HABLEMOS DE LO QUE NO EXISTE - Experiencias Aterradoras con Espejos, Brujos y Cenizas | EP 349

Episode Date: December 18, 2025

Bienvenida Familia Nocturna a esta nueva FOGATA OSCURA de historias en @ Hoy les traemos los peligros de ser un cazafantasmas, pero también me acompañaras en un Tour por el peor departamento embrujado que alguna vez nos han mencionado en el canal. Si llegas a sobrevivir a estas dos historias, tal vez te quede algo de valor para poder escuchar la obsesión que Marcos desarrolló hacia una mujer que las cosas terminaron, digamos bastante hechizadas y finalmente podrás escuchar acerca del temor que muchas personas tienen a los espejos y tal vez esté fundamentado en alguna de estas historias mi Querida Familia Nocturna. Si logras llegar a sobrevivir este episodio recuerda apoyarnos compartiéndolo con tres personas porque cada vez estamos más cerca del MILLÓN de suscriptores en YouTube y si nos estás escuchando en alguna plataforma como Spotify por favor síguenos y danos las cinco estrellas porque vamos por el 2026, y sí en Spotify en este 2026 vamos a llegar también al MILLÓN, y eso lo vamos a lograr gracias a tu apoyo. Gracias por ser parte de la FAMILIA NOCTURNA. Gracias por habernos acompañado en este Tour de los en vivos. Gracias por estar con nosotros en este casi cierre de año, y prepárate porque a partir de la próxima semana comenzamos los episodios especiales. Te mando un abrazote, y nos vemos el SÁBADO DE SOMBRAS y te deseo que tengas Dulces Pesadillas, BYE BYE!@HABLEMOSDELOQUENOEXISTE es un canal de YouTube con el formato podcast que comenzó en abril del 2022, su primer episodio fue "vivo en un casa embrujada" en el que una chica narró sus vivencias y sucesos paranormales a lo largo de 20 años en la casa de sus padres, desde ese episodio hablemos de lo que no existe ha marcado una tendencia en exponer casos paranormales de personas comunes que viven en diferentes partes del mundo. Ice Murdock es el conductor o host de éste canal, durante casi 100 episodios no apareció, nadie conoció su rostro y la comunidad de éste canal , la familia nocturna , creó teorías acerca de quién era el dueño de esa voz. Hablemos de lo que no existe se destaca por tener apertura ante las opiniones experiencias y vivencias de cada uno de los invitados. La comunidad de éste canal es conocida como la familia nocturna, de hecho por estar leyendo o escuchando esto, tu ya eres miembro de la familia nocturna.. bienvenido. El duelo de historias es un concepto que se creó en el canal @Hablemosdeloquenoexiste, idea original del narrador, se estrenó en el episodio "Comité de la Muerte ,historias de Hospitales" el 1 de junio de 2023 y empezó a implementarse formalmente en el episodio "Abrí la puerta a un Demonio" el 11 de Enero de 2024 ; consiste en un duelo entre Narradores, una dinámica sencilla, donde cada uno cuenta una historia y busca superar a la anterior y al final la familia nocturna nos comparte en comentarios cual fue la historia más aterradora. El Narrador y todo el equipo de Hablemos de lo que no existe trabajamos para darles a ustedes querida Familia nocturna contenido original y de calidad, tardamos a veces semanas ideando formatos luego de tomar en cuenta las cosas que nos han pedido a lo largo de la temporada anterior y por eso el día 23 de Septiembre de 2024 comenzamos una nueva temporada que llamamos FOGATA DE HISTORIAS, en donde el narrador prepara una serie de historias escalofriantes una tras otra para retar al espectador a terminar el episodio por el nivel de miedo que genera. En este canal se relatan historias de terror paranormales, sobrenaturales y reales, prepárate para conocer el miedo de una forma en la que nunca lo habías experimentado.​

Welcome to Family Nocturna to this Scura Fogata of Histories. The day of today, I have stories about the of the places of

of the encuaries, of the men who you know, but before to start with this Scura Fogata

that creme, will be the most the most of the last of the other I'm,

before I propose, I'm a interchamion. No. I see if you know if you've

entered, no, I don't see if someone for there you have said or not,

but here we can we're not no exists. A that we're very close to the year, we're

very active because we're in the march of the million. All the people, the voices of the

other people of the pastadias, your servidels, your servicists, and we're doing to get to get to the million of

YouTube. For that, I propose an interchampo equivalent. I think is a interchambo

that you're going to like. Today, I'll try you a series of stories that

you're going to terrors. But if you're two or more, then then then,

compare the final this the video, because we're going to get to the million of families nocturns before the year and we have a grand surprise. One of this, I've been something to say to you. And is that in this

video, I've got a great surprise, but that's going to be until the final. Meanwhile, I'm trying to you, to start to not pagers the light, because you're going to start a foger of stories. You're done need in the specks? You've heard stories atterrador as

in toronto to those, because, now that we're in the year, I put a little nostalgic And I did I found that since time we've done stories

related so I'm to get to watch of the pastes you know I'm

know that I'm on the show but I'm put the word I'm saying the

word I'm in three stories with a story is a story very strange that a

person that was that was that I'm because in those homes or if for negotiations or some type of event. But he's in charge of

decarious. Not all the house, but zones specific. For that's why I feel like I'm going to events for photography. But well, in an event that they had to be with things of 1,800 in madera and color gris. It was like the

things that they did on to references. That's all you to go to puras of antiquedades, go to look places that would be different types of moules and things that could serve. There were things that he saw this definitely not is of 1,800, but it seems.

And if it seems, me it's function. And I had to get it then to get them to make them to make certain modifications. Some were so beautiful that had to generate them desgaste. Some were so desgastated that

had to repintarles. So it was like a hard on the which he did like all this fachada of that but comment that he passed something very strange in a

Tienda of Antiguedades. He is a Tienda in Tienda. For him is something habitual. Not is the first time that they ask or that make them

old old. Or that you need to buy movels used. It's part of their style of life. It's part of

your work. So, only in this tiend is the only occasion that's the only occasion. It's a

time. And you see an ambient a very strange. The sensation of the place was

very tense, very tensed, like if if there had occurred a pleit, something, like if it had been a pair of persons with a vibra

very dense. And even he, he not was able to see it. And I'd say people because they were like presences pesasers. The person that attended, a child of around of those 20 years, that's very stressed. And the form in that he was like he was like, like, or inojada, and this person, who is someone who has a little don of people, much fun of people, much facility of the

in some moment, he asked directly, Oye, you know, you, you know, you molesta, pass something, or I can't help in something, because I want to get you a lot, and I needn't know, I need some, and it's not, it's hard. And the fact is that I've done, you know, I'm sure, she has been rojita, rojita, rogita,

and he says, no, disculpom, is that no, I'm not, I'm just that's getting anything, but no, no, no, it has to be able to be, in what you can't serve, this, here, it's and he'll say, yeah, it's, it's, it's, yeah, I'm just, too, I understand, also we all We all day.

Nothing more, please, talkate the heart. Because I'm the time on the various things, and in serious, I want to give you

want to do a good trot, but also I'm the little bit about the but she's very strange. He said that

he moved the cooey like to one and to another, he put the hand on the noca,

and every certain movements sonab on a crack, crack, like he was like he

tronable part of the cooel like if had a quantity of stress that makes

that the the shoulders, and all of what she did she did, and it was like a little dolorous, a little pesado, a little molest, but he saw something very rare, he said, no see, I'm imagine or I, it was. They were, like, some, men's negras,

that were they're having to get on the shoulders. I'm very creative. No, I do you know much cause, because I'm, I know know who's who I'm, so I'm going to say, oh, I've got some of the because my mind me like that

I'm like a schizophrenic functional so I'm like a very well in all the do you know so I'm very soi't but it's

very rare because or my mind was recreating something because where I saw that I felt that she sentia that peser in

the armory and when the hands were moving and they were when she was when she was

to tronar the it was it was I'm just I'm much attention I'm

to look the moules that I was looking, I was specifically a burrow grand, that were of five cajones, and that the part of the top of grabado,

de brunned, something that would do it do with something that was and it was a very easy to find out. When I was what I was

a little bit of a bit of a room, the room is that you can't imagine. It's a way that is a

little bit of doing it's I'm going to take me the because it was because it was full of powder and

I'm going to start to know the and I'm going to get a person and I'm fear because not is

a fear properly what is in but I'm put a alerta. If it was like if my body of form

instinctive me would be saying, here is there's a bad, something that's something,

like if after the person a person that's that's that idea, after that

that's image because was more or more than what I did, like if you're

like you sometimes that's that's that's you're going with you're

that's you're to just to just to pass by there. You're going to pass by there. You're going to have to be able to do. So, the puny that I've been up here uprorede a little more, I put a little more alert,

the other man, latentsy much, and I began to come in a little more alert, and all kinds of all sorts, for that no there was someone there's been there there's always, when me top a, a spejo narra-door, and in the

space, is a man. This type, he's a frack, He has a Ropa like of a collar of these smoking,

but antiquing, the sir has been a person that's a person who Ronda about how it's a

probably probably probably for how I'm I'm really a

certain people, then I'm I'm to be a he's to be

prepared for a party to be something that is something

that I'm some may make strange narrator very very rareos

The type no reaction, it's like very very pensativo mirro about and the second is the illuminated that is like

if it's like in a room and there I'm definitely they're in photos, I'm going to start to

the spejo until that in some moment my my brain me a alarm

because I still still being the person I'm not I'm not I'm

not I'm not the image of the person and it's I'm

when I'm this is imagining, I have to have to breathe, to start the eyes, to make a

work of concentration. And when I know the image of the man of the man of the man's

black that I'm there's a picture, and when I went to go up to the little little

eyes and some corns like chibu and me is there there's a narrator.

MED but of the good I'm I'm I'm I'm in what

moment I know what was before and I did my

grito more agudo of the reina princess more beautiful that you can't imagine. I'd desgarre the garganda and then I'll wait, as if no, trajera, sapatoes of tacon, I went on a loka, gritty, gritty, gritty.

The chick never me despied or me said, and me did not, when I passed on the other of her, I was grittling, and this chick, just was troning the coo of one another, and I again to see, I said, no,

no, this place, this, the place, if it's, they're, Cargados, and it's there even like his

duenions and other things, here I'm going to buy a lot, and I think I'm never back

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Beavis, and profite. Embarque and relaxed. Ciroat, bookinet. Oh, that also. And profite. Via-Rai,

the voice that we am. That I don't understand the space. There are many stories in torno to them. But there are one of those that

they're super extra extrana. A chick, a seniorita of more or about a 15 years, and this what I

say, he said, last or minus about about five years, I think right you're running overritha of

the 20. But me and we say, we're going to call to put her to know, Andrea. Andrea me says,

that she gets in the house of his tia. And me said that the house of her,

had like a kind of a kind of a kind of was like a lady a new

a very pesable since a year and that's a right to be in a companyia. He has two two months

in the house of her when she does that now she has a companyia because

not it's very good company for the she's a a new a new different of because her

time of a type of different has much don't want socialize and want to be

socialize and it does it can't get a much, it it's it's

much, it's it's it's much to confronts these situations. I think could be better better alternatives. But this was what she lived her. And Andrea me says, no,

narrator, yeah, after, like, a month, a month, and a half. Ah, the Torre, I'm really depressed. I'm very very much gas to start with persons. When I'm with a Magdalene, I'm sorry, and yore, and yore, because I feel frustrated,

because I'm feeling apagued, because I'm going to spendiciting my life, because I don't help to my Tia, because I'm going to do you, no, no, no, no, an amalgama horrible of sensations. And an friend very

little and a good-oena me does a PSP in a console that is portatil. It's a panel and you

can't get to all the parts, you can't get a battery and you have some in the

console that you can't be able to and me it's and I'm I'm using.

No, you passes, me I'm addicted, totally. some games that were more to see a movie and pickle a button and pickle a a button and no a say nothing,

just a more, it's like a, one grand drama in the that you were you're, other games that were more for the kids. And, of a sudden, in some moment,

my friend me says that's acquired one, that is a biggut, but that's very good that if I'm good, that's me like, I'm just,

I need, I need, I need to make sure, I'm serviced, I'm super-addicta. I'm pretty out of the fourth of my day. I'm

all the time in this video game. And my tia, when pitted, I do you, I do go back on the occasion, that I don't listen to, and she has to stop, to say, me, well, look, a rote for a decocied, the real, the narrator, because if I was passing the yeah very few, me a problem is that

the game, the game of terror is a pesado, is very pesado, to me will start a quantity of fear that I can't tell you. And then, my Tia, one day, that my Tia is very religious, much, very religious,

she's a pass and I'm pretty always I'm a like a old old

it's a little, it's a kind of my style. I'm in a company, but I accompany a

five percent narrator, and I'm so I'm feeling that I'm asphyxying in religion because

not is something that me I'm much, but she a day I'm

there in the world, and it there's there's when it when it doesn't

and it does, oh, God, don't try you, don't try those

mugas to put to personarse, he's put in his court and he and he's a little

in the deal in the deal in the year in the I'm going to be I'm going to do you know that's

I'm doing it every time. All the days, but you're not you're those things. That's

you're not you're going to you're your and you're not you're don't me trygats

monsters, no me you're not you're and I'm I'm sorry the narrator I'm

I'm I'm I'm I'm I'm to present attention when it

when it when it's my time I get a moment in the I'm just fastidying much, I'm going to

my mom that for that someone that's it's five months there's it's sufficient

I'm not I'm not I'm the only and I'm so I'm so it is something

that's that's that's that's much time people than a

person's then a person then I'm my time I'm gonna I'm to say you

I'm to put you that you're that you're that you're you're just you're Sackaro,

of here, I don't want in this house, I'm doing this and then I'm and then I'm that I'm in the

thing, I'm just too, yeah, it's too good. I'm not, I'm doing all the time.

I'm not even I'm doing my things. I do it because I feel like very

really, and then you're going to help you need to you're going to get a

for you're you're not, you're not you're to do you do you

know, I'm I'm that, but I'm he's you and you

if is mal. And then I'm the old old old tia, you're more an abelita

than a girlita than a tia all the time is freaky that freakyle with that and say and say

for favor yeah, yeah, tokees taintit the heart so that soffering

but also that's that's not that that's me and then I

can't me kind of and then I'm never a minute so I'm and I'm

and it man, it's very dramatic you're you and you

And then the two we put us to read and me I'm saying, myja, you're going to say a lot, no you know, you know,

you're going to you know, I've been in the time, you know, because you're and I'm, I'd like that you're playing

because you appreciate, that's going to get to be a thing with me, and I know it's a thing that

I'm not I'm doing but I'm and I'm but they're so they're going to start some

something and that never me never been pasted. And where I'm just the narrator

I said, no, yeah he's pego the dementia, my Tia. And now so what I'm

doing to yeah, I'm going to put up all to say, Mom, here we're here we're

a person because if no, I'm going to end up more than you going to say when my

my time when my time and my time was just that I'm in the night and

she sent you the camera see a day, and I felt that me they're

that I'm seeing that and then it was a sombrough the camera, and it was not, I did the factions,

of the time of a little there's a little bit of a little kind of a person who's

like a I'm sorry I think it's for that the world I'm sorry I'm not you don't you

don't you don't you don't you go to come to go to go to I'm just I'm gonna

I'm gonna I'm gonna hear you I'm gonna she'd be done I'm gonna yeah I'm

and I'm yeah I'm yeah I'm yeah I'm yeah I'm until I'm until I'm I'm just

I said all the ritual of that today I'm going to go ahead. I'm sorry to gore to the cajita, I set up to the cajita, I was her. And then when I went to the cajura, then, when I said, and the cat, well, yeah, I went to give to the game. No, man, the game, I didn't have a lot of the cawomen. My tea, yeah, no has got to work in the colchon. So, look, there is, me to runcaba, me put to play. And there was a night,

narrator, that me di'clock. And I'm until the 3 of the morning jue, I'm going to shust, but with sust, because in the whole I'm going

to get into the thing, that's that she has that you know that's not, that's all the he's got to start all over and

I'm going to start. I'm going to start, me done at the three of the morning, and I start to get a little

in the passillo, me do you know when the door in my apartment and I said, ching, I'm getting in

a problem. My tia me will be to be with the game, me will say that's a manned

and I'm a girl who are the god and she's me arm-a-goyed and the face of the badgered and at the

same time with the whole is a good, he was a point he I'm a great to the

sky and the was coming a little a little a little you can't be any fackion

it was a a come up and it was a come back and that I'm a few and I'm

I'm a piece of that's just just to be something is that thing is that fregated that's

that's that door and around and I see sombras of the children and adults but not are

going to walk they're they're like they're in camera rapid and all they're

to do you and I'm now now now if I'm put what did the I'm in the

little I'm my time my time my tea my tea is a stustated and ramulina and she

down the and the around she's been like somebers but it's very rare

it's very difficult to what I think because not are some sombras

that are like if there steyos and they're a and of a repent are there are a really there and then they're

going to be a little bit more to get up the eyes. I don't see how madres I've the value to make

me to get me in the camera my my tia pagererg my tia I'm a I'm a

don't know a a brao I'm a little bit of my head and my carcin I'm in my carousing and

I'm just that I'm in that's a signaled a spego and me he's the

he's the he's the he's the he's the way to be not the man I'm there's a

door to a ralier there's a little a window a shadow a sombra with some

those eyes no see it's a person or no but there are some of

those eyes imagineate like some some you're there

there and then then I get to view the window the the

window is the door a post, and the side of the window is the window is is aborted, and the subject is somed, and I'm just

I'm just up and I'm here, let me go ahead, let me ask you, go ahead, and I'm just to get me to get it, no, no, does that, no, does that, yeah, getten's with the quarter, and me let me go in a combination

of a-catsy, rice and risa, because me said, you're very tont, you, yeah, caches, you, you're, too, you're, too, you're, too, all right, all right, we're all right,

we're all right, and you're not, let's get to get into my t'y, Now, keepence with the quarter, and I'm going to the cell and

and get into the cell, there, like if it was been a shock in the time, I'm going to get to get to

the body, because me did an anxiety that you know to get a carcage-eatings and just me said,

ah, my haves to rasked, you know, he'll be to get a house of my mom,

I don't go to get to that the little bit of my friend, and I said, I'm what you

restast me, and he, I think never me understood. So, if you listen this story, me did it in a game that I'd try something more than the maldito game, thanks. For other side,

Laura, me made a story that has two of the things that I put the nerves to put on the one side, not. For other side,

the world, the other side, the one's new that's the most local possible. It was a very incommod. He says that

he enters, like in this phase, in the you're still with your little things of

the day at a point of getting you're in the eyes in the way, and then

in that moment boom, it's disconnect and the rare is that still being being being a

very conscientious. I don't see if you've been a point, and simply enteras

to other reality, but you still being there totally in the here in the

here, he, he, he de a repent in front, a house, that the house is in very mal-estated, and it's like if it was a movie, but at the same time,

like if he'd struier living there. He's, he's, like, there's people, they're going, these people like they're recognizing, and at the same time, no, and they're going to and they're in this house, that's a house, that's right around, he's, back, the people, start to end up

the plant back, he's sient, a great necessity of going to do the second plant, then they're to get the people standing in the plant

a big, they're to get the numbers that they're they're the sound they

the he's he's he's coming, and it's when he he's

a a little bit a spee' and the sound like things, images Images, great, presences translucid,

are going one and other of the passages, and he be like if stood in the room, but also as if stood there and be that they're corrallated to these people, and for that's they're crying, and see how one of these things, I'm going to the person

for the feet, and he comes to rastrable from the piece of the above, and he is being terrorized how the spejo was saliento all of that, when he'll turn to a window, and see that the ventana, that is totally illuminated, commenced to put into a

dark, obscure, and when he in the room, the only that's the door that's inter-abierta,

and front of his eyes and it's a part of all the sensation, of much asphyxia, much abhation

to your space physical, and grito. He's he's got a voice, grittando and grittando,

when he gets a in the camera, he's sudunding free, is very agitado, no entient

what is what is something, he's He feels confused, Sient like something, it would have got out of the

body, many hands, or sensations for all parts, is a sensation horrible. It's so, and the

stimulation that has a level tactile, that has to have to have to start, that has been

to start a way to get a point of to get to get to and almost after five

and ten minutes, all regress a pass, all regress a calm, no, no,

that was a Swear. Seguer with the day after that is a little desgastant. The worst is that are six

nights continuous those that's that's a night that's going to be to go to six nights in

which it's a lot of this pesadia spantosa, six nights in those that the movie,

it's another time. What you saw in the first night, to what you see in the first is that I'm

the difference, is that the second night. During the first, the sensations were so abrumator, the situations even were so rapid that he not

had been in a fresh with nothing. Also, there's a detail that's in a little bit, when he

he's when he's a bed, are about the six and a morning, it's hour to put us

to work, it's over to get a time, and get to to get to the time, then it's

very can't the sixth night that this, he's not he's he's got he's got

malumorado. In the job, that day they know, not like, in a bad plan. And two companions do you invite to,

to you know, to come back, like, a ventura, to go to get a little bit more to socialize,

and they say, then they'd not be a bad, and it's bad, and not is for fiestero,

something, you're going, it's much stress for the work, and he, he doesn't want to

this dream, because it's a newneria, a pesidia a bad, then you put a lot,

then. out of their with them. They're in a local that's the local, they're

in the local they're in not a little bit of pizza, and they're also and they're

some free and they're a pair of things. Not they're much more more relaxed,

even Lauro is a little more. They're going to get a fours and they're

saying, now we do we're going to do you know, and they're then they

then they're then they say, we're going to start to get that case, we're

going to say, and they're the house with what I've I've been I've been on the same

days continuous. And the just I'm just going to see, I'm going to tell you know

but if you want to keep you're not you're not going to get a middle of a little

and no go and no I'm going to see the story that from she was

she said narrator a man I'm not a normal but for pure a more

apache pure pure am pure I'm do you do you see what

that's that's me says, to start, I'm I'm trying because

you're you're that you have to be prudentes in this camp of the paranormal.

And is that I'm a little a little to a prudence that's a point to

cost to all. Resulta that our dear Paulina, when I

had around of six, seven years, I had a relationship very with her his papa.

His papa is a person that now, when she is adult, you

He understands that he, maybe, he has a little bit of spectrum of autism, or the Asperger. When she was a little, simply used to

her mom to get to be sure that his papa was a lot, that's not about, that because not was more

social, that's why not a more than a relation different. Talbeth, because not

he was a man, maybe simply because was her because he's a little a little

that no, and other knew because he had been a person had a as the gusosos

of one or the seconded the other to his papa he liked much the theme of gusanos of the earth and caracoles what is a thing a little complicated and she was a

carvary where he went to scarvary where he was put in bolstitas plasitas and he was and his papa and just he had done

and without any expression and he was the head of above and she was about she was fascinated that was

fascinated he was he was express it with the car. They're their actions. Why?

Because his the rest of things, no they important. If he'd get a carification,

his pap his pap gave the carification, he had the paper there the table, and it had been

nothing. If he had a little what he was, his his pop a little

two seconds, he put in the piece, he'd never, I'd never, I'd

never, never said, he'd never did, he'd he'd, and he'd, a

a movie, that I don't see if it's a movie or caricature, that has been with the casasmas. And when he, that I'll say, as I'm going to say, as exactly what

was this little bit, but when he, the papa, be that's so that I'm so I'm going to and she said, yes, much,

much. And she gave a point that his papa he was really a person, because he said,

and he said, and she said, so. And then the papa moved the head to the

above, a from there he, commenced one of the times one of the

times, atterradorous and complicated in the life of Paulina, and you will say,

this is this is about when I six, seven, or eight years. The

Papa starts places that in the city have a kind of a

story. It's he has a little a central that is a

car, that's a lot, it's a lot, but it's not a you can't enter, but he

he talked with a guard of security, he paid a little bit of the guard he said, he's a little bit of

a little that's a very hermetic and that's that's the time, he was a little bit

a brea, he'd have a plume, and heavs a lampa of a hand, and with the

other hand and with the other for the passillos. The papa no saw what was looking or that no was trying, but he said she said she was heard in a piece of a little, some passes that were going to be running, and then the

gritty on the gritty of a woman. And the papa he'll say, that's a phantasm. And she'll work the shoulders, like I don't know, and the papa move the head up, above. In the other than to start, they're, they're to move to the third piece. And they're looking, the local in local,

local, locales abiert, locales, locales, serrados, no are tithas that have nothing armated, it's a

little commercial that has a lot there's a lot of money, there's a food, there's a

bit of insects, and there when there a cucarachita or here or here, the papa in the

father, the father, he's being fascinated because they are being the insectos. They're

on the third piece. Paulina was to the father, and they

are the soned that's and they said Paulina that what he looks to look

to be in one of these locales, that's totally abirt, see a silhouette that's move and she's and he's

and he's he's got to her and he said, wait a a few, he's a lot of the

local, the papa, I'll look at a baby to and just he made the and he's to make the

and he and he gets a to come back to the carerer and they're going to be back back into

and they're going back and they say, Papa, it's all well, it's a

no, no, what Papa, it's all a lot of no, it's all the man,

comey, camine, camine, camine, camille, inexpressive, he gets out of and where the part of

the door to and say, abram me yeah, I'm going to say, I'm going to come up the

door to and then it's a person, and my father, and my papa, and the cargating in the car

and he's up the car, and he was agitadism. He started to move the hands And then And then I

And then It was like Like it's Like I'm I'm going to And then I'd And then I'd look at

And other day He'd be the And then And then it And then it And then And then I said

Yeah, I'm I'm gonna That's casks Phantasmas And then then I never I'm I'm gonna

To give to give to But I'm I'd say That you That's The end of

The story. What you What was That was That was That was it was, but in my abitation, in

various occasions, when I went to be a woman in the end of my apartment, a sombre, but it was

of a woman. The cabello, as much mistrated, as far as all the night's of

torment, it was clarisisisim that was there in the truens and the rainpacos, it was horrible, horrible.

The sensation of the woman was very clear when I was when I was my papa, Papa,

no si you from the center commercial, he was going to the quarter, he was

inside, he was over and he said, and he said, and he said, I'm saying, I'm saying, today you're

and I'm doing, you're doing, a year, that person was going to the house, my papa, he started to

take up to put up to the doors in the doors, hevilles in the and he said,

let it, you, leel-o, you, and they were books of orations christianas, He started frasks of And in one

He came to A person That my mom He said, I think it was some type of chaman or Bruho For that if I

did some A limpeas Energetica of the house or something. But my mom no, he left to enter to

And one of two of this house, I'm going to and me said, I don't want to make this time. And the mother, at the

few months, he went to to appear. And after of that, never ever to watch

movies of terror. Especially the terror, it was to be there's because while I'm

sitting at the movie, they were to turn to the time when we're going to

get to commercial. So, so in those things, we're to be

prudentes because even with the intentions, no you know you're

not you're not you're many years to do he

very close the theme of the chamaneria, the brugheria since that was very, very little. In his family

there was a line of people that were not they're not quite, but he's never thought it. And we're

that this lineage was to runpe with his papa and with her that they didn't

that they not even about that not they didn't they're something, it's

that maybe they're very very they're they're they're they're

they're But as it was the first generation that rompia, all the people around of Marcos, inclusive in the place in the place in the

mensteads, I'm miscued in these menacearies. To tell you, this ecosystem in the case that's a ecosystem super complex. It's a house

in that you live with two people, that those two persons are the authority to you have to respecter,

because it's part of the tradition, and apart, are your Guas, when you're little, I refer to papa and

mom, that around the house, practically to all those have been as potentiales enemies.

A Marcos they're from the little, saying to that no he gets contact to

the abel, that not to get a contact with the tios. Because, because you not you

know, to know, to know, Marcos, is that not you never to get to

and the things were so, many durs, Pockerer, many explanations. Marcus Inquieto. Markos Adventurero. Markos

lives in a place in the way, look, the restrictions of Papa and of Moma are not to talk with the but, but met me to the mountain, that's what does import? And, and he's scaboo, and he's met to the Mount, Markos. But treparing an arbor, and you're just, that's

important, that's no me no prohibition. And Markos adventurer to all what he da, and he's trepa in an arbor and he's up to the but you know, so on. It's a a little, very solitaire. It's a young that lives much in his pensions, that vivor much

in the ideas. It's a subject very intellectual, that's a lot of when they were the same thing the same to what was the

relation with Papa, because a lot of the sometimes not had to be able to certain moments and what were the moments

precise for that Papa had more perception, were more abertions or was more violent.

In the case of Mom, in occasions were very rudder. with his words, but if I I said these two, three things, or

I'd try these two, three details, Mama, me treated more. Marko's, he's a person very perceptive of the entompson. Empecies to understand things. A-beces, when he goes to

rarrow, something is a strange here. What, no, know, but he's very much in his intuition. His intuition has saveded of tantas

as nalgated as, as you've got to be able to give a number of ragoes that you can't

imagine. His papas not want to get to the school in that place in that

space specific geographic, the school also they have been very contaminated of all the

thing of the time of the way, it's a thing of a matter, it's a

thing that your parents want that's that they're very

metid in an environment related to that so, then

then all they all they're also he's to make to

to make some certain times even go to the school.

You'll I'll say a little little a little a new very solitaire. Marks

is very perceptive. Perceptive of the papas, presentive of the places, perceptive of

the other the other there's a lot of things. In occasions because for this

then Marcos has more to be a big, and she does it very beautiful. The be seen is

a woman more or the age of her but a difference of the mother is very very, very

very very very very very large it's the labios carnosos, very them, and the T's the

the skin of the woman? Once it was a little obscure, but now it's

manchita and it many parts and that that's that's very little

very attractive. It's like if were motitas. He got. He has discovered

him in various occasions, sent out of the cell of that house of that

the house of the coming. I'll say, it's a not a

child, it's a adulta of the mother of Marcos but she there, and the abacina in various

occasions, like, care and no, just pass caminandum, pass as far as about Markos, and the endrega in a palito like, like, across a mannana, and a manana like co-cida at the or no-mars, and he does it,

and he does the grace, and he begins to eat. The day most soniated of Markos, and it was when this woman he put the man on over his head, cacki, cacki, cackete, that day, all the time,

no, he made to do that the sensation of the head's in the head of the head, the sensation calida of the man,

was something that was made a little, he made, amated, but also also he generated a

certain that's a certain he was a woman, he was a much, and he was a

life, and the time was going, and the time, and she never never he's

the word, and it also is like she's like she is a woman that seems it's a person who

has a person who has a little know that's a little bit probably maybe probably you know his name who knows who

know because no they're just are little gestures amistos gestures like a mancos he gets and

he gets a a type of a mantel tegid that he's he was in the school and in the

other than in the other than he took the door and when he opened the the door he was the

door and And, no, me, those lindos, lobeys, sonreir. That now, yeah, the rostro, a little more palid, a little more black. Yeah, no-a-tint. Now, if they were

colors, like, more complete, and it was very beautiful, very beautiful. And Marko regressed, no, he said, nor did it, he did a much

a pain, and he got a son-a-a-cannus, because he was he saw-o-could-a-col-col-col-col-col-col-col-col-col- and he said, you've done, you've done, and it did a try-euro-old,

and I gave a santa rega-draigned that time. Markos discovered in the silence, in the soledite, in the spaces

standing only much more company a other than the other than the other. Things that are they're

doing, because they're not we know. A few is what we know. Who knows that stories

have you don't know that they're being the version more dulled

that can if we see we're the we've because Markus when we when we

when they the story in any moment about about they'll in any moment

is express with with a rancor. It's something that's a hard. That's a that's a thing I'm

that you're in the mountain decided to go in the intision. And is that that morning papa was

to do the malas mom's put so very cargated he to go to the school

and the two are so much and he's noho that's he went to the

long, I'm going to go over here, I don't want to I'm going to be

I'm here to be Oh, halla that you still with me, or I would be in that house.

But those are fantasies, and he was he was very he was perfectly. He knew there's a

place. But when he was to the mountain, he said, he said, And he metas.

It was a caronad, a peccito in the heart, a sensation like of a

sort of a part of the shoulders very tensos, and also a sensation in all the

column, like electricity that it was a thing that's at a point to receive a chanclazo, a goal, something that he would be able to evade this tranceau.

But he no saw why he was like. And normally, when he was he, heavied the mountain. It was the sensation that there was a little. It was the sensation that that was the place. But Beto's to see, Marcos, for the first time,

decided to get to there, is a muchmuch. It's a final of count, yeah, for then, has maybe 11 or 12 years, is in this mountain, he's walking, and of the way a little see a chivo,

this chivo, he's very great, and he's to get to be to him, and he's to comeer very very soon,

and very short it is I'm going about about about 20 meters, of a repent, he was a

chivore, is a bit more great, and it seems more than a toro, and the problem is the

mind, the eyes that they're, not They don't seem to an animal, but they're not in a person, and see that they're observing, and

they're in with fury, and he's a come to come in him, and it's then when Marko he does know that he's in a little.

That thing is a little bit of a chival, could be in some type of danger, but now that he is enormous

and very very strong, and he starts a little more rapidly, Markos, no, he's a two times,

he'd have to make a every little bit, he starts, a mountain, down, where there's like a type of galop and where it's like a falters of the serro,

he's called the gritty for the first that he's even a lot of he's called he's the back he's the and he's

he's got Markos! That's a Wachiechivo! Come here Markos! Here! And he's he's directed for the sound because

he's perfectly where he says where he says the house of this and where she is there is there is a circle all of color

black and he says, Entra, and where this woman does start sal

for the piece of the circle and this or what was there is a two meters

and he's a bougher and he to chock the patas against the piece and then

to move to the circle and this woman for the backito commenced

to say something some type of oration some some type of phrase and

she she gets being Fido to that animal And the animal Wulfed

and the half a Welfth, he's going to and Marcos no what he's

that he that thing is going going to and he know in what he's

the animal and was a person coming to Rumb the Monde. No

understand what he's very agitado he has much MED he's

the only to be a point to roller an animal this chica to be this woman

He wants to give a a brazo and he wants to and want to feel him and he wants to see him and he wants to

say it's a same time and the same he's made a manoe of emotions and this woman just

she aghach and he put a little a brother and he says take care because they're

they're so you don't your your father you don't you don't you

don't you go back to the mountain you end up you I'm you're

trying but this is a but this is a brute and he came to

Ten care. Narrator, a pair of several of going to the mountain. She's

Marcos, Markus wait. He gets with me he gets to get to the hand and me say,

it's we're going to comepani me because we have got to and then he says he's gotcha

the piece and he has gotcha with the second man on the second man on the serpent's

baston. She's a caroling to the house, it's a serpent like a little bit of tinaja

with some brebages or because it's water the water that's the serpent that's rigid in the endro

and it was getting to get a spaghetti that's start to get to get to

and it's to get in the part of the bottom of this boat, I see

I'm going to go and she's the serpent and me say we're

we're we're we're just there of a repent is all spumos

the water of that tina or what has been to be where you know the and it's

where it's a flot a truce of a matter and me say, yeah, you know

to be to get to get to get to that. Narraor, never me I've

never made in those things. Never I've never got to my papas because I

know, but after that I think that that's the thing of the druggeria

the magic and that's, of that's there's no I'm

I'm I don't know, but exists and a brute me wanted to make a new and that's a be seen

that I'm a woman, but of some of the person, he's a little his

people, he said, he said, he said he lived a situation between traumatic

and confus when I had around of 25 years, and of this just had

a part of decaditats. Resulta that Edmund, he comes of a family

that is like very disunida, His father and her mom, were people those are those are supermating not people

very sociable and he never never took a good relation with he has he has two brothers that

from the little and when when he had been to start to start to say to some majority

of the age he started to his life apart and not he has

no there relation with any these families were both

the partern as the father father and the tios, primos, and he practically

he was known a pair of times, but yeah, no, no more. Salvo his his abelo pater. His abel

paterno, during a time when he he's got to in his house and he had a certain relation,

but never he never he left like a good good about. The abelorce

many years back, they were a guy was a guy very evilisto but he

says, ah, narrator, is that is very confus, when you in a family that is so problematic

and I have to say, I've been to romper, I don't want to live that style of life that was in my family, but in a family that's a conflict and conflict and conflict

and forth and people were in the carcels, primos that were in the carcel, they were a lot of things that were

not even, I don't me feel part of that. My father's also are people are supermating but well,

my abuel, when I go to live to, I'm glad to I'm gladixtive me, the doors of his house.

But I do know that that's what they're that's a person very egoist I'd say

that he was not someone egoist I'm more more very obscure. Look,

I'm going to say I consider a person very neutral super neutral. For the

what I learned I learned that there's many many feos. So, no I'm

not I'm not so who's who's what I want to what I want to

I've given much the theme of the esoterism. I've known to the long of the life any quantity of persons in this world. But I can't say, and this with use of reason, there's all. There are people who are

in a person and little-nindindones and what they're looking in this theme of the esoterism is the best of them. There are people that are very

vile and wellas. And you're the idea of that they're looking the bestar of the best of the best of them, and the only that's the

They're going. Me, I've topado, and those know them. There are people that no they matter of, and you know, from the principle of those colors

of the colors, I think those colors, I'm doing, people who are people who are people who are and to get them, they're getting,

and there are people who are people who are people who are that are over of all the other people, that are

that all the others are going to do they're doing, they're they're doing, they're all

cost. And the form to whatever is always whenever they're going to I'm going.

Well, I'd put another rubro more. And it's also in what you

think you my abuel, all what you saw in the house had seen

back back all that all all all, all,

all, from from, from people, and entities very

obscured like like, and doing suffering to those people, quadros where you

were kids, and adolescents with rosters of a problem and a person, and a person

being sad with them. Things espantosas. All is a movie of terror.

All right. It was bad. Because he was about to do you do the

other status? All the statues that had my abuel to

put the car of the Just if you're a person that you like that type of stethic or you're amante of the things of terror, then you can't find a good.

But if no, it was a pasadilla. All that house was a a little bit of a lot. All right. All right. The house no had painted the windows.

My father had painted the black, the crystal. No, I wanted to enter the light. The type, my abuel,

was very, very palid. And even when the departmentitit that had with the ventas painted, it was a

department medium-dainty-grand because if it was really, I made the impression that I'm never the

part of the department and they're in a moment, but he was two two basins,

two basins, four abations, two and there were that's that I'm permitted

and I'm and I'm going to get to and I'm talking, and he was a question about

that I'm going to be a family conflictive then, then I'm said, you know,

you're that, to talk because you can't top with something in what you incriminate and then you you're going to

you're going to you're going to you're going to the stances, in the minimum that you're going to you're going to the first

but narrators that I'm to have to say the house was rarer. The cella

my abel were two sillons and around there were altars of allas statues

for all parts quadros for all different photos for all cyulos

no nobody, all the time was only, I had a biblioteca, all the books were of pure

things related to questions asoterical. No, I mean to say, brujeria, why

to start it a thing? It was more than that that's the thing, in a thing, I said, I

was doing that I'm more than for nobody more than for him. And he was, he

had a bad, my abel. I'm there living three or four months.

In those three or four months, me know, becino, me know, the

porter of the building. I'm to know various people. And they're going to

get to all of the people. I'm going to runper those things. I don't want to

live like my family. I'm a very very very very very so I'm

not. But I'm a person very very very similar. And I have a

very very far far in the yearro because so I'm to do do you

I'm I'm not I'm I'm I'm I'm apeido, the

house, me opened the and all me serrars when they were the newt of that person.

There was a person. There was a lastima that you've been to come to a little bit. You know,

you know what you're the great-and-a- because I understand of what I was saying, and is that

my bad thing, I think was a bad person. My family entire not was

good. And well, the point is this. Me go there. My life

went perfectly well, and at the two years, me mark by

the telephone. The telephone that I had was a number of cellar, that until the day of today today, still, I'm still a moment. And the call, I recognize the voice at an instant. It's the porter of the edificio where I lived my old. And me says, oh, yeah, I need

urgently that you vengas for because me sound that he passed to your old, and no we can't enter there. No, I want to do this situation more grand. I preferring a familyar and see and I say, I'm here but they're

my papas, let me, I'll do those numbers. Yeah, we're to contact them and they're

people who are the only with the only with the time and you're my ultimate that's the time that we

can't do I'm going to I'm okay, yeah, yeah, yeah, yeah, just, yeah,

just, just, no more than you know, he's, you're doing three days in service

of the department, and so, after three days, sonar on those grits, were grits

the baron, took the door there, we've been vigilant. No, I mean to call to give us a person

very conflictive, and we're not we're going to this situation more great. The other those are we all ramed with

this, but yeah, they're going to be a person and tomorrow, we're going to call to the authorities and

that someone come to be to see, the house and then that's what I know what going to

be talking. It's a way, I'm going to go to the day, I'm the day

the day And, and also I'm going to do a great, great,

those and he was a time to be not a night and the time. So, the day

I'm the next thing, I'm present to the porter. The porterer to be a many of

people, be there's time. I've been with a very much. I'm all the

people. There's no, no, no, they're they're at the people,

they're allude, but they they're saying, I'm saying because I'm saying, because me

they're not there, and I'm a company, or if I go solo. And I said, I'm here, as I'm very I'm quite,

and I know what's the case, even if want to get me to the policeia, and we're into them they're in

they're in people, I know, they're not people, and know they're in the policeie, and we're all together,

that all we're not, we're not people, I'm incriminate in nothing. Well, narrator,

he'll be a policeia, he's two hours after, I'm there I was talking with various Vecino,

they passed to to disculpour like if were like that you're a lot of people one after other and said

it's just that you always were different but when you were familiar of him, we put us in a situation

very complicated and with all I mean you also I'm that don't be in the past, I gave a

target of my new new business because I had a pair of years there and pre there's

being being being a being a person who's has sonreied since that

I'm separated from my family and we're we're in the way, two

we're in the people of the people of the group of the people, and so

they're going to with me, we're going to the policeia, and the police,

he can be a thing, he's going to put a old, and then then the

things are the other protocol, I'll I'm I'm doing

as a family, but no no no no The only fear is that me incriminate in some frugher that's going to pop out of the narrator,

we'll open the door, and all those who are we there, we're held. Helados. You'll go to describe it as. The department of my abuelo to do you in a place black and rojo.

All, full of symbols, full of altars, quarters, that I know that they'd have been, but all of there a movie of terror

all their mobile area and all. Now it was gris. Gris absolute. But not because it had been something.

It was because it was covered in the all of the whole

was a around. Pairs, the wall, it was a lot of a

can't tell you could explain. The police no doesn't

what is what is what you know, he's a commencing, I go back to him,

the man, he's going he's important the scene. We're

top we top mostop us, like with cedar or no-se-a-ckels on the piece, there's a symbol, there was a monticulo of a sonica, but a monticulo grand, you're talking,

I see, 10, 15, or 20 kilos of a lot of a loticle enormous, and we're going to all the

house, all the house, all the publications is a lot of the policeia will be a

what was what was, I'm, I'm just I'm get in the passillo, me asom,

I'm just a little bit for the quarters, it was the place exactly like when I'm the

when I'm going to the quarters prohibits, I top with something that that's like, it's

like, it's a big, a surprise, in one of the altarsitos has my

photography of a young, of a adult, and me puttas some

cadenas, and me puttos like a postosal and there things and I

always were so my family, to do the or probably in his creencers

I was going to be to be some type of sacrifice. But, look, the life me has

made to do that he's never did it. So, it was like, it was like, I'm like, I'm more

deception of the that you have that you have for it for the door to and I know, but

no pass nothing. In the quarter, I've a pair of photographs more of

familyers, my papa, my mom, things of you, I'd say that family was a

problem and and well, narrator, I'm very tranquil, until that I'll

hear the other of another I'm going to go back and where they're in the passio

central, where we've those signos in the piece, that I said it

was a like, it was moving the sea, the montycul enormous

and above are the the lenses of my abel and a sombrero

and he was all that they were impacted I think they were interpreted

as if he had been I just I'm going to say something that I'm

impacted. No, there's not there other people, or forms to be in the first of the

first of the first of the first, in the camera is there, enter to the other after I'm

a lot, the windows are all painted of black, no can't be there. Nobody

saw it all put all painted of but they're never they're ever that the

sunisas What carajos? What was what What I mean? I don't know. And with this story, my dear family nocturna,

we've got to the end of this oscura fogata of stories. So, is that, for favor, family nocturn,

if you get us to this one, two or more stories, then at the final to share this video with

three people for that if we get him to get us because we're just we're just in the march

of the million, and now just there's I'm there's like 14,

so that we get us that's so it's but in YouTube It's a question of that just that just

you know, and from a moment to other we're going to we're in the million of followers, in the million of familyaries

nocturns. But by the other other side, I said, that they're a surprise. And is that here,

here are the videos of this year and it and it after the next Saturday Sado of

SOMras, commensan the videos specials because we're to have specials of the

New New that are to be abrumator and terrorores. So, so,

before to get to those moments speciales, Permitem to say to something. And is that, to here, to us

we'll see us on the Saturday of Soms, that the SABETHER SOMBASS, that's the last, no special of the year, I'd like you'd say that you'd have a dulces, pesadillas. Bye, bye.

Compartre the video of other people and see us.