HABLEMOS DE LO QUE NO EXISTE - Historias de Brujas , Lugares Embrujados y Embrujos Malvados | EP 327

Episode Date: September 22, 2025

Bienvenido a ésta Oscura Fogata de Brujas , Lugares Embrujados y Embrujos Malvados en  ⁨@HABLEMOSDELOQUENOEXISTE⁩  Si te preguntara ¿crees en los lugares embrujados? ¿Qué me contestarías? porque Lucía hubiera respondido un rotundo no, hasta que en su trabajo vivió uno de los sucesos mas aterradores que me han llegado al wts de las pesadillas. Escucha del enfrentamiento que tuvo una maestra con una familia de brujos, la otra historia de las casas que se ocultan y los peligros que la acechan. Conoce las entidades que aun le quitan la paz a Ángel y los secretos de la casa de la nahual y el rosal maldito. Así que prepárate porque llegó el momento de que  ⁨@HABLEMOSDELOQUENOEXISTE⁩  HABLEMOS DE LO QUE NO EXISTE es un canal de youtube con el formato podcast que comenzó en abril del 2022, su primer episodio fue "vivo en un casa embrujada" en el que una chica narró sus vivencias y sucesos paranormales a lo largo de 20 años en la casa de sus padres, desde ese episodio hablemos de lo que no existe ha marcado una tendencia en exponer casos paranormales de personas comunes que viven en diferentes partes del mundo. Ice Murdock es el conductor o host de éste canal, durante casi 100 episodios no apareció, nadie conoció su rostro y la comunidad de éste canal , la familia nocturna , creó teorías acerca de quién era el dueño de esa voz. Hablemos de lo que no existe se destaca por tener apertura ante las opiniones experiencias y vivencias de cada uno de los invitados. La comunidad de éste canal es conocida como la familia nocturna, de hecho por estar leyendo o escuchando ésto, tu ya eres miembro de la familia nocturna.. bienvenido. El duelo de historias es un concepto que se creó en el canal @Hablemosdeloquenoexiste, idea original del narrador, se estrenó en el episodio "Comité de la Muerte ,historias de Hospitales" el 1 de junio de 2023 y empezó a implementarse formalmente en el episodio "Abrí la puerta a un Demonio" el 11 de Enero de 2024 ; consiste en un duelo entre Narradores, una dinámica sencilla, donde cada uno cuenta una historia y busca superar a la anterior y al final la familia nocturna nos comparte en comentarios cual fue la historia más aterradora.El Narrador y todo el equipo de Hablemos de lo que no existe trabajamos para darles a ustedes querida Familia nocturna contenido original y de calidad, tardamos a veces semanas ideando formatos luego de tomar en cuenta las cosas que nos han pedido a lo largo de la temporada anterior y por eso el día 23 de Septiembre de 2024 comenzamos una nueva temporada que llamamos FOGATA DE HISTORIAS, en donde el narrador prepara una serie de historias escalofriantes una tras otra para retar al espectador a terminar el episodio por el nivel de miedo que genera. En este canal se relatan historias de terror paranormales, sobrenaturales y reales, prepárate para conocer el miedo de una forma en la que nunca lo habías experimentado.​

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Bookiné. Oh, so also. And profite. Via Rai, the voice that we love that We're in

this Scura Fogata to let me know what no exists. The day of today Newtourna

before to start the episode I have to say a parenthesis because the

The last last me got many comments to the news about members of

the family nocturna that they were having situations very very delicate and

not they're in this case. It's something that I say,

but it's something I need to give my opinion and some details

as orientative that I think that they're going to give

to the same context and to what demones I

am what I'm to tell more rapid, what he did you see to

a funny. Fannie is a member of the family nocturna

is a woman that's a little about to be a family to

a center And just front of the chick, there's a a little bit of a little bit of a little bit of this, with a lot of these similar to

and with a triangle like the but with a little bit of that you're seeing in this moment. And when she saw,

something, something, because she didn't, she gets being the the screen of the perfume, the chick that

the other, I came to look at her, and the two cruises the mirada and me said Fannie, and no

do you know for these cases family nocturna because there many people have been that's not

that's not that's that's that's in their encoderns, I'm doing that you

do you guys the first the first respireen not so don't get nervousos we're

in family the second question let's directly also you're family

nocturna and you're the response if to to respond, I

you recommend one of two. Or respond, if, moving the head of the above, for that's a double affirmation and have more force, or,

you know, and then you don't know, because, if you know, that's the night, we're more, because

we're going to the march of the million, and how I'm going, don't think no, they're going to

be a because, this type of cases, I'm going to confront one very very probably

probably this end this end in San Luis in the first presentation out of Monterey. And I'd say that I'm sure I'm

going to be sure making sure so we're trying our nerves so is that people of San Luis dear family nocturn of San Luis

Preparrens because we going to prepare a fogata of stories that will be unobitable and for

all those those who have yet who have yet let me get out of the bienveny to give them to the stories

because today we're about about of bruchas, places and in bruchos malvados.

And if it's the first time that has gone to the fogatas and I recommend that the light.

And if you're you're to be the fogatas, at the final, do you

know, in the comments. But, but this, I wish good

suites. And we're if you think you think you in places

in bruched what you would be because Lucia me had

said two years that took to work in one. Lucy, I was a work in a company of these that have like some plants that are

quite great and are divided in areas. She was in the area that had to be more well with questions of informatics, systems, and her area was a delicia. All the day had air-conditioned. The cafeteria was very very well served, and they were

as part of those presations, coffee, gaietitats, and one-one-per-per-sem-a-condition, a platy that they had them to choose and me

said, they were pure things gourmet. It was a delet. This fabric or this company

in the that she was not going to mention any detail. Some of you know

they'll do you don't put in the comments because we

don't because we're more of that's and the people who has

perfectly to what I know. And the chiefs were very

strict with one question nobody is after after the 5 of the

time. What he said that this were incredible because normally the companies they're going

that you get out of the time. But no, for you get us out of the time,

there was a case very exceptional. It was a one person but a quadrilla of people

and in the majority of the most of the case if they were, they were they were

they're just they're they're they're they're they're a company is a

very formal, totally professional. And there is it was a little rare

that not that was that was the that was the people, as to work hours extra in that they

cover, that they're more more of the time. That's that they've that's

not of that that it. It was very strange. After the six of the

time, when I had three months working and when so it's

that certain certain part of the company they they're they're

they're they they're they they That's so it's super-extraign. Suppone she has to be with some type of process

industry, the whole she still has no has a lot of but it's a very curious because not permit them that nobody's

that's a place. And as it has been going to the time that's working on

the company, it's when it's when he's the first chismes that they make you,

that they're they're playing a brom they're taking the place, or really the place

in the where you is a a place rather more extrano than she

she said, she's to hear that that's that one of the company is there

and that they're to be after the six because they're she

did the most the most of the world. Lucy is a she is a

person that is apegated to all the questions

spiritual and those questions energy those are those

are things are things that are things that are that we've passed our

abuelos, because not they know the Internet? But now that we know the Internet, and we know all the potential

of the technology from the cellar, the television, the radiovirtual, the reality virtual, and one, things that

are the day of today to the way, all the way, all those things, are the

things, are creencers, are things interpretative of details that are things that

the day-a- things that the How? How? To start to relation to do some reason? Ah, and if you see a sound a noise, it has been a spirit,

because no, I see it, of this type, sarcastic. He'd have a risa. If he wasa a tonto, if someone had to tell

a story of terror, she was that she was sitting with the hand down of the barbilla, and,

and just trying to have a little to have a story to say, here you you're not, you're making,

what you're doing, you're not you're to be, you're not you, had it ined or not

he had hit or not she was she was she was she was the person is that this

no exists. And look that we're we're talking her story in this

channel. Resulted that standing Lucia working in this company

listening these things from her she she was she

she she was a time she I'm to get to

the first before the first you not you could here the

hour that So if you're going to get a after a spruce and a extraordinary and it's

a quadrilla with you. Why? Why not I'm able to get to get you?

He's to get a point in the point in the certain different not he

does it and he he said, he said, the day of today I'm going to have to

get to last time, because I have to get certain details

of the end of the endregory of the chief is never

and he says, no, termina you She said, Hefe, but you're

for you. I'm going to go to get very late because I'm going to have a lot of a problem

in plant. And the the chief is shudan, he says, no, no, no, you know,

no, we're going to make a good, you're not you can't get to and it's

there's that she's no, he's going to do you, I'm going to do this and you

get to my , no, no, no, I'm He says, no, is that that's not that's what, why, jeff? Why, why not I'm able to get it?

Well, if want them to do the house, but if me manned to the house, well, who's what I'll do you know the

clear, is that you're going to be going to be that's the you're the then then this and then this

he says, wait a time and he says, wait a bit to a officeina to get a phone, a two,

three people, and then there's a guardy of security, a chauffeur of the company and

a bellator. And he he says, here you have your quadrilla, not they can't

do you know they're in the work, and she's she's a little bit of a car of the

if you're doing the things that we're doing to get to get to these three people,

and the he says, you can't be able you can't be able to and they're and he's

and he says, Narraor, he's he's he's getting feeling fissue

and he's he they're to get to something they're to be

three, I'm trying to the chika. No, they're doing the she's

all the same. The one just put us they're not more, they're and he said, no, well, much thanks, because it was something that was expected.

And this chick no entient to what's going to why they're doing, why they're doing it, why they're not not going to be

and they're very suspicast at the point in the you know, I'm going to go to the zone

prohibited of the company. Apenest at the six and a time, I'm doing to me

to make a time, I'm not they're not to say, I'm going to go to be in the

instant, that moment in the moment in the decision, the the worst error that has done in your life. When really

she was tired of the time, when really she was able to go to be in a-maio. The three people, that's, in in, in in in in a while, in in in in in in in in in in in in in in in in in in in in in in in a a little bit of the defensive of that, no, no, no, no, no, no, no, no, no, let me pass. Kedensk, let me in peace. And so, let me in peace. And so it's all overest, they're going to be disubiqued and a profit. She go to the baoomero, but upon as it, but it's just it's a carrieveyor. And it's very strange. Because

to give us a idea, the area prohibitive, for inside. It's a new but it's a pagad in that moment. There are

various lights but practically for you imagine it's a hangar. A lot of a lot of

a place has been a big and is just simply without any any of blocker of

vigilance more than that's that's over over and it's and he can't

come in and it's very strange because when it's a this this is that is that they're

doing reparations because what she saw that there are two people are two people who are these bands that are the people

that are the people who are they're in the reason why they're doing like extremely very ataryados so she is

she's that she gets to ohy-you- don't know the jeff I need to talk to someone

and the people do they're like they're like they're coming and when when it at the final,

she top with something very rare. At the final of that the end of that's she's sure.

She's sure she's that it's not too that in the instant. No could see anything.

Adelante of her there, when it when it is the line of the

passio that the end of the hangar, and it's when it's

to do the night. He's it's because that contraste was enormous

even when it was the not so it that it looks like almost

of the morning, and then when when he's to come in outside, there are two things that

make you make a lot of the first after the first step, she's not that something was a

move very and it was a person to and it was over her she's

she's she don't know that you try it something and he doesn't

make you to come in more rapid and start something to hear of

something with the sound of the path. There are other sonny of more pesos and go on exactly the par. Like if someone istubir imitando his

caminado and it's he's put down. He comes to come back up until in a moment that a little bit, he took a two times the armory when he goes to a high velocity. That's so makes that he'd say that's a pey a gritty and bolted.

Dethrase of her, no-a-nada. But at final, at the the front of that passillo, in the part of the top of

a platform, it's on the light and see a subject very extrano, because

I'm a gabardina black, has the hands puttas on a type

bar of protection of security, has the hair very long, the problem is

that the area where the area of the thing that is a totally

dark, and all the luses that are there, the saces, is going to directly that rostro, and there every see more and more and more

oscuro. The image is so aterrador, but so aterrador, that no, that's a start to get

to get to the hangar, the three types that are they're doing to be there on the other side

of the cordon, and they're just saying, salt, yeah, salt, and when she

cross the cordon, instantly they're instantly, they're they're right, let you, chauffeur, he says, I take to your car, leave here your car,

tomorrow, you know, you're going to convince her much, is that muir to get the car there, the chauffeer he's going to have to be in her, and when she gets to her house, commenced to receive a call-d-d-all-dash-jambada of her sheff. She'll have to bea-gainer. He's going to give the arsanta rega-gneza

if not is that despise? What was to do that is the place, that's the time? Why is it? Because it's a good, because it's Couchichand, no is a professional in what it's a business very serious, you'll go back to say. Then when she contests, they're the collar

between the patas, he gets much a very much of the question, tell me, for favor, that's good and that did not see

and she's that the time, I'm saying, I'm good, I'm here, but if I see something, and he's,

ah, my, I, I, ha, cre's in God? And then she says, no, jefe,

well, then she's to create, her, and this night, not you know, I'm going to a while.

I'm going to work. But in serious, not you get a sol in your house. Lucia, the only

what is call the telephone, call her a woman, and she's a woman with three children,

that's a little than a mother, I'm going to be a situation of emergency.

Me you can't get me in your house? The her she's too

she's like you you're you, you need to what you know, no, no, no, no, I

know, I need a a a place where where I'm I'm in a sure, my, no, no, in serious,

my, all right, she's going to her back, she was totally in shock, disconcerted, obviously, no,

he's a vehicle in the company, is in some, like, a vehicle of application, and when

is it's in the vehicle of application, and is sent to the person, and is to get to

the first of the other, and where is the chauffeur, a lot of a person that has been a brother,

and it's when she does, when she the gritty, the person is stacion, and he

open the door and it is coming to when it's over the house, the door of the door of the door of the

door to the taxi, and the taxista is sat sat down and the carcist is totally disconcerted

and the car car the vire the sir, sir, it's a question, no see what

you know, I'm not what I'm like I'm what you say Lucia. Lucia Lucia is

to talk the door like a open the door and the problem is that when

the other there no other is like this house istabitated, it's like a rare, so it

is a little something, and they're to get to get to be the when when they're a second,

it's a stupor, of his support, of that that's mental, as a bad,

because I feel another way, a man that's a one of the arm,

and he's right, in the person, he's not the minute, but the her man

he said, that she she has been to in a mal state, that they have to get to the hospital, they'll have some tranquilisants,

to the day next to go to go to work, and this is he for three days. Three days bad.

When he gets to the job, the chief he gets, and he says, Lucia, no,

I'm going to reaghaner. No, I know why did you what you did you. No.

see if you know, you know, and I say very clear. Necessito that you do you

don't know you never to see in this work. And she He said, but why?

He says, but why? He says, if you want to things, for things, for what

that's very clear, this is totally out of what we're going to be to make.

It's not but I'm to be clear. All the people from since 50 years

that see a man of rastras that no has been a rostro and

it makes that the light in the car and I know you know

you what you I'm saying, all, after that they've been, all those who

have been in a accident in and less of a year. I need to be not going to have another person on me. I need to have and then she

says, but who is? No, I know. The only that I know is that the place, before that

was a fabric, they used to a group of people to do people to do things, very of

their creencers, but are things that seem to have taken to have something, and that something, is a little bit of that place. During time, disappears and nobody see, but one

that happens, no we'll have to be. Why? Because you have died more of 14 people in accidents, and in the investigations, after years, all those were in common the same year,

they had meted to the hangar, and had seen seen the person without a face. Lucie, for favor, bette, and if you know Cres in God, it's a good moment

that you do you guys. You can't do you have a lot of a story that you said, and that you

about a family of bruchos that was and a lot of a person in a family nocturna, we're going to

give her the name of Naomi, that she she had a lot about a pretty

pretty and when he did his story, me did he he was thinking, me dejo me he's

grandied. And here we we're going to to tell her. To understand first to Naomi, because she described how is

his form of his body, I think it's something that you and I have to have to know we need to

know what is like any person. It's a person that is a instant. There are

various characteristics. Number one, mid 147. It's a lot of she's a

great-gorteta and he like to be like to be so he he's like that he's

I'm defiant him with that my manner I'm imponged she she's she's

she's he's the little the little little so he's so

but quite dispeinated and she he's he's he's

very very great so she she she's she

also because noem me does what he did the thing

he he's he's he did it From very small, he had a little problemita of that was aggrabando

with the time. And then you guys a master chaparita, regortetita, morenita, with some lentes redondos of the bottom of a bottle.

And this maestra has two voices and me says, this, narrator, not is of posseidos, it's of technique.

I have my voice to start with normal to the students, and I'm my other voice when

I'm enojada. And if there are alumnus that when I'm saying that when I'm saying, it's talking the same-diam-di-a, and that they're just, Noemie. And me said, Noemie, my students, learn, because they're

and they're going to learn. And, if you know they're going to take to learn more than the mala. She is a woman very aggritty, but not that aggritty, nothing more, because is aggritty, because it's a garried because it has to live with four men, that these four

Hombers had a, you know, a certain style and to say

that they would be much to be the little and the little and the

other of you were those, and they were those were the age,

the major had the around the only me only

only was a little of a five, six

a when they did all they were all they were all

they were all they said because as when to defend you, Cigatona, you Biscocho,

your chaparita, a beaughan, and of all he defended to noemie, and with the time one was a way, because he had

a form of respond, but rapid, aggerrida and Noemie had a real realtor, never must be that you

have a perosito and you're in a foebo and you always is a idea. Noemi,

you're a maester that no was a person, you'd be you loved you

or lo, you'd love you, but at the final was a master that you would have gone to all the life. She said, that I've learned many things,

and that regla she was put, the way of never to show the need to their service social. A yeah,

they're going to do a school in a ranchito. Me, this ranchito me kept to two hours of my

house, narrator. So, what means that I'm I'm going to live there every a week and only

I'm going on the ranchito. It's a ranchito that will be a 200, you know,

some 300 is a little is a place a little and a little little bit two quartit

one of the quarters, one of the recamara it was more than something something that

was an thing to do you then it had a redire in the closet

the so that was ridiculous but so so that was a

So, then you could have nothing to anything because they were a lot of so it's a little bit of then you're a

minute, you're a little bit, you're talking about you was a chaparito, me sent about the tass and one of my

arms was to put in the part of the lavabo and the other of the other of the door and not extending it

so, sentadit at the side. There was actually for children, not for the house

that was the house that I had to be to turn to turn my magias to open

the door to one side and to make there a little bit of a pyrna to feel me more comod. And, well, I did my things. In that casita, I was to be at a good. No, I know why it was distributed them. But the area of the kitchen, the salon, and the commoer, was more grand than any of the quarters of that

house. You're saying that the quarter principal in which I lived, that there was a camera individual, and me kept up a little to the wall. It was all. My rope, all the time that I'm in the ranchito, I took in the mallet. And I had to sack it, plancharly, and to go,

I'd inventing. Well, the plancha narrator, was of these that were a piece

of a emetable, you're in you're a carbone and you planchable. So,

that ranchito was in some of your dreams, because there was in those that

were because they were a form degenerator, and, so I

didn't any of that so, so, me took live it to live it and it

I'm it was a little that was a place par for the for the

muchchos and the first day of classes I top with the poor. There's a

new nine years and he he's a little six six the

little is a giant and I have to go to up and it's a

bully the the boy a little the little he's

the he he gets money he he he doesn't

the day one the the little the like to put their regla

to impone and I'm my jita in this yiego not you're a lot of so you're

so farranches with the chas to advance to advance advance, advance, advanced,

I'm I'm back back and I'm my indice very d'n and I

piqued the costillas and where she was and when she I'm don't don't desolpeating

the muchach because I'm going to let's make difficult and while the little biter

the little she made with her and one of the children who said no maestra with her not she met

his papas are bruchos poshrujus are of the bolsillows because here not they're going to get

with my students, go and sit for you the narrator the little and she

does that he's all over no me he's so I'm so I so I so I

think you ask you make the time you you're And me I'm going to and I'm

to see to get a point out of the day next. No, he's not in the

new here. And the directora and he says, no, you know, me.

No, you'll do you do that that with us we'll get to the

director. Ah, then they are the directors of the college and you know,

and the director says, no, is that they're doing because they

do you do you do this people, do you do this or if I comport or I'm going to

and then the day the next the next the next the next the next is a

man who's a car a manned a manned a make chasel and I'm ack and I'm

a cat and he he says this is for my papa and you go to

learn what is well master and he's he's he's a

narrator he did a not they're they're going to you're going to

the Tienda, Compte I went with a carpintero he said me made to make sure

cruises, we're going to clavals, me go with the padrecito. Two days after, Nadar,

I have two five, I'm going to the house of the brus, and I start to clas to

clas all places, and I'm there's clavent and the house. My house not is there

a good, but here you're the last of the devil. I just didn't even just

I saw, I saw them, I saw that were puttys, and to me, they were going to be assuptured and a manoechewed to pallos of madera. What things are those? Then, well, I regress to the churchy, biencampant, and I said, These don't know with who they were to look at all Padresito? That me do somephoritas of Agua Bendita, and if these saw her own bruchos, well, to see this juby of the skyline of the sky. Because I go go back in my anforitas and in the first that me molest them

they're going to to be in the one of the way I'm going to get to the bruchos when of the when I'm going to get to the

house and in the house there's a guyena or in the part of the right there there's

there's there's there's and I'm like, like if sohry reactionarer

to do you then I'm kept thinking oh these these people are so they're so they're

not they're not to use to call because that was it was a way way yango, I don't know what to do, and then I kept

thinking that time, oh, maybe these types if they're more more dangerous than what I'm going to be putting up with

regals. Then I'm I'm going to go to the house, Narrador, and I'm going to ask her in the

world and I'm going to ask some type of ferretary and then they're alleycettos I have to go to

get to get to almost 10 kilometers to be a ferretary and I me

I, I bought two things. He paid a pall of pala, and me they said, no, I'm a little, the pure pal. And also, I bought one of the matchette. Regressed to the people. I went with a woman that was like tegidos

with stambry, and I saw fundits of almoada, and I went, and I said, for sure, me to give a three almodones grandotles. Me, those took that same day in the night, I went to the house, and look, in my camita

individual, Atrash, the machete, Arrived, the pallo for that you and three armadas for

that's not not to be in the house, you're not to get these people, oh'all

that they're going to go back. But now when I go to the school, they're

going to pass things strange. Yeah, me happened on an occasion

that I'm in the salon, and the right the door is

a port a door that's a and I didn't that would be so when it was when I was

a when I did permission so there's no I'm no

I'm I'm and I'm you know you know you're you're so

I'm thinking me thinking I'm thinking I'm another no

there's no nobody I'm very very very and

I top a montones of many in my cell in my

bank in my bank and I in my pup and the and the

those who were in the cajong of the popitre they were they're in

these these old these old and they're they're doing. Well, the worse, the

is that one day I'm and when I go to my when I took a when they're

a lot of people who and I'm not I'm don't know I'm talking photographies so I

see, no this you no, this you know I'm going to take to take cards

in the thing and when I go to I And I see how a a little

he goes from the salon, but it a little and he he's not the door

was in the door so I'm not a little that's the type of and that have the

car that's they're these and those things but I

don't I'm going to want to not I'm going to I'm going to

I'm going to and in the night after after after

after after I'm an one of the something like if someone if I'm put in the

house and I said, no, well, no, you know, they're in what you know,

before I'm I'm styrs, I'm styrs, I'm, put the hand, I'm the hand of the machete,

and I saw the other side, I got the palo, and then I'm going to the door,

and there's three sombers of three people who are there, and they're going to be fast,

I'm going to be there, I'm going to be the people, They went on the cell, I'm going to the sun, and where I'm prended the

light, I see how, they're going to the back, they're going to be. And then then I went to my machete, I went to my palo, and I said, no, this is no, this is not going to serve. At the day next time, I go to the situation.

The father-sito, and I'm going to get you. No, you know, to make you. Yeah, I'll do you. And I said, no, but I, don't, but I'm going to end up disculpando and

less with a whirka that me and I'm doing my chas when I'm going to the

class, the director just came and it's my say, I'm I'm saying, I'm

made the case no this way, and I want to make them making those problems

more and then they're on a other other other other

other but I'm don't men, they're not B.RBC training ground has

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Sign up for free at rbc training ground.ca. If what Emmanuel me mando is, this is one of the most cases more extraos that we've made out, let me have made us, and there's this case, because it's a time that I like, but apart, is super-enfermo.

Emmanuel me says that he has called the attention those thematics that have in moments in turn to a casas extrane.

I don't if you remember you that's that you was in a colony and that

there were people that were a house very much rare. I think you you can

you can you can't that that's that I'm my my

I'm really a attention because there a house

so there there I'm not going to go to not much

to I'm And, look, for many people who ask you, why if there's things, not you can be the

because there's money? So, so there's money like to start you change every that something

you're going, you have to get to get to get to want to, and what I do you do? Well,

simply don't for that quadra, but I say, because me that case.

The place in the world, I'm not a little so much so it,

are the some were very beautiful, but the day of the door of besieged,

you see pictures carcomed, no, there's money to make sure there's remodelations.

There's a few of the departments that they're in very bad state, and the fact

that they're in the sign of that is a signo of that's really, it's

going to get in whatever the place. The place in the world in the final is my

home, and I'm a But that place, I did count that was very strange it was like about a six

years. There's what what I was. I was going to go to another with a time. Although the

place in the place in the place I'm more secure, the day no doesn't we know we not,

when the night is when of a person that is better not to go to not far.

But of day no there's not we had to the bicycle at the at the

three, three and the time and I I, after to have like a subidita that's

very pesed, I do a little at the right in one of the quadras, my friends

gritts, they're to say, oh, yeah, where you're you're the name of the

and then they're to get, and for when they get, I'm doing, but I'm

doing with all the forces because they're like you get to a carerita

invented, carerita is that in two minutes after we're other and things

so no, no, no, some some kind of competition important.

I do a narrator and then after I'll give a little six casas. Something happened. I don't see if I pised something. If my yantas passed on on

the pedal or if the bicycle was decomposed. But if I ran a the yanta and me did a trancas because I was the boca. Of good as

I'm making the hands. I met a trancas on the car, I met a little bit in the piece. And at

final you see there embarrated in the the piece in the middle of the street and

my two friends carcageandos that are a 10 feet of a bicycle and they are now

very lent and they're doing the carcajada because I just I'm just saying and they

and they're and they're not they're going to the pain that I'm and they're doing me

and they're in a little when they're getting so chistos that I

started so I'm redia rasped car raspada beech Gopied and there

I'm I'm I'm I'm a lot of the bicycle and I'm

when I'm going that I'm there there's a house that no I've seen

a lot of a house that's yeah in this time the construction of many cars is but that

the picture of a new about was a color black with some remates or retooks grises in

certain parts there was like a ventana marked in color gris and the window

had a crystal totally dark in form of X had much X

never had seen something that the X were in metallic was

some type of protection the was a door was a

never never never never never is a completely light of

a of ultra-luc. And at the mark of the door, there are two lights. I don't see any focus.

I don't see two fours that emitsen light. And I'm kept doing that my friends and

I said, what a rara, and they're and they're saying, what? I said,

the of the focus quadrads and they're and they're saying, it's they've been low with

the goal with the goal and they're they're I'm I'm really a

kind of it's a house of a piece, but the architecture, and I know of that, but it was made different. All the way was different in that house. I'm going. At final, it was a little,

if I remember, when I was a bicycle, in that occasion, I had 12 or 13 years. They're going to pass into the years, because I don't remember when he'll be to do, that I have a noviour in the barrio. I'm going to see this chick, we're very enamorado, and one day

I'm going to your house and then I had a cartita that I had written

but I had much a badgerger and I kept thinking if it was and

she was and I said and I said and I was there like and I

want to share things my sentiments I always I'm always

kind of romantic and I'm kept and I keep when

something when I make and that that that that

is a car I'm exactly the lights and the light black

immaculata perfecta the ventana this of the crosses is equal with the crystal

all the dark I don't know I don't I don't no no single a lot of

the part of I know that are some those adoquines of color gris

not are not suchios all the houses there you should see that nobody

has passed a scov in months and this is totally

completely limp If I'm Oh, I'm Oh, I'm going With my Noviour I'm

I'm I'm I'm sure That's That's You know, And when I'm gonna

I'm I'm saying Ah, so are The Sirs and then The

Jimenez And then The Jimenez are those The Cases The

Gris I'm The The Cases The Races The Puer

And me And me And he The The God That The

That's In the two Oh, yeah not You

You're You're me says that, I know that I know to tell you, I know what I'm going to change but I don't know what's going to. I mean, the house is there. There's a note that no number written. And if there's a little bit

383, the house of the old old year goy. And that's in middle, like if no, I'd have to have some number. It's a very, very, very strange. When I go and I'm to go to my noviour, me topo with her mom and I'm going to, sir, I can't ask you, I'm going to ask you.

Who are the people who live in the house that's between the 183 and the 185? And the lady me put the hands in the shoulders and me says, Muchach, of that's the place. Vete to your house.

And yeah. So, me kept in a narrator. No, I sussed. No, I thought that was something that's a little rarer. I live in a barrio narrator that not is so sure.

So, if I'm there is a little bit of noche and the she says that no he says that it's something is something normal. Then,

then it was with, okay, no me going to get in those things, no are my no-s-negotes, I don't have but it's going to be.

And in an occasion, I'm going to my house, and there's a tormenton. I'm getting so atonted,

but tan atontado, because I'm coming down there's a river, there's a few-of-a- and I'm

going to the quadra of the above, and when I was just in front of that house, not two

things. There in the space of the house, no, there's got of the water,

it's totally so that not I said because no there was a light,

why not it was the water, around the other two

houses were that were not the door was

a and saw a person that was being

a person that but the problem is this is another

the thing there the person that was be a

human, because no there's a human that could live without the part of

the torso. And that thing was there was there was in levittance being,

that that was the door and it had I was I'm

I'm I'm a fear and the worst is this. Salvo

that the spectros or demonies or demon have any kind of

of the inframund, I don't know how they had the two sprended. Are you going past the years? I'm going to to ask them about the house

under the number 183, 185, and the year past just me tope with a phrase. Deja to ask for that house,

because that house, all those who are they're in it disappear, they're only said

that about, me said a person, I'm going to ask you more in the time, when I

asked me my papas. My papas me said, "'Megro, brink at that so, and yet we're not "'we're not saying to be able to "'their end of those things. "'At the day of "'I, I don't have the minority "'that's going to be.

"'But what I saw, I'm sure. "'No, it was a person. "'Angel has been "'and me mando this story, "'because he says that "'it's something that has been "'anyed over just a pair of "'a few of years.

"'If you understandes what "'sogaping it's just over "'for-favorio here in the "'Agel me says "'that, he's, "'orguiously and honorably, he's dedicated to day of

today to pay part of his studies with what he's going in one of these tiendas in those

people who help them to get the things that they've made the he's always is a

service but he has learned that being amable, being courtees and

the people as people with much respect he has he has been better

than simply simply simply the things for the

people that that many of the chichos that are there, his problems tend, their visions

tendran, that no they're not they're not, they're even, you know, some of

some of the things that should be into the merchandise of someone, but he, he's got

very in serious. He, that's the money, he needs to to do you to make the

preparatory, and he not want to to start to study. You know this, for you

understand a little the person, he is very serious, he is very

proactive, always after that he's put all the things in bolstits, if you get to

talk to your question, he'll he'll help you get to your car, sir,

for a money, for what he has, he'll give me a and you, he'll

get you know, and you know, not you know, when you're the eyes of the angel little,

a type good, a type that doesn't try malice, someone that has a person,

and that's that's a dispuest to check he he's He comments that he has lived in a part of occasions, a pair of stust.

In one, those subjects that have been to go to buy some things, he, they've been here, help us. When he's going to the carmennet,

he asked him he didn't work about like to paint those cars or to be doing jobs in house, he said

he said, and then in the moment in the he did a interchamble there, he was

the day next to the house and one of these people, he receives in paions menores,

So then he'll be a mid-a-wilt and he's going to go ahead and he's going to other things. Angel, he has to protect. He lives looking, to get the world

not a world in the world in which all the things are going to be in the way, so he has to take your precautions but it's very

evented and has to have to have been to the stupor the most great that has not done with no circumstance. And that's

he has to pass to just a few months, and as I said the initial, he's very

disconcerted. He's a time, there's a person who they're not a lot of this person

is the Don Chui. Don Chui is a type yeah great, but Angelito says, it's a old

unvergues narrator. All we know and we all we're all we're very

trampoooo but yeah is a big, but yeah, it's a big big and also he says.

It's like actor of Hollywood. The sir, you know, and figgate, you get a

garrafones with one in every man and those he and he goes and he he's back and he's back,

morenito. No, you know, does ten pesos for the but the sir,

but the when he gets a cliente for that he'd be more money, I'm I'm saying

me, Figate, Figate, so you see, so it's more, he'd

he'd corgau T'court T'could and he started to make a a little

in the book and I'm I'm I'm just I'm sure the don't say

the don't chui is very active and never can't like macking and it and when

it's a a little a little a sandia something that's about two three kilittos

then he oh no I do you do you no no so you don't see and

he's receiving billets of 20 pesos, they're a little they're at

and when they're in the little bit of the money, a woman, but is a woman a lot that day. It's a cold that day, but she has a abrigo that has part of the abrigo in a color morado very

amative. The senior, has the caboeveral long, has a little lintess little bit of color black, and in the front, just in the center, it's like a perlita roja. It's very strange. This woman has the skin black, black, black.

No, I want to say that no, it was fair, or not a typical, rarer, a usual, being a person like, it was very

different to the other. The form of the way of the way to be the person was a

person like a person like a very something, something something. Don Chui put his

jorovita, he's a move, he's a boy, I'm going, I'm to help

her. And the she says, no, Don Chui, I'm want to me seen the

s'noy, where he did he said he said he went and he said, he said he to be a brawha.

And I just I'm just and I'm just I'm going to go to do and I'm to help you. And she says,

if I'll help me to you and go back to do you. And then I'll be a good, narrator.

This you do you. Don Chooey is good acting. Don Chooey knows how does that

the person not do you he said, he said, he was he said Bruja. No, there was a form that the

sir, standing like five, six meters, I've heard a Don Chui. Apart, he was going the back to the

back to her. He said to his narrator, the syncorporal and he was coming and normal and out of his person.

I'm going and when I'm going, I think, goodnights, and no I'm going to do a

good, and the mother me is, that you do you're to say that you're going to say that you

can't say that you're to give you to give 100 pesos. And then then, narrator, Dineru is Dinerio, and I Degro, I'm, sorry, me, sir. I'm a little Cancey, I'm. He says, very well, accompany. We're going,

and I'm going to. And the I'm going to say, oh, Angelito, what name so feo you puttier. If you wanted to your papa, because your papa, no see if you saw, but I had another woman. And I, I'm not, Narrador, intentando not to make sense, intentando thinking

in other other other other and just the mrs. Yes, sir,

yes, sir, but I'm with the eyes with the eyes. I'm in into my

little to do you do you're saying all the things fared to my

family, and I don't know that I'm that you know that I know maybe it's

a girl that my father so I'm not so but it's not that

I'm saying that I'm so I'm going to go to you're where you say you

you're you're much a Angelito. Oh, how me disgusts your name. You've never

put a other name, but this, how me chock? Yes, sir, no, we're going to do you

know what's the car. And the sheena just me signaled, I'm coming a can't, a can't

a cabenet super-luchos is the that's a little, and a margita and with these three rations,

I've just had still doing questions my mom, me says things fias

my mom, I'm saying I'm doing the most of the but I know that when I'm like one or

two meters I'm very so I'm very enoched but part of that I have much

I'm too and me tiemble the hands and then so

they're in automatic the caruela of this camo and when when

it's never three statues of diabos two persons

satas in the ascento of that when they're back back they're in some masks and they're something about there's

there's there's a lot of this liquid vital roho for all the carrito,

I'll go to the she's and the she's not is a type that has a

barba of a cardado that has some one that I saw the

color that the color of the color of the color of the color desacue the and

me said you know Angelito No, you know your $1 $1

$1 $1 $1 I'm I'm going to I'm to come in back back

but he was saying that he's a man a legadit vestido and a jacket

and he never he'd be being being and see the

caronet the the caroneta the and he's I'm I'm

I'm so I'm that was what I did that that was that

person Nick was what I care. It's something else here now. Something new. From exclusively on Paramount Plus. It's the series Stephen King calls Scary as Hell. Everything here is impossible, but it's also real. Sci-fi vision calls it the best show streaming right now.

We're running out of time and we still don't know the rules. Don't miss what the movie blog calls something you need to watch. Saving those children is how we all go home. From binge all episodes exclusively on Paramount Plus. Elisa, since that's from the

faculty of engineering, had been from a work to do because the really not they

had been even. Apenest had an little of a little little of

a little he was he was back back and this was just because simply

the people were just were very castigated in the area that she

had been there also the lack of experience but I'm

so little, that just it I'd get to get to the money, to get

some some time, and al- a month one a little to get to work

new, have a little a little you're you're you're

talking things that are about things that not the

life of Elisa. Elisa is is eating in the tacos

the one the is that in the time invite food and she

even even times hours extra. No it's a because it

need to go and get little to get to get for the that's

that's that the not that's that when they're that when they

want to get a good and a bit and not

just and saying to you and saying to the after the

after she she 32 years. You're talking that she is about the 21 years

to his 32 years, finally he's a job that she consider a decent and they are paying

a quantity of a quantity of money. The first that does it, no it's to be a house.

Living with his father was a little time. They're all the time. They're talking

about when you're going to when you going to you're going to you're going to have nets, and she was arta. She had no thought of that she was, she was, what I wanted in this

moment of her life, was to have a good job, to do some automobile, and to beaer in some places, and had studied much time and had been able to enjoy anything. Now that I had been a good job, she's a house, is a little, in a colony, I'm

saying popular, and with popular me refer to all the sense of popular. It's a colony where the people want to live, but I'll see a house that's a little that's very comoded for

her, but is perfectly in the theme economic to get it's over the money to go and to go

and to get minimum two salies all all day. All right in the life of Lisa is

perfect in that moment. When she go to that house, there are two or three things that

they're that's out of the house is in the area of the area. It's

a space very little, metro and a half but has a rosal the lady, the owner, the house. And it's a rosal that great and so beautiful that she'll give me much the attention.

And the lady says, for favor, quidamel much. And Elisa, when he's putting to be the good with the place, he says

every when I have the rosal. And she says, no, no, you don't you don't you don't you need to

do you. And Elisa, for the antenas, or so, so, so, he put a a little alert and he said, oh, yeah, Disculpem, no, I want

that I'm going to get people extra to come to regar the plants of the place. So, if I'm going to a lot of the plant, I mean, Elis, no, it's that you're going to do you digger the botanica number one of the planet, but have noctions basic that if you noggas a plant, it's going to

know you know what quantity and how much, and if you have some type of care of and it's so beautiful that's the thing that's,

you know, he's very then you know, then we're in a quarter in something. I don't go to regar

it? It's all. It's not. Because I don't be to be to do that. And you you're saying

that no, hega, but no, you know, they're not because to do you, the rosal

the rugs' only, but if it seca, but if it's a-c-a-c- -c-cob-a-cob- to be-cored

to come to No, you Don't you If the rosal If you're So, I'm Encour, You don't

You don't You know, and it's something very Because after a month, a day

when it's in the night watching television in the cella little

little But it was a perfecting the space for the the sillion

of the cell and the commo and the miso that had

in front the the cell Well, but he put

something something he He had the plate to the hands, and that was used for the zone of to eat. If I had an area of the kitchen, but the area of the kitchen was a pecky-it-it-ta, and no had lavendaria in that house. So, then I had to laver all in house of his papas, what

so that were still in communication, but also with much walks out of the house, also with much medition of the time. If I wanted to have all the things, both the work, as a lot, like the house, all right? so that all his time would have consumed for that day that's the day

that's there was being the television and I was the piece like styrated to the table at the

cell and was eating a rebanada of pizza he he said and the and then

then in that he entered a fear tremendous he's he's so me that's

it's it's he's he's maybe more more he's not he's

he's he's And she gets surprised, insimismata, the rosal is even more green than the first that's the first

that he has put a lot of that's that gives to a thing. Revisa all the carer of the

house, revise what are the the part of the patio, and discover a reja that not

had done that was that was that has that has a type of that can be

that so sure to be a surragerer. Pidue a a cotization. The

Sarregero, he does a cutization, and she does know that it's something that's something that it's a thing that's what it's the

thing that's sure, the type he's a carer and a carer and he said, D'A. For the

next year's more than we put it a handado more secure, and so we we can't make a

way that we're that's a way that's well, well, so Elisa he put this cardena

and this and a part of there there, and a part of there, there are a part of

the cardo and the carding, during the the there is something that is moving the rea. Tal-based it was the wind, and maybe this is just so you

occurred from the end. But he put those nerves of the point, because sonava like if something was stooping the door, and sonaba that part, like, of the cadena,

and playing against the rea-and-a- because sonable that rechinar, that gulpeteo, and she felt like if a person was trying to

open, but also, but also thought, Well, it has to be a toned that person because if

one you're you're you're and you're because you're styrating and you're just

there's styrating there's a without the door principal so it's that she went with

the she's she's that what he's to do you was simply in the

nightes relaxars he, he's helora alexa little of these

that's that were the little bit the she was the camera, he

he'd he'd instructions specific and he'd to make to make

to get to the music. He said, he's he said, he's not know if it was

because it was or not, but occurred something more rar than the

ruses, more rar than the rosal, and something that's that they're no time

no time. And is that one day, at the house, he topa a gatito

black, sentado just in his mess of his salita. And she he's he's got

being the cat, and the gato in his quarters, he gets seeing,

some those eyes very beautiful, and she says, you what? And the gatita

and when the mawia and when the refrigerator, he's a little bit of a car, I'm a

lot of the catita and he starts to come to come and she's

to run- run-Rone, total, that not the car. And there, with the gatita,

for a moment, she seemed accompanied, and it's the moment he adopted. But it's very rare

the things that are because now, much time after she she says, why not

I'm the cat? Why was the house and why she was not in the other

when they're to get to a certain way a little more to the different.

And this cat I thought I was I knew and I Well, narrator, I try to my

company, like my my friend, I'm always I'm worried about her, I'm focused on the goodest of the gatita, and without the gattita,

what he's going to do you, is change my hours, for darlety for the day I wasveled to the

job, and I was not me organized to get to the rupus that things not even they were

like the after the after the little, I'm going to get to a stastry, I don't

I don't have time for nothing. My house awed a gato but in a way way and it's

there when I know I'm never I'm never got of the house. I never had been

a mascot. So I know they're to have an aranerner where is doing his

stuff? And no there's in the house? A day I think this is

a cat intelligent and it does in the back in the back the door

the door the door when I get to the catita is

in the casapesta, spantoso a gato, but it's a grotto, horrible, that, of actually, no, I've hollied to any other gato,

but no there's in any other part of the house, the door of the bayon, see, the door,

so I'm so I'm so I'm so I'm me, know, you know, you know,

you know, that gotita, that's a little bit of the house, the house, I'm going to the

door, and the night me passed something, and the night in the camera, I'm

dormied, I'm going to hear a narrator, and I'm remember of those Rue's

the Rheh and I'm yeah, Alexa, and I'm instructions, the instructions for that music that

I want. Narrator, if it started music, but you know where? Debe

of my camera. The Alex was just above of the camera, it was

very strange, me did much fear. When it I saw there,

I was there, no, no, no, there was a form that was there without, and I'm a gachho, and when I aghachio to the bed, I'm aghacko, and I'm

see that when it's the circle in color blue, it's all the cat that's all the front of my camera. And me I'm a sussed,

I'm not you know, I'm going to the house of my papas, I'm going to my cat's there, and then then

I'm just, I'm just, I'm just, I'm, I'm, I'm just, you, but no you're a gato, and I'm

me in peace. Necessito to be able to be able to do not be able to rest. I'm going to my abitation. I'm going to do because this is a situation very inverosimil. No, it's a sense. No, it's not going to be able to start passing. And then, I'm

I'm saying, clearly, with the voice of my reentera, quita the candide of the cadena. When it says that, narrator, neither do I think. No, no question. I'll, I'll ask. The cat is there. Quito the candado of the cadena and there you go what what happened.

Regressed to the house, no there's the cat, I'm the light of the kitchen and for first time

in months since I've the gata, he'll and the rosal and the rosal is more secco,

much more more secco than when I'm I'm going to be to get to get to

the morning, I'm going Alexa for yeah to hear not I'm getting

to do I'm the day there's frondos, red, the roses hermosas

when a night before a night before and during the next three months that I never

never came to not ever to presentar and the I was I was my opportunity

and I went and I went to with the idea that was a manhwe

or was a and a dogua we're we've got to last this

off but before before before before before to turn all those

those that they've got them for first and they've over-vivi to get over- over-vibing in the

commentaries, narrator, I've been to be one and it's my first and all those people

that are part of the family nocturn, remember the that we have the matter.

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now so, with much nervous, we'll see the next next next

because this will be very good, but one once you said this, now now

now see, from this time, until the practice secret, or after the

Jueves, where we're the show episode, or the Wednesday that we're in-vibing, a minute of the night of the night, but,

by the end will be able to be the post where we're in-vety-in-vib for the public, but from the fagat

in the fogat in-vibu, or in the practice secret, it's a wish that that you can doces

that you're that's all this.