HABLEMOS DE LO QUE NO EXISTE - Historias de Bosques Embrujados , Rituales Impropios y Demonios al Acecho | EP 257 | EL NARRADOR

Episode Date: January 16, 2025

Bienvenido a ésta Oscura Fogata de Historias de Bosques Embrujados , Rituales Impropios y Demonios al acecho. El día de hoy les preparé historias escalofriantes y oscuras que ustedes me compartieron en el alwhatsdelaspesadillas y unas cuantas que escuché por ahí. Escucha de encuentros con ángeles , angeles caidos y entidades que son una novedad hasta para mí ; conoce la Historia de Tony el guardabosques y la cabaña del demonio; descubre lo que hizo Luisa para hacer enojar al ser oscuro que habitaba en su casa y ¿conoces a la entidad de la cara derretida? prepárate porque llegó el momento de que @hablemosdeloquenoexiste Hablemos de lo que no existe es un canal de youtube con el formato podcast que comenzó en abril del 2022 su primer episodio fue vivo en un casa embrujada en el que una chica narro sus vivencias y sucesos paranormales a lo largo de 20 años en la casa de sus padres, desde ese episodio hablemos de lo que no existe ha marcado una tendencia en exponer casos paranormales de personas comunes que viven en diferentes partes del mundo. Ice Murdock es el conductor o host de este canal, durante casi 100 episodios no apareció, nadie conoció su rostro y la comunidad de este canal , la familia nocturna creó teorías acerca de quién era el dueño de esa voz. Hablemos de lo que no existe se destaca por tener apertura ante las opiniones experiencias y vivencias de cada uno de los invitados. La comunidad de este canal es conocida como la familia nocturna, de hecho por estar leyendo o escuchando esto tu ya eres miembro de la familia nocturna.. bienvenido. El duelo de historias es un concepto que se creó en el canal @Hablemosdeloquenoexiste, idea original del narrador, se estrenó en el episodio "Comité de la Muerte ,historias de Hospitales" el 1 de junio de 2023 y empezó a implementarse formalmente en el episodio "Abrí la puerta a un Demonio" el 11 de Enero de 2024 ; consiste en un duelo entre Narradores, una dinámica sencilla, donde cada uno cuenta una historia y busca superar a la anterior y al final la familia nocturna nos comparte en comentarios cual fue la historia más aterradora. El Narrador y todo el equipo de Hablemos de lo que no existe trabajamos para darles a ustedes querida Familia nocturna contenido original y de calidad, tardamos a veces semanas ideando formatos luego de tomar en cuenta las cosas que nos han pedido a lo largo de la temporada anterior y por eso el día 23 de Septiembre de 2024 comenzamos una nueva temporada que llamamos FOGATA DE HISTORIAS, en donde el narrador prepara una serie de historias escalofriantes una tras otra para retar al espectador a terminar el episodio por el nivel de miedo. En este canal se relatan historias de terror paranormales, sobrenaturales y reales, prepárate para conocer el miedo de una forma en la que nunca lo habías experimentado

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profite. Via Rai, the voice that we love that we love that this oscura fogata of stories.

The day of today I'm about about places embruched. Liberations that's

made form tardia and demonios that are at the satcho. For all those those who are new, I want to invite them

part of the community, that form in part of the family nocturna and to do do it. And to do

one one one thing. It's very simple. So, they're going to this foggata

of stories. If they're they'll give them at the well, now,

for the family nocturna, for all those those have been those

fososos and form part of the community you, you know

the regla. If in this occasion not able to survive, me they'll be in the comments to know what was the story that it had to say that they were. And one of this, let's say this, come to say, you know, and then I'm going to know the list of a lot of front.

Is it the story of Jordy, and here we're going to to tell them. This story that I'm going to is one of the stories that that's that's more crudas and difficult

as much to get it's to be with something that's and I hope

that nobody has been in this circumstance more than Jordy Jordy

has a few years he was living of interchambo

in other country he was studying he he

he he to the moment of this period in the in the yeardi sent you a level of pressure so high, but so high that he sent you in

some moment that he was to desisting yeah of the project I was to go to the border it was a muchissue everything was going to

a level of a majorer was very very pesed although it was so good with the way to get to that level

then I'm then it was a reason in to understand of fluid what they were saying

a sometimes when he had to he had to he had a point less

in relation to the other not quite not so you know this

so you so that's that for the first in his

life he he began to reprobate matters here

here he has a he has a moment of repro

all the charge of the cost he got

to he has been with all the hours that he

did he did he did he did he he said he said he said all the

he said all the money and he said he's a money in the

bank if he's the time going to go in

the and only to have four money for to

do so so the project so is back

it is to fregar, that one day amanecy and it was a Saturday, a Monday, a end of a week, and I feltia that was in the middle

of an attack of panic. No, I was not able to control to get to get to get to or he was to fall to

the air, like if were in a little, so little, so little, that even to be

to be able to be able to be able to even, and it was an effort in inhaler,

sentia that not so you were in the pulmones, not He was in the air. Sinted Tenthed

Tenths he he was in he was in he was the area the area in the

he was he was very close at the university to the he was

but also he was a a sense that that

despair that we didn't take no no only

no kilometers and then then he'd serve to start the stress but it's always he'd make much measures

to give us his familyaries and then say to what was to where I was to go to go to

and what was that was that I'm in attuendo revisar the climate revisar all the

little details that could be presentar a difficulty because if you're there's

there with problems of the and apart of that in difficulties in

in the nada, I think no is nothing convenient. He went in the

busking. He went to go and to gore and and to and get to the heart. And the

louded it were to get us tomming. In the the head they were

a million and all the time that I'm not you do you don't know

and I'm the first of my story of fracaso and if I'm going to

be a in the rest of my life and if nothing of what I did this this is to do the way because I'm

not going to I'm in the most important that I've done this and I'm especially I'm spantosas

he's he's a get to get the frio no van 15, or 20 or 30

or 40 minutes they're about a hour and 30 minutes that has

been that has gone no no see you the sender normal

perdi noce he met he went and he went for the arms

it's part of the feet of the hair because I'm in shorts and

you know what's the thing you know, he's a new these changes

of the climate so but there is part of the

vicicitudes that they do not he he was

not he was not prepared for that the the

the the he was the he made a

reason and he he did know that he was in a

place, and for more that he was trying to see it in the world, no

he knew nothing of the place. He was to be to frotarses,

and he was to get a little more big to put a that was

to get a more possible and he he the cold, and so it was about two hours

and a and a and it was and it was and it's not a only real the city

no one no one no movement of people no there no

20 minutes after it was it was because it was in these

days in those in the the dark the night is a long,

and the problem is that if he was the night there, the possibility to survive, it was zero. He was to have a fear atroo.

He was going to his head. He was to say, a gritty. You're going to to die, you're going, here's a end up, here

he's got to think, and he started all the people that were there on the other side, and never

to know what you're going to know what you know where you're going to your body. And puras

ideas horrible, crossed for her head. In the desperation, he was in even a

lot of the light of the last time. It was being backed totally. And I

continued coming into, but yeah, the nevadita that not a much had a

level of the viento that he cost to work to be to work. It

got to start to be to be to be to get to be married,

and he started to be very torpe in his movements and he

was to the final. And then, of the nada, I heard a Silvido. The Silvido brought his attention? Could be an animal salvage, and that

would mean, that would mean, or maybe it was a person. So, so he was to get to, help! Help! Grit.

In what he could, with the forces that they had had. Nobody was he responded,

but as it was too, he, he was in direction to where that was silvido,

there was a movement of the light of the little time, he was going to get to

go to more rapid, he was a more affected by the frio, probably not he'd

probably not he'd probably, not a time, and then he's without

a sense he, he opened a clear in the there's a few a few,

a fogata to the center, and there's a subject that's sat sat down with a mantah and nothing more he's signaled for that you see in one of the places. Jordy, when he sees that, he wants to say all,

he wants to say to him, and start to say that he has much frio, that's going to be to-morrow, and not they say the words, the book has it's seca, all of the rarganta, and this man only separate, and his manta, he can't,

he's put around of him and he he'll and he he has to know he's he has little

little satisbos that occur in the moment this man he's done to eat a food

delicious he's he's he's he's eating a combination between

a some with a liquid speso as something something

something something he he's not distinct exactly but it's something

it's something he's the force and he's going to get profoundly

dormed. Acto a open the eyes is the day, no

tina no tina is in middle of the and when he

he comes a he's two passes when he he

does get the the right and he's just

in front the department who who he he

why they they they how they And why they're salvaron?

It's something that I ardi the day of day of the day of the of the other than

is that a subject, a subject delgado, of the hair like with light

light darked, a little qubradice and that continually seemed like if

had been agripaed like if stood and if they're doing

that you do you that I'm you know or incomendart to your angels. If you can't tell you the story of Tony, the guardboskeys, and the cabana of the demonio.

We'll start this episode with an history of angels, and that was a proposito. Initial with the things tranquillars, darthell the opportunity that you gollas acclimatando, and to not per day to live the line. Right in this story, we're going to be an angel. But probably we're probably the story

we're talking to an angel caided. But to put into context, we need to talk before Tony. Tony is a subject very peculiar.

Physically and for form of self. Physically, it is very easy. He is

like of these characteristics that some of those know, a person with the

white and the hair practically black also almost from the lastimient.

For other other other side, his form of is a type with

a level of empathy very a little usual. Tony's did know that he

he'd connect to connect to be about the thinking, with his environment, with the animals,

with the plants. Since his parents, his papas a little strange.

More that this situation, in turn his color of the hair and his

skin that was very, very palid, that would get to these places

and silvestres and to bea arbores and he put to talk to talk about with flowers,

to his papas he was so he he's a but he was doing to see a respect. Tony, he was

doing a lot of his life and for situation of the Arroupes, no a ojas of the

plantas, it's very respectful. Of each they put names to all the plants with

that they live in a way and it's like the animals. In

some form it's when he a animal that has a kind of

form of a aggressive or that he's he he

he he's feeling what is the thing to

this is part of past. He's not occurred, but he

has been very present that his 22 years was a reality very palpable

in their day-a-day. This it was to be to be the social not the

person more social of the world. His mom always he said,

you was to do you have a mother to be a man,

but not was so. Tony not could imagine

that that this So, Tony studied an engineering, but he was a person very callied with the human. It was a person with a world internal very vast. He is of these people that transmit much in the silence, that with a look at a lot, he says many things.

So if you were at the time of the primary, secondary, preparatory, or university, you'd have to be normally only. not a type rare. He had a good lexico,

he had very good qualifications. It was supermement but not sociable that

somehow was more with his intorn than the people then

then was developing certain and fissions he was

a person that if not you know you never you

would that was a Auxiliar of Bomberos, that was for medical in times

live in a mode of as a good other and it was also, all, all,

that all of that was not it was for a market. I mean many things,

but all this was because he, he, he was trying to find

to find to himself, and was he was doing with the past

of the years, that he, in the natural where

no there's nobody more than he and the and the he's

a lot of that's that that's that maybe did he were

things that were very questionable for much not in a

strange me you want to understand for many

for much to go to the nature to

to camp in the matter is a so

a so is a and they have to take certain precautions. For Tony,

it was that natural that he was going to do it. No, he was to be

to know, and he was there, and it was there and simply, I'm in a time,

more of the time, four, five, six days. He was he was

he was totally in his habitat. He had some things like

supervivency, things minimum, intentable that the naturalness the provide to

the rest of things that needed to be a lot of a person that was a person, he could be

a lot of nothing, it is possible that if you'd be that you in the

area, on the that I had you had been topado or because you

had to a subject a little with the skin subamente

pald with the the face black, very, very very good,

very well with a a camisa of a black almost pulkra even being

in the night, some pantalones military, a rifle at the back, a pistol

in the pantalon, and a hand to a a right, and a

subject, that simply Albert for his musculature, you would be to

you know, you probably probably you've done that you've done

that in the the way. It's a subject. It's a subject that is a good perfectly well in the naturalness. Those are the things questionable. No, he has tantas precautions to the eyes of the other, because he's a very alert, he's very atent. He's a move without a rastro. Analyza the situations. In many situations,

observe a group of persons what is what is what are what they're doing and their comportment, because he's not going to gore in danger. But if they would have to him they'd be very nervous

that's that's a thing, but in a certain form is because Tony he's

like a guard bosques, he's like a guardian the area,

no he wants that nobody corra no risk. His rifle

and his is to castor. He is very reputu of the

endorn it's because when see he he can they're at

put that they're to do some or some animal he he

it's a air. And with those noises it's that all the animals

are there. The castors, we're not great friends of Tony. They've

been said to have been certain situations, but Tony, Tony, there

where you see, is imponent. It's a type that's that the fear

not of the not of his virtues, qualities, and defects. If

notas, part of what you do you have to have to the past,

things that he He did. Because at the day of today, Tony, no, he'd ever be to put in any a bush. Perdiot all connection with the naturalness. No, can't connectarse practically with

nothing, and still living isolated. But, today, if you'd have been a person that mentally, if it's a deteriorated a little. And that, no, I don't know I, nor do you, nor do to judge it. Are you, are your words.

Me, says, narrator, I was I sent to one with the Bosque, I was one with the animals and

the plants. And so I lived all my life was a person that I'm

not even never was I'm someone I'm a person and in the boss

it's not a question like to do these little groups

is a situation of respect of connection to be and at

all When I completed I was going to to get more a week. It was my gift of my gift.

And I, I lived the poor experience of my life, something that has been so traumatous

that I'm that I can put a put a foot in that you in any other there's a place,

in the can't be that I'm that's that's there's and I know

I'm not I'm can't see. I'm to tell what was what

what I'm It was what I was going to be my tient-a-camping, my rifle, my pistol, and my Cuccio. I was prepared for any situation. Now, as a second regal of a cummanyos, I'd have a new to-cassion, one whose a hoaxed a color black. It was like if it was an obsidian. It was a beautiful.

I used it was to use to open latas practically, and if I had found rams tirades, with those I'd pull them to put it, to make little little

puttas and I'm or in occasions with that I'm going to get a fogata

of what me going to be going to I'm all the other never

never said that never that never to not a

in this place in this time that I'm that I'm

saying that I'm I had to do something something

something something a sixth-sentied, no I don't even how to call it. At the day of the day

of you, I don't have any of that's not a person sensitive, and much less,

something, something, it was a lot of a few, I was, I was a little,

I was in my position as a place in a way very strategicic,

advanced a various kilometers of day, and I very very much

the atarder was when I had to my position I had to revise salvages, because me

went to enter into more in zones, which are zones in those that, perhaps since years, no have contact with the human. So, narrator, in these zones and in these places, I know to have my good news. Not the first time that I'm going.

But there was something very rare. There was a silence, but a that is rarestiming, that's rarestice in the nature. No an insecto so moved. No, a o'clock,

nor ram. No, there was a curugier of nothing. It was such the silence, that my respiration

was insupportable. Saturva the place. It was that it was like with a microphone and

a bocina and was going to be to be a grittal my respiration

for more that he was a lot, sonabous because the silence and

was something insupportable. Ponto with the silence? Dentro of me there were some voices. Not nothing supernatural, nothing of what you, a narrator,

my conscience, my ideas, my thoughts, were so clear there, because there too little noise.

There, no, there were distractors, then I had my voices, to say, and why

no there no, no, there's rastro of any animal. Here there

of having some depredator is there something in the area? It's something you're going to you're going. Sientes

those miras? Sientes how something you observe between the arvoles? Dise

narrator, they're there are many times that I decided call them there's

there's there. There's when you when you see you get to put your

mind in blank to maintain your respiration as as

the most the more back possible to make your latitudes of the heart of the

heart they're and you're a rastro of your essence. Are you

things that are things that are difficult to do. In that moment I'm

in that I'm in that absolute lucidess to simply just to be able and

exist and as a way automatic commences I'm to

talker something I'm I know I know I'm I'm but

it's to enter me more and more. Dejay to medire the time. It started to be in the house, which is dangerous-sissimed in the area that was the area that wasos, or it could be a zone of animals salvages, very, very

aggressive, and 100% carnivorous. But no, I saw rastros. No, had been a rude. But also, it was a strange to my comportment. Of all manners,

I continued in that mode as a automatic. I'm prepared yeah with food, I've

had left my time to camp many many and I did you see in

automatic, there there was there. You know, you're the worst narrator.

I sent a more I'm not I'm not to be very

I'm I'm good being doing, I'm very good, disappearing

my presence and I could pass inadvertido even with groups grand of persons.

I know do so do, I've practiced I'm very good with that Rattor here there was a

that I'm was observableablement me was over aseching and menaceing and I never had seen

that that I don't know if it was my curiosity or an instinct of auto-destruction but

continued advancing and it was two days after me separated of my

small campment that I came to a place in the place the fact the fact

of the way he's not quite many people but we're talking about decenas of the

kilometers in the middle of the other more than any but we

we're talking of places in those that I'm I'm I'm

not I'm not been there have been there there because

are zones that not so it's It's a very dangerous-isimu, to go to that. Narrator, there in the middle of the nada, there's a cabana.

How did y'-antys that, I know that there are a-ar-dra, but the construction is an antiquat, and at the same time it's a good state. The matter is black, and me does a sensation espelunate.

I'm put in cucklillas. I'm in cucklillas. I'm in some matollas, pegged to a trunk of a I control perfectly my respiration it's

something of so I'm quite a good I'm not a water of my book and I am sure

and I'm see a details and then the sensation amenasante come in the place

there's horrible, it's horrible, it's something monumental, it's something more more great

than the construction not I see to say because I think I'm it's real

for me it's real for me it costs to work to maintain my latitudes back to my breath

my respiration the most low much possible I'm a little not grittal narrator

I'm there I'm watching for controlling and observing

details when I noticed when I'm something that's moments emotions

I'm impede to I'm there there a fron

a of some type of material blank and that was going to like a circumferency in torno to the cabana. No see what was. No see what material was.

Only was there. I began to hear a detail and there, for the first time, it was a rumped the silence. Passes. And for the type of

to comeinar was a person. One person was coming He had tumboos, cogeable with a foot, crugia in ramas on the other, crujian ramas of the other, he waspresenting, he had the man oposed in the pistol,

maybe the danger was to be of this subject. What did he? And then, of the part of the cabana, I saw that a type, reenito, cogeying of his foot his left in trage,

with an jacket, with some sapathes that are almost desechos. The roba that's very

damaged, and in his hands, it's a bottle rogo that has

like a kind of a little a little bit a bigote,

and it is a cogeating and it's roceing that roceing that in the piece

in the cabna and is bocifering puras things like of a

thing, you're saying you I'm going to desacere at the fin of you. No I'm going to to make a rastro.

You're going to disappear of the history. He's saying purrars things like and it's then when my fear is a side and

I'm he wants to desacers of someone. It's to get to get to the cabin

looking to see some a rastro of movement of persons there's there's there that

not been not made the same of the matter and see a movement. There is someone

there's a cabin. In that moment it's my brain to revolutionarce. This

subject is to be assassinate to someone, will do you, will be to incendiary the

place and apart of that there's no, no control. This

can be a incendio and will do you to get to

the people, to be going to pass much time, we're

we're really in middle the nothing. Then then will have to

go to see a one to be a lot of going to be something this type probably

probably mean in substances and not in the five senties or is a local or is a

criminal but I have to get to because if not I don't the

fire I can't and I don't have opportunity to be

apart all the that all the I'm my my

my my my with the And I commenced to come to get a long time.

Lentament. I was to get a back to the back to and when he started a little to

and he was not so much still still to be so much I'm so I'm

a moment in the he was very close of him and I thought I was

a lot he was a little away to the house and he was looking

something in his bolsions I knew that it was of the fire, and it's then when trotto

rapid, me quedo, scarce two meters, and I'm put into the no-the-nucco. And I'm going, levantes the hands, not you move. The subjecto starts to get to be that is trembling, and me

says, no-savis what you do you know what you do, let me terminate, and then I'll go a pass-it-stiton my hands and I put the pistol in the nukkah. She'll pego.

And he I'm going to say, I'm not you move as this person and he's

aoyosar she's that's a lot of he's and he's saying, let me

terminate for please let me terminate you know you know you're so that's

so so without my pistol I'm to go to the

front to and he's He does a point that he and

you there's a line and he says no cruces the line you know you're

you're so that he's to get you get the line black and I

know that is a type of poly coal salt paint

in polvo leach in polvo no see narrator what

he car was but it was really literally a little

a mountain when the patier when the patier it It was like a

wayco between that line where I did that's a he said, no you know,

you know, you know, you know, he's he was to come in the place. When he

did that, I was he said, I said, I'm saying, we're, you know it's all

it's just no matter, no matter, like a local, I know I was to be

trying to menace to the place, is that I'm going to, so I'm going to the cabana and I'm going to there, there, need a little bit,

you need a help, yeah is going to this person, and I see a narrator, how there's a movement of a somber in the cabana. And in that, me go asercando the door,

and when I'm going to move the escalars of this cabani-ita, the door see the door, I'm going to be it and it's totally It's a single Piso,

no, there's a nothing, I'm a lot, I'm just absolutely the place,

and only for a little light that's of the light, that's that's

because they're not in those, soious, I'm look, I'm, it's

a sombra of an armch on a armch in a little. I'm not

I see because, but I'm a fear tremendous, do you a pass

to the cabin and the and the door and the door I'm in the car I'm sure to talk

and say let me go ahead you're in you're you're going you're and you're

you know that's that sombra that was the front of the cabin is just

at the front in the video and narrator it was like

was a one that was the only that I can't I

can't I know I'm I'm was had volume like

us. It was like it was a whole of a paper painted of a

black, but it was a sombre there. I'm a tonite. I'm to come

to get to back, and I started to get to get to the things that

I'm in the story, it was difficult to take decisiones to

think with clear that I get the way I was walking directly to where I thought that was my campament.

Sin sense any I turned one day in getting. Me had tarded two in alearm. One in getting. No, it was sentient. No recorri. When I came, I feltia exausto. And I kept with the eyes

and I'm sure when I do these things is to get me dormido without first revisar my entom to findos and wheyas of animals that have been around. narrator, is like if something had been caught on the instant.

Stando there in the bush, out of my tienta totally assuptado, I'm afraid my eyes, I'm in a dream because it's

that's a same, I'm in that cabana but is different. At the final of the cabin at the front,

has some stairs like to another piece that really no exists. And in the part

of the bottom is like a comedore of a house conventional but the madeas are black. In the costado that I have a right, I'm looking a ventanar for the enter a lus. And for some situation, I'm my torso, desnudo,

and I'm like a type of paio in the piernas, I'm pegged a wall, no me put to move. And there's a subjecto in front with a sombrero grand that I try some dardos and me abient a one and me clava my hand in the

wall. Siento a lot tremendous and I feel that I'm like a puss in the head around the front then I hear of the door. Since then, narrator, no I can't talk to a bush, no I can't

have contact with the naturalization because something into me it's never. That thing from that day, in occasions I see persiying.

A-becile, when I enter in churches, something in me, grita, grita with a lot and with

courage. And the narrator, I don't the menor idea of what what was what was what was the day.

But since my life went, I'm because you know, because you're

a point to listen about a end of a demoniac

of the he, not you can't do not be him to his story and he

he made to a form very peculiar and he said, narrator, in the world invisible,

in the world that we can't see it, and I can't make sure that there

are things that are things that are good, and they're all the good for those

that are there but also there are things that are that they

are they're and one of them and one of my Me, He said Ismael,

that since he was a He had He had He'd be He'd look up He'd He'd

He'd He'd He'd He'd When he He was He was When he

He'd He'd He'd And he He'd Because They'd Because he

He'd He'd And then He'd He'd He'd He'd He'd

He'd He'd He'd a was going to be when he said to his mom his mom and said

his mom and said he saying that was the fantasy of a kid that not he was not

he was not the time in the first of the primary and a

day there is a man he he's a man who

has been a bully with him during he he he

he's he he's he always he he's pice

smile and it is muto that day in special, Chevo, no has

gone to classes. But it's very rare, because the bank is a little he's there's a

man, and he's there, and nobody does nothing for that's so you

see a person, he says, he says something, and be that the master's

to put roger, roger, so he gets to they're some little

and he's back and it He regress a 20 minutes after and he the news

Chicoes I'm going I'm going to say that in a moment more we're to go to give to

a chevo he was a accident today he he's not he's not a lot of

hismael not he did but he he was he was he was he was he was

he was he was he was he was he was a chevo there when the

Maestra said that Notice, Chevo he was but he went to show

the next days. Only that conform past the days and they they're

more more morroso. In words of Ismail, narrator, it was like

more more to be more you can't understand like when

you get a and you get a and you see a little and you

when you have put the the little it's so it's so it's

so it's so it's so it's could say that it was nitr. Only

I was going to be able going to more diffus to until a day he was up. In front of the house

of my tia, there is a little a child that I think has a 20 years.

I don't see the day of today, I'm because I don't know, but there was

and I was a I'm a really a really because it was like a chica

very time that someone was to someone was and, de-repan, disappeared of the nada. No, I can't

say that's that they're going to be able to be able to the questions of attention, and in the moment in the time in the

time in the parpadea and I'd and I'm doing that there's things that are good in the house

of my my tio. And this passed a little after of the Chevo, a little

before the other this chica of the 20 years. I go to the house of my

and he's something very strange, like, like if were a place a

place a bad, and I see I'm my my my

little has a parted a book about, like the Bible

in my but the difference is that there there's two

supports and two bellas are not all the little

the but I'm not the end of the there I'm a

lacrán, that is a lacran, that's a parado there, Fico. I'm a lacran, it's a lairn, and it's a laircran, and it's a little bit a little bit of a lacrano, because me was a lot of fear that if it was to get a move or he'd per'd be able to be it, me I was going to go to picker. And then my Tio grita, what is it? What are you doing, Isma? That's not a juggette.

No, does that. And he comes corriending, me loquita of the hands, and where he quit the book, the alacran is there like if no he had touched. And he said, Tio, well, Mata Lacran. And then I went to see, oh, what interesting, you're seeing an alacran, how

is? And to me you just me very extrano. Like he he goes he or not you're not

you're not you're not you're not there you're gonna not you know it but it's

and I'm and I'm to say to say it's black and I'm no to

the part of the back the collar the has that has the

cutyada it's it's curveated it is it is

like when you you know it's it be like

I'm Ismael, I think it's better that you go to you know, I I understood that my

man, I understood because my father, my abuela preferridden like not

have been not to him. The house of my mother, when she

falle enter in a dispute between the brothers. And this this

the man of the alacran he said to the there's to discuss, the house will be

my and you'll be going to do. So, he's a narrator. All they were like,

you're like, you are you put down to he wastes, he put some points in the

front, he put in the collars that were weird that's, he'd

be a person more of a movie of a character as a person

than a person human normal. But if a person a great,

a great a It was a person hostile, although always stood and would be

smiling and there was a way of a way of a way to be a little, I know how to say,

in that time. In that time, and it was just for what of the house of my mother,

for what I did this where I don't know the day of I don't know that I never ever

ever ever never ever never ever never ever. Stann't in the house of the

mother, we've started to my my abo had fallen I'm I'm doing

a mom mom. Mom, not was her mom was my mother mother

but my mother had been a little so I'm so I'm

like to some things to be in good good

and that my old guard like with much

car and some photographs like a a car

of so then we we we and I barred, trapeer,

accommodate things that were out of order, and that's I'm steeves did what they're doing, but for me,

the house of my mother was a place beautiful, respectable, limp, then then

to be a little deteriorated with some some of some with the marauds, it was

not me and what my mom did that I'm going to put to get to get to

the cell just in front of the the kitchen for

the there's a car is a barra narrator and there's a picture in middle and

then you you're in the part entire of the kitchen. I'm going in the cell,

I'm barriending, I'm doing moving muebles sacudying some some things

when I start a much frio but a frio tremendous, tremendous,

tremendous, tremendous, tremendous, I'm start, but is that the cold in

all the body, and it then when I'll I'll to the kitchen for reaction,

and where I'm going to I'm going to there's a other side of the barra with the

hand on the barra and I'm. It's a subject that has a sombrero, but no

I think is the man of the sombrero, because this was a

need a nitid. It was like a he was a kind of a

backer, and he had a person yeah major, but I

I think it was, because it was more well as if he had cuted the face to a rostro and

it was overposed. Where they were in the eyes, it was a little as if the skin

was wrugated or derittying and it. All the car was it was a little

back. And there where went the eyes black, oscuras, obscura,

horrible, terrible. And in the rostro, even was there was a absolutely

enogated, but no you idea. He puts recto and he's

going to move the feet, like deslis in the air as me. Like if

not had the barra, like if not stubier nothing, the trespasser, still advancing

to me. He said, narrator, me urina in the pantalones. I kept just just with

so the scov. She me sold- I'm too I'm not made

no voices, no could and Yorar. It was like if it was my final.

And then when it's like a 20 centimeters, I'm here my eyes, I'm in my forces

of the scuba. I'm not I'm going to move a narrator. I'm the person more

but is that is that is that is a that's going to it's it's

it's it's something it was it's something I'm I'm

I'm it's it was it just here was the same

askeros and the horrible that I've had been in the life, because I think

like something that's a little after the every time that I have that I'm a lot

and that's obvious the condition, or when I'm like a way, I'm a while I'm

because I'm not that's very close to me, only I can't observe it.

It's never too early to plan your summer story in Europe with WestJet from rolling

countryside to cobblestone streets. Begin your next chapter. Book your seat at Westjet.com

or call your travel agent. WestJet where your story takes off. Irene is a

a Brugue involuntary, and me commenta a situation a supermantly a peculiar that lived in a year that he was in

the carmines of the brujeria. Resulta that is that novi, of a boy,

Omero. And this chico of Homer, is really the person in the thing of the

magic, the brugery, the invocations. No, you know, you know, not was a little, he was a

man, was a little, that, even in the school in that time, like, all they'd go back. But Irene, we're not the person

more social of the world, and she was like refugied and acobigated for this child that also was a rechazzed by the other. Irene,

no had no problem, only was a little bit of unsecure. Omero, Omero, he had certain details.

was very aggressive. He had, like, much courage, situations that had no had resolved of his

life, and by medium of these thematics is a idea special. No,

I'm not I'm saying a writer. Fickate that he he said he made to

talk about much about grimorios, of the mania, desendas magics, said,

they were names of magos and things of that I don't know of that that's

about about in the time in the time in the time that I

even even even even if the thing is when me about me about

me Pete Copperfield, I think in a Harry Haudini, and I thought that me

about of illusionists. And he was offending much and me said, no, the magic

of the real. I don't understand. But at final, I

didn't even to put me to get to get with him, so I think, I'm

that I'm and yeah. I thought that that so I'm that so.

Omero he met a group a group strange in the they're doing

rituals, rituals magicos, invocations, I don't know where they they're information. The only that I'm a group of brujitos

and brujitas that are to do you and the the group is a tall Josue. Well,

narrator. I'm going to go to these reunions. Because I didn't want to be in the

but also I don't me interested to form part of the group. So, so I

say to Homer and the other that I go to do be the observator, that I will

be apart and that if I see a little bit more and that's going to informer. The reality is that was that was there was there was there, but it's there when

they were a rito in a house very strange, and I I'm pretty things of that they were doing that they

themselves they were they were they were they were they were houses abandoned cemeteries

their own houses when they were in their parents were the people of my age and more and more

about the 17 and 20 years in this then I don't I'm exactly but the

thing is that they're all the whole after that they were like with

a cult major of people more and they're in a

little that's me so I'm very very I'm

the thing was a bad I'm so I'm

I'm I don't understand the day of today why demonies me left pass to see if not going to participate in

another. I think I know that more than I'm not that I'm and you do you know

and I'm just something that's something it's when they were doing those rituals

I'm I'm to see exactly how but I'll try to try

to be It's like if all they, when they were generated a sphere. A sphere, a burbucing. And something,

a little, a little, a little, out of the burbua, those percibi- he. Of a

the repent, it's like he'd noted that they had been to get us and it

was a thing, I was to start in the burbouca, but not it was

a sensation of a pressure external. And I made I never that the

people that they've invited there, they were they're in you know, and you

know, because I say what what was what you after the situation, that for

those not, and I, for the act of the people, of the

place, the of the place that they did know that that

something that was going that, he he's deception the

group of Omero. Josue too was a subject that

he was always to be able to he was like the major power magic and puras things that for me are

not things that never was that they were that they said that they said that they're after that after that's

narrator decided that they're not going to do do that they're to do that but they're

but they're they're in their in their house when not were in their

fathers in cases abandoned and I I started to another that at

the first me did much morbo because I think that was

a part of a show a aggregated that's he was

he and with the time me did much my

when we did when we did do I did

they do a circle I don't do I

make material because they do put in the wika

put on some those he put some ornaments

some some some sort I don't you extrano, I'm going to say like invocations and things

and purses that's stupidesses that's he's a man, he'd be able to hear the

but he and he's to say that I'm apart and not to how in the end the

place the same sensation that was yeah in the place circular

but now I'm so I'm I'm like the something like

something if something and then to be the I sent that that's going to

and there's a person a person a person a person a man a

a shirt a a camis like if were of these camis

that are made in what material is but that's because it

is like a that's that's that it's not very

not so not so I'm and we're the spada.

They're the hands like two years and they're there's a right. I think honestly,

that Josuel he's in he's to get a other than so that's so that's I'm going to

the redoho and I think like, I'm at the stupiedces of this type. Because I was a

part-a- was pure per day of the time. and, and, and, and, you, and, and, and, and, and, and, and, and, and, and, to give a attention, and of the one of the chicas of the bruchitas says,

oh, she sentio something like that was in that's a quina, but like without being

that's a person, and me, I'm so I'm sure, I'm a little time with

them, I'm not they're not they're not they're not all-asimus all. All is very

exaggerated, all is very false always that they want to get to all

my I'm I was a a and now I was talking and I'm

really, I'm going to see the type of that's every time I'm going to see you

but you know, but you know, but you're the bad the other corners

someone or something was trying to try to and this people they were

to practice things in those they're not they're I'm I'm

don't I'm but I'm I'm I'm just the subject one, the

one, the one of the one of the one of the one of the one of the every time every time that

they were in every time that was that I was a little, I'd much in my count to make

a few reunions because it was very very little maybe three centimeters, maybe five

five centimeters but after after ten reunions you're talking about you're talking that's about

you're talking that there's not that you're the end of the same the same the same go in diagonal,

to the center. Narrator, when he is near the person, the person that has to be there,

I know the person is like if enter in trance. The other as are like they're like

very concentrated, like he's trying to invoke the magic, and I know that's for influence

of that thing. The the worst is that after that they're tragedies in

their family. I've to know of accidents, of the other people two people

fellesier in the lapse of the next two years. Because after the

first of those things entered. A woman that had a

a flada a blue, a blue, just does

the back the head aghach and the head a big

I know that not are human just they're doing to do that do you know they're not that

not that's but I'm clear that because those types that way we've

not used a place so it's blocker they're they impede the

entry but to make invocations in places that have

in the very very very a house that was normal, but it was inbrujada. From there, me, from me, from my perception, that maybe is there a lot more.

And it seems that the protagonist of this story has happened something to what I lived. Louisa is renting her department, and she's very happy because it's independent. She has a rito. And this rito is for all the new to get. It has done when he has gone to a voyage, to a hotel,

he has done when I've been in the house of an friend or a friend for a first time, it's a rar to those that's not a way, is to do a

question of all the people that's around, but also is a form of care of she does a type of rito

in the which libera the place of presences malignas, of emotions that have been in

that in the other emotions negative as if she was she'll let us

and also it liberate as of forces external that can damage to the people

clean the place. Not you know it's something that was the time and with the past

of the time, we got to get to get to a more to make the time and

make it a order. It was this like adding the elements

because in some moment were the and when

they're to get certain humo aromatic and then

the use of certain yearbas, also the use of certain tess that had to be to be taken to

after the rito. Despite of that agregable the ayune, a bayon, a water free, or then you

with all of those people in less to 48 hours to a river, and to get that that vibra

to be that that would be a little different versions and much elements. Now,

in your first department, ooh, if I would do a great

incredible. Now, it was the rito of liberation, the rito of the rite of the rite of

the rite of the internet everything had been with liberation, with the bad as

bads, malas spirits, malos bad the mentals mental, all the

malgama. No, no, no, no, no, no, no, no, no, you'd geterous

impacted. It were like two pages of one of one of a ringlone

that I had to say to in voice and I try I have written these

little rubricas like comas in color rojo where they were instructions

of what I had to do and I said, I'm going to repeat here exactly

but paraphraceing like I in the name of my power

internal I I do you do you if if you in some

moment you you do you I'm you know to do you

now I'm this is my. No you pertainse. This place is my. And I was this thing to say that this was her

place, that she was the new doweean, that she'd leave a every to the creature that was there.

That was that was that was there. That was that was that was that was that I'm

and then you put her and I'm put a pardits for a place, I, I used

certain T, and I'm no, no, no, a paraphernalia honestly, and she me it's narrator,

never She also knew how include a penachio, but if if you had could, would have aggregated a penach to my ritual. A she has a part parafernalia, is a form of desaugue, is a form of a welcome. For that never would have thought she had beenck, that

that would have done that a demonio was enojara with her. Algo, lived in that department, and she had no was able to do. And to do all that, was like to get to the house of someone, and start to

put everything to do do that's a lot of the room, tumour to do you

and scopier in the car. Because the old the old the

infurice the instant. She started from down, thinking in a

logic very simple. Has been done? Have been seen done?

If you're to be about all time you're all

time you are all levels inferior. But if you start you, from above to back, you're going to the mugre in certain order, what you can't be

that the limpeas so the first place. She began in the second piece. And in that second piece, he started to do that limpeas, making a diagram in the which was in the escalers, and

finally, he got to the first piece, to all a diagram of a recorried, and the last, the last step-it- was the last Puerta

of Entrida, despidying the malas vibras, not got to

the door of the door to the when she got to she's a cat,

she has like a detector spiritual, but at the way, it's

like a way for Louisa, because for Luisa, really

these things are more a question like a kind

in the whole all the ritual to do to

make to make to not not create in the

spirit, even the way it's like it's like about the language, to the

people who are that you understand the message. But no I'm not really in those

vibrations, and in those spirits. Cree more in the action of the

rito, of the symbol, of the movements, of the energy, but

corporal and mental. And then his catito so heirised. Never

had done. And he made to be a mollid a

profound and he and he's to bolted like behind the arm of her

for this he has his his his cellul he

tian the catito see very and she she she

something something that something that he he he

he he put the button the camera in

selfie and when he so see rapidly a sombre enormous

that's covering all the part of the right and and he's to hear and start

the way's, that are coming down to one of the quarters and it's

a door a door a so that she kept

impactadiss she never never thought that that that

well that that Trajero that thing who's that's

but Louis is very intelligent Luis does it because you're doing

the image to the man he can't make that

the people have much because they've a person unoffensive

but what is that she has been and I'm

always I'm made to be I'm I'm here I

need to me to be a new RITo a

that what I wanted to not to start a lot. I'm going to bring groups and groups and groups of

and a much friends and I'm going to be going to get in the first piece because details that you were

to be able to a certain and not he was to get a second piece and that they were

in the second and then we we're going to be that's a scarred narrator.

From the day that I'm I'm going to I'm not sure I'm

not sure It was a bit when, how someone was in a bit of

another, and the worst, in various occasions, in my dreams, I'm sure

that I was there, and it was a person. So it was something that was a blacker,

like if was all of papyr, and it was a microarrugas into the microarrugas into the

microarrugas but her form was like triangular, demacled, a a tuesday,

a quigada like if were so puntiaguda the part of a little more more

and his eyes were a rojo, but a red red blood penetrant

spantos I don't see if that image me I'm invented for the fear

but I think I was seeing that was the thing that's that I was not

that I'm not I'm thinking that I know that they were to go

and they they're going and they said there's there there over

I'm I'm something something something something me took

something and And the worst of all, is an friend that's a boy who has a man who's in the bravo. Narcourt, for questions of the contract

I've got to have to be three months and I'm fatigating as you know, the duke of the house, until that my

boy, you know, you know, you know, and it's all the way, but let me let me let me and I'm

liberate of that but a narrator, a demonio is nojo with me. Now, I'm, you're you as you

in the place you, what is is at point to to hear you are the experiences directs of an exorcist

in the cases more terrible that's in the Saturday on the last I'm

about it a time that's a man I'm remember also that I

did it the story the not the story not you don't tell

a story but it's a thing that we're that it

has to be with posations and exorcism let I'm

I CUNY. I've a interview of the I'm a the channel in the

world podcast. I don't I'm exactly. It's a channel great of Spain.

I don't I remember exactly the name. But there is an interview with the father Manuel

Acuja I recommend, it's very good. But here I'm going to talk a

paraphraseo of things that they are very very very furs. Resulta that the

Father Manuel Acunia is an obispo but not an obispo

a obispo of the the Church Lutheran. If manor recalls of

the church Lutheran, if I'm going to correct. You know, you know,

you know, here in this channel, the questions of precisions, we're

not the question of this history. This a subordinate of a typical,

or with a encounter very direct, is like he's like he is finally exorcista.

And they are passing the years and he's many anecdotes, many of

these anecdotas are Firtes. And here I'm going to give a popurie of MEDE of all the

anecdotes that me made the real chinita. The first is a conversation that has

with these demonios. No, it's never to have conversations with the demons,

but there cases, there are moments in those that should be to be

an intercham of information. Result that he is a possessa.

A woman of 50 years, a man a woman tranquil,

that we don't know the circumstances of the because of the possession. But standing there,

with the possession expressed, that was being, was there was a person

this creature, he said the secret, that for the father Manuel

Acunia is something that is terrible, but is something that's

that he has a a manuel Acunia he asked, I'm

about me the infierno, all all this all a place full

of yams and the demon's the he said that's a manned the

infirno no has a fire the end of the infirno is an

absolute of all the the the the world the and then

the father he says well the but the times the

the the people there's there there's there there

there's there there is the odio that and it's an odio that quen

it's a odio that corrobe. This is very very very for two

circumstances there's there are not about the changes the

temperature. Always they go to colds extreme, and

there exist some of these entities that are that are

that are in the levels more more the In the infirno, not the parts

profound of the inferno, almas that are in the levels more near the end of the infirno, and

the persons that have had been like these sensations fissions feel an cold

abrumator. There actually there a psychica a woman, that when she took

one of these almas, he left her a way in the man,

because he he left the chema the little the then it

has to have the that seems, that seems that it's the odio internal, but

not is the environment. The entom is absolutely the loud, because is the absence of

all the father Manuel Kuhna. Experiences very very fervid experiences

terrible. Abla that one of the most he was when he was a little,

that was a little a little a little a little seven years. And then,

is the only occasion to day of day that he He says that he has seen that a person Levita.

He says that this boy, he starts to be a voice that not he pertainse the voice

of a man much much, much higher than he, probably someone someone

and then he says with a voice rasposa I'm and when says,

the the child the he's separate of the and then he's to put

to put into a position horizontal until to to be displeaded

of the piece, more of 15 centimeters floating there, it's like

if were a one of a that the wind was moving.

That scene me made very impacted mentally. Also

also that the demon also don't but are

don't don't are those are like the anti-d don't

about the medium divinity diabolic and As soon, while there are

people that have certain or ability, maybe that's given by God,

maybe a situation of something, or something, that can look to be

a other in the person, when it's a medium diabolical

you does because what generate is destruction and one of

the thing, and he says, he says, I'm really bad, I'm

like, like as if me had been rot to the and he said the

father, what's he said, we've we've been a medium, and the medium, she made

with a flower, a rose, and he began to a rancor and me and me

and it and I think, things that nobody know, things that are

things that are even for all my family, pensamient ideas that I

have done, things that I've he said, and every petal what he was quitando was every better. I'm seeing that me quit a little. He said the father, she's a person

possess. Nothing more that maybe no, he knows but that don't know from a demonio. The demonios make that all those dones you alge in the past. And he talks about a situation that he lived in

the carne proper. His Papa had fallen fallen lamentablement. And then I suppose that that's what I've occurred over time

or for the circumstances that he was living in relation to his ministerial, no put to contact, but he gave to the task to go to the tomb of his father, because I don't know

exactly in where he was a cemetery, no see municipal or of the region. And then he's going to do this

in silence. No, it's no, so it's those most companions of the ministerio.

Nobody knows. The father go and he's a couple of days is doing this

doing this busk finally no know if did or do you with the

tomb of the father and I'm when getting to his

church to a car to be my wife. He's

said I'm I'm a I'm a psychologist. I don't think in this. But I'm doing for her. Yeah, there are various

persons that we said, that has to come here. He said, I don't know what, I said, but of the new, Padre, I'm sure, I'm sure. I'm not sure. He said, very good, no, you know, no te you know, no, to be sure, sincere. We're going to.

He'll invite to pass to the church. He's a-in-law. The Lord, the Lord, is a good. She'll be the a seora a little kind of a little bit a

a little like if this man, the other the expozo of this woman, they're

going to the church, it's to make the door and then

then it then it is a place in where he has the

the the time, when they're to when they are

to the pass the the Abre, obviously, the door, and does the

pass to the room in the where they're to be in the woman, he goes to the room of the door,

and then does his marries on side, he takes with the two hands, like the

mark of the door, and he isom to come to the there's a there where you

go to to find a there, there's a in-Utie and no you're going to be

you're going to to find. And then, the father Manuel Kuhna, in that moment he was

that was trying also with a demonio. And with this popurried of Histories Malabulas, we've

yet to this fogata of stories. And, and before to get to the first time,

and it's the first time you get us for favor, ask me to know, let me know,

in Spotify, in Apple Podcast, in Amazon Music, in Dissor, if there in that

platform in that you don't put the comment. Vent to Spotify, and let me here, narrator,

I'm a one, for give the very good to give the family nocturner. Now, if you're

new or if you're part of the family nocturn, and no put you do you know, what was

the history that made that you did you and family nocturna, those who

are all that are in the final, tell me, what was your story favorite and

I'm, I'm saying to this year, we're a meta very concrete.

The year past in 2024, thanks to you're to see the time of the

radio, we've got to make the third place of Spotify, Mexico. This

year, if in this moment, turning this video, you you can

pression and five stars, you're to take two seconds. Thanks

to that we're to get to the first that we want to

we're we're We need to beised the first place, even the first even to be in the night.

You know, it's going to dream to be used sweeties so you're going to give us the five stars and this year

we're going to you're going to the first place. One of this, we've been on the

Saturday of SOMras and from you, I'm here to the day of Sondras, you'd be nice a day,

and that you have the sweet