HABLEMOS DE LO QUE NO EXISTE - ESPECIAL CASI 200 EPISODIOS DE TERROR

Episode Date: June 29, 2024

MAS DE 6 HISTORIAS ATERRADORASY ANECDOTAS TERRORIFICASQUE HAN SUCEDIDOEN GRABACIONESEXPERIENCIAS MACABRAS DE LA FAMILIA NOCTURNA

Me gave a vibra, maybe extrana, because I began to feel like electricity in my nuke, and then I had lived in my person.

Two minutes after the retrovisor and said, and that's the sir, is a seconded behind my car. Welcome to

Famia Nocturna to this episode special, No. 200. This episode No,

200, is it is easy, but not been anything. 199 episodes at the

long of two years and infraction. But more than the effort of this equipment, we're going to

make emphasis in you because it's thanks to you know, that's the day of you we're going to

be here. 200 episodes after. And I want to tell you a very rapid

to a time, a time that for me is very significant that was a very very important.

A great member of the family nocturna, a one a brother,

a me mando a message and me said, I want to want to talk to something that I'm going to let me

know what you know I'm not I'm a person who a person a person very a person who we've been

we've been fanatic and the the days we're we're both two

together this person lamentably failed a few a few and if you

do you see you to do but at the time I'm dole

because me it I'm it's that In this episode of 200, I'm going to to ask a family

nocturna that's 10 seconds for that they're for something around because today

we're going to start with a brindice. Today I want that we need we want to

a brindice for the family nocturna for those that are for

those that are who are to be the family but especially

I want that we for those who were who were and formed part of this family and that the day of today,

we're in the way. If you're these seconds, go for what you want, a little with a

little bit of a little more than you. And permit me, yeah, that's been your host

during 199 episodes, within my family, and I consider part of my

family, there's a tradition every that someone has parted from my abuela

I'm I'm that she said in a way of when the family was there

and the day of you want to share this particular my with you

not it's part of your traditions I do but it's

that this this this my more more more so

so family nocturna for all those that we are

for those that are especially for those that

us, they've the way for the family nocturna that was

the Lord, that is the that is the that the light

perpetual. That they're in peace, dear family nocturna

of the that so so so that's thank the

two two episodes. Today, today, today in special we're

we're we're that we we're we're we we're we're

we're we're the Seres cared that you're not

here in person but a very a essence permanence I'm

I'm I'm think you that you know that that that

tradition existed in my family since my mother me

was she was a she was a person of

a person and was a person that was totally enamored

and to me he when I was when I

was this and me I said I said I he's for the bendit

for the purgatorio I don't understand that was that was a little she had

a every every my old and my tia he said and me

say say to the spirits chocarrel to you don't to get to

not you don't you don't I'm not not you don't if they're

a tradition or if really they're they're saying, Creeing, in the

that existen animas that are purgating, intentating to get to other strato of existence.

I had around seven, eight, years. And it was one of those

many of those many things that were in past to get a second

of primary. When I took I took with a professor very

calid, very amable, and And us called an anecdote that me mark

and this professor he said to a voice something that he's not a nobody more

not something and he he came to share because he he wanted to say that for

him exist in the purgatorio no was a not a question

not was a legend and it was a thing that you doctrinas in some type of

he was many occasions was a much times religious, but he had a vivance. And that

vivance, nobody's he was rebatar. And I wanted to share it. Because he said, Entiental

to this age that they have and they're these things are very important. And he

told that for a devotion of his abel he was to rest to rest

to the borgatory exactly that I don't have the minute, never

he never he never but he said that was that was something

it was always all the days and especially the being Catholic, especially for this I don't that is disruptive

but this what he occurred in his adolescence and in that time not was the subject that I

know we we're talking of 15 years past and in those 15 years

of past having without without exactly what he was in

that in those moments he was he was a profound a

Christian Catholic and he was he he first of the

first of the communion to the pen to the pen of the time of the story of the story that

he was part of the story that in those times of adolescence to the age adult when it when he

between 16 and 20 years there's a point between those moments

in those that situation he had in misted with a

bandilla in the community in this time there

there there No, there was much security. He lived in a city that was a certain sure. But there's of you, if you meties in problems with some of the bandilleros,

nobody to you to protect. No, it was a city of valent, it was a city of people, and not I don't you do bad, because

not they were persons absent, they were people that were that when were and they were to get to their

and they were this person had been out of the job, and the bandia no-tow. When he

went coming to his house, he saw in the aceras very

very there's many different and he and he. And he knew

perfectly because they were fomando a cigar of and

they were and they were at the end of the quadra when

they did a signar and he said he

he I don't I don't he he's he

I'm thinking that, that was his last day here in the earth because he had meted in a very very strong problem and for the

quantity of people who were there just to just to be there going to do do it. He was a

he was a type of firm convictions. So, is that in the way, he'd that perhaps

for much would be more more intelligent, he no he'd want to feel

to be a covarde so so just he simply, aghached

the head, he started and he started, I know that I'm I'm

but he's directly, I said, I'm to the borgatory that I began to

talk to them, and I started to say the seracions that I

did I, at the moment in that I had the view how a few

these people were are doing like a bay infrankeable to cerrary and probably

goliar me. I decided not to the mirate and I keep coming with my restos.

No me stuped. And that so I made going to and I going to

and then I've had done but I had been to go to my gojo

I'm I'm and then I'm back so I goroce in my house and me

I met. No, I didn't know what was what occurred that night but they did it. Like five

years after in other circumstances very different in other time of my

life, one of those people, enter to to work with where I'm

puttos and in a overmess me and I asked, what was

what was that night? And he me said so the way direct. No, well, we don't

we'd have you're a bandilla. And I said, I said, you're like a bandier. You said, you were

you're going and when you came down. And then we said, here you go. We put us

all the one to one at the other, because we didn't to be able to get

to be you're and where we're going to start people at the

final of the quadra. Much we've we've we've we're many,

we're many. They were more to 15 people. And they started to make a

fast so firm and not we're not quite the mind. We know we're we're doing

we're we're we're doing. We're we're they're they're not we

were we we're we're we're we're they're they're not trying

who they're not we're not those people you're never to talk about to

you. For so no we we've to And that master us told

that's a second year of primary. A me me made he perplego. I don't understand

that was the idea, never had heard about the animas of purgatory with an anecdote that's

a new a particular a film of phantasmas, a movie of some director North American

that were those that I knew with something kind of rebuscated but

going past those years, I go recollecting stories and result that is the only person

that has lived something that has lived in the animas of the porgatorio. A member of the

family nocturna me says I have a story only I have a story

that I can tell but with that story something I can you

exist the animas of the porgator if exist the

spirits of the people after because what that I've

not it's a I'm going to explain to what I do I'm taxist

and for the situations of my work I'm not I'm a person very very

and we don't think I think of anything I think in my parents there were

some situations were a other time not quite not much after what I said that I'm

And always I said, these are purestores sorenies. So, at day of today, I don't have any a credence specific. But if there's a lot after the

life and that I can't be sure. In the business of the taxi, and more with the years that

I've got to set you to get the real and you have to learn people. Because, because you

know, because you know who's you're doing to your car. In a occasion,

just after a various years, a pair of people and more more than a

university for a know of a know of a know of a good and I did a

good during seven months I'm to get to get and a day and

and I went to the day and I'm back for you and

about about about a typical something that never to

go to and to be and you know the

situation was that in those times I'm took over

things rare Dissers rarer, but not raras subrenaturales. Borrachios, accidents, persons that are in the way and that

you know, you know, they're trying benadeer to somebody, benadier for the people that they're

not know they're not they're saying, they're looking to someone and they're

saying, like, malas intentions with that person, but are a little

they're they're they're they're they're this person says

that when I was driving that that is when occurred

this soces. He said he he was a certain way

and he he he a car and a

man he is and he and finally open

the door and he he he he he

a speed and more five kilometers out see

a marabunt a a lot of machetes, they're coming, they're

not attacking the car, but he's he's these people are very dangerous and they're very

intoxicated. And a group very great. Of where they were what they were what I

didn't I'm I'm I'm I'm I'm and I'm to

go right for my way I'm I'm and I'm I'm just the

people who I'm to take exactly the same route.

I'm going passing this route and where I'm going to this route I'm

a marabuntah more than this man about coming by her and he know that these people

come to come to him to two kilometers two kilometers and a so I get my

vehicle me I'm I'm and I know how did you

black no the devil wears Prada too he's the movie

event 20 years in the making honestly can't I can't with the

secretes please spit it already. This Friday, be the first to experience it only in theaters. In light of the recent

scandal, I'm sure to restore your credibility. Oh, because we're a team now. That's a nice story. The devil wears Prada too in theaters Friday. I'm right now I'm here, but where you

go? If coincid us, I can't do an eventon. And the manchacho he says, go to X place.

It's just where I was just where I went and he said, no, no. It's leishimus. Apart, not exactly that place. It was like three

kilometers more than there. And me and he said, and apart, I don't trygo money.

For that's because we were going to the time of the track. And with what was making the taxi metro,

me left on and I don't have a way to pay him. And I say, no, but

me, I'm not to be a other way. I'm not the other than no, no,

no, no the business for me. And so, but And then the chutechoole, but then

well, I'm in the middle of the nata, where you need to get? For favor help me.

No, no, in serious, no. He's, I'm going. No, me discussed. I'm up to

my taxi and continue. Like, two kilometers ahead. Unos three minutes, four,

after having passed to have passed that situation. I'm to the side the right of

the road, so, of the was where I go to a a woman yeah dressed with a little a little

very used and the she's not not a man and is a hand on the hand and is

and is where I am I did a bit a weird because I'm to feel like

electricity in my no that's in my back in my back. I don't have

lived that I'm not for a person I'm a person common and a person

a little bit a lot of a person and a little bit more. that's a little bit more and the sir is sent to the seconded at

my car. I said, I'm in that moment I'm not to be and me say, no,

no, freene and listen what he has the time. The day back is my son,

for favor helpel. For favor, helpel so I'm ask you. Those people are that you

don't do you're going to do you do it. Dice, you're going to be honest to this.

No, it was no, it was a fear. I did much fear.

And I'm he said, if you do the he back, and me he said,

yes, I do the way there was the woman I was

I went and I'm I'm going I'm going to go go sub-you- yeah the people where

we were they're in five hundred a few those pass and they said that's they're doing

to say they're those that you're you're so what could do you

cross me the avenue was you're you're you're to

you're to get to he was a so he's and a

middle because it was You, you crees in the phantasas. And me he said, well,

fifte that's how is that? I don't think I'm recently. But ultimately

I've been asking much to my mom that has been to be my

time. Because I have felt like a sense that's a

way to be in the life. When I'm he put the hand on the

person, and he's you, I'm stay very very and still

I'm saying I know I'm because if you not he never had I'm he said

I'm going to say I'm my vivience if you exist in the spirits of the

people I've lived and not has been the only the

long of the history have there have been different people that have

been having experiences and contact with the unimas

there exist an medium italian no exactly of

that year is a very very very very very that

it's a tutsa Ebola or natutsa Ebola and is called

my Italian not not is very refinated but they

can you N-A- Z-Z-A E-V-O she she she

started to contact with the spirits of diffun

one she is a person a Catholic, of a life

common, of a devote, but, let's not a religious, not is

someone that's someone who has a kind of that's a little that's

another something. A day in a oration, he something in a

person, and of a person, and there is a person to when he's

a capilla, his rope has some and they're to occur phenomena

very strange. She start to see, different entities, that she

starts to distinguish them because it is during many years what I want to tell you

she she's she she's to talk directly with the

spirit of these people, and they they're a human and current of

that she not that she and in many occasions, when she is a person I think

that's the impression that I gave no I don't have the exact. But she in the

other to the armars they said that if they were they said they were

for a way for what they were there and the people they said or the

animals no I don't sitar me I am a

spirit I am I am I need for me I

need to me I need to you need to you a

misa. And they'd one and other these things. Passing the time, she, let's disinive and

begins to ask to ask you and he's a very strange and and he to recopilar

information, we say a way practical. No is recopilando the information as

how would do a person, but the experience, she is very lucid and

and he starts differences and says there are different types of animas there are animals that

are the part very profound of the purgatory and those animas are present

like any person no there's there there are other are different

and those an am put to start at the purgatorio

and I know for the type of petition me they

are things more chiquite they a one or a oration.

Pied that, for favor, manned a message very

a very to be a lot of a matter. But there are the

time. When I'm they're their little they're living. The

other other have the height of the floor. She

lived things very things. Because in occasions not

a one-a- one. In occasions the spirit was

in her. And she had about, let say,

that the spirit, took a certain type of possession that

here I'm a great interrogation. What is the difference between a position and

a medium that is canalisada, that are these mediums in the which is the spirit

and they do it. If you have an idea, it can't make in the comments,

but it's something that's a very difficult to do it. The point is that she,

when she when it's when it's these phenomena these phenomena these things very rare.

One of the things rare that is that in one occasion is that a person

and she that she says that many when the people they're they're

to them to the families to the families to those

who especially have a time and they try they're

sometimes for the dreams are those things there there there

other things they they're so they're but that if it has to be that when

the people get to visit her have a family. And she has said, you know, they're saying, you know,

to ask me to ask me to a person and he does the description physical and say, and they say, how you know,

because they're on the side of the and then in an occasion, is talking by the

part of her the father of a man, and this man is doing many many details,

and of And, of a repent, the voice of this sir, and he's got to the voice of a boy. And this

man is that's that's a get to get my mom, and he's going to get to get to the voice of the man, and continue

with his message, and of a person, and then he's to talk a man, and says, disculp, it's that no is my

moment, but is that I can't want to the time to my mom and to be a minute.

Two minutes after the door, entrava a and I came to ask him justly for the child that

was entering in this child. She, she has a lot of many of stories tremendous,

but there one that me called the attention. What are exactly the animas of the

purgatory? What is your finality? All what we see as what we're

a phantasmas can be a response for those who are people who are people.

If you start the stories and the data, not necessarily is easy to respond to this.

Natutsa, one of the things that she saw, is very strange, very, very,

she said, she said that in an occasion, view a person, but that was surrounded

between yams. And this person was a man, and he was coming on a

little and he said, what is that, what is this, are the yams of purgatory that are, say, let's beaugh the damage that I committed in

life. And she says, why not apag the llamas? The flames me accompany where they're, until that's this place. He said that she tried to start her. And when he was at a certain distance, it was so potent the sensation of color, that he

cameed the garganta and in the world real, was damaged a guyhanta. What is exactly that what he saw? It's strange, because that not is a vision that all

have, but there's a legend in Venezuela that is known as asola. Who is

or what is the animasola? There are who in the time of Jesus, for those

that they remember the history in the moment of the crucifixion there there is

a woman who has made and in the way, it's a woman is the animasola

and that was condenada to that the rest of the eternity, until that be pardoned by God, no tendra no will be able to all the world with the yamas of that purgatory. And there are many

people that have vivances about the animasola. Of course, there a chick that said, that in the house that eroded her her mom, she is of Venezuela, says that she has to be when she was a little bit of a a little

a little a time that in the house of a way of then they're in the

water and then it was a flam in the middle of them that when

they were people to the house and then they would get to

disappear she she she she said she said

that is the animas she is the animasola

in Venezuela not not the man the creencia

of the purgatory. It's a combination syncratic between some creensions spiritists, other creencers

of the santaia, that as you know, in the santaia, in the Yoruba, they use the image of

the saint Catholic, but they're they're being a deidate that comes from the Yoruba

African. It's a form in that they used for that when the Inquisition,

when they got in the deposited or they were asclos to different parts in

what now is Latin America, they're they're they're not going to the religion Catholic

I don't see in some other the Christiana but in the majority the

Catholic and so so so they're to do you say they're saying they're

saying they're saying they're saying they're saying that here is more venerating because

in the religion Catholic not they don't they're they're in

In fact, more, words more, the point is that they said they're in they're in the same,

they're doing there. And then the sacerdates, the obisps, the clerical, those clerigues, those were

they're doing, but they're really what they were to venerate at a dead of and yet they're

where they put us in Latin America, they put in the name of the santaeria. Well,

in Venezuela there's another phenomenon that it that gives to the spiritism in the

different. No, are the same saints, not the same the creencers and there is where

the legend of Maria Celestina. So, so they're like they call to the Animasola. But there are stories of the Anima Sola that are tremendous. And there's a detail important. It seems that is the same because Natutsa

he took this situation where he saw that man in yamas and at the start-as-seeked, the animasola is involved in yams. There are people who have seen the yams. But Natutsa said something very clear. The Tutsa

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Embarked and profite. Embarque and celebrate. Rigolet. Publiet. savoury, admire and profite.

Via Rae, the voice that we am. With what you think are the animas, because your eyes can get to

get in there are things that are things that are those are that are there are

to have to have much good care. How you know if are

from the experience in Atutsa only they're to misas or to make a

message very clear to the family. If they they're in other type of things

not are not they're and you have care. And this I'll make clear because the

animal only, when I have asked to people who are people,

we say, no, we know, we're saying, my family was divided

by one side, were they're both other other side

santa I I'll say, for the people that I've heard from Mexico, that have the creency in Paloma Yombe, in the Yoruba, it's other

phenomenon. And even we use the name, we're referring to things different. Recurred you, I've said many times in the

channel, not because we're saying, a word, we're referring to the same. So, we have to have been careful with

that detail. In Venezuela, is another type of syncretism. And in that syncretism, I asked

this person, and what you, you think you that's the Nima Suela I said,

I'm I'm in my but in my creencia not a because why?

Because not you say, because I'm to tell this is the

story maldita of my family. My family is santa and the

and the is a big I'm because those who were bruch

did things very tremendous and those that were many

times I took that were people like how

to how to I can to say, a , so,

I'm too, demacial in their religion. No coincidem. So,

it was like a manner so thought that they were for other things,

and well, I was I'm I'm the point. The point is

that when I took my three years, Ided the

house, that was of my father, passed for my brother, and

now came with me. He said the house They're They're giving To all They're doing

Because they were They're getting They're going to give them'clock. I'm trying. I'm trying to get it. I'm going to be able to get it. I'm going to be able to be able to be a lot. I'm sorry. I'm going to be able to be able to be able to be tremendous. So, I decide that I go to that house, that I'm going to

remodelar and I'm in a marauder and I'm doing to do and I'm to do something. We're just

to personalize the place. And they're going to pass things very strange. In the

nights, in various occasions, it's that no one, but various persons in

different zones of the house. And it's something very

rare. In one occasion, I said, I went I've heard of

my roommuched in my room and I'm there's and my camera and my

car's there's no way I'm there and I'm there's no way

there no way I'm I'm I'm to have I'm going

and I think I questioner why they're the house in life and

then I said I I'm there's I'm there's any history of the

house and they're saying why? I'm it's what I'm this

and this there but it is a moment if if it does

something let us and no and and from a maldite

spina but that he had stragos that I

know I never never never that I have

all all all the I get I want to

let's let's let tell to for me not significable

nothing. I don't think in that's that one I've heard that I'm going to be

the 333 and the day next to the day next to the day the day I'm going to

the 333 what's what you are going and they do it and they get to

a day I'm a house and I'm a little a radio and there's a one of

the first is someone can't an am a solo and

I'm a little, Anima Sola, and the idea I'm starting to tradrass the when I'm up in the madrugas at all right. And in my head, it's gonna the melody saying,

Anima Sola. No, it's a sonnyd in the room, it's in my head. What is the animal solo? I've got one

a little one of the animal solo. Passed some days and some my friends

me are to try to my time. I'm going to work, I look at reunions

and me they're in the car and they're in the time in the time

prudent and as a time and a minute I'm a way I'm not

a different to do you to talk to my person what's what what

what you do I don't you don't I'm why me

you're not I'm you're I'm you're you you're

you're you're totally totally without the thing you

I went to your when I came, you were you there, you were you there's a inside of your

house, me saw, I've seen from the crystals, I said, and me regressed,

and I made a and I took I, I said that I had you made you're

you're gonna you're a second and you're in you're doing, you've been never made the door.

I'm from the other person, that is of other circle, the same story. I don't have in my house.

In this time, I don't have in my house. I'm perfectly the idea of the idea

of the idea of the and that's about it. But I not was in that way. I mean

it was I'm not I'm my family and I said, I'm what carhos

passed this house. And me said, you know has to do it

has to do two things. Something something that's something that's

something that's there And then they said, very well, that's what we were what we're we're going to

we're going to we're going to we're to tell the story of the abuela. When the the abuela

was a little before she was there her she lived there and you know

of the family of the abel is where came all the creencers in a

question of a shantery and spiritism well in that house

they're they're in the arm solo but there a situation that

a few occasions, when an family for a job or for a person,

they'd them, they were in the camera and they said, they'd they'd and they'd

and they'd and they did that. Because me did that. And in other occasions, if were there

other things, like sombers, there's a So, she asked, Mom, Mom, why not they're doing that? And if is the anima soul, is very celosa, one of the rest, you know, you can't

to have to rest. And she had a image in which she be here with a woman with some chains that were like rompient, all overta in yams, and said,

that is the animas only the animal. My abuela got the image, and he started, this is my case,

I here, I don't want to give the and you, you don't be able to start to restant. So, is that

it's that's it and she and the he's and the thing,

the image the he's no never to be not in the

house and there and a years and a and the

when they do you see a image of the for the and the He deposed of her and he led to your papa.

Your papa no saw all these stories they were all right. The situation was that he also he also started to listen to the anima solo and one day he sent him too

and he was away to the entry. A little minutes one person went and a car vino, he was atroped you and he meto

into the house. Destrozoed all the front. That person that felleceo and he started to appear in your

house. your brother hered the house your father never

never he said you don't know to be you know to the person

and the person that he he not said that he lived

but he did the family, who are he's a person that he was

a person and he did and they was that person was very

interested in to the house, I said that in the house I said something

something that he made that was a thing, that there was a power, that there

was a power, and then he was to live to live to and he was going to

the house until he saw, he saw, two things in two occasions

that he did he had a always always always at the time.

In two occasions no. Hego before he came so he was

he was so he And what was a surprise. In the cell was this

woman in a position extrana like doing some type of a ritual rare but was there.

A lot of she was a sombra enormous like a similar to a

buda enormous and so that that sombra a look to see a other

or in this case he turned to see me because the My brother was the story, and

after me, he went to the woman and he got into her. After that, I didn't want to talk. Something was generated like a repudio tremendous. Passed two months when I went to get to the house

and this time I had to know what I was to pop and not was a equivocated. When I entered in the house, in the area of the cell, was this woman, a meter and

and a half of the the piece levitating. I was in a trance absolute. I was out of the door and no I would have

to be able to talk to me desentendie. It was like four months after that I go to the

house and see that they've meted to vandalize and the story that you know, but

it was for that was for what I abandoned the house you I was I'm

never to not you never never I'm and I say is that

the anima the all the allende my family. It's like that from what said Natutsa are things very distinct

and is that the animas the purgatorio the the the best animas

of the purgatory as they call it that it are

that they refer to the spirits of the people that in

some that were that are living a type of expiation,

of purgatory, of a limpea of something that is in your spirit, that is impede to get to the next level. And is that

Natutsa not has been the only that has been contact with them, as a form,

we know, we're a little case of the condesa of the Condessa Eugenia

Bonderleger. That this is something that we're going to talk to until the final but this Condessa

she lived what were the animas of the purgatorio in a manner direct. No, I'll give

context, I'll say something that that I generated much curiosity the people

that have had been contact with the animas of purgatorio are they're

they're a fire that that's that's to live to but

not of a form romantic in the fire. There are to have to have to this coincide

Maria Sima, that in a moment to be to be able to the Condessa of Wondderleyer

and also Natutsa they're they're in the same in those expressions and

various more. That the bestit animas of the purgatorio is

they're they're they're they're they need to put unification.

And that expiation not will pass of a manner gratuit, that by

the way the and the and the and the things, it's a way,

the point of the point is this. It's a thing. It's a fire not a

real. The Condessa had some particular ities she. She not

was she didn't be much very very bendic for

having these visions and those contacts she she

she was she had a fear a terrible and

in a occasion, I, in her an woman very very

very apat. And then he saw she was she had a kind of a kind of

of a kind of a natural in the the and he he said

what is that? And that are the form of the purgatorio is with what

I'm starting to liberate my fault to limpier my spirit,

etc. And the Condessa he took the and he said that it

was a level of that she started she was not it was

not to start to to have to the to be

to the man and he he was he

and he and it doesn't a romanticism but

a reality but there have a difference between the animas

of purgatorio and what is the sameas that are the stratos that are in the salvation.

And there we're going of the animas of the spirits that are in the infirno.

Maria Sima mentioned that in those vivences because Maria Sima is

a person very very simple. She is distinct to the other other chikas that I've mentioned

Eugenia Bonderleggen is a condessa that she lived in, let's a certain aristocracy of their time and, and the repents and then start and the phantasmas

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westjet.com or call your travel agent WestJet where your story takes off the sus stustan in a manner tremendous her family is very catholic

she's a certain manner also, but it's a combination between a custom and postura

political. So, no there's a good very good you say, there's more than

a porte that's a way to do you do this things. It's a much

more external the situation that internal. Bonder layer, for that was a situation atroces because she

tapable to the eyes and said because me are being come up let's

let's to be a various of the hand it, and he said, for favor,

Sackala of here and in the name of Christ, I'll say you you're

and then they're and then they're and then she's and she and he

started and she's she's about this encounters. He gave many

many data of things that these spirits have

in life that she didn't have so she

she she but we've made a Maria Sima

and Maria Sima she is a person profoundly

creient profoundly creient to tell that he wants to give to give

a god in a convent and he he is that is being a man

the problem is that no has a good health and it is

a good good for a convento to have a person with a

bad when he gets to come to this is since

has been 17 and the mother superior and she

look, if in the next months you don't have a good, we'll take as God saying, it's your

moment, and we're to do the last time. And then we'll do you get a good health,

it's all the convento, and his mom, he says, well, expect to a that

you can't and you enter to the conventors, and she says, no, I'm I'm saying

to do, we're going to try to to enter to another. And if in that convento

not me accept, I'm I'm I'm way. He said, I'm

empecene and not me accept. So, I said, God, God, God,

I'm going to be there. This woman, was a woman very simple, dedicated to do that

for oration, and dedicated to much time to questions very rural. She lived in a house

very a little in a house. And it's there when when he starts

very strange in the night. It's just in the madugas,

never is the day. When there people in their but these

people have some something that she has that the instant detect that he is a

human and it's something very obvious. If you have done that I have done

many questions when the people when the people and me they're not

you're not because you don't know you're not you know when you're very

observable the little details mark the Maria Sima, at

living in the camp, for what I've seen of her and what I've heard of she was a

person very observable because she did count the instant that in the middle

the no has no has no has seen and this see a person

not that not that they'd not, but as they were doing the

sun they were perfectly in the her room at the 3 of the morning when no

there was a one of the light. She had a lot of the city. No, there no

be nothing more than more than a person perfectly illuminated. And no there's

no resplandor. So, when they he, it's to talk to talk

with them. But the phenomenon is distinct. If we we're going to the first case,

I'm the little bit of this she's a sometimes are

mental. Nobody heard the voices of them. The Spirit enters and then he says it's through the

body of his labes. Maria Sima is different. Bonderleyer has a conversation

direct, media extrana, that no is there more people, because

they were other times and there was a conversation and Maria Sima

is distinct. Maria Sima has a conversation direct and with the time he does know

that the people around not don't have not listen the

conversation listen and they're and they they're voices and they're she's

a famous because she she's made to talk to be this to this and the

people they're they're they're they're because it's she's

she's they're they're a gift a giftion, a

and is she is that she they're to bring response and she she's

only she dedic to ask something if that or what person

is in the sky, in the purgatory or in the infirro. It's the only

that they every time that she's she's she's she has a list of 20 or

30 people and she has the list of people that she has a

person very very curious but a sometimes also also

for people for people for people that she was

she she always she always she he they're

not when they they when when the animal he

asks directly what you need and you say a one very

similar to the other other the other a medium a

music and I do this things in life for for

is she's tending are honest. So, she is what they're they're

they're and they identify also for those petitions. So, when

they start these petitions, she does the petition, he executes

and the minutes, and the time that's the day the day

and it's possible. he had said directly for those people, no you're in these people are

condensate. These people are in the purgatory. Ah, those that are in the sky.

They're all parts. Of actually, there is this case in that they asked about the

brother of president and for the president John F. Kennedy. Also, that's the

case that they've asked for this subject of bigote that did a war at

level and that had a campos where lastimed many

people. Also there questions questions for different generals

of this group that was very conflictive in that second

war that about that all our world and

also they asked about about artists actors, actors,

cant I say and I see me seems

that was a person very and there many

responses that are controversial in the story of her, but there is something. There's a little story of Maria Sima. There are two moments especially forties. A friend, with much curiosity, he asked

Maria that if, for favor, she could be there a night. Because she knew that it was when Maria had contact with the spirits. Maria said that in

no way, that had much fear that was what she could be experimented because yet others had been intended. And they I moved in the camera,

they'd get them they'd get them and they were all right for them for them

for Maria was part of the day-a-day The Amiga he insisted and he said let me

let me no, of any way, no I can't do that but

he insisted that Maria Sima he said I'm, I'm I'm

to say what I'm what I'm to do you to go to go to not to

go to go and not nothing I just I'm just

I'm the room abirted. For if there's a

one and I'm if you're a you're still. the middle at the day the next, she topan in the day it's a lot of the day it's never more more than what

they're puttumable in all the house. No he said no more no conversation only rezos

and resos and resos and resos of a voice of an retumbah that was a lot of

the house. And Maria he said was the voice of a man. If it was that

night I'm talking to a X person that came to visit me and we had been

and I put to restos and me put to say to I don't I don't I'm

there was a lot of something And it's that this phenomenon depends or where you're located or

of some capacity sensorial, you'll perceive you're different. But there something that

was a same, that that is she did a fear. Because she had a

way, I don't say a frialed but a temple to confront these situations

in that the fear in that the the time of the

night and to have a quadrilla of five, six, seven people

illuminated even when no, when no there was that the light, that's

it's that one of his first encounters with an anima was one of those

that's in the first strats of the purgatorio. The first stratos of the

purgatorial those that are more near the in the life

are very very very and even are part of

the purgatory not is the and there there

there an animas, whose spirit for us would be a great sign

of interrogation the why they're not in a strata more than but we don't we have to

not to judge. What we can say is what you Maria Sima. She

said that in one occasion there was a house. In that

house they started to son crugid and they that could be a certain family that had

been a lot. Maria Sima enter in this house, and at the entrance he took a situation tremendous. In the middle of the

passio, there's a door. Enorme. More large than any, she knows, they've seen, the same.

More grand than any those eyes rogous tremendous. And there is another animal more grand

that comes and it and when the two chukes on the the parade, the

there are the crudied of the house. When this, it's aterra. No,

they know of what is the being a idea of and then the time and the

time, the animals, the animals they say, in the first stratos the spirit

is so contaminated that you what you are the form in that your brain

to do you know, because has lost their human

in many of these cases and is so so

contaminated that That is what emanate, those figures animals. They've heard stories of these

animals that are more than different points. From the experience of Maria Sima,

some, some, some, perhaps, animas of the purgatorio. In a

representation distinct. Also, me call the attention, because in the

natives originaries of a certain place, in the area in the

area, there many many many, there animals and the totems, that's

about a projection of the spirit human in the there's a connection with a animal.

I don't say it's the same, but are little things that are that they are like

that they are in a perception similar. If there someone that has analyzed the

respect, can make a question. But as here we interested in the stories.

Let me commentart to some of these stories that have to with the

unres of the purgatory. There's a family very devota of the animas

the purgatorio. The animas of the purgatorio they want to get to from the

from the from what they're saying these medium and these people that have

been in the people. Because they're they're getting that's

all the time. 24, 7 and it's a situation terribly angustient

for they of them. The same blanche in many of these spirits is

so, angustied. What is what is the what is someone? If you want you

want to be the bendit the bendit the borgatory because the while they

prays and they're praying for them for them for you are able to get to

them they're going to get to all the time because because they

want to want to they they're they they're they they're

I'm this because in a house of a family that was very devout. The family had this devotion for the animas of the purgatory and not

had any one solo history related to questions supernatural or paranormal. It was a devotion that was from a vis-a-vuela and she had erredado and all the family, as appropriand-se

of this tradition, they'd restes every certain time of a manner continual. It was something that's something that was something part of and was

to make a feel to feel like and they're not because of making them making them

so much tangible. It was a tradition. Cre'd in her and they were firmly

but it was only a tradition. The family was growing, were embehecing

and only at final was one of the children of those that in

some that in a woman, but she house in that he lived in a

life in that she said she said she oracian there but she

is a person and she and she and when she has a very

very very to then the doctor he says you

take these medications no you don't talk you

don't the place and those the medications are so

are so that they are nokeated and is the

situation is that in the madrugated when the room is full of somebras

people says this this woman that is strange he said that sure that

he should have felt that something I said I know I know

I see and I said who who are who are you

do what are what and only said he's for

us So, I said I'm an way open. For favor,

degen me to get to be recuperer. I'll continue to you're and

never me never to molestar. It would be that they're so

that that that I don't don't so sensible with the

perceptions of the other because you remember the duke

Bonder Leyer. Pover Duke's Bonderleyer. She is of a family aristocratic. The religion is a question in that time that day of today

we don't know we understand us because not is the same. But it was status. The being more devot or the most to show up to a certain way apart of that his family had had given various obisps and papas for them,

being part of this organism Catholic was something. So it has to be with mannerisms, with property with know how you you're going to conduct with the same person, the how you're going to show to tell person and who is

that person and who is other and that you identify. It's another thing that that makes a very part of the religion and it's very part of the spirituality it seems more than a rhod political. She has lived a

And it's a person very devota, but like a roth political. What do you? What I'm referring to this? The reso, it's part of that me be and I have these things and that me not. And she appears that has

this profile. Sure, you've been a director spiritual. For sure. It's part of the Argot. It's part of what you do you're doing. If no, maybe not you're being received a rest of the gremios. So, understand that. Because what

what he happened if in this context no it's a a

a convent the duke the duke a Eugenia Bundlerler be a man who

comes coming coming to be to be a to be a man

she's a man and he think it's sort X

some of that he he said he he had to

talk to he a other and when he

now is that. What I'm that's I'm going to some part in some I'll talk to be in

her own she's going to start to start with when I'm the eyes there's a man who's

there's a man but there's a little detail no has no those

eyes are totally dark are some some the skin

not a real it's a a and he falter a

brilio. It's like if it's like a opacado for

a and a woman she'll be molest. When she

see that he's God and he's and he and when over the

eyes that she's a woman the woman she

will visit and this woman is a terrorized

and she directly with his director spiritual and

he he he says and he he says and he

What does it? How? Carajos, I'll I'm going to ask what you. I'm going to want to be able to molestar. Well, that platica not is very fructiferate, because the dukeessa, regress to his habitations and he will appear to the mona.

But now the dukees is prepared, and has a can't do you. And where it's a-reau-en-law-a-law- and the name of Christ, I repend, and for the blood of Jesus, go to here, and the mona

in front of her just to give me, it's just to where it disappears. Where doesappear, this dukeesa is that that's that, that is that

is that is a woman and he will be to visit her the three days and she'll be to ask a rosary,

he has to another way a vending and she's and it's like a day the dukees cede

and without to have to say who you are you are you you're and then

then says that with a voice extrana and he he expresses me I'm SOR,

something, and roba money of the convento. And he said to say various things more.

And the SOR he says, dedicate me misas. They've started to dedicate me

misas. And she never did come to be so she was very tranquilla

until that they started to get every more people. The problem is

this. The dukeza no those was the other

the visions of they were aterrador and and they were and they caused fear and not about that had to be

a few with with the personalities that they were in life a sometimes were people

that were very questionable and malvadas but something something what? Who knows?

From this this this creency and from these these this this or

they've had this type of experience. It's so, but notable that were things different.

The Animas of the Porgatory, in one occasion, there were two. A woman

very be a man, and a person, also, he was, he could be not,

the woman was a person, and when she was a guy, like, what you

want, how you you know, what you call, what was, the other woman,

he says, he's a guy, Guillem, and need to do this, and this for

his family, because it's a but you remember you the movie

sixth sense? It's that's certain of these data was based

in the duke Bonderlayer because when that that was

was coming and he went to see in the neck

of a woman a that after he was

that he was the so the duke also to

the they appeared with with rasges that were the way in the way in the that was part of this world.

A success aterrador that did it. The fact, you know, these data, because as it happened to the

director of spiritual and he said, look, as we know, we know, and then we do it. And then we

know what they did you know how the dukeesah so much the situation. And,

and scribing these situations, it's did last to the director spiritual because

He said, You know, my few times. Toma my diary. This is what I'm going to

do you know. The director isp. he's see as the appearance.

It's that the anima that the spirit gets a little depending

of what was what was the with what pendenties with what were the

circumstances of the circumstances because. There's the person of Javier Luzon, the

father Javier we took us a practice the year past. He is a saratote ex-exorcista

and he has many experiences in in relation to the exorcisms tremendously

and in chronicles of the narrator there's the interview the practice that we took him

but the father Javier in an interview that he is a Cappellan

of various hospitals Cappellan is the sacerdote that is the hospital to

give the unction of the infirmes confess to the people that are and those who

are going to a process of partida for the the Inferment

that is his accompanying. So, he is a chapel in a

capilla in the that he's there is a full of

spirits. And then he comment in that in the past

one a person began to enven to the many

of those spirits that were that they were

on there I think when they see these

present for favor, avicen me, to get me prepared and help us

to do it. Exist the vivience in the that is apeg

to be able to the things. There's a chica that says that she says

that she she would not because when she was a little

this that I was a that I want to that is spantos that.

Result that there a tradition in the family.

All the Fines of a religious, religious me refer to always

they're in that there no justification for not doing, they're to a

market, and in this market there's there, there's questions of fruit

and but also they're not a second and third quality, rope

yeah used. Then one once that they've been in this

market and have got all the money that

they They've got them after the market and the market Where she put her, the little.

The little, we're going to get her in front of them. Well, it's like that they're going to have there. There's a lot of my pesadier. When I got to my

house, a part of that day, I'm going to have dreams very strange. The muebles of my house

were in sombras, in sombras that then after they were in people, in silhouettes of adults,

of the children, and there one in special, that like much presence that was

a sombra a small and I see that that's a place in

the problem is that was that was really and I'm always

and I'm a man and I was a dark of the dark

and it was a man in the thing's I'm and I'm It was

many many many times, many times with those my mom said, how you're

you're doing this and my papasasas and my my papa said, oh,

maybe he's something in the television. And I said, is that's something more

than that the dreams, parallis of the life, my papas

were in the hospital and I were in the view and I'm not reactionable.

And after and then they were in the I was like, and I was I was just about I was trying

because I saw the little bit the little while I'm going to move on the time.

I saw that every more razzed of my time. So, is that I'm mom, it's a

little, is that's a little bit is a little bit and she's very enoched and then

my blusa. And then my mom and he said, he said, it's something else here

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From binge all episodes exclusively on Paramount Plus. It was the blusa that we found out in the market. Accompany me. a end of a time before

the first of the market we're my mom and I just the

place where we found the blus in that was

there and we did we know that that that that

that were some some kind of some kind of

a kind of that we we were that

that was that in a part a person, Abajo

to her vows, and the photo of a little of a little bit when I saw the I'm in the

my own my own. I'm quit the blusas we're we're and we

I never I never I never I see with her. It's it depends

the way in the we part we in the that we if we we're going to

if we have a something but we sometimes

it Not all what we is the same. And, and before to be

I'm, I want to tell you a story that I'm the most adderator of the

day of day of there. There's a child that is part of the family that day of

a combination between dreams and the dreams, because the dreams, they're taking to be

little things that can happen. and and pesadillas because all what

I'm in the world is good always. It's also too. And she remember

perfectly when you know this. She said that when she had six years,

her mother 10 years, his papas were on the house.

Stubier living in a house that was all of concrete and

was a not so not an new and a little

time and that was very strange when only were only were the two two

in the house, the that's They were rare. Because first it was the house that was the crugia. Then it was in a little, it was they were to be

a little, it was to start to them. And in one occasion, the room in the they were the crugio.

Cimbro complete. And that had a particular that one of the parades were pure ventanals, vidrio,

and davana to the exterior. When they are there and they're there and they're

they're a type of retumbe of vibrati in the ventanales that they're that's they're

both and both see a very very I'm to be a very

I'm a one of a old an an old a

with a blue a but a man a man

a and when she and the man she's a back

the not of the window she and in parallel to

the video and and she's a coming out and this a inotized and she's

a way to get to go out of going to go and it's and in parallel to the

window there and that the door and you get to the door when she cross the

window the woman is a house but the door never

never and then the as it's in front in a a Christ sangrante

and the woman is a woman, the woman, is there after she is also

like exhised for the situation and the two are in silence.

One a second after they're in the success. You

go to what did you the other standing in the room

there was there was a he made to look at the

mirror a little bit a little a little a little a woman a lot of a

little bit a madalewal and he's a way to be to make a little

he went to and he went to so he was that she saw in seco

and the was in front of her the she was a back

and he he went and he went to in a a part of

that's her life is a life is a she she has she sees she

see things that the other and she remember much

when these her and after years after they

are in the and the little two two two

are one has one has a six years the

other I think so so so for we

understand there there but are in adolescence, in the age of adult, and in this adolescence, in the age of adult, the major,

no want to do you know, one is being the television, he invited the minor to the major to be to be a movie of terror,

the major no, he interests, she goes to her court, is listening music, and the minor, when it's

the television, is there is a video, and then then then decide to the TV and when it is the

there's a silhouette of a person grand that he's a being a little bit of a light instantaneously, the television and the siloeta disappears, she levanta, gore, preending the light, and there no, there's nothing. Apaga the tell.

No, there. Where it's a light, there is a silhouette behind of the television, clara, is a person. Prend the light, no, there. And he's a woman, sube, like, loco at the escalers, go and he says, come,

come, and the other, yeah, that you're just fastidating, let me be, come,

come, come, but I need to see, I'm going, and the her brother, he's

like, if you're like, but what you need to you, then, they're

and when they're there, to that a cell, to the cell where was the

light, the light and they're on the and say, be, for favor on the

the TV. What are? Nothing? Apaga the light and bring to be silhouettes of a person.

Prenden the light and the instant and you know what is that. No, see. Wulven to the light? And there no is silhoueta.

Only they're in the piece like something if if they're four patas to start to get the

light. Passing years. Suceso to processo to see animals that

not are there, nobody else does percibe. They're in suey in a

man that the hand that they the thing to the thing to the

there's And this is a success, both one a woman and other live in, preferring not to talk

to this thing, preferring to forget them, they're not they're not to be that they're

that's not that's they're not that and they're not doing a day. The

one day, the her a little a one of a middle construction. And in

that building not not happen things, but it's something something

that's something like a person presence. The people that live in that

building in this little have been about this chica. This chica is architecta. And she

has been in the work of this edificio. She no had been nothing. Until they

they're to tell these stories. Sienten in occasions in these few departments

that are habitables, that of there are there's a little. The cameras not detecta

nothing, but if they have problems. When they're the presence as

like they're like the deforms the images, but no there's nobody there. One day, doing a revision nocturner.

She goes, with a companyer of the job, they're to see to one of these

ascensors. Entran at the the sensor, the sensor, the door,

they're in the problem is this. The sensor no could be to turn

in that the door, because no there controls that

Pulsen for that someone is waiting. In the next the next the next the next

the second the next the second is a tranquil is a perfect when she when she

will be to be back the day next no go to nobody

enter the the sensor so they are on the

door is at point to be back the

sensor they are the door the when Sient a

respiration just behind his right. And there in that instant

he was clear in that the building if there is a there. And with

this family nocturna one once for those that we we're for the

family nocturna that in a future but especially for the

family nocturna that we that's that we're From my tradition,

Dall the Lord a DECansu eternal and that brilles for them a light perpetua,

that have been in peace family nocturna that's in the way,

so so. Salud, a good night and that have sweet

and that don't sweet and and you