HABLEMOS DE LO QUE NO EXISTE - Experiencias Paranormales Macabras, Encuentros Aterradores y Engaños malévolos| Especial 400 Episodios | HDLQNE

Episode Date: June 18, 2026

César González, #ElNarrador en esta #FogataEspecial dedicada al #Episodio400 de #HablemosDeLoQueNoExiste nos ha traído una serie de historias sumamente densas y oscuras que van desde el temible #huesitos que al parecer tiene más de una forma en la que se aparece; sigue por medio de las menciones de sucesos aterradores que les ocurre a personas que sin buscar situaciones paranormales, hacen prácticas y los ponen en la mira de entes oscuros e infernales; escucharas la historia acerca de una pareja que va a un centro comercial y pasaron el peor susto de sus vidas, al darse cuenta que había un choque de realidades.Pero escucha bien esta advertencia, si a ti te interesan las artes esotéricas, deberías de escuchar entrenamiento que recibió esta #bruja del cual aún al día de hoy no se ha podido reponer. Todo esto y más #RelatosOscuros en este #Especial del episodio 400 en la Fogata Oscura de Historias de @HABLEMOSDELOQUENOEXISTE Si ya llegaste hasta aquí te recomiendo que veas el video y terminando veas nuestras #RedesDeDifusion para que estés atent@ a los links y pueda separar tu boleto para la #FogataEnTuCiudad porque ya en este momento toda la #FamiliaNocturna que es de la Ciudad de México, ya pueden separar su lugar, y prepárate porque tú y yo nos conoceremos en la fogata en tu ciudad.Ahora sí, nos vemos este #SabadoDeSombras , pero de aquí hasta que nos veamos este sábado, te deseo que tengas #DulcesPesadillas #ByeBye

Are you one of those media strategy people clicking through slides, scrolling spreadsheets? Yes? Good. This is for you. Because on Spotify, there's an audience that's different. Locked in. Loyal, invested. They're called fans. Fans don't just listen to music. They feel seen by it, like it belongs to them. So when your brand shows up on Spotify, that's who you're talking to. And you're right next to artists like me, Lizzo. So, are you ready to talk to fans? Spotify Advertising. You're among fans. Welcome to Family Nocturna,

to episode 400 of Let Me Also, Let Me Too, the day of we're going to about the encentures Marjoral Maccabros,

also be serious with some of the people who have been and the worst of that are

ungaions malevolos. But, before to start with this episode No. 400,

I have to advertier this, as the problem is the episode more dense,

more and that's difficult you you're going to you're going to do you before you know, if

he's your day, bet to the Saturday of SOMBRAs, bet you a episode that you have

felted, brink to the channel of clips, because today we're in the episode

more most of this 2026. We're we're going with the episode

400. Here, in we'll we're we recommend the practice of things

esotericic we respect the creencers but we recommend us for

something in special, for this type of stories like like I'm about to talk to talk

to you. A monica he called the attention the artes esotericas because

she had a bus of reason. Practically since his

six years, for some family that no came to mention

to she she know about these artes. No

they they didn't they're that they had access to

different things a maso of tarot, different symbolisms that had written in ojas very special with tinta, very special, and some rites to those calls

he had prohibitism that participara. Tal-be is the situation of the prohibitive, or, maybe it's all this mysticism that's around these rituals. But to her, from her, from her all of her, all of this, one and other other, those familiares, they'd say that not be taken in those situations,

that not were doing those practices. But as, as a good boy a mano He said, and why you're and they said, and they said, and they said,

you're a little little, and they're not we're trying to see what you're so. So, for that's

a way a way rebel, since he's, since he's he's made to do

different things. When I went to a little money, he had had used

a pair of tiendas that were like of yerberia esoterism and things,

and I go and he'd He'd buy herbs, I'd say, they'd ask you to talk about rituals and

so. It were like three years in what this not get about anything specific.

And we'd not was to endrada so, tant, tan, tan, a fond on these

thematic. It was sporadical, every that was every that was a lot of

other person of your age, until one day he knows a woman of a

woman, this woman is the woman, she had in one of

these gerberies, and when Monica is talking with the person that is attending, Selene's a pego and after when he finishes to talk to Monica, asking for some article or something that was waiting, Selene le toke in the armory and he says,

I see, I know that you interest in these things and I'm going to decide something. I'm trying. And you have something special. If you interest to learn, I can't be your maestro. Monica, cackyate,

because never if you had had expected that he would get to the life with this type of

surprises. Why? Because you've been two, three years that's

going to these times, they're know their name, knows their

and they're got to talk about and the people, and the people, they're

in many occasions, the that's in the time, they're they're

saying, and in the first interaction, they're doing, how you can't do you want to to learn to do that? No,

not just they'd walk them the eyes and they said but minimum you know, you know, you're going

to pay that that's they're saying, no, no, but is that I'm much to learn to learn.

And they said, then the guys, it was the kind of they'd have been

the same because they were more of three times and we said, and we're just

to get to be to be a little humiated, but it's very important this.

When you you want to learn something, when you have a meta, depends much in where you've put your eye, that that is going to be a second or not. I'll say because in the case of Monika,

what he called to attention were the rituals and the articles, not the persons. No, I was hoping to be a grand bruja or someone recognized, or had like a heroine in this rubro.

For that, the treatment of these people, definitely not he liked, but it was very much to the treatment of his mom and of her family when she wanted to enter in these arts, always to make her like to bechare those things. No, it was nothing so new.

Only, we started, let's say, to take her distance and to to directs to the people that if they were with certain respect, certain animo, and if they'd explain to some things. But when she top, several years after, to Selene, that, since she'll have toped before, without she'll say she'll have taken, and she offers to be her master, and not

about the money, ah, cackate. It was like a good a good

thing that the first that was the first he was he was in a smile and he said,

when is ready to start to start? No, mornica he said right

right and say, no, tranquilla, don't know, the things are to start

so rapidly. We'll see the next time, you go to do my

direction and we're we see there in my house. When Selene is saying

this, and this Monica is going to go to get to make a time.

While he's talking and he's doing this indications continually, it

and it and it and it and it another way and it and it and it

is a kind of a car like a kind of of a kind of like it

was very very rapid it's like it's just it's being

a up to see her to her, does this car and she will be to see her and she were a little bit of expressions, things of millicimes of seconds. And for Monica,

kept very grabado, that those cars that said Selene, they're, when they're not saying a lot of sultan, when they're nothersting, here at a lot of the brazo and he pegan two times, like with some palmaditas, and she does a re-pingo, da a brink of a little bit more, and he's the encargated,

and he's called, and just said, Pardon, pardon. And she says, oh, me, I'm, you're saying, and she,

and she says, and she, and she says, and she says, what's the person, and the encargated, like,

and he's, he's a sign of, acacet, moving the hand to him, monica, and she

a certain a way way a matter put in his hand his hand

his hand on the hand of the hand and the words he says make

that's the question the take her do do you

do do and where she she she she she

she she because she he remember to all the

occasions that he has given to someone he had done

he he has If she has passed, no is a brute or or anyone that's met with these things. It's a dependent.

He's just a look at a look at a look at and he said, he's too that you're to give envy to you want to

see a good at me and you do you occur to want to get to you know, you know,

you've got to have a little over there and it's bad, the type he went to

to learn to get into the other but Monica Nica did her She did. She went to the entry and she went

and she went and she went and she went to the way to get her completely and I was a little bit of

herreja orreja that no could have to find her all this artes that were more rare because the

training not is what was what she was she was she was she was going to

learn to learn the things that were going to learn about of certain of

certain of the certain But the things not started like. They started with things

strange. The first day, the day number one when he gets to the house of Selene,

enter and the house of this is a woman, it's a little a little strange.

For this point, I said some of monica, but I want to that you

can't sitar in this moment in a majority of age of 18

years for that we understand well, because many of the decisions that

she says, she's for first-isa. No, I don't understand what was to be a little.

So, we're going to be a chronology that's very crud and horrible. Monica, enter to the house of

Selene, she has an ambient very strange. The house has had much illumination

artificial, between bells that are electronic, velas that are reales, focos

encendidid but pce to all, the windows are are closed and see a place a

very much is a supermating. from the same much when it gets to see all these sombras in movement. it's topa with a parted, more a lience-mallon, there's a little of symbols and dikechus and madera, but

over that tableon there are different figures and artifacts that I've never ever seen very dorated,

and brighti things, things that not would be for a hard for a hard for her way?

And Selene he says, no you distracts, you can't get in the camera of the

camera of Aladian, she's a moment, no entendia what he's refer it, but

I'll look at and he says, yes, yes, disculp me, disculp me, he's going to get to a

little. They're a little bit of what's there. The abitation has a light

fluorescent. It's a light black, but very, very, very, very potent.

She not that before before there the passel was illuminated. The

passel was more with those tones and redos and the

redosos and the rest of the the room, the room was completely blank, summently illuminated, and the only

that there was a was a pego. Detrace of her pegged to the wall, there was a a chair, a caja

great, and a pair of articles that were that were that were not they used the sufficient attention to

know exactly that were. Selene he said, we're going to do the first thing, take me of the

hands front of the and Selene separa as far as the side of the space but

without that could reflect because the angles of the are vast but not

not it was not it was in the and he's the when he

he makes to make to be to her and Selene he says no

you you go to just in front of the face

when Monica separated to the spejo, it's a little very strange. Sient

like if the space had some form of suction the air, because it's a traction, she's like some something

there's a little vintecito that has that's a little biter long, she move to the

space. And she a little scalofrios because it's a sensation rara, like if the

air would be stimulating all the side of the right of the right,

but it doesn't much sense. The space is the side of the right. She's

right. And if were there's feeling that's stimulated that is the side of the sun is stimulated.

For that you think it's a extractor or in something that's absolutely the hair is the right.

And only this side of the right is like if if it's like those sensations as when you talk

the wind in the body. It's put very sensible to your skin,

Siente that all the right he put in a caten and she he responds

in a manner instantana. Very well, the things are very very well. You said

you're good don't know specials. Put your hands up to the Mia and

she she gets a really like a look at the back,

she's she's saying without his hands but with

a form so imponent look to look she

she gets seen They clas at one with the other, and when Monica clava the mirada with Selene, her body is like if she move her way autonoma. She'll get the hands as much if

supiera what is doing, she'llocke above of the hands of Selene, and Celena just begins to say, in susrots, ''Very, very well, your alma entient, your alma is your life, your name,

your own, your name, to do very well, very very well. And she seems like if were a medium dormecida, like if were and not

in that place, the view the nubble a little because no more it's a partpadeing, he's exactly

what is exactly what is doing, and acto-segid after a micro-blackout that's like Mornica

it's been from the front of the space, with his two hands and is being directly

to his eyes. Listen the voice of Selenicin that she could reactionar and the voice he's saying still observing and you're

going to you're going and give us and say you see as something that not should be there to be

her and she starts all borrosa and where her vista is being a barrosa be that

that's that I said that they said that were that were that were that now that now

that they're like those but not are carton and difficultly that would be madeira for the texture that has it's rare, it's like if it were a peter but caches of pietra

that's no I've ever seen never, it's very strange and are in those caches altars rectangular and it's there when the vista nublada where is being all very borroso starts to

just above of one of the one of the caras because it seems that there's a figure of a person sat there. The problem is the color. All, all, all, that's being completely rojo.

The feet is we're moving ahead and back, like pataliing, like if it was there, waiting that they'd say, you were, or as if it was a point to do a travesura,

like if it was a because it's so great, but it's a ser sufficiently clear for that I know all the silhouette. And he says, the new rojo,

And Selene He says, Ah, very Well, you Have you Have you a little blackout

And you're in that's In the room, She's sat down in a chair, and Selene

is just in front of she does when Monica is a t, the tach is very feeling to

see a deman's like if she's over but only susre things that she can't hear

Then she moves the hands like if she were talking about about about the

different things, but her not coincide and is making some some little whirrows

like if were an oration and in some moment Monica parpadea

and and Celene and he starts to start more, it was

a great experience that you was a one you're being

said what had been said he said what we

are we very confused. And Selene he says, Tranquilla, Tranquilla, today you've seen a day

very spiritual. Terminate your tea, terminate your tea. And when she see the something, or something can't be

a little the tripas, sheenty that he's going to an arcada, when Selene he's putting the hands

on the look to look at the mirada and he says, no, no, that's not going to

say. She, the last that record, is that is that He's going on the backeroy

Selene he's accompanying pressioning her with his hands at his arms and she's

the door Selene's put in front with her with that sonrisa spectacular he said

you know, you know, you know, you're seeing the next week, this is incredible,

you're learning much and Monica for the pressure social, for her adulta,

for her newatesse in this age, no entient nothing, but no

He doesn't want to be like a tont. No, she doesn't know that she does remember what was what was what happened in that day? So, she's a woman, so did distraida? What, if with that, you know, he'll give her class? And then, one part of her, I'm saying, but classes is what? No, we did what was what happened?

And other part of her, just the other part of her, shh, cacky. The problem is that part of her is the voice of Selene, and he's talking to a way like very dictatorial, in a manner

very contundant, not is a suggestion, she's the order, Monica, he says, if we'll

see, we'll be the next time, very confunded standing with this revoltura internal,

he says, I said, I've been made me have made a lot, to be

the way the things, but he was a newbata. To the the next

I'm I'm to learn things, always to to initiate. Selene, I'd geta, me

agarrava of the hands, and made it directly to the eyes. I had moments in those

that I had to learn things. Me taught. Me taught us. I mean,

to serve each one of the different gervas and for what they were any of those things.

Let me explain to me explain to pure theory. The problem is that I was that I sent me

sent me was a I felt a strange. I felt a person more savvy, with more connoissements. I was a lot of the best I was very can't. A-based very nervous. Yeah, no sentia my life as in the day-a-day. My mom was very strange because I started to ask me every that time that

house, after having been with that woman, if all all the next day, and the next days, was always very al-pendent of me, like if I knew what I was doing, but I don't let me trya nothing of the house of Selene, like that she gave a count. It was a moment

in the case that what was going were the aromas. Like Selene used incisors, chema, psalosanto, and other types of herbs, I supposed a day

that very tontas me had done that was coming with an aroma-humo. So, he had a friend to please, me gave an opportunity,

and, and before to return to the house, me, I'd change of the rope, I'd do you know,

but my mom me still asking like if not were the aroma, like if it was a little that's

my time when I went to do my house, she'd always, and my little,

and my little bit of my little other, and she never me never me

she never was that, that I always he'd be something that's that was going to be a bit that's about,

you'd be a lot, because I'm I didn't want to be a complice in something I said, I said that I'm learning brujeria, and she went to me told me all your adventure and we came to see. But my mom

seemed that she'd have found. My my tia, that was the was that I was meted in all those those things of rituals, you had had months of no visitar the house, and a part of my visits with Selene, he began to go. So, we've lived,

circa to a year, year and a half. I'm learning things, not practicando nothing, my tia and my mom going continually to the house, and always, being asked, like if all was all right, if me sentiae well, and

in a single occasion, directly me asked, that if I was learning gruhery or things of that type. And then I said, my mom, no, mintioled discardamently. No, well,

you've been said that that's not I've done to learn. And my my tia me saw with some eyes that I'm

I'm I'm I'm never I'm never you're never I'm and I'm The figure

Roja that I said I had seen in four occasions and not he had seen in the mirror I've

seen around for there but then I was and I'm and I'm top about and I'm

top of many occasions salt of grano but grano very gross making certain

figures outside of my bedation I I brian I'm the

door and I had a lot at times in the part of my

door in occasions a little symbol in the the skinnas at the side of the door, and in various occasions

when I went to make my colchon to make sure that not were. From the different plants that I don't

recognize, papers that were on other, and a contra-luss me put to investigate because they were

not a black and was a enough enough to be nothing to see anything in the

interior, but at the other side it was it was and it was it

was a kind of a symbol like these things that they use them for the

Bruchery in the they're a symbol that has a very much significant well,

those I don't have learned in in the but I've heard of

some that they had seen so I took it to what I was going to be

in my house but then I never know where I know

there there never there there were very strange

I had to I I'm I I'm with people

and And I'd that I'd have Abraiser, and then they'd put their hands in all the

body, and then after we were in a certain position in that I was always uncomod,

but very incoomoda but very not that physically was like if something, energy, my emotions,

something, and she, when you see, when you're a base of the stomach, and where

I was, and where I sent me like if it's more retortier, like if it was just it would be incommod, I said, here,

but not it's a lot of, and she said, silence, no you move, it's there. And I'm to do it

with me and the person. No, it was like that were like that were like, that's,

until that happened. It's, it was, it was a one of one of those

I'm to do the practice, for of a person very rich. And when we got to the house

passed something a lot of a little bit to be the door to be in

a man but I know the I'm not I'm very distraided because

I'm I'm never ever never when I'm never when I'm

in the room of the second that I'm not was a very torbio

very pesed very dark very dense something, something I get to do the house

and if you even to ask for the house, and when I do I'm I'm in the house,

I know know if I'm but just I'm where the passillo and a passillo and a

long-and- it's dark, ascuro, ascuro, ascura, I don't see if you

have to live, that's that's yeah, to be a full for

complete, but you are in those those minutes and the sombra

are like every more grand, the sombers are more duras, because no, there's

light and all is a very much more oscure. Well, that passillo is so dark, obscure, obscure,

of the sunbras and only see that some people go to some little because they're in the

steps and only see where the one of a little, she's me kept being,

grittan, they're they're in the hand, they're the world, and they goren

to the front of the passio, and behind a woman that has

a my mirada is like very cargated of a

very bad a lot of the form of the face, someone a

malo, a person, has been a mueka of a person cruel, and in that,

Selenie, me is a person, I'm super assuptable, because when she's moving,

I'm the person that I imagined just in front me is the the owner of the house and I'm

a susto much because it's the same face but abegentada now 20 years more or much

more because the hair is totally can't get a full of arugas but the mind it's the

malabola but and after she was just in front of a parent there's the

image of the two children that came in my imagination and the

the one of the one of the the one of the pen she I'm going to go there, and Selene me

says, yeah, we're going to and I'm going to, no, no, no, yeah, I'm going to, that no, entient. Has it that the signora so forth, has to be the endralasem those and the hands,

he says to say things around us, susrra, things in my ear, that is like if my o'iddo, that's not to understand the

Spanish, because no, I didn't nothing of what I said, I started a panic horrible, and me I said,

I said, I said, I said that you have a power special very well. Maintain, maintain, maintain. And the senior that's in front, I'm saying, ah, yeah me I'm still feeling more tranquil, yeah me I'm sitting

more tranquilla. And, you see Selene talking, I want to that place. And, of a sudden, Selene, agarra the two, us, but I don't

those two, but I don't those put to flogar. It's like if they're put down. And then, they're in a voice-alt in

a mandatto. Yeah, no son of her they're going with

their new am and they I'm I'm I'm I'm in

a lot of nervous my mind my head is a redwept the images that

I'm talking about much as they're being like they're in my

imagination and in the reality in my imagination and the reality in the

reality I'm not I'm just I'm there's but no no no

If I had the only I remember is that we're going to that we're going to be going to hear to hear of the other

voices of the voices of the sunbra rojas in various occasions. My tia me said

abirtamente a day that my mom you're doing that's practically brujeria that's more that's not

that's and you have been you've said because you know you're in the

because you know we're we're just that you know you're you're you're

you're the house. No, me to say that I didn't know that I had to be with those things. So, so I've never seen, I've never interaction with my Trey,

in the house, I'd say to have a time with a one, I'd rewina, I'd, well, I'd rewia, me encirrrava in the closets, me took about, because they'd have to be able to me, and when my mom was alone with me, it was like if no passer a nada. No, I'd

start the theme, I'm very silenciosa, and one day me empodere, and I said, I'd have to go to talk with Selene, what carhose What happened? What is this? I'm going to see the I'm going to go

to go to go to go to go to go to be in I'm not to have been 20, 21, 22 years,

more or when I'm in the mirror in the person of more of 40 years, totally

full of rugs, I'm and when I go and I go and I'm talking to go and I'm this chica that

she was she was she could she's she said much time you're saying that you're doing

and you're going to you're saying you're saying for that you was saying that your skin was like embegecing

much. So, my mom, that not was that's very much before I'm just before

and say, hey, I'm going to say, well, let's check with some doctor,

no, it's very your and what you're going to your hair,

you're not normal, bette checker. I'm I'm out, confused,

and I'm a newgated, and I've now a doubt in my head. All the what is

going to be with Celene's there are coincidences what is this? I'm going directly to

the cellene. I get there. And before to talk the door,

the door the door to the house, he gets the

two hands that's two hands, and they're having to the and he

I'm to the I'm you're that you you're going to go

to be but so are the things. Here you not are you not you don't have

come to come and I'm you're doing, you know what I'm you're not you're you're not you're doing but the two

we're doing the two we're doing now and now you you're you're not you're

not you're not just never you never as the house and I'm when I when I'm

trying that case it was like to say because it was what my mind me gave

like if from the windows of the second-p-p-p-p-l-l-l long, that are to be-pom-pion at a distance and would be at a point

to receive some of those things that are mortals. I'm able to understand, but me was a menaceable

at the point of the disvivient I don't me that I'm back. When I

know, I'm my family, my time just, my, I'm just, I'm going to say, very short,

very direct. Since you you were little I'm I did a little

you're you're you can't see what I'm and you did so I'm

after after after my 25 years I'm I'm you know you

you're the problem is that these things are don't

don't there don't and as I'm I'm I'm

so I know what you're so that's my mom made the sermon of the

life, was enoged with me, mom as no power, and I said, I'm sorry that's egoist,

but I know I'm going to have you're going to this thing. But if me

advirtiering that with those those who have very these things can be

and they can't be to the people more more than the people, they're

like a thing a lot for so you get to because I'm

had dedicated all this time to that not you would be in

these situations. But you have that you're going to make you think you're for this. But,

well, no, we do we need. And now we need to how we know that we're in

that way, and I never I've got. And, narrator, that's past in more of

10 years. Never we've got to get. Those things of the children, the Lentter

Rojo and more things that we did during the limpias me

They still are still the day of today of and I don't have a make a make sure of

my to get a normal. And for extraia circumstances of the life,

it's a service that's a and that's and that you do you get a day, and the

thing we're that we're let's do what we know what we know, this is a story

supermating that's being a time real and here you're going to hear this

story saying, that one of the story that one of channel, if it's the more and the

that was the more the most and the people who were people who had been in the story,

had to be a little a little a day, and that was that you know, and that's after the

later to do that did a fact, and a part of that family cargo with

the consequences. For the people that read the tarot and says, no, well,

that is a thing that is a what I go is, the risk. The risk of

that nobody about, the risk of the case of the stories and that you're

not really not really, but remember, it's better to hear the

story than one. Because you're years from that the story,

yeah passed four years that not that I had

not that is that this story is that is that is

going in time real, and it and it is

going to get there. There's a TikTok and

and for situations of privacy. And also, to maintain this aura of respect,

I'm not going to mention who is, because what is living is very very very much. And, of you know,

if you know, if you're probably you have seen this story, no, you know, you're

not roben to this person. No, we're going to get a little bit, but I want to talk

her story and to tell you to know what are those risks that are

a way for this type of this type of many years, because it's around of about the 20 poquitos, she discovered that he

liked all the arts related with the cartomancia, the adivination, and a little of the brujeria. She has metied in these circles

and know to many people, bruchos, bruchittos, and brujites, and brujotes and brujotes. He knows of

all the levels and of all types of colors and colors. She had had gotten a good special for the

texturred. And, He did that service. No see if cobrae or no, that's part, no important. But, dave the service and he had a lecture, and had a new ritual. He had a mazo preferred, and in that

mazo preferred, had his rito before, to limpial energetically, to beinkulars her with the maso, or to vincular to the other person. And one day, when the life was perfectly normal, when this has been part of the day-a-day, and that she

not have lived a single experience paranormal and even doing lectures of tarot and standing in

this world occur, it occurs and it occurs to not there no, that's no idea

there's a little bit a internet, he's a message and he says, could you

do you make a looker much, I'm passing a bad moment. The contact

and he says, I'm sure that she, it's the question as

the question like of barragear the cartes, does the process that she has identified, he makes to venting

the cards, and pass a little rare that he has occurred before. The first

card that is a catastrophic, but the second is the second is the other

card was the cabose. Because when he went to the third card,

be that there there there a woman with black and

the some cwerves. In a place that's with with piers, all the cart is espantosa. The problem is the card. Because she

knows a master. Talves not is the great expert and maybe not even years in this,

but he knows well, and that card not pertene the mason of her. Vive solo,

live with some perros. Nobody will visit her more than her and her

has no has nothing to do he has he has a bromas. And she

has no has the mas of the view of the other

who he's the card and the is horrible and the thing you know the

little bit of and when I know the and the other other side and the other side

he says no no this is very very very very rare but what

do you do me what is that something something something and the

other she says no no me surprise this this

much she the man the the tarot, and see, the card,

is still impactated when the word, he said, why not it's a extrano? You know,

it's very very very strong what you're doing, and I'm what I'm you know

I'm not you know, I'm said, but I want to do the something that's so I'm

like that they're trying to the consequences so I want to we're we're

the child, the child, the person that the person that he's contracting

the service, no, I'm the another he responded a way a way

a minute a pen. Ah, is that I had a ex and we're very bad.

And it's me made to make a brao for you know we're in a real and I'm

really aft. And I could he he said, it was that you would have been a

good that you'd be a first maybe we can't because when you

do you do you do you do you do you and that things they're

and that so well so you I'm surprise. Because, well, yeah, they've been started a little of things rarer in the house, since I

I paid the job, and, well, now, now, but, now, let's go to get all the things here. Yeah, no want to go back to start. Let's see, and then what I said, and so, if, no, you're concerned, it's, it's fine. You'll never say, no-seeked, or if no-segobore, no important. Cuelly in the video-chamada, but pass something very strange. She's

she seems supermently, but very, very un-trankyla. So, is that take the cards, and then it's commenced to revolver, Tira the card a little the sack of the mason,

agarra his different things that he uses for the rito because he's exactly what what he's

what he's what he's the process of his ritual of limpeas but it is doing

there and it's a ritual of the when then then what then what he

is that he entered a a dream tremendous a pesidissimo he

he has the cards over the the and the next

the first light of the sun, she's up very very can't , adolored, and at the same with fear. No,

there's why, but sheenty a fear. Avansace to the mesa, as a way spontaneous without

much, and front of the table to something that a fear of a new thing, in form of cross,

they're putt five cards of tarot. She not he no he did so,

and at the card that she had taken from the maso. She's out of the

house. He's not quite to get to get to get to get the time. He's

going to get to be a plant back, when the people are to lader, yeah,

ladr, and they're madrard, and are mencetra, and for more that do things,

no, can't get a stufus, because he gets a something, he's

there's there's when a manoel he has the hand her the person.

She hasusts a much, do the brinko to go to the brinko to the stuff on the floor, the perrower still and she gets that's about to enter in a shock nervous. No, there's nothing.

Nothing was to-no. No, there was a lot, but sheinted some fingers held her with with the muzzle, with the power of the pierna.

No, she was here what is her, and she put to do this, what is what is this? Subb yeah, the room, and when I'm

to see the apartment, and when it's it's just a clear the door and it's a little it's

a form frenetic and a consumer of things, because it's a lot of the kitchen opening the

carhons to forces and a and venting all the things of the entire to

that's to stroces and they're and they get to the down the

escalers glinting what what is what is what is what is what is

what is what is the the kitchen, what she'll be she's spanted. Nothing has moved

of their place. All this in perfect order. Even when he was going to

escalers and coming to and it's heard of the struend, and no there's nothing

out of the place. And just he's a inside of the

kitchen and a aroma horrible like a podried

but in a matter impactante and impregnante but the

point in that she she's that has to have to have to not leave in the panza because no has

put it in the morning, and in the moment, between the fear, the assomber and all of the room, where someone has been

to start to rest her camera. The problem is that she has a base of a base of a very

very bad they're very much they're quite to get her the colchon, there can try to try to

a pair of tableones that they have put to for a reparm because they're

tableons pesados, and with that, even with much forces, they'll move it a little in a little. Here they're going to be, or a person too much of a group of people, because they're

arresting the long of the quarter, and it's a lot of the train to regress. And you, and you know, the escalars, because yeah,

for this point, is acting in a manner irrational, he gets to the abetation, and when it opens the door,

all is in order. No, You don't know what is happening. Siente much fear. And the things of there are going to

end uproar. In the night, no they're doing it. There's a sense of a chance chance

all the time. They're they're being and there's many people and say,

no, well, that's they're not. When there a sensation of a

chancea it's, it's like if took them those fibras more

sensible of the those you don't control and they

desatan in your interior, panico, in a manner of a medit, no you can't control it. It's like if you were you a person that

you amazas and then you manage your interior for to do you to do you do this type of uncharges

normally, what he's provoking, busca that you're just a decutable, busca to get you

and after the shock nervous that has passed this chick that she has that there

a passos outside of his abetation of his own, and back, and forth, Ida, and a feeling of

the same, the same while he's in the house, with some little time, nervous,

when all the time have been so much, and you see, and you know, that you get to come

to come in your room, all around you, is something when you see,

when you see it's that you but that's that's clavando in you, is

something that is insupportable. The chick in yanto sub videos, saying that the things are very bad, that no knows what to do. She has to go to her mom. And the worst is that it was that it wascule with with something. Because now in

house of her mom, pass on things. Now there are rugs there, the odor of podridden, no it does it. It's like an odor umed, like flowers muirta, like if something else. It's always. It's He has talked to many people, knows,

has this mundito, has many many people, he has many people, and it's he's not many,

but he's they've done and they've done it's and they've done, and nothing, it's doing that's endpeor

more and more and more. And there there's, and they said, we're going to say,

and every video that subed, the chick only is saying, we're going to do you're

a point of doing a video is saying, the things not going bad. The things not are going to be

the things. She's a little bit more a voice different. In the video, it's the

way, how it's people are people who are the story, at the point that the

point that the time that they're going to be able, he's saying that you know

she's that's a little more more more than, but there's

something in the aura that is a bit, it's I'm extrano. He's

starting to get used to get to do you know what we're going to think we're a false

idea in the case. If what we're talking is of a angel cailed,

as you know, I'm the Christianism, the false idea that we have what we

know the pictures, and is that they want to you desuscrib of the

world. That's they're they're that you live prolongately they're

that you're that you're without, you've got to have done that's in a prison

invisible, of the which is in a place, where you know, they're not, they're in you know,

you know, you know, what you can't do you know, what you get to the prison, to the

and you're going to be more presidey and as the worst in the world. Of a repented,

they're inter the time, the light, and a little bris, and that the food will be a little

of a flavor, for that you think that the things are just to go to the mass

of the injustice ten times more more than you. And to you know,

that the pesadilla just never is not, they're that's that's

that's that's in a case that's that's after that's

when a time, that's when a sometimes to be going to

the positions, what they're that you are a victim

perpetu. If you know, that in the episode past I I've been I'm going to get to a history

that I think that maybe we're talking about the same entity and you know what? It's

more terrible than what we have imagined. We're going to this of a way in that you understand

because the story that I'm made, I think is of the the stories

more revueled that I'm going to keep many parts and we're

to just just the part that we can't to understand. There's a family that for generations every has been more

conflicts internal. As you you can imagine, as we're talking to generations they're talking that the children have two, and there are having children and so, they're making these mesclas. But the messes of them, more than a situation genetic, has to be with something

of creensions and of spirituality. It was a family of bruchos that was a family of chamanes, that was a family of Christians and then it was

with a family Catholic, that's we're going with spiritists. We're talking that are generations and

generations and generations and generations of these mesclas. The idiosyncras and the family are interminable

interminables. All the time are with discussions about how are the things that is the

good and what is the good. But there a person and has the name Francisco

that he's He also to romper for complete and that tradition. He never was understood with his family. While he had seened a how to restar the rosario, and invocable so embocava, so spiritus guardians, and then when, in some occasion in the school is the last year that he was the school, he was the master, and he said,

"'That's not Christian, "'ne' he started that there were many chockes. "'When he went and he spoke with some spiritists, "'that were friends of the family, and he explained a rito that he did with his papas

and he said but that's that's really very dangerous that's not so he he's he's

a family was a messcolance and he didn't even he'd be a night

there there things in the house and he said that

outside that there saw that there there and that

not people and he he not was a person that but

is that standing in the house it was like the

crystals were excheas or something because they were things from from the

outside of not. Francisco, when he's 18 years, he's back to the

caraj and all caro all the all baonelery. The type also was very

good in the studios, he was coming the preparatoria and I went

a little after the time he tookable but it's one of these

people are those are sure that are sure that's armando his future.

He'd know that in your family the things not going to be a lot of doing a lot to do you

not have done any other was the obeha black. No, he'd know anything,

not to know about things spiritual because for him he'd be more what tangible. Agarar

a little a tros of a matter and then to form and armate a bank, a bank,

a chair, a mess was something that was something could be to talk that

was pure ideas. And some puras things that are doing things horrible, espantosos, and then every

people have their opinion. He's not had a good for that. Passed the years, when he's

25, hey, result it's good in what does it. They're they're doing certain jobs

of albañelery but the suyo, the thing is the carpintery. And it and he

a new most common in carpintery but also in the moment of the more rentable.

You do do the all the and you do the things do you very good. And as a few carpenters, if you're in the time in the

time in the que-k it's not. No, it's a lot. Because he's very, he knows that this will depend all for his family and not want to live bad. This story was a much time, but for when Paco, he's been able to

be done as well as far as enough enough to be in, for yeah to have your house, he was coming into to pay. Yeah, with her husband, yeah, they were at a point to have

his first son, they were in this house and all the house they were they were they were

around they're in the same matas for this I'm to say that's

the great discussion between Paco and the situation that was

to be to be a little to be little the

she was Christian but but it was much

in the zones where were they're many many miscar

many uncretism she said that there was a

the Spirit-Santo. Francisco he said that that so not occurred so, that that wasn't really, that's not that you know, when you know, all the house was

around around was about Sabila. It was all full of these masts of Sabila, all the house completeita. And when he

saw that, well, that's all right, so I'm a little bit, you know, I'm sure, that's,

I'm sure, that's, I'm sure, I'm sure, I'm sure that I'm a tree sacred, is a

place, here we're going to be able protect. And Francisco he said, a woman, but is that you, you know, you know, my story, no me blest of that,

and me interest. And he says, yes, but you also have to know that you're in these families. And if you're from those families, you can't try, arrastando something, and we don't want to our his son, but most months after their child, all the

life is perfectly well, and the child, when he comes to five years, they're to say that out of the house, there are things that They don't know the windows. When they're out of the house, no he, and Francisco

is he can't remember of when he was a man, and he he's a quarter of the sombers that were moving. He he starts to ask him, and the little he describes sombras that's a man. Francisco no knows if it's a

situation that has to be with the body, with the Cerebro, with what, but what is that he says, that he's always sure. The mom of this man of this man, he recall there, there one and other

you know, that is, that she'll be be sure, because apart they're in those plants and that that earth that year to protect. And Francisco has to get to rank those cabos, saying, no, you know, do you guys create those things, woman. If you've seen what I've costed, but she says, well, you know, can't be able to

protect her, well, you're saying, and then-Francchio, and Francis, he said, for no, let's these ideas, for God, Santa. For that the things are understand well, Francisco and his spouse disputed, and then were never it was nothing so important.

Until here a day passed something that put all the creensis of a interditch. One day they to come the door.

The problem is that before the door there's a reja. And that reja always is a door.

Francisco is a type done to the work manual, is a type fornid and he

he doesn't fear to and a person. So, he's that,

but he in a plan and in an attitude like brabucona. And when

when the door So, it's a woman, more or less than of one of 60, the cabello cano, the car very

beautiful, with a sonrisa like aorea, that just says, me dejas and he, and he, he's about

to say, when the little he says, Papa, papa, not is person. And where he's so

Francisco he gets seeing a little little a little and there no there. And he

says, where is where is he He still signalling, Adelante of you, and he will be

to bolted and there no, he's not nobody. Cierra the door and he

they're to talk. And Francis he's he he's better than he better than

he, and if there is there is a house. No, he's

not even to get in that he, he, he's doing a other other alternatives,

but no has to happen, because a last few weeks, after

to be in many discussions with your wife and he says, I'm going

to be sufficient these plants and the year, you know, you have

to do this discussion, the that I think you think that

I'm that I know, and when they about the area in the

area in the pastors that are, we're more administrators, for

so there many many there's there not people, not

people, as their work. These are these are these are and finally they're not

there. No, no pastor, nor any any other any of any of

any other. I don't know what do you know, but I say, no pass much time.

It's in those times, when a day the little is a little

he's a man he's a perro, in that house is around by

the rages and the rejas are very are in-cerned. To that house only has the entry-principal, and

no other side. The windows have barrotes, have a tela muskitterer and reforzada, and after that, for dentro, normally are they're closed because they're abaconditioned, and no is a place so cold. So,

no there is a form that's a man, unless at last three of the morning. When the sir is listening to that, he's listening to the car from his instinct of paterno, He's directly the Abro the room

The door He's not The door, he's He's parading Like, pataliating, like very Ancioso,

and he says, There's a papa, and he's And he's And he's And the And he's And where he

Andres the eyes, be that the skin is coming the trompa and is starting to

start to get the perro. From the the end of the building, where there

there, the end of the front of the is there is a there is a

is a flaco, he's robust, the eyes are rogues and he's abhaping. But it's an aura of

malevolencia that you know you're a woman. She's got to do some something. So, the

things that you know the she's a carient, try a rosario I'm a

greatote, I'm not say it's other thing, but are some some of some

he's, and he's, he's put a one of it, and he's where you're where you're

She has been Focused, sir, aghackate, sir. Agarran the two to the little,

they're in the house, open in the door, open the reja, they're going and they're going to go

four quadras at the morning, because they're friends, and those who have a good good

relation, and then to the morning they're talking the door, and they say,

for favor, he's just you can't the car of the the person, when I

see a three people with there, with these people, all despeinated

in batas or as well they've been but with the little bit of and the little anxious about about

a little and they're and they're going and they're and what he's going to see that he's

that he's he's he did know that maybe he had done some type of protection

he should have done something for his family he had had

disvinculated and before what he had the traditions strange

and infernal of his antep because when when

when when when when when The only that he saw the side of the left of the entry in the masetero to this perro, masticando one of the plants, and chorriing the bava in the mascetero. The side of the right, where was all full of the plants and they'd have been back to the house, there were nothing,

they'd have the pure troncos, all bavoso, all there, as if it had jubed something speso. He's, he's watching the perro, the perro terminus, He met in the house. Francisco, DeLad the welcome that's when it's got a little of these

plants, and at enter in the house, no, it's all over to pop, no, there's rastros of the bava, no there's

the restros of nothing. The problem is, that after that's just of that was a maceeteros. Canvian

the land, changed the masseter, but the mother of him said directly, here not

there's a land, contaminated, the place. This place is a portal and we have to go. Lamentably,

they're and they're a little of time. One me or two, also, also, also you know, you're to understand it. You know,

you're not you're just poe to get to her. And even when it's a strange, you've got to other, and that's a

Francisco, and it's but the things not did. One day, the new in the night,

the night, he's, that's there, that are there, that the things that are that are they're out

that they're that they're that they're in the of Francisco comes in the image of this woman of this

woman of this woman that's a woman but he has in the head in the case,

not it's not really nothing that's the room and when when it's the door

the door the door, the carid is like they've put yellow

and he he's a man for free but he can make the the

door and where the the the new is he's moving to be

and he he's he's more more more more more

than a forsegeo, the little bit more a little little bit of the other room, and it's in the other room where he

does a count, and he does know that that's a matter that's a time that's a process that he has a

life to the day of today of this man, for that those sombrass not they're not taking. The who

does the story is the his son of Francisco and he said that he took to get interando like in

a trossos of the story of his father because he was never to to tell them the stories

of their family, but this that I've just the time to get to get up to the day

of today. And with this story, my dear family nocturra, we've got to

the dark of the story. But, before to go, let me

ask us, what was the story that most you're that you and the

question, you've read the button that says subscribe because remember

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with the fogas in your city. Dichn, one of this, I recommend that's in the pendent of Spotify, because this year should be to start still the Platic Secreta. Now, now,

so. Dicheno is this? I wish that you see you see that a day of suns

and that you have some and that you have news and then bye bye but this is the episode

400 another story one more more but it's too dense well

well well I know I I can't say it's that's

horrible and ohhall that this that I never never

never never never never but you not not so

you you you say you're going to say, there's a story me to pop

with a child that was talking like the poor experience that I've lived in my

and it's a chava that's a talk to do the rove to put it to give the story that

the story that is the question, but it's the TikTok. It's the local what he

lived. A day normal in a person normal that has a new

and the two and they're to go to a center commercial. This

central commercial, has a particularity. They're an work in construction

like they're remodeling a zone and aggregating other more but there's a problem and the

problem is that you get back that way, what has made the thing that the center

they're not so it's that it's that's the three-pissos some of those pieces are practically

vacuous. And in the third piece, if it's where there are some restaurants,

there's a pair of things, and so. When they're into a place, because they'd much time

in it, it's a bad rollo, but a malroyo, but a malroo, and I don't see if it's occurred,

and I'm not to go to go to get to the centers, commasel, and say, she's, it's like,

if it would, if it's going to be going to something, it's a kind of, about,

about, about, bad vibroso, no? They're, they're saying, oh, and, they're not, they're doing

to go, they're to the third piece, they're they're at the restaurant and when

they're getting to the third-pice, the chick they're in much going to go to go to be in, and they're, and they're,

and they're and they're a certain area, there's a area, there's a lot of that they're

not even that they've seen, that has a a tachach, so, like a place new,

but is a very rare, and there's a woman that's in front like of a new a story,

that's like the that's like the that's, they're the two and they're they're

excuse, where are in the banos? And the chick is a time, it's like in the same to

when they're getting a little very rare, he says, goods t' goodas and they're to ask,

that we've to ask you, we're doing the bao, you know, where's the where you're and the chica,

and he says to those things like, like, like, like, like, so,

so, like, they're all over, to do you to do you, like, they're doing, they're doing,

they're, they're, a scaniaed to look, and they for the ban coming.

They're going to go to there's there are a very many the world. Like the the piece of

the building. It's going to have been to have been a certain distribution. Those are

two two columns. Well, muros between column and column and a two

muros but are a column and a and in the next muro, there is

a there are a point and there are there's about 20,

30, meters from from the little She enters Direct to the seignolitas

All right All right When it's In front of the Spejo And when He's in front The Spego in

the hands She put A-A-W-in-the-cara And when When it's A-W-in-the-cara She-Aachach Like to

D'A And at Meshire's And he'll hear Where his Nobio Grita

But to A-Polm Grita His name And the Forme was Like, With much

Panic And he's No, No, you move. No, you move. There's, there go, no, I go. And then she, he'll get the

head the other and he's like, he's like, he's just, like, what on? So, what's it? Or so, what? Why gritts?

He'll go. And he no, he, and he's, and he's, he's, and he's, he's just, like, confundied, that, that I've

just, I'm to be past, and he, like, with a mind of, and he, and he, and he, and he,

he, he, He said, like, what, what he, we'll, we'll go. We'll see, no, be it. But what happened? No, beas, no you see, and then, she was, like, abrassad, and like, agachnola, and he goes,

and he goes to the escalars, and he says, well, yeah, me repeated, tantas times, no, weas. And I said, yeah, but with a attack of panic, that yeah, me, I'll do, and bolted, and call it, me, a tachycardia.

There was, the column, the muro, the column, and a a wall. That part of the terrace, the cancha, the person, no existia. No, it was there. Voltae for all parts. That's not in that

place. And then my novio me says, that no, beas, that no beas. And me a gachia, and we go to the skyline and we go out. And yeah, when we're in our vehicle, me count. It's that I was out of and, of a sudden, I'm you, I'm, that's at the side of me.

And I'd be, oh, yeah, no, no, you've to go to go to you think that you have you entered and you you're going to where they're like the

balladero to to see to see the and I'm and I'm and I'm you're saying what you're

you're saying you're saying for favor help me and when I'm going to make you go to the

back back you I'm not you're not and then I'm so I'm and I was where I

know but if I I did I read to you know this me had passed. When

grite the woman, she she says, no you're doing, don't you go to you. When the

child, he's the person who's to go to the balladero no matter, and he the voice of

her newbe from the back, I'm going to be of reoho that the side of the wall of the

wall, be, that's the person, and he's, in the mother, where we're

not in the chikas, they're sacan, and yeah, I'm, I'm nervousissima the day the next,

he's, he's the demonious was what we've what we've got to be really, yeah, and also, and also,

what was that it's very complicated, how reaction to those things. Inclusive there are people who reactions and then they're

and then they think it's true, that's really that's really that's really good, you know, the story?

Yeah, very local. There's too, it's too, it's too, it's too, it's too,

it's too, it's true, that's true, it's, so, thank you, thank you, mosticicita,

you're, You're saying that all the people in the in the vivos me are still saying that's being the other

voice-siting that's what's the what's what's in it's well well you've

heard of the voiceicet us more yeah we're we're after the night

by bye