HABLEMOS DE LO QUE NO EXISTE - EP056: Paralisis del sueño, sueños lucidos y TERRORES NOCTURNOS | FT. Ismael |LEYENDA URBANA MX|

Episode Date: January 24, 2023

Creaturas que muchos han visto durante la paralisis del sueño y terrores nocturnos.Sueños y pesadillas lucidas aterradoras, que no te dejarán dormir.¿Son un juego de nuestra imaginación o es algo más?

When you see the energy and the rhythm of the music perfectly, superar your limits is more easy. With classes like reggeton rons and full body salsa strength, rapidly ver you'll see why these are the trainingments that you've been looking. Every day, you're new challenges with trainers experts that train and they're in your own own own idioma. Eleva your entrenments with Pelotone Tread.

Enquenchance your rhythm. Enquenchance to find your power. Pelotone. Discover more in OnePelotone.com When the energy is high and the music is right pushing past your limits

becomes that much easier. Take a regatone run or strength class on the Peloton Tread and you'll quickly see why these are the workouts you've been searching for. Every day brings new challenges

from expert coaches who train and speak the same language as you do. Level up your workouts with Peloton Tread. Find your push. Find your power.

Peloton. Visit one Peloton Welcome to Family Nocturna to this new episode of Let's of what no exist. The day of today we have an episode very special because me accompany the distance. Ismael Mendes, the host of

Legenda Urbana M.X. And before I just want to tell you that during the pandemic, this was one of the podcasts that me aminized for complete during a time a long in the year no said what do you know

I didn't do you know what and the story is that this man narrate really

recommended this one once said this ismael good nights thanks for having to

the opportunity this talk about how you know hello good good

nice thanks for invite in first I'm very

I'm ready for for a place with this

things with some and much thanks for to hear my content

and for recommend it. The fact is that it's a good to know to the people to help to hear it to

get to do you know, and as you know, and as you know, it's a good rata. Many thanks for that.

Fidate, of the actually, I want to talk about that's about when I saw the title of your

podcast of YNUrbana MX, me, me, me, I did you, to make

to, or, more, more, I'm, I never had taken I've taken in

account and I'm sure. Mexico is a country is a country is a great in legends

and in stories. But I always had fixed in the country. And you

did you make to say, wait, every city, every colony

can have their story. And you are just just just for the

legends like more rimbombant or the mass than

the because I'm I the podcast I I've

I've many signals of, oh, yeah, busca stories that are more

personalized, not so generics. And that started to do many the about the

about the talk about so is that even we're not we're we're not very

thank you because your content and your stories. Man, me Ilegro much

that you have served to give you know that's something because

you're I'm before the podcast as this format about my

my channel was more more general. I was about of terror of,

I don't see, I could get to a story of America or the United, and it was

like it's like it's a moment in the thing we're in the things, because I'm

so I'm so I'm so that I'm put to talk only stories of Mexico,

it was when it's to grow my audience, they're to get this

this type of things. Like they're like they're more more more

personal, me I'm definitely there's there was much more more

of the city of Mexico and me identify so I'm not I think the people who

have seen as they're about this I'm not a new your community has a person who

the people that's no in reality no no I don't have

occurred something something to be with some for to put

to name but but there would have to

think it's never never more not more just the

people of the people let's let's let's hear of what not I'm the

narrator and they're here in the carol I'm going to a question when we're when we're

we're to do you to talk about stories, to explore legends in my case to

have interviews with people that have been people who have been a much to

the people and then they're so they're not even there's that you never before

to do that before The question is, to day to day to do you still there are

that you can't it's a good because if as you, as you put the

put the the part of the emotion because I do much emotion to

find and but you can't you can't you you're you're

you're you're you're you have got and many you're to get to

a point in you it seems of that terror. But fichate that's

a bit more difficult to get to impact to but it's not a time. I don't know when

I'm going to it's a thing that's going to be a time that's this time I'm so that's a little bit

always I'm always I mean, I mean, I mean, this talk and, and,

and you surprise, and you, and you like, like, like, and I'm,

I'm, I'm, I'm, and, well, for, for so, yeah,

we've got, more of two, episodes with the program, not, not, imagineate,

if they're, so, so, four, leenders, for episode, we've, we've been,

three hundred, four hundred, fourcent, many, many, a, one this episode,

of the , I think, I go, the reference then, then, is for that the people, I think they're to hear this,

a month before or a month after you go to try it in your channel. So, so, for that they're going

to go and to get it to go to? Yes, if it's name, it's a condenado

of the cemetery. And it's a story, it's curious because it is a legend a legend of

a little Bolivianian, that's a 3,800 meters over the level of is a

little bit of six hundred abitants in that's a language. But a rise of that I'm going

other, legends of one of one of a Mexican Okay, justly I'm just right

something I'm going to I'm going to Antonio Samudio. If you you, you've got

this investigator that is the person of the agency of the National of Mexico?

No, no, no. No, no no, no okay. Fikate that Anthony Samudio

has of the many presence in all the thematic of terror because

has done just a different explorations urban has aborted things very

difficult to borrow like exorcism and cases of places

of people and try and he does because in many

cases is practically impossible but he always he always he always

after this labor of the time when took a collaboration

with a Missions Podcast, that about an entity that right me that brought up the mind. And he said

that there's a type of entity very strange, that not is usual, in the that a

human when when it, in very many many cases, but it can't in this

plan in the world, and he has decided not to not pass to any other plan,

but apart of that no want to be alone. And then what is what is going to

do you know, is that's going to deshumanizing and the empathy to pass to a second term.

And what is influence to the people who get to get to this entity, that get

to their places, and it's to make a life to get in the time. So, when

I used, when I heard that you said, the condo of the Cementerer and me made

a click direct that I said, I think I I think there are I think there's still really supermently

oscuras to to the first I'm trying to get access if it's that I do know that's when I'm going to

get to get to get into the episode and like you know a person you and that you and that

you're doing you do you actually that you're doing you know you're all you're a final of

you know you know no no I didn't know I I think is also the interesting to hear this, because,

well, the legend of the condensate is a legend of an alma in pen as a lot. But there are certain elements

that they're differentcian of other legends, of the other legends, that is what does what

does it, and what does what does it, that's what does it, that's, you have done

other legends that have to be with with the or with almas in penas or

with phantasas that are in cemeteries. That interesting, what interesting. I think that will

that episode will be to be good I'm a one of the yeah we're talking of

these, of these explorations in torno to the legends that are macabras what is

for you the type yeah say the legend of a phenomenon paranormal or of the

that are the more difficult to be because still they're that

kind of like that like that little nervousism like no you

don't to be empathize and you I took people that me

to say to me to talk about to do your and I'm not not in

many times even a part of me says and then I'm not to do the time

there's there's there and you don't know that there is a

not I don't talk taboo but a difficult to

be yeah and it is a not not so

not not so not so but for example

when I started to the podcast, I said I'm about the true

crime or of crimes or the crime. So, so I'm there some about some

episodes about assassins in series. But there there was a moment in the that I

don't know about much that because are them thematic very

actual and I think they are very abertas the so so that

so I'm also, I'm a little rar of the about this type of

things of this type and it's something that is something has been away a little

of a assicino serials and of criminals and there's many people have been with crimees but at the

most are the people who are that they were that's just a year or a single or things like those

those arected not are so yeah so so so like

it's like it sentia a final of this this termed

a final of this it's and I sentia a a little rarer

lucre with that thematic so there I've left to be a bad of a thing

but I'm not a episode of like I'm like the things like I'm sorry of the

things that I so much that's more or the question that I don't know if it's not a

because I think it's paranormal, but at final of the kind of that can't that can't be able to

I'm, I identify I'm identifico when I I'm going to I'm very fanatic of all the

of the assassino seriales. To me the profile psychological, the profile psychological of assassino

was something I'm I've all the time many long when they were the

tis when they're when it came to this series of Jeffrey Dabner and

and since has been a time as it was going to do to do it was able to

do the podcast I identify much with what you you're saying, okay,

criminals that have been passed of 50, 60, 70, 70 years, is more, has 20, but it's the

situation, for the show of the channel, you need to have things that are in tendency.

And that means things actual. And I, I'm, I'm going to go to go to

where, where I see a person that are affected to the day of

today, I'm not able to be to I mean, I don't, I feel that if me get to a commentary

of those people, instantarily would be able to all the content. I mean, I could have a lot of the type.

No, I'm critic to who do it, because every one has their way to do it's a deal break. So I saw,

that's just before before to open it. Yeah, it's good that you have done you know you

sometimes when you do you do you're much scruble. There are there are people that also abarca with much respect.

And trying to do the best way of the most possible, I know there's and I'm people and people with the

other people who have a podcast dedicated exclusively to criminals or assesiness. Of course, a inspiration very great for

me was a podcast that's called Testigues of Crime. Yeah no but it did Robert

Coria. And it was very good because just they were just about they're the profile psychological

of these assassins or these people. What if is, I'm put an example,

this, I don't mention names, but a, a YouTuber this, for a, he put,

he put, that's, he put, he said, oh, what you know, what you got to

pass that's a year, and then you know, you know, you know, the things not can't

be able, the family is affected, that's a thing, so I'm made so super carro-nero, the fact,

yeah, is that, that's, that's, that's, that's, that's prestar much

that or more well you're going to you're going to do that

with that because at you know, because at you know you know you know I'm a moment

in the this is a time and you know economically at the first I'm like it's

in this case no depend exclusively of that and that and that that does

I'm definitely that but you you get to depend the content

the of the 100 you say chinga oh the

like in relation to the business, of a sudden it's a line moral is a bit of a bit of so it's

a dilemma that no me and I'm think you know, what you mention you that's a recent and that

was so for all the strasos and also of how he was that he that's

that's maybe to make a more, yeah, yeah, if you, I'm

you, you all day of today of today, after after you, after this investigation

you, you're in the paranormal? is a question that I ask you never that

I'm a question and that I'm a and that sometimes you're sometimes you I'm

I'm always I'm always been a little septico but no I don't I don't

I'm to start to say no, no, the really not that I'm just to have

that's a question and a lot and so I'm always always I'm always I'm to try to

askal a explanation logical or rational but always me to have that

that question of, oh, and what do you how do you it's true? So, a

past of that I'm that I'm that I sometimes if I'm can be to hear

a bit of a septic all about more more more more than

a thing, I like, I'm that a one of those stories has been

real. Duda, you, you, you you can't see that

a for completely or the the door what you do you

do this is decidedably not to be that's a way

example. In my case I was I was a septico for

complete I know I I don't say ateo but I

not I think in practically any story one one one

one and there was it was it was so it so it

so he he With the past of the years, I've, I think I think I've seen six situations that I've lived, that for me are inexplicables, and two definitively are things very atteradourable, that no,

no, no, it has been any sense that have happened. And I, you've, and there were something very strange. So, with the time, I what I did was to say, okay, definitively, or so, for me,

it's, but what I'm going to permit is to open the door because then I'm going to create

to see that that's a indole. And not it's not to be able to say, the minimum

that's in the minimum that's I put in many many times and those that are the and those that those can't

because it because they're because it's because it's more than you you're more you're the type of septico

and you empuages a little to say I'm saying not you're not you're saying more well,

that second option of, no, I want to start, I'm, I'm going to get the

door that's a bit for a way to get a thing that to get a

thing, to know, that's something, is something that's a natural. So,

then it's more well, to have been passed things, cositas, not something something

that's the history more really, the story I've been, but,

I, like, I, no, I've terminated to create

at 100%, let's say, no. So, so it's more like to

the door about the door of the thing you're about it. But you would be to talk to

the audience of this channel. What was what you did you? Sure, without a problem.

It's a experience that me happened when I went, well, when I went in the

secondary. Resulta in one occasion I came of the school just about

and there no had nobody in in house. I put

to do things of the school and me put to see to see a television in the cell.

In that then we three three perros and of a thing that not had

happened to put to get very all time. They started to

go out of the patio ladrando awiando but so very when you

when you when you when you get the rhythm of the music

perfectly supered your limits is much much more

with classes like reggeton Rons and full body and self strain. Rapidly will you're

why these are the trainingments that's being done. Every day you know new challenges

with trainers and they're they're and they're your own your own

Peloton Thread Enquenchra your rhythm and your power. Peloton Discover more

in OnePeloton dot com When the energy is high and the music is right

pushing past your limits becomes that much easier. Take a regatone run or strength class on the Peloton Tread and you'll quickly see why these are the workouts you've been searching for. Every day brings new challenges from expert coaches who train and speak the same language as you do. Level up your workouts with Peloton Tread. Find your push. Find your power. Peloton. Visit one peloton.com.

Very mal. They put it. And I had kind, I was, I was a little suggestionado because I was very metied in this of that I liked the stories of terror

from the before since, even even. And I yeah, I've heard about

this that they have seen, that the people, this perception, no, that can

see things that we know, that they're that's, or see phantasmasas or this

type of so. So, I'm suggestioned a little from there, and me

started to do and I'm the thing, no, they'd, and,

and there a moment, passed a few minutes in the the time,

and when went to be to be to get a person, was a person who was a

person who was a money for, putting money for the endier of a person because

it's so it's people who are people that are to do that are to do

a sepultura to their familyers. So, so it was one of those people

that's to ask to pay to pay money just to a funeral. And, well,

resulta that I'm getting to the cari, because I'm a little fear.

And the curious is that when this person does the way to the end of the perrots

they're in unmetiating, they're they're to do that they're going to do that when that

person, he did the world of the case. I mean very, very rare

that, I mean could have been a coincidence, but I made very rare

that, that, that, that, that. That story I've told in streams

and also I think I think I'm a video in YouTube of that's and then you know,

and then it's a lot that person had a energy or he was coming to this person that was

that person and I'm that the person that person that was the person was the person that was

the person who put a money to something or something that's something so that

okay that's that what's yeah it's here the part folkloric with the

Morto, who's looking for your own time. It's interesting. Dear family nocturnal that we've

heard of the experience of Ismail, tell us for you guys, what you think what is what could have

been in this situation? It would be interesting to hear to hear of something that I don't

me, I don't me, I know, I had a person who had a person who

he had a lot of because, I'm with the other, I, that much a

much contact that like I'm a kind of a kind of a lot of because there I'm not

not I'm not I'm not there but I'm so in general. So when he's

he's he's a because you don't so you're so much you know because from the

life I'm always, always, and if it's a perrito very little with someone

if he gets to get to me he's I'm had to be with

probably his type of movement. He was he was very aggressive, very rapid,

he was a time when he was a time. But in a occasion he took

to be a very rare this he he was a way a

there was in where we in San Louis Potos he he he

he's coming on the and he I was a little bit of that group, we were three,

and I'm going to go away from the group and I'm going to and they're going to in the practice. They've been in metied, so they're doing the way they're doing the

rhythm in the you know that's you know, they've done a conversation. Yeah, no, they're not, but what I'm

to see to be inaudito. All the perros started to get, there were many people who were there, they were put into, and they were

and they were to get a ballita and they were to go and conformed they were going to

start them and they're going to and they're a caro or literally he's like he's like

he and he's the other another other company he's put in the

and the people and the they're they're they're so it so it's

it's so I'm I'm I'm I'm I'm I'm I'm

so I'm I'm I'm if a a person was a a

and someone was cariciating if he had to a minute and a minute the perr he had

the person he had percatated of the person and came here something. Like

something that had that had that generated that the type of that

I get to ask that I'm there's but it but it's that it because it

because of the first day that came that was practically per cent whatever pern were new

and it could be of the person. So who know, maybe if

there's some type of energy that can't the people that's

not that we're not as strange. Yes, is what you comment about

that many that the animals have this have

this or something that we can't we can we

know, I don't do I'm don't I don't

because there there are cases that the animals supposedly they just

you know, or, uh, or, uh, or no see

it has seen, that's that you get ladrando to something where no,

so I don't, I don't it's that they're not they're not they're not so,

and so, and so, and so, maybe, like, a person, uh, or,

like, some, they're, they're, they're, they're, uh, but,

uh, the issue of the perception of the animals and just

for this this person to be a lot of a person to be a not a bad some

with them I'm not the question of the energies. I think the animals

I'm, I am I am sure I'm really I'm really a love much

the terror, me can't have been things that for me have been a question but it

has been my postura, question a much the things. I have gottitos

in the on that and he he's going to coincide that when that's a minute

after a little a vehicle with motor potent sonable and I know it

so my theory my hypothesis is that in some cases they're they're

they're those are the those that rebotan in the and that's so has

that they've putt there. But also that this thesis

not doesn't no that and they they're set to the piece and

they're in the differents and there's there's there's there's plantaments

that in the end of the quarters and the and the places

is where they position in entities oscures and there a person that me made

a story that that me comment that a

day a not much time I think was at

final of the last was a like a a

bar I was I was thinking in a disco but yeah no even it's more a bar

and he said he said he he said he came out of a good good and he was he was he invited

and the chab said he went to go to the dinner really and they're they're

having a great and then they're they're they're going to go to do

he he said that in the night and that not is habitual he's

he went about at the three of the morning and And he was like

very angustied and he said nothing because it's a person very, very tranquil and very relaxed.

So, so he went to angustied and he started to start with why I

feel like, and of he was a sensation that just in the corner of that was

a little someone, he went to the door to the door and the

area and no there no, no, there no, there

but I sentia where in that corner, someone was able observant. He was going to try to get us from the camera,

like, without much movement, he went to the room, only for the room, he was there

no idea in any point, he was behind of the camera, no, there was

nobody, he went to to be to be to be to be to be the water,

really was, I was, when it was, the there were nobody in the department. No,

absolutely nobody, no, no, there's to get any, not there's everything, then he said, then he said,

well, maybe, I'm a question, I'm suggestion, and it's all. He'll be to doormy.

For the morning, he's a little bit before, that she's, he gets to to be a

and when he's, he's a chava that is sentada in the camera and is like

very a, so he he all good. And the chava is that I

started many I'm very very uncomodied. And he said me, if you want to

you know, you know, and he saw it at the the end of there was that in that

the corner there was something, I, I was a was going to be a momentable,

and that you never was going, and that was going to you're going to you're

going to you and all the night after that that you

I'm in my dreams. That thing never never went. After

that went to the day, that thing disappeared. And then

this brother me said, way, I see me I'm

a shoo I'm a ching Wow. Fidate I've heard that that

that's entities that were that these aren't in the but

there many things interesting in that in first

the the time of that's the time that's the hour so popular that's the hour of

the hour of the hour of the other the hour of the bruchas, that generally they're exactly it's at

at the 333 of the madugada. But well that's one of the things.

And also it's a thing to the thing of the things of those things that are in

the not sure they're that they even they're more than more

that they that they're doing other other other other but that's the they're doing. saw,

the other chabye thinking that was that's a point that's a little that's a little strange because he didn't know he didn't know

that she's had has been so she said that he said he was

but he was he was this person so that's really rare like he

was going what he was going what he was going what that's interesting

because I've heard a story very not in the things in the

things but in that you know that's something that's oh that

so tell me me tell me me for let this

this me she me this me a an

an an I said that he I'd enter to a so like

like very normal I'm so that's so that this person he said

he said he said he said to get a a moment in the this person

that's that he's he's he said yeah moyarto he said yeah passate

passate to passate to then so let let's let's the

he took the the rop the rop of his sillion for that person there's a person and

he's he's so he's he said that when he saw the the room she was

she was in the that was that he had been that he had been not been

not a but he he he he started to ask to

askions and not let's he he came he came he he was

his son to his son's he said he said that she She was her going to

go to the time and that was occupied for her mother. That's approximately

at the two and a minute of the morning. So, well, he was

he went to get to the but in that moment, he was, he was,

when he when he got her her mother, then her mom and her and her

went to to be at the house. And no there was nobody. But

it went that when they went to that Sala, I heard on the

passos in the passio of the room of Francisco. So, like, all, so, like,

I'm like, so, but in reality not was like that a little a time, and

they were they were the door, and then they were the time, then he said,

he said, and so something, he, so it was a little to the world,

but it's not it, that was that was that was there, No, I try to to find out

Explocations, is what he said, but never knew to know in reality what I'm it's that

is that the world of the world of the times is so that is so that you

think you that you and when you're you know, you know, you're a bit of

you've been but in occasions it's that the bele that the world of

the vial the world of being the world and the world nirical is

to be more more delgated and then the mind really

commencing to know or he's to know how distinguish the one

of the other. But the remate, the part the part is when the

bell is when you know, and you know, if you're doing, or if

you're you're you're you're you you're you're you're

and there and there there's there's something in the the paper that the person

that is the person that is a receptor of this situation, the testigo. And is that one of

the people can have abilities, and not I think abilities like psychics like something like

something but different or sensibilities different to other. So in one

a same situation, some some can hear, others others can send it.

But not necessarily everybody have the exception of the event. And here is where you say, like in this case, in this story that you're telling, it's a lotcura.

That, or so, what is to occurring to two persons, is it complemented with the other is trying. But apart, in the world real, if they were things in that house. So, that is this emueble with the the rope that's moved. That for him was a dream. So,

what's, what, no, no, I know how, if me occurred, something, I don't know how it could beasur. What, it's What's a lucura. Very good story. Yeah. It's a

pretty interesting justly for because it's difficult also to hear that the type of stories in what you

do you occur or at least in that in that same moment, no? It's something that's a way you

like you said as a more you can be able to get something with a other and a

more this, well, the world of the world of the world of the world of

this is a or you can't perceive those things, while you're trying and you can projecting in those dreams even when they're

occurring in reality. Because it's scientifically that many of the things that are going to our around

while we're going to be in our own times. If there's a real very very strong,

this, it's, it's, it's, and it form a part of your dream.

So, then, we could we do we think it's something that's something, that's

that's so you, know, I mean, I think I'm going to the thing I'm going to exactly.

Exactly. Exactly. So, definitive when you're doing you're your around,

affect it. For that's in many occasions, if there's a complement in the like,

like in the first case, in the moment in that's the other person, the

other person can see that the person that has the person who has been to perceive, in any moment,

he has to the change of the movement, the just is Cargated or more

been, it's been more than is a part creative of the dream of the and the dream is the

but the situation strange, like in the first relato is that point to a one

in the that there no, there's a conversation prior to that she is a

thing that's something that the other is the other is the thing is that is very strange

but in this case is much more It's more more more

that's that's that they talk in the door, that open the door, to talk to

the other person is that's thinking that someone is saying that someone is it's very,

very good he. Ohye, me, has heard of some of pesadillas

lucidas? Pesadillas lucid, me, I'm suen the concept of the suns lucid

but the pesadiers lucid, no, let me let's go.

Swayneous lucid, we know, is to have the sunsions and people who I think, no see the term is an

iranautas, the people that with the time are doing ability to have been more time

with a conciency in the life. That's that's there's there's

there's there's there but there moments like the dreams see

impugned or impregnors for our emotions when the

person is not having a type of a a certain if you're in any kind of a situation,

or angustia or desperation, the dream is to start to turn out with those matices.

The difficult is that when they're in certain degree these emotions,

it's can't do you can't be a problem in the pesidels is that

is that a level like organical that generate a buckle because

the impact emotional is that's that's that's that's the

time. And then when I'm a memory a little a little about the thing.

Quittando all the part of the part of the science, me told them

a story that more more than is simply is simply spantos to live

something. It's a little that was a costada she she was

to do to she she used in the room in her with the

the lights yeah when it's the night and it's moving for the room and it's always it's always

it's a very old so it's even a lot of the room know where it's all right exactly and

his eyes are very very fast to not light then even even a little light

by the window she she log a little she can see all the in the car to

in matis in matis of negris and in matises of blackes but she she says

she says that she not is a person that's a that's a that's a that's a and he tends to

do with and a night he's a dormita he's the eye he's not a

little bit in his court because he's that there there's there's and he

he de reoho pegated in one of the end of the one of the side

not not not so distinguish so easily just because all is dark

but it is too your vis-a-vised and he's like the silhouette of a little. But he's the silhouette

me generated much a lot of so, no, no, it was a kid,

oh, okay, it was a kid, what's doing this this is so I look,

the eyes a little about and see those and his deados are like some

were some some puts those, so it was a one was a

hand of this thing, because it was a but not was a a little

was a little more than a small a little and with the little bit of a little and then

they're going to and now are two. And those two new people start to start and they're going to

move my cobiha like they want to get to get to get to I'm

you know I'm I'm not I'm I'm going and the moment in the moment in

that I I'm I'm I'm I'm my camera I'm

I'm I'm entranquilla I I'm that there is something that not

I'd start in my room, I'm to move my mind, and of a little

I'm quite a lot of a little that's in a little bit a silhoueta and all

and it's to start to try to when they're when you get to the energy and the rhythm of

your limits is much more more easy with classes with

music and you're rapidly you're because these are

these are the trainingments that you've been doing. Every day you're new new challenges

with trainers experts that train and talk your own your same language. Eleva your entranments

with Pelotone Thread. Enquenchra your rhythm. Enquenchra your power. Peloton. Discover more

in OnePeloton. com. When the energy is high and the music is right, pushing past your limits

becomes that much easier. Take a regatone run or strength class on the Peloton Tread

and you'll quickly see why these are the workouts searching for. Every day brings new challenges from expert coaches who train and speak the same language as you do. Level up your workouts with Peloton Tread. Find your push, find your power. Peloton. Visit OnePeloton.com. When you see the energy and the rhythm of the music

perfectly, superat your limits is more easy. With classes like Regetone Rons and Full Body Sals Strain. Rapidly Veras why these are the trainingments that are

doing the day you know new new different with trainers and they're in their

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com I'm I'm I'm I'm I'm I'm I'm

my room I'm in the night move the and is another

again and is that one and another and another and other and it's it's a

moment in the I don't what I'm in what I'm there was there was

light in the room I was I'm running and I started in the

noce that I'm really was born I'm I'm I'm I'm

I'm I'm more more of a hour and my

mind was totally confused because it repeated that's that I'm that I think that in

some way had entered in some a failure or something so that that pesadillas a me

took one a bit of a big a lucid in a bookle and is something horrible

you've you've heard you have seen that with that termino no but

well in first that first a desperation, but I think that also is very related to

this of the paralysis of the and there's because I'm a person that's a person that's

a day of that we're doing this, I'm here tonight I had several episodes of paralysis of

the but this that you there are some many specificas in those that's like

something in the majority in reality to do because when I suffer

a paralysis of the I'm I'm I'm you know the things like the things

I'm seeing this this all over seeing this type of things to be

to be to be to be to be to be I'm to contend much

the respiration or regular my respiration and get a

a very great like very very want me or or desperetar me.

So, so just, this, this, the, um, taking a kind of this

force, that I'm how to explain it's that I'm able to get to. The problem comes in

that when I'm I'm I'm, I'm doorme then, then,

it's a paralice. So, I'm I'm, I'm, I'm, I'm,

I'm, I'm, I'm, and there sometimes in that you can't control the,

that you don't you want to to sleep because you're in that moment in when you're you get a super rapid.

So, again, the paralysis. What I have to do you dockle, as you know, is

despertarm for complete, but for complete, yeah, yeah, not see, I'm,

to get, to get, to get a something, to get a little, and I'm going to get a

little, I'm going to get a time, I've been in those that I can't

do you don't I can keep not I'm not quite to make the sufficient time

I'm to try to do something or try to do make that'ser and it's and it

and it has been and it has been many minutes in the there's

a paralysis after after after other because not me I'm I'm

I'm really really to know to be to that's to do

that if I don't I'm so before me to get to

to sleep, regress to the paralysis. Okay. I have a one, one, a doubt in

this vivance that you have in the problem with the paralysis, like a incamined as

the terror, the angustia, the desperation or emotions, between commas, negative?

Yes, and the sentiment, or as the sentiment, or how I know, we've

seened that we know, and that we I have that sensation, but without desperat, to feel like if

you're going, cackyndo, and it's, it's a kind of an oppression, it's something quite strange, but yeah,

it's always it's a negative, and it's accompanied of these hallucinations that mention, no, of that you

see a someone that's a lot of your camera or in front, or of that you know, that you're

that's sent out to the feet of the camera, that you know, in the person, always it's

accompanied of that type of things. And a sometimes, as well mentioned in the, in the

story of this chica, I perceive that there's in my court or that I'm in

a certain position, but the rare is that when I when I get to get to get to

do that I'm in a position completely different or the thing that I was

being in my room in a form, no is it's in how it

was, then then at final of I know I don't see

a whether it's or if it was the problem and it could say.

But, definitely always is accompanied of the of the sentiment

negative. Oh, and it always is accompanied with you with things with

things about you see things at the paralysis or a sometimes and a

sometimes not. Uh, a sometimes not because a sometimes the paralysis deriva

of a sometimes I'm sometimes I'm doing a pesadia and then to be a paralysis

and in occasions is because I'm like seeing things or listening

things that also, of a a a moment is more

auditive. And right that I mentioned those dreams lucid, the

majority of the times in the things in the not do you

don't much because they're automatically in you know, you know, and of you know,

and you know, and your body is like, I know, when I enter in

the sun lucid like I feel that something or I know if my mind

not so that's so when I when I'm when I'm to do you

do you can do you do that I'm that's that's that's that overesalted

a a lot of but in many many times when I'm in some I'm

in a sudden immediately to be to be to be to be to be

to be you've you've been a lucid is a so you're you're

a but it's a but it's a that's a so that not that not

that's in this book, in this repetition constant? Yes, in that so, that I know that I'm

saying, oh, why not I can't get to be a new and that's a time,

you know, the time, the thing of the only me passed one one way, and it

was a one way, it was more just, I'm saying, I'm

so, yeah, yeah, yeah, it was, it was, it was, it was,

it was, it was, it, was, I, I don't record many details, but I know that I'm going to

inside of my house, that was when I was when I was I was going to my mom because me wanted to make me

and I'm trying, running, and I was trying to be to be, to escape, to me to get to and I'm

and I'm and I'm I'm just I'm just I'm a I'm a when I when I'm

when I'm when I'm my mom to my car to with the intentions of to

make me still. So, I'm but I'm going to see a a bit of the dream,

of that and that's not he was not a repeater, since when when I when I

was born I'm I'm completely, so could say. What's this is this

you know? Yes, is that I've got many pesadias since that was

that I'm I'm many years and I think the most I'm really

was the time that I did this Yeah, yeah, no, and aparten of the kid, and be to your mom with intentions of that indole, definitively is something traumatic,

is something. What a situation? Yeah, and, and, I think, I'm, when I was a kid, I've had many, and many were, related to, so,

with things domestic, there's one that, when I was called, it was kind of, but I had a, one, a, one, a, one of the primary,

in the, in the, that we had to the house and we we had we're

we're we're we're to get a yeah like the house and I'm

was a but I'm was coming in a guy a guy or so was it

was like on a back of a cooking and that I'm really

really sound a even that's I'm really that's

were those are very recour those were many various

there there there was like my my mom like

in the patio, lavando and tendient and I was like playing in the patio and then

she was in the house and then I was not I was never I'm not I'm but in

that I'm always a cover life like to try to try to to trap me and

like I I'm not I'm not I'm not that's another of the pastions

that that I'm that that how what There's a story Yeah,

a lot of Keanu Reeves in the when when he was a in his room, he was with his nana,

and then they're in the part of the back of the escaleras, they're in a abrigo that's

up from if someone he had put up and he he's a man like and he

he's he's he's he doesn't exactly how that situation and I'll

and he says yeah, I'm going to see, so I'm there. There's a rope

that's one of the situations that I'm I hope. I hope that I never get to never

but your story of a dream in a dream me recorded a

story that me he who was well I'm so I'm so I'm

sorry to let me name and Andrea this chica

Andrea me, me, he, that during a time a long,

but it was, I know, we know a time a time because it was a thing,

I think about two years, but it was a very, it was a time

sporadic. She had she, she had a time, I'll call a

new, I'm so that's, the sooen in a point,

and more when you retomas, the is being more longer and and to

this in this the dream says that the first part of the was that she

was that she was going to get a little dark totally dark dark

and it's but they were some are these escaleras are

going changing a sometimes are on some many

many spacied a sometimes the the escalones are very pegs.

A a way to some they're in a way of they're in a lot of

it's like the other things of the things that I've been and I'm going and back and

and back and back and back and back and after that was a time when I'm a desperation and that

that's a thing of that's the first first time the first I was the one of the

the peterr and then the last of the peterrinked a one that were like a

And there brinked some metallic and there some more and some more and some of like a escalarer of a scaler

of escalone little of these of the same in the other ones in the things that

I've seen I've seen in the things that but the so new always went and it

was going to and it was a when I'm when I'm there's that this time to

get to yeah I don't want to be I'm just I'm I'm just

I'm going to I'm a It was like a parpadeo in that he was not in the

escalers. Now, I was going to come to a small that was around that was about

of the books, of documents, of papers, in messas, in estanteries and there many people

there, bestied as a officeinists that were a shirt black, a corbata

a blue, a all, all of different nationalities men and and women,

and the passillo, without deten me and bolted and the people don't perceive,

I know, and that that's the dream, I'm going to be connected. So, I had to

start a time, I'd get to be that way, and I was a area of

and I continue and continue and continue and continue and and continue and I never

never. One day I'm I'm I'm and I just, I'm

that's, that's that's that's this office no It's very desperante to be here.

And in the next time you know, I'm going to the final of the passio, and there was a subject like a buttones of these

of the films that you put in hotels, a subject that has a gorrito rojo in the head and

has like a a little red with some redgettits with a little dorado. I'm he,

me open a door at the final of the passio and where I'm in a

cell totally the room. The cell has all the moveles only in

two colors black and red and all what I see in the dark there is a little

resplandor that comes like a kind of a fire that has when the

energy is high and the music is right pushing past your limits becomes

that much easier. Take a regatone run or strength class on the

Peloton Tread and you'll quickly see why these are the workouts you've been

searching for. Every day brings new challenges from expert coaches who train and speak the same language as you do. Level up your workouts with Peloton Tread. Find your push. Find your power. Peloton. Visit Onepeloton. com. Antet tenue. Avansu and just front of the chimney there are two sillies. In one of the sills, there's a subject that has a sombrero

of cup, that's sat sat and he's taking the hands, and what is that his rostro no has no factions,

is totally black. But his mirada, her eyes are like if the pupillas were like

of a cat or of a serpient, a line vertical, and his eyes are totally

rogos, like if were in yams. I'm much fear, but at the same

time, I'm am sure amazada because I'm I'm trying to I'm going to I'm in

a lot of a little bit of a little seat to be a hand and he invite a when I see it's

he's and I'm know that just between him and I there's a little a cup

in the that it is a little and it makes a a signal for

that I'm when I get to this I've heard that I've never come

you never to make you never because it could be something more. He said, but in this I don't

control. The first time is that was in that situation, I took the cup and where me the

lapy to the situation that was the thing that I'm with a badger in

the mouth. The the soo the and he was

I was in the place I was but the cup I was

a little a little a little a third

I saw I saw the fourth fifth that I was notoria

that he was a part of and I'm to know that I'm that I'm that

was going disminuiting in the quantity conforme I was and I also

I'm other other other other other the person

he was his face and he more facions. At

day to I'm my my because the last

last I was the last two years and

And I I don't the last sorb the cup and now his rostro

yeah not the man that I'm a man was a man, but with

many connotations like malvats I I've never to dream to know

but I don't see if that he's something me did because

that that day I no I'm I don't to

I'm so that was one that was one of the In terms of the years, that I said, okay,

it's a very strange. Yes, and so, for the theme of, to retomar that's a thing, no? That's something,

even in a same night, it's difficult that, you know, you want to be to know what after night, retomar that

same, that same same and those, basically, it's a desperation, and in second, it puts to more, to,

you know, to, is that is that's connect and how is that can continue

the dream? To this I'm I'm really the dreams are

a a manifestation of our mind or of our or

is a world apart like I was Lovecraft I

know if has read his relato son uner

in those so so so then then you

is a one is a part the of the

so And me recordast me much with this story to that I have places recurrentes in the dreams that no exist in the life real. I mean, I mean, like certain places

that only appear in my dreams and that always that are always. There's a center well, it's a supermarket to enter in my

dreams, and that's supermercados is equal. It's distributed in the same form. Or there are

certain structures or certain places that only appear in my dreams and that I've seen more

than a And it's rare because generally you always you know, you know, so you know, those

dreams equalitos and you can't with a lot kind of extra. And it's what you're a point to do what you're

to do that? What do you do the world extra? And these dreams that me say, recurrentes

of these these places, these places, one is a supermercated and the other which is

that was a disculte there? It's, there's a kind of kind of park

that has a structure in medium that is like circular, like if it was a planetario, there's a certain many, I've seen in my dreams.

But what the most I'm kept grabbed is this supermarket, just because I see how is the distribution even of the things. So, it's a lot of,

but if are certain places very specific that are repitent and that are recurrentes in the dreams. And are very usual for

you, I don't, not habitual. They're not, are normales, the, the, those articles

that are, are articles that are you in a supermercados, the colors are in a supermarket, the park,

the colors, the distribution. All are different or they're a typical? No, fithete that all of the

much, of a lot of much, they're in a moment, this structure that's that I'm in a little bit of another sooom

when I'm when I'm something different, but no, in general, no, appear things

distortionated but it's like if enter to a a supermarket normal. But, but then

my know, never has never entered to a one like a so, so it's

rather than things recurrentes. More than a time, are different, are not

that they're not that are different. I can enter in different dreams, but the

place is that's and the and this okay, the form in that

access these are by the way, I mean, you know, you know,

you're going to go going to go and you're in one of those those places? It's not,

there are there. There's times that I'm a I'm going to I'm in this place. And there's

in occasions in that's that I'm in things like, but there there's there is

a lot of in the reality. In the life normal, you you're

a type of person that is like to have feeling, to certain emotions in the

other places. I mean, I don't know, to get a place and, oh, here, here's a

way, he's really a lot of, it's like, it's like, it's like, it's a place, no,

and the world, it's not, and the interaction, there's, like, I, like, a

feeling, a, a sensation very comod, a, kind of, you're, you're of,

you're more of, you're more of, not, it's a, you, you, you,

you, you, you, you're, this is much attention of that type of sensations. No, I

think that not is like that's only in different, in those in the places in the

city of Mexico Tletelolko, which is a place in that immediately you know, but no, it's like

to get to some something to get to a something, I think, no, I don't,

or no, I've put a much attention or no I've percived like that so much

that type of things. Fletletalco see. Yeah, there are places very specific

in those that says, it's something something when I went to this

a Peru um I'm uh well I'm I'm going to get to

go to go to the hotel but the hotel not so it not

to be the entire to so I'm to come and when I'm going and when I

going to go to the car that you get to the place to get a

something a kind of a not not mal but is like

an energy very very very different And, well, Tomando in account also

the history of a lot of maybe he can go to go to that's been that's been some energy grabada,

something but if I think are some places like that the lotelolco like Cusco very,

very specific not in a not in a not in a super and I'm just a super and I see a super.

There's not. Yeah. These places with those you have seen you, you have have you have

made some vibrator or no has nothing in particular at levels of energy of a

energyetic or no, simply I'm just like thinking in this place, but it's

something like like that yeah, yeah, for what it's so I'm so I'm

so I'm so I'm so that certain places are recurrentes and only those

different and other things is something is something is something and those places

have people or are a few? Good question. Because no I've

put so to kind of attention to that's there. There's there. The park

that's this structure always I never have seen I've seen another other person there.

And the supermarket I'm I'm doubating but I think there's there's

but the other other there's always, that's there's there

was a person and I don't remember if this was

in an episode of family nocturn. This is, I don't remember who was the who was the same little, but it was a

little, that me told something of what you're saying and not I've heard the second person that's a second person that's I mean, me

I think, I think, I've been a sometimes, I've seen those but there some years in particular

that I've passed over many years and for something and for something I'm not so because.

But a I'm a dream with three places. Sway in the I'm in the way in the I've been in the same

place. He's the one is the way, if I'm not I remember in San Francisco, he's,

that I know the street, I know the but at there are there are there's that no

exist in the world real and there are there are but he I've I've

so And I've metied in the tiendas and in the casas. And I've seen the other things. He said, until that in one day I came in account that the place that was all right.

Despite of that I've been I've seened with a place that has like an obelisk to the center. No,

he no, he no, and in this obelisk, is an explanade enormous and there's nobody. I know,

no, never there any and it's a place to the I'm a familiarity I'm a

very much the attention and the third place is the fourth of a apartment

in the apartment in the that never has never has I don't I don't

I don't know the the obelisco also and he has been

for what so for what it's for the thing for the obelisco

I know so these these exist in the world but

are places in the constantly I have And from the ventana of the department, the city is a vacill.

So, it's, are some places in those that I'm always and I'm very comod. But I don't know because I'm so on this.

So you're the second person that me count this type of this type of situation, very interesting. Yeah, it's,

it's a rare, no, because, yeah, that's, and then, and then, and then, and then,

for example, no, there's, there's, so, I'm, I'm, to,

I'm, to, I, and if it's like a world that we have created in our head or that

kind of this type of things. But, but yeah, it's interesting the fact. Oh,

yeah, tell me, Ismael, I don't, I'm, I'm sorry, the situation of the

paralysis of the problem, because is something that's aterrower, that's

been a victim of this, remember, you know, that's a problem, you know,

not, not in the but in the reality that has been especially espelisnante. When the energy is high and the music is right,

pushing past your limits becomes that much easier. Take a regatone run or strength class on the Peloton Tread and you'll quickly see why these are the workouts you've been searching for.

Every day brings new challenges from expert coaches who train and speak the same language as you do. Level up your workouts with Peloton Tread. Find your push. Find your power.

Peloton. Visit one. Peloton.com A the parisis but if I'm a

certain I'm talk about a pair if you want you see and this

and this he was he was a last a a last before

before I'm I'm I'm I'm I'm I'm I'm

there there there there there there there things

like a lot a lot of a To that I'm I'm

to be to be used that I'm in the little bit of some of the escalas some of the

little so, so I'm totally desperate, eh? Okay. And I

heard of that or that I'd talk about the point, I'm like,

I'm like, you know, that's like they're like, they're not quite,

but that they're not so they're socied so they're or so they're so there

of re-oho to see to be a a look at a some or things like

so that in that in that at a time I think I was in the

university in that then I did I started I'm I'm

a I'm but it was a recurrente that a

little a little but I knew that I was

a was a was a was a a

a sort of a In occasions, no, I've Doughed much in other but there

you go. In one occasion, and that's a dream I'm super grabed. I'm

that I'm in my court, looking a party of the selection Mexican and

that in that was to be to be to be to go to get to a

little, and at the back you when you when you when you see the

partito you see the back all all the all in my

Swayne. I was in the front of the bathroom and when I was there was a little bit more looking to be

and I'm disperterterer so super spantado no? What curious is that at the

few days I was was playing the selection Mexican and I was just watching

the party and in that moment I did to go to go to in my

but no no no no I don't I don't no no I'm so that

was normal and when I'm going to the quarter, I'm I'm

I'm sure I'm I'm not, no, no, no,

I'm going to not to get the here. I'm there's that's

my time. That's was a very rarro because all it's

exactly like I had I'm the time the hour

of the day all all all was I

I'm I'm I detue and I'm I don't

that's that's that's that's that's something that's that you could

say that's spelusnant that was for the significate that I did because in

the moment not know I'm not so I'm really but I'm that I'm in the

house and the and the patio has a so on that's for

that's so so that not was that was a place I'm

like was like the and he was a car there's

there and there and I I'm a a lot of people start them

and they were to get to get into the griff of the water and in this moment there was a

woman completely vesty and that's a girl and it was and it was very

and that me did much a lot of a weird for some when I

when I I was I was I know of all the all the

people and the woman and the was I'm was

going with the year that that that a

I was a not not not know not said I'm doing and I'm really bad

me had spanned out me have been madres madres and this reinterpretation of the

yorona yeah totally the symbols are clear so what's and the

so new premonitorio is that is very very when it was you've been

in a son you know you you know is habitual and then you're just to have this effect

Diabu that says it's a really, I mean, what I'm what I'm to see what

to see what and that's that's a bitric no, no, no, no, tragist in the

one of the stories I think more macabras and raras that I have heard.

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me asked you to not say the number here. Oscar, me comment, Oscar is soltero. He's many years living in situation of solteria, he's perfectly happy and habituated to live only in your house. He's very a good. He commented that, that,

he, he left to have much contact with the people, he's not social,

but yeah, for the pandemic, was the remate. So, in the area in the

area he is very very usual that the people because almost all the

houses of there are in the family some those strange

that not are not because he never remember he's

never He, he started a space of conscience in the but not at the point of to call it, a dream lucid, in the that he was on the way, the, the, the, the,

the, the, the, the, the, the moment in the , in the case, he has a house of one of the of the other of thecino. That's a business, is one of the casas of rent,

and he was he was still, but that part was a part, but that part of the he was going what was going to

what was the house and in the house of the house of the

house of he he had a two an and the two

and the two and they're in they're in chamanas or a lot of in different points.

And they said they were sorens that I thought you were in because I'm there's a

way, even they even though they were going to be like a little

and then it was it was like a movie that was that I never was

not he was a other so and in the other

one I was I was but they were they're not they're

not doing what they were they were they

they pass a other dream to and now only was one of the two and there was another person

there and he had a person in the person in the and he was a and then I was a

I was I didn't I was a good I was who's who's I came in

I was I was I was I was a good time with the I'm

but I did you I'm I'm for pure curiosity, we're going to who is, no?

So as he not is a person who pretendia to go to the door and presentarse. It's,

so he started from the window and he said, and a day me I got

a sque when they when they're in a caro, the old, the

so I, they were the same and they're the same and I'm my

what's what's what? What? What? Why? Why? They're

well, maybe me is really the Rostros not are clear. Although I said I'm the

idea because I thought that I'm really about that's really to be able to and you

yeah. At the final my my life no my turn to this my, it's

my my my my my my my I'm

I'm the situation was this that in a situation in one

of the one of the one of the one of the to have that but now I'm

a conscience and I'm to come in my door, one of the one of the ancianas

and I kept a feel me know me percibi and at the instant me

I was I'm really much me and I'm never never never

but was the same an man that I was I'm

getting in the car and I know what I know

what what what's what me. The last that was the last

dream that I said it was it was a two months is that I was that that was a through that

that way you was a and it was another ritual and they were a person but when the person

there is there is something that is because it's totally dark that is that's

the people are they're they're to get a much Mewo and

I'm really I don't I don't want to be I'm going to I'm so I'm

going to I'm going to you know me stances and you're not you're so you're so it's

very demoniaco. The situation is that the few days came to me the door

some police because it's that they have been there's there there.

He said neta I know what's what I'm that's going to that's

going to I'm going to the life of two people real. And it that thing

that's a thing that went to get a question. I don't I don't want to

look to get to explain to this things. Wow. So, because,

for what you comments, it was it was they're doing with the

little those and the little I'm not to be a other with,

no see, with a fact or some contact with the more to the figure

that comes, and that at little time they do that that

they've that's that's that's a much with what was going to what he

was going to the life so it's a lot of that's that's kind of what's

going to what's going to the through the so I'm I'm

I'm there also. There there was there there was a detail in

what he that I did that maybe it that I'm that maybe because

it was much fear and I said, I don't want to know, I'm going to hear you know,

I'm going to my name. This is what my said, but the matter, no, I want to know

more. What is? Because I just, just because I'm just going to occur, I'm sure,

I'm sure. So, I'm just that I'm sometimes, the people that are people who

have done in many times because when I'm topado with people who have taken

with people who not are trying to explore much in the theme or hacktarse that they're some type of

kind of no, what they're that they're to get to because it rompe what you're

about the not you're not the everyday that even that even that's it's a more more

more than this type of experiences. Yeah, apart, well, yeah, there's just

that's the thing you not care to not care to know, but practically it was not

not it's not, but I'm not going to be it in the sorenuous. So it's a pejorative what is sooying. And what's going to the reality is like,

now how I do? How do I'm going to to know what I'm going? Although I don't want to want to do. Totally of court. Totally of course. So,

when you're occurring of form recurrent, without you do you do you do you, and no you don't have control over it. And apart in the

the majority, for what he told, he no had control. just I just saw be a person

to be a form a force of a thing you not? Yeah, total, like if

they're obliging to see that that's it's a better not. Those

times that I imagine, because for what me says it was during

various days that's the things, uh, those that's

that's that's you do to get a to know, for

that's something or that you can you can you can you can but other

other other. To me me has talked in many times that I'm I'm a

way to get a great before. Since I'm not I'm a time. I'm a time in

that they was a time in the that they were that they were they were they were but if

there were some that they were and at I don't I know I don't me want to

I'm and I'm and I'm and I think I I'm emotional. So, so, what's the fio, not

to have control and more when it's something that's something you're going to be, and you're going to be able to tell, that level of fear? Yes, and, yeah, because it's, it's, it's, it's, it's, you know, if it's the same, one similar. Uh, ha. So, I mean, uh, I, that, uh, that's

that I'm not about two cases or that I'd die I'm two times. In one of the night. So, if it's

not common to know with your own, you know, that's that's

that's a time. It's a strange. In one, I remember that I was like in

a car. And of a kind of a car. And I'm in the

head. And there was the first so you. So, so it. So,

so it. So, so I'm a lotito, and me I was in my camera, but that

like to something and me was like to get to and I'm a little with the

paralysis like the sensation of being was like an parolus of the brain

when you when you the rhythm of the music perfectly superar your

limits is much more more more more with and

music band and rapidly you're you're you're these

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It's prolonged much that that, that's a murder, because it was lent was like in

all the process in the time so I'm so I'm the same night. Yeah.

And that's a good I mean, I mean, I mean, to see your own with your own with your

own work, and that's a recurrent and that way that's horrible. Apart, with the paralysis for what

you mentioned, the paralysis yeah, I'm much anguish for the lack of you're not you're

and the desperarting and you don't you know, no, what desagradable, what a bad Rondah?

After that you could do you do not you're yeah, I think I'm

I'm sure that's, but yeah. It was Bored Yeah, Yeah,

yeah, I just know, but fissioned that I'm I'm

I'm I'm think you sometimes, you know, or things had been or things

and there was a two that people that's particularly um, for,

for this type of sensations different and we know, we're you know,

or that you can't hear a listen to sometimes you're a paralysis. But one

a skuchy, that's called Tijsvian, me commented that one of the death, or so he had the paralysis of the suing.

And literally I thought that he was in she was the thing he was that they were that they were the

but I'm the hands and I'm a those mousudas that's described. That's they were like some

those who were the those that were that's different because you're not you're not

you're seeing or listening, but you're saying that's doing as well, that's a

one, and other that's also that's interesting is of other a little that was,

she was like a contagion of a paralysis. She said that her husband he was

a problem, and that he was, he, he was he was he was

trying to try to and that's that when you're that sense, you can

a lot can, you luching, not, for, for to start your

and he said he's a and that he said, she was, she had been a moment,

and had been a lot of, like, like if it had been a lot of the contacto, that also

that's very very time I'm that I'm this, it's the thing more more interesting

and more spantosa me justo that you can't get a paralysis of the

soo it's supposed that when are invited here, Ismail, they're to

be to be surprised not just it's just that you've tried this that's so interesting. Now he's

surprised absolutely I'm wow. Yeah, it's a really rare. I mean,

it's very very much when I heard, because I'm to come to complementar to also

I'm to put a paralysis that can be in an same place.

Arsenio I Baines, other he says that he he was working in a

year he he's not mentioned exactly that they're in the house but they're many people

and he said that when there's nothing that other he would be to go to put to

put a little but they're that all those who had been in that in that

house or had taken a stest to to all he had had done

paralices of the and that even even someone that was that's

that's, that's, that's, he was doing this effort, or was there was going to

get to get to get back, it's, also, they're doing that they're that's always,

much, much, and that when they did that time after after after he,

and he saw, he, he had had been done abandoned, so yeah,

no, yeah, yeah, they've been, they've been abandoned, yeah,

nobody had been there, nobody didn't, and nobody the people

that were there, all, all, they were in all, they were in the

same, you know, you know, he told this, this subscriber, if they were,

if they were the same dream? No, no, no, just I said that, the,

that, that had the feeling the was up the the, but,

no, to have a thing, no, fickett, this is the first

this, this, this, this, the first a first time that are I'm

those people who are the contagion of the problem of the same thing. the problem of the sunno, the contacto physical in the world real. If someone has lived this, for favor, It's very, very interesting. Yes, for that, for so I'm selected because me are very rare,

the things that no had been passed, and that's not, I've ever seen that had been someone more. So, it's a rarrow,

not? How every, every person has something, that, to tell us to this type of things,

to think we, we've heard, we've heard, all the stories of paralysis, and there's, always,

there's, always, I'm, I'm going to put a good to the play, but,

you're going to run the have there is a I'm going to think

to be you have seen you have seen you have heard of this? You've heard of

the entities that are in paralysis of the but that's discovered

that are that are recurrentes in many people even never

had heard to be there? Entities to what you do

this type of sombras of we've been talking or

something more specific specific. Fickete what good question of both.

In some some, some, some, some, some, some more corporeas.

You do a context. As the initial of the year past, when we

went on the first episodes of the podcast, there a woman,

a in the that came and we know and we know and we

know, and we know, and she a time long and he's

going to do a do a paralysis of the life and he in a

corner a type of a kind of humanoid that was like in the

corner in the corner I don't exactly in which but very close

of a little fear because that thing had had comil

and he's and he said but that was not a man

and I don't I don't think that I'm after of that parpadeo, that

that thing not is to and I'm a paralysis of the and I'm really, very,

very, real. So, he did much fear. The situations is

that after that's the podcast, as the five days, me a image

and he says, this is the thing that I. And it's a

little Twitter, where they are about an artist that in the

United he started to do the , Pardon,

he was to draw the creatures that were the people who had been seen the problem, and he did

know that there were ones that were recurrentes. And that's he did it really extrano. A me

bowed the case, because, well, I was, a child a child a child

a child, a child, a different, I, and then, he's a person,

he has been, he has seen a person, and she topa with the creature of a so,

like, you've been, you They're like this type of monstrosities? Yes,

fiftate that now that you mentioned, the fact when me the you said,

I'm well, maybe that the people think that is that is a

thing, because are the they can see the they're not, they're

not, that's not a person. Yeah, yeah, but there,

and probably you probably you know, there's there's there a kind of

of paralice of the Swayne in that they say they've seen have seen

a kind of a special a person with a sure.

The man of the sombrero yes yeah, yeah, he's

a other other I thought I I'm that I know

I was I was I'm a something that was a very

recognizable that was a and then the second me made a

here there's a photo of how it was this type and there people who say they're that they're that they're like they're

like a somber a silhouette but that just has that that's the sombrero that is the most recognizable

for what the people say that is the same person that has been that's the I'm being

to tell that this personage already has been like something something that's

I'm going to put in the context of the people that me is listening

but I comment to the people that people that are the people who are doing to

because at this moment I'm going to put here the images that did this artist of these entities or of

these visions that have taken the people and the people are repeated. So I go going

about them and they are able to be on the video. This man of

the sombrero in the channel has has been his his

place got because has been a figure that recurrentiment have been

talking people. The first first time that was the year ago. In the first videos, I told an

experience that he passed to a YouTuber that's from the South America that's a Kika

Nieto in the that I see a man with a sombrero and a cigar

and she know is real and then and of the right and the

cigarro not emiti a little he was a little

a part of this video, many people are going to make sure they're about the different parts of the world. I'm talking about

people in Australia, in England, in Brazil, in the States and that's they said, Oye, I've seen the

home of the sombrero. Well, me called the attention. I'm going to investigate

tantit. Let's I'm to make to ask questions and they're to start

data very curious. The first data was that the sombrero that the sombrero that

Some of them were a sombrero de cop, others be they'd a sombrero another bea in a sombrero that were like those that are the use in those impermeables, that are like caeditos because

are of plastic. And different bombines, sombreros are quite atypics of the alas that are those that they were

more people, more big, more grand. And that was the first thing that the man of the sombron,

not necessarily was one. The The next are the eyes. Some no be you

eyes, others be you're eyes blue, eyes blue, but the that all they were

as far was the was when it was when I started to and I did,

I said, there's there's there's there's but still even

this, the day in the that the I'm a one of a

show that a Netflix that is a Andrea Rostro. The series in Netflix

is called My Enquenchance and the Mal. And he about three cases of possessions documenteded here in Mexico. In the case of her was a familyar and she, a reason of that, I said, oh, we'll have to share a loticada.

To this point, it was to turn to the possessions. The situation was this. When we started to talk to, he said, oh, yeah, of pure casuality. because she studied of monology,

and she metio to the world and it's made to the world. I said, in the studios formales that

talked about about the man of the sombrero? And he a photographia of the book and

me says, this. And I said, in the mother, your history about the man of

when you when you know, when you're the rhythm of the music perfectly,

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or stretching, or lifting, or meditating. Finding that. perfect something to fill a quick 10 minutes or one of those rare clear hours. Join us on the leaderboard to train with world record breakers who will run by your side. Whatever life throws at you, be ready for it all. Where you can mix it up and sweat it out. Challenge yourself every day in every way with Peloton tread at one peloton.ca. Find your push. Find your power. Peloton. And he was the on the sombrero with the sombrero with the sombrero so plan.

And he said, he had to be in the case of possession of the family was victim. And it was

a la mother! So, I've had been done that it that was

that this entity has to have to like, not only with an

imaginary, it was that was really so I'm so in the

case to the person he has he took with

contact with him with the man with the

man of I would have to investigate also what symbolizes or what represents the sombrero because you

you know you're going to you're different but something will be the sombrero no?

Why always represent that way? And why many people have seen a

person has a person with a symbolism that's that's symbolism I'm a

I'm also I'm really quite the videojew there's a video game that's a red the

redemption the world the development the developers always always the developers always make like curiosities

into the but they're in a mission of a man with a sombrero of cup that's

that's the character in certain moments of the history and that it seems to be

like he know of the person the protagonist so he is always always

and who is the person who has been my past and then the final the

the game, the one of the last missions second of this person with a sombrero,

he tries to do you do the but they're that the ballas not they're not.

So I know that's a secret that they like to give to give us to give

to do but also they're not? What are they represent the men with a

man with there's there's a question of the There are many explanations, but there are

some data that are very curious in turn to the man of the head of the hand

if you're more than a representation like a thing, like a thing,

like a thing, there's there. There are people who are based on him and

are people have more of 30 years. Freddie Krueger is based on

the man of the Sombrero. Wes Craven that is the director that

this creature, this monster, he when it was a little

he took to be in a paralysis of the dream of a night

a silhouette a silhouette of a woman and he's me impact

so that I said in a moment in my life is that he

is Freddy Krueger for so there some there

not see a Fredick Krue see the see the there's

because he he's because he is because he's he's made a

little bit because I was a fanatat when I was a I took to I was just to

see a lot of but not I didn't know that I'm a idea that I'm to be with this entity and the

other is in this series of films that were very famous of the in the

expedient Warren in the movie in the case of the Enfield

the the man encorvated is based on the the

man of the so when I when I when I said it is that

is like it's like it's like but in many cultures in in different parts of the world.

And there's a entity that I think is Jamaican that they they're like a kind of a

kind of a a suburb a silhouette a a sombra complete with a

and a top. And I this is very extra that is that I

think you the part, and you know, but what you represent them because could be

they're they in all the cultures the sombreros have

have been played a a role of symbols different depending on because they're not necessarily an entity

but in both cases is interesting, not as an entity, as a representation of something of

something. Yes, exactly I'm sure that you're talking like you're about the different

cultures, here in Mexico we have the figure of the charro that's a person

with a sombrero. You have a reason? You have a story of charro

black as as a not of experiences but I've seen

I've seen like I know I have seen the character and the

character and the figure of the character of because just represent

to these characters that in the in the in the time of the

porphyriato and all they're like they're also they're

also and for that's many representations of the charros negros had to be with phantasmas or with the

devil directly. So, for there is a representation that's a very interesting to be interesting to be

like why other cultures have different differentations of characters similares that I'm interesting

I'm I'm I know, I know I know I know I know to know

to know like someone me to something something to something relation to the Charronegrove.

In, ago, I was a group of missions, and in the group of missions, we'd have a

time to do not in different places, different people, or, or cities chiquities, and we

were a group very great, we were a very big, we'd get to get to get to

250 people that we subdivial in groupitos of 20. One of those groups regress

of a mission and had the stories that said, we were we're in a

school in the part of the kitchen that there was a your right and there

a there was a and there and then that may that was a kind of a

garden patio that no was a not in a place yeah like

like it's much not used so it's so it was

the and then there was a row there you're a you you're

a a peddra. He said, well, almost during three or four days

we're doing we're to hear of a cabo and when we had the sombra of a charro

black with an eyes and it was inspired much fear. Then we put us to

restar and the repented not it was not disappear

the the the and they were people yeah major. I mean,

of the other so they're, he said, ah, is that he resguardable the church

from the school since a lot of before the school, here was another thing, he was a

other thing, he's a person, the people of the people that's the people of people who

was a little bit that was a legend that not you know, but after a

right that you're saying, you know I'm the 20 of this data that has

been to be with the porphyriate and the ascendados and the people that's

that I'm that's that's he's so yeah, yeah, the legend

surge of a exactly a charro that he has

a pacto with the was a man, but he was

he was he was he then he was always always

he was always he was and can't that

he can't to get the money for that he he said, I'm

a pacto to the and the hector and the thing he the devil accept a

pacto and the charro he, well, he's he comes all the

things that they got a a big a but there

a moment in the the devil want to the fortune

that he he did and he he try to to get in the

around and to do to the of the final of

the devil he'll take a but the devil but the is the

castigated to the a guy and a and a both he's he

to begar to the charro as a little with a carro with his

cabo that so so the legend was over that so

a on a on pen that that that's that's

that he's for a but well yeah of the a

repent is the real the same the same diablo and it's just just a

fact that interesting to see all this versions but it's in many the

studies that are trying to determine their origin they're that they represent a figure

of authority. In those studies in the investigation that you're when the

energy is high and the music is right pushing past your limits

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Peloton. Visit OnePelaton.com. Could you locate where is it? In the legend in what part of Mexico? In Halisco. In Halisco? Yes. in various communities of

in the Jalisco is there I think that there's a there's a there's a there's a there's a

very little interesting that's over about that and they they're going but so it's

but so where they're they're they're in these localities of Jalisco

me seems that's one that's one that's called legends and characters popular

of Jalisco compiled by Elia Garcia Peres I think that is in

that book where they they're a little Excellent, excellent. Oh, and just just making with these

questions of the entities, I'm going to describe rapidly the people of Spotify for that let me go to the ad,

here we're to put it, the girl, they know them like the because, although they're to be,

and not it doesn't a person human, it has some little little

the and they're that's that's a rice and the has been the an

has been the one as the risa of a a Brueha. Exist

In the Paralysis of the brain of the sombrero. But it has a sombrero

very particular. I'm to revise. My thesis, my theory is that the sombreros are

to be a kind of that we know a because there someberer that are

that they are of different and it's a then we're not we're not a one or

could be a but they're the dark Hertz that is like a type of a little

dark with a little in maraud that he cover the rostro the

the other is the monge a figure encapuched enormous that some can

see only one that is that this this tunica

of the monje and there one very very

very extra that a a YouTuber called a

that's the Spartan Geek, I don't know if it's drags, I think it's drags or dark. No, no, it's drags. The good drags of Spartan Geek, he's said that in one occasion was a house familiar in the

that they knew that there were apparitions, that there were things strange. And this figure, that's that I

go to tell us, the medium-homber. And only they're not they're the person as, like in the one part of

a pair of a hand, but not so they're more than to that that. And he comment that

not being dormied, I mean, he went for a paper a house abandoned of their

family, that was in good conditions but nobody lived there. There still had the area in

that they were in that they needed. So, then they then they went to

the carhom where is the papereria says that they're he's that's

a pair of a pair of the top and he he'll have a one

but he like he like something something in his a certain intuition he says,

like, no permit you know that's that you're not you're not really, you're not he's not

he's in the house, but he's that during all the time, you're doing that that's

that he's, that's that this figure, that that many people have seen in he was

he was he was he's he's he's the he's the woman

encapuched the the girl's like the hurtz, even then it's that

that's be a velo of reality and dreams with certain entities that would be to investigate to be able

that's being a thing is like a tulpa that the budists were in

that our emotions and ideas could generate a type of a type of

human real so that really really so that really these things

that these are tulp or maybe are other other other imagination.

You're what Kren? And, well, Ismael, brother, the, for favor,

something with what you want to do you want to be to the community. De Entrace I'm

very much, I'm sure. I think that's for more for the question of investigations

that you just to at the final, I think there will be a some

more about to get to rebutar. But there is a question to the

community of the community of the No, well, I like this the last that's

because, well, there's that can passers to pleasure in the world onirical

and the world real, no? I'm a this classic legend urbana of a cartel

that was you've seen a has seen a man in your and that it's

supposed it was a a one, no, not it was not it was not it

not was a lot of a man had seen a a man that had

has done I'm a woman in a therapy psychological or

something, that was a woman that was a woman that was in that way of that I'm

saying, I'm not, I've seen that person in my dreams. So it's so it

made the cartelito this of this of this man, you know, so that

he's a legend. A me was a little bit before. And, before

to know all the fact that they're to say that they were not to be

that they're that is something, like these characters that are are universal

and maybe if they're passing, or maybe it's in a hysteria collective, of that we have got us

really arraigated and seeing these stories or being images about that, that yeah, you know, that we're in

our mind that of a sudden to know, but that's totally of quite with you. Totally

of course with you. I think that both both, ambas both hypotheses are,

are viable, is, not we can be able not in these circumstances in none,

but both can be in a hysteria collective, into an imaginary collective, they're real. There are various plantamients

interesting. Oh, I'm like, you know, you know, you know, you know, you know,

and so it's really, it's really, it's true, the, really we're talking about we're talking about, we're talking, when we're talking

to do this, we've been, we've been to talk about to be able to talk about, but I think that's

bifurcars that were interesting to talk about, And if, when you want, we can't talk to other times

outside of this world or nirical, but I think that's quite interesting and I hope to your audience he used this

chat with this chat with us. What chido. Diggannos, for favor. Disultarro of the chat. I was

a great. Yes, definitely of the world nirical we've been other things and I

got, me got that naturality in those that are getting the, the plattica

and you start in A and you, but but very ameno, very ameno this platiquita.

So is that Ismail, very grateful, the Puerces, and to your podcast and to the great family nocturna. Recurred that

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