Historias de BRUJERIA de Karma, APARICIONES siniestras y PEREGRINACIONES fúnebres E.P. 307
00:00Welcome to Family Nocturna,to this new foggata ofStories in, Let Me Loctuary Nocturna,we're going to the episode 307,I see,in nothing we're going to be able to bewhen the first episodes.I made a little bit of nostalgia,
00:17not because in these daysI've been doingsome details of certain storiesthat me told them in the past.But, well,then the Sabbath of SOMBrasI'll tell thatand let's go to say,
00:27because this Sabao of SOMBASSof SOMBASS,there are sometimes inthe time,but are youknow thein the
00:33end of thetime.But thisthis time I'm going to be in theif we'll appear nothing of what I'm going totell the day of today of today.One of this,comece us.
01:06With this scura fogata of stories.Lasagne sur-gillet,puissance-moyance-mojianfor 15 minutes.We're like it's the hourdojo.Prere to play.Vive the pleasure
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02:03It's exceptional but effortless.Like actually effortless.Simply press, brew and explore.Nispresso, what else?Keep exploring at Nespresso.com.The story that I'm going totell you, in the moment in theI was telling me left all the pill of
02:19a guymina, and me leftthinking in one thing,New Mio, Desbloqueado.What happened to Elizabeth?And is it very disconcertedto day of today of today,because no idea of why they'regoing to be doing these things.
02:30Elizabeth,for that we need a need,we need to be a bit ofcontext.Tupoa situationveryvery
02:37a yearshe was ayear and thatwas alittlefive yearstogether.They were
02:45very closeto getand thenhe didknowthat hewanted thathe wanted to
02:50get away toanotherthing,I wasvery seriouswith herbut practically
02:57the messageisourrelationship andthedaughterand thedestroyed. No, me
03:04it was never, no me it wasever, I'm going to be able to be able to have in in in amoment, I'm trying to digerirthe things, but I need insome moment, like,give an opportunity in mylife, to enter in a moment new,enter in a step new, because me cycled, and
03:19me cycled, and me circled, and I'mable to enderre, I'mto start with a person very gris, andyeah no, I didn't want to beso. And what I did was,muddharm me to other department,coincide with that I wasterminating my time of contract
03:33and there was a situation.All my things,practically the 80%90% of mythings,last I'm in theall the basura.Ropas, photographs,
03:44records,all,so it was to dothe onlywith what Ikept with that,and she said,was a cajita.
03:51And in thatcajita,that, well,not issomething like,I'mmore thansomething,
03:56I,I've,I've,I'mthoseones that are theuniquesthat I
03:59want toconserve. But allwhat had to be with Pablo and thelast five years of my life,I eliminated. In this newdepartment, I'mpeI started from zero.I'm going to sleeping.
04:11I'mpe tryingcertain utensilies that nohad in this depa, andI felt like,I was doing theplace that was mypersonalizing it.My ultimate
04:22was my camera.I bought abase-cita ofa small,a camera thatno has nothingspecial, simply was a comodagh, and I put it there,all new. In my abitation, for you
04:34give you a idea, like I need, I need tothat nothing me record to Pablo, and I want tobe all the days amecing, like, with ideasnew, all of what there is,a camera pegged to the wall of theback, that me dejo a space like a one meterfor each other, a ventana thatthe exterior, a point that
04:52a door that a room, and a porto thata closet. It's the onlythat there. Fuerre of thecamera, no one singlein that room, salvo,a ventilator that I'm in front of thecamera, for when the airconditioned to be sufficient,
05:06I'm going to the ventilator, andstart the quarter to stayquite a more comrade.Necessitasto understand this, becausewhat I'm occurred for meno has an explanationand is the thing more horrible
05:17that has passed in the life.One day in thenight, closeof the two of the morning.I wasI opened theeyes and Istarted to
05:26feel muchfear.No, it'snormal in me,never mehas passedbut howI documented
05:32of all whatwas living withthe situationsat thereason whytheof theproblem,
05:36I alwaysI justthe windowof aattack ofpanicand Ialways
05:40knew thattherewere thecircumstancesin thetimesI'mdetonar
05:45an attackso isthatwhat Istartedistorestire
05:47relax me,estirred mybody,me sent tothe board ofthe camera,me cheedto the
05:54back on theboth of theall of thething,not so,not so,tenser inthose muscles,
06:00that werenot sothat'slike thatthethe endroforbeing,
06:04for being,like,I'm,I'm,I'm,I'm tryingto startand I
06:09started,I'm,I'm trying,I'mused,but youknow,but you
06:11wassomething,thefearwasI never had livedsomething.I don't
06:19I'm aperson whohave seenthe circumstancesbut in thisoccasion,I'm afavor.
06:24And itcame tothe moment in theI was invoiceand I'mso directlyand you
06:30go tothe bathroombut younotyou're inyou'reyou're notyou're
06:35you'reyou need toyourtime,you knowtake thetimea bocana
06:41of aairmeI'mI'mencrobaroneonce that
06:44I'mI'mdo passos firm and is somethingthat I have been very explored in myroom. As my apartment, no tear innothing, I know perfectly thatme levant, I'm, giro to the right,even with the eyes
06:57closed, I'm going to dosome pass-tos, four to the much,five times when I'm going totalk with my foot, thebase of the ventilator.Rodeo the base of the ventilator becauseI'm strategically in thesame place, just in front of the
07:12door. Rodeo the base,I mean to thedoor and I'mmentally in themoment in themoment in theI did thequestion I
07:19feel a littlemore morea little moreto make youto make sureto do thelittlebecause I
07:25want to givethe point ofthe basebecause itreally horribleso I'mso I'mlenta
07:29let'sI'mI'm aback and I'mdoing medirect onthe rostroI'm
07:36I'mI'mI'mI'm aback andwhere I'mI'mtwo passes
07:41and myman orleftrosaatela.Mehe left
07:45a lady.It was alittlea littlethe air ofthe ventilator.I'llsay,
07:51no I'mthere'spercheros.I don'tdo youdon't havearoom,
07:54my court,aroom, acar,a pair ofalittle.In that
07:58I'mdid itlike tonot benot,because if someonewas madein my
08:07head around,so I'm,I'm going,I'm,I'mto comeinar and there, when I'mtrying to take all the compostura andall the control of the situation, because it's a point to
08:15get to say to the last time, and I'mgoing to get a little, in this moment,I'm doing a point of something that nohad noted. No, it's entering,no one solo a light for thewindow. The abetation isabsolutely obscure. Butwhen I'm absolutely obscure, it's
08:29that I'm going to ask me,if my eyes are open, closed, orI'm sure. I'm goingand I'm going toand I'm tryingmore thetela.No,
08:38I'm not quiteand I'm going tothink, is thatwhat canbe this?This is itis something thathas been
08:46that you havethe thing,I'm going tobe there'sin theplace inother situation.Maybe it's
08:51soyamaybe you'retrying tothat I'mtrying todo this.I'm going togo to
08:58something wheresomething Ifeel liketheand whereI'm tryingthe manI'm
09:02I'm trying toputand then,then, asfor inercy,for reaction,I'mmy fingers,
09:07and I'ma manlittle.Narrator,I'mgoing to get thegritty,I'm
09:13I'mI'mmordy thelanguage,I'm notexpress anothing,I'm
09:19and I'mand Ifeel wherethe manand I'mto beto beto be
09:23to beto beto beback.I'mI'mthething,
09:28thethe wayto theroom,I'm in themoment in themoment in thedoor the
09:34door,like ifwas apolice thatI'm athing that'sa lot,I'll go
09:39and I'mand I'mmy apartmentwas aback.Narraor,me metin the
09:45bathroom.I'mreally,I'm sure,I'mthe doorthere,and the
09:50only thatI'm going tohear inmyroom,it'sare aboutmy
09:53carthat areandthey'reuntilthe firstthe firstass
09:58of theI was in theI'm doing theI got toget aI'm in thetime I'min the time.
10:05I'm not thedoor.Salvo thedoor.The room,theroom is theretotally
10:09vacation,but I'mto seeagain againthepresence.And thiswhat I
10:13said,I knowif it wasmycase, butin themoment inthe time,
10:18and myroomand myroom stillwas inthe sun thatwas thedoor,
10:24I'm,I'm goingto behow,then it'sto starttheroom,
10:29I'mgoing togo togo ahead,I'mknow thatwas thatme visit
10:33I'mmyimagination,I'm afearto seethat'sme
10:37to beahandthat'sthat I'mdoing,and it'sa
10:43littlenoI'mnot of thebody,noit'snot to the
10:47andnot I'mgoing toget tothestory.The historythat I'm
10:57the reason forthething of thebrucos.I'll say, thething of thebrujeria,that is a decision
11:04personal thatevery oneif you wantto go tothose senderosand thosethings,is the
11:10reason for theI don'trecommend.Because youcan'ttop with thistype ofcircumstances.
11:16And believeme,no youwant youbelieve.Resultawas avery
11:20very enamoredto Tomas.They werea pair oftwo monthstogethera pair ofpeople
11:26verypassionatedboth hada chemicalthat I thinkyou can'tunderstandto what you
11:31know,and in themoment inthat theywere in thetime ofall thepeople around
11:37of themknewthey hadsomethingand noshe can'tend upand not
11:43was averya passionabsolutebetween thetwonot arethose
11:48not arenot chikywe'rewe'retalkingtwotwo yearsor
11:51hetwo yearswhenhetookasone or twoyearsmore than
11:55asituationvery difficult thatsevenmonths after.And is thatseven monthsafter, Frida,
12:04is to havea point tohave ababy.She's atalk about,they're doingtheir life.
12:10Thomas isin thatthey're going tolive thetwo at thesamehouse,he's going
12:13to be thebaby andshe's ashe'salso,but well,he atfinal,
12:18he wantsto fugierashe'sall perfect.And,thenight,
12:23to thetime,thenight, thethings can be. Frieda,one day, is in his house,is thinking in all the futurethat comes to feel disconcertain.
12:32No, you know, if reallyTomas, he will be able to bewith her, or she will go to, hehas done any indication of anything. It's asubject that practically has dedicated tostart with her, go to work,terminating the job, to returnthe job, to, return to the job,
12:45to go back, always.She has been performed exactlynot is thatsome dayhas comea womanextrano,or with the
12:54cabellation,or with akind of abit of abadgerer insome part.Nothing of this.Simple and
13:00simply,were fears.Miodos.Miodos.And so,and so Idid Fridadirectly.
13:08I don't knowwhy a mannissitanervosa.Tal-bethe formones,maybe thefact, thefact, the
13:12fact of thefact that weremany,so that weremany times,so Idid II decided, by the conseil of a friend,
13:18to go to a bride to me legerthe cards.When I go with herand I'm going to readthe cards,all the same,but there wassomething very rare,
13:28and is thatme asked Santo and Seneof Tomas.But Santo and Seneme is referringto that heshowed the cellularhis photographia.
13:36And there wassomething thatthere was athere in thatmoment, thatafter muchtime afterafter I
13:41understood, butwhen the Bruchahe was,there was a brillo in his eyes.There was a form in thethat she was mademuch confidence.And this chick
13:51just said,well,you know,you're a verybeautiful,for you.For you,I'm a good
13:56future.It's all about.No,there was nothing,nothing thatme said tome larvara.And there
14:02was theproblem.Because thedaynext,Tomas,noregress to the
14:08house,I'dthree daysto d'arwith him,and from it,and fromwe've
14:13we'vedone withanotherchika.This chicaI don'tknow she,was a
14:18companyer ofthe work,never mehad beenabout herbut thenI'mlater with
14:23the time.And betweenthere wasno otherthere wasa chimic,was all theback,
14:30but of arepudiavaeand I'ma dayto aother,and Ithink it
14:32wasI'mand I'mhe just,the nextyearsfor mewere
14:38a combinationof thingsverydesagradablebeingfull ofcourageto be
14:44going tostartto be amotherand at thesame timemomsolterer
14:48but atthe sametimeto beliving withthechildand I
14:53amall thissituationsandthey'reand theygetto
14:56happenandthey'regoing togetasoundthat
15:03I don'tknowI'mreallybutI'mcruethe
15:08thethetechocruedthepiso cruge, and I'mto maldecisemany times
15:14the situation inthat I'm livingnot I'mnot a personwith alittle resources,but we'rewe're just
15:20they're limitedespecially forthe baby.Sin down meI'm justI'm gettingof thecourage with
15:26thelittleand inthetime II'd benot he wasnot put a
15:31attentionand thelittle Ididn'tand Ihad tothehead
15:36saturatedI'mnotstillto the day oftoday oftoday,if I
15:41I'mI'm inI'm inbecausethey'regoing tohappen tothe
15:45house,everythat IhadI'mput inojahand Iput inoffed,
15:51I put inexasperatedwhatwhat wasa lotand thenafterto be
15:57to hearvoiceand eveneven whenmymylittlethat
16:00for thisthenit wasnotsoitand evenwhen I
16:04when Iheardthevoice oftheand I was going to reaganiawhat he said that theboy was going to
16:13really bad tome.And at the finalI had to pay awoman who my momthat would beand me said,oh yeah,
16:19is that's that'smore of the nervesyou need to go toa psychiatrist andI don't let'slisten to you.I was inand I was over
16:28much time alonein the houseand the rest oftime with mymy child and in thecar and Ibegan to lookwork work
16:33and I'mbecause themoney thathad accumulatedin some momentto go backthethe year, that Thomas no,
16:39going to be to,got it, gottando,gottando,and nowI was going tothe house,never said,I'm going to
16:45get tostart to beabout myaspect, Ihad tosee me,in how mebe I'm
16:53in how mebestia,in mygenetpersonal,and therewas amoment in the
16:58one of theperson,it's abrother,meI've got tosee amy hair
17:02totally emmarrowssocio,my robessucia of various days. My aroma,neither I want to know because Ino one of my grandmother, but I'llgo to my brother and if I make a sign no,like, you know, well,
17:15then, for me, that's a good,a ball of a cold in the car, a vial toa cold that me caged on the life.I'm going to buyer, and I decide that no.No, I'm going to leave to be able to beckyto.And at that time, I'm going to change my attitude.For this, my name, year,year and a year-medio. The second
17:31year-mideo, my life was normal,untilmymynewmymy little, I'mI'm sure
17:50I'm very bad,I'm feeling meand with thatI'm very bad,and when I'mto feel to the re-o-o-o-a-a-a-a-camaI'm feelingmy mind, I'm sorry,
17:58I'm a bit of myhorrible, me parrower, me start going to goout of there. But who can me help and whoprotect me? Nothing, I have to protecta my little. And mylittle, every time that I feelthat, it's all right, and I knowif it's for me or for the other, but that
18:10makes it make sure thatI'm furrow. And, ofthat year, they'rethose crudges. All thehouse begins to crookier. A aromapestilent, that no-podein the way I'd give it, and I'ddid it do you guys to
18:23do things and no-lety.I'd passel, narrate. Andwith that, and with usI don't have a dinarito extra.Me they'reto buy from a dayfor other becausethey're in the
18:32pastels thatthere's apeltles thatthere's notmy hair.And the caboand they'reclients that you're
18:40clients ofmany years,that I'llgive them togive them tobut they'relike enochedwith me
18:47and mylife is toget toget a pedasos.WhenI get thatthat was atime,
18:52I'm going toa brooja,I need aA friend that there is agood, that she can't help, that she canlike, open me the way of thebecause you know mycan't be my future are in the future are
19:05so I'm going to this woman and thefirst that is,oh, my kid, you, they'rebeing a big thinged.Apeness me said that,me romp in yant.It was like if someone ina moment, me
19:18and then would be,and theniera that the things thatare selling bad are not for me,it's for something more thatis for something thatwoman,sheme
19:26gettingand methere's alittlethere's aname,and she hasto give
19:32santoand sheento thewomanof Tomas.And mesheshe took
19:37to thechild,sheto get toalittlesheand she
19:42has beenthat Ihave beenthetime,it'sso,so
19:47why,why notyoudon't youmakelet melet melet me
19:51let melet melet melet menobody meGana.And thennarrator,
19:57I'm infirst timein a year,sent ita little bita littlethere's aintact and so
20:05I said,I don't,I want todo you know,I just wantto make inpeace.And the
20:09Bruca'smeand you'reand you'resaying,but if you'reyourlittle,
20:15give uslet'selme,usame tousami,we,we're goingto be
20:18and thenthen Ido youno,forfor favorjust,just,
20:22more than justprotect me of what he'sdoing.And thiswoman buffa,fh,what cobarredyou're,
20:28but well,we're going tohelp you.And thenthen Isay thatthe daynext, the day
20:33next toI'm doing afrascowith aliquidvioletta,me say,she's
20:38that they'revery fregated.If youyou don'tyou'reto beto beto be
20:41to beto you,and Igo totheand I'mto cometo
20:47you know,you know,all theorations of a rosario in the lapse ofof a hour,while you're going toyou're going togo to gojointed in
20:55all the corners of yourhouse.All the corners of thequarters.You can't have gottits,you can't have alittle of a chorro,but all the final
21:05of the liquidhas to have tothe last corner.When I'mdoing that I'mwhen I'm going todo that, inthe first gotits
21:13that were in thepart, it'slike if it wouldhave beenacid, but wherethe paintis aI'm going
21:19because I'velavated thepart ofsome momentto get amatter of mymanch that hasdone my
21:26little bit morewhen the pictureand I'mthinking in whatI'm going toI'm going tothat kind ofthat kind of
21:32that liquidno desprendedany aromaor nothingI'm goingthe otherationsI'm ventingvery little
21:38when Irogothe lastthe liquidin thelast cornerI'm sorryin thepart of
21:45my backof mynuccathat allmycabitosandthey're going to
21:48and they'reto get inchinoand I'mto get tofeel the scalofrillsbut horriblehorrible!Volteo and
21:57what I'mto do itdure afew secondsbut I'mseeing howthe otherthe
22:01abitationsare somesomrassmall, somrassmallassombrasnot vancan come
22:07and it'slike ifthey'rethey'reon apoint andthen they'rethey're going
22:13and they'reand they'reand they'reand allient andand allI just see wherethey're allone's
22:18a regress andgo and it'smyroom, where I'mgoing to go tomy pieceand I'mthe thing,
22:24is thething thatyou can'timagine.I'm justin theentry,where the
22:31doorwas therehad beenhad been adoorof thedoor ofso I
22:35would havecrossedso onfrontbecause Isee allmycar
22:38fulland allmybodyand Itrybut it'shorrible and,
22:43and,with that'sgoing to be insome of theback to get to bethe end of theend of the end of theside, I'm
22:52that's the same thing,I'm looking, andno, I'm going.I'm sureof fear, nowhat's thegoing to bemy little, when
22:59I go to mylittle, I'mreally, I'mI'm going toask you togo to mylittle, I'mto go and I'm
23:07going to do yousee what I'mgoing to do yousee what you'resaying, youYou know, you know what you have to do isregressers. The protectionsnot you're going to serve. And I'll
23:17say, is that no I want to do soarbut, for favor, help me.Look, that's all these things and thesombrass and the other than the house.We'll do this.And me do a sack with saltand never. And meto say,
23:30Necesses to do thisorations, but yougoysetating saltin various parts of yourhouse. And Iwant to say,you know, to say,here,
23:42I'm sorry,I'm sorry,it's veryvery strong,no,not moreyou're sayingthat you're
23:46not theway,and you're notdoing it'snot you'renot really,but I'mstill I'm
23:53the way ofthewoman,I'm goingto do thatI'mgoing tosee that
23:58that'sthat'stheroom,I'mit'sbut nowit's like
24:02all myhousewas justall thisjustthere'slikethere.
24:06It'shorrible.It'sI'mmythat myhelp methat during
24:10these dayshekeep with mylittleI'm going tothe houseI'm thinkingwhat I'm
24:15in anymomentcruce in myheadto go togo toanotherperson.
24:20I'm hereI'mI'mI'mso I'mwant toI'mso I'm
24:25it's impossibleto benot ahouseI'mI'm notI'mI'm
24:31not sureI'mit's thebecause I'mthere'sa contactphysical, it'sbut it's
24:37veryfeo andmeHe says, is that myha, youneed todo you need toa rita
24:43a rite of aneed toyou need toyou're goingyou're goingyou're saying.I'm goingto keep you
24:50can't giveyou're doingbut I just to give you.I mean, it's like to beckes. And he's overrower.I don't even get in the carouson.karma. What youmando, that'sthey're
25:10and then Iand I said,I said,I'm sure,then you'regoing to be in themorning in thenight, because
25:19it's going tobe a nighthorrible, butit's amorning in themorning in themorning,come with me
25:23and I'mgoing tohave anight.That night,I've visitedin thehouse.
25:28Metook themand they'relike itwas likethere werea group ofpeople of
25:33that werethat weredoing,and thenthegroup of personsif you haddone
25:37a housebecause Iheardpass-tits,I've seenpeoplethat went tothe
25:41house,and fromthe door oflike if you'rebeing ina sensation ofinvasionabsolute.
25:48I hadmuchfear,I'm muchfear,but Ialsowas that
25:52were allthat werethat Ididn'tput inalife, forI'm not, I
26:00went tothis woman,me and Igive alittle bita liquid and me do otherthings and me says,we'll make a noveno
26:08oscura.Me da a onea hoja,that's beenthat are insome o'clocklike somea little
26:14you're going togo tothese thingsbut in reverse.And,and while yougo you'regoing to
26:20use thesebells.Whenyou're goingthe septima,amarrsall therio-o-
26:26all the restos,scupeleand it'sall.And thenI said,and thence you'llto do that,
26:34narrator.It was thesensationmorehorriblethat I'vehad beenin my
26:37life.It's thesensationof thatthat I'mthat I'mlike it'slike it's
26:43a littlelike alittle bit ofme,and Istarted moremore morefrie.
26:50And Ifelt likethat youhad abaddardthat Ihad beenthat
26:54and I'mconsumingthe veil,I was usingthat little bitto learnto learnand I
26:59feltiajust thatthings of methey werethey'd be when Iwhen I was likeif it was like if I'mhad been robbed a
27:07something, it was likeit was like I'mlike I'm not put herand then I'mwith the bruja and whenI'm sayingyou did you doyou know, I'm doing
27:17but I don't havetold to nothingno, noit's a factI know whenthey're doing theI do you knowthen you're all
27:24you're a lotiscome with aone a month butyeah no timeand my hi myand as wewe're justthis now
27:30no can'tbe in thenexttime or you'regoing to begoing to belike avery much, I'm
27:35going to do youknow, butthe otherwitch is itbecause you'reregressed herkarma and nowthey're going to
27:40go backthis time.So, it's thesummer narrativeI'm going tolive abut at theway not.
27:48It was likeme would haverote inpedasos.It waslike ifnot were aone, it
27:52was likewere likemanyyou'reand we'renot howI'msaid to
27:56but IfragmentedmyThe kid, no, is there mymy mother and my mom.I'm gettingtotally in thetime of recuperate my
28:04life.Get into thenext week.I'm going tothe Bruchah.And mesay, I'mI'm going to
28:11start for thegood or for thegood.And I'mI'm going,no,well,for the good.
28:17And mesays,the Bruchitathat wasattacking,you know,he's going tobe attack.
28:22And thenI'm,because youknow, becauseyou're inan hospitatio.If hehe regress
28:26well,regressedthatand said,and yougo todo thegood at the
28:30good,and I'ma photographnarrator,that'sthe photographialike abut it's
28:37something thatsomething thatI'm inthe caseis aimage thatI'mI'm
28:42I'mI'mI'm spantand Ithink that'sthisthe otherother
28:47the othersheI'mhe'she'sreallyreallyand he
28:51wantedto makethethekind ofit'sshe'sshe
28:56I was justhe's going to havea babyAnd when Isee thatI'm going toI'm going toI'm going
29:03What you'reabout?He's re-regressedto you?And I wantedto say toyour littlethen you
29:09Well, you know,we're going todo you know,but thisnot you'reYou're not,you're going toyou're going to
29:14you're going toyou'reand youdon't you'reand muchbecause the otherBruchita and youyou can't
29:25do you can'tdo you.Now,so,me doat thosegrids,because this
29:31womannot will beto be able toget to beand you'regoing to beyou're going tobe able to
29:37you're goingto do yousay,I'm going tothis momentI'm going toI'm going tome
29:43my ownmy maldiablo andI'mcameat boardvia Raiembarked
29:52and profiteEmbarkedand celebraterigoletPubliéSavourAdmirateAnd Profite
30:02Via RailleThe Voice That WeeIt's something else here nowSomething newFromExclusively on Paramount PlusIt's the seriesStephen King
30:12Calls Scary as HellEverything hereIs impossibleBut it's also realSci-Fi visioncalls it the best showstreaming right nowWe're running out of time
30:22And we still don't knowthe rulesDon't miss what the movie blogcalls something uniqueTo watch.Saving those children is how we all go home.From binge all episodes exclusively on Paramount Plus.Fan of soccer, you could assist at a moment historic.
30:40You could gain these tickets for the final of the Cup of the World of the FIFA2006 with Visa.It's just to have a card of credit visa BMO for participate.Inscribe you at BMO.com bar-oblic concourse.The reglements of the concourse.There were many people that gave meadow the history of the peregriners,the lastwe
31:01told us in theone is thepeoplethat are thepeople who arethe samethepeople of the
31:03peopleif you knowI'mI'mheard of theI'mbut I'mthat I'm
31:09knowmany peoplethat saidthat they'rethat'sthat they'rethat they'rethat they're
31:18to get tothepeople andthey'rethingsthere's alwaysthere's atime that
31:27when it'sa traditionthat did that Peregrination, that was onethe year in the people, I'dand I'd love to illusion. It wassomething very beautiful, it was something that was to becaptivated, go in theback-in-the-bracos of Papa,
31:40then go to the dad's ofthe Papa and of Moma, toeven of the cancansion, tocontinue advancing from apoint to other,be knowing people,be tantosos,be tantas,
31:50was something that Iwas a lot of16 years,I've,after several timeof not haveparticipated in thepregenation,
31:59I'vebut nowmy experiencewas different.I neverhad neverhad lived anythingnothing
32:05never had livednothingpreternatural,extraordinary orinexplicablethings thatlive thepeople of
32:11the countryme hadnot, I'vefelt like meobservedthat I'mobserved thatsomething
32:20me wereseeing inthe middleof thebosqueeven whenthere wasnothing
32:24behind me and see howthere were ramitas thatwere crugied, thatwere made, that werebroken, that werejust behindme, and nothingcould have rocked
32:32that.But even therehad beenthere was atype ofa bird,or it could bea type of
32:37animal that'sa morevery rapid,and thenit'sout of myview of myview of
32:43that you'reto moveto thatand yeah,for thatI'mso I'mso I'm
32:47but whenI'mwhen Ithis perininerationthethingwereI'm
32:52to the prevarination, andsince we're in group,I'm a little rarer.The people ofin a littlething like veryspiritual,very of oration,
33:03and I'mI'm going tobe to be aperson so religious,not I'm nota person thatis prayingall the day,
33:09if I hada various yearsand nothad theprevarination.I wantedto liveto revivir,
33:14thosevivences ofinfancies,those momentsthat Ilived inthe new,and I'm
33:18to come in,and Ifeel tosomethingsomething rare, like theambientpesedas a
33:25more peoplethan I'm goingto be able tosee I'mgoing to dothat's asensation,we have more
33:32more thana hourand thenand thenI'mthat I'mI'mthere's
33:38no,but we'retalking,no,there'snot a two,three meters.And that's
33:45kind ofwe're gettingsomething,we're justcoming and theresomething,it'sThere are many things, no, no, no, I'm going to be doing ideas.
33:52It's a moment in theI'm going to listen to those personsresando.These people who are resandoare like with a rhythm thatgets and me tallylade the head.So, I'm going to go to all theosfor a bit of all right, because it's like a
34:08no, no, no, no, no, no, no, no.And they're doing this rhythm, one and thereanother and another time.So I feel like a soundthat's a sound that's tryingbut the Cerebr, no, no, no, meI don't make it tranquil.And I'm going, and I'm
34:21a repente, I'm,a little bit,as a right,as well, in parallel to me,there are two somers,what I thinkwere an woman,and they're going
34:29and I'm coming downand the person's,and I don't know,that the soundis intensified,me does fear,and I'm going toget to the
34:35sacerdate,and when Igo to perciviland I'mthere a rato,I'm going toget to thepast,
34:42a good,until I'mI'm going toget toI want to take aI'm aI'm going toI'm going to
34:48back toand I'm going tosee achildren thatare goingcoming fromfrom thebut I'm
34:54that I'mthat's quitemany scalowsfrios.Thechildren that arecomingone
35:00once thatthey'regoing tosee I don'tlook tothe peopleI don'tlook to
35:06see that thepeoplesee that theyare morethan 1015children thatwere going
35:11and they weregoingpracticallyandNobody'sisup herethe
35:14childrenand thenew people.I'mgoing toget toget toget to the
35:18littleand I'mthere'sthere'sany newmore thantheinitial.
35:25That'smestarted toget toget toI'mback.I'm
35:30back tobut you'renot so farand I'mgoing toget amoment inthat I'm
35:37really tosee thatI'mlike likeif we'reatype ofbattalion
35:41I'mapersonthese people, these peopleare goingand they'rethe handsand they're in
35:47saying liketheir own,like thosethey're in thesame rhythmone of others,not as itnot as they
35:52are in thesame orationbut Igo,I'm,I'm going tothere's aline there's
35:57and there'sand youI'm goinggoing to,I'm goingand itgets to thenight,
36:02we're going toget aand thena personto mecome insaid,and you,
36:08to you,to youto comethe timethe timetheAnd he said,I don't
36:12I'm sayingand I'm sayingis that whenyou're playingyou're going toyou're going tostart with youcomminants,
36:21persons that weknow we'rethat we're notthat'sthis recorrietyand they'rehere to turn toand all
36:27to be able toyou.Mejor we'rewe did we'reall rightand you justyou're allitowith the
36:32animas.Dice,narrator,I'mI'm kept withtheview as youwith the
36:37eye quadrandAnd then, Iwent to San Juan of the Lago's andI said, this was mydespeded.It's never too early to plan yoursummer story in Europe with
36:51WestJet, from rolling countrysideto cobblestone streets.Begin your next chapter.Book your seat atwestjet.com or callyour travel agent. WestJet, whereyour story takes off.As much
37:06of you know, all thosewho are families of Nocturned of Wesseau Coloradothat are from the beginning here in thechannel, very probablyprobably they're inpresent thatme one ofthe first
37:15phenomena thatme get totalk to getthe problemof theproblem.As we know,the paralysis
37:21of theproblem,it has beenthe versionof theproblem,where is a100%
37:28a situationas anexplainablefor themedicine,for thescience,in the
37:33which youyour bodyis perbut yourbrain stillstill,you'restill
37:40and not you have the facilityto move yourbody, butalso there aresituations,to thosewhere they'reas they're
37:47as well,that'smany canbe paralysisof thebut theresome,that seems
37:55that we'retalking aboutabout weabout thisthis storythat I'maboutthe brain
38:00me,it's free.Inserious,it's ofthe thingsthat ifone day
38:05mewill beto dodo this,I'msomething.She's aShe's a
38:11ShegidoraThe podcastWe're going toLet'sa nameThis chickA manA man
38:15ComplicatedBecause thesituationThat's aquestion thatIs a lotGeraldineAnd salutes to
38:21All thoseGeraldineThey haveA manVery goodButthatIn my
38:25cityNot tooI knowSo onI knowIn theCicadoButgeraldine
38:32IsFanaticaof theChannelIt's superFamillionNocturnaAnd
38:36sheI lovethistheme.And shenevernever havenever ever
38:40never evereverI'm inthis I'mnot I'mknow ifis paranormalor not
38:46becauseyou knowyou'resayingyou're sayingthat youthink youtalking the
38:52podcast twoyears.I'm supersuper superfan.Whenyou'redoing the
38:57duelsI'mreallybut I'mgot amuch moremore moremore than
39:03I'm much moreand of all thisthat I would haveto happen tosomething.I'm going toget to bethe world,
39:09because thereally notit was amore than I'mreally that I'mreally a lot ofmaybe I'mseeing that's
39:15that I'mthat I'malways that I'malways that I'mvery nervousor very anxiouslyI'm very anxioI'm
39:23like if someonehas been toyour podcasthas to bewith mypersonalityand I saidfor that
39:30I used toand I'myou yeah tothey're ina concept ofare storiesof terrorand
39:35And then, methis, that I don'tI thinkthat'sfor you,but Ijust,I'm going to
39:41myI'm in thebed,I'mat apoint ofto doormebecause
39:45the daynext I'mto doa disertation.I wasto presentin thefaculty,
39:50a projectthat wehad wehad beendoing,or creatingall thesemester,
39:55we'regoing toquestioneraboutthat'sand,and,well,
39:58it wasgoing todoathing,I'mI'mI'm
40:02stressed, but I had studiedso much my theme, and me knowalso, that was stressed, because the daythe next I was going to live that, but notthere are examines that reallyme put in stressada.For that's why it was so meso much extra-in-lawed, I'm
40:16still doing repasos of my dissertation,I'm seeing, point-by-punt ofwhat I'm going to presentar the daynext, I'm going to imagineing the type ofquestions that can make, I'm going todo you want to tell them to the professor,and then, of a repent,I know,
40:30like a sombrathat'sin theroom,and in thatinstant,me do youknow what I'm
40:36my bodyis acold,not of theit's likeit's likeit's likeit's a
40:42move to movea man,I'm going tomove thehead,I'mand I'mand I'm
40:48and Ithink,Geraldine,you'reyou're livingyourfirst paralysisof the
40:54dreamthen.So,I wasI'mthinking,well,the
40:59of theSwayne.It's amoment inthat I'ma postatedand in theif I'm
41:04going to seeto see afront of methings thatdo you'reso I'mso I'mthat I'm
41:11don't want tofeel like thatyou know,and when I'mto get toget abook of ideaswhere I'm
41:17I'm notI'm afear and I'mfeelor thepossibility thatI can'tfeel you
41:21to hearto hearto hearlike somethingthat'ssomethingthat'sbeing
41:27to comeand up andand up,andup,andit's asensation
41:30horrible,and it wasasoundspantos.It waslike ifsomething
41:34that'salittle,it wouldbe atand thenthen it's,and then
41:41after abivoror something,or something,and againsomething,and again,something,
41:47it's alittlerechina andthen youstart theseruses,like ifyou're
41:51a raeasapizorrionhorrible,I'mso,and thenthe
41:57sound.They're almostclosethedoor.I'mtoo muchI'm going to
42:00go tothe periferiaof myeye,and Iknow howis comingwhat he
42:05would beto bea littlea yearof thetime.I'm talking toabout 30
42:10centimeters,maybe alittlemore,he's away,and Istart to
42:17get tomany,I'm sureto get tothelittle.The Bebenot see
42:21if itis atype ofphobia,butit's aA little, is a sombre.And she's a subpoena in my
42:26camera.And I see,narrator, howis it'smoving my sabanafor that yousee that'sto start to
42:33start to get,and of alittle bit, andwhen it's aside of me,and I want tosee it, andI want to
42:38see mylittle bit ofstart.And it'sgoing to bea bit ofmy earido,it's a
42:46same time,one part ofmyhead that Ithink youwhen you'rewhen you'relike various parts in the
42:51head,I'm saying,oh,if it's horriblewhat youin theparalysis of theproblem,
42:56I know,I'm notthat's notheavy, but attime,I'm livingthere,and I
43:00want togenerate medistractors,so is thatI'mthinking ofhow Ithink I'm
43:04when I'mwhen I'mcold,but ata very free,me to comethe mehieland it's
43:11like ifme hadput acachetto,and no,narrator,I'mgoing to
43:15becauseit's alittle bitviscoso,it's asensationflair,desagradable,
43:21invasive,I'mI'm able tomove, andmy voiceinternal mesays,Geraldine,
43:26if notyou canyou'regoing toget alittle bit ofmyI'm not
43:31I'mnot Iknow Iknow whatI'mI'mgoing togetteating,
43:38rare thatthat sensationaroundme,me tome tomovearound
43:42mymyperson,comejustbetween mytwotwo
43:45twoa little above of my otherfoot.I'm going torestpirateprofoundly,I'm atensionin the
43:51dead of myhands, in thefeet, and I'mthinking all thetime,about thedisviar thetension,
43:57and I'mand I'ma little bitmy dead dogof thehand,and Isaid,
44:02I'm hereI'mI'm justa little,I'm,the lastthat I'mthat I'm
44:07becauseI'm going tomore thiscuriositymorbosos ofknow whereit's, becauseI don't know
44:12he's,but at thesee, and I know that heis near-the-venty, andof a sudden, it's likeif never would have been, I'mmoving, I'm going toread, and I'm salemes, me salemes,
44:23in some of the eyes, becausealso I wanted to worry, I'mI'm going, me prepare a coffee, andI'm going, hey, Geraldine, what you're doing?You're going to be able to dosleep in all the night, and I'm going, well,well, let's make sure what, I'm going to dodo the dissertation, the day next,
44:38What fregadosI'm going toGo backto go toGo ahead.I'm going toI'm going togo to have
44:43horrible.No, no, no, no,no.I'm going to goin be able toall this,I'm doing mypoints, and
44:49of theminute, you know,the same of thesun, and in thewindow of myroom,there's twomanita
44:57on theback at awhere I'mgoing to bethat moreback after,the mindthat's made
45:03in blackand mewas pensivein thatpresentation.The story that I'ma point totell you
45:14is a storyvery delicateI'm going totry to censurarto be somethingthat'ssomething that'ssomething that's
45:20that youI'm going toI'm doingI'm verythe confidenceI'mI'm gladyou've put
45:27somethingsomethingthat I'mgoing tothat I'min ourchanneland that
45:32you can'tyou havemadeto getthesethingsarethat are
45:36difficulttoare differentIthink forthe daytoyour
45:39life,that thethings havechanged andthat's theother people of thefamilynocturna,
45:46those thingsthat werethat you'redoing to be ina room differentand staychanging for me.And I'm
45:54to do theteam,we're justa littlewe've done tothis,let metell us
45:59one of thestoriesmore dulaethat we'reabout.Salo,we'reto put this
46:03namethis chico.No,he wasa lifenormal.SaloHe also,
46:07henever,when heheand heand heand hefor all the
46:14peoplethat areto reason toand talkfibressensible,in serious,maybe
46:20it'sthat they'rethatthis storyand passto theultimate.Because
46:24is delicatethisthing.If youis delicate,and youknow,I'm
46:28really aquestion ofyourgood atthe question ofyourquestion of theself-o-o-
46:35Advertency Direct. SaloTu hasa life thatno's thedesire tonobody.SaloNase
46:41in a familyin thefamily in themom andPapa.Papahe'she'll
46:45he'sa littletime andwhen SaloCoplesix yearsthethings are
46:50very bad.Hismomenter in acrisisthat difficultthathe decides
46:54that hecan'the,he'she hasto beto beand he
46:59and itandhe'sa familyknown ofaa senior thathad three
47:05kids moreand thena quarterwell,what problemthey'reto cause toand it's
47:09a cente100.No,he'llto want toknowto be able toget to
47:15get tocontact andsalo atmoment ofto getthesethings,at the
47:20moment oflivingthese situationsthe realityis thatthe lifeno hedid
47:24courtelandnohe didopportunitytoto beto
47:28get totomasticthesituationbecausethefamily in
47:32thefamilywas aand they'd beI can'tdescribe thethings thatbut Salo
47:39learned fromthat's atime you knowthose adults arethe peoplein the personin thepeople are
47:45that you'reto bring thethings worse.Salolearned thathe was tobe toto be
47:53and that'sliteralto bebecausemaybe ifin thepoormoment
47:59in thefatherastrois in thehouse, and hegave tosay thething moreinappropriate,
48:05that wasthe lastmoment ofhis life.He wasa timethat youcould you
48:10imagine.Terminableallmoretonied,and thatnot shewere tocry and that
48:15he woulddo you,thelittlethelittle,the littlewere
48:21the littlethey wereto him,the momwas tothetime,Saturday,
48:27and dominoes.TheSaturday,in themorning,when thereopportunity and it was for him the glory,they'd have a little
48:34to the house of themom of her pedastro.A young,a young with herhusband, a subject that insome moment had an accident,no,he was a man,
48:45or she movedwell, and theshe was ashe was theshe was,she was hersweet-a-boy-a-and if my
48:53abulita wasa dulce,me dave afruit,me dave amore todo you,I'd have a
48:59personor in my infancy.For him,the fact of thatnot he wasa good at agreat of thechildren,
49:08not even though,they're in thiscriteria,not they'rethat'sexperience, andfor himthe normality
49:13was to bein thelife.Salo waswas livingone of thesituationsmore of
49:18his life,but thosedays ofthemother,and with themotherto be
49:22a littleand therethingsand therethat bulathat bulathatthat's
49:27not thatno isHisBesinosnotthey'reand shewhen they
49:32when hehe,it's abit ofmormurarthings.Her oldita,heromot
49:37is a personreligiousis a personthat everyevery timethat'sthefirst is
49:43to takethemanitaand withoutto get tothechurchand she
49:47sit in thelittlebankitaandshe'sand neverneverever
49:50everevertoget tothecomingandhe's
49:55he'sIt's reallyto be toparsewith the rest ofthe personfor somereason theis a little
50:01antisocial orit's alittle kind ofand it's aperson and he'sgoing to talk toget to be.And Salo not when
50:06she'swhen she'sa littlelittle bit ofshe's aperson very religious, is aperson verylittle and
50:13he has adventureswith Salo.She trepein arbolesand rememberthat eveneven it'sa senior
50:18major,that'sthat'sshe'she'dthe striboswith hisspos with
50:24thebecause theLord is anlove and isveryand thenthen whenwhen you get
50:30to get ayear tohave aopportunityto escapeto thehouse ofthe
50:34and he'saand he'sand heis livingin thestreetand situations
50:41thatnot shouldbe livinganya childand thenthat'sthat a
50:46good persontoaperson whoa institutiona institutionthatis
50:50a situationofthe situation ofandis aespecially inchildren andhe gave the
50:55opportunityto be able tobreak abreak and startto get alife.The institutionthe
51:01life not wasbetter.But definitivewas thefallidaof theinfirno.Talve it was
51:06a purgatoryif youwant toyou want,but oftheinfironsyou don't you
51:10know ofthe change.Salois stilland hestarts tostarthe has
51:16been toall thisnot isa chicothat is alittleyears.He's
51:22to re-encontracts with her mom,he wants to understandwhat was whatwhat happened,and he'llhe'll take manypsychologists,he'll take many
51:30situations,but he'llher mom.Entient thecircumstances ofthe padastro,and nowit needs to
51:37get tobecausethat'sa lot ofsomepsychatricesasometimes
51:40have aeffectsecondary thathave beenin thefuture,and theiremotions
51:45arethearelike ifif ithadhadand, de-repeat is in shock, and,
51:54the repente, he feels that the people will attack,and he's going to be in the people whereit's going to be able to coverto someone who simply go to askto a hour, or whateversomething. Salo,lamentably, lived thingsso difficult, that his
52:06body is still, even when,all day of today,now he's not having those attacks.But one part of hishead is in that pesadilla,and he's been working.But in the advancesthat did in the therapy,
52:18yeah, after many years,to dayof today is an adultthat has a20has been ahe's beenhe's been
52:25going to be ableand he'she's seenlike a personthat'slookingthethat's
52:30beingsayingme saidnarratoris thatpassingthe yearsthere's
52:36there'smany things thatI'vebeen overtherethere'stherethere
52:41there'sthereI've seenarepeoplepeoplepeoplegris
52:45that comethatarethey'relikeAlmas in pen,almas thatsomething that
52:51they're doingand they'rein myhouse of three.A womananian,and a man.The boy
53:00me does theimpressionof an personlike aperson likeand Iremembermuch the
53:05things thatI've beenin theinfancy.I'lllet'sI'm agood
53:09economyas tochange meand thereallyis that Ihaveseen
53:12thingsI'veI'veI'vecalledwith themand Isay,
53:16forfavor,notmore,not morenot muchyou have todo you,
53:20but I'min aplace to me.And,and in away, it'sbeengiven to
53:26those,I'mthat they'rethere'sthat they'rethat yousometimes,something,
53:30it'ssomething thatnot azonecysmic.If it'sthat'sthat I've
53:35had beenina littlethey've beena littlesomething,I mean,I'm,
53:40I'm not,no,no,don't youdon'tgive theattention,because I
53:43know,I'mgoing tounderstand,inat some momentI triedto explain
53:45but it'sdifficult tounderstandthis and Iknow itI'm inmy timeI'm going to
53:51get to doa littlereallyrather thanit's notsome ofspiritssombras
53:57those notgood andI'mI'mto recordthingsthat nowbeing
54:05as aadultthatmaybe notnotnotherand Iand I
54:09youto do youto bebecause I'mdoingI'mMy abulita, for me, was an angel.It was the person that
54:17me rescat her.It was the waybecause I was livingthe worst.The worst that wasliving, it wasliving in that moment,and I was about
54:26to take very baddecisions, andthanks to thisangel thatcame to maketo make othertype of decisions.But now
54:33that I'mgoing to bewith eyesof anadult, butI think myabuelitamaybe not
54:38too muchperson,I want totell youI'mthe first I'mthe first thingwas a
54:46certain thingthat'swhen wewhen wehad to theshe'd beshe'dprepare about
54:55to comenormallywas avariantofa littleand asometimes
55:00I'dsometimes I'ma bitsome typeof chorizoorthecarted
55:04butalwayswas awebitowithand formewas
55:07thegloryafter thatsheshe wasshe wasshe saidwe're going
55:15to get togo overto abardaand I don'tknow howit wasI don't know
55:19awomanbutdid ajumpup toupthe barda
55:25a bardathat wewas aboutthat mademoreof amiddleand
55:29he putin cuclilandbackandthensoso
55:33withoutwithoutpermissionwewe gotthe patio of theof theother
55:39shestartedto beto be in thelittlebut I'mtalking aboutwith the
55:43man whowas in theman whowas inthelot of thethosethat's
55:47she wasshe sub-astwo or threeseconds tothe ramasandbegan toventing
55:54all thefruit oftheold oftheoldI'mI'm
55:57not youknowI'mnot apersonhehe movedlike
56:00morebackalltheand meheheagra one
56:06shehe'd scupia,laventedin the patio,and the rest of thefruit,he was toget a lot of
56:12my fruit.I'dreally a lotand that'sadventuresto meme would benot even
56:18now ofadult,why wewe'dwe're in thepatio ofthe people?Because
56:22I wasthe food,becausethey desaciathe things.When aperson,when a
56:28person,I was overin manytimes, Ihad saidmalditions,no majadiries,malditions,
56:36I was.He startedthat yourlifeand that yourorgans arecoman.Cosses
56:42horriblenarrator.And Iwaswhen thepersonwere tohis
56:46sombra andretorsia theperson.To allpersonwith theshe wasshe was
56:52the same.Nowthat Iknow,the vicinusnotthey hadhad been
56:57there.There wassomethingthat wasall thetimesthat Iwent
57:02that wasthat thenightthatwas thenight.in thatnight
57:06I'dalwaysat thesamein theroomI'mI'm
57:10I'mI'mI'mI'mI'mdo you knowbutI'm
57:17I'mI'mI'mI'mI'mabellera belator
57:21ablackatthebellatorneveralwaysI'm
57:26always hadsaltandandsheshe wasIstarted
57:30to fumI'mand II bent the hume in the car, and thenI'd take a seat, and mestarted to mark thebody, and me said,now see, doorm, to go
57:39and get to get youget to here.There, in theroom, had variousstatues to thethat I don'tput attention, becausesimply my
57:47head was notfor that.But I'mquite sure thathad to bewith themurder andwith the
57:52un'animasolo.In someoccasions,narrator,I saw myabuela, aflover of herabutation in the
57:59madrugat.I wasout of theroom, andI'd be therea littleancianita,parade in
58:08middle of thecell or paradein thepassio.And as it,and Idid I, Ididn't want to
58:14that she'snojahwith me.So, Ihad muchthe wall,and Ihad a
58:18side of her,and Iwould be toa little toa little bita little bit ofsomething toneed to
58:25and whenI'dI still there, and II didn't know how much it, and I know how much her.And nothing more, camin'd a lot of thebut now I'm stillthat I'm going to, that I, duringmany years, saw my
58:38mother, how she'd want to be in theand that one of the robes in the madrugas.The altitude of my abuela no was that.My father was her mother was at all.Apart, the hands were the onesnot were the mother.until now I'mI'm caught
58:54that in allthe occasionsthat I'min the nightthere were someonethere was anyoneand my abuel ormy abel
59:01was therewas a personand it wasI perceivedbecause in apart ofoccasionsshe moved
59:09on alot tolet meto be aman ormorebecausenever we
59:13neverwe've beenthatI'mthat I'mmy abelwas aboutwith the
59:18yearsI'mI'mI'mtosomethingResulta that he was a type ofand during many years
59:25he did a my abuelaas a victim and he had tratedespantoso. Myabuela began tolearn things thatthey're a friendand things thatnot is for
59:35children, mesaid she toget herbut she'she had given to heras a girland he'she was back
59:43three timesand itand itand ittook a accidentin thework and neverhe never
59:51to dothesame.Myabuela,in therata in thetime,
59:54he'dhe'dand Idid it,but Ihad tothe foodand I'm
01:00:01not theother than theback,it wasthe end barravato theladsand I
01:00:05had touseto useto get aI'mI'mbecausewas a
01:00:11mother,but thenshe wasshe wasthat I'ma surpriseof theear-o-o-o-e-
01:00:16and mymy abo,aotheralittle bit ofthenow I'm in
01:00:20the dayto do youhe'sdoing that youknowin thechurchI'm
01:00:25that you'renot areligiousas Idid youwe'rewe'rewe're
01:00:30all thetimethat theyweresheshe'ssheshe was
01:00:36and sheand themomentin themoment in theshewasshe
01:00:39she cametheshe wasshe sent meandshe wasbackshe was
01:00:45andwasAnd then, in the house, I got to find various of those that werethat were taken on the piece of desechas, others trailed as well,others had had a pedacet of some of the cera that wasderitia in some of them.Some had some had things written and others saw thatthey had had things askeeroas.
01:01:04I think, narrator, that I've lived with aa brookie that was using to some way.But even as to the day of today, I still saying,that I'vewith mysweetabuela.For Salo
01:01:19and allthose otherthat areliving in theseconditions,buskenhelp.Busken
01:01:24and Salo,thanks forhaving seenon thewe're doing.We'regoing tolet's talk.
01:01:38FamilyNocturnabecause Iknow it wasa storypesada.For meto be
01:01:42somethingwas agood orsomethingof theingestoforso I
01:01:46didI'mmanybecauseit's astorythatcan
01:01:49talkmanyfibras.I hope thatall of youhave donethat badand if you
01:01:54not,saccudanthat badbad at thebadbecause thisstory is thegoing to be
01:02:00to get theend of thepundasbecause it'sencantorablyaterrador.Resultedthat Monica
01:02:05live insomeAmerica.And Monicais achick thatduringhis first
01:02:12yearsafter theinitialthe ageadultatook muchbaddecisions.
01:02:18AMonicahewasaa party,heliked
01:02:20in theamistades,but neverhe saidin thefuture,and mehe's
01:02:23a dayof theway,if you'vehad aopportunity,but well,the
01:02:28lifestill inthe time, andI'mthat Idid thetime, butme's
01:02:33afactura,alittle inhealth,aamount,and
01:02:38many,and atime,and I'mgoing toget tomy 20years,
01:02:43I,I'mto give metosomething,Ihad topracticing box, and I
01:02:50started to,let me,let me makemake me very rudder,physically and in my attitude,because those thingsyou quadrants,those things are
01:02:59I'm a personwith a personalitylike a very blandita,very good,but thatany other personme was playingin a situation,
01:03:08and I'dalways alwaysand I'm alwaysalwaysplaying verycompetitive.And not todo to be
01:03:14a starand not tobe away professional, to defend me in the day-a,practically MMA, me mette toto get to lift peas,me did a point that escalarsme gave tremendously,
01:03:26oh, yeah, narrator, and,of a repent, I'm good in defense personal,and I'm impung,and me sentia very well,so I'm very well, so I'm taking my decision.My job of here in thetime, I'm going to reflect with this,I want to do a job
01:03:38rudder, and I've got a worker of security,was very goodat the point inthat justI had mywork and Iwas going toanother company
01:03:48with alittle bit morewith othernecessitiesand finallyme contractedfor a sectorhospitalarer.
01:03:56It's anhospitalwhere notI can'tdo detailsbut it'sa hospitalspecial.
01:04:00Thishospitalis managedfortorres.Incertaintorres
01:04:04not Idon't youdon'tthey'rethey'renotthey'rethey're
01:04:08they'reother torres,we're going tothoseand in aultimatetower,manage the pertinences
01:04:18of the personsthat havemade to theirown ownbut thatthey're notnot reallynot really they're
01:04:25so whenthey're notto reclamthese things,there'sthey're goingand there the hospitaland I'm doing
01:04:33more data.But the point is thatthey'rethey'rea place, it's aplace ina placein which I
01:04:38have tomanage veryvery wellwhatdo youand methey sayfrom
01:04:41thebeginning,you know,you know,because that's notbecause that'sno,and I'm
01:04:46not.And the type ofyou're not,you'rethey'reyou know,if they'rethe same
01:04:53fear of ahuman,nothing,I'm,me, I'mtoconfrontate thesethings,
01:04:57is that,no, no,I thinkin thephantasasas,no,I'm saying,even that's
01:05:02even if you'resaying,and if they're,they're,no methey're notme'dmean,
01:05:06becausewe're goingto bein alittleno,no, no, me doesMugueh.
01:05:12You're refereesto that's in peopleand things like.No, no,no, no.Things that are not of thisplan.Yes, no, no,
01:05:19that's not youpreoccupies.And he's,and if there'sa bono extrafor supportyour phantasas,I'm happy.
01:05:24If wecan't sixmonths,we'll geta little.Oh,very well.I'm going to
01:05:31this placeand thisplaceme do thegood at thesecondtime.It's
01:05:35just astancy of securitya small, aplace sufficientfor twopeople,I'm front ofa monitor
01:05:42that'sdivided in eightparts,where I'mdoing differentcameras ofsecurity,do you
01:05:46an accesscontrolled tocertainpeople,and practicallyI controlas therest of
01:05:52guards,that is whatthey'rein thesecondtime,methey're
01:05:57in thethat youknow,but I'mgoing tohave tonot haveactually
01:06:01not ofactivityandmethey'repreference, no, don't tombs coffee. And I'llsay, if there's a case no, if there'sactivity, I'm going to get dormita. And
01:06:10me says directly the man whohe contracted, no, ifyou're going to put paranoiafor the fear, with the puresusts that you're going to do, with those you're going todo you're going to, what are youdo not? What are you? I'm a professional.I'm going to take a coffee or tea
01:06:28or what I do my frigate of anmy fivesenseand domywork.Now,that if I
01:06:35know thatI'm going tobe able toyou're going toyou're in theauthorities,since I'mto do you're
01:06:41doing storiesof phantasasthat they'rebeing athing to bea matterbecause Iwant to
01:06:45because Iknow myprofile,that good,and ifnot ofone of yourtime,
01:06:51so it'sso that oneand theguy,and the quoteis thehe's rye,and me
01:06:57I'd say,I'dI'drecommendthat youdon'tyou,coffee. She
01:06:59is. I'mthere. Day onenarrator. I'm sittingand I'm looking thepanellers. Nothingof movement. And I'mto hear something that noI'm going to be listening. Because the
01:07:12cabin in the way I'mnot armentica, but it'stoo silencilious. And I'mlistening in a canchathat's more or minus at 250meters. I'mlistening a ballonthat's rebotting against the
01:07:28the piece. And it's asoundclear-isim ofa ballon-de-ballto thecamera,no there'sthere,
01:07:37I'm goingmore aboutmore morecloser,every moremorecloser, andthis is some
01:07:43game,this is anight,I'm going tosee theresome type ofbocinaout of
01:07:48where I'mand they'replayingsome drama.Someoneput someaudio,it's reproduces
01:07:54in theplace in theplace intheplace in thesome type of ballon, but it'sa sense. Apart the cancha, I'm going to becomplete. And no, no, no, there
01:08:03nobody's playing with any of a ballon.Noche No, number two, the soundcontinued, and other way, I'll hear yougo and I'm coming. I said, no, in thisno, in this, no, I'm still. DejoI'm open at the door of this stanza inin the same. The middle of mybody is in the middle of the
01:08:18out of the water, and I trygo, agaraditowith my man right, my maso. Ifthey get to acercar to-cats,poorcitos.The bromasthey're goingto bevery
01:08:27car.And I haveaskedand I'mthere'sanotheranother wayand I'm
01:08:32going to beall theI'm going toall thethings,I'm goinggoing toget back
01:08:39to mebut I'mvery weird toit's avery strangeit.It's amoment
01:08:44in thethat youcan begoing toget toa20 or 30centimeters
01:08:49of meI'mI'mI'mlisteningin frontwhereme
01:08:51they'regoing toandtherenothing.UntilI said,uh,
01:08:55shal,a phantasmfor thatyou'rea lot ofI'm sure,I'm upthings more
01:09:00more ferventand whereI'mI'm inmy sill,that'ssome littlethat's
01:09:07some littlein thelittle bitthose,the manitasmoradas,moradas.I'm
01:09:13that nowif I'mjust aprevenidaI'mthat'sI'm startingto let
01:09:16geta bitthe garitaand hesaid,and pardonfor whatI said,
01:09:21butheI met a patadathe cell and theside and theseatand it'sstamp
01:09:25against thedoor, therethere'sno way,I'm sure,I'm veryagitatedand I
01:09:32think they'reI'm sayingthat they'reI'mI'm goingand Ikept todown the
01:09:39nothing,I'm justa newthing that'sthe timehe saidyou're going toand say you
01:09:46do you'reI'm goingto be goingI'm goingto begoing tobut ithappened
01:09:50somethingvery rare. And he said,well, what's thepast? The lady, thecar, the man of the rojo.And I'm just talking to that.And I'm, you're taking thehell. You want to give you? No, no.
01:10:02It's that I've been talking to,what's the took to? And he said,I've heard a ballon.Vista the little,you've seen the manitas. And whereme says that, I'm put a friar.And me says, how do the manitats?I mean, me, they're just in
01:10:16some of the manitas moradas.That's been there.They have seen in the ventana thatThey've seen,they've seenIn the roomAt a moment in theWhen they're
01:10:24To start thePuerra,as they'reSustinying thePuerreys,The Possible,Andes the lastThe Ascent
01:10:30And thenWhat did you?No, thenPate the Cuebered.You know,We'll have toGapes.We're going to
01:10:38We're notnot normal.Well, butwhy are goingThese things?No,we're doing,but it's been
01:10:44Bruching,you know,say,avisamebefore if youYou want to say, I'm saying, no, no, no, no, no, you're saying covarde.No, I'm saying cobarde.But in serious, here you're done stusts, and this is the
01:10:55Peor.Narrator, I'm for this moment.I don't know what I'm living.Me nigo.I mean, I know, I'm gregue that's one of the menace of alittle bit of an artifacto, somethingthat they're created.Or me suggestion.
01:11:09Me, it was, maybe I've never been invented.Talves, neither did not.And the ballon, yeah no, it's onus my ideas.And to the same next,I hear I hear of aperson that'stalking theventana,
01:11:21I'm going tono,I'm notanother way, I'ma other way,and I'm a camera,and there's acamera that's
01:11:29a lot of theperson in thethat's therethere's aperson and theyand me areand they're sayingoh yeah,
01:11:36we're seeingin the sotonto a personyou want youto go togo toand I'mto be able to
01:11:43you know,no, no,so I'mjustI'm in my guardia,revising that allbe all right,I'm going to
01:11:48try the radio,I'm going tobe to be in aharrador.I'm going tothe part of thesotano,and this is
01:11:57this is asubject and isand it'sand I'msaying,this is aone is aone of the
01:12:02area,this is aone of thehe has toget to bewhere is thetower seven?for what
01:12:10sir,is that Idid my carwhere isthe towerseven?And I in that time,as I had
01:12:16so littleworking there,no identificationof what wasthat was adifferententimentof that's,no son,
01:12:23not are peoplecome tocomegain tothe morning,and seeand I'mgoing togo to the
01:12:28side,and yeah,I'mgoing to getfor theotherside,because
01:12:32I'm goingto cometo comethewhole ofthenot I'mnot of this,
01:12:37I'mjust doinga guard,I'mI'mto myway,I'm
01:12:40I'mI'm comingof apassillo,by apassio,of apassio,
01:12:44the passage,untilin apassio,it's afinal,and in theother
01:12:50no appears.How'she?And I'mto look atno part ofa towerof a
01:12:57hospital.And Iam I'mto talk tothe chasions,I'mthat you'vegoing to
01:13:02go tothe samethe otherother cameras,that someonethat someonethat I'mgoing to
01:13:06see, andthat I'msaying,what I'mthe sir,that Isaid,that he
01:13:12And he said, no, no, no, no, notjust he said that she was going togo to go to rise. How,how he was to reverse? Is that thesirs ever appears, of awhen. No, I don'tunderstand. In the Tower 7he left his car. Well, yes,
01:13:26was what he said.Yes, since five years, whenhe felled in an operation,there he left the car in theTower 7, and since thenhas been to reclamar it.And, after this is alreadyhas been occurred or nobody
01:13:38has been the intention tosay exactly where it's,because,car. And she says, is thatare more of his bromas? No, no, arebribas? If you've evertell where is his car. Narrator,pass a month.
01:13:52In that month, me have passed variousthings. I've seen aperson that has the rostro painted by thecameras. No see what color is the paintura thatbut it's a few. That personthen, then, I'll call the authorities becauseif is someone that's a sensation that we're notmenacing to all, no, no
01:14:08appeared in another camera, never seein any video that this personget, simplyof a momentor another,there's aright to bea camera.
01:14:15Me has to betalking tohear thepeople who arethere.Me has tosee thethe place of
01:14:21my guard inmy guard,irarsolo,which nohas asensebecause it's
01:14:25abig of aplace.But whatdid youneed achange ofthe
01:14:29place,was thattwomonthsafter twobefore,Itopo
01:14:33that personanotherotherin thenot.That personin thesotano me
01:14:36will beto ask for theTorre 7and Isaid,if you'rethecar 7
01:14:41is in apoint,busker itat allthisdata.And at theday
01:14:46next,withoutI'llreport tothis topeople,thepeople,
01:14:51they'reto beto beto beapersonthey'reseeing
01:14:56that'sbeingsitting.I'm,afterafter thatafter thatthat's
01:15:02that Iin thesotanois wherethemorgueandwas the last
01:15:06place intheplace in thehospital.As it wasthe carlthey were lookingto get to
01:15:12him.I know whathe said,because of thisI'm going toget theI'm going toask you.
01:15:17My question is,if youwould have ajob like,what would you?And withthis storythat family
01:15:29nocturnawe'vegot tothe episode 307and methe favor307yeah.
01:15:34But well,somethingthis isa grandparenthesisbecause thestories thatI
01:15:40madeand thatI readthistimethey'renot inthese
01:15:43thingsI'm in the way, I'm, youof your life,of yourand youare notyou're justyou're
01:16:15that youlook apsychologistand psychiatrasthere areoptions in wherethere's,there are options
01:16:22there areoptions ofno,not allso alltheof thethe bruch of
01:16:29definitiveand withthepart of thesacerdotebecauseeven,especially
01:16:35those exorciststhey'rethey'reonwith psychiatrpsychiatr,psychologos and medics.Because the situations
01:16:42paranormal affect these areas.And those areas not are abnormals.Those areas not only arespiritual.Areas that are youare you to be with your biochemicsor are these that are youdo with your comportment.
01:16:54Then, acude to the experts,no deges that advance.Now,so.Pardon for serrarof a wayas so contundentbut I'm
01:17:03important that theyconsider it.No degen thatadvance.No permit thatthis affectso his families,nor that's
01:17:10any that'safector you.And oneonce said this,we'llsee in theSabbath ofSOMBASS.
01:17:15And forfavor, ifyou get thishere,subscribe,and give youwant toand if
01:17:21you're theSpotify,see us andgive usand we'regoing toget to440,000
01:17:27followers inSpotify,and onegetting tothat sum,we'vesub we'rethe
01:17:32next storysecreta.Ah,that youknow,every 10,000subscriberson Spotify,
01:17:37are stories secretas.Now,we'll see.We'll seeon the Saturdayof SOMrasbecause I have alot of things
01:17:43to tell you.Because the en-vibbothat we'vethat's a fogatwas a tremendous.And,if there's newa new date
01:17:48for Montereyand youget theand theplaces and therest of Mexico.But,well,
01:17:54I see,I'll be toon the Saturdayof Somras.Now,we'll bein theSondras
01:17:57as a RONas.while you havesweetspastiesbye-bye
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