HABLEMOS DE LO QUE NO EXISTE - Historias de Brujería Criminal , Pactos Oscuros e Iglesias Malditas | EP 254 | EL NARRADOR
Episode Date: January 6, 2025Bienvenido a ésta Oscura Fogata de Historias de Brujería Criminal , Pactos Oscuros e Iglesias Malditas en @HABLEMOSDELOQUENOEXISTE El día de hoy les traje historias que ustedes querida Familia Noc...turna me comparten en elwhatsdelaspesadillas. Descubre escalofriantes secretos junto con la RESTAURADORA DE OBJETOS MALDITOS . Tiembla de miedo con el suceso que vivió Laura y del que Merlín fue testigo. Escucha historias de estatuas malditas , brujería criminal y amarres zombificantes que seguro serán protagonistas en tus dulces pesadillas, asi que prepárate porque llegó el momento de que @HABLEMOSDELOQUENOEXISTE Hablemos de lo que no existe es un canal de youtube con el formato podcast que comenzó en abril del 2022 su primer episodio fue vivo en un casa embrujada en el que una chica narro sus vivencias y sucesos paranormales a lo largo de 20 años en la casa de sus padres, desde ese episodio hablemos de lo que no existe ha marcado una tendencia en exponer casos paranormales de personas comunes que viven en diferentes partes del mundo. Ice Murdock es el conductor o host de este canal, durante casi 100 episodios no apareció, nadie conoció su rostro y la comunidad de este canal , la familia nocturna creó teorías acerca de quién era el dueño de esa voz. Hablemos de lo que no existe se destaca por tener apertura ante las opiniones experiencias y vivencias de cada uno de los invitados. La comunidad de este canal es conocida como la familia nocturna, de hecho por estar leyendo o escuchando esto tu ya eres miembro de la familia nocturna.. bienvenido. El duelo de historias es un concepto que se creó en el canal @Hablemosdeloquenoexiste, idea original del narrador, se estrenó en el episodio "Comité de la Muerte ,historias de Hospitales" el 1 de junio de 2023 y empezó a implementarse formalmente en el episodio "Abrí la puerta a un Demonio" el 11 de Enero de 2024 ; consiste en un duelo entre Narradores, una dinámica sencilla, donde cada uno cuenta una historia y busca superar a la anterior y al final la familia nocturna nos comparte en comentarios cual fue la historia más aterradora. El Narrador y todo el equipo de Hablemos de lo que no existe trabajamos para darles a ustedes querida Familia nocturna contenido original y de calidad, tardamos a veces semanas ideando formatos luego de tomar en cuenta las cosas que nos han pedido a lo largo de la temporada anterior y por eso el día 23 de Septiembre de 2024 comenzamos una nueva temporada que llamamos FOGATA DE HISTORIAS, en donde el narrador prepara una serie de historias escalofriantes una tras otra para retar al espectador a terminar el episodio por el nivel de miedo. En este canal se relatan historias de terror paranormales, sobrenaturales y reales, prepárate para conocer el miedo de una forma en la que nunca lo habías experimentado
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Lazang surgellied,
Pucance-Moyerned
15 minutes.
We're like it's the
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Admire.
And,
and enjoy.
And enjoy.
Via Rai.
The voice that we love that am.
Welcome to Family Nocturna,
to this.
The second foggata of stories of this year.
The day of today,
I have a foggata very special.
A foggata in which we'll be
The places that
were
sacred,
but have
been sysiott
for the
malddad
of rituals,
of the
people who
have certain
don't
that preferrower
and not
to have,
and the
the
things that
are the
dark
in the
dark.
But I'm
a message
before
to start
the fogata,
before
to start
this
tethical
for
all those
new
especially
if
even
if you
don't
form
part
of the
family
nocturn
the
audience
inconditional
of
this
channel, the
family
most
and chida
of the internet,
I want to
make you form is
part of it.
And to form
part of her,
you know,
one thing,
a thing
very simple.
So,
to survive this
fogata
of stories.
So,
so I'm
to get
to come
this
recorriot
that's
about to
start, and
you can
get to
without a
pause,
without
without
without
excuses,
because the
fear
you can't
for
one of
the
story.
And for
those
those
that
are
form part of the family
nocturna
one
one thing
before
a lot of
the button
to see it
and the
button to
and pression
those
for you
get the
the channel
and you
get in the
notifications
every
every
we're
we're
we
we're
we're
this
the
second
fogata
more
of
this
year
it's
normal
that
in
some
that
you
have
been
and see it direct to the
eyes.
And that's
going to
pass in this
story.
It's very
probable that
if you
like the
stories of
terror,
you know
a program
of radio
that the
day of
the day of
the day of
the 90,
the man
peluda.
There's a
great
question that
I've got
since
much
time,
why the
manopal
because
that name?
No,
I don't
that I'm
that I'm
the reason
are the
what they
are
the
theme is
why
they're
in reference
to this
manner
if it's
a
thing
that's
a
very
dense.
Today,
after
what I
want to
think this
will
get
very
clear.
Result
that
that
just
we're
we're
we
we're
an episode.
In this
episode there
is a
story
the history
most
impactant
the
episode.
About
about
of a rescatist.
There is a person
that is traumatized
for what he
heard of this
story.
I don't you
want to tell
any of the
detail.
I want to
what he
said,
he said,
that when I
started to
describe what that
rescatist
saw,
he went
in an
attack of
panic.
So,
they dislokees
and things
that had
beenterrated
in his
sub-consient,
to have
had been
to never
to ever
to ever
He lived in a house
of camp
with his family.
No record
neither the
circumstances,
nor how
time was that
time.
Because for him
was very,
very long.
And that
cabana,
to him
was he
was made
to feel like
that way,
that house
of the
society,
he had much
time with
a family,
it was a
space
very great,
and there
was a total
peace,
and total
liberty.
After the
man
peluda.
But not
the program
of radio,
a man
polo da redda.
He said
that in
his closet
he
found a
man who
was all
a lot
not a
vestigio
like if
had pertenecide
to be
a person.
No, no,
know,
he's even
a animal,
or was
something, or
it was a
man,
that that
that was
thaterrava
because
he was
a
only he
he was
that he
mentioned,
that this man
that's
he was in
that closet,
he la
he was,
he had a
car of a
car,
salinas,
including
almoadas,
that were
up,
for that
that would
be a
that they
could be
aft,
and then
when
after the
closet
and
pass
a pair
of the
other
over
of his
camera.
It was
it
was like
he
he said,
he
mentioned
that in
various
occasions
he
was
being
and when
was
he was
was
tally
the
car,
sentia
a little,
a presence,
a sensation,
a sensation of
being a
moment of
a little bit,
he'd
like a
sombre of
a man,
and was
that one,
that was the
man,
like if
someone
had been
put in,
but no
she was
never
the
door,
and the
door
had been
a
pretty
a
man,
it was
that's
all the
part of
the caba.
It was,
it was
had been
having
pesadillas. Pesadillas, with what he described as a man
mono, a man, all-cubrived of
peltos, rascos, sinisks in the
rostro, a car very strange, and the
worst were the eyes, as far asious, absolutely
negroes and vacuos, like if you were
seeing the murder of car to car.
Something that he lived, in the
life, it was like it was a dream, no could be real
nothing of this. So, so he was that he told
to his papas, but there was a
detail.
Every
every
that
he
wanted
that
he
never
he
never
he was,
until he
was
he was
doing.
But a
part of
him,
a part of
his
mind,
he was
he
he
gotro,
he
was
he was
in a
ball
in the
he
he
was
in the
after
a
time
he
heard
that
he
said
that
those
men
peludas, that idea or that
image that you can't
have been,
I've been a new record.
Something that I don't remember
that we talked about,
that's a lot of
an anecdote,
I'm talking to the
first episode,
I don't even
I don't even
in which.
But it's a
person that is
a very
and me
I said,
I've had
something that
has to be
with the
manopeluda
and I
thought that
for that
was the
program.
This person
that
the day of
today is
a person
now major
when
when he was
very
little
and I'm
about a
14 years
was a
pioneer in
the explorations
urbanas
not you
didn't
the time
paranormal
he interested
the
ruins
the
places
those
the
places
the
people
to get to
see the
house
that's
and start
to
get
his
imagination
that
could
he was
a
story
he
had
two
I'm
two
and in meters these
places for
them were a fascination
and there was a
place in this rancheria
where they'd
live in those
that nobody
was able to
not for a
question of
fear,
but it was a
question in
that that
that property
had been
of a
long time
after,
then he went to
after,
he was in
a quote that was
that was
and they were
and they
were some
families that
there were
certain fashorias
then
preferian
how not
to be
a
one.
These
these
were in the
place.
And when
they were in
an adventure
of a
great-
an eventura
in a
house
two-pissos
we're
talking
about the
front of
more of
25
meters,
something
of the
front,
you're
about the
10,
15 or
20
meters
but apart
a
part of a
patio
tremendous
and
a
front
tremendous
before
a
a
very
great.
The
the
The door of
entry
is a medium
tombed
and they
can't
enter.
It's of
a
matter
that they're
not able
to get
and they
have a
porton
metal
the
which is
the
little
up
the
little
they
do it
and
when they
they
get to
those
uncerated
not
they're
not they
they're
a
that's
a
thing you
know
they're
not even
they're
hydrious
has,
not to
have been
windows,
so we
don't know
to get
to do
some of the
time.
Commienes
in the
recoridor
in the
room in the
cellas
some
some
have
in the
part
central.
They're
are
siles
old
old
manichis
a
just
God
knows
how
it's
and
it's
all
all
all
all
all
all
and
capas
and
other
but
and you
imagine
it's a
little
a
abandoned. It's a
place that the
time
no,
it's going to
go to
go, no,
that's
going to go
and he's
carcomying.
This
place has
a lot of
the way,
and some
the stairs in
those that
many
are not
are the
little
like you
have got
many
pieces,
like the
the teclado
of an
organo
old,
the
that's
many of these
pieces of
these
little
these
these
and then
they're
they're
so
they're
not
they're
not
less for the
time.
Some
things that
not
not so
not the
way to
not the
way to be
but
they're
going to
the pieces
and you
know,
you know
you should
not be
to be
the matter
and the
matter
on the
time.
And so
just because
they're
much
suor
not they're
not
they're
in the
second
piece
and in the
second
piece
so
top
the
topan the
the
thing
that most
it
was
moment
epic in
your
infancy.
A closet
with a
condado.
Wow,
what will
that will
what he
little?
There's
there are
lingots of
gold,
a world,
a
that could
have to
then.
Then one
of the
little
one of
a little
he's
he makes
two
and not
runpe
the
canded
but if
is the
made the
This place
is open,
but not
can't
be able
the
because
it's always
a man
and they
have a
door.
The chica
of that
group
grita
and the
two
men,
they're
they're
seven
a
way,
they're
going
to
a
little
but
the
porton
the
door
down
the
the porton
the
door
so you
no
in the
way
they're
not
they're
not
they're
not
they're
to go and
start
that
there's
there's
movement.
Something
something.
Something he
is going to
and he's
going to get to
get to
the door of
because at the
border of this
barandal that
yeah
was also
too too
and it's
a minute,
and maybe
to get to
the middle,
and it
still
going to
you know,
you know,
you know,
you know,
the day,
the time,
the zone
to the porton,
the two
chachos are
trying to
get to
Then, it's going to say,
For favor,
Yusito, not
that we'll
do you.
Because they're
like a
ask the
open to the
escalers,
like if
not it's
not you're
not really,
and getting
in the
part of
the bottom,
it's
going to
get rastering
something,
and it
is this
this chick,
this is
trying to
get the
door.
She'll
see
that other
another
mother,
but now
is there,
just in
the lumbral
of the
door
after the
whole,
and they
They've got to
learn
the porton
for that
he's
back to
and the
two chicoes
and the
two chives
and they're
what they
was what he
was in
that he was
not you know
you know
it's about
but it
has been
really
grabado
you know
because
it was
his ultimate
exploration
never
more
he's
never
to say
they're
to be
not they're
and when
she's
he's
her old
Well, she persin'o, and he said,
Oh, my jitas, you have seen the devil.
It was the form in the way that he was
it interpreted, but
it was a image,
a man pelud,
a man with garras,
a man obscure.
It has stories
there,
and there were
one that they
were one that
has been to be
with this being
that's the most
adderatorator of
all the ones
that have made
that.
Resulta,
she,
the same
that the person
that you
told the initial,
for having
heard
the story
of the
rescatist
the
lamentably
it's
a
unlaw
but this
not is
a record
an record
an
very
recent
what
provoked
she
was
she
did you
do
a
long
a
year
and
a
and
a
time
to
tell
to
I
have
to
talk
I
have
a
time
in this
time
she
we
let
put
to
a
subject
as
Pablo
and Pablo
she has
profoundly
enamored.
Tiren
little,
they're in
about three
months of
going to
but she
she thinks
that's
with the
man of
his
and he
is the
more
more
more
more
more
profound
Laura
never
never
ever
something
he
he
he did
a merlin
a
a
perrito
a
little
little
little
grises gris gris
gris gris
and so
he was
he was
with a
sombrilito of
Mago.
He said
that with Merlin
they were
to have
not to have
a lot of
the
life and
that was
the way of
the
two to
build a
idea.
You
you can
imagine
how
it was
Laura?
Laura
was
that
was that
not
was
with the
love
and the
love
and
what
the
is that
that
was
that
was
the
first
that
that
this
Pablo. Pablo
no is a subject
that has a
heart that have a
big, that surrogate
that are
that's good.
More well,
it's a
type of
frio,
desalmated,
desgraciated.
Pablo,
he used that
tactic,
and Laura
said,
that the
time in
that she
did Merlin,
heo
various
Merlins,
probably
probably the
same
one,
to the
different
chicks,
because Pablo
what I
was,
was a
all the
was the
I was
after
that
and
in the
case of
Laura
was one
of those
first
am I'm
he was
very well
after that
and now
he was
poor
Laura
with Merlin
Soros
in
house
and
she
was
she
she
was
she
she was
she
was a
that the other
was
a
there was
there
there
was
there
really
really
that
her
was
pure
pure
pure
tristesse.
It's in
that moment
when he
doesn't
about we
know we're
how they
do you know
about a
very good
and she says
and she
says,
thank you
make you
make you
back
that's a
little
dark
paradoxically
listening
stories of
terror
me
made
and I
did you
do you
but
but
so
so
narrator.
I was
I don't
I remember
what story
and I'm
quite,
I'm
really that I
did a
fear that
after I'm
then I'm
then I'm
so then I'm
a person
to be horrible
I'm
I'm still
and I
felt like
if something
I'm
being
I'm
I'm
and I
again
I was
I'm again
I'm sent you
another way
to change
my perspective
narrator
in that instant, Merlin
commenced
and he starts
and ladd,
and ladd,
and ladd,
and I'll
say, Merlin,
tranquill,
he's put
aggressive,
but aggressive
as much
never I've
seen.
And I
never to
see so.
And I
know that
Merlin
is ladrando
below
of the
camera.
So,
so I'm
so I'm
that I'm
that I
go to
go to
something
maybe
something
or
like these
not
been
and that there
an animal.
Oh, no,
and I'm going to
and I'm going to
so I'm going to
so I'm going to
so I'm
so I'm
so much more
so I'm
so that's
so I'm
what you're
so I'm
and I'm
not I've
got to be
so it's
and it's
and it's
and it's
like the
gosos
but imagine
it's like
it's
back to the
collar
all the
hair so sponjado
and he's
being the
but like
if I'm
like I'm
never ever
ever ever
in the gats
in a caricature
in the
perrows
never this
me was over
being
so I'm
so I'm
so I'm gonna
and where
I'm gonna
and where I'm
down
there's a
narrator
there
there's a
a man that's
to start
to get to
and behind
two eyes
two eyes
two eyes
being
me
above
of the
camera
narrator
and where we cross
the mirad,
parpadean.
Narrator,
never
in the
life had
gritted so
I'm
lastime the
garganta
as you know
I'm
disphonic
for three or
four days
after that
that's
I gotre
a Merlin
me
and he
no me
important
and I
went
to come
to
the
department
to the
day
I was
I was
there
was a
I was back all the things.
I asked me,
I asked that, for
favor, me
would be able to
my invitation.
And not I
wanted to make
to the leons,
but I knew
that you know,
I'm going to
you know that
you're going to
topar.
Or that's
but I'm
in God.
Because when
I heard
that I
did a question
that that
was not an
invent of my
imagination.
It was
very similar
what you
describing
there to
what you
the rescatist.
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a disculp
if for
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If you
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There are dones
that are
malditions and
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people who
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to be able to
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even to change
to work.
Roxanne is
a person
that at the day
of today
has
five 24
years.
But when
was a
an adolescent, incursioned in an art
that she was
like something
very enervant,
something that
was to start
something.
She transformed in
an artisan,
in an artist,
first,
he was he
did a point
that she had
a facility to
imitate
photography of
a manner
tremendous.
Not were
not any
the day of
today of
would be
similar to
the photo,
no.
But she
did
that
I had that
facility
to be
how
were the
things
before
that were
done at the
other
a new
one
day
saw
a statue
was
a
little
the
part of
the
other
was
the other
she was
she was
she was
using
different
materials
and
she
did a
first
his
without
having
entered
like
this
art.
After that
he did
know that
it was
a pan
eaten,
that he
had a
ability,
because that
that stato
he
was a
good
very well,
the
very well
was a
great
commience.
He
started
to do
all,
he
did
to know
that
the
thing,
it was
something,
it was
the past
of an
object
and
to be
back
to
see
startal
as,
silas
that
had
colors
carcom
comings,
pintures
like the
windows,
things
made up
like the
air-liber,
murallito,
things
little.
She had
her
not ever
that was
and then
she was
and then I
started
and then
she was
a
house of
an comedor
piece-p
piece of
and it was
a lot of
a lot of
a
good,
that's
that makes
that in
some
people,
that
a
Sometimes
a
very
very
as a
very far
to be a
renomber
the book
in boca
there
was rumors
there
people
about
a certain
youngsita
that
has a
ability
to
have
a
thing
they've
had
that
statuil
mesas
stil
chairs
and
pictures
pictures
and
a
artist
a
part
there
had
Cobra Cobra,
Cobra,
Cobra,
very barat.
That's
that the
night of
the
morning,
I'm not
of the
money,
but
did you
much
work,
much
work.
Of a
all
his
room,
there's
all
the
house,
the
cell
in
cell,
and
cell,
and
the
other
in the
pardos,
the
house
was
now
a
little
other
and
she
was
with
a
brother
major
that
was
studying
a career
and they
they were
they were
so
they're
they're in
the
nobody
said they're
not,
it's
it's
good for
that
let's
she
get them
and it
was a
time
the
time that
was the
was
so
they
said
they're
not
you
get
to be
and she
she
and she
she
and she
she
they
got
the
people
that
some
good
so
she was
going
certain
things in the
way,
and that's
the case
of Roxana.
And there's
she's a
she's
like a
wonderful
of all
these
things,
is where
they're
going to
go to
all the
thing
because
one day
they
they're
a
statue
to
a
little
but
when it
was
she
she
saw
a
little
a
thing
it
was
it
was
like
the
to be
implorough
that he
implorough that
reparate
you
do I
do you
it's
like
it's
like
it's
a
artia
the
the arcy
or the
material
of
that
has
been
this
statuia
no
had
no
energy
particular
was
something
that
was
that
that
she
she
she
kept
contemplating
a
long
in
the
room
has
her
a
entire
repleto
of things
she's
in front of
the statue
and he
is a
being
and then
when
he's
disvanes
something
something
something
transmitted
an energy
something
into the
contact
with her
no
I know
but
if you
do what
what
happened
because
she
she
she
she
she
she
a
woman
a
voice
no
he
Let's get more
Cuitable.
Ten more
Cueada,
Tens more
Cuechada,
take more
care.
And when
I'm over the
eyes,
no
he's not
she
what's
saying,
yeah,
yeah,
I'm
just said,
and I'm
saying to
someone
vestido
of a
but
with a
vestimenta
that
she
maybe
saw in
some
of the
photographs
that
he
a
old
antiqued
an
antiquism
Antiquism
50,
60,
70,
100
years
maybe
has that type of
vestiment.
But that
subject is a
young,
not she
be a
actor, and
then he
says he
will be
to say
this type.
Tend more
Knewsna.
Tend more
Kvd
and he says
yeah,
he's
all right.
And front of
his
eyes
be how
it's
and
she gets
atonita.
Atonita.
Not
what does
what
does it
doesn't
to
feel a
little
asphyxia
for the
place
to
open the
I've had a
I've been a
I've been
having
chimics of
of such a
mugre
because
also to re-baughal
they used
abrasives
and the
house and
the house and
especially
apestable
and it was
like she
had to be
all the
conditions of
hygiene that
they'd
have to
have to
do this
type of
work's
and
to preserve
the
so much
for her
was the
next
two three days
you know
he's
the next
a time
to come
out of
the
house, and
he's
to look
as an
air
free to
get to
get to
you know,
but one
once that
you're
very much
to get
to be there,
you know,
she has
has been
a work
to
his
do you,
have to
do you
do that
not for
a
but
she's
she's
sure,
she's
and over
the
statue
of the
virgin.
When
it's
the time,
no
pass
absolutely
nothing
that,
and that
so
a
Pesadilla.
It was
all.
When he
a statue
of the
Virgin to
a new
a woman
a woman
yeah
of a
year,
the
she said
much
thanks
and she
was a
statue
that was
a
that was
my
and he,
when we're
that we're
got to
a
little
he had
got to
he put
back.
And Roxana's
she
kept
with the
bellones
abirtis
abertisimus.
I mean,
really,
he had
a one
family
in the
war,
and she
accorded
of the
man's
a youngs
a youngs
and he
said,
for favor,
he could
send him
an photo
of the
abel,
and he
said, no,
I don't
he can't
have a lot of
his roba of
a soldier
and there
was in the
house.
Roxanne
accompanied
the
woman,
under the excuse
that he
not wanted
to get
a person
going to
his own
to get a
house,
and getting
there,
he's
going to
be the
uniform
of the
old.
You
can't
anticipate.
He was
the
was the
subject
of the
that she
he
was
that
that
was
that
was,
that
because
after
that
after
that
in
no
place
was
a
something.
Something had
passed,
while
she had
kept
reparating
the objects
that they
had been
not
no new,
because I
wanted to
start to
do that
the
house
not that
the house
there were,
and then
he had,
and I was
a new,
I'm not
a new,
I'm
a energy,
like if
those things
to be a
with that
he was able
that there
were objects
that
he was
he
didn't
think of
there
a
cross
of
that he
was
a
fear
that I
know
there
a
statue
that
that
was
when
she
she
did
she
she
did
do
that
those
two
object
he
he
and
he
done
you've done
but that's the
that's
that's terminated
to end up
things,
has those two
objects there,
and still
and still
on their
life normal,
like any
she's
about a
little,
one day,
he's going to
visit a
old,
that in that
time,
he was
with a
little,
he's
he's
a woman,
she
never
had ever
had
very small in that
house of the
abuela.
It's a
little
a little
little
an room
a little
that's
the
the
house
and the
house.
And you
know,
when
he got to
the
house
of the
house of
the
house
and the
abel
has
been
a
year
and
she
he
the
tally
the
tallyer of carpentery
but
not because
the
door
is open
but the
door
she's a
she's a impactada,
she does with
what you do with
what I'm saying to
that's like
I'm here
there with yousito
well she
I think
that's
I don't
We can't
do a
oration for
my
abuelito
When
I'm
he
They're
They're
They're
They're
But
also
I'm
But I
want to
go to
my
Abel
I
had
I
had
I
I
Not
Not
not
I'm
Not that
I'm
I
know
I
I
know
I
know
I
not
I'm
I'm
I
I
I
top with a situation.
Moma
me regawn.
And me
I said,
oh,
Roxana,
you're doing
doing much
a lot of
your reparations,
but not me
do you get
so much
a scandal.
And I
had all the
day out of
the house,
and I
did it
and I'm
even you're
never you
never you
the door,
me the
last you
never
I'm
and it's
and I
say,
for favor,
no agas
so you
do you
do this
modality?
D'
narrator,
when at
the
the fourth,
all the
things
were in the
house.
And nobody
had been
in the
house.
And since
they were
not,
I don't
they've
never,
no,
they're
not.
After that
day,
if I
was in
my
house,
someone
or me
saw,
or me
and I
had
to be
to do
me.
That was
that was
that I
know.
I'm
to do the
thing
I'm
to get
that
this
situation
is
receiving
many
that
are
me and me
I felt very
sensible
with that
and I said
in various
occasions
I'm
like if
people
were in
I'm
and they're
not a
greatable
and not
greatable
I'm
not even
I'm
sometimes
as narrator
I'm
I'm
my brocha
when
I was
to paint
something
and when
I was
I'm
I'm
I'm of
all right
it's
horrible
it was
I'm
the spant
me move
and where
the
things
was always
was
normal
it
was
if I was just
alucinand
Beto to
to know if
were the
chemics,
betto
to be to
see it's
a bit of
a bit of
a spirit
or something.
But is
that the
things
not turned
there.
No
had
had
had to
San Juditas
and
he
had
that
that
crucifio.
No
never
ever
he had
done.
When
I took
the crucififio
narrator
I think
I think
one of
the
scenes
more
that
some
other
that I
have seen,
and
that the
people
that I
see
exist and say my imagination.
Via a
a type that
was in front of
a group,
he trailed the crucifix
in the hand
and he had
monedas
in his other
hand.
And there
people,
children,
people,
people,
and were
in an
church,
they were,
more
being like in
an
room,
and they
were in
the
frontin'
door
and
the
front of
the
center,
that had a
had covered
just
like with
some bellow
no
he was
not more
because it was
a little
and the
and the
I don't know any idea of who
those are
those were
but they were
to get a
minute,
like if
were to pass
something
or as if
what they were
doing that
they were
that they were
what they were
doing those
people,
because after
that scene
I didn't
I didn't
start the
crucifio,
no
didn't
talk it.
I was
it was
a lot
I'm generated much
problem.
What
they were
doing those
people?
I don't
know.
I don't
know.
I don't know
I don't know
I don't
But that
no
I'd
feel the
impression
to be
a
good.
He did
a
bad
hand on
on the
varnish.
It was
the
only
he did
to the
guy
the
no
he was
not
feel
the
the
his
his
his
was
a
was
a
a
a
people
that
I'm
in the
I
know
I
remember
the
I'm
my
that has been the type of the
monedas. Because no
he could have been the
car. The Sanjoditas
that statue is
the worst narrator.
I don't know who
I brought. It's the
only work that never
devolvied and
after that I didn't
do ever to doves of restoration.
When I took that
statue, via
a person that
hadrava the statue
I was going to
another person
in the
head
with that
and then
he was a
person
that was in
front of
a family
and the
family
had made
a mordasada
just in
a comedor
was a
a little
a
a man
a man
a
one of
all
they were
in the
they were in
a
narrator
gritty
and grite
and
and grite
and grite
and I
that
I'm
that
I'm
that
no no
no
no no
no I don't
no
I don't see if
the person
that had
tried, because
I don't
I'm
I'm
remember
who I'm
the first,
but I
know if
he was a
he's
someone,
it's
a little,
it's
a new
that's
that's
that's
my
imagination,
but never
I've
to rectorer
and
and since
since,
since I'm
my
initials
adulta,
never
I talk
objects
that not
my
my
never.
Now,
now
what is what
is the
is a
statue or
an object
or that
is impossible?
Imagine
that you
are good
and that
you're
doing
a lot of
in this
work
they're
they're
in a
thing that
is that
is in a
a
place
and you
and it
gets
a
get a
person
a
person
and I'm
that
you're
that's
that you
know
that's
that's
the story
of ambar
and it's
absolutely
ater
and we're going to
to talk to
to watchtops
of the
passadias and
the
postures
to all the
thing I'm
about
me got to
make of the
most
intrigants that
I've
heard of
that's
resulta
that Amber
is a
quite peculiar
is a
chaperita
pecosita
her
her hair
is of
color
of course
his eyes
also
those
eyes
even has
his peckitats
is
we're, we're just a tono
like a black, but very
quaint, very, very chemad.
But, so, they're nother.
They're a look at those pecs.
And it's super-contagious.
If she's onry,
you're going to regressar
the sonrises in that you
see that she doesn't know.
And she's
with that spirit or with
that energy.
For that, he
they're justed the
ventas.
And she has me
that when
he took one of
his first
the other work was in a
place very
extrano
because he
worked in a
gerberia that
was a
a good
commission.
She had to
have to
make a
more than
could be able to
each one of the
clients and
resulta
was a
very,
very good.
You
you can't
imagine
this place.
Paredes
in those
that are
yearvas,
estants
where they
have
essences,
most
most
there are
different
things for
the
mal of
the eye
for the
good
for the
one part, statues, in other, and
they're all the type of
people.
From people of
levels of economic, many
alt, persons that are
in questions of limpies and
brujeria, and
a few times families complete as
that simply were making the
world and want to use me.
She says that
there's only one person
that has felt
like, let us feel
like,
much anxiety.
Not for that person,
but for what
the day
that was.
One day
of the
other
a subject
black,
very,
very black.
The
the cabello
has to
a color
like castano
but
have some
rallet
some
rallet
he
is a
real,
a roppa
a proper
a proper
common.
His
form
to
walk
also
is
normal
and
he
is that
he
he
he
and where
he
does a
a
into,
olfatea.
And,
and he
a
mostrade
and he
says,
you know,
you're
a statue,
me you
can't
tryer.
And she
said,
she said,
to know what
he was
about.
Resulta
that there
a statue
that had
that were
that were
just
for a
type of
clientes
because
he was
it was
how we
could
use
these
those
sexual
masculine
of
manner very prominent.
This statue
was used
for some of
rituals and since
the first of
the dwean
the local,
the bruja
that was,
the girl,
she said,
he said,
he said,
that he said in
the monster
to not scandalize
to the person,
that were
to come to
the person
syndicated
and that
was a
good at
that had been
used
in rituals
very
that,
that would
that
had been
a lehous
and also
if not
were
totally
necessary,
not
not
exist.
Tramelette,
for
a favor.
It's a
statue that
is there
back.
No,
I don't
to have
to be
you know,
you know,
you know,
and then
Amber
is like,
he's
he's a
known of
the
do you,
not,
you know,
he's
saying
something
to do
a
azzar
to
and then
to get
to be
there,
because it
is rare.
And then
the subject
he will
say,
it's
urgent,
it's urgent,
it
needs,
trymela
in
this
And Amber
He gets a little
nervous,
Reaction,
because the final
is a vendidora,
he does a
middle-wult,
camina,
and the subject
alar the
arm and the
armor he
gave a
repelus
tremendous,
he gets a
he,
and he says,
Amber,
you're going
to go to
get to
the hands
desnudas?
No,
you know,
that's
that thing?
No,
you know,
you're,
like,
not is
the situation,
and is the
Cerebro, maquilandum,
a bit more than you,
you know,
you know, you
have been told me.
If you're not
your name,
you're talking
with much familiarity,
ubical,
look, it's
you're going,
so, you're
to be it's
in your memory.
And Amber
is a
moment of
lapsus,
and he's
he's a
little bit of
and he's
thinking,
Ambar?
No,
you know,
you know,
never you
never been
seen,
try me
the statue,
but
for the
but,
you know,
you can't
you can't
perceive
those
Iscences? No
you can't
understand what
there's a
not you're in a
place if you
can't be able to
you're in
more risk of
those you
create me the
statue
and Amber
he's
going to come
in front of
some
some wands
some wands
of the
handeria
not are
things that you
use
but they're
there's
there's a
time and
know
why
he's
back
back
the statue
the
put in the
monastoir
the
the subject
be the
statue
be a Amber,
Toma the statue,
and in front of
her,
it's a
and then it
a
little to be
aft.
He's a
back to
get aft of
a billet
and he's
over the
postor.
Koeate
with the
change.
And if
stood in
your
zapats,
me
I'd
to be
here
the
first of
those pieces of
you,
no,
you know,
and they
don't know
they're
the duke,
they'll
try to
try
she's
she's
she's
she's
it's
Salle.
Who was it?
Amber
no-sabe.
But a
second
after the
first excuse
that he was
he was going to
work.
Any other
you've
seen a
statue
so?
There are
people
that think
that
they're
that they're
in portals.
Cynthia
no crean
in that.
Until
what you
got to
this
situation.
The other
story
that me
sentia.
Me
the other
envio
and it's a
story
very
extra.
It has a
thing to
have been to
last a
year that's
a couple of
years.
Resulta
that Cynthia
no
could go
to the
family.
She is
married to
Edgar and
Tire to
a little
Connie.
Connie
was there
was it
could be
a
kind of
kind of
kind of
that
did you
that's
that
the rest
of the
family
there
there
more
other
also, too,
of the third-ed-ed-a-d
decided more
to get us in
a house,
it was to be
to get to
another,
apart the
she was,
she was not,
she was
a single,
because Connie
really not
support a
much time
standing
sitting
was very
un-comod.
Decidion
to do
a night
of the
movie,
Connie was
was very,
he distra-
being,
in the
television,
his mind
was,
and all
were all
and all
and
She was just. She sentia
so fastidied,
that I'm sorry, that
not wanted to be
a lot of time.
And he was
asked him
to get her
mom, that, for
favor,
she'd be able to
their own
and they'd
all the
night.
Connie has a
camera type
kangura,
that was
a place
especially
for when
had visited
of his
primas.
The
camera kanguro
of Connie
not is
of these
camas
that are
of the
If it's a camera of
levels, but descendent.
The camera
principal, in the part
above, has a
car to be a car
one area great,
and if you
you're styrs,
above there's
a little
little.
Connie,
he said
that she would
be up,
that they'd
be able to
get to
the same
the most
small, the
most
little, but
as a
mom,
they're
getting that
their little
luchos
for
being a
little bit
they're doing
to do they
they're
to make a
game, prepare an
scene
after having
eaten the
new.
Something more
more like things
that get in the
cinema,
like palomitas,
a hog-dog,
a perro
calient, or
as they know
in the chili,
I think they
call them
completas.
But in
fin, you
know,
what I'm
a chalchita,
a pan
allarged,
and then
they're
they're not
that night
of the
movie.
It's then
when Cintia
is a
It's
a
bit
and it's
a bit
and it's a
little bit
a lot of
a moment
so is a
different,
and she's
with her
little,
she's
with the
little,
but not
it's a
new, so
is that you
want to
get to
the
other
don't
do you,
she doesn't
even,
not they're
not really
not
she's
really,
and what
he wants
is on
being
being
she's
being
He said that's there, but
all know that's
sure.
But he's
a better
effort and nobody
he's done
a bad.
It's there.
When Cynthia
take a few
those outphings,
and it's
there when
they're the
audiophones
that's
that podcast,
the
that has a
character that
tells a
story of
a
tell you,
in the
who comes
to have
a new
strange
from the
first
second
for
different
because
the first
is
conscientious in the
dream, and that's
normal.
The second.
The
dream has much
realism, but
at the
way, no.
And it's
very scabroo.
The last.
She has
had been
a lot of
nights
listening to
this podcast.
Never has
never had
a bad
a bad
a lot of
the voice of
that's
the subject,
the
I'll
say,
I'll say,
to know who,
who's to be
to be to be
to be in the
to be the
person,
he's not
recommend
that you're
not in
she's
a decision,
it's a
adult,
and there
is a
mind that
he's done
a
one of
a
first,
because in
the
room,
in the
room
in the
room with
her
but there
is a
other
there
there
there
there
like if
was to look at
a little bit
a man
a cajone
and there were
a little
and would be
and would be
to get a
and thence
to get to
and start
to get to
the car,
and it's
the same
to get a
other,
then he's
the sound
that's
the sound that
probably
comes from
that's
that's
commo
that's mero
that
that he's
that he's
he's
he's
he's
he's
he's
he's
and how it's
maybe
Bolpearlies
contrails
and hear
that all
starts to
start to
get a
a lot of
many times
many times
nonies
unisclos
with violence
and then you
hear of
there's
some of the
steps that
come back on
the sensation
of an
abrumator
in the
house.
But she
know that's
a
because she
got to
in the
room
with her
with her
and with her
and there
no-and-
there's
Sola and then
I'll take
to the
entry and
is when
it's when
it's
a situation
spantosa
it's
that's
that's
a lot
at
the
there's
a subject
sent to
down to
her
down to
her
he's
he's
he's
out of
a
back
his
arms
are
so
so
they're
so
they're
on
there
on
the
camera
it's
a
it's
a
sombrus
it's
a
sombra that
even
the
light in the
room
not
resplande
but he
does a
sensation
like if
if it's
a
young,
like if not
someone
like
something
a little
very
very
young.
There
something
in the
interior
mentally
emotionally
and
makes
that he
put
to be
the
person
and
just when
he
in front
to
see
and
the
other
in that
In that
In the
Strundo
in the
Planta
Baja.
The
room is
a lot of
the sensation
is free
and you
know,
that even
has
been
there have
been a
puttable,
has
been
overrovado
to
and the
arms
and the
back of
the
little
of them,
the
encuartes
the
part of
the year,
and it's
when
when she
up
and there
is that
that
that's
that's
a
unmutable
even
with the
room
even that
she's
not
not that
it's
that's
it
and it
put to
she
and it
again again
more
accelerated
and she
and she
gotcha
more
faster
and
the
other way
in the
camera
when
when it's
in the
camera
no
he's
he
he's
he
he
he's
he
once
and then
he
the dream,
cremending
that the
dream is the
that's the
re-iniciating
and no
it's a
much to
get chas
and when
he's
and he
the rostro
of that
other
other way,
something
something
something
because
she's
in the
thing in the
thing that
that's
doing that
needs to
get to
that's
that's
that's
a
way,
and you
know
to be
there in
the
there's
there
and he
he's
he's
his
husband,
he's
to the
Edgar,
Tomando
the
of the
ombers,
and her
his
is a
little
in the
car,
he's
going to
see,
and she
really
really the
heart
the
and the
and then
he said
to
Edgar,
what is
what
what is,
what is
why
me
dole
all
what you
do you
and you
know,
you're
just
you're
like
hysterica
but you
sometimes
you're
dark
you're
not
you're
you're
being
like
the
board
of
the
camera. Sinty is
very
assosted.
Not for
something
paranormal, what
happened?
Of what
form
she traumat
so?
He was
almost
10
minutes
grittando.
She
had
been quite
without
a voice.
He
really
really
the
gargant.
Then
he said
to
her
let's
say,
and she
will
go back
to the
first
to
to do
to
some
or something
to
let
get
to get
the
the
heart.
And when
when
he
put
he says,
No, back you. Not
back. Because
there's a
there's a little
there's a
and there
to look at the
gargant,
he's all the
whole the
little bit of
she's a
cause,
it's part of
a bit of
a pesadilla.
Cynthia
to look to
see,
for
favor,
tell me that's
you're doing
and Edgar's
put to
the foot
right,
go the
braza and
he has
a signo
to
talkandos
the
earga
as he says, and he
he says,
it's going to
something something
in the house,
no I'm
sure I'm sorry.
And then
Connie is
a lot of,
it's a sustadish
but this
can escalar
more.
Cynthia
commenced to
put attention
and
she's
how there
a crugier
in the
escalers,
as if
there was
there
something to
he had
in the
restiering
and it's
the escalers
not are
not there.
The escalars are
of the
This sound
no has the
sense
that it's
out of the
house,
he says
Edgar
that he
he's
commences
to come in
the
and when
they're
a escalator
an olor
aubes
poeos
a peste
tremendous
a sensation
that
horrible
and an
aroma
that'squeous
that is
that he
starts to
the time
the time
the time
they're
all the
three there. Connie, Edgar, and Cynthia.
Permanence were there all the night in Vela, because
you know they were not putiern't dorm. And within
the house, if I was heard a person, that was like
rastrating cadenas, first in the second
the second piece, and then it was on the front of the
passillo of the second piece, and then
began to sound in the first, from the door of the
entrance, until that was up to see the
escalers. What is what
I visit you to the night? No
I know, but I think that probably
I'd have of the infirm.
The question still in-pye. Cres
to hear stories of terror?
Abre portals?
You prohibit
that you'll hear this story
if pretends to
Dormeria. Arreysulta
that is fanatica
of the channel since a couple of years,
for what I feel honed.
She has been a narrator.
I want to say the matter.
I'm saying, I'm a matter. I'm
interred
since
a
year
more
a decade.
I've
now
in other
country
and I'm
I'm
put in
my
tradition
to do
and I
think
I'm
living
to
my
way.
I know
of the
world
spiritual.
I
know
I know
about
about
the
people
I
discovered
I'm
a
podcast
and
some
other
other
because
I
know
the
things
but
also
I'm
I
know
that
so I
not
that so
not are
the
things with
the spirits.
This
so is
after
some
years.
I'm
a month
I'm
to suggestionary
me.
I think
was a
little
my
soledad,
a
little
the rhythm
of
and the
time,
and the
way,
I
have a
job
normal
and a
life
normal,
not is
that
me
did I
do
all
the
time
is my
Well, I began to suggestionar me and I
started as if
there was something in
house.
I'll play with a
couple of friends
that also
are the religion
and then we
came to the
house and
we're saying,
let me
understand you know,
we're in
a limpeas.
We're
every centimeter
of the
house,
every
umbral
of the
door,
every singleer
and the
the tracerer of the house,
all in that
place,
it was
all the
place.
And I
started to
get a
good to
a good
because
after I'm
a two,
two or
three
months after
those
and that
the
place, I
had a
feeling
a sensation
very
very
something,
or
some
people
or
some
things
were
that
when I
was,
I
had the
doors
and
I
abromator.
Yeah
I had
seen
mortals,
I've
tried to
with
spiritus,
never
never seen
anything.
It was
I'm
I'm sorry.
I'm
I'm
I'm
I'm
but I
think my
protections
were
more
more
because
one
I was
I'm
I'm
seeing
how my
house
I
started
to have
different
presences
I'm
not
I'm
not
there
there
there
or entered
in some
things.
I'm
I'm
in this
house.
I'm in this
house.
I know that
there's
no I'm
in my
faith,
and no
were a
man who
had been
on the
they were
doing.
Something
something
something.
Until
that it
came to
the moment in
that you
didn't
go to
the
soton
of the
house,
I
I'm
there.
And in
serious,
I
not I'm
a person
a coward, and these
not are the
things that
me
do you
have been
a
fear,
I'm
not a lot,
he was a
he said,
and he
did it
and it
coincid it,
a pair of
things.
Some people are
going to be
a carretel to be a
lot of different states,
and I'm atopunt, and I'm
going to be a
very great, for we're doing
relevo.
We've decided that
we'd have to
not of the
budget for the
business in
questions like hotels
and stances.
The camionette
was going to
be the place in the
place.
And during the
night,
we were going to
be the
first person
that was the
carmionette.
Narrator,
before that
you know what
was what
happened in this
caronet
when I went to
to do you,
you know
to know
I manage
soooosos
those years
I've been
years.
I was
good to
the
first of
the
and then
I'm
doing this
and I'm
and I'm
going to
my time.
I'm going to
another way,
she's like I
remember, be she
a beautiful, and
me receive.
She makes
me invite that
to be to be
a brazard her
and me
says,
there
This thing, narrator, in my
dreams, me invade,
like a sombra that
comes from out,
a sombre oscura,
something that's
position there in the
dream, and even
I'm going to
the places,
even I'm
the same thing,
that's the
same thing,
and you know
that's the
I can't
get a
it's like
if it's like
that's like
that's the
house,
I don't me
really in the
house,
I'm not even
during, I'm
even during
was sure.
this voyage?
All these suggestions,
because that
were they should be
to be.
Those suggestions
disappeared.
So,
so I was the
first in
to go to
get to do with
the
carmett.
I was
in the
part of
the
back.
I was
the
instant.
I sent it
how that
that was
that was
I was
a
little,
but
was in a
little
dark
of a
place,
I'm
in the
light of
the
place,
I'm
there was
there
there
I'm
a
cemetery.
And you know
It was what
Disagradable
There was
A-turbating
A-tumbed
And me
A-Tierra
And the earth
And the earth
And the earth
The earth
No,
is good
A-Manyi
But no
could do it
It's a
It's like
My ability
of suns lucid
And it's
Then I'm
When I'm
I'm
I'm
I'm in the
Aban
And there
I'm
A-Mbrough
I'm
Mager
Anderer
Anderr
Just the
border of the
Cama
Is there
a
rostro
a
rostro.
A rostro
that
is
a
person to
be able to
start to
start
to be
to be
a
little to
his
door and it's
a
back to be
and he
does not
no ag
no
no
no
narrator
is the
image
more
of my
life
because
no
I'm
I'm
move
I'm
I'm
I'm
my
eyes
my eyes
my
my
image
of that
is
desagradable,
as
you can't
imagine.
It has a
real-Vor-
in the
part of the
head of the
head of the
head
and it's
very good
and it's
and it's
a move
like reptando
like a
mess with a
certain or
some type
of the
garthica
something
I'm
I'm
don't
see
the
little
I'm
I'm
I'm
I'm
and then
he's
he says
to the
o'clock
I'd do
I'm not
you're
I'm not going to do
something, but
I can't
move.
And that
thing
I'm
a bit of
the feeling
was like
to be able to
have to
a lot of
and the
and the
cold.
Frio.
Frio
like if
you to
a metal.
Horrible
and no
could do
do not
do you
know what
time
passed.
Sentie that
the
light
me
pego in the
car
and
that
was not
was
that thing
and
then
with my
my
my friends, no
I just
alter them.
I just
said that
if I
didn't even
I'm trying to
do you know
and they were very
demacredos
and me
said,
we said,
we're
the realev
because the
really did a fear of
the way, and I was
a lot of the
thing, it's a
a circumstance,
you know,
you know,
if you
do it
and then you
know,
and you
made a
great to be
a new
and I'm
saying,
narrator,
I don't
believe in the
brugerya
after the
year past
when
when a
brujury
affected
to my
mother
and a
me and
my
family.
My
my
mother,
Miriam,
is a
child
a child
is a
person who
has a
few
abilities
social
and
and almost
not
able to
the person.
That's all
has been to
have been
six years,
he's not
had been
novios.
It's
beautiful,
it's
a little,
but really
really no
know how
socialize.
For that
a day
that he
started to
his new
to do you,
to all
he's got
a good
computer.
She's a
lot of
that's
that we
always the
cellular
for
that we
can
to do a
application and
us
explain how
is a
or what
something,
or when we
we're in the laptop,
we're
we're not
we're not
we're not
that we're
that's the
thing that's
that's not
the normality
because
not it's
not a
good.
When we
he said
a new
what we
did we're
we're going to
us,
it's a
of those
newbos
that are
that are
that they're
not the
person,
nor come
that's a
little days
we've made
that we had to
a little
time in the
room,
it was
not out of
and she
was called
that he
he said,
he was
to say
to say things
like,
oh,
that's
that's
that's
that's
that's
that's
going to
that
was going to
a
little
strange.
And
the
narrator,
a
day,
a
time in the
time,
and the
time,
and it
came to
a subject
that
frankly
not
no
inspired
nothing
of confidence.
He was a
little
little bit.
The roba
the rata
was very
very maltrated.
No
had any
good
aspect or
a good
aroma.
And then
us
said,
E,
abrem
I'm with
your
woman.
And then
I
kept
being
I'm
I'm
I'm
going
with a
mother
and I
go out of
my
there's
there's
there
there's
there
my mom
is a
person
a fornida,
and he
says,
what he
he says,
quitted,
I'm going
for Miriam.
And then
my mom
is offended and
say,
oh,
more respect.
Well,
yeah,
he said
I'm
saying,
and then
Miriam
he's
and says,
Mom,
is my
nobio,
let him
and I
invited to
to come
to us
with us.
A
guy,
not
without
an
maleducated.
My
papa
not used
like
some
damas.
My
Papa is
a
caballero. He
he's always a space when
he has an opportunity and
he's a house to come with us.
Although the work he gets
almost 30 minutes. It's a
type that's a little bit for the family.
It's what I understand and what I
was called. When he came this
subject, no, no, I don't know
I was I could create.
Papa,
lamentablely, and maybe for fortune
coincided that day went to
to go to the house. And when
he gets this subject to
start to say, Wey,
and he said,
Wey, passam
the sal.
We're not
we're not
we're trying
this.
The subject
in the
house of my
papa,
who is the
person of
the more
respect
of the world
for us.
This type
that nobody
he knows is
he's talking
and I
and I'm
saying,
it's that's
it's a
little
really,
I don't
understand
what I'm
that's
what I'm
having
abilities
social
but
also in
a idiot.
I don't
know
what's
is going to
narrator
and me
I'm
really
really
I'm quite
to get chate
him to get
yelel
the vase
with the
water,
the
food in the
car,
I don't
want to
not I'm
a person
that's
discriminated
but it's
a
person,
not it's
the people
that's
the
that's
that's
that's
people,
those people
that you
want to
see
and you
want to
the
back
and I
was
and I
was
malrat
and
my
people
the
the man,
learn to
do you know,
no, no,
no,
no,
a person
that's
me said
a
person who's
my father
not a
man,
was a
man,
but something
that's
something that
not
that's
that's
that
he's
that's
he's
he's
he's
not he
didn't
even,
even is a
little bit
he's
a bit
there's
a moment.
He was a
little bit of
his
things,
my
mama
he's
And I'm going to
to give to
Miriam's
to get
with this
subject.
Narrator.
When
they were
my
papas,
this subject
no
no second,
he got to
a miriam
for the
cintura,
the
he was
he incitue
to be
to siter
in the
little
of my
house
after
after
to have
insulted
to my
father,
the
food
to
come
to be
a
pors
mong
mongroo
tpego
sent to
a
my
arm
my
and
him
Give me a
Bezo.
And they
started to
narrator.
I wanted to
hear of the
scene more
horrible,
the scene more
askeros
that I've
seen in the
life.
And I
had to
support it
because I
want to
get to
there.
He said,
you too
you too
or what?
Narrador,
I don't
I don't
want to
I'm just
that's
really that's
really good
and I
don't know
what's
what's
going.
Not
a bromomist.
Miriam,
not is bromistic.
Something
is
very
rare there. This
type,
he's
kept two
hours in the
house,
they're
being
getting
loco,
so they're
talking in the
kitchen
and then
mom's
me say,
it's
my way,
so I'm
my way,
my way,
no it's
a
thing,
that's a
question,
my,
and I'm,
I'm,
I'm,
I'm,
you know,
maybe
you're,
maybe,
not you're
a
really,
but to
this is a
marre,
because what
is
your
My brother, no
has
no more.
He says,
I know
a person,
we're going to
go to
us help.
My mom,
this
time,
this time,
he's
back to the
night, and
he's
and he
says,
I'm
my car you
my
my name,
you know,
I'm
to do you
take a
and if you
like,
he's
to buy
to come
a
little
a
number.
My
My brother's
take the tea
and he
he's going to
vomit
a liquid
spese and
black.
And my
mom
me said,
I said
that I
had the
had
amarrated.
It's
like if
had to
the
notion,
because when
I was
like,
what's
what's
what's
what's
what I'm
that's
the
day
the next
narrator
amnest
it,
and
it's
like it
was
just about
saying
I'm
that can't
that's
my
know he's my
novi,
I'm very
I'm very
very enumor
to be in
him.
During a
day
every day
that's
that's
the subject
was the
house.
My
papas
not
they were
they were
in other
room,
you're
not they
had to
eat
the
time.
Miriam,
no
notable
I'm
notable
I'm
and
this
subject
spantos
so
was
us
miar
our
things.
I was
to get
to one of
the
stateries
that we
had to be
one of
the restives
of the
house,
he was
a good
and he
was to
get to the
big
but
I'm
to understand
that I
had
had been
a
she
had
I'm
I'm
I'm
know
that
I'm
that
I'm
did that
my mom
had this
time of the
time
and at
the
time
The next,
it was a
second type
he would have
been brought
to
unbuech.
One
day,
Jonathan,
no
he's
a lot of
a lot of
the
end of
the month,
and we
say,
well,
I know
me
want,
so I
think,
I'm a
one,
I'm
a
motor,
and the
second,
you,
not
me can
be
all
my
and I
to be
be able to be
supposed we
we're going to
hear of
my papa
my papa
he'd
have been
to get a
lot of
a motorcycle
but then
then very
prudent he
said and
if you
do you
do you
the
what?
And Jonathan
he said
he's
not going to
be to
be able to
me
but
give me
my
motor
and
if
we're
we're
that
my
little
well
I'm
I'm
going
to
be
to
be
but
there
I can
let's
I'm
can't
say
narrator. It was like
to be
amazed
into the
house
for a subject
horrible,
horrible,
narrator.
To the day
the next
Jonathan
came to
come.
My papa
came to
him.
Just he
just to know
and he
said,
let him
get to
that he
went to
there.
When he
he got
he
he was
he said
with him
he
he was in
taxi.
He was
he was
a sadado
and
he
he asked
he was
he
said
yeah
no
you don't you
I wenty the carro, you got to buy the motor, that type, and now we're going to be to
going to be able to be molest it. That night, without the tea that's all due to my mom, Miriam
regressed to her normality, and no again, I'll have to have a problem. Narcouverte, I'll tell her the other, and
He was a chat esoteric that not for nobios.
It was a chat esoteric.
And he made them to do a ritual in house
that was for the love.
She was a manned down.
It was that was the form of engatusars.
She said that Jonathan
he was going to a family of chamanes,
that her mom was a chaman ancestral,
that was able to be captivate
to the almas of the person in vivor.
That she wasntive.
And then Miriam no he was.
he said,
look,
if you
want to
a person
like the
I'm going to
you know,
he's the
ritual that
you're doing.
And the
narrator
seems that
that's a
maldito
will be
to my
man
a zombie
in the
I'm
I'm
I think
in the
burghery.
I think
is malign.
I think
is horrible.
I think
many of
the
people that
are the
people who
have
known
more bruchos
and more
brucos,
but he's
the
a better
person
human
than
a
other
a man.
A
ever
ever you
have you
have been
a
same
that you
know,
that you
have to
do you
have to
a group of
sacerdotes
a
man,
a man
and a
man who
that
offers
the
and
the
people of
people,
that's
the
story of
Fidel
and here
we
going to
talk
that.
I'm
I'm
this episode
with a
cabra,
aterrador
and
a heart
and a
good person.
Fidel is a
type that
he says
that all the
life,
and more
after this
experience that
I'm going to
tell,
he,
a proposit,
he's
a purpose,
he's a
person who
they're
not a
person who
can't
get a
carmiss
if he
a person
asprotegita
but
is a
person
that's a
person who
he's
and he
always
he's
that he
interact with
someone,
to
not make
a party,
not affect to
nobody,
and if it's
possible to
do you know,
but it's
much to
act with much
conscience,
to be able
to be
conscious of
what he
does,
and why it
is the
point of
to tell you,
that is the
story
more inhuman
that we
have said,
it's
that the
family of
Fidel
was a
family
that was
a
certain things
of
political
and
certain,
say,
and
some people.
Fidel,
when
was very
little,
I didn't
any of
this
world,
but she
saw it
things
rare.
His
papas
had
much
to a
church
and
they were
always
on
the
times,
but
before
to go
to
the
men,
and
the
same
Fidel,
that
they were
that
they were
to
those
men,
they
they're
very
bestied
to the
church.
For
Fidel
no
It didn't make sense, because there were many people
that were there in a form very relaxed,
and they always went with a tragecet,
like if were a feast very important.
And he noticed that his papas
were from the church.
But, standing there,
they'd all the things that they'd
indicted the sacerdot.
A him generated a contrast.
Then he understood,
when it was passing the years,
that in that same church,
assistian persons with those that
had negotiations, and it were a way
of vending your image.
His papas
not were
persons
not people
or ruins
they're
people
dedicated to
questions
of the
business
and in the
political
also
also
the
image.
Not were
people
not
not.
But Fidel
took a
much
conscience
of that
of the
human
that a
very
that a
other
but in
his
heart
has
things
different
or
has
different
to
he
to
he was
to
not
No, he
used to be
a way
so formal
because it
not part of
his essence,
but also
he was able
to be able to
do it,
to show a
car that
not even
was a
from it.
Since very
he was in
a lot of
that he was
more than you
more,
and putting it
to be,
and ginked to,
there was a little
more.
He loved,
So, so,
that of his family,
he is the
only that
he's a
form part of
the groups
of that
when he gets
his 15
years,
enter in these
groups for
adolescents,
when he gets
to the
people,
migra the
groups of
adults,
oh,
and is a
type that
all the
people
they've been
a
person,
but also
a person
very good,
a person
very
calida,
a type
that always
has the
a word
precise
for the
situation
more difficult.
It's always
the
consoling,
the
little bit of
a person,
a subject
that also
a lot much
for prepare
it.
I'll say,
no,
it's a
family
of a
family of
people,
the subject
is able
to move
very well
with the
person.
For that,
the
thing of
being
being
the
same
and to
make
many
actions
and to
make
reasons
of the
because
the
things,
is
something
is a
maskas,
he really
that's
a nask
of the
heart of
and that
is a
very much
but it's
a little
it's a
thing
to do you
it's
that's
there in
these
in this
form part
of the
groups,
in this
to know,
in this
to know,
and it
is a
person that
people who
don't you
know,
you're
you're
not you
really
there's
really a
good
person,
simply
have
have lived circumstances
difficult and
what you're
seeing a
sometimes is
his carnet
of defense.
He's
he's
learning much of
the life,
he's
fascinated,
he's
that he
is a
feeling that
he's
that's
that's
when he
comes,
a new sacristan
to the
church,
Jacob,
a subject
that,
we say,
we know,
that has
much
sense for
the work
of a
sacristan.
The
church in
that
was a
church,
the
principal,
was a,
it was a
very great,
very luchos.
There was a
space of
stationation
enormous.
And
behind this
church
there was
two
little
little
little
the old
the
community,
that was
that was
that
was there
to know,
but a
little
a little
a quarter
of just
five
meters
for three
meters,
some
vanquita
of the
all
all
all
all
all
all
apilas
that
were
And the other
building was the
house of
the
house of
the
house
a house
that was
a lot of
not
not
not
a lot
but it
was
pretty
little
but
beautiful.
That
other
church,
the
church
little
when
came
when
was a
very
so it's
to be
to
get
things
and
it's
a
little
something that
never had
passed in
that
community.
In that
not
was a
one of
a
part of
in the
the world
there were
there's
there
things that
had been
in the
church
but
now I
see
that
they were
there
were
there
were
and he
he
did it
and he
was
that for
Fidel
he
had
a much
conflict
not
not
that
not it
was
not
that
that
was
that
was
that
when
it
was
the
eyes of a person
very intelligent.
But I was
the eyes
of a person
that easily
would be in
the groups
of the
political or
of the
commercial.
Like a
Christian,
they're not
little.
Very
little.
The fact,
it's so
little
that the
church,
as the
idea,
that had been
a good
in the
country,
not too
he was
not to
pay a
renta.
For
so they
they're
to be
to come
to
that
For so they
they were
his
house,
so they're at
their own
those
money,
Jacob,
he had a
vocabulary
very extended,
he had
a
knowledge of
the
Bible,
it was
a
he was
a
four
camis
and
they were
good
the
camis
and when
you
don't
they're
very
good,
was
was
a subject
delgated,
of the
hair,
guero,
and
the
is,
pale
black
with a
vocabulary
extended
of the
age of
Fidel
to be
a cabrable
a
little
more a
person
than the
other than
a
little bit of
a
time I'm,
I'm,
I'm,
not it's
a
person,
why he
did it,
why he
were
they're
for the
person,
for you're
not,
that's
certainly,
could be the
secretary of
the
could have come to do it in a
job that
he would be
a three,
four,
five,
seven,
seven,
and he's
a sense.
Jacobo
he's
to be able to
work in
the groups
parroquiales.
He knows,
he's more
than many
of those
who are
an orientator.
No,
de Paga,
no,
occult.
Sin that the
sacerdotes
to do
know into
mind,
he's
interact with
the person
and
it's
so percivive
because
no
It appears a
worker
of the
church.
He
is more
one of the
children
that's
there's a
kind of a
business to
get to be
his people.
Fidel,
he put
the eye.
There's a
little bit.
Here,
there's a
cat
incerated
here,
no
has a
because the
person don't
know,
this
subject,
not should
be here.
It's
doesn't
be a
prejuice.
And,
and,
You have mentioned
Tantas
times
this,
that people
around
of the
people are
people who
have been
to do
a little
back.
It's being
very
prejudicedio
is a
person
that's
doing a
person,
you know,
you know
what are
those
are the
necessities
how
you're
to be
you're
not,
but he's
not I'm
just that
it's
not
doesn't
do.
It's
were
going
the
days, the
the
days,
the
people,
Fidel
is
so
that
with this case,
that they're
that's
that's
that's the
place that's
because Jacob
had gained
a lot of
popularity,
and the
people were
not the
political,
that Jacobo
was doing
what he
was going
to go
and they were
people,
people who had
suspected
about him,
they were
going to
the group's,
he was
he not
he had to
do the
people,
those
were
they've got
got to
many
amistades
there
there
there
that's
that's
that's
that
he's
he
was in
he's
a good
when he
was a
little
when he
did he
and he
he was
to go
to go
to
go
to
the
many
there
are
things
that are
more
more
more
than
and
he
he
to
go to
a
he
the
father
the
father of
one of
his
people
had
had
had
had
a
the
infirmat
and for
much that
they've been
intended
because
it was
with a
good fortune the
sir at
a level
economic,
he had
resources
to look
alternatives
for more
that they
had been
not
so
and finally
fell yes
the family
is
destroced
and
there
is
with the
saco
Jacob
helping
and
the
attend
the
families
and
will
make
this
image
that
he
generates
much
a little
Rueue.
It's more
a person
that's
a funeral
not a
person who
doesn't know.
It's a
person that's
very
educated.
Who is
Jacob?
Who is
this subject and
what is
this subject and
what's
when Fisd
to give him
to the
family.
Jacob
if he
he
he gets
in front
and he
he said
him
he's
time
so never
but
Fidel
not a
little of
the
foot of the
eyes
Jacob
is
Mork
of a risa. Jacobo's
is he's
burlando
of him.
He's
he has to
get to
a trap.
He's
that he
not he
can't
a fide
a
man,
a desden
in these
conditions,
Fidel
will be
a person
that
no has
good
modals
and
the circumstances
most
important
a person
a person
a
person
that is
that can
be able
that can
sopeas
and
eligir
between
the
A friend, that has a
pain
a lot so
profounded
and his
courage
infundamentated
against
someone
as a
good at
a
plentent
there's
there's
all the
family,
but Fidel
he's
he has
time out of
the
church
and have
back
all those
those
those
carges
so
so
is that
so
he's
he's
he's
a mano
Jacob
that
he's
so
I'm
I extranava your presence.
No, me had
done to
how much
me made
know about.
And he
mustra,
equal,
at the front of
his mirab,
as he
t'et
maldito,
no I
go to
your game.
He's
he,
he does the
hand,
and he
he's got
with the
family,
all of the
Pesame,
and he
about a
about a
about a
going to
to another
direction
this
situation.
But after
what are
these situations
of
belorio,
so he
and said
really
I want
to do
a
question?
And he's
that no
that's
it's
so it
doesn't
he's
not a
church
and he's
five
months
after
another belorio
a
father of
a
man of a
person
a
problem
of
a
problem of
a
family
also
the
family
down
another
belorio
and
the
repent,
he
is there
Jacobo
has
two months
yeah
not is
in the
church
and you
can't
ask for
him.
How can
you can't
for him?
Because this
he
went to
the
church
and he
goes to
the
secretary
and when
he's
when he
never
says
Jacob
the secretary
is
psalida
and
he says
no,
no,
he's
he not
he
he's
he's
he
he's
He's
He's
He's
He's going to
One of the
Padres,
that when
he was
a oldeastern
Krasy
was his
friend,
and then
he said
Pater,
because so
he said
to the
Cairn't
Peter,
for favor
tell me
where is
Jacob
that I
want to
him,
I want to
talk about
and the
father
he put
the
the
man
on the
his
he's
he said,
he's
he
never you
never you
never
to come
you
never
God
you know
those
good
eyes
to discover
the other
things that
the
the group, but I was chismear with
all the persons that were in the groups.
He was made to do you,
to visit houses, commens to
do you know, and here's the history of what
happened. Resulta,
that nobody knows
who, carajos was Jacob.
Fidel no's equivocable, the
profile no-giver. That's
subject was there for other reasons.
One day,
the father, this
father that
he put the
hand in the
rodia
Fidel and he
said,
God,
you did you
some
eyes to
see a
other
that the other
not
not quite.
That's
he had to
get to
look at
some of
the documentos
that he
was sure
that the
day earlier
he was
and he
did he
did it
so that
he was
he took to
the
church
until he
didn't
he
had a
little
he
had a
strangelyly
the
serradors
were
there's
security. Fidel
had invested a quantity of
money
a very
or he had
robbed or
something because
he could
not could buy
that's
the type of
security,
so the
alarms of
the parents
were to
not he
wanted,
he used
his own
the money,
not the
of the
church,
and he
started to
bring people
that were
the
door.
When the
door
so it's the
place,
it's the
not properly
a
house,
it's a
sanctuary, but it's a
sanctuary also technological.
There are cameras of
security in all parts.
There are monitors in a
wall.
There are a zone of
a camera.
There are some vealos
that have some
reales that are
doing that are
in habitations,
but not of
a pad, but
not the
other left.
A little abetation of
the other side of
an area and
for some
strange reason
nobody had
noticed that Jacob
was covered
for the
then he put
cemented
for that
that nobody could
open that
there?
There
three
tarimas
in all
the tarimas
there
statues and
the
side of the
statues
there
some
there
were
full of
chas
and
photographs
the
first
were
the
people
that
had
had
been
in the
last
year
and
the
other
the
people
the
people
were
those
were
those
were
there
photographs
with
a tree and usanos.
There were more
25 people in those
frascus.
Jacob,
was a destructor
of the
life.
Jacob,
for some reason,
was he
had elected
them as
their victims.
Nobody
knew who
was that
Jacob,
to what
he was
going to
know,
because Jacob
no regreces
his
place,
probably
probably had
put to
some
alarm,
and the
moment in
the moment in
the
he saw
that
that
someone entered there and
he saw the
and the police
revisited
it,
simply
disappeared.
Who is
what was he
and why
he's going to
disvivir
that's a
thing,
it's a
day of
today that
not that
not you
know,
if you know,
if you know,
that has
suspected of
a person
and seems
infundamentated
to the
suspicates
even even
even to
get
in their
contra
only
just for
that the
only to
make the
story. And with this
story,
dear family
nocturner of
the radio,
like Spotify,
Apple Podcast,
Disser, and
well,
all these
reds,
with this
story, we've
yet got to
end of this
fogata.
So,
is that,
you know,
the comments
are the
comments are
active.
Dime,
if you
get you
one for
first at
final of
the foggata,
tell me
for
for a
very to give
to give me
a
family
nocturna
the family
more
more chida
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internet.
And you
you know
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For
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Next
next week
we'll
see in the
next
fogata
of stories.
I hope
you can
be you
see
to see.
And then
we're
on the
time.
Now
see.
I'm
just on
your
house
in your
house,
in your
place.
And
you
I'm
I'm
by bye-bye.