HABLEMOS DE LO QUE NO EXISTE - Fantasmas de Teatros y Leyendas de Fantasmas en Parques | Sábado de Sombras | Hablemos De Lo Que No Existe

Episode Date: October 10, 2026

En este #SábadoDeSombras en #HablemosDeLoQueNoExiste te traigo escalofriantes relatos desde el dueño fantasma de un teatro de 200 años y el fantasma de una niña enojada de Aguascalientes, hasta silbidos en la oscuridad y presencias que acechan en hoteles.Una vez dicho esto cuéntenme como me fue en #Tijuana en la #FogataDeHistorias en Tú Ciudad, y nos vemos mañana en #Mexicali #ByeBye

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Launch your first campaign in minutes today with Spotify Ads Manager. Welcome to Family Nocturna to this Saturday of SOMbras the day of I have I'm notices

that I'm talking about I'm talking about the end of this time not this the pasto in the past

because there were various anecdotes and various stories that I have to tell you this day of

sohmras we're going to do you I think in two sections you know you know and you know

you know what I'm proponent, in many occasions it's a little bit different. So, the day of today, family nocturna, the idea is that in the first section, I'll tell stories aterraters.

Four stories aterraters. And in the second section, preparen't for various anecdotes that have been to with the gira. Dich, one of this time, let's know, we'll comece us with this Saturdays. You'll go to tell what what happened

after the event of Guadalajar. When it occurred the event of Guadalajara, that no you passes delance, was emotional the theater galleries is

beautiful, incredible. The people of Guadalajara with a vibrator and that's chida and it

was quite the grits, the reasons, not you could say that's I was a lot of the

scenario. It was like a quantity of energy and the good and the connection

with the thing, it was something very very precious. If it came the event

I'm I'm very emotional and I'm tired, but in a level that I can't explain. In that moment, me accorded to all those lemons of taqueria that had aplasted to puttow, and I was, I said,

I'm sorry, I'm, I'm sorry, I'm feelinged, apachurrated, and little bit pelud, as it along those limousillings. And it was something very rare. I, standing in the Lela, yeah not was connecting with anything, me

I'm I'm a side of the sofa that's the we're the

I'm in the when you do you when they're when they're I'm I'm I'm

I'm think you're I'm and get you can't give you know you're

I'm so I'm I'm I'm I'm I'm I'm

a little very very very very, but it was a question in the

that you yeah I not I'm not I'm one of you

me say I I'm to tell a story, and I was so I was trying that I said so I'm going to say,

I'm going to hear you know, I'm going to and he said, he said to read him and he's to read him, and he said,

and he got coming to come in the hand on the arm, and me say, Oye, Cesar, and I'll say,

he said, these two chavos are chas, are chos, are chos are people that have in many

those they're doing with the day of today, with the event, and where I'm of energy, paradeo,

and I just I've done the because I've had done that they're part of the family of the octura,

that the family noctura I'm in the whole whole of the world, but I'm very grateful

the people in all the events, because there's a lot of stuff at that people, people,

people of people, in this I'm just, I'm just I'm doing, I'm not this try to,

I'm not not the way, and I'm thank you they've been a good job,

and me said it's what they're what they're very well. And then then I'm just like I'm dispirto. I'm a little bit of a form more effusive. I'll ask you a little bit more

a discusable. I'm saying, no you're drain, drenado, drenado. And me says, no you're worried. I'm, I'm going to be can't even. I mean, I said, but me repeat the chavo. Oh, yeah, is that I'm going to tell you a story. And I said, look, look. Right. Like, I'm here. A to see, what you're going to say, what you're going to

and say, what you're going to tell? And it was horrible the story that me told him night. Resulted that this child has worked in various

theaters, of Mexico and out of Mexico. Let us go learning from the theater and has been escalating in things

technical. He's able to use much of the apparatus of the theater, and he can't perfectly with

many instructions what is what they're asking. In questions of the a person

very and at the moment of the presentations you need to people who are proactivas, that reactions that are quick,

that can't use the things, that they can't do the things that you're and the time, the

reaction, the time reaction, the time reaction there is so the man, is very good in what he

does, and I'm very good, and I'm I'm saying, I don't for what, but is that

there's that there's that there's that there's And me says, yes, I worked in a theater

in the in the last functions, all, all of the people, we had been the same

RITO. When I did, I don't the rite. The rito was that one of

the function, all were going to be on the piece, as we have to

get to many many so there, it's not percivive for

the other. But between us between the people that

is working in the theater, you know, you know, you can recoges the cables, alzando a little more the time,

and at the time you're to do you, but there the people not about, they're not to get to

the cables. When I enter, I'm trying to talk to the people, and they get a

little bit a and they they're, and they make a call and that I'm

to go, I'm very extra- this. And it's after the second or the second or

the first function that I'm that I say, before to

begin to come to come to and then you occur to keep trying to start conversation when you're going to do you. You're going to you know, what you know, and I said, you know, the person that said, and I'm going to ask you ask the owner of the theater. How is that I need a new thing of the theater? Let's prohibit to learn after the function. No, no, Miguel, is good a wonder. You know, Miguel is good, Honda. You know, And he says, well, is the deathe,

and he's he never he has never been that he's not he's not he he's not

Miguel. I refer to the new year of the theater. This theater

has almost two hundred years. The first person, the fundator,

the he was when you did it when you when you and you will be

a very good a good suston neta he's to be a

narrator. A me me a comment I'm I

not but but and it's a parlanchina, as you know, I'd have done to see the cables, without the word

to say, and the word, and the more rapid we'd rather, more. It was actually, it was to do actually, to do

that way, I was to the other things, when the chick is to start to a companyer, he's, and I'm saying,

oh, I need to me instrues and to me say, and you get to ask to a lot of

things, the chica that was to ask me, the child to the to say, shh,

to call her, she'll say, I don't know that's grot of this. I'm going to say,

I'm going to do that I'm a little, and where says that's where he gets to get a carruing

and say to all the other. All the point in that she was, they were

the back and they're doing the way, it's that phrase, how it's

that's that's, to where you're, to be where you do you, because

there the people that that's that that was I was trying how to protect me.

I was I'm going to go back. When we went to get to I'm going to what I'm a chava

that's he went to say, it's not it's not a lot. I mean the feet

and it and it and it you know and then you know, because it's a little bit of

some chas some darked the pantalone see like of a line diplomatic

very rar but it's a short and a form that not

is normal And, believe me, no you want to see to the eyes because you're going to be a bit of a lot of

a lot of the child. The chica, when he was he was directly to the eyes and for so he went

and he said the encargated the that was the situation, me say, I'm sure that tomorrow

no he'll be and the person, I'm not he was I'm really I'm not

I'm this stuff. I'm just that's but also the much that much the

much that was that, like, like, so, like, the moment to talk

and that he said, and why me you're and you're about, you're

that's that's a lot of that's not going to and he never got to not,

he said, here there there's there but no I'm there I'm

to I'm going to you're but you know, you know, there's

there. There's there there. I'm to go to a new to be

to a little We're doings, to take the hand. And when I go there, the person

that's in control of audio, me call the first day and me say, I'm going to say,

what you're to say, I'm going to do it, and it's something, things that that may

have to be made of a lot of I'm just, I'm I'm going to ask you, and I'm

saying, and I'm just right to you're this, but, learnetel after the

last function, no you get never to do If they were the camions, if you

were in the money, if you don't have you get to get to get and get us and get to

get to do. And I said, why? I'm going to say, I'm going to sanctioning?

No. Because if you get to get to to be there, you're going to you're going to

get in serious what is the fear. This theater has

in the dark. And when it's supposed that no there's

not a to come in a and they present them. And, believe me, no you're going to not you're

things good. I'm impact much because me it's very in serious. I'm going to

work in the theater. When you're in the time wuela, as you, ascura, and the

things are with much agility, with much acelire, I get a moment, in the

time it's been pasted and some years, I'm about two months,

adapted-asim to work. Never me to do to do I'm never to do it,

and Ike me says, Oye, nothing more for you know, I'm going to go to doormerino to do your

and get to get to the door, you know you go to be there. And I go to and Ikeh, I'm going to talk to you

be in serious. And me said, I'm going to do you do you know to do you you're just

you're not you're a question. Ikear me I'm going to be very serious and moved the head

to be the other side of and I'm no, no, no it's I'm well, well,

why you're you're he said, I'll move the head to side to and me say,

there's there there's there's there to do you, and I'm like,

I'm and I'm Nacue, and I'm you know to be and that you're

and that's that's they're that I say, but you'll repeat it, I'm

need to understand something, because if you know, you're not you're not you're

to you're a type perfectionist and you he's every day is

exactly exactly exactly exactly that is the same, but no, because it's very pulkro. But practically, it's like 40 camisers exactly equal, for not per day,

eliging one or other. The pantalones are the same. He kept a little bit higher from where it's the chapato, and all they're exactly equal. No, it's all the color that they're all, are all the same. He does a bastille.

It's a type of details. Of details, as you know, he caught a mota of polvo in his sapato, instantaneously no's ever, he gets a luster all the sapato that's put into.

In the work of audio, no you've seen. That no, you know, you know, because it fulminer with the eyes. That if you're

doing a rude when you don't do you, the only that is going to do you're the third strike, you're going to

do you're by the theater. But it's because it's a sumamente perfectionist, he gets the control

of all. is the man right of all the own. Because their zone of

the zone, even when it's the past of many people during the day,

the time, when the providers get and they're always, they're always

the order never never change. Why? Why I'm this? Because

I'm I'm going to do you to work to the house, I'm

very well, and the time I met me, me I did a a-a-o-elada, for the five-and-quarters, I'll go to my house, and I said, you know, I'm going to the theater.

I'm going to start getting, like at 6, at the 6, to be there's a-all-law, and there's no-de-pac-pacar-lust. Enter to the theater, the zone of controls, is all movied, but when I'm going to move-ed, is aventada. Sigo-cimining, all the camerinos, all the camerinos, all-tied-for-tall-all-tied-all-all-plers. It was like if in the night's

had meted ladrones to destroy the place. And in the Camerino the principal, in the one of the artists, is the Licker, accosted, being the front of the backer of the

sillon, apreted, temland. All the quarter, all, the carmelino, all the things abentated

for any one lot, carteras, the creditials that had into the cartel, part of the roba that had

put to this abetado for the carmere, another sapato dendro. It's like if Iker had had been the fiesta more the whole life, but I was

a time trying to him. Camino to him, and I just saw where he enchina, where he derisa all the skin, he took the back, and at the moment to touch the spada, just to make him he contienes like of a gritty, and he said, sir, Iker, and just me says,

that he, no me going to be not you going to be going to, and he's call to the box, and pegs the head against the back on the side of the salladdle me did

much a pen, much a lot of a little a little a little I'm going to go to

go to work a few my way to go to the cell of control and then then since

the cell of control Ike Ike I'm I'm I'm

I'm I'm I'm not you know I'm I'm I'm

said to I'm very so very bochornos and then with this

I'm going to talk more I I hope that's I'm

I'm a I'm a I'm sure I'm about you're so I'm so I'm so I'm

so I'm so you're not going to think I'm never to I'm worried I'm worried and I'm

and I'm and I'm and say Donicker with your peinaditit like you with her

little alleneated and a little over and it and it came

without one of the calced narrator because I had seen that I've seen

that I've And I think he's he's going to becky so fasty. Viener came and intending to simulate that cancadissimo. He offers

the coffee and me say, no, much thanks, muchachio. And I'm put the hand on the

shoulder the night. And nothing more what he said me put the pill chinita. Nah,

have been much peorles. Me was free. No, me need to explain nothing.

What he happened that night, I don't hear from the studio that

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Streaming October 14th, only on Disney Plus. Me told the story of Famine Nuktourna and me I had so. The adrenaline so it was done. I was absolutely

nokeed. I did the thanks for the story, I said that me made more more stories because

it was very, very good and me told another, but in the moment, I'll tell you

and I disposed to go to directly to the hotel. I'm to the hotel,

I go to a little part of one of these tinderer where you can buy a well

embottellated, the which is very usual in my territory, in other states, in other cities, no. There's also.

I go and I'm used to a bottle. I'm going to my bedation. And when

I'm going to do you know, and I'm a drink because I felt a dark and I took the bottle and

for the can't see me escape to the man, he's got to do a set that

I can't talk to the santa night because if it was a lot of the place where they were

in the water. And in the other two or three bottles, I'm trying only trying only going to only the

same. If it's that I'm not a little frustrated, I'm going to to do with. To the morning

the next. Me I'm going to get to see. So, practically to my box only

was all was all and I when I'm when I'm going to listen to because

I'm going to go to go and I'm going to get going to what you

what I'm going to in the tour, justly, is to hear the the story, the legends local,

to be a little in the context. I've tupado legends of all type,

of the most macabras, of the most fervous, of the most furs, San Luis. No,

no, of the not a comparatively, because every state, because every state,

every city, has some but the San Luis. No, no, no, this, this is,

this is, this is, it's, you're They're not in accord to these things is for a person and I'm sure. And I'm in

that idea. After this morning, after the spectacle in Guadalajara, because when me put to see the legends of

the aghast calientes, I top with one that I did it, and the family of Guadalajara I do you

listen. And if you're in Guadalajara, I'm not you're not you're going to be totally

sincere. It was a reaction after having been able to have been not have been

And I said, it's ridiculous. And I said, this story is very extra. I'm going to talk. I'm going to hear of the

hotmail. I'm going to many people who were really, the ones those are there and I'm so that you're

and I'm going to go to Gooscaly and I go to go to a place very near to

the hotel. When I know the place in the little bit after the little bit of the child you

I'm you know, you know, you know you're a story and a legend.

And me the same the same the same the morning and that I said, hey, that's ridiculous. He said, O'ye, no you you know, no you're going to

that legend? And she may get a video? And she said, how, that's the legend? I said, ah, okay, you're also, you know, that's a legend of a legend of and it's a legend, because it's of terror, but that's a story

is really? And I said, in serious. And me says, no, the data historical, entie I, I saw, the one of my prima. And it's more, he'll be one of zero. come back and me and say,

Oh, yeah, of the park, what is what is what is what I'm saying, me I'm sure but there

to go to the story. It's supposed that you know, Alaskerient was one of the first

airports that was the where I think it was so that the airport when not the

measures the one of the people one of the people that was his wife.

His his wife a muke and was and was exploring and and coming by

and for there. Why are those lines that are red, red, rojas, blue, red, rojas, in the pistas of the avions?

For that you do you guys? Are you do you do you know existia? And the the little

she said when her father, moving the hands up up the turbina, the little

a little a little passos more, KED in position of the turbine and

does a little a little halon of air of the turbine, sufficient to attract both the little to tryer both the newne.

It was something that's a little there's a little bit of the little there was there was a above of the

muke, but not they found the corpse-a- the head of the muke was great. And they're that in the

park, where was that airport, in that park if there is the body of a little of a little bit of

when he's a other mecero. The mecero me says, Ah, in the park? Yes, the little the little. And then I said, then is in serious the and I said,

and I said, you've seen a new the girl of a and that's a a little to arrive to the other to be a not,

so no, so it's not that is the legend, but the park is embruched and he said, let me,

have, explain to me. No, have seen a a head, a moke. And the woman, I'll have been, and said, no, but it's she the other than that is the assuced there. No, no, no, no, I'm not I'm not. When you enter's at parke, if it's the day, probably not the past

nothing. But if you enter, you're going to do that, that she's to be a car. No, you're going to be to hear it. And you're going to, no matter if you know, the legend, the legend, no importa, no matter if you're have you heard not to be not to be able to

you're going to be a certain there's a there's a little bit of that you that's the if you're

you're going to you're going to you're going to you're doing to get to open the doors or in the

windows abandoned and you you're going to see a person totally inohad and menace

but the certainty of your case there is there's there a there is

a new enojada. If you're there's in the night maybe you know you can't see the mother's not

you're going to see the head of the muca or you go to see the the faldones of the

child of the little the body complete. And if you know the and you

think you get to get to you know that you get to you're a lot

that you is a little is a something that take the

appearance of a because you're you're to see

that Presence, it's and then you once that you you're going to it's going to your house.

I'm kept impacted. I'm in shock. I know I knew it. And they're telling me stories.

I was going to me that I'm the people of people of goest-calientes. That park is the park

of the little. And I was said, but why me said a one of she's not

you're doing? But is that's the same, it's the same. And the

you know what you can't say. Not just that more the people of so if you have been this place you know,

you know the legend and something you have passed I'm going to say in the comments

because that's the locus we're some see heroes and others

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me can They're going to tell me to start to begin to details. And it's something that

I'm going to the case. There are some stories that I have got

at the year. And me about women, a woman specifically that is

that is aubina and I have a bat black. The history

I'm I'm in the book, but here there's a long

of the year I'm been getting more and more stories.

When I was calient and I asked about the little consistent and that was reiterative and all repetive. All me repeated in the same

was that I'd have a batte and that the peer was very palid. Nobody me about the hair, of facial, nobody me about that

that black and pale palid. And then today I'm I'm preparing the sabbos when I'm a TikTok

that a chick about a situation that is horrible because the book, we've read and initials of year. And this

story I'll have heard of today to hear of the day of day for a person who has readed the book. This story has many months in TikTok. If you know of who I'm talking, there's in the comments. The chick says that's a situation supermement strange in her house. One day is the end of the same of the summer,

there in his house, when her family is like in an event, in the second piece, she has been much a new, she's all, and, being in the first Piso in a zone, that is like a Sala, if you're

a question in a sillon, the idea is dorms to get dorms. And in the moment in the moment in the house, he'll be entering in the room, a little

a man, bestied completely of blank, and in that moment, his body is a parable of the dream.

I was a second before. There, no, me could move. The new can't comeinand and me

He says, Hello, you're and you're a lot of a lot of you know, no,

no, you know know, know, I'm not to be my my father,

no I'm not I'm know the little the little you see the

place. I'm a moment, I'm going to the stairs, me top with my

papas, and yeah, it's a situation in the that I'm really to do you

and it does much to get a like a month, until that one

day I'm there's a my novio and I'm my novio and I'm not manches, me passed

something so you know, you know, the day of the family, that blah, blah, blah, blah, blah.

He says, she, she said, she said, that I'm going and that I'm a question, and

that I'm and that's the new new new the other and he is doing so much

she'd do you do this really rather than normally he is maybe distraided and he says

she appears a little a man who a man who said and the man she says how you know you know

you don't me you can't you know she never she'd keep having and he said why

you're saying why you're you're the only time that I kept to to do my house

I'm to get to get to get to down and and in the madrugated

I heard that I'm when I came coming when I was there's

Yeah, I know me could be moving, and he said to do you know the when I'm going to

hear of the little bit more I'm going to get a lot of my own and I'm really sure that it's like

that he's in the house, have to read the history of the book, Family Nocturna

because this is the person of TikTok you know, that's me will be a little

but you have to this manxion. If someone doesn't let me in the here in the

comments. I mean, it's a bad at the situation is familiar you know, I'm

like those patrons, encounter these little structures that are there and that

are they and they're me attract, for that there's there's a day

of today that I that when I'm that I'm that I'm that I'm

that's this this is this this is this maybe with the little that perhaps with

the world in the It's a false idea that we have I don't can't say it when I'm many people who are people who talk. I'm trying,

for favor, let me get your story. You know, you know, we know we're about those things that's that's supposed

that's the point of night. The point, you know, occupas something so rimbombante.

No, occupies that something be so much that's a woman of a woman of about

27, 30 years. She's got a her husband for her represents a force

represent a person of a person of Poyo tremendous. He's always for her, she's always for him. And they're like some meganitos, and are very felicit, all the day, all the night, all the

time, together. The activity that can't do together, they're going to do together. And if there's a activity that no one correspond to, but if you're both there, also there, also day in the that the marido he said, I've had been

many to get me with some going to be in some people I'm going going to do you know

you're going a problem? She'll respond to no, because I have to have been

a lot of that it is a good time for that he also she's not that she

also that she's that's she's a lot of she can't be

the the marid she's she's going to do right after the of brief communications

there's a cellular, he's a little, and he knows that he is good. The day the next, all the routine of her is very

different to the day to the day. He's up more time, he's much more more than more than the house that

they're in the house that's not you don't you know, not to be with that he's a

bad person or that there's there's a desire a there's a single no.

The human when he but when it's a new, and when simply is in situations new,

a little, a little, more more all right, it's the body that's the person, it's a

other, but she's a content and her life, and she's more the fact of not,

not to understand, when she was, the cold of the time, at the

time, he'd give, a lot of a lot, and it had to make sure,

and a good at the time, now, now the The camera is still a little more free of the habitual. The camera is a little bit to the

side of the spous, and that does a certain inclination. That's a night, no, you know, have you. They're in tantos'all years'all that those changes, even though they're minimo, were sentient, many, they're almost. Much of the way. The house now is a silencious,

and although he has a per centaur and is a perciose, is a perroarmo, that perro, that perro, is a turnour. And he, silencio, as I said, always always go to the

house but no who is they're they're going to go to do you know,

to be the person, so they're the person because he's he's a carisying

the head and the omo, the and if you just he's sufficient and he

did the panza and then then you go to you're because he is a

person. Entendient this end end and that's an house very good,

very good when they're exactly at the seven of the time, hour in that that in that city obscures,

occurred these actions. The first, and was the most strange, he was the awedged

of the perils that came out of the people, it was a way to someone,

from the mountain, from the top to the back, and the people,

they were going, they were down, and all the one in one, they were

going, they were going to go, and they're I don't know because sonnable, one, two, three, four, one minute after, sonnabes, sonnabes, one of the best, and no parable to all the way.

Auged, the perrough of the house of the and the instant, this perrito that never has any sound, he erred, see that is at a totalized, he's going to comein'nando to a one passillo of the the house, and it's aubing, and in the moment in the that out, and the the lights of the house are

to start. This chick has something something that does that you do a fear that the dog are not.

No, is that the lights that are you do you know, is that just that

with the parpado and the awed and it was a little was a

house, a presence, something, she, she is a thing not know

not exactly how detectar. Sin however, so the person, but he

does a a and go to the other and it's like if something it's like

it's like it, no see no no you know you imagine it but it's

a maldita certain you know that's you know that's this woman never

had been an episode in the that when it and that

this is the only occasion and the and the the poor is the

person is the the person she's with the re-o-o- see

there's there's there's there's is moving. The temperature begins to descendar, and she starts to feel like really mead. Because when the temperature, it's

in a point in that the body is really really frio, if it's a certain, her perro, he puts the man in the head, it's a carisca, as well to say, go ahead and then tecourn't with me, and the dog let's see what a mordidah. In that moment, she says

at that. She's at last. She's being a lot. His back is putting pressure with something just in the the room, and there no there's nothing, nothing, absolutely.

He has much a little bit, and does it has to confronter this fear the body, and at moment of to turn it,

he's done that effectively not could be able to not, because there's only there. The sensation

of instability, to be invaded for something is tremendous, and the the worst is that oscurity is when

you know that is or that is that's about you. No it's

how she want to you're to make a do you and much. And she is that

is that is the door, and when is that is a point to talk the

pome of the door, it's a little in the house,

it's that that's like a alert, like something that's like something

he's saying, detent, because then then I'm to do. Act,

she she gets a the body, it's a statue, and in a explosion of a force,

abienta the palm to the pomo, he does a word of the door to the door

and he's a little the door that's out of the house, and only see like

a a light of the end of the end of a instant. A second after,

the perros all the time, all the time, they're all the lights,

and the house that's all the What strange, because it was just in an instant that that seemed that the obscurity was away from the house. No, you need to occur something that's extravagant.

Just you need to be in the middle of that not should be occurring. And with that story, my dear family nocturna, we've got to the final of this Saturday of SOMBASS, but before, in the comments

what was the story that most they liked? And I have to say, that if my calculations are correct, that normally Hay and Dan more men and you

the day of the day of we're going to be able to make sure we're going to get in Tijuana and say how

it's too because the last few because the other people for the people of the people of people

I'm going to have been in Tijuana because we try we're just many and I think that various

of there they want to be a new night, I'm going to the day of the day of

point, you like the stories of terror? What do you need to do you know you're going to

because maybe not you know know this. But the family nocturna is the family most oscura and chida

of internet. It's the audience of this channel. And to form part of the family nocturna only occupies

a requisite and this requisite. Let me say, that you you have to get you

you got to realize, it's in list and is to be a fogata of stories. And if

you get to here, you, So, you've ever we've done this. So,

if you're going to this is the thing you're in YouTube, if you're on the Spotify,

see us and give us the five stars, because this year we're our million. We're

this family, New York, oh, no, no, no, no, let's I want to them to talk

some anecdotas. Wait, a narrator, before I said, before you talk about, you,

you're just here, we're just family nocturn. Oh, yeah, then,

then, before, the Is that I read for there that various families nocturna

has the in the inquietude in New York in Tijuana in Mexicali that we're going to be

doing? Ah, yes, but if they're like in other places of the

Republic? Oh, if they're in other places of the republic, has

right, it's right, enter to get a different, we're we're

on Instagram, Facebook, TikTok, WhatsApp also there also there a group of

and in our media on the link to the link in the link that

the link in you, you know, you're going to appear the theatros, and abacito of that,

there's a click in the link and you send to our page principal, there you can't

this. This for all the people who are the people. We're going we're doing

much efforts. We're going to get to the book to get to the same for us.

Then we're just going to make this a week for the envios international, but for the family

nocturner in the page official of Facebook, TikTok, Instagram, or in the group of WhatsApp,

bet to our channels to do you and there you will find the link for that you can enter and

then you can't get your book. With this Marcia? Yes, thank you

narrator, but now so, another another. So, it's supposed that I'm

going to tell an other story. Ah, other story and the

anecdotas? A be, bocesita, because, lamentablement I've seen how the force vital has gone to

this body decadent. And, before that I'm a muntra, I'd say to

that's or stories. Because today, I don't I'm I'm not sure,

I'm going, I'm going, I'm going, what are. One is an anecdote, and two is history.

You, for where you go? I'm always want more stories. So,

you're you're going to those stories? Digan, people, for which had won't voteed

you know, but then like here is the Boceita representatrol, and you're said that the voiceicita

is the defensor of the defender of the defender of the family nocturna, I'm going to say that's

a good and you're a good that's a bad, and then you say family nocturnas

we'll have you that you have you don't know you'd in the comments

there's that's that's that's that's I'm I'm I've got

two stories is that really really the battery that I intern, is going

to see a zero in the night. So I'm going to one because

some stories medium long there's about it and there one that I live in

very that's very obscure. You know what of those two? Personal or

oscura. We'll see the there also that's a little but I'm

yeah, I'm going to be a tombole yeah going to be

a tombole yeah and the there the the apoc battery

that me there So, the you elizabeth in where you're that's the that is,

no, it's not of the thing that I'm saying. But the battery represents where

I'm the dark of the story so it's going to do you the right and the right and

the next right and right right not you're going to you need you need to

you you're you can't be the cat and three was that car

yeah my anecdote personal, because the obscurity was in the other. Very well. I'm in the hotel and I'm a maldita bad custom of

to asker to see there this time me salve. Not for the bad custom because if I went and I

went and a day to have a show of the hot and I'm going to the little

she was a good on the and if you get to a bit you're a

man to be and she no, no, no, no, there's stories of the

hotel. To be what Triste. Yeah me to go to go to get a

so I'm going to hear a and then I'm trying to get a when they're when they're when they're so much,

and then it's the same to and say, oh yeah, you know, you know a good idea? And I'm

really, of where? Deak, and I'm to know the little bit of a child. And me

said, me he'll have to talk to, and then then I'm put to the point to

go and I'm saying, oh yeah me said my companyer that you you know, that's a story

very good? Yeah, it's a very good. But no, you know, you know, I don't have,

because I'm I'm going, because you're to do you know, you're going to be you? No,

more than you to ask us to me another time? And I'm he said, why not me that

he's very and I'm say, she's very particular, but the story is very good,

and I'm well, let's say, she's she has done this hotel's, that in this

hotel, no no past but in the Well, result, that there was a bitation in that the people, oh, so, so, only when it was too, you know, the hotel, they were they were to be able.

Because, if not, of preference, that invitation, that's an evisition that's a bit of a barcée. The people entered there, and always were the same. The worst is that it was scalando if they were more days, or if there were people,

we'd, let's one or two persons, and the day next, or other people, or so, with that video in that quarters they had a

other one first they're first to they're in the problem of the goth

is that it's that's always every the car have

been they're have used to have tureas. They've checked

all the tubel and there no other for

a problem related with the quarters alet the

quarters of the room when had people had

a camera grab They, they're all the abitations, and they're going to

go to and then they're in a protocol. First, it's the door of the side of

that's the room, then it's the tubelia of that the door of the door to the door

on the door of the door of the side of the right, the side of the left.

For what? To be what was that it was the to be a lot of a

question. Not not used to hear more to the cint. Because when

put in the cint to start to start a grab all the sound of the door,

the instant they're in those passitos that are coming going to where is

a grab and the voice of a little and it and it and it and it

and it's a he he he he the problem is that every every

that they are having the things is to become

more more tensed more rats and there some

moment in that that you hear like a risa that's like a utural.

I said I'm not occupied to hear the because from the moment

that they heard that they had someone that they were not that they

would be not not a solution not a solution human she

she says when she she she it's a because she

the she's the the person that put the the

of the she's she she's she I don't know I don't

you're listening that's and then you're talking to do. A man, getterl, you. At least time, it's a little time, it's a little bit of a Nobody, but with all the loose, be a sombras that were going on andanding by the time of the children. And if the light was a segued her, and he'd beck,

the guarder of, what? Who'd be there? The Founte were, how he'd bechapotia? No, they'd any type of artifacto that could provoke

the chapoteo, no, there was nothing. It was like if something that not could be able to the water and if it were to

get to get into many, many got it. The people had a panic tremendous, because they said that after that

they were that they were those things started to get to the hotel. It was like you molest

my habit, now me to get to you. And they're they're they're. If you

dweend, it's correct family nocturna and they said that the patio of the

wenddes because I don't I don't a minute but one more

more than they're so you so you're so your story. Thank you

all good. Thank you family nocturna have to to sleep. I'm going to

get to get to get to get to but I'm this Saturday to get to a lot of

this is a big to be able to see the next Monday or there in your city you know

you're I'm sorry you're one thing some are the stories and they're good to hear this

they're but for to live it, not not cheeddo. You know the episode

maldito? Yes. Much's not. Many know. When we we got this podcast, the

idea was, tell stories, how I did it, interviewer people who were, that you'd

get this synergy, and see that's in the world of the people that who were

there was there, but had some more to tell another story.

As I I'm super fan of the stories of this type, because

I've my vivences, I said, with that I want to tell you, I said, I said, I said, something that I've heard about that I've ever five episodes, no, even six months, when one chick that I

knew I, that was a project like of the development because I don't have in any of these things of the paranormal, and was more in the development personal and all those questions.

She, I know, and I thinkate, that I've got this podcast and that the people have liked much. I know what I'm going to ask you a stupidness, but just a pure casuality, you know, has lived there, like, something

about something, and me, he says, me's asking in serious. Or, or someone said, or I'd say, I'm asking, so, no, no, no, or so, in good aond. Dice, Cesar, my family is a maldita, and I, I mean, oh, is rare present to say, no, and I'm,

and I said, damn a little more. He says, no, I've got to give to give up, because not is a story that can count with with a facility because it has

some questions pass in a time me say that he's going to tell you the day that's a day

anterior to come to come to tell us the night, coincide that I was I'm still alterated because

someone he's talking the door of your house, me manda a camera the door

not nobody but it's heard that somebody is that someone is that and he and he said,

and this effect special that I said and he said, way, every way, every I'm going to

talk the story and he and he's and he's and escalating and escalando and escalando.

Honestly, I don't I think. Because I was very very nervous but I said, I'm very

prepared. And when he went to podcast, well, there were things. The things

happened that's this that's what I'm when we were that we that

the woman, the she saw a side of the where we're going to be the first

that's where it's where it's where it's where it was the she had to her was a little

that was that if she was said, it was for precautions that I don't think that I'm

that I'm going to you know, I'm going to say it too on some bitas but they

sentian presences in the studio. Personas that we had we had been that

episode, I mean, they had no, they had no idea that that had occurred, they'd say, they'd be horrible this place.

And that's very strange, because not were people, not even that were in the situations or related

with the thematic paranormal. After that, I'm going to get a point that there had

stories that could be that had had been that had had been something, if you

have told, or if know, the story of the episode that we've

to cancel that never for all what what happened in the gravation? Yes.

Some of other is in great rascals one person and when he gets and when he gets out of the

studio I know something very very a person common chaparito super

amable he is a very bestied a camis a vesty formal

you know you know you're and he when he when he when he said

a aroma very potent no but very rare. Ollia like a humo. No,

it was incienzo because I know it. It was a combination like of the herbs that was a

thing, but extrano. Never have ever had ever ever had to come and that was a

potent and he did you do you trys an aroma? Yes, yes,

is that I'm like, like a procession. Well, well, it's a place,

and from the when it starts the microphones are allterter

those, there We've been a strange-asimmy that never had passed. We don't sit down and the cameras without any move to the cables.

They'd more than a year subjectas in some three-pies pesed, and then the other, some panels

enormous, see, and well, we start what and then we and then when we're doing the

time, this is that this is very rare, this is that is that I'm just I've got

to offer to the devil. I'm I'm of a misa never, I'm of a procession,

and me is a tattooage where he said and I ral

and they're really and I'm I think that's episode yeah with the

maldito we've too this is the that's that's that

is very that's so that many people that not think

in the paranormal us got of this situations but

there people like there I have normal has

so that you that you get they they

it's part of And one of the stories that that's that's I'm

impacted that the of the cemetery abandoned I said I'm not

that's a story we're a story that we're a year a a year

a a chica was there and it went to and it was there's

there there there there there there there there

there there there and the other is so it is

it's in Tijuana and there another more in there

and there are there, there are diables to be able to be playing, eh? And more than some of

many, they're in this I'm going to talk to not even to hear of that I'm that's very

rare. It's a child that's part of the family nocturna. Because they have to

know those that's the first time that I'm that I'm that I'm experiences personal or

are things that are things that they've done to the WhatsApp of the

pastigias. And this story me they were and I made impacted because

no I've heard about this this much we're to put to call he

the name joel he was a record for listening the podcast he's

listening the podcast and of every and it came like a

like a like a question so he does say why not

they're not those conejos and why demonos me

don't the stories of terror and they were and

they this tontory but then it was like not it's important Joel has two years and he has

some years and he got a year and he's going to live in a department with a roomies. So, he's going to

talk about to talk about his papas his mom that is the first that the time, he says

he doesn't you occur to open those two things with your father and he'll

I can't I can't talk of the congeos he never has been like the the topic,

but why not I'm going to no, no, no no, no, he's, maybe you don't you

don't you don't know, you're a situation like a very, very sensible in the family

and I know if you know you know, but we don't we're not of

nothing, we don't know, when he said, he said, it's true,

so it's certain, or in the house, but no, no, it was a problem,

it's a man no, you can't not not you talk, or not

talking of those things, we call us our fathers, I just we're

about the story of phantasas to be the times of the other of these series.

He said, then, narrator, the thing is, that when was there was a

man and I said, no, you know, but put me in the context.

He said, look, it's something when we went to we're going to

know, so you do you know, but when you're very little

we're in a house in the afueras, and when we

went to you, you know, you do you know, you know, I said, I said, I said, I said,

you know, you're going to you're too superiors, too soo, too roto, but no you want to

you're doing it. And you said that the conegito was of Chui, that no that you're that you're

that you're to do you to put up too, because Chui's going to be an amiguerer, but the day

that we were to the house, your papa you had had been all the things that

we were going to we're going to make the like two or three because we're not we're to pay a

money and that first when it's in your room that we've got to get to the closet to

that no he'll be nothing all that all is and of and of the

he came the coneho from and he's he does it he does it he'd be very

because he he was he was always he said but he said, but it's like who's the

people who it's like who in these cases, no? For something, the conejo bolloo. Algo. Algo. Algo. And the sir, he

got and he put in one of the repisas of the closet and he's gone. When he's out of the commedore or the cell of

the house to go to goger more things, he'd have a little the mess that still didn't they'd even

they'd they'd be used in a mudance a little more grand and there is the cone.

It's a rarro. He's a question for this man. The chico that's

the story not was there. So, well, he's a little bit.

The man, the he's in the car in the car to the vehicle to

do the other things, the other the little bit of he's

he's just you, why you're doing the he's going to get to the little bit so soon,

no, it's not a moment to we're we're we just a And she me

said, well, no, no, or so, no, I know, I don't know, I don't know, well, then you know, so you know, we're gonna see that, we're gonna do that, we'll just be,

well, go to the house, go and it's gonna put in some part, so will be a little because there were, and there still had spaces

in your vehicle to make, to make, and then he'll get to do you, and other way, the coneco is, and then then

he's, he's been in the car, and is almost dormidito, and he says, oh, I'm going to to buy some

to the auto, get to you get to you get to the guy, he's a little bit of the

car, go and it and they're into the house, they're in the other house,

they're going to all the things, and the last, and the last of the but after

the phone, is the other other way, he's a man, this man said,

this year, he's, he goes, and he's to be and the other, and at the

little time, with his juget with the maldito coneho the the man

he to go clas and clavos and clav to the other house

with a little you're I'm going to let's let's the mano

he doesn't to appear and the man during many many many

because said that chui was too that chui was really that chui was

that he was he had he said he was he had to enter

in a process as deliberation for the a man.

The situation that not said, because I know more details. Your papa is the person that's the

he's the way to get to do that. Well, he's going to get to the great to the

question. And we put him the name of Joel, but well, yes, Joel.

Joel we know he says that he he, he, he's he,

he's a question to his he's about the time he he's a little

little bit a little three Cervicitsits on. What on, Papa? Scentred has a good moment of that we'll be able to

we're going to and the man instantly he back, if I had a little about, and he got over the and he says,

no, no, I want to talk to that no. And he said, well, Papa, is that you know,

mom, yeah me told that were the things like very very good, you know,

I mean, did a question. I mean, I want to know, I know, because not

it's your fault, it's my my fault, what happened, and I I want to that's a question, and I'm

no, no, no, it's not, it's a good, but it's my story. So, tell me what it's all

you, because so you know, and what did you mean, why you've got to to get to the process of the

liberation and that's, and the story that he told it's horrible. What is that is that years

after, before that before that came to the father of this sir was very malitto,

very, very malit. And he'stou a pair of afts in the time, passing it very bad for the problems of

the family is very very close to him, and the little a little a little

and the man, and the manhaling, because know, that's, so,

so, so, in any, so, in a moment, that's a little,

so it's so, it's all a problem mental, finally, they, they're,

they're, they're, they're, because standing there in the with the house with the abuel,

he's a paro, and there parted. The boy, and no he's quite to give to the abel. So the

sir has to do it's a process, and although he costs much, his decision, or for what he was correct,

was that the little the child, in all the process of to get to to get to his abelito

to be there. He'll get to the person, like, he's a person to be the question

techniques of the rest of invited, family, etc. Because he he was to be to be

specifically with with him. And I'm to live this process because he had the little and when

they're in the pantheon he, well, then he is his papa, he per die. And those

people have a magic impressionant for that in two seconds not stand. Because when he's

he's not he's not he's he's he's he's just he's looking

for all parts and then He's in the middle of various tumbas and he's a cunejito, all soosurroto in the hands. And he's to say, it's

my friend Choojito, but as the Lord, he's a little bit tranquil and content. He says, look, not is the best way, but with this he's just affronting the old. The little bit of the unclean, and the papa's starting to feel tranquil, and there is where he gets this

amygo imaginary. The problem, the situation that I said, that when when he was to the house and he was the clavone, the

sir had a intuition of what could be going to he said and he

he said he said he's Choojito and he he says he has an

partado he's moreno he has a cametit that's very very

old and an old and a and he he's that's

chaparito okay after that after that information So,

he's going to just the place in the place in that I've encountered a year and where

the area to the area of the tomb, he's put to explore, and just in the tomb

in the he's there's a photo of the mentado chuyetto. And then then he

had done that the jugete that's probably the of that his

that his father he had had been there and they had been

for the time that he had much many years. Because he not had

deseched the juget or they had robbed maybe because

Choogett he's the he's the he was that one that he

is the man of the man of the man who is that there's that we

say we're that they think they're he was he was he was the he was

the he's he said you know you can't you can't you can't do you

you're doing you clabing you're inserted, you leave amarred to this

place, and from here you can't go to his words. Because after they did hector

he was not the process of liberation for what that was not was the phantasm of a man

a man.