HABLEMOS DE LO QUE NO EXISTE - Historias de Brujas, Buscadores de Tesoros Malditos y Carreteras Embrujadas | Episodio 423 | Hablemos De Lo Que No Existe

Episode Date: September 7, 2026

Bienvenida #FamiliaNocturna a esta #OscuraFogataDeHistorias en #HablemosDeLoQueNoExisteEl día de hoy, te voy a contar las travesías de Francisco Bastos un cazador de tesoros malditos que ha conocido demonios y se ha topado con el mismo #Diablo que le ha extendido la mano y le ha ofrecido un trato y hoy sabrás por qué y qué fue lo que Francisco hizo en ese momento; ha recorrido lugares tenebrosos y se ha topado con personas con historias sumamente macabras y esta noche conocerás todas estas peripecias y el por qué ahora se está jubilando de esta aterradora profesión Todo esto y más en esta Oscura #FogataDeHistorias en @HABLEMOSDELOQUENOEXISTE y si llegaste hasta aquí, déjame un mensaje #Narrador en tu canal, encontré un #tesoro y entonces tú y yo sabremos de lo que estamos hablando #ByeBye

Welcome to Family Nocturna, to this Ocura Fogata and Histories, in Let Me No. The day of today, I'm going to talk about of bruchas, of casadores, and of the terrible

Camino of San Sebastian. But, before to initiate this episode, permit me to say something to tell you a lot. Because we'll be to be able to

be a city. Yeah, we're going to get to the show. And if you want to see we're

to go to the end to the video, in the link in our channel of Instagram,

and there, see if if you're to do and prepareate for the reunion family in vivo and a total color. Now, said, I've said one of this,

I recommend that where you're to eat, prepareate something to eat, but need to occur to be able to the light, because we're going to start a super

obscura foggata of stories. Lamentably, without the posseousita of the more than we're goings. There are many professions and hobbies in the world.

Very probably many many people who have never been many people who have been there. There are forms of Garnars to gainers

that even They're even They're even They're One of your Croserian Francis Bastos

has been one of these Since more to 40 years He dedic to castes in occasions

is a job In other occasions is a hobby But it has a

very clear since that year this career Not because the

dangers because the dangers are those are the things that you

never you can't you can't in those pears

pesardies. The Sir Francisco Bastos is courted for the sun,

the earth, can't extenuant, hours and hours and hours and places in

places, looking there with his apparate that he's that

by a pittittos and little sonios to where it's where

he's that's that's been to have been a last career

but but has not much decided that very probably his career

is very close to terminate. Not are for circumstances strange, and malignas. You know

a certain age, you know, that your body not resisted as much and if

it's different to the reality of today today, so that we all

we're in places in the out of the other the risk not

not really not the time. It's many a hobby. And

talking about that this hobby in a reunion in a one of

the one of the So, Soprinos, Tio Pancho, Tio Pancho, because in the family, they know him as Pancho Tesoro. And he said, Tio Pancho, Tio, Pancho, Coo, Couch. Quintanthus, any other than you has toped with something? And in that moment, Francisco Bastos,

he gave a point of something. If he's got caught with four or five things in the way, but have been things that he was transformed in a cabalah, las transformed in a taboo, of which preferia not because I feltia that if I'd be

a book and told about that in his next expedition, no I was to go to now that now that's

he's going to get to tell us the stories and this prepareate because what he told not only is

aterrador is something that more to one of you this night not this night not you're

not to get more than 40 years in this has have been all

type of experiences. You can you can't imagine. Much of the

other the people who have been to be with the things that are the

animals, insects, certain types of the arbos, the exposition

to but reserve in the part most of this

I'm to tell you. All it years. After 20 years

the Mr. Gustus was was looking a but not one in special,

he'd want to get a place in the person he said, hey, he's there's a form to look. He was a carmionette,

and he'd a carmobile, and he was he was running by carterteras where he'd a little bit of a little

he'd be in this place in the time of the revolution, enterlarned something here I'm sure that there

that there. The first step of his discoveries was to go to go to your machinita, without asking permission, without molest to nobody. But the years passed rapid, and his experience it was to give to d'ars to tell us that the people of

certain poblades of that you ask you, and you'll say, oh, yeah, no, there is a little tesor here, and where they're saying that, they're going to carry to accompany, you're going to signalar the zones where, you have done beforeations if they're not trying to earn much

job. They're still a change in case of the you can't you know the you know the

they're not they're not a change. He's he's not a good thing. He said to

ask you to get a people, if there were here or there, something that they were

that they were a little that they're a little a little the day of today now

no record his name but it he's the people of the people of the people of

a Penaed, around a place in a place principal, one of the 15 houses. Casas grand, but

very, very old. One, even were of the when the constructions of the

place, all were the other than they were old, but that were antiquis. Casas

that were that were a super all the residents of the place, but there

were they were and they were they're to make, he was to talk

to port in the point, because no encountered any place in that the

people were in the bar, a tabern, a certain commercial, a supermarket, no way,

there was nothing to this. He had a house in one of these houses and the woman, the

she says, that no, that's no, no, no, it's all the next house,

a second house, a house completely painted of roger, totally covered for a

cross-capa of the that is he was a color coffee, but when when he was too,

in what he he said, he was in the water, and he went to the white, and he was the color he wasome

a man, someone, someone, more or less, that was the age, and to the 20 and 30 years,

a type regortete, very sonrient, he asked, that what he was he did he's not Pancho Tesoro,

he asked, oh, is that I'm a buscador of the one, that's there,

some, a little a legend, a treasure, or that you know that's

that's a time in the time of the revolution can't or some family

or a story that's that's that's I'm so I'm so much,

I'm know, and the person and the person and he put

very serious and he he said no, he's there's the door to

the car that's that that's a people that

people don't don't ideas of people of people

Sienten that someone will use that maybe is the way in the way it's going to be able to get a

kind of a bit of a busse. Yeah, he's accustomedro. No, he's got

personal. The problem is that when it did the middle and he is going to

say, now what I want to tell you to tell you, I'm going to be a intuition that

there should be a middle of that house, and front he there are two types with

the paper the ropperas, the robes, the rope's very and they're so many chaperro than the other, and the

two are you seeing, that's going to you looking a t'n. Don Francisco Bastos know that the modalities that he has not are all refined, but if are vastos, and are very adaptative to the zones, and know that there's one to zone.

There are zones where the person are in a manner so discortez, and it's a form of being cortices, because for them is to talk to familiarity, and there are other that the lisona is that's the false is absolute.

So, there, in that moment, that they were talking, without any in saying it, in a way

in a form beautiful, he, he's just he said, he's still, I'm looking a tesor.

And then they were to see the chaparro and the and they said, well,

well, well, that's, the capataz, know where there. And then, Francisco

he said, we're we're going in the camionetta, and they moved the head on the other.

They said, no, no, no, a manned the cabatasse is to be here. He's got to have to have a good

good and he. Because almost nobody's almost. Don Francisco. He's

been in places in those that's in risk. No, it is a taut. He has a

little bit he's seen that you're not. And the side right right on the part of

metal. You know reactionary very very often. Never you never had to do

it's never never. but always I take a distance is a precaution. Minimum will go to seven passes

after the guy. For if he a case, he has to have to have to

a prejeal, he's got a time sufficient to be time. He would be a

pistol, but he doesn't manage her and probably would probably would

probably would probably would that is a risk more more than more than a benefit. But these

two things are sufficient and more for these two, you know, they're just made you, and you know, they're very

very gordito, they're in the level of the level of the earth they're in the way, they're in

can't get and it's one, one goes a little jorobado just arras the other

is more ergid, but the shoulders those are not, it's a person,

no, it's a person who has a person, don't Francisco he relax, he's

going, and he put the the hands in the bolsillos, and that it's serve for that with your hand left, palpe, there on the side of the bolstil where is the bar of metal, and

it puts just the right where it has to be there, at the the arm of the movement to be able to be able to beck, the ballseal, but if you're just to do you're going to do with regard that only the end of the end of the other three deado are, and the gordito

is there is there pegged to the because with the hand on the the arm of bork, what he makes to be an impulse very rapid,

he has the arm a black in the hand, in the second can be armed and he knows

perfectly. And that does the do you know, and it starts to relax the arms,

to have a reaction much more rapid, and is at a whole what you

could be the problem is the sun. Who know what the

temperature is, but the first 20 minutes that were coming down

for putting a sombrero, and he started to caler. The sensation in the nuke was tremendous. It was quivering and

she was chicharrant the pale, and we have the skin cutied. The other two types are so much

to that they are coming to the same path, without, and say nothing, and all

they're constantly, and every certain of a amount, and they're to see

the Francisco. Francisco is to after after after the I got a moment in the

he asks, O'ian, no there's nothing here, to where we and they're going to turn to

do you know, and he says, with the capataz, we're going to the capataz, yeah no there's,

he says, okay, but it's that's very long, we've had brought the

carionette, and they responden, no, no, no, no, no,

no, we're to get, to to get, to a two minutes,

more or or less or less was what he had to come in around about about seven or eight minutes, because yeah the feet le pesable, the sun, and had done its effect in his body, the level of cancancey was e'er extenuant, and no had never a boatecito, or cantimplora, for water. Standing there,

his alarm, and it spares, he does a count of the error. If you get in a place where there are more bandied, he'll be able to do not be able to do not. Yeah, He intento to put to get

the bar, yeah he's put to put on the right in the

bolsio, he's he's that he not going to react to be to be

not at time, because the other two lent us without but in

no no moment jadeado and they can be with the language

or not more than more than he's he, the sombrus

he cluel, the the body is a little the And, when

when he feels that I'd be able to give you never to make to make the more rapid as well,

go to him to a little a little of the nathes. Altissimo. Muerra. And that

that's there's a carataz. Then, is Don Francisco that says, I'm sorry a pair of

tons, I'm seeing a pair of the locales. What I did? The way is that the

road to me can't make, but there's the capat they're a an arbor,

a tree in the nothing of the nothing. I'm going to a

little of the whole idea of the idea. That's that I'm that he is a

kind of the thing that this is a question. So, he said that there was

that you had a little that he's that he is a idiot, that go see

when really really not have problems that this is certain question to

ask them a part of respect. No, he's he went. He went at the when he's a 10 passes of

the arbor. Because at least what is that would be to do that is to end up. The last of the

man, a man, delgado, a little, more than one to 90. This subject is about about

some 50, 60, years. The cabell is has a cano, in his

man he was a sombrero backero. All complete is vesty of black.

But he a a camisa very fine, although it's in middle of the desert and who know how time he has

that he has a lot of the top of the top of the pantalone. No, you know what the type of

tela is a because it's a messlita, but also it's a telf that's a

thing that's that's very, all the that's he doesn't that he's a bit of

the t' the tincturone that he only brings when he does the light the sun. It has

a symbol rar, a signno rarro. He, he neither wants to pay attention. Now, is an alert

, he has a little bit, and with a voice fine, but very very bold, the subject

he says, he's going to know, like if knew, like if I would

have talked with us other. Something something, and he he's he's

he's not that's not natural, to say, that's I'm, for that I'm meant

all the way, and he said, ah, then we let's, because

here's He's a car to the siena, and we'll come to me, he'll talk the good. And then Francisco, he's not very far as a sienna. We're going to comeo'nett. No, in camionettes, no, no, we're going. But if he goes to me, he will

change the life. And there, Francisco, noticed something very strange. Certains things, certain rematches of the rope, can't when they're directly the light of the sun. But also is strange, because the is a tree,

has some ramas, is very great, but no I should generate a somber, and when this

type is a move in certain directions, because you even have the somber opposite,

there's a sudden there's a face, that's super strange. It's a

moment in which he's a look at the eyes, and are absolutely black,

and it's there when he gets to he to get a Francisco, a to be the

fear, of the canstance, of the alert and of all the head, Cueado.

You're in front of Chamook. Francisco is put rid of and he says,

I'm going for my apparatus to to look his his person,

the type does a last and he says, you're you're going to

you're not you're going to you're going to do you come this

try to come let's let's say, but you'll I have my,

I have my, I, I, I, I, you, I, you, I, you, I, what? You're going to cobarrearer or not you're going to coer, you know, you're going to be the trot? And he'll give a man. Don Francisco, for first in the life, Siente, that's a man enwantada

of that type is the thing more perigrosa that has been in front of him in all what he has to existencia. And if it's ever to talk her, probably the life is it change, but

he'll have done a deal with the that's that's the thing that's in front of him,

not is a human even the perche and there's many things that are there's

in a dark, where was, how can be there, why is that all this, why it

seems that he can't be able to think you perfectly what you're doing, and don't you

do the important to be a The body entire is trembling. The body entire is vibrating and he's saying, a gritty, let's get out of the day. It's mid-day.

It's the night of the day. It's all of the time. Never had seen any other than it was sentient to fear. And nobody is amazing. No, how we'd understand us? But in that moment, he does passos to back, Don Francisco. He says,

ah, then if you'd have a fear, you'll get a man? No You know, you want a treasure? I have one. It's very good. You're going to change the life. Only come with me. But my

tool, no, we need to do. Don Francisco still coming to back. He's going to go to

go to my hand and here we'll take my man, he, with a look, with a look with a

mind that he had meted into that he had rote all his valor for into, because

he was to ask her gritty to get to coriator, that he was going to think of the arbor, don't Francis, he went to keep coming down,

vyingse the front, no there's any way to that you're going to give the spall of those people, and he commenced to come in

back, to turn, more of 120 meters. In a place of a certain, no, there were there were

there, there were there to get to come in the back, back, back, back, to be back,

until that you He does a count that he has a vision complete of the place. The arbor, Mewarto is there, and be for both sides. The subject is behind the arbor, but no there is nothing to the side of the area. And it seems like

if it were in the entrance to another place, because no he's not to be for any part. He starts a curvying a little, to have the other the arbor, and he can look to be a little

behind him, and there no any. The other two subjects are are both are just ahead of the arbor, and they're

looking with a car, like if they were just going a coward, they're they're looking to see

and they're being, and don't Francisco, he does a media little bit a way,

he starts to turn at the front, he'll go to the world, and he's

to gore a lot. What strange is the time, and he's going to that he's the time,

or the space, are exactly how we're that they're because in less of 10 minutes with a

cancance extreme, totally the body extenuado and in less of 10 minutes,

he was sitting in that the poldit. No, there's way. The way

was right of the way, more of a hour of the time,

10 minutes of when she was in plain form. When

regress was a deseched. Hego that people, he subbed to the

carmionette, and he he was a little bit of the devil. Don Francisco he said to this in the

reunion family. All of those families and said, why never you've told that

and he says, because if you know, you know, he's he said, he continued

his stories. I go that he had to repone, that there was a time

in that that was that was a style of life for him he was

to go to go back to start when he was in a case that in occasions he was observable at a

time at there's a little in the room, I'm that he was able to

be he was present in his pensions that those two types

that not think that have been being at the distance

and maybe there there there was there was

very very that, it was revivien and someone very

very far that was about and when I'm that I'm that someone was like

if it could be to get to get to him and demonstrate to him that even

don't Francisco Bastos he was a really really

really only only was a cobarred a cov

that no could do he he he don't

don't Francisco has to for a time long, all of that situation of the Tessoros, as I've

said, but there's a moment in the that you have to retomar, and the things are to the normality,

and he, after two years, he's, he's, it's a thing, I'm going to be

a lot of time, 10 minutes of a time, that's the long, that's been

has been the cold, he's been a lot, he's got a sol, he pego, a insolation,

it's it's in the desert. Now one, so is macabro, if you want, but are hallucinations. That's what you have in the head and it's all right. And so he gave a value. Well, too, to anyone

the sun can't matter. No, it's like I don't know if I'm de facto be a man. And the value began to increase. The fear to go back. And then he relaxed. And regressed to the buskits. Because when retom, in those two

a year-tos, the to pickoteer, trying to to get to into this idea of the buskade of

the group of people who did it and he not even he was and he

was going to chikas and he was the she was her that she was she was

she had had been topado with a bivora of caskabel when when they

had been encountered some crosses in the serro that was a

panteon clandestine the day that they were that they were a suffre and they said that were in the

world of the and they're saying, nothing that's that you think you're to occur to enter there,

we're not we're going to probably not you go to get. And between many many conversations, he said

he was to give a group of people with the people with the people are of the

people are and he had created a habit a bit and his body and his

mind he's it's also. Really really do you do you? Ah, and a little the ambition,

a little the buskid of the adventure, a little bit more arreisgidavoured and a little more contino, because 20

agendas, could be able to put them at the same time, and that all can do it's all complicated-it-it-

10 was difficult too, with three in occasions that were much, and yeah the value

had re-reversated, and yeah had a new that had been a new- that was a little bit of adventures in which she no

was not he was he was he was in those things were the things were the things that he

said, let us, I'm going to look a little. He was looking many things

and was doing in small places, and in houses and in houses,

and that's he got to a box with a oldeners antivas that was,

he's helped a family to find a lot that was a little to

They were a ta'out, and within the attaud, you know, they're not they've been because we're talking that was a legend that had more of 80 years,

and a family that had been known. But, no it was, but even that he went to

in a bar of carterer, that he liked much to start to his annanzas, because the

people were back in information, or also told them stories, that was

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Entra. There are two persons sentadas just in the barra. The place was practically vacuio, had only two hours of having opened. The person that's behind the bar, the mousse or the person that you serve in the beer the beer, and in moments, was playing some bottles.

The other two types, see that they were that with some copied on the canteener, but he'd a service and when the cantoner he's

a try, I'll try, and he know I'm him a man I'm a

house of the not you know, there's a some place, a little where I'm go to go

to look to get to we're we're and the can't get very serious,

put those two and he he's the back's he's he's

he's he's he's there's he's there's there's that you

They're interrary for something, and it's better not to enterer,

and he and he and then when Francisco he says, well, the

legends are but after some there's there there's

because they're because they were they they're to find us.

And the tabernero just just move the head to another

and he's no, no, he's one of one of one of

one of one of he's he's yeah yeah gaston yeah

He said, is that this type is very credul. Countle, Gaston. Tellerle, why you want you to start? And then the canteenero he looked to with a car of

many people, and you don't tendes burlating, I don't you want to serve nothing. Apart, you're going to

you, I'm going to you're just and the guy that's he's going to and he's because I'm

the end of the other, the other that was made about nothing that was he was sent out of a barra and

he says, well, you know that Gaston not being these things if are going to stop, and I'm quite quite,

I'm trying a while to be doing not doing so not doing so rube, not doing so it's not

getting the head up about, respectand the other person, he does a look

a little fullminant the type that's he was that he when I'm back to

don't Francisco and don't thank those three are, these three you know

these are who are they are you know me permit to me to take the risk and me tell the history

and it's then when the canteenero he says for what if you don't create and the

people who are the first ones are the first there are there's desentierren and then again the other way

the type of the time he said well you go and you're going to tell you you're just

tell you the house of the bruce the canteener the can't look to with a car of

because Don Gaston no he doesn't that instructions of that manner, and is a

point of Gaston respond to something to get a very much, when Francisco

said, no, I'm what I'm what I'm what I'm what you're what you're what you're

like that you're a round even for you're don't for us but

tell me the story. He's relashed Don't then you a little more of

a little he's a there's part of and he's he's been the other he does

Abre three cerebesas, and as it's all over, and as well as they're molest, with the other two, no's the other two are the other two are, they're going and they're and they're going to get back, and then they're

and then they're on the other side of the barra, Francisco sentado, and the other two paraditos to the side of Francisco

and the story. And resulta that the story was very interesting. Gaston says, that he was a guy who was

he grew in the guy. He he took to survive. He no he took around the things modositas

and fasties never. He had many people because all were perrots of the street and he he was

considered one more and he said that between the perils he was the most bravo he was

he was he made and he mordy like it was a d'overman then he was

he was he was he was because it was when he was still and sure and that

said that was like it was like the years when he was he lived

only when I didn't to nobody I was robbing, I'd meetings in cars,

and he had many problems. And it was when a type that was used in a posteceit in a placee of a barrio,

he interested in him, and all the days he'd give a hogasa of pan for that he had a

time, he had to be a lot of because standing out of not he was he was he was

he was he was he not, that he not was to get to the other he was when there

nobody. He metia when he was going to but he had taken to you know, and standing

out of the other things, and they were things bad. So, he's not. He, he was going to

get to get to the time, and he was to go back to go back, but with time, he

was doing a question of things. He was intelligent, I learned very very quickly,

a and a past of the time to be a person, he was a car to a person,

and the people he a guy very very very so.

So, so he's that he He went to He went to To work Pekin'Ensue To find out Little Secrets of How To Corses

To Beaccusites He started To present Cossus Until that Hegues When it was About 20

years That one He said He said a He said a Renta And that He said

He said, The renta The Rentah And from And from And from His Life He Be Beas

To Be Be Be Be Be Be Be You The Wue of the canteen in the that was actually. And, and he was dead. The other one, he readed.

And Gaston, and he was turned to turn to find out of his best, he was he was not interested in

any type of person. He, he was there and was there for that the can'tine, he was

a moment after three a year- in those he did so he did you do to do a good

dinnirite and he decided that I was that that he lived various years

with a person that He made the canteen, and it was going to do a casito a little bit more. He was looking various, and he got a very good house. No, he had a grand offer. Not was a cost so good, but the place was very beautiful. He said that since he entered,

he did a house with much personality. The paredes had something. He was sentia there as if stood in the place. He'd recordable the house in the that he lived, but at the best he recorded the type of the bibliotheca. He recalled the type of the Biblioteca, an aroma

like an old old had a and it was a nostalgicic because in the patio.

And this he's not that he had a put it to the pill chinita in the

patio. There was a big and he didn't know because they were

they're there. But it he's beautiful. It's beautiful. A

a bit so all all the things are the beautiful, are and it

did. When When he bought the house, he presented with the Vecino. For that they were the owner of the bar, for that also he could have done

the house when not stuier. And also to offer them the moment that they needed something. Estabrecerer

a good relation. For this moment, he knew that was doing these things and that were things that were the

simple and simply and simply, the things that I wanted to he was a person who

he said, oh, D'Gaston, you see a good person. No, I'd

to get to get to get us. That's the house of the Brouca's and the

people that has been the place, and the person is a mind, and don't know,

the brusons are the people who have been money, I'm not so that's not the

thing. And a day, when the woman, the I'm going to get to

that house is a grandotta and with the two hands no no

back the he's said, oh, oh, Don Gaston still you and

his tarugas, don't don't also, and there's a little but a

one time after the night, three of the morning, summante can't be a salon

a sillioncito for a person, a little piece. It's a place where he gets

to get, sentarse, and send us a little that has a lot, I'm a little

more to watch over more of eight months, because all the night he put

he's a met, and not more, because no he doesn't learn,

but a ringlone is something. And there go. It's more

six months that's that's one of the book, take the book in

his hand, it's a certain level to learn read

well, and I know not doesn't have no order

in the reading of the reen is all and then then you know,

it's on the ringlon the read in voice and and all

term he, it in the piece of the person that's

a person is a is a barrow dangerous. And he is a pusillanim.

He is a good he's not a cobb. They're in the Cueba before anything. If they

entered there, minimum, they're with a mordy with a person,

he's put content, he's to come in the stairs. He no needs

arms, no he needs absolutely nothing nothing. He has two

and he's he's and he's not those. Oh, these are the moment

special. And he was subbing the escalers, and he is going to what manner will be to let us look his mordidas, because here that perro that has been many years dormito, he has got to

to go back to, and it's when I saw a sombre, because the piece is totally apagued, and this silhoueta enter in one of

the rooms and the door is a close and don't Gaston, commenced to come to the cintura

tranquillament, He gets out of the quarter, he says, Good night, I'm good night, I'm the dwee'clock,

with who I'm the good. And Gaston is just this situation as you know, the other

other side, it's a new thing, and to get a caro'sel and chino, because

there's a house there's a little no one, put in the pome, and he wants

to give it, but it's like if the other other side someone would have

put the pome of the door, and it will go to the other, impeding that it can't open. Don Gaston the suelt. Beke the pomo is moving one side and other. He'll be to talk the door and he says,

I don't I'm still getting so content. You'll go back to say, I'm going to-Gaston, the owner of this house, with who I've got the good. And, see my counsel. You conviener to respond to me

write for the good. Dentro, it's a respiration of someone, but it's a woman. It's a respiration like agile, intercortada,

a little a jude. And then he says, to the respect I'm that I'm to know,

but he's a bit of one way, and just that perils the perils the door and the

door to and a wind, like if there's a speeder to his rostro and it's

very extrano because he's a much fear, much meo. Don Gaston is there prepared, because not

all we act almost against the fear. He has learned to maintain impavid. Although the

body tiemble, even the person's reponged even the thing he says,

there's a voice there even more fierra and that that he does that he's a

kind of never devia the mind. So, he's not he's the hands

he timbre a little, the the time are the little bit flakeer, but

no disbia the mirada, and in the piece when they had been gulpeated, he was there he's there, looking at the front, when

he says that something he starts to come in his postado to the side of the passio, and he'll see that

silhouette, a silhouette a silhouette that's going going to Don Gaston, he posa directly

to the passiel and he can't a whole velocity. It's a meter of the sombra

when with the man he has to get with force because it will take

and not he will let let go to get and he and he doesn't

it's a time, it's a time, and he can't understand his

mind, he does two more, he'll make another manaso

and he over and the over the light, it's

dish and in his ear he he's he he's when he

he's he put chin he, back camin the car

He said from the house, he has a beerse in the hand, that took in some part that no he doesn't where, and he's

sat down, and he has done the an an an anusus, he'll say, he'll say, he's allude, like if no had been

out of his house, but no, he didn't know, he, didn't know, the other things were

getting, and then after she saw that silhouette and he he tried, that arbor,

that arbor, that's arbor, there, there, there, and occasions he's the can't

the can't the can't, Abre the door and he's something that there's someone who's observing from

Gaston, no important that many times in the life you have done. He has done the way of the way of

so it's that it's that you see the look at the mind, and he's going to do

the airy to the hard. No, it's a disbue, it's the door

of the crystal that divide the house of the patio, the he has to

the door, and go to directly the and he he he observes, and he's making the

nose, making him a new thing, showing him he's going to be a but it's very strange,

because the presence of the little, and it's being more great, more great, more great,

even, but it has to be to get to get a and he and he doesn't,

he says, and it doesn't, it's a matter, he's made in the house, he's made,

he's made, he's got on Gasto, and he doesn't he's he's, he's,

do. No does what does what does. Because he can't explain that

there's that he has a little that he doesn't even important to

the doors are that he enter to the house and

he's all the time to the right, at the

occasions at times and a other and a back, and back,

and he has and defianto to him. And the worst is that it's a moment in the castorne desvue the mind of the head.

In his his head, he never cruiser the idea that can be being being a lotco.

That's could be a hallucination. Never heard of that that's that's people.

He's grew in the street. He's able to get to and defenders. And there

something to he has more more more of the life, his instinct. And his

instinct no fallia. And his instinct he He says that there in front there is a little that's the problem of Gaston, that's the problem

of Gaston, but in front this is that cause. The instinct is saying, that mal to valise from that cause is to be going to get that

is going to get that's not to get to be the day that was sitting in the sillon and just saw how the rosto of

a woman he wasomed between his rodilla and his man because he was sitting and so,

Pyrnals doblades, thinking, this rostro is some a woman was a little, so disagradable, so full of

repugnancy and odio, that he made of the people more bad that had known in their

people, people that are things terrible, persons that in some that in some moment,

even when he was he was he was not to do it, because what was much

a lot of to do not do not do not do not do anything that moment that view the mirror of that woman, he took up more, he was put up to see, never ever, because maybe she was going to be there, saw her in the house, and no regress her. She was on the

re-bacher, no he imported, he gave him the money, he went to a department, and since then, descounted the person, I don't know that the Bruchas if exist. When he told the history, Francis he was marvellousied, but

he was deceptionate. He He requires a treasure. And a house of the Brahma, is a very good legend. For his servitors,

a grand treasure. But for him, for Francisco, no. He's not. He's not something.

Something that you can de-enterar and that is a person. The history was fascinating,

but nothing more. And that then when Francisco says, well, thanks,

Gaston. Lamento what you've did, no, you know if in

that house there had a a when the type that was bullied at the initial of Gaston will go to let's a carcachad,

he gets a carcatchada, and he gets to and he says, "'Ves? This subject is he has been put in Puest. We'll say to

the Camino of San Sebastian. He's if he will be atrever. And Gaston bolted the side to the side, and says, no.

No, because the we've made. No, I've seen one, only that regrece to

tell me if he's he didn't not know to find nobody of the of the way of San Sebastian

after to know that the other the other type of the other type he was in the little bit of

he said, he went to you're going to talk of the man of the same he's he'll be

to do you do you do you know I'm just that's the place there's and then

then the can't go back and he said you're you're going you're you're

you never you've done to where's the time you're And it's there, when this subject, he says, "'Pos, Don Gaston, tell-bees not has done

"'But these two, I have been puttas. "'These two are integrated, "'and I've heard those stories, "'and I've heard how has made a lot of people "'that me lo see perfectito. "'Here this place is a point of encounter "'for me, and minimum, "'wengue 15 times a year.

"'So, is that, "'we have talked to have when I've told those stories, "'and I see what is the way of San Sebastian. "'And no, I was for the way of San Sebastian, but that that's the maldito you

call, that's the place that's the place that's the other he's not

he's he's he's he's fascinated, these people, these people

had they had had talked to him that in the that's those

who are those who are because really they're they're they're they

have some information that for us that result that is that probably

if there is a treasure there. His experience did that put your attention in all. Francisco he went to

see to be this type that's encarando to him and then he says, well,

tell me then I do you do it. He intended that when he would incitra

to the other two that said to the mentated to be the mentated not the stories. Sin-in-

however the subject commenced you, you may me, like a person MEDOS

you It's a impression that I'm that I'm a cowardly. Here where you see a Don Gaston, he also is a cobarra. And right you're heard. You've seen with

your story. When the things are of human, and are of the others, there really you knowces the Mereg.

I'm going to the trailer that was there out of the only that's in the stationationation because this hour no,

nobody, here simply it's all the night, or no, Don Gaston? and Don Gaston he gave the because I

knew the I'm sure this subject is a know of the he said, he said, I'm going to

this is the last one of the night. This was the year past. And me I got here

the way I'm I'm going to get to the four abedules and I look to

to don't Gaston and Don Gaston and I know that's the same that is the

the same the same after after the after the right you're bolted. That is the

Camino of San Sebastian. So, always it's always it's always I've heard, I've seen the four abdules and I'm

going to do a little to do with the right. But not my route and not my way,

for what I had to do that to do a meters, that are those spartyante of the

carmiones. So, I'm my GPS, busco another route, and me

do you know that your a road of San Sebastian, after the kilometer 5, reconnected with the carretary. And I said,

well, we have to have to take the way of San Sebastian. Me did the way, the road, the carterer no

was there. You know, that's hour no, there is no way that's there. For that's

all, they're all right, and I'm a little bit to the four bedules, to the right to be

going to the same to the Kilometre six, to able to go to my go to and I'm

the way, but that that's the way that's you know you know you know

because after the kilometer one something was a carreterer totally free,

a carrille to go, a caril of the road, the line's in- middle

perfectly painted and I didn't be people that were people

that were that the arvules. I'm going to do a little.

There are people who are in the obscurity in the obscurity in the tracos. Stando in

the trailer, you're in frontas a much you're going to be to be to find out.

But I don't know a person credula, nor coward, and temerosa. But I

am you seeing from those the three, and I am good with my

eyes and with my memory. And they were the same people, one and

another one a woman a little, a subject that was summed, that was very delgado, and two children, the two

were those who were the more more than they were there, and they were very much, and they were rapidly, second, mido-second,

a quarter of second. I went to the velocity of the trailer because I said, something, something that's in that moment

in the instinct me, I said, you've got to commit a grave error. I'm prepared, I, sentia that I was

going to when when I when I'm that I see that I'm

a woman is a through the door to the carterterer it's more that I'm

more than I'm going to go to pass to another to her and I know

how she still coming as she should go to the trailer

I I'm I'm a little the and it just

when I see the that the sunbra that should be that I'm

that the spejo retrovisor, I know that there. No, there's no no, no, no no. I'm going to

get a velocity of the trailer. I want to go to see the place at the instant. The sombra neither with

the lights of my trailer, and they're really, and I even with that I could illuminate,

and I knew it was that it was a something, it was another thing, it was a

way, I'm like, I'm going to get to get to get to when I'm, when I

hear a car of the trailer, and it like if a beastie enormous he would have taken and

not me permit to advance. Because he started to force a transmission as never

me have passed, as it was a little and I was a total

stupid, that he let the decim velocity there when after the

trailer more novato and more experimented know that are

the first with that you can go to go and

I'm this thing is ranad It was mademis. It was like if something that wastessewning the trailer. And, of a repent

me accorded of the medallia miracle that made to my mother, I got re-fired and I said, for favor, Vingensit, help me. Cisaranded the trailer, and I could advance at a velocity normal. In that place, there are things. In that

there are things, and you, to the people that have mandated, they have made to, and you have made to find out. Why I've done, Don Gaston? Never has been reclamed, because you no me mando to

but right now that they're saying of all those that are you know they're why he's and he's not he's

he's not he's he's quite put the hands on the barra and he said,

because I think I was doing I was doing I was not I think in that I was

until that I'm I'm so that I'm back to one more a man not me not

me not me not you can't recalarmarm because I'm not going to do it. I love to mordered. Baja your voice and largathe from here because I don't want to look to look at it. And what good that you came to the road of San Sebastian, but as you

did you know, I don't you mande. And he said, and he went to Francisco, and he said, and you also you, too, you're getting that your car, yeah, me is fastidiaing. And no, no, I don't you'll say the way to tell you, he's a bit to him, no, I don't know why to go, to the overture you the

people who go and go and it's a little and get the whole and then

they're all that they're not going to get a manned, but perro that's

a little in a instant you're to runcar a so, so that he's

put to a right, he's a little over the mess that is

sobrado of what he had to get to start the little

the type the time the story of the Sebastian, and is

the trailer, is very molest, he's a little, he's a car, and when he's up here,

never will know where this is the place the place he got to be that they're going, he

gets, he doesn't, he says, if you see that the trailer is to be to the kilometer one

to go to the left, there, the four bedules you're going to get to

a little to the right, that's the same thing that's the same the way,

and he met another with Gaston. As if had been a prophet the type of

the trailer, the burlorn, was the he was the he said, and he was in a disjunctiva boy or no

boy. Before that he did a count, four abed he said, and the right to the

right, and in the way of San Sebastian, he was to end up the good, and is what

nobody is what you know, part of the things that never you should be done the same to make

to be to be to-mars it in the night. Francisco had had taken the Camino of San Sebastian of day, and no he knew just in the night, San Sebastian,

when in the the road the sombre's and they're people can cross. Francisco is in San Sebastian

and is a place a a place a a little a single a single that is a back to

the back and a other of a lot of that it seems that there no nobody has been a lot of time. All is full of

all the world. All you do a certain aroma and sensation of death. Conforme he goes he's going,

he knows that in the poeos little there are there. Maybe the people are

not even don't know but if they're to be there some some some

there are to be to see people who who can get who who is a

little that's a little bit that the people have to be very

curious and And he's, and going when no one solar lantern, nor a single light, no one the same, no,

in the street, no in the entry of the houses, too, behind the windows, he is in his vehicle with the

velocity very back, even he puts neutral and accelerate in two or three occasions and so

that the sound of the motor those despire, but nobody reaction. Decide deteners

at the final of the house, Apag the auto. Sack a pair of colches that leave in the part Trasera of the cajuela. It's tap

with them because it's a lot of strange. If it would have been thought, maybe

he would have been entered a little of a disconfian because it's just in

that place two hours before, that's a lot. The quantity of free is

rare, but it's a place more pegandol to the desertico. He

not He knows much of biomas, ecosystems. But that place, it's a little bit like if it were a desert. Yeah, with that frito, he's terminated a little incommod

in the ascent of his auto, and he's quite dormantly dorm. No, he has any danger. No, he has a instinct

also developed, but no he doesn't any type of a menace, fear, nothing. Apart, the

conversation in the can't it, it has got to. That time, the two hours in the he was

he was very tense, a a little, I didn't, and I saw any, I saw, and be absolutely

nothing. Because he had been good good and you know, and he had been very very

very uncted, and it's a bit of the time, and it was getting to the car was a

way, it was just it was a same, and it was made a little bit of a lot of no, no,

I wasented any person had been a, what more d'clock? The morning next, with the sun, with the sun, dandolid directly to the

rostro, he's got to do not he'll be able to do. Abre the door, she sits in the coffre, saccault in the coffee free, he'll serve, commencing to mack

a cigarriyo, and he has this horrible day-o-of-a- campions. He's not looking the way to the

way he's and you know that's in the entry of a cavern that is in the bases of the mountainette.

That raro, that's extrano, a carreterra that leaves a place, it's a way of the

mountain that he's a other city or other little. Who's know? Although for

this time, is very new-novedo this question of the GPS, he's not in that.

He uses to still a map of paper. So, so it's that's a

fact, no, it's in any part of the place in the

where it should be not not not far in the way,

and that the mountain, Sabra God where go.

Well, to the devil. Maybe, literally, not he was he said,

he had been a little bit of that he had been that he had

lived in a life that he had that that he

were that came to tell he had the

he had that I know that he the first

the episode, so I did the time after if

had had to have been convenient to record it, because the most prudent

would have been to get to get to that's that's got to

because after after after they was doing, he was, he did,

that minimum, the ultimate, if really that's the place

San Sebastian, because not he no, he's the

and he's there, if be something he's something he does,

maybe a little an anecdote more for her newbie that he's waiting in house. Well, he's on the way. And it's then when a one

what you like, 700 meters, maybe a kilometer, he top a man, yeah major, that is coming down a good pass, in his man or the right he has a form of a baston that

seems more a type of instrument to to impulsarce a little more than someone that needs to sustain the part of some piece of his body in

that, and and then this type. Detienes his auto at the side of

his and he says, it's a good he did a venton. The

subject no he he says, I'm going to the cave of the

diablo. No, no, he doesn't he said Francisco.

Ah, a cove of the diablo, the that's in the

base of the mountain and the subject no so the

so the and he says, Yes, the base of the mountain, no, he convoyen

to go ahead. And he says, and he's there's a little and there's a little

the subject, clava the palo that he's in the hand, and he does know that

he's talking with a eye, those have been got had to

have been in his life, but no be there up and they are

there, they're done they're both the part but there

nobody is being. And the subject, even as he seems that he is going to look at because he's driving directly the mirab. Or something to that is. It's complicated to be directly

to the eyes when someone has all all of the color black in that zone. But he no knows where to direct the look at the baston, you're going to the person. And the Francisco he responds, if I'm dedico to that.

He says, "'Lie me, please. Let me, for favor. We're going. He's up to the car, no says a word any,

he's going going to Francisco intents to get to talk about this type is like

if you're sordo, no conversa with him, get to the little to

the door, walk to the car, Francisco he's there's he said,

and he says, you're going to be a car, you're to get to get

the time, and he said, wait, first, how you you're

The other people's Ciego, he says, Louis, very rapid. And then Francisco he says, well, there's a treasure, no there's a treasure, explain me. And Louis he says, no you're saying, you're not you're seeing? We're trying. Here there are treasures, many. And I know where they're, but as well,

I'm scapacan to the vista, and no those I can't take. I'll just have been, now as to something, I'mgirdo'n, if you're a person a meddosa, neither we'll even, because here there. And they're in the demonios.

And they're there. No, they're not. But they're I know where is the treasure. Because I've

yet, after the front, to the where they're but the malditos me do you

they're they're they're they're they're not I'm able I need. I need a

person that I'm you. I'm you're I'm because to my

seeer, that I'm I'm I'm I'm to be to I mean, you know, you can't

have the eyes. If you're going to get, and you know those are you going to be. The eyes are open. You and I don't want to talk. And no, it's occurred to bring the box if you're afraid, because if you're going to be able, those treasures are you going to get.

Never those are we going to find. It's always what I'm going to ask. You'd be there's for a treasure I'll take. You'd have to do the demons? Francisco Sentio He said

But I didn't know Why he And I'm I'm sure I'm a Something I'm He was

But he was He said He wrote He wrote He went to He said He said No cupas

Never You know You know You know You're subes. No cupas Apparats Like if the

Cego do Middier Merecto Mediobo Mettio The Aparate Entro of The Beicco

Camino directly to And then Voltae the subject of the baston He pega in the

PISO Regressed again He says No, you're going to close the eyes

Evenke you're going to be And you going to Because we're going to go to

And you I'm to bring to You're or not the Tesoro

and Francisco Moe he's he He's He's or not the

Tesoro and it's where he's where I'm I was talking with a sierra

and he expresses so if I want the treasure well, for sure,

see me to me entienel me, see me to me that you know

they made a turn and he began the the first were

enough for the the great majority of the people

there no there no no without the final

of the end the splendor, and the sombrows in the paredes were moved, if you couldieres start in a place that's really

the minute, the cave of the devil in the way of San Sebastian, is the place that you're looking, and not you comevien to enter. He stills, Francisco, detrace of the the sago, the sago, Louis,

as he presented, that abertamety, seemed a meant to that name, still advanced into the the road. When they got to the land of

the rest of the end of the way it was in a way of and they're saying a

word of and Francis he was with the eyes, and he didn't even want to

get a second zone and Louis he went to the man, Francisco is when

they're when they're to hear talk and he's he'll he

he's see what he's to say, log to learn to learn to see to be a

a coveh. No, there's a light, and, but Francis no entient for he, he's not

he's a question, there's a something that something that envuelve, something that you impede

to think to be, and when he's, he's, he's, his head of indice,

coverings in the mouth, no digas nothing. He's signal the o'id, and then

then again to put to his his head indice in the book, no

digas not, he'll to hand the pass. Francisco commenced to advance and the conversations are transformed of murmurys, very tranquill and lexanos, to mormulos,

every more stridentes and and certain. It gets a moment in which it appears that there are a group of persons that they're all around, and not parable to talk, no, they don't understand nothing of what they're saying, but are words and words and

voices and voices and voices and voices and voices and voices and voices and so, and it's then when you see da da when you know that the the way does a curve and in the

moment in that he's a certain part of the curve, you know, a man

that has a little putso-cortante and it clava in an arm and

he's to cause damage. He's more more to work and

see, who is the doing that's going so is that

still going after after after after another one

he put on the right he comes to start,

and And then, as if these hands not were connected to any a little work, they're

to get to their back in the center and they're in the center and they're in the weight,

at the point that we start to feel that the elephant the air, and also the valor

he tima to the and he a in this moment I'll

turn to the basto he's a lot in a hand with

the all the voices all the voices You've talked with with a pain to

continue to go ahead of going to go to walk to the side of the and he he was

behind of the fear of the fear you know because because in the moment in the

he said the mann't the that's that that type that's

that type has a thing that is that there is there is something there is

something that he's he has been that you've they were another way to the the coveh, be like Louis,

he styr a little, he's stry his wusses of the back, and he's his shoulders

in other position, and it's very much more high than he. And it's when he

was a little, and he didn't hear the name, because he went to

the person, a person that a person that a one of years

had been had been the part that was up to get for a

second time in the trap of the diablo. And with this story my dear family

nocturna we've yet to get to get to the question to ask you do the

story of the time of San Sebastian? You got the the story of you know

that you know about in the question for the most you

and if you get us to get to the and the campanita

and if you start SIGENOS and give us and give us to the next story secret. Now, if, let us and I'll say to that, that very pronto, we'll see in your city. And, remember, people of Torreone, Saltillo, Guadalajara, Tuxtla, Awascalientes, Ciudad of Mexico, Monterrey, Mexicali, Tijuana,

and, other way, Guadalajara, for the other times that I've been a little bit. We'll see. In those foggats and, let's do what no exist, in your city. You know, the link that are in the page principal of YouTube and in Instagram

they're in the link in the link. And when they're in this link, there can go ahead to buy a little bit to the fogata

and from here until we're in the next fogata or in the Sado of Sondras I'd want to

you have that's fun of the voiceicet and more that's well, well,

well, well, I'm sorry my car my car my my bye bye.

can skip an ad? I get it. I'm Siaia and I live in Ice Cove. I've made some questionable decisions that didn't end up the way I planned, and today I'm still figuring it out. Somehow things usually get worse before they get better. Apparently, that's how I roll. So bundle up and come along for the bumpy ride. Stream a new episode of North of North Tuesdays on CBC Gem.