it was really to say, whoa, my abelito came to

see, you know, you know, this, uh, pardon, yeah. Thanks for

to share. No. No, no me accorded to this situation after right that you

did you. Yeah, sometimes I think that the people that are people,

still in our heart but of their their essence literally sometimes sometimes

not not necessarily because they're in pen. A lot of sometimes they're in when they're

when they're they're a little that's having that contact with us and there are

many people that say about that they they're to communicate with us a

sometimes by the times by I know a person that the day in the

day in the that you He was a very very and he was a person

of a character very very strong he's desmorone for complete.

He had a many years and you he was and even he was doing his

life and he said you know there's there's there was something that there was

a piece and not he had been to find out. And one day he had a

very very rare for the simple and that he's when he is going to

do not his his own is that he's he's he in the

same place but is the day and where he he's

his mom is a lot and she has a coffee and there

a and he's he says we need to we need a partick and they're

saying he's about the the things that she always had liked,

like, the time's in common. And she he said, oh, yeah, not this is so,

you know, you know, I'm not, you know, I've seen that you have seen, and I

know, no, yeah, I don't be a and I know, I'm sure,

and I know, to be the day, he goes to be the same person of

the first. And it's something but he said, I don't have sunions

lucid, Or so, no, no, is that. But this dream was another thing. Literally, I'm with my mom. He said,

no, no is that has been a soniated with my mom. So, that person with the

was there was living, me was about, and not that my mind was recreated,

not you say, because I know, but yeah, and the effect that had had

in him, it was a little sometimes, like, it was like, they're,

like, they're, no. I'm going to with this line that we we have because

just I'm still still doing another situation. My abuela, we're we're the same

abelos paternors and they were the house in that she my my

abuela was of the legion of Maria or Catholic apostolica and

romana so I know I don't I don't for nothing religious

when she when she I'm in the in the in the last few his

friends of the life went to her and he was the communion reso

et so that did so his last day

lucid resed the rosario complete but but when he fell

he's he was you know these misas that these misas

I've done a time, I sentia like this resentment of the and I'm going to be a

rosario. Not is something my, but it's something that I know that I'm

to do you give a little bit of my abelian and I said, I think that you

think you that you did you get to the rosario of petalos of roses and so you

know, a form like that they were like they they were a thing they

he organized a I have a garden grand So we're we're saying and something that's

never that's never pass in my house, got you got three quillibri at the same time

in the moment I was I was like despal the garden well no

a little kind of of a profile and then they were and one of them

I'm I'm so like so like to make the I'm

like And in the art more insipid that you imagine three

colibri so you going to try to find out of there because my garden

no there has a little the one of the other of the other

and he got her and he said you know you know so

like right so much thank much thank very much obviously after that the relationship

with the relationship with the because like they needed this this the series

too. And for that I sent me much more so I had the thing

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colibris this I feel I'm a more closer so it was a

moment that it's that's that's that I'm here they're

so I'm made me more more because I'm like at

the house of my house of my house of my and

in that my moment was like I'm more more

more more more more more more more more

more I don't see, now that I think, something I've got to be it. I'm going to have been all this time. It's how the two just have to be a little bit of some

that's a good. Ah, how beautiful. Ah, how much thanks. No, no, I had made,

like, I had made the connection of that the car, in different moments, but yeah stood there

those two. And, and of this form a little that then we took a ball, so me perdi the keys,

no, really were It were visits very, very linda. Thanks for these things.

I want to use this space to say that just the phenomenon that's been that's

after the experience, the people start to get to things that have lived and say,

and many, and say, oh, me, I mean, I'm also,

and here we've talked about this, so this part over-natural, not always

has been to be a terror. This channel is a bit a a little enfocated

for there. But really not all the thing to be a horror.

And there many experiences inexplicable or natural or natural or paranormal that even

that are things inexplicable are not terrorificas on they're they're

done consoling but you remember how the places have

their their stories and some stories sometimes are a little

there there there's a Mr. X. He He has a channel

that's top comics. Okay. Obviously, for the number, we can't intuit that

he's about to explain comics. But he commented, something that not he

said, and that is the terrorifico. It's one of the anecdotes more rarres

that I've what he is this, when he is an child and he

and a house in the state of Mexico, or in the city of

Mexico, no I don't know, and they there during a very good

a very good time for a very good for him. It was a good. Yeah,

it's all right. Like 10 years after in a talk

family the mom casually he said, oh yeah never

I didn't I'm there and then he said like if I

didn't come I'm there and she said to

tell that she she during a years almost not

to go to hear, because always at the car was a a man, he appeared a man with a sombrero

and a badmeree and he made a very incoomod during the night, but to not

alarm to the family not said he said nothing. And that was going and he

he's going to suffer one of the one of the terrors that are the most espantosos

that is in the place that you can't to you I don't know

more there, you know you're not not and there there's a story

that we know that she's that she she said when her a little

a real thing she was a very, very difficult. Especially in a time

when she had about a woman was a person was a character

very explosive and was someone really really I

said that she she I said that I would be no

Because any contact that had were explosions, pleitos, gritos. If it was a moment in the I've I've had

much resentment with her. Now, that I'm asarque and I asked, and I

said, why? Why act so, why? Why? And, why can't

be not? So, really, we're to be that way? And I

I was I never, I never never was conscious in this time.

My mom me said that we're three, and that she was she was

to be to all the I had a mind, I had a overprotection. That in

that house, when I had was, and a time, and a voice in

the voice in the head he said, me I'm I'm going to

get and then during years, I could to sleep.

Because all the time, no I wanted to get rid, no create to help

to make that she was to be a lot of the thing. So she had a

lot of the night of her and the day the day she was

very irritable, very cansate and she when they're

when they can be to change much her attitude but for this passed a

year and for so they And then Alejandra you know that the

distance had been a reason to keep the always there's stories strange in this plan.

This story me they're told some of some of the and what was that

a group of kids, and chikas were in a panteon in the madugada as

as good adolescents that are looking adventures in a pantyon know

to be a to see what They were, they went to the tumbas and then it a lot of it was a

year, they're going to get to get to be to be able to be to, well, well,

yeah, to be a, like, and one of them is, with a chica

in one of these tumbas that are like a capilla, that has so very,

very nice. So, so I'm gonna there and they're there are there some minutes,

resguarding of the and he he said he said he we're going to we're going a little

and then the year's we're going to when the time we're going to be you're you're as

you're because I'm here here and it and disappears and then the chico obviously in

the panic then he no he no he didn't know to get to get to get to

get to his other friends to to disappear to be because finally I've

had been about with not not we're here in Monterey

in the time probably of our or maybe even even was a

ex-a- wasn't a fund that was a park recreative but when the fundidora

was it was in times in those that no there was not a culture

as there was a not was the day of the day of and

really resguarded the security of the people not the priority

there's there there were much accidents and the people that were

there had various stories from those when they

were on the they were and they were on the sunb

of people that came in some moment in the

or from from they they all people they

people that had face like of fear of of spanto that they were like

asking help and that they were they were in a accident in a incident in the

plant. Inro all of these stories there's there my mom

me told my abuel and I heard I heard

in voice of a comedian a great he Reyes, Sergio,

Mejorado. One of the ornors, standing a guard in a night, resguarding, he's

a person, he appears a type that says that is one of the engineers that is a

United to do you, and then he says, I want to you know, because he a bad

functionation and it can cause an accident. Valle to the revision and in effect,

he had a bad functionament, and the the the next the the next

the And then they say, no, well, well, good job and all, but who you told him? He said, was the engineer, and he said, he said, how much time you're trying to here? Six months. This type of, who fellacy,

so, years in the explosion of that or no? And that story, as well, I had heard, when I was when I was a child, because I bought a job in the funder. So there are people that,

that are going to go to the circumstances in those they're going to protect people.

There are many different. There are to say, the other other side. Of the actually,

I don't be here. And disappearces. Boo! Yeah, I'm there's

that. But is that Fundidora to me a place, I don't see interesting

is the word, but I know I know many I know many stories

of the funder but me attract much like like like

all what can guard or the story yeah the lamentable

is that the the stories are to get to this

moment any person with that I talk so I'm

a story that was a telephone is exactly exactly

and and so all because just before I'm a podcast that

about a mind. It's a neurocientific that he explains to do different things

of the mind. And we said that when we talk about a record,

we never we never we can't not if you do you do you

know, a hour after after you after after so, so so

so, so, so, we don't we don't we're we're we're

we're some form, not the those, the records, and that

apart, conform we we're going to be as shesgating there's like the

record and then a sometimes we're talking about with things and more and not. And not

that's that simply like the brain that's like the in a

one one of the people and telling stories of terror

various we've had experiences together and just because

for the memory one record all the experiences and they they were but in all

the experiences he was he was he was he said he was that he was in one

I was in the situation in others we were not there and others not there's

not there and we know we have we've done that we have been we've been

we've been that the memory not is viable exactly yes no

no no is confiable then so I this situation that I think there's

I'm a platica in the funder right, you're going to have to be things, elements extraordinary as to do it more great.

And to me really what me, me, my attention is, well, so, how people

could have been dead there, how people, the people, that people there, so,

of what forms that are those, it, could have mured to be the people,

so many, so many, so many, so I'm, so far, there, so much, there,

exactly, exactly. Summated to these stories, that have to be more

with the revolution that's they'd not, or that there was there was

the rickety there's there's the richestable in the monterey in a bobbah

secret, et et cetera, et cetera, no, but if Fundidora me seems like an

an great, extraordinary and apart to go wow, wow. But

never, I've never seen ever, I've heard, yes, yes,

yes, yes, I've heard, in a moment, I'm not

no, I don't have no that in the era of the revolution

in Fundidora was where they were in the time no there no way there's there's

there's there's a there's a place or exist a place where the people like the

people who the people guard their longed of their and his joys and those

monies and as their money's because it was the time of the

revolution and as there were much sakees there in Funditora I imagine that the place more secure

I don't know because they've contemplated but that they had got to all right you can't

you know in the little in the little bit of longotes of gold and of monets and of gold

and so you know in that time then it was maybe it was a representation

of the so okay yeah maybe were the those those

that time that I'm you know you passed in Linarese. Uh-huh. In Linarese,

vivia the abelita of a known-in- me. And me said that she didn't have

been a contact with her because she had been a person very creepy and that when

interacted with she was a person with a superstitions, many of certainstices spirituals,

many practices quite questionable. So she said I always me wanted

to keep to maintain a in the things that his old there was a one

that's a boy there's a always I'm always the family's all the families

they're a crucifio and that were different so then those who were they said

that was that was that was tapisado in crucifix all the all the

the walls and all the parts there were the there

were the because not just I was the families not that

people around and she himself had been not yet they're in why that this custom

when when it's a life to this girl gets to know a story that she's

a woman a woman and he said is that your abel

she neist with people with people with the people of New York the people of know

we're to know is that there is like the cuna of many questions related to

the brujeria and say your abuela sufferia and said that they they'd that they

said that she was she was when they they're to get the house of the

abel and they enter in this apartment that's pantos to

get the and they're they're they're in purgals in the base

of the car and the colchon and the base. How they got there? Who

know? Linares No, Leon. The Petaca. Linares has a place

in my heart to say, that's a rattle of my abelitos maternal

and particularly with the petaka because my bivuelo or

the father of my abuel they're in Linare's in a place in a place

that's asienda losada although I'm I'm a little I'm a okay the asienda

of losada but my my my my my abuelos then my

my bivian in this asian losada and they were and they were they were so they were

so they're so I'm about my abuelita that my my vis-avuelo came in his

carretta the carrette the cabo afts and that was a maria's flying

over the carretta of my abel in the petaka for the people

that there were they they're these three marias that are these

great bruchas that are that are that are the fatac I

think they were they're not if they were they were they

they're called the three marias. Well, so, me was a little bit my abelita.

It was the three marias, this, that are their brothers. The three marias,

that were the three marias, and they were those that in the pataca. So, then I mean

my vis-a- and the carretta, I was the labor, that came to one of this over-volando,

my his-a-sac- the, the scopeta, the he up-punted, he, and he,

he, and he she's And when she he says, no me do you

do you know, because apart they're not you know no me do you know my guys no me

not make my eyes my my father and my abuel that apart she is a parted

that the as the bruchas or the letchusas you're like to it's like

um this, well he said yeah but what you you're doing because if you're

your kids because if you don't you do you're That was the response that she She was what I'm, I don't know what I'm going to avoid,

so I'm a media discussion, total that's the final my abueled let's go and he he's still with his way.

In that moment I no imaginable or I, I was insist, I was a little I was a little bit when I was

the bruchita rolling in so on the way, but how the day, he'd he'd put it? How did it when I grew and when I was a little bit

we had a little bit in the cabasos very infirm there was a lechusah and my abuela to let's say three times to spantarly

and said grosseries there was where I was that the legend that the bluhas

take form of lechosa then then I connected with that the form in that the maria

was overvoling the carretta was in form of lechusa. And he apunted and for

my old, your abel, he took this air, he took to the air, and she

got a committed in a woman. I mean it was a way, but it was that the

two men form of the cheusa, then when my abelor he took a ballazzo, she got

in a woman and he says, yeah, no me make a done, et cetera,

et cetera, pithet that I don't see, the, the questions of the questions of the

, of the type of magic or so because now I've been knowing

that there are going to know how it's a kind of like the of the

gawals know that they're in the case of the gawals not heard

I've seen people have seen always people that they're different

types of animal like it's that's that's that's a type of of

the power and there and there there's that I'm not had planned for this podcast

but me you And it was something in a it was a a semradio

of a palm africana in Guajas no I remember where the place and a family was dedicated

exclusively to that what what is that is that they're going to feel that something

they're to get when they to the fruit of this palm africana

that exactly not know that's not that what they they're that

palma but then one day is a mom of the family

is a enter much into of these embradiers that they're

and I'm to hear that the sounds a risa and it's but it

was a really she really she she she was to put to put

with the end to hear movement but at the the altitude

of she not not was the the world

where the where that no be nothing but a force

something something something and a part of the life was a chaos spantos

no he was he was all the time had a attack a panic

constant in many occasions not I was not I was

every I was with doctors was with psychologists he

he he's he did all after after of many

months and have had been various other some because to have

a little a little a person there's there no way to

say that that that that that that that said

they're so so I'm six years after the

time that he's so so he said he

he said he to know to that was

what was what was that was like some some

some some type of spirit that was looking a person to manage a type chuki

type chuki well that's the budu of a person that's yeah, yeah, he does it

is like he is more and then just the movie, well it's the movie like he's

the one that's the one he's in the man in the muke see that right

you say this I remember of this this is this was of those that

not not fear, but are the they're the that's the to be able to be

not a poor parted but it but it was like a measure precautory. I told

my abuela that in Linares there was there was a mom with his his son

the his name hippoly and we we're talking of a person great,

no see 18, 20 years but it was very very I'm a malported.

How you portas mal at the 20 years? Oh, I'm a man and I'm

not not a time. Respondon. He was a mom to say

he said was a person like a person like a parted

and well the mom like a unnegated but

he was he was very submiss no with him so So, one day, the talipolito,

he met to a bañar, in a vanier, and they're that when it's, like,

like, he's, like, it's, so, that's, so, when it's, he's, full of

a man, a lobo. Okay. So, he's spanta, he's a get to, the

people, and he, he's, he had met in the vaniera, like, with all

this my abuela I said this expression that I'd have been a question

that's a pachon not a pachon, patchon, pachon, pachon, pachon,

ah, for peludo. Ah, for peludo, no. And, yeah, and then they were

to come the the what, what did you get a the water, the

man, the man in the lot of the last time, and a

little, he he brought to the man, that probably had in some

manado or or something, and he said to you're a much you're very malo with your mom. You have to pay you because this is a castigue of God,

because you're very malo with your because all the world was to know that they were a realent, et cetera. They're not the

sacerdote, put the water bendita. Obviously the man, no, I don't want to do I'm,

I'm going to do I'm thank you. Thank you for all the all the time you've done for me,

et cetera, et cetera. I mean really like that he was a moment of the quibre, this epilite

and that he went to the water that's made that they're to get the water and that when it

was all of the water yeah it was good yeah that was yeah that had

had got to that in the in the vaniera this betto

to know if they they were just so for that I would

I put to me a good a a good

or that that that that that that Or like, what there was behind this?

But they were like situations, insist, like very common in the time, of that if if you

was a something, it was like a castigue for what you were you're doing. Sure. Yeah,

and it's the type punitive and like to give certain restrictions or values, no,

but mixed those with the fear. There's a YouTuber that very few

know although have many followers that's drags. Drax is

a type that's a mask like a spartano and he always about

and he about these these things. However, every Halloween

he also he makes to talk stories that occur

in his family and he he he he

he all the question of the He also practices very oscura

during much time when he was a new. Then he he went to docese summantly aterrador's

but that he's that the questions overnaturals exist and that the part of the dark

can get to be very very dark. And one of the situations that I know is

that one of his tios has a pactos not specific exactly what, of what

he, but he's that one did you did that not surged on well. The things

were going to bad. And he mark a house to his family to talk

to the father, the brother of this man, he's saying,

your brother, did a thing, and the thing, we need to so, he said,

he said, he said, he said, he said, he said, I'm, he said, you know,

because not we don't know we're doing, When they're when they're to the

house of this man you, he's there's many many of people.

He's but not they're not in a person they're like besties people

and many many of the room and see a light that's moving

continually like if there's a lot of people and would be dancing

around of a fogata something my my papa was there

and me he said no you don't you don't you

do you do you do you do you do, wait a that you know that you're doing the conversation that has done

the conversation and says how time has there's like a time what's doing well you know so you

know so then then so we don't we don't we're you have to you

then so so arreggle when when when the

door the the door the so they're in the Units

and what Drax I get to see to be a bit of a bit of

around and there never never never never ever to

him Muth who who who know wow wow

that impressive is that I think independently if you think if you

think so very very so I'm very so I'm so

I'm not it is something that that do you do and I've done

I've done I'm never, but I'm the value like to be

or if you're saying that's that's that's going to I'm

doing something to you know no, because what is that we're we're

we're really really if the energy that we we we're

we're and the energy that there in the environment always

we're not it's it's impact a A person, like canalizing this energy negative for that you pass something or whatever

or being a guy or quamando a bell or what that's a that you're doing, probably maybe it's probably can't that's something that's a lot. If it's that maybe

there are different plans apart of the material, no? Definitely. Figate that I've seen the documentary of René Perel, the resident, the cantante of Calle 13.

Yes. It's a proof to be a DNA to see all the raises that had from

where he his story and then then there's like that the like to

Tokyo of Puerto Rico of Puerto Rico obviously and so of many of the

places and one of the was South Africa was South Africa and this place

of South Africa the that's it's has this practice of Budu

and so then I did that that I'm

really was I'm really was really a really information that was the only information

that were in the novels or in the novels or what that is the monito with the

alfileres and not and no so really for them is something routine is something

of their life a day is like what they are normal for them

for us like oh the magic budu for for them is

something something is a super everyday this, even they're like

sacrificing a paloma and that's a kind of a kind of yeah, it's super common,

it's a religion no, so it so, so, then so definitely

something something there, something, something, that no we can't we can't be or that

not, that not be a tangible or or that we don't create in it

doesn't that it means. That good that you You just retomating to

this comedian Sergio Mejorado, that is part of the Diablo Squad of Frank Skamilla. He platic

in an interview that he's he's that he think the things about

experiences that they're in the family and he he's that's that are

different in relation to the Ujja that is this, that's the plan in

that we is good if it's bad or if is black or is black, if is

of what comprehensible are those things that it is that it's things that

not there and he managed that in the first history his

his father put with on those he put in to

play to and at the moment to to get

to move the table and the message that is

tell to tell to tell we there he said that no, no,

he wants to reveal names. So we're going to inventing the names of here, to your man, to contact a

his brother, Louis. And so, like it was a message a little rare, that no,

no, he did not he said, and he said, you're going to he says, no,

he says, no, he said, well, we're going to contact to Juan, for the he said,

well, well, well, result, that, that's that message, Louis,

he's the Tio Louis and the Tio Juan had many years of not to be so they're

in the times in the family not so no nobody didn't even even even didn't even

they were in this moment he was a situation in that he was a situation of health

very grave and was very bad in other city and that that was they were

contacted with the children and with those kids and they were been to be had been

been to be two days more it's like he has he said well

in that he's he's he's he's but he but it's

like a instrument that's a rosa but not know really with what you

you're with the other story that he he he says a

person and a person and a person and they they're they're

they're and they they're all the way they're they're they're

they're that was the that was the movement of the time, he said, no,

me can't move, no me I'm able to move, and he starts to move, and he starts to something,

something, so the tio he'll get the whisha and the vienta. The husband never wants to

to tell to to anybody that was what he lived there, but he cameo that's

that's a person profoundly religious and a part of all the time

is in questions of rhesos of Rosario to look at this type of, I don't know I suppose that protection or or be able to

be able to that's something. And you know, you know, exactly what's the that's

the same thing, is the that's we're doing the prepa. We're going we're going to do weh

was a wife of the market of the Montecl Montreal. Yeah. But, but,

Like, we we've like situations very peculiar and it

and it was very interesting how I'm, it was and he I think

because I was, I was I was there was there was a person

and I said, is that I'm moving I'm I'm so I'm

so she's moving. So, that's this, um, and we're

we're when a person with the person with the person with the other in specific, a one hour in specific. No, I remember, neither the day and the hour,

I'm honest, I was, I for 20 years. But I remember that we conversed with a maester, that casuallyly, also it was a psychologist, I think. And, um, and, uh, and we're saying, no. No, because at this,

or between this hour and this hour, so, you know, and if you're, they're going to enter, and then, then, then they're going to, so,

so, so, so, so, so, so, so, so we,

so we're, so we're, so we're, we interesting of this story put the the people

with the people with the people we're going we're going we're we're not okay

all that you can't put it put it on the side rational what we're what we're

we're we're not we're we're always always always always

always she'd always she'd get to someone and yeah

I'm so I was always I'm I'm I'm Kemmo.

Really, I don't know where it's, but I know we're trying to and we're to try it. Oh,

so, no, they were to do it, or after the then it, it was a, in the the basura or

something, it was like, I'm just, I've put in the bad you, no, so at the

most, no, you know, it's the I'm not, you know, the more, you know,

I was that, I was that, I was the thing, you, it was a thing was a that we

pass to the people that we're going to we've got we've got from the people, but we

couldn't deser us to say us to be the table. With these cases that give them and it

would be interesting to know if what is that is that is that is someone that we

don't know or it's not materializing because me have even even that they

they're they're and they and it and it and it's and it's and it

is really what is really what succeeding there. Sure. I mean, so could be

a question of space or time, could be a question of materialization, or that something,

or something, it's not moving to one. But, well, we also we know, we know,

for our health, I don't go, to the moment that I never, never,

to go, to go, to go, to go, to, never, to, I mean,

so, in the moment, was a movement, we're we, we'd

We'd We'd We'd We'd We'd We'd We'd There's a

A quadra of the set There's Amado Nervoir Yeah, but there

Rupert and Rappar And And I No, no I'll Because apart

I'm I'm I'm One of the One of the Amiga A crucifio And

this And we We know We've We've done To have Prucicicic And

We've Puts And then We've We've To get To be And it's

Why, if you la best, so he's going to live, that's going to be to Lory, and then, so, what, what happens, what happens? He said,

oh, is that Lorette the cross, it's like, to hear the cross. And you start, to hila. To, also,

not a day, he was going to get a master, that's, he's a man, I'm a little, he's a director, or

no, I'm, so, I'm not the, news, of multimedia. He was, he was my master of periodism. And I,

I, I, I, he, he went, and he, no Kro but we

we're not because we're part we're not the lunch and he he said he never said like he

let him that's a so we're so we're so he he went to he went and he

no, yeah no he no he's so so you're so you're like you're like to

try to find the reason and say oh it's like to like to like to like you're

like you you say how he does for not when all it's a when all the thing.

Franco is Camilla has said in various occasions that he is a person exeptica but also

very temerosa and that all the thing of the paranormal for him for him preferably

never to but but in those many of those many I've

made that I've had been done in podcast anterior was in

a one I don't remember was in Matewala. But there's an anecdote that he occurred to all of his team.

And this occurred in Aguascalientes. If I'm a record, it was a place that's called Sienda La Noria. In that

hotel, they were various quarters. It's an hotel very antivow for what I think I.

And in one of the quarters, it was in the time in the time in that I don't

see you you're a poncho of Poncho of Anda and Christian

Mesa are two two parts of of this team of the Diablo Squad. Okay.

They're in a quarter and they're oh, we're just what we do we

do we do we let us to play. And while they're playing,

boom, they're a lot. And then one reaction a and says she

pach a single a one of a one and and

let and it the light. Then, then it's a little where's a

car to get a raver. But the javero no, it's very near to get to

a metro and a minute and a minute, and they're doing it. There are nothing.

Boom, it's a lot. And then then they're saying, you know, you know,

that's not not a bad, boy. And they're they're going, we're going,

we're not of another thing, but and, and of a other, to one the other,

to Ponsch and he he's on the cellar, and he's in a call to Christen in the other and he says, why,

me's talking? He's, my cellular is there. And then they go and revising the cellar of him, and

if he's was doing a call. Then say, no, no, no, no,

I'm, I'm going to answer. And he says, well, yeah. One more,

and we don't, where does that says that says, so, they're all the two of the last.

If they're all in there, this, I go, a grittus and sombrerazos were very asus. At the day

the next, he gets Frankus Camilla, that still not was with them. And they say,

we're not we want to do not in that room. There's there. There's a

type, or, well, there in this time, the the quater that he

had been like, as people, as the person, detain to the people and in situations of conflict, is the case, the guy of guard of spasals, that is the apodado,

the MIRT, that also is Chef. The MWERTO, Managea much this question of, type Sanderia. And then he says, well, that's, that no, that's,

they're not going to do with, and say, ah, let me go to be the abetation. Normally, this type, so, it's distinct, for not to bring me to nothing, inclusive

to things and he goes and he goes to the 20 minutes

and they there's there's there and I'm not want to go to go to

and no yeah not not not so so so

so he's to make to the really really is

really really is a while that that they're

they're that they're in the show and So, standing in the theater, he gets another member of the Diablo Squad, which is the Macario Brujo.

And he says with the poncho of Ander, that was the other people who had passed these things, or with Christian, but he'll, he's one of the two involved in the first socese,

and he says, well, what's the time? And then, before the end of the spectacle, we're going to go to that

court. And he said, no, and I'm in, I'm going to, this other type, that you know, that he's,

he's going to we're not we're going, we're going, we're, but those convents. They're for

there. And he starts orations. And he manage much this question like a

connection energy to the whole and the whole and he has his own their own

his own his orations and if just at the moment in the he comes they're

all the twos of the time. The situation is that it seems

that the Mesa Renoia a rae a raise to know

that was to know that's they're doing a episode there

episode is in internet and passed things. What other story has for there, Johanna? Oh, well, in the

theaters, it's very is very... It's very common, it's very common. And I think to be just to

what we've to say, the energy, the energy that there is there, not only the energy

of the actors, but the energy of the characters are in a theater, how people

do you know, how people, how many the way, the I mean, it's, it's,

it's, the count of the number of situations that have, that have succeeded in a scenario.

And we, and it was our first – it was my first experience

professional. We did one hour that's called Mucres Anacron Chronikas. And we did

that's in the faculty of arts scenicas. And this theater, that's very little, is a beautiful,

because it's, it's, it's, it's a, it's a, this is a kind of, conventionary in

that's the scene of the and the public, or the type of arena, in the thing,

the thing, the, so the gradas are, so, like, as they're so you're

, you're going, so you can't come to come to the public, when you're, it's a

very little. But it's like to be a back to so if you get to

the faculty you get you're like in the lobby and then you're because

the construction is so the faculty art of the serrro the sands there

was a merrows it. It was we've got we've done

we're assistants and the director but we've got just

only some some and the carmerinos are like

in line and I was in this first and my my companions were in the other people

was in the one of the other women was anachronica also and I think she was in this but there was

but there was one of the actresses that she called Gabi well she was

she was she still she was so I was I'm so I'm so I'm so

I'm I'm and I'm who someone he's talking no maybe he's

he's he's he's I don't know, because apart in that time we're used to the musicita and that's what

we're not we're not doing because there's there's a process of preparation of the person that in that time we're in

second semester so we then we're we know but of this great this gritty was like very insistent

Gabi what's what's going where is Gabi we're going we're we're going

the same where it's there was absolutely we went to the area of the scenario, we went, we're, we're, we're, we're, we're, we're, we're, we're, we're, so it's, it's, it's, it's, it's, it's, it's enough,

but in that moment, really, we're, we're, we're, well, because the gritty, so, it was, so, was quite, that, was quite clear, that was, that was, we're gonna, and, we're gonna, when, we, we're, those in a, Colorado, the, last we're, those, that I get to someone. Because

if it did it a part of not it was a not a gritty like a lot of a question.

With a so we're so we're we're in our camera and we're the first and then we

get to start to get to that's up in that there's a time. So it's like what

they're getting and we're so they're so they're so they're so they're so they're

to when they're when they're when they're they're there's there's there's

there's there's So we're like, Ahha. And we're like, yeah, yeah, all the time.

But how? Ah, then you're you know, I remember that us said the Juan Salo, this,

that was the technical chief of the theater in that time. Is that you know, but how?

Yes, well, is that, when I'm there around the where they're in the light, and all this,

no? Yes, you know, what you says a a rato, the sound of the

metal with metal, that's a structure of metal. And so if you and you're there's

over putting the lights and you and you're listening or you're in the parrilla,

you're just you're going and the the pass like the carried, like the you're like

you know, in what you do you do you do you but it's much sense

so because it's people that like 10 hours all day the work

normal normal that you do you you do that's like, I mean, I think

you know, from the little, no, from the kid that's, that's he was,

he said, he said, she's like, she's like, you're going to be

a little a little, a new, a new, a new, I'm going to get you to get to

this time. And I'm never used to get to get to get time.

So, the normal should be to get time to get to be to say,

yeah minimum, that there maybe more than you. Because I don't only

of a chiste. In a marvellous at the space. And in all those who have done, I've had the fortune to be in theaters very antivos, if it's very common, the noise, the door that's

a lot of, or for example, something, something that's, it's a sotta the door, that's like the thing of the theater

that's the theater, no? It's like, to be the way that you got to that you got to, so just to just what is,

say that's inconscientement. I mean, because me pass much that's a sotone of the port. Of the nada. Of that, of being

open, it's a serra. Aha. That's something that's something that's something. After you the end up

the reason is obviously, you know, is that, but there are there's where there's not no current

of air there there. Uh, or how so it's to see. Or to me

the serron door. I think is like the most common that that's that's

that's that we're in we're in we're in we're in this or of

a bit of this abrisita that's ohy like when when the yeah exactly

exactly exactly exactly that's yeah of in if you

have you've you've you've heard the dame this

this over I've I've I've I've I'm well

many those of the elenco so have, had, many

susters during the presentations because there are things that they're not prepared and that they're

and that's I'm not a person that went to see a day in the day in that they

not they were one of the many of the many of repetions of functions that they

had in a place. And he he has he has he has he's

he he can in the the assent of the there's a senior

great and he's from his back on the back on the back of the head of the

head of the manned that's he's a little he's he's he's

the last the she's the reason and he he's he's he's

he's he's he's he's he he's he he be the

he be the he he has he has to get to go to he's he

he he's I'm very strange. The sir, the truth is that was that was a very rude and he's

going to the work in other the hour and he's there. Then there a moment

in the that's about the work and he, he's he has to be

to get and where they're not see the she's not the he's

the he's and when he's the the time the

person see the she's pealed in the door So, super caon. And passing

one of the time, it's not with other amissades, for the same that no,

I'm at the final of the hour, and getting to the little bit of the endra, he's got to

this the last and said, oh, yeah, the senior of the old is the last year,

the place in the place. And so, and the is the same is she, who is she,

she is she, she is a choro, she never the person. So, so, the theaters

encerrown like certain stories, no? It has to be, I think

the, the most like logical or the, or the classic would be the moment

of the construction, not, like what what was what was what was

that the one's that you don't know that so or caithes

or or no so, so, I so, it's like

it's like the reference that I always I have the

relation, pardon, that I always have has been like,

like that's like, things are when you're doing a place in a place of a

magnitude. Yes. Second, I insist, the, the, the quantity of history,

the quantity of the people that go and come and it, they're going like an

antenna. Exactly. Exactly. Something. Something. Imagineate a one of this

caliber of this caliber. Sure. The theme that has the type of

emotion that's generate many people for the right. For that the

movies, the animations of the filmes of the film of the little is that the girl

in the thing is the girl in the film or the or the or the after the

that's that's that's so that always there's like things because

really you know, you're really with a more than a energy that's we're not we're doing

we're we're talking of, of, of, of, the,

of other things. Things denser. Exactly. So, I think that exactly, it's act,

it's not, it's not, it's not, it's, I mean, I'm, I'm, I think,

I'm a thing, and it's, it's a way of the story of the Uyja,

me really the attention, the crucifio, it's, it's interesting, I'm, more in

the time, but, Johana, there, there's, there, there's something that you

want to you want to you want to be a I'm going to do things I'm going to do things of the

theater of terror never never never under any circumstance I'm no circumstances I'm going to

do works of theater of terror this yeah no no no no

no no that me don't no the spiritus I don't I respect those

I'm I'm get it so yeah that's yeah that

no that no that no to sleep, be to be not to not say, no,

no way to do you need to be a story, that I'm just to the final. For that I

cannot do not I'm going to do this is part of the custom of this channel that

people say, I know, I don't because me a lot of time,

me to get to do this, but I'm to be for the people of the people of

Ecuador, I, I'm think that this that you're going to

to count, or occur in a place that's a river in Rio Bamba. In Rio

Bamba, there's a colina that has a little bit of that's abandoned that's decades.

The church is that's maldita. Not maldita in those legends urbanas

in those that nobody he's simply the place abandoned, they invental my

stories. No, it's maldita because there much many stories

very bad, very negative very aterradoras with that people that are in

bock in boca and not is the person to my vis-a-a-a- is, he's, he that's that's there

and that's always, you know, and you're that's, you know, the one, the friend

of the Tarara, and that's a seminar, no, it's, is because he went to to get a way a

kind of, that's a thing, that's, that's he's, he's there's

there may be very Well, well, those students that were in the

career of communication, not they didn't much to them. They were to do

a film to do your project final of graduation and decided

to do a movie a movie a group of people

that they're for there. This me one of the

10 people that was that said that they

went to the that was a sensation espantosa, that was like going to a place that

was full of besties that were like, hungry and set of the same and it was

like if you had a sensation of a bigger imminent, but how

never I've lived in my life in any situation more than there.

And if there was a place, it was a place. And me

generated that and with the light of the sun, with the we're going to grab it,

then it was to know that we're going to not to get to get to the form of the form to come in because some

are the language corporal of the language that all were that they're very and there's yeah, yeah, we're going to

get a lot, we're going to get to and he gets to and he gets to He's going to goreying to say stupideces for that we all right. We're doing more to lairre.

He enters and then all those are going to see. When we enter, he's a parted looking at a front of a passio and the hands are them are temblando. All we're keep

impacted because we don't understand if we want to give a a broma or if it's going to something something. We're going to see the front of the and we've seen a

sombre that's passing from extreme to and he's a lot of the velocity that is a normal not a person

that's a person running, it's a little, it's a skin, a skin, a skin, a skin,

and it's going to be to us over we've been that we've been that's a real good, and he's not

actor, he not said to act to do he not able to do that. He's a idiot that he likes to

make make a bit of and that's so it's we're not so it's that's that's

has the eyes abirt, the boca is open, the boca and the way of the quagia. So it

seems like it was more like a kind of a type of even more that I'm not that we're

we're trying, we're we're trying to get to get to get to that we're getting to the

extreme or we're coming to us. We can be a animal, it can be a person

even a person, even though it is very obscure. Salimimus? When we're

when we cross the door of there he he's he's to make

a and he and he and he still the way to the way

to do you still in an institution of mental nobody know what he

did they've got with psychiatrats they're saying that he

took simply a kind of of a attack of a some and that

we're we're not the time we thank for me for having us

accompanied the day of today of the people that we know thank you thank you

for the people who are that we're on we're doing we're on Spotify, YouTube

Instagram and Apple Podcast we see in the next episode Ducces Pes Pes

Pes Bye