HABLEMOS DE LO QUE NO EXISTE - Especial de Halloween y Día de Muertos Parte 2 | EP 338

Episode Date: November 3, 2025

Bienvenida Familia Nocturna a ésta segunda parte del Especial de Halloween y Día de Muertos en @hablemosdeloquenoexisteEl día de hoy les traigo historias de almas en pena , objetos malditos y altares embrujados. Descubre porque Chayito tiene muy claro que no debes burlarte de las almas del purgatorio, conoce la escalofriante experiencia paranormal que vivió Marlene en la carretera y las manifestaciones espectrales en el espeluznante edificio en el que vivó Lalo. Así que prepárate porque llegó el momento de que @hablemosdeloquenoexiste

Welcome to Family Nocturna to this special of Day of Muartos and Halloween, second part. Leonardo, has one of the stories more extra that I've got to get out of the channel. I'm saying to you know, that's part of this story, and me say,

that the day of today, the people of those that I'm going to be able to be not affected, it's all right. But if I did the pat,

but after the front. Leonardo was taking a time to make a carpintery. And resulta that he

had discovered to see to see as he myself, as someone with much abilities

for the matter. For other other side, you know, you know, he's a master of

a school, he's a time, or in a secondary, not we don't want to get

in details, but after some years, just for the tarrar of carpentry, and he

he decided that he was to give to give to do a different masters of the school. He gave

some crucesites that had grabbed the name of those who were like him. And we're

that Leonardo is a kind of very, as a person, so a lot of the people.

Then it was a very good quantity of crucesites. The problem justly is that the madder is not barata, and he was looking of different parts

where could get a barata, that would be funer enough because no occupable something, but that aparted, there a dokecet that's a little bit strange, and then to go to different maderies and carpinteries and see that was set out for complete of your

presuppost, decided to opting for other options, he began to to ask you ideas and a person he said, why not you go to a place of a muebles

or you get a new new use and you use the madder? No, it did you do

so discavelled the idea? It was to the places. And there a place that had

a type like a ropero grandote with a some some spaces, something

something of a great, that's very old, although deteriorated the

matter but a solid but he had an aura this thing I felt like like feita like maldito

and he when he when he and he's that's special this is this would be the more madder

let's go these and it's going to get to kind of spooky so it's

a little of the question the cost and the cost was the

cost was the cost was we're the we're they'd they'd $20 $0

$0. Something something, something but not costable, but not you cost to get any of the

sorrojitos that had that that's the money. And when he asked, he said, if he's

he'll get the day of today, we need to we need to and it. He was he made it

very rapid, he said that they gave a tantita patience, he got a

carionette of a man, because he had to a money, we're

talking, we're talking, and finally me said Leonardo, that first part

I was was happy, Feliz. I had considered a ganga, he had a manned

that was a aura, he sent to his aura, when they were when they a man, my friend,

and a man were being very being put into, and the friend says, oh, I'm,

I'm I'm and when he's got to the hand, and when the

cuted is very strange, because the the mobile not has the new thing,

the My friend concluded that it was like some type of astilla that was claved in the palm of the man. Ah, and right now see if it was, no. The point is that when they're in that mule and they're they're going, they're going, and I notice that my friend is so nervioous. And me says,

Hey, now me govows to ask you to move an object, a mobile maldito. And I asked that, for what did that? And he said that, and he said, that when they were conducing that in some point

that he went to see a back on the picture because he was the idea

of the thing that's I'm going to see a and I'm to see a a person sent out of

the part of the carionette he said he said he said me and I know

and I'm doing and I'm said the the little the Mueble well Leonardo

is he in your house he has this Muele and there there is

a part of So, is that, and he comes to to think of where will be the first recortes, he's, he's going to

see where they're the clavos, he, where he has to use some type of instrument, or if it's going to get

like a savage a martyazos and romper no, because at final, the time of the money superer the amount of

the amount of the that needs for the so, so, he's fascinated with

the newmue, is to start to start a area or or if if he's

He gets to dismantlearl them, and while he's seeing all of that, he makes to hear that someone he has to breathe just behind him and he'll take. But he's so muched in the work that that's just to work. So he'll just, well, I live

only, no, he doesn't have anybody because he's breathing here. He's ried and he says, if it's a maldita this thing, agarra, a pair of cajones, yeah no-pinser more, he's back to the patio of his house, and in the patio, He has to instruments,

and herraments, and he has to destroy all the new thing. That same day for the one and a half of the night,

Leonardo still working in the patio, and with the rest of the new metal, he has a lot of

cruces and pieces of the matter and he is doing those things when he says that

someone he says, there, there in that moment, I should have to be parted,

I'm was so enfocated in my work, but so focused in the work, that even that sensation

of the hand, he did that just that I'm just made that's were the signs,

that they were saying, that were saying, but no I'm a lot of cruces,

I'm so meted in my work, that I decided that the day next

will be dedicated exclusively to put the numbers, so is that with

instruments more little I'm the I'm in the patio drawing each one of the

names, I'm doing a list, me did a place, and well, all what I used to do you

and I'm in, I'm taking, at the night, not I'm doing to work all the day. And I had all the patio it,

it was a little cemetery because they were about 50 cruces chiquities, like, like,

like, like, like, I'm, like, of 10, 15 centimeters of the

inches, and in the table, horizontal, narrator. It was there where I had to

I'm in a good, I'm sure, I'm more the matter, and it's transpasable a lot of

but in the grand majority, not more was made and it was made more

more fear. Well, when it was when they were the lunas, when they were the classes, I was

I was very I was happy, I was content, because with the rest of the

made made made a bigot Fee a Because the rest The rest of Yeah,

not have put clavos for any And he had a form there's a way, like ataud

very austero So, it was I'm a crossseita above, and then he said,

also, I'm done my calaverita and I put that thatabut above of my

screen, and I had said to the people when they had an opportunity

they they're a particular. Well, narrator. It was the sensation that day. It was the sensation. No, parable to

talk of the cruces, and that were being fared and that were very, the regal. In the school, no accustomed to do that day, they were an altar. And then, they took the cruces,

montarron, some little of paper of China. We had a pair of maestras that were very dallas to manualities, so one's made some flowers, others were and bought some globes, and

it wasi, as it was made to understand, because not an altar like a little, it was something that

in that moment it was it was not and they were and they were a altar kind of rather rather.

Because it was full of the cruces that I was and I had photographs of those

people, but of the people, of those that were in the cartel, very

very good, very they took photographs, and at final of the day no,

no no master that's there. It was The end of the day, they were all those, all of his cruises,

and they were very very grateful. I'm very good. And then, and then after that, as a week, they're going to get many stories

to the school about that about what they are going to be doing things to the master. A master

that when she was a costed, she felt that he was to be a head to the camera,

and when he was a man, anciano with an eyes like merrientos, as if had some type of of a form of apharmid and that the

man's a little bit of a lot of rabia. She'll be a much, much fear, he'll take to the other side, and when he'll turn to be able to have been a cobiha, a bigger and that cobiha had covered the head

because she'd get dormied at the instant. Another maestro starts that, that in the house, despite of that day of the dead, as two, three days,

began to sonar pisadas like if someone had been walking out of the no have been ladrones

no has no seen no they're open no tina but they're there's another more

says that from the people their people are like they're out of

the house and they're and they're and they're and they're they're and they're they're

they're there there's there they're there's that they're there

they're what was going to not even they were this very when various had the

same the same the same the old old the old the

the same the same the last of the people and I started and I'm

and I'm and I'm and I'm that after all of those many all

all after after the after the altar but after that

the the process in the the patio where I had the the

rest of to do the things, but not so good to limpire them. There's been and they had been and they had been pasted a month and they're,

well, in the patio, narrate. There's a lot of some pests tremendous, but feas, fes, like, and when I was,

I was there was there was there that really in a little year, for that I'm never a lot of the patio.

And resulta that that pestilence gave to affect to the the people, and they were to hear

that he had because it was a podrido and that was very extrano, that it was like if an animal had been a lot in my patio, and I was to see a part, and they'd be it not

just the maddered, then narrator, me started to have a minute, saco the maderas, las I'm trying, and when I'm going to, I'm going to go to my house to go to the last round of maderas, and just in the entry, there's a man that

just a man that just sawmere, me is a bit, because it's a figure that's fission, and then I'm a little bit more, and in a parpadeo, yeah no, but the house is very

pesed. The relato not parrower people people who saw the people who

were in the house, and from the day, I'm saying, I'm, I'm sorry, but I

was sure that I gave the cruces malditas because that ropero had

something, for that they were so they didn't not, I'm going to get to

where they're something they were to find to find me to find me

attention. I just I just thought in darles a beautiful and me a much good to be seven months

or eight after the year maybe, you know, they've got to talk to these stories, and the

things were in the past. I'm sure that they were trying the cross and then the first

things passed on a very family nocturna we have been this

special of Halloween and the second part that for sure,

prepare because the rest of stories that we have in this special, are more aterradorous.

Continuamos. Signing with Maestros, and schools in that are you do some things raras, I'm made a

story that that I'm not let's pass to anyone of you because I me put the skin chinita

because has much I've had something something. Marisa says that she went to

the system in the time or just before before that you know an school

for this situation that was a level the world. She's accustomed to do the time of

the class as the line. When she went to work, or more when she started to work,

yeah, in form presential in front of his students, for her was something complicated,

sumamente complicated, because not she never in occasions that was talking to

a person human, and she was a kind of that we sometimes when you're

in the was being the person and had to reactionate the things that he said, so it was like a re-education. That's just

that at the time was very long, but of a repent had advanced almost all the year. And when

he was much much for doing a good work that had made lots of the masters, with all the

students, because she had smerated, he had emmered in making this this situation as a

kind of and said something was taking into especially that school primary, the students,

the teachers, but the familyaries in general, had been been very affecteded by that that's

the problem, the one that you know, and there was many people of the families of one and of

others that that were not even that was that was she was to put up a

proposal, and that has made that the day of the day of the day of

the He said, first to the directors and then to the Council of Parents of Families and then to the Council of Maestros, and so, and as he said that, for favor, for, as a necessity of mental, they'd be an altar, and they'd be given as a solemn,

and they'd be able to send us their sereners. He had to convince her, because really the school was in a posture of her, yeah, that time, no lo, toke us, that theme, no, we abramos, but she noted that all of, that all had eliditas for those

partitions, well, those convents to the students, convince to the parents of family, convince to the teachers, convince the directives, all are all that all that are all that they're

that they're doing to do the things and with a certain level of time before. They're an altar, but it's an altar that is something tremendous.

It's a altar also. The first escalones of the altar are made with guacalels decorated of a form

so beautiful, but tan, tan, and asmered. But the last are things overpuestas that you know that's all right,

the car of carton mal-each, some of some of paper that form like a semi-cajita, things so that's very

contrastant. And that was because not they were in the age. The people of the

community also also wanted because they were people final, an altar

immense, Inmen. No, they were it. They did all of a saturated of

photographs. Some photographs were in badiated, other photographs were all right. And they they were

there with some belitts and they were some of their own, others were to tryer

food, there were people who people who people were in some moment and they were

many, many were they were there, many were they were And that day was a combination of Rises,

yantos, sorrow, gos, something very very strong, that when they were in the day,

they had passed almost three hours of when it was the time, nobody had taken,

like the time to be the time to they were that they were something, it was a time,

the people, they were all, they were the people, they were the was the

that was the to mobilize. They were all very focused in that so beautiful and they were so gansed

for many emotions that nobody recoged nothing of the altar, and he thought in it, simply they

were there and they. One's giving the grace, others a little insoyos, others like with

some RISas, there was of all. The problem surge in the morning next. The morning

when she gets to classes, there a tumult, a group of parents of family and of maestros, and they're all talking there in the backito, we're talking,

that are close to the 5.45 of the morning. It's totally obscure, and there's a group of people in the entrance to the school, and he was a lot of the voices there, then said, wow, okay, are menaces and fathers of family, but that's never had passed. And

he'scuched that they're there that they're there, that they're to desacere of the altar, because anoche passed something more rar. What you will say are a little bit of a story that she recopila

that's a thing that are things that are you know, the first is the bellator.

The lader not is present and not going to go to work at that school, he said

he was that she did you the director to be that I did not he

did not he he said, he did he, he said he he said he was that's

about about the two or three of the morning was doing his rondin normal. And he also, when he saw that he had put a photo

that he had put a photo that I'd in his cartelah in some part. The problem was that when he was he was tochewed tochews, he started, he did it very rarer because the sound comes from very close. But, well, it could be a little bit of a person, someone that has been to the altar. No is a community problematic, and not is a place in

in the situation like of delitos and violence, is a place very tranquil. For that's no took me but then he's got over

another two-sid, but now is the same in the anterior. And a third and a quarter, he's got

to put it, he's a person a more, also you have to mention it, and then

when he does a infarto. The subject when he looks a, he, a lot of

sombras that are behind him. No, people, sombras of persons that are in the front of the sombras there are a little

yamita. Anycikiar a bell a llama, like if this part of the river the legua of the fire when you're on

you're an vellas invisible there in the hands of those cells and that belita had a pavila had a pavile is the only

that you can't see. Those cells those cells oscuro, the light not was there He was there, all

and all all the bles flotants. He, when he saw that, he even pego the gritty, sentio that the gargant

was to be to get to the air, and at the final, he had to have to be to be the school

with the hand on the heart, making a pressure, because he was a point.

The parents of family, they started to comment all, almost, between three and four

at the morning, they were talking the doors the problem was the parents of family

you know they're all those who had been had been a reason of that situation and they had

put his photo in the altar all those who did you did that they took doors and

windows there were there there were a pair of cars that there

and that yantos and that the yant they had had been the family

that had had gone, it seems that had had been and it was going to not going to have been

there's and there's and when they were in the first of the room, not to all the area, not

to the area, only to the and when they were to do that their light

was. What was what was what was what they were what they were they're

they're they're so they're feeling very culpable. Nobody the nobody's

the says that he has his respect and with respect I refer to a little bit of a lot of the time of the

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a sub-base Bonanza. Depos minimum of $10. Veil to be in a fashion responsible. The conditions apply. The moment most of the

life of Sandra was before 10 years. As 10 years, she separated of her and was a solo with

her little and she was a person more solo of the world. When it was passing this situation,

began in a cycle like of depression very rapid, very very strong, that started to

to be the his wife. His wife had four years in that's the ex-pareja was a person

that was not he had had been doing the separation. So, no, had your

support. And she was the night and she was she was that she was a

very can't and the day after the day after she was getting, and the

time, he had done a part of the time, saying, that they had

in the and me had to do a good job. If continue to so, then I would not able to continue to

continue with their services in the company. She was a person. She was a person very responsible,

but she was going all of the hands. And just he gets on the day of the

death of the day of the she's very bad. No, does any any of

any far any for any didn't anything he was that was that was

all that was all, it was in her house, because that day, Mama, she helped to get to her

little to be in a little, when she could be alone a night, he has a very strange. In the dream,

he came his father, that had fallen, he had fallen, four years, he came,

a brother that was when he was a little and he was his abel who he was

he was all the heart, the three are in the dream, she is she's

she's trying, because they are there, and they has all the life of not see them. Or so

they're in the dream. They're in the zone. And Sandra is the little bit of

and he's going to get the two hands on the saying, tranquilla, and your father and

his father we're just we're just these shias and every one has the siles the comedor

of Sandra. And is there's his brother and his father and his own and now they're

they're that's More than obvious a Swayne. They're carrying. And Sandra and says,

Papa, no, I don't you know, where you want you. And she never

and she gets all the and you want to you know, give you. And she then I

turn to the piece and see that a lot of the table.

A thing that has had much time, that has much had

had been to have had had given because it's

very percudida and he's well let let her on

the alfomber. So, his papa he says, look, this. Camina, after being a five passes of she, pega the sill to

the alfomber, and he starts to tell manner in that they're like some some rugs very big stosos

behind the feet of the seat. Then the brother, and he says, where I leave the

my? And she he says, a lot of the alfomber. And he then says,

look to this, and he put his silla just to the alfomber and the returce for a little bit of a while, in the way in that

that he doesn't for the end up the other, it's a way and he's sitting there in the oria, and she says,

it's a little more, look, and yeah. And then the abelow and he said, I'm going to

put the my, a lot of these two because I want to get a man the

man, he's the chair and when it's when it put a He says,

No, we can't talk, but listen me well. I'm here. We're not you're not alone.

You're not you know what you're doing. But the day of the day of the day of I need to

you get you need. And we we don't we can't be there with her

but you she. She's she makes a combination very strong. Fuerza for one

side, consuel for other and a pain, and a that's a treestess that has been

to get to her, because during a time I've been in a haug, the asphyxia, and he begins to cry,

yeah, and to worry, yeah, to be a but for the first, she has heredita,

at the end, and all that all of the all of the all of the all of the time,

and is going to respond to get to another time was so. His

abuel, his brother, his father, sentadit and they they were they were

they a form of chisme, of morbo, of we want to see, we're a way of saying, we're going to be the only one, and she was it to show them, how they were their force, or she'll interpreto she, she, she washock,

what for her for her time infinite, she seemed a cancanceo and he says, his abuel, now, if we're going, we're going, we're and she gets dormita,

and in the moment in the time in the the dream, in the reality, it's a despirte and the desperated, the almoda is all mojada, where she was yore and jore, yore, all the night. And she says,

what a beautiful dream, what beautiful a new thing. Necessitabba, need to be able to them to get me, need to be able to that's going to

go to the camera, he's going to the commingingal, and the repent the three sills are exactly how they left each one of

their families in the when I see that, when it's going to run back in the yantto,

but it's another way the same sensation. The heartoncito is it was being strong,

and those things, those like the little, they were a little, they started

to get and it's magical. Because after that that same day, it was

my recomposition, and it was a time, it was three, four days

after after, it was that this and me have abandoned for always. And now I'm going to you think, you think that our cells

dear people, are you going still being here between us? Or you think it's something? And, you know, if you're going to

YouTube, for favor, subscribe and do it to the camparita, and if you know on Spotify,

please, please us and give us the five stars, because we're we're going to the million and

we're going to your response, we're going with the the next story. Chayito recalls a anecdote that

that she told his abuelita Conceion, and her oldita Concha, he said always the same anecdote

in this phrase, never never you've never you burles of the purgatorio.

Resulta that Concepion, when was in his first months of matrimonio, he was a situation

kind of strange. The first is that were there were various casualties

at the time, had a few months of matrimonio, he had a disaster in his house because something had succeeded,

that had to need to be a various people because with her not enough, he had a problem with her wife,

he was going his prima, and finally, was just after a Halloween before the day of the

death. When they were in this situation, her wife had gone to go to her own

with the she was a person, and was a person, and she had a phrase. He says, O'ye, Conchita,

you know, I'm going to be in desperate. Why don't you ask you to the purgatory? And then Concepion, molesta, because not was a person creient in

any sense, he says, I, for what I'm going to ask you? That if want to help me, that's going to

help me, that get to barren, to trapeer, to lave the plato, because I'm not I'm able only, I'm

still, and I am sure. And then the prima she put in media palida and he says conchis

tranquilla, no less you're going to the respect and she says I'm going to have to respect to

your fantasies and to your things. If they are going to help that they're

working, that they are there and to clean, that they get to allow me

the plato the whatever after the first of the process

decided to change to the time they're they're

more in a more more more more more

there the better, they're going to and conchis, that's in your house, is very molester, and decide that

he's going to make a frugate the work that was going to barred, trapeer, limp, and then the most things, and

he's going to get to be aftiriedissimo. Apart, he's got to badas with his person,

and who will get the old, the old maybe gets a tomado and who has been

who he's who he's going to be a while, and he's kind of a little bit dormita and, of a

madrugada, when all the whole is absolutely oscuro, because it's of those a yerrethes that the city not was so full of lights for the night, and then it's an obscurity absolute, Conchis is

just accosted in the camera, and he begins to hear something in the plant-baga of the house, abe the ear, and I start that is

like someone barriending, and think, my old went to barry and trapeer. Oh, that no, that's not

he doesn't he doesn't any of the thing, he's not, he's got to my primus. Well,

is that I'm really a really bad oh, no, but what that's, and she was,

that's, that's that's, and then, she went to come and she, and it's,

and it's, she's, she's, and she's, she's, she's, she's a person,

and she was a person that's that can't that can't that can't be a conchises is

same and he's down the escalars and just when I think it's the last

it's a little a call of a carid of things tremendous so

they're like if the baghia after two seconds, after a car with the lights on the light of the

car and the light is a coel for all the windows that's she gets to do her nervous. Five seconds after the

door is to be her own her own and she's standing where she was a second when he went to

the second when she said, what was she what was what you're doing that you see bad? And she

she's badida, palid, he said, it's a something, someone was here in the house. How,

that's here in the house? Yes, I'm going to the car at the car's,

and son-on a big up in a lot of and then they're to go to the house,

the scuba, the tapirer tiradeor tirade, the tina where they had the water for the

tapio abent-and- and the plate, all the and then the person, he said,

what is this what's this what's he's said, and I'm say, it can't be

that's he's and from and from they're they're they're desfaulting the respect to the animals of the purgatory.

Imagine that you're in your new work. You're there a couple of days and you seem to summently a good. And, of a moment for a other, for a success of the most little, you know, you've got to find that various things that had been happening there, no had to happen to be able to do. And you're living a profoundly. That's the

happened to Matthew just in the last job that he took. There you go. Mateo had yet like a ratcha to have employees, let's in those that

not the way to be in a good, and he was a lot of the he was able to support, and so I'm

a little bit time, they'd in the homesteads, and finally he was in other circumstances,

Mateo had a job that's that were so that were that different of what he had

been that he was that was that he was a moment in which he said that he

was made that he he was but there was a moment, in the he had

a job that he he He was he was a great-liber, a work in an work that was in the

work that was to have been in the fresh apart, was he had pegged to the playa. And he

he was the sound of the the sound of a great, a good, and this he had

to be in that tranquillity and like being being conscious of his pensions.

I'd think because Matthew did a very well his work and was

very well He was a work had been a little bit of a good environment laboral because it not necessary. His work was a single.

It was a person that was a part of the security of an hotel. A he was simply that the people after the

night that not to talk at the play. Why? Because they could be in risk.

As the lights not were like, you know, like, allumraing all over

all of a manner so could be to present for accidents. So, Matto

had a a job that was very simple. Start in a certain zone that's around 400 meters, tarondin's, and if someone was to crosser at the other

side, instantly to get to the attention and regressal. If I'd see that someone had been to the other

other side, and he was to sound a silvato to give to get a little to goreying to

and get to get to little with both of but the fact is that the hotel was

to people to be the third age, what I said that were

people were people was going to it. It was rarestim the cases in those that I'm in

a lot of people that were in some copitas on some or that's not a son of the same to make a

decision or that simply he had been obstinated in the night and he had to him to

get to him to get us he was a good, really that was not a great problem.

No, there was a environment because he had a one he tookable to be

only in that space. Yeah, when he had to the man, I was The chef le took to give to two, three rondines in the madrugada, in what he chava two, three

dormitadus, but confiab in Matthew, because he had been a good job. Of a sudden, when he came a day of mortals, and the day of mortals, they're doing all the festival in the hotel. I'll say, it's a new, he no knows what he's living. So, there are moments in those that be a lot more affluency than other occasions, because they're getting to hotels all the a day-dneous, to see an altar that they're going,

a show of a play of the theater and it's a good the place is to reventar and Mateo is a little nervous but well,

he's going to from here, from here to yeah, the next to the two of the morning, that's been

about all the spectacle and Matthew is too can't and he's too good that's a one of this is

one of one or two times a year because it's a person that's much much people that's

being going to come to come here. And apart, now, so there are many many people who are many people who are quite much more

and it's a lot. And, and while he's is still a good, I'll turn to and when it's to start,

and that's attention that has taken in the back, and those nudes that have got certain points

of the where he's, he never even even even even even to start to, ah,

and in a suspiro, in casi a boste Matto is a lotto is a just and

he's to get to get to the good of the hotel

the because it's there and the good that it's

it and it's in a thought it don't

a when dormita he when he man he's

he just you're doing and you're so and it's and

when it doesn't he on three or four meters from a corner

that a subject vestive exactly exactly the little more more more than a distance is the sufficiently he's quite

he's the he's the jean is the hefe he's the he says he starts to come again again for the

line to get to be that he's very active and for that's re-enquented now if the chief said ah okay

it was a second or two but you're you're trying so you're getting to a verguyenrozeno and then

he'll be no of bergwegergergerger and at the minute pom he top he was in front with someone. He top a gulp, so, because he no, he was going to look at the front. He was about to what he had passed with the chef. And when the person who he got up

before he, he said, this is a brawomen or what he said? He said, this is a drama or what? And he said, what, chock? I'm, man, you know, I'm a little more of a good. If were one of the clients, he'd have to be given the attention in a manner very severe? What happened? What is he? He said, he says, in serious? This is a brome or what? No, because me is saying to that? Because I just have to be there, jeff. I just to be

100 minutes at that's in the corner. No, in a manner that you would have

to get to get a little to get because to do you know, because to do the end of minimum

had been a minute to be a hotel? Hefe, is a drama and the he says,

look, we're going to let's all forget that this happened. No, no, jefe,

is a drama. Escutem me well, Matel. Relathate. Respire. It's still being your

Rondin, that no so you can't get to I don't to be to molestra in the night,

but not you get to be able to I'm quite, yeah, but if it's a drama no,

no, I'm just you know, you know, you'll be to do you do your work,

and go to the bar and you tell you and say, and then you know to do this

so, well, something, something, matter, of what you to talk, but to

take you take a thing to be there's a badger and you make you a bit of

a brom, that you no me you know you not me will you'll never to say

Oh, I'm at and take a little bit of that's you'll get to get a good,

the head the head he's going to go down and he's back, and he's back,

and he's to go and not go and not get a good, it's too that's

very rare he's maybe a little rarer to work to work to work but it's

perfect he's just that much there's there's there's a thing because all

that's all you all that was to that did you in their job, nobody's

he's he was in the no one of the people were in all the first of all the first when they were when they're

when they're thinking in what excuse he's going to the head? With what tonteria? What he

going to say? And if he's been with a tonterer like the other people, ah, maybe he's

going to get to be right, a right that the thing is not bad, a right

right that maybe can change the hotel, a-or- or if if if you a card

of recommendation that they know, and it Triste, for Yeah, he was Camino and he's

He goes And when he's He goes The jeff is Dormitando, have the feet Arrida has a

door put up on the roste Toca, two times the door, but when the door is over-salted Moe, move

the feet and he says Ah, Mateo, Mattoe, what is what is, what you pass, what you

You know, you're gonna I'm, I'm, I'm, I'm gonna come, I'm gonna

askara, that me to be that you're what to what did what you, but no No, no, so, I mean, he wanted to say

that I'd say that a card of recommendation, and there's the thing. No, Matthew, maybe if I'll give the card of recommendation, but, wait a minute. For what, jeff? Wait, I'm afraid. I'm just, I'm going to say.

As me a favor. If you see those caches of there, and there were some caches, like, veneas, with polvo, there bented in a corner. And Matthew, he says, yes, what happened? As me, a favor,

I'm a little bit of the pass me the right. Well, jeff, but but nothing, you're saying to give you do you know a favor.

Well, it's a bit. He's right to get her the car, he's the put up to the mess

and he says, jeff, what I go? Abrela, for favor. But, jefe, me da

the card, you, you're going to say to do you the card or no. Abra the car,

signol, I'm saying. Mateo to get the tap the tap, the abre, and then then see

that there's like some adorns of flowers of in Pasuchil, some portareratrots,

some cruises, some claveritas, and then says, and this is what, hefe, he wants to go to do you know what they

to know? No, Matthew, I want to see what there there. Well, yeah, it's an altar.

Yes, Matthew, be a detail, for a but I don't see what you want to get a detail,

for for a little, and then you look at the time, but for father,

Matthew, make me case, sir, agarre the things that they're the case,

and I'm and ordering. And, well, yeah, Mattio altered and thinking with him, yeah, yeah, we'll have to go to have to go to have here. This is, like the other, you know, I'm going to get the car, Sack one of the photographs. And when they say, Ah, Chilion,

see, that's pretty much, you, jefe? He says, Yes, because is my brother. And, say, and he, jefe? The job here, he's, the job. A little more than I, a little more delgado. Like the year. As the year old, it's the night.

Is it the night. from here, then he, then he's a woman He said, my brother when he went to he was in the

guy, he was a guy, he was he was putting a money to his family was going to

a moment very dark my cunea and his children, he had a man he and he

didn't know, he had a he did a little bit a call a call a little when he

went to the place to where you, where you're going to there and and,

without just made just plumbed, he no- they're in resuscited. This

passed after a year, and every that came a new new to turn,

and he is like that's he's he's he's you're doing and you

and he he's he says, and he says, it's that he doesn't

supervise that the people that's doing that he he's he's

he's he's he's he said, and he he can't a card a

recommendation She said, for supposed that she said, and he's and I've to change. Marlain

has one of the vivences more scalofrient that any person could pass. Marlen was traveling

with the then was his nob we're going to name Ephrain and they went doing a

way of a carretera with different parts in the points that they were like ranchar

that you go to you go and you're you're going on diversos spots in different

points, cities and it's just some point that you say, I'm regress. They're not

they're not a plan specific. They're not like a route specific. They're

not more like, know, looking on the route, and they're getting

there in the carter. De repent, they're in the car, de repent, they're

in hotels, or motels, depending the situation. But they are in this adventure and they're

going to be very very good. There's there's in the middle of the

And they're very al-pendent because the tank of gasoline is a half the time to get to get to

the next gasoline or the second gasoline or point in that there's there's no there's

there's no there there there's there a pair of hours, yeah no

he has a a second a second a little tank, they're nervous because if there's

there get to get to the car no, there's any there there's a there

there's there or the buses, or nothing, then they're nervous, and they're going to

and they're going to be a little bit of the long, they're looking to see a

little bit of the way, and well, a little more more than they're in a good good

suority. It's a gasolinerer, and that has a lot of a lot of a kind of

of a company, but is in middle of the nada, of the the nada. Bachan,

when they they're with a when they're is attending. He pitted, they're a lot of

money for the gasoline. The chica says that they're going and they're a lot of the caravan

to do you. All right. All right. When they put the gasoline to the vehicle, they're going to goloshin

to get to a little, ask her to get to where she? Although the carterer has been a

unique, no, has been more has been more a lot and the time.

And, when they're me, something rare, be a a person disfrasated

and is when he comes, you know, it's when it's a very close of Halloween or it

has been because it's many times in this time to be going to that the time,

that's not been a point, but the decoration of the tienda it's

there's there pure things of Halloween. The person that in the thing in the

middle of the window of the one of the the head has ruby it's a

little damaged, the head is the head a mention that person, because probably she'll have been,

is there in the tinder, they're in the hallelujah to see in a golocina, and then she is with the idea that's going to

top of front of this zombie, and he was to do you, to do you, or any type of a stonterer, but when he gets

the passio, no, the passio, the passio, ah, well, to be one of the chikas one of the

time, that's taking his paper, we've seen them, we're get, after it's

and she invented a story of the because the idea of it's a very simple I'm quite

a lot of and I'm a few other people I'm in a few things that there's

that you have prepared and then then you have a lot of things and then you

know what you're all this and I'm you're and I'm I'm just I'm looking

something to cover some and where is that Marlen is she back in the part

more back to has that woman on the other and he he's a shud, what's the

what's doing what you're doing and then he's a little and he said, oh,

very good disfras, but yeah no want to talk to this person. And it's the same, it's the

woman that that's in a bit of turcida and she comes to Marlena to the

car, he's he's put there, and when she's put in the woman and she

starts to get to horrible like a kind of a man Like if it was a bit in his Papel of Zombie, but

Yorona, but something like me, weird. First, Marlaine, subes the shoulders, I'll a little bit of the eyes, because it's a bit horrible, devastator. Very, very, very, very aggressive for the timpanos,

and then, he's a little, and the nobio, palido, palid, palido, the noviot is being the cajera, the cajera, the cajara the cajoled all kinds,

and Marlene is to reire, and he says, are pesimous actors, Pessimous actors. They say, they're going to be scared,

and the newbue pallid, he says, What chick? And then Marlen, he's saying, like,

oh, please, not be a ridiculous. The chick that's there and then the cahera

says, no, no, no, I, I don't know, I'm not going to

this, he's over here, and he doesn't he, he says, hey, what I'm

what I'm what I'm and you he's, and the he He's up. He's going

with the hands-yen is going the chica that's like like a little bit of and he's

going to be going to this chick. Marlen, I'll take to see the things in the most of the

brahma and it's going to go and when he'll get a again a little bit at

a little to the child and then the girl and he and then let me in pass

I mean this problem. No, no it's graciously. No is chistosa. Let me in peace. Agarra the things.

He's going to and the newio is metying the car and he says with who you about you're saying and he says

with a chick and she's really bad actors, then I don't understand this drama. And he says Marlene

no no nobody in that there's a little just that he's a great this situation because you're

playing that's just because she she's being she's being she's like a woman of hospital

and where does that's She's coming the pendent and they say,

look, sigen the carreterer to get a minute, there's a road, I'm right.

No, this roo, I'm not I'm not the fourth time. It's the second person

that me said a woman of black. There's there no there. I'm the

only person that's there's a door to the curtain and I go to talk.

Marlen, when you when they're in the coming in the the person who came after

the person who They're talking to to be tranquilized Conformly the conversation and they're more

more and they're more and more tense because something he got clear. Not was a problem. The only

that was her woman that was she was she was she was she very well economically

and has a family and is a lot much for darles a good to the children.

But when he was a little in a situation economic very Dura. Me

He said that in the city in that he lived, it was of these cities that has been

a few many years, have a moment of an economy a great,

and then they went to go and a moment another, the city

was a place was an place, he was a

situation, he had around between a good, he was he

did it and he as in places not recommendable. The peor of the places in which they're going to talk to the day

of today. It was a building of a department that was just for people like without home, for families in

situations that were going to situations economic, and it was something that were the state were

dueions of that they were to them was to that they were that the building that

was two years after was a vertedero of basura. It was a little

hygienic. It was a place that was a little bit of fear. Because the walls

continually were to start to reskebrajard and the people just put a capita

of cementito on the capita of yeso like to tap the eye to be

to make the to make to be not, but is that at final there

there was there a final there could make that

the A, a despite of all, the papa of Lalo, has to

live in the place. It's a place. It's a edificio in the one of

the pieces have a two of the two pieces. Not is the only the

building of the area, but is the only of the he knows the people

that he didn't necessarily were a person that were necessarily, the

people, those were in situations delicated and others were people

were They were to be especially in those places. I think you can't understand. The point is

that Lalo recalls perfectly and says, that edificio in the that was that was embruched.

No, the other because never me to get to any one of the other other

other other. My papa was that we're with much good

to be to be a much a environment difficult. In the the

building in the the building in all the pieces pass things,

in we're not all. We're not going to move there, a 1st of November, for the day 3, you know, we've passed a lot of things. We've lived in the third piece. In the third piece, minimum, you'll be

my department, there were two things that happened. The first is that you'd be you guys a someone that was over the habitations, even when no there were nobody in house more than you. And you'd be you saw that, he metia to one

other, or passed over the door, no, me question, if me met to look at them to look to look at them. No, no, no. I knew that no my papa, nor my brothers, because

they had despied of me, and a little bit more after that person passed. I never knew exactly if it was a

phantasm or a person, but when I knew that the building was in that same time, that I was in my

room, I was only, with a a camera, but it's in a camera horrible, narrator,

in a room of resorts bigisisisisisisisis that was recchinaed every that you were in

in that time was a person very delgada or a person I was about about about about 25 or 30 kilos was very very

very delgated and then I'm in my camera sitting I'm sitting because the resorts start to rechinar

and I'm the camera is tundied and I am I'm to hear a voice of a woman

that's about about about so shusrando things like mascando things

there with the box I'm I'm put a put to my papa

and he I'm passing something in my room and it's me and he's

what I'm going to and he's he's not but not the way the camera still and he

he's look at the camera and when I'm he's over little bit let's don't you

don't let's take this attention that's that's it's not you're talking about the

and when it's he's the way and then it's like the man like a cross

and when does that the come as he's to get to get to

my papa. My papa, me do a brazo and me say, you're hard at

me made sure, that I'm that's a lot of and you know, that's

that's not that's not there's a other thing, there. There's a muttoners to a

certain level of rotation. And that department, the that was up to us, they styr they styr them, and they styr them even if it was a

in other of the departments of the floor of the house, the house were and they were and they're only the

fifth was the first of all. There the escalera was like to the part final,

and then if you did you see you see as in that part final, you'd

and it was like a ballader that was the part of the wallero between the

floor, the the wallator all dark in the night. Very feo, very feo.

Well, there were various people that you'd but they'd despotivorous and then you'd

to get to be going back into those escalars. Those people that were that had never came to the building.

And then we were that what they were that they're up thereup that's some cigarito

that you can't understand that you can't you're about, but they

were there in a moment recreative when when, the repent

they'd hear you some they're going to the escalas but

not for the escalones, for the barrotes from the right and the repents where the

barrotes the side of them and at the hand big you

with unas and some eyes and some eyes, the car

not they were because it was absolutely negative but those

eyes that were more more more kind of the thing

you were there was you they were they started to go back and they said they'd

they'd they're they're in the part of the barrotes no me took it was that

was the same description person person person the the

the the the first I think was the first because in the

second, in the passio and they were people and they're listening and you

see that there's there's there but in the first in two departments

in the first in the that's the side of the escalers. If you

you were going to and you get around and they're in the back to be a little

to be the and they're about the name, even when the department not had people,

two, they'd they'd to get to get to make, and I me took

to hear a person that they're because they're saying that they're there

not something, no, no me of all. If you pass a short of the door and you trailed your

right or your arm your right of your arm the door is open a rapid and a man you had to getrava the molleyka.

The better was a hand and see a man that's a morada, a morada of a little

and you do it did you got to the little the little bit of the like if it

had been a mark a mark of a little more the moretonsote that had and my

papa said that he had to give him to do things to put it was

going to the situation economic we're living in those edifices about six years.

The worst was Halloween Day of Muartos that was the thing

most spantosa not parable to be noises, not parable to be

movements grits of people people people asses of the

and here and I don't me want to I'm not I'm

getting that you getting that's a fourth, fifth, sixth year and

every year And I remember that my Papa yeah was really really malito

and we we're going because mom and we had parted and he had partied when we're

when we're very much and my father me said very clear my son you're

you're going to have to your if you don't you don't you're I'm

I'm I'm I'm I'm I'm that you and my father

and my father narrate three months no a no room, nor they'd the hand, nor see undia

the camera, and it was nothing. My papa and he went to get to the bad night.

We've got to the final of this double special of Halloween and a day of mortals.

So, so is that let in the comments what was the

story that was the one of the story on us on us and then you're

on the five stars. And dear family nocturna of City of Mexico, remember that this Friday,

we're going to see the last few. There are the last bopos of the Friday, so

those who want to want to come us, are all very good because if the fogata

that will be set, and the eight, are to be fours and the

stories that I've been to be able to and they're to be aterr. But, well,

family I'd like you have Durses Pesedias.