HABLEMOS DE LO QUE NO EXISTE - Historias Aterradoras de Carretera, Militares en la Sierra y Departamentos embrujados | Episodio 417 | Hablemos De Lo Que No Existe

Episode Date: August 17, 2026

Bienvenida #FAMILIANOCTURNA a esta #OscuraFogataDeHistorias en #HablemosDeLoQueNoExiste El día de hoy, César González, nuestro #narrador, nos trae una serie de relatos de experiencias, aterradoras y paranormales que nos llevarán a cuestionar acerca de aquellas cosas que nos rodean, pero no podemos ver.Ten cuidado de este recorrido, porque en cualquiera de las curvas pudieras toparte a entes, inclusive muchos que los consideramos parte del folklore como #LaLlorona , pero que puede ser más real de lo que creemos. Aprenderás a tener cuidado de las personas a las cuales quieres ayudar, porque tal vez no son quienes tú crees que son y finalmente acompañaremos a un grupo de militares en medio de la sierra en zonas inhóspitas en lugares tales en que lo #Paranormal y la realidad convergen en una misma amenaza. Todo esto y más en esta oscura fogata de historias en @HABLEMOSDELOQUENOEXISTE Por cierto, si llegaste aquí tengo una pregunta para ti ya te suscribiste en nuestro canal de @Hablemosdelo que existe clips , por qué este fin de semana subiremos un fragmento de una historia de una de las fogatas de #HablemosDeLoQueNoExisteEnTuCiudad en las que parece que uno de los relatos que hemos contado el día de hoy y ha sido el trauma de más personas.

Welcome to Family Nocturra, to Scura Fogata of Stories, in Let Meantle of History, and Let Me Too, the day of today, I'm going to talk to encounters atterrador in carretertergeras, situations that lived militaries in the Sierra,

and the worst, departments absolutely enbrugled, in those that you would ever be able to pass any one one single minute. But,

before to start, I have a news that me have been very emotionated. And is that we've got to the reinitiingio of the year,

and we'llemes to do what in your city. So, so if you're of Kerectaro, Metepeg, and Toluca, prepareate. Because we'll remember what we'll be in your city. This August,

will be in your city. And if you don't have burrito, what you're in your experience in vivo. One of the moment, prepare it. Come on, acottate. Cerep't even to talk or to eat. But, no, if you occur to to apag the light, because today I've got a a very obscure fulgata of stories. Comegamos. Has

more of 15 years when I went to one of my first retires but not to live it but to do you know

I'm to get me in a vehicle in the nada. Me did a direction that in

that time didn't even existe a Google Maps I've to make to make

I'm there were and they were there were and they're near the night

when I in a vehicle in middle of Vados in the where you could

see more a minute and a minute of the coffre because it was a absolute obscurity.

He was with another person, the two were both were born and I remember, and

there was a moment in that he a suns a summer in the way, nothing paranormal,

only was it was like the light he pereo a little a little and we never we

and we're just after the stoo and we're the day of today to be that to nobody of those who has lived

has taken a single carcashada, because to me me left her pill chinita and I don't imagine how they left. The first of the victims is Manuel. Manuel's characterizes from a few years

for being a type very intrepid. His family has said in various occasions that he has to care that the goodstos that they have a lot

and that are putting their life in risk. They're referring to because he he's a man to go to motorcycle. And he is a very

good conductor of motorcycleta, but his family no mient. Manuel is temerario. He likes to be his motor, know-so-manyl of them, knows how much the characteristics of the vehicle, and it has left to his limit. Sabe to do piruetta, he's able to

a one little yank, and the type does peripeties, not properly like an artist Circeinse, but so, like a person that dominion perfectly his vehicle. Serca to his house and a mountain. And that mountain is a justly is a carreterer is a sumamente

dangerous for those who don't know to go to motorcycle, as well, he does do make sure, because for him, for him is the pista a carerererreys perfect, a piece that really really gets to have an absolute adrenaline. He me says, now, many years

after, I learned a mal that me felt about a juicio. I learned to the mala that not should be able to start doing that, because that maybe the energy that iras when you're

putting your life at the limit, is something that that's a thing that I'm never to have to have

contact with because one day I'm a carreterer was euphoric was up the motorcycle and I

went to the velocity the force of the torque because I gave one of the sub-upings

that the way that is one of the sub-as for that many motorcycles can't

even even can't pass. There are vehicles that you see that's going to go in reverse, because it's a colina complicated. It's a way only for experts. And there I go, I'm my motorcycle. And when I passed at the

major velocity that is possible cross her, I knew that that was going to be my night, because yeah, it was dark. The carretel had been a little bit of a pair of trailers. Two kilometers ahead. It's characterized by the M of

you know, you know, the And it's because are two curbs of form continual, the ones provoke that many of the vehicles that

are in a certain velocity, we're more more than 20 km. And they're not even glistrard,

they're going to be able to get a expert and I know perfectly. So, so I'm

that I'm to get 100 kilometers per hour, I'm to the first

curve, and at the moment in the time you the time you have to

react you in a second. If there is going to to terminate all, because you're going to

directly against the mountain. Giro the motorcycle at all the velocity. I do that way in the I'm going to take the equilibrium. No, it's nophoria is at maximum. When, when, at the final of the next curve, something very strange,

pass. My motorcycle that I have perfectly well-cuitable, that I live with mechanics continually, also that I can't see revisal the superfection, it begins to generate a failure that never has seen any of no one. The

light, it's a back intensity, and it's to be able to start to do you,

the light of the light of the vehicle still in the tableau see, I'm going to go to go to

see that I'm at a very much, I'm going to get to be able to get to

get to the freno but I'm going to when they don't work when they're when they

the stus was what he did that I'm that abrupt. At less of 10 meters of me, just front of the mountain is a woman, separated

to more of a meter and a half of the piece, I'll give a falda large, no I can't see the and their hands not are there. Only are the parts of the hands. The image is so atterrador that

I don't know how I did, no see, not even if physically is possible, I'm going to get the motorcyclopedia without there, me do a media a little bit, but the part

tracera of the motor and the zone of my ascent, they're just to to the woman. No see how no I took it. No, I know how no, I stamped with her, because even if it was a meter and a half of the psalm. And no, it was like, but I felt a frio that mellowed, even to the

wessos. No, reactioned there. Reactioned in the way. In the the way, was focused. Necessed to go to go to house and I, had to know that's idea, narrator. And when when I'm going to get to my house, I'm detain go and I'm down

that I'm just that I'm not my life I'm my feet and no I'm not my hands. I know how my mom.

Because I had a time and I had a far out of the house trying to talk the timbre because my hands no

me respondian and I did that I'm that I'm because I'm a carita in the the time

the timbre kept a little into so it so it's so it's with the and I was battling with that when

my mom and me be, and I'll say, I know what car, me view. That he said, oh, he-past, for father, you have to give a-a-many. Trace something with you, traves something with you. I was so astusted, that no he prestable

to give attention to his words. I go to the bañera, I'm going to do that my feet and my hands are absolutely morated, and my body, I feel

a frie, that any the water irving me can't calentar, no colchas, no viz, nor anything that has been over, get

to make a car, my mom me prepare a pair of tea, me barred with a little bit,

and it's a three months after three months after I that I'm to get the 100%

of my mobility and the caror physical. But from that day, until the day of

day of I, I'm still seeing being accompanied all the time that

my motorcycle. It's like the Mewert, still being behind me. And it's in

the carreterra oscura where exist in this type of encounters rare, encentions,

encentino, encentions, and if you go to your vehicle, no you'd want to

you guys, let's talk of the good Emmanuel. The good Emmanuel,

has a characteristic personal, that if you would see you you would notar

at the first second, is a a person a cruxen the

miras and he he's a not you don't you know you're going to

you're a real that he's a real of this type has been that he would be

the other than the other is a person has a many years had a

situation economic very complicated had to have to the family of his father and

the mother and we we're talking that he was he was he's he's

he's a part part pesada of the life, I'm a time of the time and the

time of the tempestate and this tempestate and this obscurity discovered that for one not a thing is a

question of decision personal, it's a question of postura of how we're not his life

in many not much not even not much not even in questions of the family

but nobody he'd get to the sonrice Emmanuel. And he said yeah

battles we're going to to have every day but with this sonrisa I'm going to get a

great. And it's a phrase. And always Manuel was positive.

I'm here I'm going to because from the form in the story it's not. Not it

these people that are that you are you don't know, and you notice that

that's a sonrisa is false is a mal maskara with that

is an the person that's done to have done I've been to have been to brazen those moments and say, well, not all those flavors of the coffee are sweet. There are savors amargos. In occasions, I've

taken coffee, acid, and I've learned to enjoy it in all those versions. It's a person that has done that, confluing with the life, there are forms of enjoyers. This type is conductor. Travada, manageing, since years, as I mean, almost from those 20, that is a good conductor. Jamas put in risk the life of the other

and in occasions desobey to the people of their company when he has to do you know, not pass the report and also is someone hacktancos

that means to say to the other look what I said here, look at what I'm doing it. No, he interests nothing of that. It's something

that's a lot of the carousan. And when he has gone in his vehicle of transport and see a person major or

a man or a manchch who that they're in the way that the sun is consuming and that it's a practically you can't, when you know

opportunity, he's got to give a lot of if it's that he's a business and if no, it's invita that passen

to board and it's get the more that's the story that I'm going to I'm going to make clear

that not a recommendation for that when you're in the car you're at we're at

we're in times but in the case of Manuel simply he has to have been to-tocated this type of situations in the

life and in the city in the life, it seems that it's more normal than what it seems. But remember two situations that have marked, in a manner very clear. The first is that one way that was that it was a job,

that was it was a lot of a little bit of a lot of the arena, and he had to get this adina to different businesses, he had to get very temprano, circa of the four in the

morning, because the the other businesses received just to tardar at 6.5, because they had to start to start their production. And he, always very

amable and unriented, he was to be friends of many of many guards of security. And it was

one of those guards that he said, Oye, Emmanuel, I'll say this,

but, for favor, no, don't know, don't know, I'm a little bit that's a

little bit of that you're you're just things, to make the things, all this questions,

what is the necessity you say to your spouse that you accompany so much. I think you can't you can't be very can't say. And Emmanuel,

he gets to be looking to the guardia, he's on this that's a sonrisa that he says, if it's a kind of a problem, for favor,

explain me that, I'm not so I'm not so much. And the guardia he says, no, no, I'm, I don't want

to do you know that much. And he's no, is that's in serious, that I don't think you're

that I'm You think you're saying that I'm saying, I'm a sarcasm. No, I'm here. And the guardier, he says, Well, well, if you're going to take as if you're going to be, no problem. And Emmanuel, he says,

for favor, explain me, in serious, that no, I'm going to repeat. Well, I just do. Well, I just do you do, do you know what you're going to, get to the carmone, and when he goes to the next guardias,

it's a little reflexive, pierre a little bit the sonrisa. Not because he's a trite or enojado. It's because it's because it's a person. So, what I'm going to be

that type? What's the wife? And when he gets with one of the guards of security of other of the other of the companies and he says, hey, fifted, that me said, I'm not married. And the guarder's to start to read. And so,

who is the woman that company? And he voltae to his camionette. And he said, what woman? And she'll have seen her at the guard. And she'll be, the officer of the copilot. And Manuel, how is a type that not is going to complicate the life? He says, Ah, they're referring to her.

without absolutely nothing, he's up in the carionette, and when he's up

and when you see, if you're here, if you're here, you're in a little

you're in two years, and in two years, and in two times, about that

the woman, but if did a question of a every that someone that's

that's all the time on it, it, he's in the part

the part posterior in a other to sit at the He'll think that, maybe, to some way,

has to be with that spectro, but his good actions got on end. One day, it's about at the 4.

and a. In a cruiser of a carmills very dangerous, when she sees a woman very great, she has a

little bit of the pose over the shoulders, she's aghachatita, very can't at the foot, and she

has a bolsa that very apennel that can't do you. Emmanuel he's detain He said,

Ongue, ma, Suvase, I I'm gonna give to where you And the she says, I'm very very long

See, something, he's, subase, Ama. Sobaugh he's back, and where

the door, and where the woman, he's thought, he's the way,

to get to that's sitting at a seat in a seat at and put the

malet in the piece and retumbo a little. Emmanuel, no he will say nothing.

Just to see the door, he's up at the other side, he's up, and he's so enfrascated because there

was two sacos of the asses of peripiaeces, that she'll forget this woman. Yeah are

the 12 of the day. He had done the route, had regressado, he had

been back, go to cargar, gasolina, went to to do the things, he went to

the company and he had a time the last of 15 minutes when

she cister, and is that the Cameretta has a problem. If not you know, it's not able to that door, not you can't, you know, that's a manor, that could, with his passos, with his corpecet, that is he was going to be able to

get to the carmennet? And he's very preoccupied, while, while he's talking to the head of the company, he says, God, God, God, I've got to commit the first error of my life. And the Jeffel he says, What's the matter? He says, himano, he says, wait a

time, wait, stop me, tell me, he, he's going to, get to the carmett. And where the carmett, and where you're doing, ma, ma, ma, ma, it's he's just to come for the front and see that no there's

the heart of the heart of the carous and says help, I'm a desmallated I'm a desmayed I'm in a house, the carmett's

the carmett's that's just a little that way and there's no way that the people have

been able to go back to he's got to the carmett he's all all right that's not that's

that I'm having to have to be the window and the door and the doors no

can't open the the door more than that the the lady's been

with that maletota. So is that he's a question, oh, again, it's a rata,

I'm a little cargament, someone saw this woman, of this characteristics?

Nobody did. The actual, they saw, and a person, and if you, when you got,

you said, when you did you know, because you said, that you didn't know, that you

never the door, and the that was the door, and the thing, that's he's never, but Emmanuel

is of these people that learn, that that's not a question

to ask yourself a part of days after you know, you know, he's got to any report, because no, nobody has been to queharse,

and he's very quiet. His head he said, he said, no, manuel, in any quite moment that you

do you get behind him, he has been a little uncomfortable in the cabanetta. He's sat there,

and at the same time he feels like the space a little claustrophobic, he came in certain sensations, almost an

attack of panic, he has a little a person, he puts very tense, no, it's a

comod. And one day that comes to make a new secretary, coincide that Emmanuel comes to get into. Then the chief, he says to something, the woman, comes to move the head to the above, and Emmanuel, detain the vehicle, and very

amable, go and saluda, ambus, he presents with this chick, the chief, the president, and all very good. A couple of hours after, when Emmanuel is doing the second car, he gets to this secretary and he says, oh, Emmanuel, one

question, is normal that you are you taking those two women into the carmone? Because, to me said that you had used to work, but the senior major, you know, she was a little time in the stationationation. And the other senior, that's ever young, well, it's like if were her husband, it's normal

that they're going to, and get her and treyending. And he said, Manuel, that he entered so much discommodity and tantal of that the day next was with the chief, he, spoke very clear, without exactly his reasons, he pied a dispenser, and

present her renunciate. And it's when we're alone, when we're in these in the way we're in

we're in we're not we're seeing to remember. Histories that me have told from the initial

that I have loved much and a many of you're and a much of you're I'm toped

with one that you have to hear you because it's the cruce of two types of

stories that I mean I'm and when I'm It's equal to to say, I'm more of

fear. I'm sure that never to never to live that I'm doing that they're saying that's

saying I'm there's a thing that you can't topar in these that I believe me

if you get to see to see you're going but however, to the person that

he took to toparsel no can't go out and contrary has to

have front it because is practically their de-your-to-you-the-stoy-you-all-you-all-in this story. In the middle of the sierra, there was a poblad of a town, and a few decades a time, a convoy of militaries

took to go to that place to do revisiones of camp. They've got to be there, during a month exactly, because they're doing some revisions of things very specific, and after to be in that pollado, continuear with their advance just in the middle of the sierra, in the middle of the in the middle of these

places that not appear in any map. And it's there in that the little day that one of

the military that's being a night of the surprise. Not a a surprise. And it's

a surprise that really that really he's impacted. We need 20 years

after for the style of life that we're the planet the

world and the workes that were not were the same

the day of the day of the day of now exist a home office, flexibility of orrary.

Now you can't have work on the time, in the time,

but there many many adequations that you do you do not do you

do with some years back. That's a fantasy. Much of the

people had to work they were that you're to get to get

to the because it was a super competition and only

those that were those were they were the This military, that had forged,

but you can't imagine in a way d'nard, because it was very good in his place, he was he was asimus, as he was a difficult to

compete with when it's a matter of a work. A subjecto is a old old, in this

sense of a vision direct, and that no had nothing, no, no, no,

any type of excuse that he'd that might have to But, standing in that Pueblo, at the 2 of the morning,

be how it's a very major for his postura. Because as the place no there's only be

a sombra, a silhouette that comes to be a silhouette that the house, a guy that's a cogeating

and he's to come that's really a very, because of a way,

I don't I've heard, he's getting a carretta with a light,

a Just the side of the Mr. This man is up to the carretta and the military is

thinking, this type is the labor. And as it's the time, it's going to the place to get

to get to get to the sun. If not they get to the sun, they're going to

the sun in the day. And it can't be made that person that can be

that person that time to start to work. This is impactant and that night,

that madrugada has a good good a flavor of a boca. He just made to show you. No, all the effort that has

done, nor the career that has constructed, he could be, to get to get to get, cogeating of

a foot, levanted to the two of the morning to start to do it. He made

to get that he's people, there people, there's a person who were people who had a

talent like a he he he was, people, people who were of people,

people who were people who were people that were chappied in the base

of the mountain people that were practically incovertable. I was thinking in that. Like, now there's

like there's all there's all this thought of this person. When I get a companyer to releval to get a

minute of the morning, it's just before the amneseer, he gets the relever, and he says, he says,

the companyer, Antiguedad, I want to say, in this people, there, there there,

there people that still He said Garnar the soul, knows to work and the antiqued

his company military, he's the he's about being, he said, he said, he said,

a man, he's a churubadito and coheating and no he temlable to go to go to

a carretta and he's he got how so much so much when the people

and he said I'm I've done before I've done I'm done I'm

done I'm not quite there's no Is sure what is the man?

You know, man, you're going to do you're saying. Maynard you're going to do you're

and then the day next when the round of the rondines pass at the house, well result that

that is the senior major, live there, after two days, because two days after

had fallen, when they when they're a anecdote the military days after, they're absolutely

astusated and without any doubt that the family of that the

family of the person, they said, ah, well, what what you've seen is the carrette of the

Murtes. For here, a few, and it's been a few into and he gets in back to be going to because we're going

so much that probably they're probably they're and they're going to be the one or the other and decided better to

keep a adeptal to Marchand, that if you know, by the TikTok, they're very good anecdotas,

because he can't anecdotes of militares, and there one that told, that will be to put in the

entreditch to something that since much I've said in the channel.

I have a conflict with the bruchas very very strong but I need to

be very clear with this because it's my conflict with the

not are with the people is because the people someone

someone someone saw a lot of things different like

a person that a certain that has a

person who has a some kind of person who has contact with demonies, yentes, oscuros, and that they give some type of adopticament and they and they're teaching. And another

that's a semeza is a man. That can getar the pyrnus and can transform it in a ball of the fire, or can transformers but it can't even if that a person human, no is. Why, someone, time at last, took all this to do, and he said, to this, that's what we're going to call bruchas? That's my problem. My problem is

that these things have to have to each one their own own from from the

people people to be in the you're going to be to be a paranormal, will be to your encounter. In this case,

it's all the contrary. In the way they're they're looking places very specific, places very

concrete. For the media, they've been used to be certain areas. The problem is that when

in the GPS is clear, standing yeah in the place, not is with the same facility of

vision. At being with the world, the vision is nubla

for many things that are around, and apart, the terrain in the area, in the area is a complicated.

They've been more of two hours per'd without the place that's been looking, but have gone with a sender. And that sender goes to go to-and-a-bago, and when it starts up, it's strange, because in the part of the above, but

conforms, it's not that there's a house there, and that house, she'll be abandoned, very biga, but not are in ruins. When they get in that place, they're percatan that out of the house, there's a woman

that's sentada. And this woman that's sent out of anciana, and they ask, what are you? And they're asking us inbrows,

and the woman signaled the piece, and they say, see, they're going to see, they're going to be

the piece, and say, if here, no, it's a lot, and she says, and then, that here is what

they're looking. The pair of militares, entienten that are very people, they're to get

to intimidate for a senior major, but But, while they're going back the colina,

and they're doing the woman, the mother, no meant you, the territory of there is absolutely

dead. Of all the thing they're the place, that's the place more

more more than even the same the same the one, it's

something, it's all that's they're going, and the adoja, how he's

in the middle of the nothing, without that there's there's

almost inaccessible. We're d'nows we've done with this place for pure casuality. But she,

how she can't of what he has been never to have never never seen never

when they're a notion of the time. Because they're going on in moments and in

moments only just atent on the time you and the night it was

it's and the very very very long in the house after

after they they're they're some they just from

the and what they're and they they'll they're in, and they even can't

see the house of the Anciana and this should be impossible. They're hours

of the house and that house is that's very very illuminated and

they're they're because it's a light very very strong and in

that there no there no there form there there

there there begins to move to above, above, and then it's a carcashada,

they're to look at the military, and when they're they're they're

that they separate of the house, and it's a sphere, a sphere,

a that's going to start to go to the sea, and conform it's

going to when when when, they'll listen to the old they the

people, the the people, we're we've we've a arm, because if

if you get to to get a ball of the fire, no he's going to do that the first it's a

thing, because the sphere of the fire of the fire, it's going to get directly

to them. The type and it and even not it's a good time, and even is a little bit,

the catio, and the three times the time, and the other he says, Antigueda, and it's back, and then, it's a

more, or it intends, because of the pistol no sale of the other, with saliva, he's a mark a one, and makes a cross. One in the part where he got the pistol in the mango, and the second cross, she's the drawing with saliva in the caon. Then, it's upunt, he's perfor a few seconds,

and it's a three times. The pistol no took any problem, and the ball of fire soned a carkechada, a grunned, and it was devio. They were waiting there. No, they didn't want to advance, not care in a embossed of that thing.

Entendian that that was a good job, had been a way to do it, and had been to be with that anciano and that house.

Apart, it was impossible that the house was too when it was something strange, but the light occulted the house

at their sight, and they're not they're not to them, a 20 minutes at the way, they're in

a little bit when they're they're, they're, they're, they're More than one they're talking about

that house in in the middle of the nada where I'm and they're and they're there's there's

no way there's not there we're not we're we're going to we're doing but we're

we're because we're that in that sea is morata of bruchas the the military

prefer no more to work it. No, there's no there's

to talk to but in the first opportunity, so they're to be to be a bit of the fears that practically

all the people have even when not when they don't know they're in that you consider you

your sanctuary, your place that's the place in that when you can't get to you can't

do you that you that you're vulnerable that's the place in the that you

only you know you you know you know when you when you get to get to do

when you you're just you're only there's there's accompanying, is something that you can't

see, and have very bad intentions for contigues. The mal of those things, of those entities,

or of those presences, is that a lot of that's the cause it. Not those attract us

we're not us. There are different circumstances. In the case of Simon,

his circumstances are quite horrible. Simon, like many people in

all Latin America and in grand part of the world, the day that

he did that I made a a new department was the person more happy that you

could be the third piece a new, not so new, that's one one of the thing, not too,

not so it's not going to get to a little, every one has a whole, but in the case of simon,

he hadelab. He desired the house, but he was a so far so much, he took

to get to get to the matter. And now almost commenced the Pago, but Simon

was very indebted, sumamente indebted, more indebted than all his life, but he

had much plans, he, he had a put up a little,

the if it was limited a little the next years they were going to

go, the car, the house if they were to get a the department, 100% not going to be to be to be able to start

paying rent, it was to be it, and of all the way all the way to be very positive. Yeah, no, to have to have to be

more tranquil, yeah, not going to have the sensation of a yugo that he had in the back in the

time, if you were without a home, Simon, was very focused, that was the

that was the way to many people. He commenced to to share less time with the other prioritized

so the money and the money and the he was that he had been moments of convivio

and he had been frequent with a time and without after a year

after after even had had had elanded a which I said

to feel so much he had kept without even people again

nobody he was not nobody had been very hermetic and isolated. In his

work, all the work is a person focused on systems, no he's not a

interaction human in the area specific and the work that's

I'm this. Because it is necessary to understand the type of prison

that's he made, he's not can be a house

because it's a person, he's no he's more,

because he's He's closed all the doors, and no can't do more gastos because it's a tattooed in his cerebr, that that's no has an option to do during the next five, ten years.

For that, we'll just to leave a simon in pause. We'll just to leave there a little, and we'll go with René. René, is a type that studied the career of systems. Cerca of the final of the career, he became a very friend of a man, a guy very peculiar, that

all the time about, about when he had a house. And when he would have a house, and it would be a nice house, and very great, and he gave a much rizza, because never had known a person so obsessioned with having a house. No, I knew exactly the

data of the story of Simon, but he supposed that, as he never about of hermothers, maybe he had to be something with an orphaned. With a person, and then, the fact of a car, no matter not more the part physical, was that for him representable

something. In fin, no way of his incovency. Simon was a guy gracious. Simon was a subject that, even though he was a single theme of conversation, he was reeled in a way very good and he had a lot of the comments of the other,

that were very attinated, subject with a good vision. That was he always he would invite to all the reunions in the which they were allowed to bring, like, different friends of work, reunions of companies, of other jobs that was having, reunions

In fin, Sin that Cime's Simon's he had transformed in his grand friend friend his grand alias.

After the year in the year he acquired his department. Practically Simon he had the

door in the car, never could have nothing when Renéle he said, I'm you're going to

a reunion family, no you're going to go to my family. Vente Simone, the family

want to see see me the family want to me, I'm sorry, I'm sorry

I'm very clear right what are my that René, with much lamented in the heart, it's a little, he said,

and he's, he's not his decisions, and he'll be, he'll go to and get, and he passed a year and a

year and a year and made, René, he changed three times of a vehicle, he made, he took a

house that then he had to get in a problem of a because he had to he had

a lot, he'd make, a bit, until he was he happened he said,

Simon, that I'm that I'm more of a me did not be in not ever

that's a friend that that's a man who you're that we'd recommender and me recommender how to start

of this problem. And it's then when René said, well, but never we'll never

the things. The problem was that I was that I did I were to go to go to the reunions.

Let me to visit them. I'm going to get things, I'll get things to your house and I'm going to

to give a no much amissed, minimum, could be a money for his services and that would

make recommendations because I'm in a problem economic and Simon in that, well, he's not the more expert,

but yeah has your house, and I want to get to these problems financial. In this

situation, Tarrenne, he. Busca the data of Simon because his cellular

not was, the telephone of the phone to that had put out, but

but I'm that the direction that had had to continue but I didn't

know how He said to ask her those Pekyllis'all to ask you all of them said the same René, Simon was you,

a friend, no, our friend, you know, you know, you know you know about we're not,

and Ren's said to go to that's the true, I was the friend and Simon. And Simon me said

that if it was not for these reunions, he said, I'd be to be in-sehrated to be able to so that's

so after a day, a sabbado at the time, go to the department of Simon,

he's a pair of viandas food and a lot of dispenser, things that

with the time, you know that the time, he did a time, the door of

Simon, and after the other two, they're doing different, because Simon is a sumamente

embegeated, and when he can't be able to think, I'm able like he. Because Simon

is saludas of the rostro. His sejas, the middle, has also canosas. He has tauts in the rostro, that

is the papa of Simon, and not Simon and even when René never knew the father of Simon, he's

being a person a much for his friend, and Simon, he says, René, what does it? And I'm

back to be back, and he goes to the door out of the department, and René le ma' he makes the

carita that he goes to give to come with food and then thence he said,

that you brought a obsequio, it's a much that I don't see to the door, but he says, for favor, be it,

no, no, not you're in here, but you're not an angustia in the voice of

his friend. And then he says, Simon, no I'm to get to much time. But I

want to give a good, Simon, he says, I don't I'm not to do

anything, and he's he said, I'm I'm asking money, you need a question,

I'm more more, I'm a problem recommend how to do you do you do what you did, what is your secret? And a Simon's a transform the Rostro and he has a Rostro and he's a new-in-o, and he

he's with an asco and with an odio. And he says, Logar what I did. You're doing? You're just, you're just burlating, right? He says, no, I'd want to do

a manotazzo, he tumbled the thing, he gets in the apartment and he's the door. Ren, no, so he's a surprise. His friend, no, is the person

more sociable of the world, to be it so envegecised, he has been rapidly in something in a lot. He has been very bad.

And he's a par of the thing that's a lot of the thing. And he, he, for a second,

he says, René, no is your responsibility, but you know, you know, he was going to

be a person, you're the person. And with the pass of this year and a minute,

you did a time one and other once, you're and there are the

consequences that not your responsibility, but that's what what happened. And he was sentio the person, he was held up to the door, and he was held up with the door, and he said, Simon, no, no me abras, no me abras, but

you remember when you went to the birthday of my brother, Simon? And that when I presented, you put this rojo and me said, but how you want you to say to let me say to be with a car of a disconcert and I asked, why you're saying that's saying

that's because never nobody had I've been presented to a chica, I'm I'm saying, I'm saying, I'm saying, I'm saying, I'm saying, I'm trying and I'm again, humiled. But at a

time were anecdotes that you were in commuance, they were they're in comming,

they're they're not, I'm not he's not he'd he'd he'd

because he'd about it after a time, René, he's put to

the way, and he said, pardon for having to abandonated Simon.

In that the door is open simply, Simon he's a case

and he says, insist in and let me the head in the apartment and

go and then he's in the he's not that he's not that he's going to get the thing, he's going to be

to get to do this, and not he's going to be having a not have any relevance, yeah no

has been important, something, something, he has been to know, and he's he's got

the better's the better's the bettered the point to the Rene, what is what I'm doing, what I'm

to do you my friends, no know his family and even where I know he's not there's who's in

he can't say something. And he said two forms to obtain the information, for your work or

his bestine and as it was there was to be to all the little bit of the

building. I think it was a little not for what? Simon, no is sociable.

No sub it more than has been to do you have been to have taken

the escalers, for where you have had to carry things, for where has been to talk to

people, and he's to talk the first, the floor. And he, no, he, no,

he was the second piece, the second-up a little other side of the door.

And Renel he asks the little bit of the little bit of the say no,

and that's that, so it's that he's going to be there, and he he's

disculpa with the much a major a way to the other of the he's the other of the world. And René, he wants with the the next to the other one of the other one, I'm, I'm, you're not, I'm going to see. I'm sorry. I'm sorry. I'm, sorry. I'm, sorry, I'm. I'm sorry. I'm, I'm sorry. I'm. No, I'm

I'm going to to ask him. And then the bigito is the he's over there's a I'm going to

see, I'm going to see, I'm not the same, but what I know is that I'm talking with

a chamaquita and if me will to topar, all they're to know, and we're to do it,

and she he's the back to the same thing, and he starts to come to the carereras

and say, disculpem me, it's a miscernididid it, it's a sure that no,

he's going to the when the old the carcachada and he says, No, man, man, man, man, no, you know, you

believe you, should you have to be your car. And René, he'll feel like the heart left her after two minutes and no know why he still is conscious, and he's going to

read the sir. And he said, no, man, I know, I know I said, I've got to you're just to you're going to get to the

right? And Renee, you know, no how to talk. The language has taken atorated into the the book,

the car, the tere palida, palid, palida, and the sir will be to another carcajada and he says I'm sure

tranquillize no I'm care of my morty-you now see you see I'm back in my braire and

he's a carcachada that's double of the pain and Renéce and he

starts to relax a little and he's he's not he's a proper

to this he's a man, you're you're you're if you're

two years you're and you don't start of things and

until the mind also. And he also also swel to a carcachada and he says, You're a manned You know, I can't get you I'm matas of the stust. And the Lord's reeled to read, but I try tears in the eyes

And he says, Pasa, pass, minimum, I invite a coffee. Pardon, pardon, is that Pocas opportunities we're here of that and you caiced

Redondito. And René, and he passes with the a house very beautiful, a department that has been

a penas but all very ordered, all very very beautiful. The Lord is present like Faustino,

And Don Faustino he said, he said a few years his wife's his wife, that he lived very old, and that he

always was a really a person, and that for that was he had much that he had a great, and that he did a

matter that he did a matter, because they had been passed more to 20 minutes and René's yeah palid

just was starting to get a color. Don Faustino he's serve a coffee,

he said to René there's all there's the time the time me and prepare me the new me my

for favor for you I also also take you, and no, no, you'll say that this is other thing. We're just to

talk about the problem of the time. 45 minutes he left the poor René, to get a

little bit more to get a little, and he and his spirit were one and you were not separated

for that this time. Don Faustino for that he had told a million things, that in

those departments, there were many stories uttered that the day that he would be

that he would be that, the fact, the department most enbrojado was the other guy, and that so he had so much rarer that his friend would be so much that he had known, ooh, a hearta quantity of persons

that no durable one day, and he had a year and a half-and-a practically without out. And, while he was saying all this, in the mind of René, there were images one and other time of Simon, and no of cairns,

and no of rugs, with fear of what was in the department, scondiento the entry. One idea he crossed for the

little. Something something about was going to really me was protecting

of a thing you he said, I'm that you know that's done you have done

and how the other and it got to not. No, I'd do you

have a bad and he he's the door. Never Semon

had been so honest, tan sincere that that

did Antress was was passing there. It's was

much the doubt the fear if he had gone to he said, and he says,

pardon if I'm a question to you know, but I'm in the department of my it's the was the only the department.

No one no alma, nor a woman, he came to ask for him, and I I offered with

the house of the building, to you can go to go to and when when to be the place

like a place, or not not were to get to to get a person, or not

that was a part of the community of this place. And when I,

I, I, that I'm the aroma of a chemico, that they used the

people, in these places in the those the body of those who that are not in this

world, a aroma that one that one that's old you can't you know,

and there no there in the world, that in that the department they've

used, I'm I'm and I started to come to come to

get to a door, and when I'm after that point to be

I'm I'm a voice that's impossible to be the building

because was the my husband, that had to fallece. And me was talking for my name. Faustino, Ben, Faustino, Abrasam! It was her voice, when I was with her in the hospital. And I never go to forget that maldito aroma, when I

had to go to her body, when I had to be in those moments, because I was in all that moment. That place is alimented of the MEDOS. For that the people out of there despolored, and I no I have in pachio in to say that I I'm going to goreying.

No, I'm the first, but I know who was the first. And no me there's a doubt that what is bad, is very bad, it's

a more than what we're going to see. For that I'm so I'm to know, to Simon, until now is the

name, because a year and a year-and- he has got to come the department. The head of René is

a revolution of ideas. This man is a person that has prepared a dialogue for that

in the moment that someone gets to ask him about the department,

he describes all the way chronological or with a form that that all

the things dissiping. No. It's an an man.

It's a good time only, that he used to a

and he had a opportunity did a person,

he is a time. He probably he did

do do class in a university very probably

is retired. Ren, no he's because he doesn't ask. He has your

head full of information that know how order to make and it's then when he says

that's the only question you when he came, when he he's and then

Don Fausty no he he turned to turn to see a

pastio of the recameral he's he's he says he's I'm

I'm I'm I'm the Brucho no we've got the bruce Rucho,

he still here, and still he still he's got, and he and he just made,

a little in one of the door of the door internal of the house, one of the

doors that were open, and the little a great, a

great, it was, it was that it was over on him, a piece

very great, a piece much more great than the of the two

together, because it was a little cruged, like when was whenceeing something, because what has been around is immensely pesed, and no-go-soportar. And that sound, and other a little bit, and other tantito, like if something invisible, enormous,

and pesado, he was going gently to them, Tohurt, don't know. Separate the two? Don Faustino, put his hands to the sides of the rostro, as to tapar the periferia of his

eyes, and he says, do the same as much that I, aghach to his head to the floor, commenced to to the entrance of the department. René,

no he has a doubt that that's a question, he has perished the color, and Don Faustino was accelerated and

arsustado, and he comes to come in that you can try topeas in any time. Who knows how times have

done that you? Because no doubt a one of those passes that is doing, nor the front, it's

a mirrored directly to the piece, and there's a back to him, he's top a time,

he top of the back to don't know, POSC, don't respond. It's, a moment in which you are

in the stair down. And Don Faustino just he's looking to

the time, he says, come to the man, let him, let him, let him, get the

the building, and then he's talking the box of the cams of a cargety

and he says, he'll give, he'll say, he'll be a lot of those objects,

he's he, he, insisting, that no want to do incendirl,

but they're in the And then, Don Faustino He said, No, is a man. He was a man. I was a man.

He was a man and was a great. And I think that with the rostro metia with his age. I think he had much more

the age of the that he apparently. And the type, we know, that's he was a

more more than I see a he's a little he in the department. You know I'm going

to say for the dims and directs no me consta, but I know

a person that said that she said that she that she had that

and that when she limpedia limpeda the apartment to the other the other he went

to get to hear of the bruching every one of the abutations the maldico

with the with blood, with sandalive, with gusans with

with the blood and there there there there probably

probably even when you disarm you, you don't you

find he he had forms to occulted the things a lot of the eyes.

Forms in that was that was the act of magic of a charlatan. The problem is that this

was a magic real. And front to your eyes could appear things that

had made that there's living, things mortas, could attract

front of you in his hands, objects that that were on you,

and that were in other part of the country, that that he

had no had had had had the eyes, simply to pass the man and disappear those.

I was, I mean, no me they were told. The type had an aura that was a malinterpreted. There was people that were able to. I know that was a subjecto

when you'd when you'd look at those eyes. And there, no, it was not a light.

It was like to be directly the vassio. And in his sonrisa, his sonrisa was full of the malice of

many of many of that was another person. It was another thing, something much

better. And one day only we'll we're a madugated, a struend and never

we've got to see. The apartment was a woman that had had seen the apartment

the night earlier, before the last of the door was because the department was

full of the personions of the personions of the person who did it

and only don't they're they're the other the were the the

they used that you type. If your friend is there and you see it mal, Sackal. Sir Faustino,

Saca out of cigar, he offers to sender to him, Rene's Niega, he's not going to

another back to the building, but he has two things that make the

that I'm a bad that you want to get a going to get a first.

The first is that in the plant a back, just to enter the building, he,

he was a friend a man to with a smile, with a look that's a look like in malice, a look that not pertain to Simon. And when he turned to the mirro

and saw the mirror of the department of the first plant, where he lived in persons that he never had seen, Simon was there, crossed a mirabye, and front to his eyes, René, saw, as the pupils of Simon, so were absolutely oscuras. Simon

he went to the man, and sonriending, he's despidio. And René, until the day of today, 10 years after after the no idea of what is what is the

thing. And with this story, my dear family nocturna we've got to

this is a fogata and stories. But, before to desped me, I have to

say this first. Famina Nocturna that are in Toluca Metepec and Kerecto

we, we'll see the 27 and the 29 of August that you know

in the videos we can separate their league for that fogat the channels

to TikTok, WhatsApp Facebook, Instagram. And if you send you a message directly by Instagram or by the WhatsApp

of the Pesadillas, then I'm the Liga. One of this, if you're here in YouTube, because you know for some other

platform and you've seen to be the video complete, you recommend that form a family nocturna for that never

you don't your dose of terror. Subscribe and give to the cameraita. But if you're

in Spotify, there's other surprise for you, my dear family of your family.

If you You're in Spotify, SIGERNOS, and do you the 5 stars, because for every 15,000 followers, it's exclusive to

Spotify, a Platicaca and if you know you know what you're talking, I recommend that you goys the list of

Reproduction of Spotify, and you're going to get those Places because to where I know, we

know, we're more of 13. Now, so, Ditch one this, we've been in the

next episode, but of here, until we're we're the next JVVs, the

I'd like you have you'll do you'll do you see us in YouTube in TikTok and Spotify

voice you're more there's gonna oh yeah you're you're you're you're not

I'm gonna I'm gonna because so it's we're all over we're all right

we're all all right I'm sorry nocturna so that's about let's say don't

let's see we're we're we're I think so I'm so I'm

I don't know I don't No, another One more It's more Of course, I've promised you

You've given us One, one One more My man That's good No, There's a No,

It's a great In this life Familiarian Autorna So it's That's a I'll be I'm

I'm I'm I'm in this moment To tell you I'm today Justantly I'm Sorry, I'm

Murchant Or Marchant You're You know, is an ex-militar, I think is an ex-militar, or maybe it's a military or not a day of today of today. That's a story of militaries in Tickto. Abracee and a salute, grandest histories that are there in your channel. There was a story of the that I'm enchanted.

But that story, if really passed, has to be with a story that contempa Chuka just in the fogas. Let me, you explain. The foggates in your city, we're going to be a format. That's not like in the year past. change for complete that is

now that we're going to different cities of Mexico. So, we're going a lot of

a quantity but it's a certain quantity of time that we're we're talking stories of

the places to the show. Now, is the stories of the fogata

in the city. Those stories of the fogata in the city

not we're going to let's than the fogat in the but

these first stories I want to share some because they've been very good

and that the people are going to be going to be those stories that we've talked about in the

in the story, you know, you're going to this this time, in the channel,

let me have to the little of the video-ito of one of the stories or the that has

that's that was that's a patchuka. So, then it's a doctor, yeah.

It's a first thing, let's a little that more There's clips. There you are going to see.

What day is going to be? The day night. Thursday, then. Let me know on the night.

It's exclusive in this moment of YouTube. You can enter there. You can't be there. This video

is going to the next day on the Wednesday. There's a time. And when you do I'm talking

and the story of Pachuka? They're going to say, Mother Santa. This is very very strong.

They're not the military. They're are in middle of the Sierra. They're in

the They're in a situation very strange. They're doing chemes of plantios. I don't know exactly if

it's of plantios of illegal or it's for other type of tactic that are doing these quas.

While they're in this way, it's going to do that does that the day next,

they have to give to a one of his members and they they're there, encampando

in a time with two guards that they're scotando all the time. No,

there's a raga no there's a not a question, not a not.

The two guards that are not puttas out at the time of this person

don't understand because not it's normal this that's happening.

If had committed a error, if had done

something, it would be a sanction and this not

seems a and it is they're they're they they're

they're doing there guardies when the person, in this Tenda

of this Tijuana, he comes a one of his companions and he offers coffee and he says,

in serious, me is you are you say, I'm really, I'm a very bad a bad a verguenza

that they are being to be to begillar me to care me with much if you need you

there. No, there's what he can offer to I'm what I'm a moment

in the that you say, well, I accept the accept the But the

fact, more than those things, what was what happened? Yeah, I'm getting with the

intrigue. Because I think you're understanding that the family nocturn military, look at

documentarse. Nothing of chis. It's pure documentation. And then this military

wants to know what? And he said, what was? And he he said, he said,

he said, no, well, antiquedat if it's if it was the sanction is

good? So, how it he said, no, but no, but no, no, no, no, no, no, no, I per die, I'm, I'm, I'm, I'm, I'm, another thing. No, I can't say

that I'm per die, because no is the case. Well, explain me, because no to be intended. He said, look, we're saying the chemo of plant, when we were at a point of cross a river, and I'm a delant to go to the squadron, and I say, for a favor, me

permit to elantar me, some of the passos, to cross the river, because I needed to go to the ban, I'm necessities, then that I

gave a little space, and he said, he said, that's no, there's a problem. Cruzo, I'm very

very rapid, termino, and when I go, and I look, and I those who are those that are the

quacking, that are coming to crosser the river. When I hear my time,

I'm, and for the same that they're going to get, well, He in the

Mentioned a companyer, and I'm going to comeinanded, and I'm trying to be the first of the squadron. The first of the squadron, or the first ones, they're in a little bit of him. So, simply, I don't know how much of my arm, do I made a while, I'll reviso, to the face, of piece to a and he's one of those ours. Arm, posture, a rope, all. And he's coming and I go behind him. And you, you know, you understand. You know, we're going to tell us. You know, you know, we're We're not being to be We're going, and I'm going on and I'm going and I'm going and I'm going and I'm going and I'm going and I'm going to because, yeah is very entered at the madroghada, my body

I'm going to get into a lethargo, no I've had done, I just do you, so I'm going to then I'll just a little and when I hear a different, I go to the fire, I'll go to the letter and I'm going to see in the middle of the nada and he

there's there. No, there's there. I'm going to talk about. Antiguedad. Antigueda. Where is? Antigueda. No, there's anybody of the squadron. And then so on another disparate. Sacco my arm. I'm going to give one to the a air to contestar. Because I'm

trying. Me's pasted to someone. It's the form of us. And where I want to do you, my arm no solace any time doesn't seem to, and my arm is there when I do I'm in a way

I'm in a way I'm going to I'm in so I'm too much, so much and I'm

so I'm because it's letargo I'm going one and other once, one and other

time until that in the amneseer I'll do you know with the squadron. When I

went directly with the jeffes, I was I'm and I'm and the strange

was that when I did you I've got all, in the other to be able to be used very serious

and me said, I'm trying to your arm? I need to you get resguarded of here and I'm and I'm

and I said, because I'm much time in the sea. And that's that you just the

first of the one of the uniform, you you're going to you're going, that's talking and when you're doing

you're going to never to never. What? Now, if you want, if

If you want to know why is connected with this history of Pachuka, Bo Cicita, you'll encarro, the cargo the B'arne. Then we'll

see us, Afturra. We'll see, Bocciita. Thank you. Bye-bye.