HABLEMOS DE LO QUE NO EXISTE - Historias de Brujas Aterradoras, Herencias Malditas y Entes Macabros | EP 267 | EL NARRADOR
Episode Date: February 20, 2025Bienvenido a ésta Oscura Fogata de Historias de Brujas Aterradoras, Herencias Malditas y Entes Macabros en @hablemosdeloquenoexiste El día de hoy te traigo historias desalmadas y con corazón que us...tedes, querida familia nocturna me mandaron alwhatsdelaspesadillas. Descubre la historia de brujería mas desalmada que he escuchado en la historia de Fernanda, Pactos con mellizos.Deja que Estrellita te robe el corazón con sus travesuras antes de que se te hiele la sangre con "el duende" que habitaba en las profundidades de la casa de su abuelo. ¿Crees que alguien te puede cuidar desde el más allá? Conoce los rumores del fantasma en los vestidores y tiembla de miedo con la entidad espeluznante que los acechaba. Seguro que alguna vez escuchaste en la escuela donde estudiabas de apariciones y espectros que por ahí rondaban ... Fabián sí que había escuchado del fantasma que se aparecía, pero nunca pensó que iba a ser su víctima tantos años después... así que prepárate porque llegó el momento de que @hablemosdeloquenoexiste
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Discussion (0)
Lazzange surgellied,
Pugance
Moines for 15 minutes.
We're like it's the
hour dojo.
Prere to play.
Vive the pleasure
with Leo Jo.
The casino in line
that proposes
the more recent
machine-as-a-sue
to play in-d-d-d-dose
on Big Bas-Banza
without exigance
without any
payments
end up here.
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Woohoo!
Scenture the pleasure
Play-O-Jo
18-N-N-L-LIN
10-2s,
10-tour-d-d-d-todd-B-B-B-B-Banza
deposit-Bonza.
Depo minimum of $10.
Veillard to be in a way,
to be a fashion responsible.
The conditions apply.
Biennue at board of Via Rai,
embarked and profite.
Embarque and celebrate.
Rigolet.
Publiere.
Savoy.
Admire.
And enjoy.
And enjoy it.
Via Rai, the voice that we love.
Welcome to Famine Nocturna,
to this obscure fogata of histories.
The day of today
to be about the bruchas
terror d'er, serencias,
malditas, and entities macabras.
But, before to initiate,
I have to
three mentions
very
pointuals.
The first
is that this
is the moment
in the
I'm going to
the family
nocturner
for that's
a family
nocturna
doing this
part of
a tradition
give us
to give us
to all
that this
is your
first
fogata
and I
give the
very
putting the
lunita
here in
the
comments
to
to make
the
the
community
the
family
noctur
that
we are
we're
we
we're
in this
scura
fogata
but
also
I want to do a mention
very special,
very special,
to the family
nocturner of closet.
This week
there were
many people
that were
anecdotes,
in the
which his
family,
her mom,
his brothers,
including people
of the
work,
they were
that they were
not sure,
they were
not sure,
but in
occasions
when they
heard
that they
was listening,
and they'd
more
backcabre,
to
to someone more grittable in the
room, and we're going to
not I'm talking
to something.
They'd have been
quite of them.
And there, in various
families around
of all the world,
they were
found, what we
have new
new integrants of
the family
nocturner of
closet?
To all those
people,
finally.
I'm going to
make the
ultimate mention
before to
start this
macabro episode,
to all those
who are the new
the family
nocturna
the family
not sure they
the lunitas.
That,
to say to
you're good
good
and I
would be
or not
would be
that you're
that you're
part of this
community, that's
a lot of
a little
a little
a co-a
that's
that's
so that
the server
and the
family
nocturna
we're
we're
we're
at this
oscura
fogata
of stories.
We're
let's
to tell the story of the duende
most aterrador that me had
manded to the channel,
let me talk about
to what no exist.
Famine Nocturna,
I want to start
saying to you
something that's
very personal.
There was a
activity that
I was about
about about
about the
15 years,
and it has
been much with
the stories
that were
these days,
stories that
me recorded
to that
when I
had around
of the
15,
between the
15 and 17
years,
I,
I was in
a colony,
that was a colony
very secure
it was a
a colony
a lot of
a lot of
a lot of
a lot of
a
lot of
I'm
practically
no know
no one
I'm not
I'm going to
have been
there
but not
the
custom of
to say
to say
with one
or other
other
other
quadra.
I was much
I'd
really
to be
I'm
under
the
street
so
how you
start
to come
to
get to
and not know exactly where
it was because that
that means
that I've been
in something,
in ver the
pageage, in
the way, in
the case,
and a
sometimes me
I'd know
of things
incredible in
the colony.
Constructions
that before
had seen,
I've seen,
that had passed
for a
quarter,
one and
other
once,
you know,
that story
that I
told you
some
episode of
the
the cases
of
the
the case,
because
I've
many
many in
that
moment. No, I want to say that
they were something that
were a lot of people. But
they were in that time.
I'd have to be able to
that my imagination was going.
What has occurred there? What will
be the story of that house? How
how many stories no tend to?
And this first story has
to be with that.
There's a story that nobody
knows and nobody knows.
Of a house that
nobody is sure who
constructed. Lamentably, at the day of
today, I think no way
any way of the pasto of that
is a place of that. It's a place
old, it's a place
an old. It's a place
whose inclines
that were given to give life
got there,
we're going to, let's the best circumstances.
I'll explain with details
to not make this revolt.
The Sir Federico,
there for the years 70.
He
he went to
the United
to look
a better
life.
He went to
a colony
that practically
was abandoned.
All the
houses of
there were
in ruins
were in
runes.
The owners
had been
had died
or had
fallen
there were
there were
there
were
places
that were
going
and
so much
that
that was
that was
getting
the
people
I'm
that
the
He was a person
respectful,
really
he was to
just a
more future
for his family
and he
never had to
do you
he always
had a
opportunity and
a little
a little
a year
that one
to get to
get to
get to
the police
or with the
and he
was just
he was
just over just
he was
going to
get all
his
things to
with
his
little
he was
he not
he was
was like,
Presdard.
The
Sir Federico
was a
person
was a person
and with
this
little
fear,
were passing
the months
and then
the time,
in a
parpadeo
that
that was a
house,
that's
after the
first
last,
after
after
of five
years
to be
in that
and that
nobody,
nobody
has
presented
there
to
have
to
he
was
when
he
was
invest a little
of what he was
going on remodelar.
If a day
they'd
get them to
reclimate
the house,
you'd
see if
could be able to
do you
not do you
not be
to give us
and then
he started
to change
windows,
he was
talking,
he'd
in situations
precarious
and the
house
was a
house
great of
two
pieces but
absolutely
abandoned
the
maddened
the
floor
was probably
was
a
second
plant
was a
adventure. No
I was if you
going to
go to
or if you
he was to bend with
he was remodeling. He
little to work on
vodeling, marcos of the windows, pictures,
but the next
five years, so,
from the year six,
until the year six,
until
that
10
years in
this
place,
he practically
he
was in the
person,
he was
a new
a new
a new year,
in the
they were
in the
they were
to have
a
in the
future
in his
family,
a
little
were
reconstructuring
and they
they're
in a
little
in a
house
most beautiful,
the house
the
circumstances of
the
of puras people
that were
inmigrants
and they
were in possession
of those
places,
forgetate
of situations
of violence
because not
the case.
We're talking
about the
70s
and we're
in a
total abandono.
Simply
they got it
and they
took on
a teach
where
to do
to work
to be
a
time.
A
place
that not
very
and not
that
I'm
that he was
not really
not about the
he was
he was
the
vicinous. There was, there was one or other, who
had taken the life that he corresponded
and not came in grace of nobody.
People that if didnaw, who
hurted things, that she had
of what not their sulk. But the rest of the
colonia, persons pacificas and
workadouras. If there were
some people who got to reclamar those
hoars with the time. And Federico,
oh, lamentablement, that
he'd levantablement, that
all those fears and a lot
that in some moment, pensions, and it was to
move to the place, but
something that was that
to enclar to the house.
He was
it.
She was made.
When he got,
no,
he was new
new things,
but now,
now it was a
place.
There was a
thing that
had a
part of the form,
because the
form no
the
need to
change.
In the
patio,
strangely,
there was
a letrina.
A latrina
that never
used,
because
since
the
house had
had a
house had
had a
preparations to installer,
more excused.
Yeah functioned,
but there was that
latrina,
and in occasions
sania a
aroma so pestilent,
that he
decided in
some moment
to seal a
little the
place, no
he took,
because
always with
the idea
that they could
get the
people,
he'd
that he
was quitted
something,
that maybe
had some
that maybe
had some
who said,
but he said,
but,
no,
eliminate the
or not the place,
or no,
he set you the
place,
and he put a
place,
and he
a
a new
and he put a
many,
it's obvious the
reason.
Or that's what
was the
years,
the decades
passed,
Federico has
a family,
and his family
there in that
house.
There's a
moment in the
the other
people to
reclame to
the other
some heredero, and you've been more
than 30 years that
live in this
property.
And Federico,
yeah,
to this point,
yeah is to
be an point of
his wife.
Her wife,
a chica,
a little
a little
in which had
a relation
very passional,
is she was
a woman,
and he has been
to be a bit,
the life
still,
the life,
he's still
there's
a situation in the
life, and, well,
he's not,
to give her the
his wife,
he will
open the
door to the
house.
Only that
the noviour
not the
person,
and conform
he's the
end of the
person,
the type
not even is
responsible.
He wants
to keep
his life
that for
he's
that he
corresponds to
for the
old,
I'll say
people,
people's
of around
of 15,
16,
years,
and Federico
knows,
and he
will be
to come
to change
to change
fañalers.
His
husband also
and
they're
going
advancing the
things.
The
daughter of
Federico,
nasse the
protagonist of this
story.
Estrellita,
a little
a little
but tremendous
but a tremendous
like you
idea.
Estrellita
had the
energy of
the
and the
energy of
her
and the energy of
her
and she
was a
little.
It was a
little
part of
every part.
Strelita,
as it,
as it
was sentia
in a
good
a-gust,
since
when she
learned
she said,
she said
she said,
she said,
and he said,
because he
was a bologo,
fum,
of a quarter,
fum,
another quarter,
he trepable
in a
little little
up,
up the
room, the
back,
and the
back of the
closet,
they'd
get a sostos
to one,
a other,
and the
poor stottet
those,
they'd be
like they're
like a
little,
and they'd
be over the
other than,
he'd
little,
he'd be
a lot of
animals, but she had no
had a conscience
and it wasn't
like the
family's
like that's
like that
she'd like
it's not
incorrigible.
For every
that they'd
be given a
way that
adorable,
that the
abuelo no
could be
more than
a carcacada
with the
little
and this
so did that
the poor
she was
a more.
The mom
the mama
the mom
and a
little
the brother
he said
he said
to the
for favor
that he
he'd
to get to
keep to
his
studies, that
he would
to finish
the secondary,
the preparatoria,
or, well,
the grads,
how are you
know,
in the States
and the
question, and
he would be
to be able to
a career
technical.
The aboelio
was to
agree.
The senior
Federico
was to
that the
idea of the
study to be
that she was
the moment, the
life
was to be
to be
to be
to be
to be
to be
little to
the future.
Nobody had
the
life
never.
And the
The senior Federico has
clear.
Passed the
years and
terminate this
the time
of the second
and the time
of her
bachiarato or
the preparator
and it
gets there
in the
career just when
is going to
the
middle when
when it
a tragedy
family
the
Mr.
Federico
a tipas
a subject
of a
person
an
person
not yes
a accident
he was a
situation
in the
heart that they had
intended to
try.
They were
controlled.
And,
and of a
day,
he was
a lot of
a
problem.
And,
and
when I'm
getting to
the hospital,
falleceo.
The
house of
the
house of
the
energy
different.
To be
a
place of
a place,
and a
place
of stories,
of
a
time,
and a
energy,
of the
energy,
and it
started a
And it was a place in the place in the
where, for more than ever to be the windows,
the light not entered,
it was a little.
She sentia an atmosphere pesada.
The husband of the Sir Frederick,
the abuela of Strejita,
vivied there.
And it was a person that she always
lived as a boy the husband.
He was a man of casa,
I lived practically in that place.
And he had left a good quantity of
money.
Maybe not for the rest of
his days,
because the
Mr. Federico
was about the
55, 60
years,
a lot of the
husband had
more or
less that
but he
had a
money to
see that
were to
see that
being
in the
next
being
dispreupable.
She
enfocated
to be
to be
to be
back to
start with
a great
depression
and
he does
know
that the
nietta
has
that can
be
to continue the rhythm.
She's
very
very sad
and a
pachata.
A chica
of the
little
a little
and a man
a man who
really nice,
a lot of
that has
done the
time as
a person
because it
is sordomuda
and we
we're talking
that in
that moment
no
there was a
culture
or a
no
of this
and this
childmuda
practically
not she's
not can't
communicate
and the
people
not
the
people don't
the
no
there's a
a
little
but
they're
they're in
a little
can do
do you know
to do
a certain
person
to get
to understand
the
she'd
make to do
a pair of
things
this
she
she
and she
she's
she's the
she's the
she's the
she's the
she and a
start the
little
this chate
poor
muchach
one of
one of the
things
for
you can
you can't
be
the
sound
when she
does it's
when she
to rechinar,
tell or
something.
This chick
is sorda.
No,
she's
a great mystery
the house.
He has
to be looking
the poor
little to
other.
And the
little
to be able to
get a
sustos.
Very
probably
Stritha.
He's
been trying
to get
some time
but
you know
with a
person
that no
doesn't
hear of
a closet
and
say to
say,
Buh!
No is
the
because the
chick
no
reaction.
The
a chick, no
she does
know.
And for
Strittita
it's a
little bit of
a bit of
her.
The girl's
she's a
little bit of
her.
I'll say,
I'll say,
no she
doesn't
communicate.
This manned
more,
more like,
for sehands,
for logic.
No, is
that's a
person a
total, so
no, there
was a
little bit of
a new
that's a
little.
So, it's
a little,
so it's a
little, but
it's a
logic of
the children
in those
that are
to learn to
understand.
Poco,
they'll
start a
little bit.
But also
this
this muchach
she does
know of the
class of
monster you
that's
that's
that's
barbara!
Entre more
travisa,
more content.
Yeah,
he has
made a
little
sonrises to this
child.
So, so, it's a
little bit more
She said
The house
She's gone to
The patio
She has
Has gone to
The house
of the
Because in the
house of the
There's
There's a
Abol
Upro of the
tree of the
Arbor and
start in the
first ramitas
If you
If you were
The vows
That's
Tremendor
Tremendor
And this
She's
And this chica,
And she's
Andererer
While the
other chica is
in the second
Pissueue-Nosos
Because of that
was cutting
some fruit or
a birdura
to give
to give up
a woman
or a
little bit of
a woman
but in the
little bit
she got
she got
she was
got to
she was
she could
escape.
The
lady
the girl of
Estregy
is a
woman
pretty
and
a
pretty
and she
she
she's
she
she's
she's
not a
she can't
be
that
she's
not even
she
she's
can I'm
a
stryita is
chuggetton
a
people and she's
a box and so
it was with
the old
and Federico
was a guy
very intelligent
for all,
but with her
she was
dobleable.
In this
house, in
these
places, in
those
in those
in those
in many
many, there
there are
things that
are good
and they're
attracted to
the place.
It's in
these
circumstances and
in this
context,
in the
all the
days is an
adventure in
this
house,
and the
that is
a little
that's a
child,
this chick
looking
a star
and a
star you're
that's
that's
that's
that's
that's
a lot of
a
house,
something that
something that
sometimes
can be
and a
something,
something
that you
can't
feel it
you,
you can't
you can't
when you
get to
the
skinn't
you can't
you can't
when you
sit down
in the
and you
you
see that
someone
there's
there that
there can
move
if
If there's a sepillo,
it's
a little bit.
If there's
the cortina
of the
bathroom,
it's a
little,
like if there
a corrente
of air,
but there
there no
there.
This thing
that's there
in the
house,
it's present
of my
manners,
he's
that they're
that they,
but a
they can
be and
sometimes,
and a
time.
In occasions,
if the
chick
she'd
have heard
that,
that's
that's
the pastos
that's
that's
going subient
from
the
beginning
of the
escalar,
to the second
piso,
and they're
in the
fourth of the
little bit in the
old old
when the
little bit.
Stregita has
a new game.
Because she
is a dweener.
No,
she knows in
what moment
discovered the
existence of
these
but you
know,
maybe he was
in a program
of television,
maybe
was some
about a
old,
maybe he
he's
he's got
with the
little,
who's
who's
there's
but in the
house, there
she's
she's
to change
to
say,
there's
I have to have to find.
So,
so that
is very
very dangerous,
commenced to
continue the
rastros,
commencing
to identify
it.
When it
he'll
hear of the
abelel,
he says,
dwendecito,
dondecito,
you,
I've got to
to find,
you're going to
my abel.
And even
the door
is the
door is
the door
in the
little there,
Strygita
no,
the dund
is just a
playing with her.
Cosa
different would
be a
if she was
a little
but it's
a little bit
but it's a
question.
Certains
certain
habitations
start to
get a
aroma
very pestilent
and it's
duendecito
isn't the
dwendesito
the
bayon
is above
there you
don't
do you
do you're
not you're
not you
listen
grunied
and then
then says
I don't
know-you-
don't see
a-o-o-o-o-
-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o.
Strelia's a dweener.
And,
and,
Lamentably,
if he
was there,
probably not
it was a
or if it was a dweener,
no it was good.
Resulta
that of the
sonnids and
the aromas
comes a
more.
Commenced to
appear something in
the house.
A sombra.
A sombra.
A sombra that
Strygita
not in the
rabid of the
eye.
Because she
is saying
that is seeing
someone,
He no,
but it's new to that.
The last two or three days
he said to the abelita,
I'm going to see the dweens.
It's that I.
I saw for there.
I mean what happened to
it.
All those who
know of the phenomenon
paranormal,
we know that in occasions
for the rabid
of the eye,
we know that
somebara that's
easy to explain.
But in occasions
you talk of
things that
they're in the
house or
they're talking
or they're
about the
and then
the first
has brought
that one and
another
and other
he said to
the abuelita.
Acaba to
the ballita,
not you
you've got you. Just when the
baller, she heard of
the crugier of the madera,
there was something.
The ball no is
a sustada, no creen these things.
She's adapted and standing
living a duel.
He's adapted to this style of
life and has helped a little to
get from the dweil from
since the Lord Federico.
But
what is that dweend?
It's the grand doubt.
And no has much time
to give you
Because this that I'm going to
during around
four months,
four months of
in a form intermittent.
At the final
and it was a very
constant.
And there,
when he was
made a lot,
the bula
was made
that was going to
that was going to
the house.
One day,
standing in the
body,
he felt like
someone
he was over,
when he
was a ragadena
where he was,
he was a
small,
that was coming
behind,
that she was
in that she
was in the
time you,
it was
to say,
not you,
say,
who is there
is there and see that the sombra
is aghach
he puts the
door,
and at a somers,
the place is
a vassive,
you know,
the little
is there is
about about,
and now he
will take it
to make a
serious,
and he wants,
but not
know,
know,
not even
how to
question this
and to
get to be
in a
little,
and is the
way to
take cards
in the
the issue,
when just
the day
the next,
this thing
does this
act of
the apparition
Magistral.
Strygette
is in
one of
his adventures.
Today,
it's about.
What newties
will be
going to find?
What new
of the patio
no explored?
And it
seems that
something he
leo you
the mind,
because the
latrina
in the patio
is abirt
the floor,
the clavos
perfectly
puttos
above of
the matter,
and the
door
and par in
part.
All an
adventure.
Never
had been
that is the
little
never said
that is.
It's
a caja
that's a
always has always been in the patio, and the
abuelo was prohibit that stuier
that's nearer, says, that cajure
now that's
very strange, it's very
very strange,
it wewele a
gullettas,
it's chocolate,
it's a morning
eating many goscelas,
and she,
conformed was,
it's very
very obscure,
he's,
she's trying,
she's going to
his abel to
get to the
when the wula
she's coming,
and she's
to be to salt out of the aires and he will
say how abris the place and she
will say that she was open. He will say that she
was open. He will be able to what way
makes that his abelah sonrilla. So,
so, without think,
so, he makes it. And he
found out of a bankito very strange.
There is a bank of a matter with an
augure to the center. And where
is there, he gets a little
the aggrower and begins to
get the head to be there. And when
is it getting the head, a pair of
hands they're
in
here
and
they're
they're
they
get to
get
and they
she's
in a
fettid
askeros
totally
embarrated
with
things of
many
textures
and
things that
are
very
all
of
you can
you can
you
can't
in a
little
light
a light
like fosphoriceente
and other in
a fire fat, but if
there's an end up a fire, it would explode her
would have yamas. That is other thing.
She's another thing. She doesn't know, but
you and I, she. She's
simply like two lights
that are there, that illuminate
a little of the place, and then,
a sustadishima, with
things that sit like in the car,
having much fear, because
she's something that he hallo there
into, commenced to gritty,
and begins to gritty, and
see just front of her, a
Scasos,
a meter and a
one of the
eyes
that's
going to start
to start
to get to
the poor
little bit of the
poor little
if someone
had been
ever had
heard of
hear of this
never a
thought of
a lot of
a lot of
that I'm
know, I'm
know how it
there's
there's still
there's
that the
right right
something
is that
she's getting
to her
and it's
a voice
family
a voice
that
she knows
And,
"'Higita,
"'and when
"'sue the
"'and when the
"'two hands
"'the one
"'the last
"'and they
"'and they're
"'with a
"'of much force.
"'Siente that
"'as lear-aferral
"'ande,
"'and they're
"'as,
"'and,
"'and,
"'their,
"'Go, sir,
"'Federererick,
"'he's a
"'he-a-a-
"'he-one
"'to-we-we-we-we-we-we-let-
"'that-he-we-we-we-he-we-he-ha-a-
You want
much.
The braza
I leave in the
piece and
where she
tally the
eyes,
there's no
there's no
nobody.
When
I'm back,
the latrina
is a serrata
maderas
and clas
pustos.
She is
crying like
in the
patio.
The
bula is
going to
the
house,
she's
all the
movements.
This
little
she doesn't
when she
back the
woman,
the child
the child
the two
are out
the chica
is
saying
When I'm sorry, the
Bola says,
Let me in peace,
wait,
don't you
don't you
get to be
a little,
it's a
bad, it's
aqueousa,
it's horrible,
the eyes
are really
really hurt,
no he's
asking,
and you're
saying,
to say,
and he's
talking to
services of
emergency.
That's
that has
been a
thing.
The
the worst is
when you
hear the
story.
What was
that was that
that was
that was
that
that was,
that is,
that the
other
that is
the
for that
for that
decided to
do there
the
home?
Is it
that the
father
saw
that
the area?
Who are
the
old
those
things
that
the day
of
today
probably
nobody
we
don't
know
I
what
what
you are
you
if
you were
the
house
if you
would
you're
with you
do you
do
a lot of
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Imagineate that in the place in the work there is a rumor.
If you're going to start a certain hour,
you're going to topar with a phantasm.
The lamentable is that every more are the rumors of the people that say that they've seen
that they've seen that
they've been
you know
know if you
know if you
know if you're
to make
to get a
place of work
that's the
story of Berta
and here
we're going to
tell her
if the
houses
have their
history and
each one
can have
details
things
occultas
like we
we've
we've been
to
hear in the
history
that
that don't
they're
not there
those
those
those
places
that
have
they're
since
since
they
are
there
are
there
enormous.
I'll
this for
Bert.
Bert is a
a seguider
of the channel.
It's a
person
that is
very formal
in her
job.
She is a
job
a job
to get
to resolve
many
problems in the
day-a-day.
He to
be immersed
in the
dims and
directs
of the
school.
What is
what
says
that's a
master of
a
student,
what is
what is
the
students,
the
rumours
chismes,
not
not because
he
that question,
but that's a
reason, because that
causes,
in the
school in the
school in the
school in
there's a
time to the
time to the
time,
they're saying,
there's a
phantom,
a phantasm
that you
don't know,
you know,
that's the
vestidores
of the
women,
just the
school in
that she's
that she's
not is
a quite
school.
It's a
convento
that has
more
than a
10 years.
A
convento
that
today, no
has
no mongita.
She has
been there
working five
years, and
has been very
at a good
in the
place.
But never
nobody
had told
stories of
phantasmas
there.
Nobody had
had never
that
had never
that
had to
say,
but I'm
a time
on the
fact,
they're
on the
fact,
there.
There are
people,
there are
in the
time of
the day,
in the
they said,
ma'estra,
ma'am
and they
they're
to
narrar
something
tremendous.
They're
that if
you have the
bad fortune
to enter
that's
a vestigeor,
and I'll
say,
children is
only of the
vestigory is
all of the
that's
and rastrantly the
feet.
After that
enter in the
casillero,
the door
no is
and you're
to hear
how you're
doing.
If you're
the
sufficiently
tont to
do you
don't
see
nothing
there
but you
going to
hear
and you
and if
you're
even more
ingenue
and
you don't
you
know
you're
to come
to
try
to
try
to
not be
a
a broma.
All,
those who
who have
to quech are
they're
the same
story.
Maestra
I'm
there.
And there
someone with a
bellon
negro,
others,
there was
a
woman with a
car
and they
were a
rations,
arrasrasras
the feet,
she was
he
met you
in the locker,
I
did that
because he
was there,
because
he was
trying
and I
wanted
and
I
did you
I'm
I'm
I'm
and
I met me met me, maestra,
I began to see all the parts
to see where the sound
when I did count that
he was behind me
and at bolted,
was there.
A woman
and crying
with a rostro
full of a
but also
I'd like,
with the eyes
very penetrante
being directly
to my eyes
and with the
two hands
and with the
panza
because she
be a bulto
great,
like if
if it was
her embarrassed.
That woman
is a
vestida
of a monja
and why
exactly
that entity
is taking
that form
or if in
really
there's a
person
that was
a tragedy
in this
state of
today,
nobody
know,
and Berta
me says
in
narrator,
I'm
really
I'm
really
when I
came to
the first
I'm
that was
I'm
I'm
that
you
know that
sometimes
the
rumor
in rumor
you
top
with realities
that
one
that you
see
that you
know
they're
to
exist
and you
want to
be
there's
something
else
here
now
something new
from
exclusively
on Paramamon
Plus
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as hell
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As this story that I've got to tell you,
I'm talking about a entity spiritual,
of a spirit,
of a spectro,
of a phantasm,
as some people do you call it.
And here in the channel,
we've had a doubt since we've initiated.
These entities
Are they still
Conscientes in this plan?
In the case of Berta
It seems that
Yeah, it seems that
attract a people
It seems
There are entities
that in occasions
Simply are there
Like if they were
an echo
of something that
But you know
They're not having
interaction with
the entorn
But there are
others
There are
that are
that are
We've said
Here in the
channel
That
if you
you're
that's
close
of an
entity
of a
child
not you
don't you
interact with
we're
we're doing
the phrase
that
that's
that's
because
many exorcists
do you
do you
doxorcists
do they
but
there are
people
in the
camp
of investigation
that
affirm
they're
that
they're
that are
they're
they're
both
coinciding
in the
same
are
very
very
dangerous as
these
entities.
Different
reasons.
The exorcist
you say
that what you
is a demon
disfrasated,
that what
is that
he wants to
the
do you know,
and it's
possible that
you can't
very rapid
in their
game,
because you
you're going
to think that
is the spirit
of someone
that you
need,
that is
someone who
has a
person who
a moment
very
very temprano
of the
life and
your
empathy
to
to give
to
to give to
to
to papachara,
to want to
to give a
second
opportunity.
If it's
a demon
you,
you're
you're
there's
to be the
but if
really it's a
little bit
a new
those who are there,
they're in much
a danger.
In the
case of
Fabian,
we're not
only they
just was to
enter in the
boco,
but they
had got to
sepillars
the
hands,
in the
case of
Fabian,
as I
did you
did it,
he was,
he was
when he
was in
a second
and this
he
passed
a very
good
time.
He
said that
very similar
in the
case
of Berta,
and
they started
to
corred rumors. In the third
piece of the secondary,
it was like a phantasm of a
little bit of a salon of classes.
The salon was abandoned.
Who knows if in the past, the fluency
to that school was a much major, but
all the third piece, of the
middle, to the corner, there were
three salons, and the three were
closed, not properly clasurated, but
those were closed for questions of
order, but yeah had many time
or so.
What the way is that
had been
accumulated
polvo,
papers,
if they had
metied in
some
moment,
alumnus,
there were
cristals
in a
part of the
salons,
they were
a little
vandalized,
one
was the
was the
was the
was a
little bit
a pair of
bachitos,
he was
that he
was where
there's
where the
room
the rumors
start.
Fabian,
Fabian is
a type
valient,
and not
a type
that he
didn't
some
people,
and you
You know, and there were
Tantal the people that were
that they were
to go to be.
Pedian continually
to go to the
allons.
To the masters,
to them ask you
because after
that they'd
back from the
boys, when
before,
no had nothing
of relevance,
and simply
regressable,
they'd,
and they'd
go to,
and they'd
be that all
all of the
students were
with expectations,
they were
that they were
to that
that he was
to go,
to go, and said a
and if it was a
car,
a signal,
the maestors
no said
nothing, but it
was evidentisim.
The chos,
the muchachos
the men,
the more
people, they were,
they were not
it was a
thing, but
at all the
lights,
Fabian?
Fabian
sentia the
pressure.
In his
salon,
only he and
those
more,
they were
the
only ones
that had
had been
to be
to be
the
phantasm.
So,
the rest
of
people
they were
Miodosos.
What are
to give
Mied?
Ah,
and they're
going to
go to
go back.
Nothing
that's
about your
other than you
and they're
not to feel
like a
coward.
No, I
wanted to
not even
I didn't
see that
little,
but at
final, the
pressure
gained.
And one
day,
standing in
the class
of the
class of
mathematics,
it was
when they
were doing
that he
only only
he just
the man
and says
Professor,
Professor,
could
go to
to the
and
all in the
salon
they were
a silence
and they
were to
this
the professor
yeah
and he said
that you
go well
in the
back in the
baby
Fabian
in the
bao and
you know
you know
you're
so
Fabian
he's
going to
because
if not
he's
up
the second
piece
he's
he's
so he
does it
to get
a third
to be a lot because they did
know that they were able to
par to the students,
now not this,
yeah not for this point.
So,
so they decided that
simply they're
being able to
see them to be,
and they're absolutely
nothing.
Fabian?
Fabian
was he left
the worst
that had been
his life.
He was
coming and not
saw that salon
was,
I was that
was the third
piece in the
salons in the
salons
abandoned.
To get
there,
it has to
pass the
first three
salons
in that
the
the master
of the
He's done so he doesn't, but he no
know he knows.
So, he's
he's seen in a mission
impossible,
the time has to
have to get to
get to get to
some of the salons
that is,
no, he has
done to make
dispercivido,
when he gets to
the third-pice,
the more
near the
windows, the
door, the
wall of the
middle of the
video, and
he gets to
gettear,
but he has
to gateer
a velocity
that let's
do their
rudders or the
floor,
and there is
the Fabian
pegatito,
He was pegging
the hands
I was peg
legion,
but then
the spate
of the tic-tac
of the
reloge,
the tick-tack
of the
when
when he gets
a third
door,
maldita,
say the
the door
is the
door, they're
going to
be,
so they're
a tonterer.
Trae
a borrador.
The borrador
the borrower
he,
he has to
he arroha
and he
and he gets
just in the
video of
the second
salon.
A stupidess
total.
Because
It's a big
so
that
all the
students
start to
start to
start to
they're in
the phantasm
and there
and they're
not at
where he's
going to
go to
getting
very very
rapid,
pass the
door and
he
never that
he's
no
there's
no
no
no
no
no
there
no
there
they're
in the
murmuy
after
after
the
grittito
in the
bit
they're
they're
saying
that the
phantas
the
phasas
the
pho did
to
listen to
He was put to
foot,
he was going
and he
isom to
the first of
the salons,
and no there's
a lot, and he's
there's a
little, and
there's all
paeosos,
so is that
he's going to
get to be
nothing,
and it's
a little
back to
other,
and it's
a
other,
he's a
stupidness
that probably
they're
not been
to be
not quite,
but to
go and
they're
they're
all over
and
he's
there's
a third
salon,
and the
video
is paoo
for complete, but completely
painko. So, so
take the part of the above of his
camis, the that makes in the pantalon,
the levant, limpia,
and just front of him, there are a pair of
eyes, viewing it directly to the
car, and he's a number in his
ear, the skin
is the lad, no
knows what to say.
And then,
nothing more, says,
you are the phantasm?
The virios are
to tambalier.
front of him
and he's not
and
he'll hear
hear of
the voice
in the
favian
he gets
so he's
so
he's
that he
he's
he's
and he
and he
to come
to the
passillo
of the
second
the
second
when
he went
to
he was
so
he
he said
he said
narrator
never
I'm
never
I'm
not because
not because
not because
from that day,
I've taken
I've seen
the long
of my life
and this
past
a time of the
space,
a time,
there's been
people who have
seen a
little bit of
my house.
I don't
I've got
ever
I've seen
his
eyes,
but I
did it
a little
a narrator.
When
you said
that no
there's
a manasas
I think
she's a
little
she's a
little,
his eyes
and with
a line
like
they were
like
they're
a
thing
I was sentia
something
so malewo
in that
not a
look at
not even a
adult.
If you have
any other
story that
has been
in your
school,
put it
in the
story that
this story that
I'm
that you
would be
a story that
you know,
that you
say,
with a
discretion,
with a
question.
It has
to be
with the
tragedy of
a
family
or of
various
that
are
involved
in this
situation.
It has
to
have
with a
family
and
many many
secrets
that nobody
the day
of today
know,
because
probably they
were
those
people are the
members of
the family
and they
didn't
get to
know.
There
two
brothers,
Luis
and Fernanda.
Luis and
Fernanda
have
a good
amount of
that
that
separates
that's
seven
years.
Luis is
the
major,
Fernanda
is the
minor.
Not
they're
a
good
relation.
His
family
always
had
been
a
family
a
a little rarer, a family a
little controvertida.
Tios,
primos metied in the
politics,
the abuel,
he said that
was a mazone,
and they used
in a community
very Christian,
Catholic.
That's so
that the
father and
they were
like some
endemoneados,
much not
they were
and they'd
with a certain
stigma.
Fernanda
was,
and was,
he was with
other type
of feeling
after the
life.
No,
He didn't want to be so
obscure,
no
I'm going to
be a person
important
under the
eyes of the
other people,
I don't
understand
why the
family was
that's
if they were
if they were
all the
all of them
were normal.
That's
that in
the
house,
Moma
and her
woman
Luisa
to the
one
had in
much esteema
and
had been
reunions
with
people
that all
they
were
all
so
she was
she's
she's
she
had
not
part
they
invite them. No, Fernanda
wanted a life more normal.
He'd play with his friends of the school.
And she had something.
He had a character, a form of
being so little, so
hermosa, that all the people
do you know, if you were
known, you'd have been able the
doors of your house, of your
life, in any whatever moment.
Because it was a angelito in
life. Resulta
that Fernanda is a
child, but
But not is a person,
say,
of the opinions
most popular.
It's a person
free in
criteria.
Expressa what
he thinks.
In occasions,
that's,
so, it's,
that's not
a person, but
they're always
they're a person
like a
honest,
tan,
that's a
good,
that's a
one that's,
only has a
opinion.
And it's
a person
that's a
person that's
a lot to
talk,
to talk,
when the
thing he
result interesting, because when no,
you just let's listen and if no, it's
to hear it. But it's an angelito.
The masters, the adoran,
his companions also.
And so, it was to pass her primary and his secondaria.
The distance with her
mother major
every was more grand.
The hermana?
It was a more hermetic.
And you know what was the
worst, that she didn't know,
it was the favorite of his
papas.
He had a quarter just
for her.
They'd
to bring to
his
amistades
and in these
groups of
the people
of the
people of
that were
not to
have to be
nothing to
because
they were
there
and talking
and doing
orations
and doing
things,
things
that for
she
had
that she
not had
that she
was
she was
she
she had
she was
she
she had to
her
and she
and they
passed
hours.
Del ROR
D'clock
there
below of
the
door
to the
Well, Fernanda, not that
was that she was a little bit of a
different to the difference of the
time, they were, they were in the
house. When her
mother, major, all of her,
all right, what you've learned,
how you went,
you're getting more
far, has grown more,
and she didn't know,
because no were
questions that they
didn't even to the other
papas of his
amigitutes, to his
children.
Normally is how you
went to do you,
how you've got
in the examines,
what class
you're having a problem,
you need a
problem,
you need a lot of
how you've got to
your friends,
how you've
gone to be with
the same,
and not the
type of conversations
that they're
with her
mother,
but well,
it's a
major,
and for many
years,
not is a
little,
they're going to
ask you
something,
and she's
to be doing,
and she
didn't,
she's,
she's,
she's,
with her
to do you,
to get to
you,
you're going,
and there's
more conversation.
The distance
with the
family
every
was a
more.
And there,
in
these moments
get this
tap
when she
has around
17 years
that has
a little
little
a little
a little
a little
that's
that in the
graduation
of preparator
of many
of his
companions
assiste
the family
complete
and with
her
he was
a chauffeur
the chauffeur
that
he was
he was
her father
his
mother
her mom
her momna
her
her man
no
didn't
know
She didn't even
The eye
She was
Anytimore
Any other person
Excepted her
Another other person
Sheppes
a trava, that's
that's
really, but
no
they's
interested
when they
when they
said,
he was a
night of
graduation,
and that
they were
there's
there's
there
and their
and the
parents,
they said,
not
we're
not
time for those
things
that
and
they
didn't
and she
she
had
a
place
and she
was
sitting
and
the
choffer
the
the
he was
to
not
he sent
in the
his
cell
he
he was
he was
that in the
graduation,
he was parted
and he's
started.
When he
went to the
faculty,
there's
something
in the
house.
His mom
and gets
to be
a
very much
careniously,
falsely
carignoser,
she knows,
he not a
form
forcedada
to want
to have
interaction
with
her,
and
better
even,
her
her
her man
her
her man
major
wanted
to be
She said she, Maria Luisa, this
her mother, that was the
most adorated of his
papas, I'd say
and he'd be able to
talk conversation, but notable,
notable something in his
words, that's a mentina,
the form of
the words, no see, the words
that used, something, it was
that he'd disparate to his alarms.
For this point of
her life,
yeah in the moment
in the time she was
in the first or second year
of career,
that her mom and her
mother are
looking to
be a new
and mugre
since she has
more than
six months
and she
has made
a very good
friend of
some meyisos
Jose and
and Luis
two types
that have
a good
two people
that are
very well
and strangely
studied the
same
carar
they're
in
odontology
two
two subjects
good
good
persons
that when
she
when she
she was
she
told her
story, they were
summarily
emphatic.
For some
situation,
resonated,
and they were
people who
were people
to visit her
house because
they were
a little.
And it was
very strange
because she
being a
memory,
a raise
of that they
are they
are in
their house,
is that
moma and
she want
to get
a second.
The
her man,
after
after the
time,
after
after
that's
that if they're in a belada
between friends
that would be
but there's a
not a note
false and he says
I don't
you're not
you're interested
my friends
if you see
invite your
to the
people who's
you're
you're not
you've got to
the house
but why
you want
they're
more people
I'm more
they're
so I'm
so we're
two
you're just
you're just
my brother
oh yeah
I'm gonna
you're gonna go
and there was
something in
his
words
something
that he
did you
all the
alarm
you know
this
because
this
story
the
one of
the
and he
says
ohal
Fernanda
our
friend
would
have
heard
that
that
were
in
the
because
after
that
night
all
that
all
did
all
that
they
were
to
they
were
to
a
a game
strange that
her brother
his
his
he was
a
little
when
when they
and then
they were
on a
mess
very rara
a
one of
a mess that
they were
they did
count
because
even
he was
they
not they
not they
not they
they were
she
she said
where
you know
she
she's
that
you
see
up
on the
table
a
there
there were
cards
there
were
some
some
There were other cards more that said,
if there were more things.
In the middle of the mesa,
there were a cup.
The mesa was
the sufficiently
grand
as to be
one.
We're going to
say that in
extremes, but
you me,
you know,
you know,
you know,
you know,
you're
making a
other, and the
other one front
to another,
but nobody
was to
the shoulders
and he
took about the
arms,
and the
brother,
after
after them
a canapes,
a type
of tent-em-in-pee,
a foodie
to start
to start
to get a
hungry
and get
a bit of
a bit of
a bit of
a lot
rojo and
with certain
points of
color
morado?
All they
were very
really good
but
also they
were
having that
had been
alcohol
that's
that's
something
they were
very
and they're
very
uh,
they'd
start to
just to
get a
we're just
to control
us and
we're
just being
now
so we
we're just
to be
that
in the
table,
I said
where they
had to
go to
each
one,
and then
they're
to put
a
one of the
cup.
For all
those
who know
that they
know the
night,
literally
is the
game of
the
cup,
and no,
no, it's
a
game,
and no
to
you know,
it's
that's
that this
woman
began
to be
a
language
that they
not is
the
language
they
were
people
were
religious
.
Fernanda
I was that
the Latin
he was
the next
he was going to
talk to
say things
and he said
all the
head to
see how the
cup was
this woman
she was
saying it was
being a
little bit
and every
that was
they were
they were she
she was
that was
she was
that was
moving a
cup that they
they could
be able
without
how
they were
that they
had been
a mantel
the cop
was that
was that
was that not
genera
friction. The mantel no
was wrugged. It was like
if it was very restirled.
And it was like
over something that were more than
water, because it was disdivable
and what they'd
is that the copa
was to the letters. And of a
repend he marked
the si and the no. But no
recall, not, not
they're the responses? No record
that he asked this woman,
nor even was talking to
say that they were playing in their
their own or the other.
They were in one or the
other. The other, the
brothers had
the eyes dilatized,
they were the
mouth abiered,
the heart
the heart
and they'd
not they'd
not.
They'd
know after
that probably
that baby
had a
something,
something that
was put so,
something that
was put
to the
mother.
After that
day,
nothing,
it was
there was
when they
came to
their
times,
and they're
to
live,
things
very rare,
there's,
there's a
sensation
of a
presence
in the
room.
There
that there
is someone
that's
right
in the
middle of the
two mehissos
there's
there's a
there's
and he
Jose or Luis
he said
I'm saying
I'm saying
if I'm
saying,
I'm saying
so you
know,
and the other
he says
but why
I'm
you just
not you know
not it's
not so much
but I'm
but I'm
but I'm
but I'm
going to
see
you're
you're going to
you're
to get to
you're
you're
to
be as
After
to do that
They're
They're
They're in the
And a part of
that day
It's like
If something
If you're
In the house
His papas
You have seen
They've
Sehats
They've got
Some Rustos
No, you
They're
Exactly what they're
But when
They're in the
night
Atpunt of
To be
To be
To be
To be
In the
Cases,
And grittes
And grittes
And
They're
They're
They're
They're
They're
They're
in the house.
The papas, if
are of a family
Catholic, in
a little time,
they're going
there's a
second.
And this is
something that they
don't
understand.
Why,
it's all
that day
he did it
to get to
get to
the
sacerdot?
And just those
days,
they're not
to get to
the house?
The two
brothers,
and when
you're
what you
did you
don't know,
no,
they're
they're not,
they're
they're,
they're
they're
hours
after the
hours
habitores
in
that they
they're
but
they're
never,
for the
liberations. In the house, when
they're doing liberations,
pass things raras.
There's a sensation of
free? Very
disagradable. The father
about about a sensation of a menace
and says that someone
has worked the place. That
there's brujeria.
That's, sure, that no.
For sure, that no.
They've played a l'IGA or have
made invocations. No, for
for sure that no. Someone more
that lives in the house. No, our
our children are not able to.
No, they're not. They're not
they didn't know they've got to the cup.
No, they've invoked on there, that were victims of someone.
Fernanda.
Fernanda has days that no go to the school?
Fernanda not is going to the university.
Intentant contact her, and there no there's nothing.
And it's very, very, very,
because during the next months,
these two chics are going to change.
They're going to have
very erratic
of a
repent,
standing in
a middle of
one of the
brothers,
he had to
get to get to
all the
people who
were in the
problem was
the voice.
But a voice
that was
that was the
voice of a
little bit of a
little bit of
a shillona
and then
then was
and then
he was
about a
answer,
and the other
person was
to be
to be
under the
effect of
some
the problem is
that you
not
not consumed
nothing,
no,
after that
night, and
that they
consumed were
in this night
they were
not quite,
they were
there are
reports of the
university.
The situation is
that the
university
has no
have to
have to be
contact with
the parents,
these two
are people,
they're
not going to
report to be
not even,
they're
not even,
they're not,
they're not,
they're not
they're not
they're not
they're doing
they're doing
a video
where they're
doing things
indescriptiveive
,
quit and the
car-in-o-
-coc-a-o-
salon, acosando
people.
The cause
at the
level,
that they have
to get to
give to
a psychiatrist.
Ammanas
a person
with a
cutichio,
and other
of the
other of the
other of
un-
psychiatric.
This is
is too
bad.
They're
under the
effect of
substances.
It's
the
conclusion of
the
masters.
No
know.
They know
what
passed
months
after.
No
know
that they
have
that they
have been
with
the
same
of
the
They're
going to
an
time
with apnesias,
with some
those
in the memory
tremendous.
And not
it's
after one
a year
and a
year and
that the
people,
that was
that was
that was
that was
that was
going to
more
with a
spiritual
that with
a
biological
and
the
and the
people
have
to
try
a
exorcist
that
were
to
lookals
to
a
institution
and
there,
the father,
confirm that there's
a position.
They've got them
and they're
after those
and after two
or three
years,
they're
they're
never in
that's
then
Fernanda
didn't even
even
was in
their
map
or they
were
they're
they're
and they're
when
they're
a
woman
in a
very
good
place
of
a
place
they're
a
four
years
more
she
and
she
Circumstances,
extrana's,
the tragedy in the
family
Villa Gomez,
something that
they never
to hear
in their moment
exactly
two months
after that
that's a
maldito
game of the
cup.
And it's
for that
I've recommended
that
that you
that you
that
that you
don't know,
even to
this type
of
of a
invocation.
Not because
it's
a
fact that
you're
going to
do you
do you
to be
the
possibility,
to the
most
minimum of
that you
could
be
victim
of these entities and
then you terminate
being one of the
stories of this podcast
and with this story
we're going to
last of this
oscura fogata of stories
so is that
before before
before,
dear family
nocturna,
for favor,
in the comments
I invoke
for that you
give them
the well
to all those
that have
that have survived
the foggata
and you
those new
those who
who survived
for first
time,
I'll
in the
commentary
narrator
about
and the
night.
And family
nocturner,
there
respondan with
the lunita
for you
know that
we're
that we're
giving
a very
to the
family
more
and chida
of internet.
And one
once
said this,
I'll
the
new members
and to
the
family
nocturna
that
for
favor
revisen
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button
the
button
and the
if you
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now
now if
once said
this
we're
we're
we're
on the
Saturday and
you to
I'm
you're
you're
you're
you're
you
you're
so bye
bye
