HABLEMOS DE LO QUE NO EXISTE - Historias de Bendiciones Personales Maldiciones Familiares y Cerros Malditos | EP 329

Episode Date: September 29, 2025

Bienvenido a ésta Fogata de Historias de Bendiciones Personales Maldiciones Familiares y Cerros Malditos en  ⁨@HABLEMOSDELOQUENOEXISTE⁩  .El día de hoy les traigo historias aterradoras que ustedes , querida Familia Nocturna me enviaron al wts de las pesadillas. Descubre el secreto mas escalofriante que esconde la tía Chana, los lugares en donde se escondía Janeth de las entidades que la acechaban y el regalo mas extraño que le dieron a Aurora de bienvenida a su casa embrujada.Descubre junto a Leonardo un portal al infierno , la leyenda del cerro del venado y del espeluznante cerro de las Cruces, asi que prepárate porque llegó el momento de que  ⁨@HABLEMOSDELOQUENOEXISTE⁩ 

Welcome to Family Nocturna, to this Scura Fogata of Histories. The day of today we'll about about aboutions

personal, malditions and serros maldits. But, before I say, let me say you'll

say that the presentation of San Luis and I think that there was about what we've done,

because if not you don't you know, obviously this we've done this is

this is not this moment, prepare, because in the Saturday of the Sombras that's

that I'm going to to tell and and they're to do it. I'm going to start saying. But I'm

going to say to those people who are new. That right, in this moment, let me, let's do what no, there's

things important that are going in this instant. Number one, the foggats in-vib. We're going

the foggats out of the screen to the entire to different cities of Mexico. You can

see those in our reds and they're all the cities and all the year and

they can separate their place in the fogata because yeah in two months we're now in Puebla even in some

places. I think the Mittangry yeah's yeah but even there are some some places separate your place to the

foggat because for me it was a good to be my family nocturna there. Now,

see present yeah more than the the entire and they're going to

get to hear to turn but the second event. But the second

that's the moment we'll let's the march of the marches. We're

to get for one million of a million of YouTube and so it's that you

know the if you're a part of the time of the stories, share to the final this video

for that every be we're more in the family autunner in your status

of WhatsApp of Facebook of the different networks if you do you

do two three or more because we're to the march of the

million and getting to the we're one now we

we're with our Scuroo Gets We're in our We're all of our people, we're with with all the

heart we're with a lot of and that every time we're in our presence we'll change the

state of the same Marisol her family the person that's the Tia Chana is a

person chaparita regorgetta and uses lentes has the Cabeo and the

Tia Chana does like nobody see that the part of the head. It's a certain

zone with a certain level of calvice that's evident for all. But all they do not

like if nobody's because the Tia Chana is so a little person and that's

that nobody they do and you do you do you do this person who has of

that you have the person who you're you're just you're not you not of

a part of it's it's like his form to try to do

with much dignity to the people with much CERcania. Marisol

the quere tremendously. For that is very disconcerted that the the shust most great

of the child has been a time and just about to occur just a couple of

a time. And I tell you how would you would be you?

Resulte that Marisol is a person with a certain level of angel.

It's a person charismatic that can't the other but

also also also also I'm a narrator, I am a narrator I'm distinguis for all the voice, I'm

much cars, many gestures, always have been said that my theme was the actuation, but I don't

me dedicate to that's and I'm very well I'm very I'm very because when when I was

my dad my parents people don't know I'm not so I'm not so

I'm I'm I'm I'm just right a me I mean me be able to

be able to what the other are you and that's it's a very much disinibed. For that I'm

when I'm told that I'm am I'm extra-exam. Deve to have passed. And I'm

sure that I'm think. They're they're not when I'm about to about to

four a year, five a yearito, and you just he he's going to pass.

But that there's a success that now that I'm I'm still I'm going to

talk to talk to talk about with the Tia Chana and then then I'm saying,

a new department that we rent them we're not not much that's me is

my very strange and I said, I mean, we're we're a little

and I went to you're not a friender not you and it's it's

it's a more more be to ask to the Tia Chana narrator

he made a Tia Chana, I tell you my popos me are my time that my

time, that, for a kind of a kind of kind of going to get to be a car of a

mind that's not they're in a apartment, and my Tia Chana she's the quivered

the instant and and he to soyoosar and me gave much a very much

pain and I said, no, no, I said I did something, I'm that I

did it not too too that's too that's not normal, not

I was justculpating with with her and my tithe is a quiet and tito for a

second and then I'm sorry a little she's a little and I'm no my

my ha no you don't you don't you do you did you

did you did that but you was very very dolorous no no

mannarrad if my papas me had put in a

situation maybe extrana with my my tia chana I

was I was I'm I'm I I said, I said that today we'd be invited a coffeecito,

that he'd be invite to a postreceto, and that apart I wanted to me to tell us. And me he said, that was the

second point more rarro of the platic, damn a minimum a month to know how to do you go to say.

I need. I need to make this, but also to know how express to it. I think that was playing

with me a narrator. I'm in serious, I think it was some kind of a drama, that

he had put to with my father, because my Tia Chana, although not is

a bromist, never act so I'm really a very rare. That's me. I'm the

dramatic. Let me to make the face the of the yantto and do me do you

do you so you so you're a chana, my Tia Chana, my Tia Chana, my Tia Chana

is pure mial overhuel is pure love. And, although I don't you know,

it's meloza is linda in the Tato. No, so all But, well,

to not to give you more long as a month. And we're my Tia came out of

black. It's the first time in my life that I've seen that because, because,

thanks to have been to be to do this my mother was just when I

was a little so is that I'm a time. But I'm a very

really and I did you do you because you're this is a thing

very important. And if is that I'm you do I'm as with the respect

of the video. I don't understand. I had had been brought a pair of the house that they

had used to much to my Tia Chana. I had prepared coffee. Invite to my papas for that

me and I said that this was going to be a moment very personal Tia

Sobrina and that they were to respect that space well well I don't

I'm not I know what is what is what is what I started

to tell the I'm made to And it's a narrator that the Tia Chana has a secret and is a secret that is a secret that's of locus. Shea me says that when she was very small,

from her, she knew her, she had said, and I had said that Tia Chana during a time was religious. Resulta that my tia, had entered a convento and she put to me to tell me that during the first years that it was due, because it was 10 years,

during the first years, was too in the theme spiritual and he started to talk

things about about the other world like the other life

and in some he was that you not was a not but

until the day of but you say you my from

from I did know I'm I'm I'm not

And when me says that narrator, I don't see if is he's not, but me

he's really a and I'm a spino in the spieling

like if some of some type of the and I start, you know, you're

saying, no, is something you know, you know, I think there's there have been

many moments in that you have done to do your people with your

people, and the person, where me that's a narrator is a very very

the car is a the car I'm a you're a car a syru a

and she a and she she said and she and you when when

he did the first the good that I was that I did you

a smile in the rostro and he took I'm a I'm

I don't know because God does this I'm don't know because I put you They need and they're in help.

Some of them are mentirousos. Some of them say, but many of the things that are things that I can't

do you know. Pid, to my papa, and who is your father? I don't me know.

Pidle to my mama, and where live your mom, no see? Be and to tell

person that person who live in this house, in this house not that person.

And then I'm always there's a moment of much frustration in that I can't

do nothing of what they're are they're asking. Pido for them. Your mom-saen that I have this, since she is very little, but never

talk to me of that time, until I go to the convent. And we we're going to understand very well. Your mom, me care much, I love much, she, never has judged. And me understand perfectly because I want, need, I need, me urge, to be in many

moments, solo. He has been there when certain things are present, and not are good. He has to be there when I've talked to be there. And it's

something that not easy to get it. And since she began to do something for your intuition.

Me invite to to every to her to get or rent. Because your mom,

no, I don't know so you know, it's a business of the realises

and he was very very good. It's in that the part of the department.

There's a department that's in rent and stay in very low cost.

Your mom is very intelligent They have in house property,

but they sell better rent to and with money to pay their rent,

because he was over paying. It's a woman very intelligent you know,

it's a particular, and how it's a lot and it does it and it's

very strange because it's in a place in a place

and she was a other immobiliary but no it

doesn't much and he says his his his

They say that house is enbrued. The department is embroiled. Yes, yes, they're saying that's enbruised. But not just that, all the edificio. So, as she,

not wanted to take any risk, because he had to be you, you had one, two, three a year,

and it was the one of all, and he got to you, you go to, we're going to get us,

and just you were in his arms and you started to do that and then

you to say, oh, oh, because it was your form to say, hello. You're going to a point of the department in where you're saying, and I'm very surprised. Because, or you're a little bit more a little bit more than a lot more more than I was a little bit, because I saw the

same point and no be it a lot. After, like, five minutes, I began to feel something that me calabes to the wessos. No, I want to say, frio, because no is free. Frillo is a malinterpretation. It's something different. It's like if something to talk to

those muscles, that sensation of something that is that's so sensible, that recorre all your body, but also in the department, and in

that moment I could be a little a little bit of a man. The little was a man, she was a very very saddened to

your mom, that for favor, to be out with me gave a space, he's out with the person that we're going to

get in the world immobiliary, then there was there was to give to give explanations, they're in the door and the

little bit of the story of that that was a little bit of a family that was a family

of persons say we're not very good good at and when this little

in the house she he was he was a ron

a harron that was that was a that was an

part the the father and the From that day, the little bit of the problem

not is the the little bit of the little bit but the little me says that I'm going to to have to have seen

that there's that you and that's that's the people who can be seen and it's when I said

that I'm I'm saying that the back all I'm erisable much, much, much,

and the the little and the she's going to go and I'm going to the And he said,

No, you occur to rent a place. No, this embrugated. It's a malady. Lazzang surgely, Pucance-Moyance-Moyant for 15 minutes. We'd say that's the Dojo.

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Publiy. Savourer. Admire. And enjoy. And profite. Via Rae. The voice that we love that am. A lot of the fathers,

even when this is not just. Janet has very clear. And Janette me says, Narrator, I don't have a normal.

No, I don't doubt because I'm a child of a braw, and I'm in a little in a

unbrogated, what he is the I'm sure. You know, I'm a life of a very different

as the other. While the people have that if these things exist,

or not they're not not happen, for me it's all the day.

You want to say I'm exclusively the things that I accustomed to my house of my papas. I lived with mom. My papas were and they were, and he was and he was made for temporaries.

When he was, instantaneously they'd start things. One of the things that was that wasa rosas, but not was something good. When the house o'uil to rosas, something very malo would pass. And if I was just over in the house, it was over me.

that's what going to is that is that it's going to say to say what you're not you know

me my mom me my mom me and my mom but it's a sombra

that that was that always and that that was that

was that was I'm a was very long

and he many and some that he's never and

I'm to be things to be the head. I don't the local day of today

of today. Nothing more because the life and the universe and all is very

great. Because no there's not there. Me mostro

people suffering, me mostro people that people and I

had things that I had hidden me want to me and I made

hear and I hear that I not had to be not can mastic.

To some my brain my Cerebrough I think was like if it was imagination or a dream

because no me affect it. If I affected it, because it was very frie. The little said the

way that direct, that resulted very offensive, very aggressive, I don't try to

but it was very free because I had to disconnect of my sentiments

to keep there. There other other thing that was in that

house. In that a me I used to to play to the scondites

and I had a six. Debago of the bed of the right,

because in the the bar of the door, there is a place in

that I'm in the closet that my father that

now that there has got in the that I

keep perfectly in the refrigerator has a little little

little into the the part that if I had 16

places where to be in the house in the in the not my mom

not my not my pap not my my primos no the

things that those things that not me found

I I could not that I because in more

on a part of the refrigerator sitting that something

that was I'm and I perceived that that

those things were in front the refute there and in

and in occasions because they they can do when they're they can't they can't they're but when

they're they're much sound and I'm going to the refrigerator coming from the house

so so that the narrator I was I was dying that I was

saying that something I'm I'm I'm I'm I'm doing I'm doing

suffering I'm I'm I'm torturating when when I was in the house of my mom and not I'd work with her, my

camera was moved in the nights, but it's horrible to get into the middle of the madrugada and you're getting to get you are getting to get into one of the parreras. Always these things were saying about me, because when I hadgara

a part of protection and me had cut out of a bivio vying to the wall, when I'd get up in the madrugada and was separated at a meter, maybe two meters, pegged my camera at the other side of the

room. In more of an occasion me pass in the night of the eyes,

there were a ruse, there are a bad, they were people, they were

other things. To my mom in some moment, Jolette mentioned these

things, and my mom, and I said, no, you know, you know,

I'm a good, and it's for the good, and the things that then the things that

then we're going, we're sometimes me said the same narrator.

Always, I go and when I'm thinking that the pacts, rites, and things

that they were trying those consequences after the day of and that these

consequences me were pursuing in my infancy. To I want

to that was like to be in the life, you,

standing in the banion in the night, because in occasions me

I'd had the guys, I'm going to hear The bathroom. It was a bit of a costumable. Me disconnected of my emotions.

Only me aburried of that and said, five, six, seven, conform me was listening the different respirations that I'd start down. There was something that wasrapses of the house and I'd have manchas negras. No, they were manches, of weas, and of man, it was like if you'd have passed a trapeador with petroleum, you'd a lot of a line

and I took to see, how the soil was clean, and I'm

to make that thing. During years, I'm used to I'm

after that a day, I got to get to my new house, I

did and that that day that I that I talking that's

that's I'm about my house is postado of sombras,

sombras that me are perseguing for the things that my mom.

Aurora me made one of the stories more schizophrenicas that I have made

to get to this channel. Aurora has around of the three years living out of

their in those three years I've been having been on different cities

because the time that the type of that has that has that

a time that a long and return to

the origin in the that in the place and then

then then, then again other quantity of months. That's done to

know a full of different places and that have many experiences in airports, in automobuses,

knowing different edificios, places, where renta, et cetera, et cetera, et cetera.

But it's a success that says, is the thing more that's a thing that's a lot of

a lot, but as a lot of me, I'm a house in a colony. The colony was a colony of a country

and a lot of people of people and this house to go was a house that was a lot of attention because for the

general I'll need a building of departments to be a place to be people and there are

a guardes of security but for the place that was a little more rural the people

that's there is good a lot of the city in the city in the city

in the city where there's no problem it's a city very beautiful.

The house that they've that they've co-elected because there options. It's very

pinkeresque. It's a fachada in a color like a marillito but it's an amarigito

mehiscu the paint very new. It has tejas in the part of the right and

has a cochera for an car carer for a commed and a patio

a patio a bigerer a place so you see is it's a little bit

a bit of because it's a house equipped yeah has a camera yeah

has a refrigerator yeah it's a little but the really is that you

not that you're not to you my time and my time and I

practically I'm in the time I'm used I'm my routine is that one of

my way I'm the first that I'm do you four hours is the mandado. But, before the mandator, I go a list of things basic that not have

in the house. Cosses that have to be with hygiene, with limpecies, if there are questions of aromas, things that yeah with experience and discovered, that, if there's a fugita, that if no have a few time lavar the trastes, that if not have trastes, then so the first

what I do is, that list. Me going to the mandator and I'm going to do that place. A part of the second day, I'm direct to work, and I'm time to do that things. Practically my mandatado

is paid to people of the company to get to be the business, I'm going to get to the house.

For you have an idea of the level of demand that I'm in the company in the company.

Well, I'm a manned, and regressando is a a chair out of my house and

the and above a lady, a senior vestida but like I don't know something,

a little a vestido large, of color black, if it was a baton of a night, but of mangas

longas, con olanes, he's up a type, like, no see, how they're this

that's all the little bit, but that has a little lancitos around, is a tros of the

tela so great- great-t is the she's the little, but not for the

real. So, so I'm that I see, and a two or three something, and the

woman just, and the that's going to live here? And I say, if you're trying to show something, trying to

show you, not all they're not not they're not they're and the woman, me said,

Becina, how will be a living here, I'm a little I'm a little

and I'm really, I know, I know, the deweons that you know, I'm not

I'm not and I'm so I'm know, and I'm a lot, and I do a

kind of canasto that has a cover of color black and no

it's a very very bad it's a much thanks for the detail no

so much don't be sure no there no there the she remarked the

she remarked the the instructions do you make and it and

go and I get to and I'm getting that this she's this

house has a something something something very a good. I'm going to the house, I'll get the house, I'll go to the

table of the commodeau. I'm going to perecederos in a pair of bowls, so I'm metying those in the refrigerator. Accommoded all, and I'm a cordo of the canasta. I'm going to the house of the canaster, quito that teal that's of color black, and what

I see, I'm in the narrator. Well, but what is this? A cross of madera that has a cristo of color plateed, a boat grandot of water that says, water bendita

for use a little, a bolsa that has like granos of salt great, and then

a boatecito with something that I think is an and up a newge in black

for that he can make a man, me get to and I the fred and the

frugated, but I'm in a place with puras people like people like

so I'm like those people there. I'm going like, this sir,

not is it a little bit to be a day in the house and I'm a lot of my life, or that's

people who are people who are about the person, to report to what you can't do you. Oh,

well, I can't with the people, they're not, they're doing photographs, they're saying,

that, I'm going to not, that's a cross and blah, blah, blah. Well, well,

narrator, me go to my apartment, I'm in my own, I'm inciard, yeah, for this

we're and me of the night, no I have a petit, I want to drink, I'm a little bit of pendent,

I'm quit the rope, me go and I'm going to the bao, I'm met to the water, I'm

that I'm the vapor of the water because I like to be able to get to water, but

I'm getting to the water and I get to the water and I know, no, I'm sorry, I don't know how no

a patrol or an ambulance I think my vicinous, or are accustomed to that or not they were not even because they were people people

but you say that they're because I gritted so and in form that deforated that I don't understand how no get a

patruia. And well, the suorpe that I'm to get me and to get me because was in the

middle of the vanier and I'm to get to get to a pader, a situation very lamentable

that I tried in their moment to tell to nobody because I didn't want to imagine in a situation pegged in the corner of a while with a lot of fear. I'm a ton of I'm put a-pago

the regadera. I'm going for the to-a-mitted. I'm trying to understand what was what happened. When I go and I put in front of the space of the bay and it's mark in front of me a palm of man there in the

spejo. And I don't know any edit. Nothing more, I bro the door, I'll go to do you, but what you're doing in a little bit?

At all the entrance to the night, go to your house, and then see, and see, what's

going to my house, I'm a little, I'm a cellar, and I'm a signal.

A signal that had been had been there, that I'm going, I'm

going to start the door of the door. No you're not you're a person

amigable. Me are talking the door of the door, and

then it's going to move the cerrador. I'm that I'm I'm going to do you.

I'm going to say that I'm to get to call to the policeia. Sunn't some are some of the

room in that I'm I'm in the thing. I'm not. And where I'm going to put to

get to the camera, the camera, the camera begins to be able to get to a rogada to a front, I'm, and I'm, and I'm, and I'm, and I'm,, and, and,

I get out of the cochera, totally assustated, narrator. If I'm a point, because in some point I'm in a little bit, I'm in

the room, and you know, I'm not, and my head no do it for a house, and I'm front of the house,

very, a real, and very serena, the sir, the sirs, that I, had that thing, in a chair,

and me said, to him, I let the instructions, use them to be the I don't know

do a good. And the lady she was there's there. I'm going

like if were in a mecedora. I said, no, I'm here I'm in the morning.

Because no, I'm met in the house. I'm there in the car, and the

area. And the one of the day the next, I'm not the end up.

I'm the company, and I can't be to be to be to be and I

have to move. But that's the thing more extrana and more rarra that I've I've been in my life.

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Saving those children is how we all go home. From, binge all episodes exclusively. on Paramount Plus. Leonardo knows that has a certain

level of sensibility, because he has lived over many years. Nobody he said to how to

manage that things, nobody he said exactly how interpret it, but he's someone

very intuitive, in the sense, in the sense, in the kind of, he has that intuition,

but also he organizes mentally to do the things with

the He was discovering that when he was talking a person and he felt a much of a trestice. The trestess not of him. Talves it was of the other. That's all it led to have to do much of introspection

and start to understand, distinguish, and knower their emotions. When I was in groups of persons and I felt the air very pesado, I was that

that occurred because the persons were externating there some type of energy and he was made He made a count that certain types of energy provocation

that the places have some types of of different things. So, when I felt certain energies, he was better he'd.

Evitable situations. What occurred after? Persons deprimed, persons three, people, people,

when in the reunion or in the situation, no, had occurred nothing negative and all is good.

But he said, he's he says, he says, Leo, and me said,

the narrator, I want to tell, that that I don't see or nothing I'm going to and you know you know the

amount of things I've seen it's something that's something we can't be a lot of people will be a much people

not me it doesn't it's a final I'm I'm it's the I'm the I'm a

question to you're going to the place more maldito in the I've been a place in the

I think or that did you or is a connection directly to inframund

but the part mal, to the part negative, to the infirno. There's a house in a lot of the colony that I went to live during a time year, yeah when I had 24 years of this, after almost 10

years, there was a lot that was a bad vibrra. But, a lot of places there are very bad vibra, and when there are forms of change the energy of the place, and yeah. No, me was the idea of a place of these negative, certain of the

house at a time. It's like if were a place medium radioactive. If there's a way of quit what is generating the radiation better, I know that for many don't understand what I'm saying, no important. What you want to say is that there are places that I feel that the place in the city has a cargo negative

and there are forms of that charge. It's what I've learned in the life. Well, that place, me dave a bad bad a bad vibrator, but not so intense. I've been thinking in various methods, yeah me have been led to various sustos, visions in the

mind, sensations in the body, and, well, there are places in those that definitely not is better to enter. This was different. This was it, it was like a little bit of a little. Think in methods, pensions, pensions,

Salamemannies, Orations, Agua Bendita, and things, narrator, things that all the long of the life I've been putting to my packet. Then, I decided that one day, a dominole for the morning, because in the

barren in the area in the time the people the day of the day the time the time

there's no matter no there's a no there's a person like there

no there's a type of things in this place seven of the morning of

the day I'm I'm to the day I'm two mochillas

and I'm thinking exactly in what what I do do and I

have decided that even a little is a bit more dangerous, for the energy that it's just that's the

time, I'm going to to go to the center of the place, and from the center of

the place I'm going to start this limpia or this change of the

energy of the place. When I go to the center, I don't see

the there's a trap of the carador. And one once that was

in the center, it was over me and I'm almost

is that I'm to the place, I'm something very strange. The energy negative had been backed. Inclusive, there

something that was sentia that me invite to enter. I'm going to see a very illumined. Extranew. Because the windows are such as that difficultly enter, loose for there. No, there's electricity in that house. Definitely was almost in ruins. But I see much light inside.

I see the passage of illuminated. That should have been my alarm. That is a total incongruency. That's over a little illusion. But no, no, I don't know in that moment because never had passed. So, I was that I began to come in the center of the house,

and in the moment in the position I was in the center, the obscurity came. All the house, the instant, it was over-obscura. Voltae to the entry. No, I can't even the ogreau-distinger. I'm in a obscurity absolute. Despite of that,

it's like if a pair of hands me had tappado the eyes because I feel pressure on there, one man in every eye, making me presion and then the narrator, I'm going to a man in the

spalda, a man in the arms, but the man gets and it's a pressure and it's a sensation horrible because

it's a sensation of a man frie, of a man more of a sensation that I'm to have a

pair of men who I'm talking in the zone of the section and me and then

two hands me to come for the feet and me they're subject to there. after that my

my cabello all the body of the body of the world like if I start in a place to

get to get to get to the head of the my my arms start to get to the hair

and I start getting descargars electrical in the but not don't don't

you know it's a cargars that you that are you that are that you can be that's

in a pastes around me and now for first ever the first time in the life I'm listening that something is coming and no I can't see, because I'm pressuring

the eyes, something is it, and of a sudden, like if all this were something that someone planed, those hands are quit. And I I'm going to look at the front of the house, see a passage that when I enter and not was there, and that passage, at final,

it's that there's a lot, and there's a somber that gets, It's position, me, and in a parpadeo is just front of me. I'm talking of a space narrator,

of more of 15 meters in a second front of me. That thing was I had here in front and I

felt something something like if me were extraying the good of me because I

feltia that I'm marchitando the only that was to say I'm,

perdon, I'm going, I'm going, I'm going, I'm going, I'm going, and I I'm going, and just I repeated because no

there were more words that had in the head. So, I felt like if one a newna up by the zone of my arm, in where we have our venas, another one would bea here in the zone of my cuello, where we have our

arteries, another one more in the other arm, another one more in my ingle, and two more behind my rodillas, as Omenasantly, and I this, if you will you'll come here, no you're going to

let's go, I'll never be able to be lighted, I'm going to go back, I'm going to when I'm

doing the umbral me do you know the I'm going to get to the house and in the first opportunity me moved to

that place. Dear family nocturna, no see if you had told a secret of me. During many

years, I had the good to go and I'd like to go to go to make a no, I'm don't know that there are

some communities that I'm going to mention that the number are you know that we're in

that they're a lot of little people about a pair of serritos. I'm going to talk about

the legend of the serro of the serro or the venado as it is a

legend that's a only for the people who live in the ranchito more than

the ranchito, the ranchito, a community that we call us the ranchito

in the that in its moment more of the huge haute has been a lot of time, it's almost

a couple of a lot of but there live in around to a 60, people, the people of

that are that they're young, are going to work to the city and they are the

days. In that they're that's the serra of the serbo or of

the venado and there has to be from those times of the

people of the same years. They're saying that for There, with the first Camada of Morators,

there was a woman that had her name, the Bruch. No, the name,

not she did it. Only it only was that the people the respectable

for not to say that she was that was living in this poblado

one one the she her and she she

she she did she the people, the They said they were they were to enterer her

There, justly, in the Panteon Municipal, and they were to enterer with a number different for that nobody were asking for her. They're in a tomb, they put in a number distinct, for that the people

be able to forget of the Bruchar, and the day next in the morning, the ataute is out of their place. Nobody's atreve to

bring it. Nobody entient who's to do you occur to do this, but now, in the same place, they're doing the double

of profound the pozo. If someone will be to get a lot he will have to

get a time and the people is a because the pantheon from the last

houses is a look to the world and it's all the end of extreme

not not great it's the first I'll say to the place

then the house they're they're they're all they're all

all day all day the next, the atahood is another way aflover, and the pozo is even more more than you.

The atahue it doesn't want that they're going to be why. Why is that when a abutante of

the poor and says, she always he said that they were in the serro, that's the way, and the

people said, well, but it's a hard, and the she never no longer no more

it's like we We'd like we'd like we'd much. And that night, no, they interrary. And that night, more than 10, saw her, saw her in the cell of his casas. At the day the next, the people was dead of fear. All the day they'd have been, yeah, to the part of the river of the serro, that the woman would have been in peace, or a minimum, that those de facto, the most Fruits of the Cerro,

were and cargared in the ataute, and it it was a bit aftsated for what that would be a woman, a woman of 55, and

that was about 65 kilos. Sin however, no did you were questions, it were to all over both,

two persons more of relevo, and they were to get to the start of the part of the

part of the case, it had been all toquest, and were aghached, not could with the PACE

They were doing the Fourses, they were to be the revos and they're going to be

there's a about two hundred meters to get to the arseeing the teree

and they said, Bruch, if you you're in Vida you're to make a

those for to be to be to be to be because we're

not we're the story that the people that that while

while they were they were going back. Of a one called the attention and he said

what is that it's a listen. And they were like some 10

cabos that they were running and when they were the

the taud was in the place and nobody he

did and nobody he did you never to get to

that other other story of the the sea

to be when you when you like serros, mountains, to the air, limberre, to the

out of the descampado. You have to have much conscience where you're, not you're in the city, that even when the cities, there are cities more secure, in the intemperia, in the

descampado, there's those proper regals, there's a own fauna, his proper flora, and you, there is the

that is the invadinging. You have to have a cross, because in the Cerro of the crosses, nobody

they have to put foot, and I'll never that never you'll never you know, it's never to be

a lot of because when you're a attraction such as a time to be a tryer and you'll

never you can't you. Quenta the people that is near the crosses.

There are many stories of people that that's that's that's

that's that for that's never to be the not you don't you don't you don't the

people to the people to and they're to send to other world. No.

To I'm talking to people who come back to get to be and they're in the person and you

never they're not. The papa of the person that me manned this story he said

he said he was a man who disappeared in the hill he had about

of 15, 16, years there were many the legends of

the crosses that he's that he said he's because of

the cross if that's the have no, they're in he's a cross, it's a certain that's a

he's a river, because it's a lot of that's a lot of our suburb. The father of our subscription, he's not. Some risks that no value are in the pen. He said because there are animals there, or because there are poses or betto to say that they've done, that they've done things in the past and you you're stuping, for you to risk?

But he, the friend, had tantas gans of sub-you-law, and get to say, I'm the valiant of the people, yeah, no, crean in those things, all the day, is a minute, I, I just sub-it. He wanted to have, like, that power, that platica, that

dialogue, to have that experience, well, as he said, the papa never could persuade, and the friend went to every five or ten meters that he was sub-subing, the papa was

looking with the and he said that after 50 meters the friend the friend he's

like a summer pass on front of him because he's when this occurs

he goes and he says what said what it's they're they're a

hour in to get to the and all get to the

people the people so that nobody he's to

get to his never he he's he he's

he he I was there no. Nostro Our subscriber, I'm a writer, my

father, my papa, my papa, my papa is of that rancho, I know, I'm not

to live back to and I'm really, and I'm like, and the places where

there's nobody. I like, I'm a lot of times, I'm onto my

caronet, I'm going to go to places where no there really really there's

the the way, the I'm do you, I'm so, and I'm just

I'll get to do it, because he'll go to do something. He has a little, he has a house there. And I'll do. I'll go, well, I'm going to go to go to a mountain, and me say, and I'll say, and I'm going to be able to, and I say, you'll have to do. The Cerro of the Crosses,

you'll have to do you, not even to get you. Narrator, are legendous and don'tteries, is what I'm thinking. Me, I'm in the camonetta, and, of a sudden I'm at a carousaned to detenermen in a point.

I go Caminando I'm a Serrito It's a Cerrope little I'm

around around to be in rode around and I'm where I'm I'm a little red,

red, red, yellow and I'm in time of the seaquia and I

don't me of the life of the so I'm so I'm

very very I'm so I'm so I'm so so

I'm and I see from all that area all the area

that I'm in the Cerro is strange that's strange that's that's so much, I'm thinking for where

to get a little bit of the world and I'm just going to get a spantarmes but at

instant. Where I'm going the world and see all red, verde, red,

of a repent, I get a point in that there are two three that are

just so in the end of the entrance but as were in the umbral a

one point and it's a abjured, and at the sides are a lot of arboles, but as were an era, the qual

was sembrated for persons to make marked the way, and each one of the arboles has a cross

marked. I'm going that I felt a horror horrible, horrible, because it was like if

that was the place, and not to do you do it, like the earth were a

mal and there would some type of life, like if the arboles carnivorous and were to be

to be able to never, since darm because I think that I'm going to go to go to be in

I'm going to get to be a point to start the record, because without taking conscience of

my body, my person my body's moving only to not you know,

I've in the power I put my my peers in the other and the

legend of the Papa, you attract like if were a man. Without

you know, it's a way to be and you probably you know, I'm probably when I

didn't know those arboles, and they were those parts, and no they were no,

no, they're not on the day of the people of those who were that they're

because they could be that not more, just you know, and with this

story, dear family nocturn, we've have we've got to the scurred fogata of stories. So,

is that the dear family nocturna before to despeed me and to see the good little

and then that you're that we're going to back in two months, we'll see and all

those who want to make part of this family nocturna because remember

that we're on the march of the million, at final, not more,

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we'll go for the 2026. And now, if you've said this, we'll do this, we'll do we'll see in the next week, but from here to see us in the foggates in vivo, you'd like to be your own little presidias. Bye-bye.