HABLEMOS DE LO QUE NO EXISTE - Historias de Brujería de Año Nuevo | EP 252 | EL NARRADOR

Episode Date: December 30, 2024

Bienvenido a esta oscura víspera de Año Nuevo, si tu noche es fría y oscura te invitamos a que te acerques para calentarte un poco a ésta fogata, lamentablemente el costo por este calor tan fugaz será muy alto, ya que éstas llamas albergan espíritus malignos, incineran rituales de protección , liberan seres que habían sido aprisionados y destila aromas que se robarán tu aliento. Sin embargo la ganancia es alta si logras sobrevivirla, ya que si llegas de una al final y me lo haces saber te daré la bienvenida a mi querida y oscura Familia, LA FAMILIA NOCTURNA así que prepárate porque llegó llegó el momento de que tu y yo @hablemosdeloquenoexsite Hablemos de lo que no existe es un canal de youtube con el formato podcast que comenzó en abril del 2022 su primer episodio fue vivo en un casa embrujada en el que una chica narro sus vivencias y sucesos paranormales a lo largo de 20 años en la casa de sus padres, desde ese episodio hablemos de lo que no existe ha marcado una tendencia en exponer casos paranormales de personas comunes que viven en diferentes partes del mundo. Ice Murdock es el conductor o host de este canal, durante casi 100 episodios no apareció, nadie conoció su rostro y la comunidad de este canal , la familia nocturna creó teorías acerca de quién era el dueño de esa voz. Hablemos de lo que no existe se destaca por tener apertura ante las opiniones experiencias y vivencias de cada uno de los invitados. La comunidad de este canal es conocida como la familia nocturna, de hecho por estar leyendo o escuchando esto tu ya eres miembro de la familia nocturna.. bienvenido. El duelo de historias es un concepto que se creó en el canal @Hablemosdeloquenoexiste, idea original del narrador, se estrenó en el episodio "Comité de la Muerte ,historias de Hospitales" el 1 de junio de 2023 y empezó a implementarse formalmente en el episodio "Abrí la puerta a un Demonio" el 11 de Enero de 2024 ; consiste en un duelo entre Narradores, una dinámica sencilla, donde cada uno cuenta una historia y busca superar a la anterior y al final la familia nocturna nos comparte en comentarios cual fue la historia más aterradora. El Narrador y todo el equipo de Hablemos de lo que no existe trabajamos para darles a ustedes querida Familia nocturna contenido original y de calidad, tardamos a veces semanas ideando formatos luego de tomar en cuenta las cosas que nos han pedido a lo largo de la temporada anterior y por eso el día 23 de Septiembre de 2024 comenzamos una nueva temporada que llamamos FOGATA DE HISTORIAS, en donde el narrador prepara una serie de historias escalofriantes una tras otra para retar al espectador a terminar el episodio por el nivel de miedo. En este canal se relatan historias de terror paranormales, sobrenaturales y reales, prepárate para conocer el miedo de una forma en la que nunca lo habías experimentado

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Savoyed. Admirate. And profite. Via Rai, the voice that we love that we love. Welcome to Famine Nocturna, to this fogata of stories. Today, I hope that you're passing a beautiful time,

some beautiful preparative for receiving all year new. Because we're nothermos. we're we a fogata special, a fogata full of

stories related with this year that as you know, there are traditions, existens

certain cabalas superstitions and styles of living the year new. Today, we'll

we'll tell the stilos the success more adderators, the things that

did you that more than a day of day to decide that is

more that day simply to just to let me let's go to go to pass it. So, I hope that you're going to be able to be aterrador. Welcome to this fogata and comeence us. It's very recommendable that

you have good with your friends, especially if they're in traditions that even no knowces, or you can't pass this? Roberto me envied this story. This story he passed around five or six years. Roberto had gone

a good a beka very good to study in other country, in an interchambe.

He was studying your maestria and the things went back and the house

with pure rumis, puros students that were at the years, that were

at the years, careras diversas. I've had made a good group of

a two six, seven people between and women and women

that were in a good and they were in the bifesteads of the year new. To I'll say this

was six years, so you've about about about the 2017, 2018, you know,

before that that's what that was that was that's that's he's, he's,

what type of the thing is the first that's the first time that's a first

like a thing, a is the year new and they've put in the they've been put in that they

they were to do you they're in the way of the time one of the one that was a

little rarro a companyer a guy who was much to talk about about the questions spiritual and

he said he said that a surprise to all a surprise that was a surprise that even though

for questions related with the masteria he had to go to have a professor

that the same year just that was the day the day of

the group of companions that he will get a little too

but that's he's a lot of a way of a tradition of your country. Roberto

regress to the house at the night and he took to something

unexpected inesperate the house is totally apart from

he's that he does it he has that he's but then I

never I didn't exactly the hour to the hour to get

to the night but I would I'd that they're waiting the year

new. But, but maybe they're done to be very, and he suppose that

because are the ronkid in the plant back of the house. And those

ronkid are of those people who do you do it. So, they're

going to do you're not going to get a time, I'm not getting done

so I'm getting in the morning and yeah it's no not not

no not nothing. No, no there conversations, no there's no no person

to get to say, well, the plan, something to something else or something or something I'm going to

get to be the suve the stairs, are some of the type of those that you can you, you get a

topas with a party, you have to have a right and another half a second part of

the escalers. So, in these escalers, when he gets in the part of the right,

it's a little, it's a a passel long, and in the third door,

is the the door of the room, it's the door is the door is over.

He's very people who and he he's that the door the

door let's but it let's pass. Maybe me they're

to be to be a question that you thought, and they're that's

that's they've been never never, he's he's the door, he's

to the camera, he's quita what has to to get to and it's a

lot of the clothes that's to come to get to get taping and when

is a point to get a deeply he they talk in the

door it's very time the the time the

the way the was up and he and

he is coming and he even he don't

make the he doesn't nothing because there are certain regals in the house. As there are

people of different types of professions and forms of different types of different types of different ways to the night. If it's

very bad, they're almost in susrots, intendinging to not molest to nobody, understanding that

the people that are for studies, in occasions they're they're they're to belavers

and the days that they're time when they're an urgency. So, intending that ecosystem, they've been put

to do a quarter to not make a noise for sure. For that, that's, that would be so very rare. Yeah, it's a little

more rapid, he'll get the pome, he a bit, and there's a head of the quarter, he'somac

a end of the passio, nobody. Cierra the door, and where they see the door,

and the instant they're to turn. open the door and he is a som, no there and he thinks,

I want to a drama. For that's all the house and then he's to hear that

comes to come from the first door, and he recognizes, and some of those

other of some of his companions, and are having a play like

very very good because it's not that one is reading and other

person he he but it's not, the rhythm of the platica, it's a kind of a

good, and Robert says, ah, yeah, I mean, there was a thing that

maybe came out of and they're being, and he, they're being, he's,

not doing the mathmatica, not is not what circumstances are going to do you,

for this not you're going to get to something, but for him, escalers,

he's in pyjama. When he gets to the escalers, it's top in the

wall, the world, the right, and when it's the lights on the

door. So, they're and the time. And the instant. And he

he's not he's, and he isn't, this is gracious, and no, and no

there's no no room about, they're on the comincer, the company

that's ronkling, he's Why are you? Because they're playing a drama, I don't me get so on any way. When they're

on the escalator, see a a sombre that's a new to do you to the

room, and is when he's not it's a real voice-al and it all the

all of your molestia and then in that instant just in his right

to someone he said to he said he he sentio the

alient and he When when he says or he he's not nobody

and then get to the conclusion that you have you had had been the other other side.

Something here, not it's up the stairs, he top in the wall of left

to do that way to the more rapid that you get to the room and when

be to back into he he's the ronquido the ronquido the ronquus

the he's and there up of his a guy a that he is

a costado, taped, and he's where he's doing this and he says, what are you,

why are doing this this brahma? And just see where the sabanas lentament

they're and they're and this person, front of his eyes and the room.

The abation. He's tally the eyes, no entient what is he's going, and then

his instinct he says, he'll look, he, turn to the car, and when

he's doing the to see the part of the part of and to get to get to

get to get to the other side the other way, simply is so a a little

dark, two eyes rogous, he when see that the heart to be stahed, the

mouth, it's a walk, escalers to be up, he wants to be refugia

in some place, he's a little, she's a cuer, his mom is a

person very religious, he's the inside of a car that has in the armario, there's a rossarian.

He's not in those things, but also they're what he's going to be the armario, agar that

the car, sacs, he's the put on the and where only a only, it's like,

like, it's a one, a garra. Something with a mal intention,

it was to be back, because where he was he was on that other

one invisible he's the rompio and where where he put over the cooge,

he he came all the clueled all the was a lot of was a lot of He does not make sure of orations

of those that have heard on his mom during much time but he no use he's out in words that not have seen the heart

his heart his head is divided into on the other this is a badmoney and he's a badgust and she

is anogued on other other side he has no matter I see that saw that saw that's

that's been the part of a movie with a fact of speciales no way in the way that this

is a other part of it is a little is a little is a little Pied, for a favor

that someone he has this situation because he's he's he's in

this situation, only he's just to hear in the plant of the

above like if yeah not there, like if not if

the person, the place, if it had transformed, or if something more

more silvestre, because he starts little the two passes rapid, like of animals, like of some type of felon

that's a woman who's that's a kind of a type of sony that's when they're when they're

when they're when they're a hawares. A sound tremendous and that's what crispa. It's a

thing that's in a problem that if it he's capable to be that it can't

be able to understand, so it's put the hand on the car to not see no,

and to be able to support the situation, the eyes, the

one of the house, put a hand on the door to do you know, and it's there's a

middle of the escalera, in that where the shurrororo the the o'est, go to the

eye, and the other, and it's there where it's there topa, just the

middle of the door, some the feet, descalus, palidos, and with some of

some of some of the He's not. If he's not, but they're in color Amarillo and the feet look like moratated,

he does come and he's he wants to get back but he says a word of the sonydo a panther, who knows,

but is an animal then then he's a time, he's back a other way, he'll take the escalers,

and see back and see again where that silhouettes is over to see tap and he's coming down,

I'm going to get to the salida, I've got to the out of the and they're going to sonar the

catenas in the part of the house. It's going to be not to be not because

someone who the same because the brain and it can't be a pedasos and simply it's

not going to the other place. Because it's the situation. The one or other

way, it's a door and this door has a little special.

Offura has much security. There are to use speciales, but for You just

you just you're just you're you're at the door is over he's a part of the

door to get to the door of the building of this building of he's in the little of the world and he starts to

one and the door no sede, no it never, the door that has been a

hundred of times that's that's that's ever that's a new way to be

a way so fast that's that you need to you're not you're not you're

hands and go to the careradura, no he's moving nothing. He's

there and says, he says, for favor, help him and the voice he'll open the

door, and when the door is like if something in the house, he'd

want to do you to do a way, and a way not a greatable

because see some those hands that are on the open

on the spooks on is rodando out of the house and he's

there. He's there in in a lot of or untyed without

a cellar without without any to communicate with

any in a country in a country the house. after the

12, 11, of the midday of the day the next

when a time a time and not I don't even to enter the

house. If not it's because they're to get their people,

there's where they know the the house always was a place.

When they're they all they get them in the conditions that's

and the type, the subject that's he had the was a

surprise macabra and he said no me you don't me

you he's he's he said he's no no I know

what days after the other days they're in a country that's a in a

lot of the kind of a little bit of he's going to be able to be a or she will to be to

get a little and it's a little bit more to make a decision to see or see.

Acquirt that that's you've got to a beca no there

in that he could take to make a decision that

so so it has to try to keep If I had two, three, four, five, this type, the subject rarer, the guy, he said, no me digas, that dormiste there,

he said, he says, I'm a little to confessart. You have to tell what he said. Resulta, that while Robert had gone to his master, to revisit questions related to his magistrate and his studies, this type, yeah no supportable the gas at the spirit. He'd like all, all, todos, all all

into the game that he had prepared. He had done

to be a turk to be a a man to be a

little a man he could be a he he

he he he he he not he not

he contactar demons he he did something he

I prepare to a a a that if it was the fact that he wasa a house of a house.

Of the whoso? Of what? No, and he no, he wanted to tell. He costed a fortune this type. When Roberto

had gone to this master, he he advised he said he said, he said, the situation for that he

he started to play, apart of atravanked, apart of care, and to be there,

in the When he went to the whiffa, he saw a Robert sat down in a sillion. And even he invited to form a part of the circle, Roberto, he was imutable, he was going, he was going, and as he wasnt, and as he was doing, he said, well,

if you don't want to play, no you're going to play, but here you're there. Roberton never was there. What he says, and now he is what he does the count, is that he was was,

of one of the spirits of the table or the entes that were the people were the session, the people

were the people were the session of began to hear things, they were in some moment,

like something that many of you've seen much time. If you see the movie of Yumanji,

remember you that's that they were to hear like some those they were

to hear to hear But he was justed so that they were corriending and they left all without ever had advised to nobody because when he bolted to the ascent, he saw that no he was the first covarde that he was the first cobbard that

he was. Robert, without know, when he went to the master, only was there, only in that house that now was abitated infestated by demons. What do you think

that he did that that was the tabla? Why occurred these things? If in a moment of your life of a pure

casuality you did you a pacto with a god and you think you to prohibit

to your family to us will be better hear this story there

there are many many many different and there many types of family

that are making their their family of Armando

had a tradition that with the time we let

they do. His Papa, since that were very little,

I've used to give us a quantity very little of the wine.

He did a bring a family. The Papa

of Armando fell after about 15 years. Of

actually, the family of the father of not nobody.

He had three brothers, and after after the

other other the other things circumstances natural or

that the year new, and after two years, more or we're about about the

20, 20, 22. Yeah had much time to not reunice the family. Nobody

did that tradition of the win. Conform they were growing and

their family's, nobody has continued. But Papa, the

Papa, the papa, he had a lot of a house, a zone that was a

one that was a different origins of different world, and the

other other and there's there. There's a whole of

the father of Armando that he was he said that it was a very special

and that not was a proper for that people that not

people who don't but now the papa not he's

they're they're they're going to retom the so Armando

is that the armando he is even the mom he met the part of the

Cava, buska that's that's that's in a box, and back the under the

only that there's the there's that with the time, they've been consuming bottles,

bottles that that's that not that was a and was where they were the bottle and now

in the other to be there there there there was a there a car

and a and a car and the time she did the matter. We're

talking yeah the mom is a and Armando is an adult with family, he gave the task

to talk to a surragero for the carer, and when they were the caja, in effect, there was the bottle. She was in good state. It was an wine, a wine,

very potent, but no, he had a strange, or some chimicor and then verted all the content of the

bottle in anphora of crystal, and he was he went to the men her men's. His mom had done some

of the platyions to record this tradition familiar. The brothers had tried others and he had been

had been some of some time. Armando, for certain circumstances political not had

invited to his family and as they had put to a quarter only were the

people. Nobody brought his family. No there's no reason. At

day of they're that maybe is the destiny that that's that

that all all except to them. Conform it was going to the scene,

they've been the plattics, first these practices, these plactics superficiales, the poners the day,

the thing is the thing that you've been, and well, I know you know you have been you've been

your things of the type and you know, you remember, you know, you know, you know,

that's the year new, and these times that are first of the superficial to the

part that is a little more more of more of to remember you to the moments that make

that you have said your story, to know who the day of the day of the things that you have done

the things that for you have been in for the other sometimes and they are the those moments

that are those moments that are there's I've got a surprise he, he,

he, he, he, he came, a man so he got a little rather and

he said, that's that's the minute where you said, Mom, it's a

mean special that I I've got to bring up to us over the other. He says, no, I, for my medicines, yeah no, I'm not tombe

nothing. He's a very rare. Moma, well, is a wine. No, he's,

that's rare that wine. No, no, no, don't know. Let me try to try it.

We're going to take this? I'm he's, he meant you. He's, and it's

very good. All all come his copas. He commenced to get the the mom is

very nervous and they say, in that I'll I don't I feel a good

I'm to get a lot of the pressure to get me to get a back to get to the

do you know the other of the other time and then she says no, it's just

it's just it was a kind of much that we did it not

that he's not he not he's not he's not

he's he he's sometimes he even they're they're

there's there all they're to start almost at the

time Armando starts to get a very rare like if there someone

more is Armando five two and he is a seven person in the

one someone and someone and so he's to put to put to put

to be and he is trying to be the house and it's a somo

a room and he som to open the door and he starts to act as a local. One of his hermases

to get a year to get in a shone and she's all right and he's no see, I'm really too really and I

feel like if it's a something I need to pay. I don't understand, I don't I'm

really really really and a person. And a person to say the that's been things like I,

I always have been that this is not really because we're here here we're doing and

it's like all destructive, to get to the beautiful, but you're a point in which is incontrolable and you're

if this type is going to do you're going to do. Nobody there are in his cabals. One's

yorand, others, talking to the a aftoros, well, is a pandemonium. They're

so, all, every one, not this group, but every one is that so much, that

of the other those the morning they've got noceion of the time. No,

they were more dialogues. Each one was in this and in some point they were getting

dorms in different points of the house. It was that they not

were not to control well because they were you

and they're in the door. There's people in the car and they're people

that they had some that had been they've lived there was a minimum.

And then when the day next to Armando, it was a idea in the

head to or that thing was contaminated and he not was or papa

said that was a little was a some extra and for

that was that's not to be to not to

take and he was I did something I did a

I'm that he Revisa his her brothers a little alarmed. All right.

But after of that nothing was good. They started to have dreams. Suees

in those that were known in life. And I did I did it because

those people were people. Tios, Tias, puros familiares

of the Papa. All the people had fallen that had had

been a Papa, I had a car like lamenting of something, like,

and they're un- un-and- when they're when they're when they're not, because no

there was a common, no, there was a reunion to talk about to talk about, the

men, the person who more was the person, you're that you're the time, and so it's a time

and two, is when Armando is the time, that all are the those Swaynees, I'm

where they are people and are those people in different moments, and always that they're

having to have a repentiment. The problem is that he makes much emphasis, and he

and he and he's to investigate more for something. Because Armando also also is

having. And in the dreams they they're they're they're saying,

pardon, pardon, pardon, we're not, we're we're trying to try to have to have to have been in

no conversations. He's not an iranauta or not a person that's so much he's so he's what he has what he has he says

mom, he says mom, what carhous he had the wine that he said that was that was a special

and her and her like if he was a old record of a a pesadilla that had

been he said why? What did you what did you what did you know? Dime

that's there down. We had been in-serrated. What did? What did? It's the

I'm going to do you to take to the what you. What did? What did? What did? Dissed?

We said, we condensate to all, you know, we're condensate. What I going to

tell? A mom of Armando he costed much to say, I'm going to say

the way more diggerible. The Papa of Armando and his brothers,

the Tos of Armando, Tios and Tios, had had been a very difficult.

an economy totally destroyed, a father alcoholic, they had studied a and for when the papa

of Armando he took his 15 years, I feltia that the view to him

because since he he he was he had grown, all his his life

had been miserable. So, so he was to start methods alternatives

to generate a fortune to be a person, to be

see. And he started to enter to different groups. It was a coate ambitious, intelligent, and

even when the studies not they were of these people who learn very rapidly. He started

to be more more than more than and finally was all his brothers.

Because when they were that the brother, the father of Armando, that was a don

person, he was a don't political, and was there was there moving in certain

spheres, they said, for favor, help us, and he those invuluked

to this. Rituals. Rituals where they offered you were a change of power,

of money. Jamas they's important to allar the life. And they were

something, something their two their like his children. But the

Papa of Armando always said this. There to be more intelligent than they're, referring to the cedes with those that are these pactos.

For that the pacto is to bea, we have to bever all the liquid of the bottle. We're going to guard it, and the pacto never will terminate. And, list, never no those cobreran. But it was very rare, because, after that said it was a new carcometre that was the carcomete was almost in five years. And no

he important, nor the money, nor the power, because none he was made on his brothers, and of his brothers,

and of him followed one of the two years. And in the seven years, all they had died. When,

they had a perfected health. The money was there. The money was kept there, and it was

that the maldition was to be taken to the bottle. Because when they were the bottle, the

the brothers , and then right, two years after two years after, of those

five, six, with Armando, not more than three. And for that's, if you

prohibits something, because you think that that's that's a sufficient advertency,

Gaspar, never had never thought, that I would be to contemplate

to the world with his own and if was so he was so

that many years, and here we We'll tell you that story. Don Gaspar is a a follower of the channel.

He is part of the family nocturna and he mando a salute. He us sent this story that is very repilante and very interesting.

And he says, narrator, I'm going to tell a little that's a oldlescence and has many,

many, many, years, when here in Mexico there there were some different.

This story me passed between Navidad and a new. there in the quadra in the quadra, in the

there was a few people to go very to go to my family, my brother, put a business he was a

good, and he started to generate much money. My brothers were to work in the company of him.

I was in that time, I was still, I was a time, but at times, the good

fortune economic, no, the money with the good fortune in general, because mom's infirm and was a very feo.

Of the fact, is a time in which no me metto much because my still doliable. Moma suffered much. He had like

a year, year and a middle with a situation very very dolorousa that she had that was puttrad

in the time. You know, this, because there had a tradition and is that we had

posadas for Navid and we were we've got house for house. But as a

time in the whole we were very bad, we're doing we're doing we're doing. In the

time that we were well, we decided that we didn't know not we did it

and we passed. As one of the house that we did we

do you do to do a a person and in the house

of we we're we we're the three was encargave

of three and four houses. We were two posadas. They were some fiest tremendous.

No, you imagine nothing luchos. The fact that just we just we

little, like, allos of the little little things like maranjas

cacuates, things that are badats, what is that we did we we're we're

we're a pinaa the piata the piata also we put some

very, very, very, very baratitos and the the kids are with that

well, we've we've posada after posada and I'm my and my

my and my not you didn't even she was a she amable these festivities

and we we're we're that that was the day that that was

that was that that was that was that was that she was I know

I'm many many of those of many they had they had It was other traditions,

it was another Mexico. We had very a very good relation with them. And they started like the time of posadas. Mama, infirmed a little more, and it was very

delicated, we went to and we were the ultimate house, the last in the last house in

that was the not were not they were not fashas the postada, we did

just the day of the new. No we were not because Mom, no celebrable

the year new, celebrate the posadas. And also the Navi-Nabye, but she

was a family, but she was a thing, that the things not were

good, and I wanted a little posada and to talk with the

people, and you know, things that one desire when he

when he says, that the things are about to get

the the people were all we were we

did we patrocin in that we Because one of the decinos said that

just said that only he was only to put to put up on three but

we're just we're in well five cars our house not a house great

was a house in the that was distributed for all part

distributed in the part that was outside of the

house in the room in the kitchen in the pass the

place that was the house there was outside

of the back there people and we of television in

that we cabed three of the men, there were a lot of the house

was a redentar. Very lindos the people were very very

very very thank you and they they're not we did. The

space was very little the people were to make a

man for us to those and they're getting to all

the food and they were repartient there aromas, testines,

platics, and all, including the children, they'd have the opportunity to go to my wife and

say, hello, and they'd goreying and they were even even if you were at

even if them were to be around and the mom he was that they were a

good narrator. That day we're we're the day, we're

just like We were all there. I was attending people. Of time in time I was to visit a mom to see how. And then,

narrator, I'm going to some plates to go out and see who has come and give you have a lot of a lot of

my time. I don't know I'm not that it was serving. But I remember that I'm going to

a woman all vestia and he and I'm a vestige like a lot but the vestiges

that my abuel maybe used. I mean not even my mom. Things like very grand,

very ampones, and it's going to the people but the people are being, they're and they're

and they look at her. It's a very rare. No, I see the the rostro,

and it's a bell, and it's going to be coming and and it's going to go to

the other so, no, no, no, there's no

there's things of unsecur the casas the we're we're

abirtas the I don't know the Pair in par. One a be seen when I go

to vacations that my door not have any point in something, passen and get it's the type of

Mexico. No, I don't I think that better but they're the customs and they were the

customs and then I not sent me for that person. Only it so it was very

strange that was being used that was saying that my mom is going to the

mom's going to go to the court so it I go rapid in the house, I'm entregue the

plate of and I'm I go to my room, and I see that is very dormied and I'm not

top this person? Well, why do you I'm the because two days after, the day the next

we're frictors, frictors, but cansasas but can'tas as even to get the hand,

we'd don't know, we're we're all we're all but a day after,

yeah, at final we're we're well, record, narrator. And we

to talk about. Oh, that'stum that's good the first, that's good that came to the people,

and that's he did you know, and that's the he's not, don't know, Don't know, Don't know

that's so it's so it's and that they're all and all right, and all right and I

hear some I'm just some carcacad and I'm okay, and I'm men, men,

man, man, man's, who was the that lady that's a manned I'm

made a bad a or or it's a or it and I'm

not know I'm and they're all the woman when I'm when I went to

get the and I'm those primas sent out of and that one he was

saying no-se- and I'm saying and the brother and the her man

says oh but what sir the sir altote the that he he went

to the dress so long that has the face a black, Blanca, Blanca.

He said, but no, no, he was to be like the parties of the rosts

and I'm being being recogient plato, and they're doing the he did the tote

that's he gotchow, she went to the door to the house of

the black, was the one of the vesty of a new and the person,

they're being seen and I'm not the little the new chaperrita the

that was the vestyampo and the Kareles, a a little a little, but the vestido

black, but the vestido negative, but no, the woman, and the woman,

that's not the chica and it's me ask that you're making, man, you're doing

ideas, because she met her the little and as three seconds, you're you're in

two plato, and you went to go back, you're going to you're there,

you're all you're a person different, they're to ask them when the people,

they were no person a vestia of that night. And he said narrator, after that we're doing

we're talking about stories of phantasmas. No, until that day. Three days after,

very quiet my mom no amoe she came to do the night and no amoeing

the next he was what we know we're like a mother and we

give to God and and that day in brom and in serious

we say that the is a friend of my family. We're friends of the

death. And for you, what would be your representation of the murder? If you like the

stories of carterterter, this story, you're going to be aterrar. Rinaldo

me this story and he says that he's a demonio he's

that he is what he he's a he's he's he's he's he's

he's he he's he's he's he's a night of

the in these Feches, I'd a lot of a lot of a lot of afto.

This atahe is a certain way that's a lot of a lot of a night in special

there was much a newbla. There an opportunity in to take a defiation

a much more but will be to be a lot so it's so it's

that's that's going to go the way inseuro a more

a but even so will get much more more more than more than it's

it's run the way that's right and just when is a point

to get to get there and then after that after the

point and the right the right the right

so it so it's open and it can't

be to 20, 30, 40 40 meters and he's a

position, like if he's a little bit a perro at that distance as a

time normal. The problem is the distance. When the the little

they're at that they're more little more this thing is

enormous and and I'm to hear in the cabin a

out of the car in a the fear because he

thought that he he had no eyes not eyes

not, like if if they're in color rogo like were

color red that were emitting the was. I'm being a demonio.

He gave much, much me know, detue the trailer the more rapid

that you and it and it was the perro, the brum to be a

turn to and it goes, and it doesn't get to talk to that

thing. All the rest of the time, this type is etch

just he's going to see it's very nervous being

back but at the final, no with two hours, but with three hours of retraso, he goes to his destiny, and then

when he did the return after the perr, to make the route of the desviation, he saw

how a car of the caros, and he went to the road of the poor

a bit of he's he's going to topar. When he went he went the

the car he's he said he did you what What's Swear

You've You know You know You know You know The We're Let's

Let's Let's Let's there's And it he was he was like a

seven cars. Between them a Toyota of when

he said the color and he said rogo was probably

he he he was when he he's he he's he

He's so if the demonio those people or

thanks to the demon I'm And you, what would you do you want to be the trailer and you topar that per?

If you were thinking to do some rito of a year new, I'll tell you bad news, but not you'll tell you to this story. Gris me manda this story. She says that she, the day of today today has much repentiment because

without care, is the causant of, perhaps, something that's going to be to be going to be having to her his in some years more. Gris

had her one one one one a diadem

of a madera that had with her she

a one is a and her and her she

did she did a day that she was a little

he was a thing he did a very a

very and he said he was a a that he could use but that not

he used to use a much time and that never rompia. Despite of those circumstances that occurred like the 15 years more or less of the gris,

the relation with her mom was the better. They started to distanceia. Five, six years after the mom of Gris

was a woman, Gris is embarrassed of her first little a couple of or the year

after the mother of the woman and the woman's and the final never they're

not a year of the year year and a year and when occurred what I'm

going to say she she she has two years

decided that I decided that I that that a

bad with that that relation that really that

was a woman and with the family of that's always has been like something very

strange between the the hostile and the old no has done a good decisions in his life

during some time he was consuming substances, do deto when he was about she was

her she was her and when she started the side,

like he he was he he was to put to put to a violent,

and the life of Gris was made a made out of

a mara and a tragedies and small deros, but there were many things

that you that were that's a not a idea of the that's the time, he was to

make a time, he was a business, and he started, and reunions that were

very focused as the self-estim to the self- and the time, and

they were about, in the we're going to come a year new, we have

to give the opportunity to the year new that us venga and

for that's there's a space and we're to start to get to get things

so you are you to get a in one of the things, to do you do that a ritual to

desprendiment desacety of those things of form symbolica that you're

you're a long of your life and you're to be

a person new and she she she was she

she He did a whole a reunion and then was solem, and then after that the relation

of the two was to go a caro. A madda that's that's she did she had got in

a caron and then she has been going she's going to she's she's

she's her her not of this to her her she no she has

her this perci this herencia family this mal

relation these bad these bad these she want

to give us the He to the part the back

at the past in the night of the night put in the about

a sador that has a not professional is more more than a kind of a

metal in the that the up a parrill there

put those carbones those it and it so

it's he he then he then he then

he had this diadema of mader the had been

Welted for a gift of a so I'm a car of the

little the little the little and he and he this

regalito and he I'm you offer this for you

you can you get me to me and

new new places show us not another other

world I not want I know the car

back back the back the and he consumed. How at the

principle, like, it was resisted, that the fire did the but a little, they were to start the yams. They were

to surging, yams of different colors, and so it was very very important. Because there, the brasas

that had the yams, the first were oranges, but then they were colors, celestes, blue,

reds. Something very that's really that never had seen the color. No,

not so of her about her. Of a repented, all of more. Stapen

the brown and the fire more. And in the middle of a fire, a yellow, a

light of a color, a color that never has never ever in yams. The problem is that

the fire going to that year that year she was a lot of a cold in all the

world, something and he began to there was there was that was doing

I think what was doing not was there. There, for instinct, met her the mind of the way to get riddened and the ademate

of the madera was totally insetida. When he took the ademate, she came to both hands, gritted,

and also for reaction, corriot direct to the house, he put a pano in the hands,

he put a and so, and so he had done that, because not serve for the

remedies casers that she knew and at the Mitigued the the

I'm a little, but when back to rescue to the ademma, you know, the ad ademps, are sandisas. It was not. It wastes of carbon there and sentied. And so it's why the firegianne? Well, it's a little bit of a badminton. It's a lot of the adobeysmere. It's a little bit. I guess you, yeah, we're going to be able to do you. It's a lot of they were. And, I wanted to Tia, do you know, you know, you know,

you know, the same, she, she, still, you know, even the right?

She's, she, she, you know, you know, you, she, sure,

she, but I want to ask, to get, that's made, she,

but no, acuctorate, when your new new has a deadema and they

the ademas, and they keep them the and they they're he's he

no he said to nobody and not he said he had he had

he had a lot of but he did he said he that's that's colors

that that reaction to say that was not more instinct

was something something that was that perhaps was that

he was because of the person he came a diambular a top,

getting of the work, and he he saw from the kitchen, to the

recamara, and he was a but it was a way to it was like a lot of a

house. A sombra that not can't be the person, it was a bit of

but passable and and I went to think it was something

that was a thing, but there was there no there. That's

so it started in his dreams, I started to sony and have

a sonya what was not occurred since a year. She, I was the ritual.

I'm limpied, I'm let's the problem is that I'm a little bit

a little a a clabos pared of the walled and all of

the sombras and the sunbras into the most those most they were

to reveal a rostro black what was like

the sombras. The problem is that those sombras were projected in a walled. It was like if the walled would say this thing. No, there was a way, no had a sense, she'd be able to that somber that was out of his abitation. Semana to

that, that's the sunbeau has been more form. The rostro black, palid, began to be more visible in the the dream. And that that thing, no says if it's a a woman. The problem is that is that she is that she was trying to her

because in those days, her no permanencee with her in her in her she had been to her mother, that had more than her kids that she had been to be because for the situations of work and for the fear that had had been in these circumstances, prefer I'd have been to a little bit

a little bit more. But the day that he went in her abitation, the sombrae was detuue there and permanence all the night, just to the other night. Chris was impacted and he started

that maybe have been that's a diadem is what was what was what I'm so it's

so what I'm that's a dadema he'll be to talk about her she

I'm I'm that she that's that I'm that I'm let's tell me

for favor why not he had I don't even keep the I'm the maldita cause yeah no

she's and the Tia's Koehieler the telephone At the day The Tia He's

Tocerned At the time At least At least At the night And he He says Dime

For favor That you're You have You have The Adema No Tia La Keme Higita

You got to Condenar to A girl Something that maybe

not you will And then the Tia he comes to tell

something that has heard that that not but

that if if if and he starts to see signos that, lamentably

Gris is being, then maybe not is a legend family. Resulta that the

mother of the mother Gris, would I think the tatar abuela, she

was a question of brugery but not it was because she has been because she

had been passed to her and socessively or in form regressiva

during many generations had been the the time is that they were in a

type of a type of an sombra that was a all of a

time that was a and that also that also that that

that that that if not not necessarily in the

benefit but you can't understand this this sombra

was that was the cause those others was a same

a same a past those 15 years, embegicien very rapid and were very young.

When the abuela hered- this, she did know that that was the

she was being that and not that the children, that she didn't that were

that she's that he's he's in a diadema of a madera. What

did exactly? No, it's but the abelah, the diadema, it was to

venerable. It was an altar to have a little It was a An altar To be a Diedema That's

Was it She was gonna To be able to Their Dioctus And that Nadiqa And that was Adeno

That was a demon. That story She'd be To tell It was ridiculous Simply Sheh, She's hered

to herds And his His Hearderer To the Mammah Gris. The Mama of Gris

not creed in those stories. It was a world totally different in the

she was she was not a mother, not a not in miscuit in these

things. When she was hered a little a first,

he's a child, the I have to have to

not he said, and he was a story. And it was

he still because he's because he's that Regress and now

her daughter to continue the tradition of brugheria family. For that I said, take care with the rites of a year

new, because the things that can't liberate can end maldicing. Sienod too so exitose

in the life? Miranda never cregou that at to talk some little

little pieces, this would be that Miranda me made

one of the stories that most I have but

at the time more me have been of the stories that have with people

that are camped or that are in places like very natural and that are things strange. Well,

Miranda says that has six years in the Bispera of the year she's a tradition

she top with something that is a very maligno and totally supernatural and he was

unesperated to Miranda has a tradition she she built a company a company

she was very very well and eventually it was a great a lot of money

a lot of money. Miranda he was and at the long of the last years

he has administered to get a very a life not a life full

of luxus what is that is that he can give

certain good that she she but, we don't have many traditions familiar.

It has a carmionette that's a four-by-four that's she likes to get to go to camp

her. The things that has to campar are things, don't not so accessible

for the people, but are the just- that she do you do. Not are things of

day-a-day, are things speciales. And that he was to say that year new,

no he was not he was not- he entogable to live to live in the city. Oh, and living part of those traditions that

all those families have, that is something that's something that's a little bit of the markete of other country that's just to work. No, she wanted something real. Something that

really would serve like to start a year in a manner distinct, see the things in a way different. And when he was planned you the form yeah

serious, the response was obvious. I want to pass in the camp. I'd like to pass the Biscpera new,

campando, I'm on contact with the naturalness and discover me, re-encontracted

to know other after this after a year, who I want to do you

and who want, and it something very profound. But she, in this

excursion, in this campament that is, she took it was a thing

never had never never never ever to existier.

There. there There's a situation in these campments that she has in the end year. And is that

there's not there's people, the people are in the city celebrating. It's rare that they

try to get a alien. When she is in that first day and

the campaign and is putting his things as a order, decide what

route's to do you to start and he to start in

the type of either and how to how to

I can say, technique of the restreo and the is a

mind. He has to consider the climate, the type of fauna of flora for

that they do things that get to get it for a way, but

also it makes it that I'm not there.

I don't in those that there has a rutas and then

in the middle of the other in these normal that there's a other

that that's a first night that he was he started like she

there a group of people in a party but it's a

20 kilometers the way the middle in the area

in a area that was that was there

were many people there in a type of

if they are there in this type of

one no, know nothing of fauna. Two, probably the things that

are there not good. So, she's that she's she made in their tent at a

campar, and it and then not generate no no not to give us

that that's people that's not even know, that's she's

all the night, she's she's we're we're we're we're

thinking that's or that's or that's to be to be something that's something that's

not that's so it's it's not because the day next will be a year now

for then that's you've had been a excursion interesting and

that revitalized and no that that night was a pastadilla that

that night was practically over to survive to be to survive to the

ideas fatalist that she she was she only there

in the middle of the nothing, because never had been used to get arms and never always had

always had solutions, but never had been in this. Lerner the first rays of

the light. She's she's the campaign. She's thinking if she

was going to the city or no, but decided that no. That in some

point in the madruga she's that she's she used vehicles that

went to the time to be a kilometers to where she was

there notorious because there you're in an place you're in but decide to learn her and he's

he kept. Commience then, that day, to explore. No, he doesn't enter in the

fausas of the leon. No, he's to where he came in the run, but he

began the way that she had to be a way, the methodology that had to go to

and and decide that's that's his own route, that will be a

way, independent to the things that are there, that they can

that they can be there, when a Cueva, and in the Cueva there are signos of that in the night anterior there were persons. Sin care, if there had been direct to the fausts of the

Leone. But there is something. No, there's no signos of that there any of there. No there are person or another. What that is there are, are symbols, extraños in the PISO, Circulous. Circulos with what it seems to some type of liquid viscoso, that it's like a marron or

medium roguise, and those circles, each one has a bell at center and has a symbol that has a corner to give to the end of the circle. Each one of these circles is different. All are in the piece

and are distributed to a way that is part of a ritual or of a rito. It's separate of the circles, all go-in-criminal to the and see that just in the entry of the

Cueva, there is one very great, and around the circle there are the of the other than not the

good. It's not to think that they're in a person, but her own. She's

not a thing. She's an animal or if are a vestigues of what

one of a person. And we're that, and the mind, in the

other to get the place, and to get to a house

and to his life normal, something she was to take to a bad

decision because he gotcha and he took one of those wes he's he's over

the he's she said she knew a a scalof and she she knew

how the hand to put elada elada and and he

left the and the one and the he he was he

he's back he he's he he he's he

he's And if those persons were in and if those gusos that I've seen

are in some person of someone, and there's the same, no know who is the

person, so it's simply more, it's better to go to the city,

to the life normal, and then after there's a rito of

initiation of a year, no he's not you have to have thought to

that this, because when he's when he to get to her house, she acuester in his

can't, and when is going to get to be a dormida, she'll hear of the cell,

and they're and they're walking by the passiel directly to your room.

When open the eyes a sosed there, there's a subject that has

a capuchia and is parted out of the room with a bellar roger. And just the center of the

bell, one of the symbols that view there in the Cueva. She was kept impacted, she intends to move, and she does a count that is paralyzed. The subjecto gets caminandum, he leaves the bellar, just to the side of the camera, he does a half-wilted and she back. No, he'll hear, and start, and in some moment, she she'd get

dormita. When she gets a sustadissima but it's a bad dream, that's

obvious, salvo that around the there's a liquid viscos of the

color red or marron, and there are some little little

little after six years. She has had been many experiences strange.

Ver somebras that no project to any person

and see animals that are made that are

to hear in the closet of your room that something is raggonying, see the door of your room that's inpugation like if something to get her

and when she it's not, but there's a smell, a lot, a indolent extrano. And there's

a sensation that from that day no, someone from me is there is a person.

And it's for that you think you that you don't talk with your manos, that's

no work of a bruchery when you're only when you camp. Imagine,

you're working in your work that you've been a little you've been a little a new thing

and a renombe but it's false. Because you believe in a person valiant and you know you

know it you know, being in the work, you've done things very very well but one day

you top to front face to face, with a demonio of two rosters.

That's, the history of Victor and here we're to talk with this story

I'm I'm going to desponding me. It's the history more extrana that me have made me have been made to the channel. I've heard of this. And if it's really this what they're mandating,

minimum. I never want to top me with something. Resulta that Victor is velator since years.

Victor has 42 years, more or less, is a subject old, pornido,

of Tess Blanca, a cabo very obscure, and it's a quater that if you see

in any moment of the day, it seems that very enojured. But all that is the fachada. Because Victor for the

is a person that many things are a general fear. He is vellator in a bohagre and he

has gotten a good renomber because the Victor he gets very too,

never has never got done dormid and he's, what you know is that what he

does that he does that he does fear that he that's a fear that's that's a

little, that when he gets dormed to something, he'll he'll be nothing.

So, no, no, no, that's a anxiety and that fear. Victor is a subject very peculiar.

He got the stories of terror, and they generate much fear. All of

all of that does to do you do it other way, and other other other side,

and using of things that you never be that probably they're there. or that

he said Victor because he was to start of his last just the

year past for these feches about the new you know you know

because he he had paid that he did he much more in the days

he's he's he he's be a bellador in the year new

and are so he's at the once of the

night when in the cameras is is it is like that there is a movement

in one of the bodegas and he is a mind of the because

because from the time the time there's there's there there's

there there's there can be there don't get not nobody

so he's that he's he's doing do it does

do do make a make a make a

make sure he's the car on the macana a peg two times

very very in the door a little and he he'll

the police a me not really to get to get if you you

have you you know the where where is a a

a young that a man that's and he's

being when Victor when Victor he's he's he's

he took to work to be much to manage his appearance so

just brinked back and he was put a car of enojado that's he's very good

but he's he's tamlating the little he's not he's he's not a more he's not

a voice in the little oh, for a please no me does a

very little what is a man who is a man he's a man who's a man

he's about a 60 maybe very chaparito in comparison at the

number of the one 95 of Victor then that That voice-icita, even is talking

there, Victor, to some way, he's trying to make the voice more grave, he says, you're doing,

you're doing you, get's here. Saltte. And the subject, Quenta, he's

he's, but when he was a narrator? And that's what I know, I did the

door abjured, I, just I'm I'm to say to the person,

I'm I'm more, I'm going, and you this is the dispeded no

me important. He said, what what happened is that when he is that

you know to do you know, I'm what I see there because if I

know I'm I'm like it was the back, you

I'm to say I'm seeing, I'm seeing, I'm there's

there was there was he he is you that's

there, bet and then so It's like to give me the back to but it

was like it's a it's because now there's the the face of a

man's like if if it's if it's and it's he's the and it's

a point of to get to say it was a young that was a

and when he's a anian the man's he's and it has left

to be the face a question with a a person ahead and a person

at the narrator. I don't have any any a bad idea of what I know

I'm not consumed things, I know that that thing I'm I'm I'm

and I get to go and I just and I don't like that I don't

do that and I know me important to show I'm I'm going to

get the door to say I say the man to let me I'm

I'm I'm I'm I hope I never to ever ever to never to be

that it was a but they're like if were two people in one or like

if you have two I don't I don't I don't think I'm I'm I'm going to

that you think it's that's that's that this story we're we're

we're we're we're getting to this fogata of stories

I hope I'm you're you you're a minute you're

you you're anterior, but I want to say a part of things. First,

if some of these stories you got to you know you know you know you know

you're sooo subscribe the second I'm you know your your

and you have subscribed because today to you get to the baby

eyes and if you to get the baby eyes of the

never put for put put on you put

on your that the people know that also you're family nocturner and appear

more familyals nocturns in the closet. Now, before to terminate

the episode, I want to say that part of the people

of the people, that you pass is a prosperous year new, that this 20,

or if you see this episode or this episode or the year in the

year in that you see that this year that the year, that that we have more time to

know us and I want to say to this 2024 that is when we're going to have been a year so magical

if it had been a new poor to thank you part of this family nocturna thanks for for being

my family we send a brazo and we we wish dulces peserillas we're

we're