HABLEMOS DE LO QUE NO EXISTE - Historias de Brujería de Traición , Demonios del Despecho y Ritos Siniestros | EP 324

Episode Date: September 11, 2025

Bienvenido a ésta Oscura Fogata de Historias de Brujería de Traición , Demonios del Despecho y Ritos Siniestros en  @HABLEMOSDELOQUENOEXISTE  Hoy les traigo historias escalofriantes que ustedes, querida Familia Nocturna me mandaron al wts de las pesadillas . Conoce los secretos más macabros del vecindario de Luis , las Protecciones Familiares y espíritus oscuros que los acechan. Escucha del Rancho embrujado, la posesión de Pamela y la aterradora entidad del lago que persigue a Oliver. Así que prepárate porque llegó el momento de que  @HABLEMOSDELOQUENOEXISTE HABLEMOS DE LO QUE NO EXISTE es un canal de youtube con el formato podcast que comenzó en abril del 2022, su primer episodio fue "vivo en un casa embrujada" en el que una chica narró sus vivencias y sucesos paranormales a lo largo de 20 años en la casa de sus padres, desde ese episodio hablemos de lo que no existe ha marcado una tendencia en exponer casos paranormales de personas comunes que viven en diferentes partes del mundo. Ice Murdock es el conductor o host de éste canal, durante casi 100 episodios no apareció, nadie conoció su rostro y la comunidad de éste canal , la familia nocturna , creó teorías acerca de quién era el dueño de esa voz. Hablemos de lo que no existe se destaca por tener apertura ante las opiniones experiencias y vivencias de cada uno de los invitados. La comunidad de éste canal es conocida como la familia nocturna, de hecho por estar leyendo o escuchando ésto, tu ya eres miembro de la familia nocturna.. bienvenido. El duelo de historias es un concepto que se creó en el canal @Hablemosdeloquenoexiste, idea original del narrador, se estrenó en el episodio "Comité de la Muerte ,historias de Hospitales" el 1 de junio de 2023 y empezó a implementarse formalmente en el episodio "Abrí la puerta a un Demonio" el 11 de Enero de 2024 ; consiste en un duelo entre Narradores, una dinámica sencilla, donde cada uno cuenta una historia y busca superar a la anterior y al final la familia nocturna nos comparte en comentarios cual fue la historia más aterradora.El Narrador y todo el equipo de Hablemos de lo que no existe trabajamos para darles a ustedes querida Familia nocturna contenido original y de calidad, tardamos a veces semanas ideando formatos luego de tomar en cuenta las cosas que nos han pedido a lo largo de la temporada anterior y por eso el día 23 de Septiembre de 2024 comenzamos una nueva temporada que llamamos FOGATA DE HISTORIAS, en donde el narrador prepara una serie de historias escalofriantes una tras otra para retar al espectador a terminar el episodio por el nivel de miedo que genera. En este canal se relatan historias de terror paranormales, sobrenaturales y reales, prepárate para conocer el miedo de una forma en la que nunca lo habías experimentado.​

Lazzang sur-gillet, Pugance-Moyerned 15 minutes. We're like it's the hour dojo. Prere to play. Vive the pleasure with Leo Jo.

The casino in-line that proposes the most recent machine-as-a-soo and the money-to-Gas-Bos on-Bas-Bonanza. Without exigance

of mischief, and with the payment instantane. Hey, I've gained. Woohoo! Scenture the pleasure. Play-O-Jo. 18-10 and plus,

1-Depo only depose only depot only depose $1B1B1-Bus Bonanza. Depos minimum of $10. Veil to be in a fashion responsible. The conditions apply. Bien to aboard of Viarai. Embarked and profite.

Embarked and relax. Cirotay. Bookine. Oh, that also. And profited. Via Rae. The voice that we love that we love. Welcome to my dear family

nocturna to this oscura foggata of histories in which we'lllarements in the things Ligerently oscuro as a tracion,

demonies of despatch, and rites but before to start me give to give me to give them to

those those people, and that for some strange reason, they recommended this video, you know,

or some other other or the same algorithm. For all you, the first

time that's here, well, and well- and they're in the let them to be

the same to be a point to do an obscure a stucucous of the of Histories. So, what I recommend is,

to preference, enceended the light, accommodate-and-se. And comece with this Scura Fogata of Stories. Much of you guys, you know, others of you, maybe, have heard. During many years, I was going to missions,

in the area of Monterey, New York, and some other states. I was a more to 20 missions. It was something that I loved. And in these missions, me took to do not be in places

very inauspite places that really not were actually like the people are there in a night.

In a place, we did we found that was infestated of the vudas and for

pure suhirt we we got and we got to the point. The point

is that there are in those that you get to get to do you get to

dark that are that are part of a story of a movie of

a To be all that, when I told them stories about the places,

I tend to be a very much and I'm these stories are a theme more

related to the other, stories that they've had made to those

other other in the other and so but then Oliver

me told a story that me he first. First,

we have to get to Oliver is a member of the family nocturna that

me He's into that he now, at the day of the day of today,

is a very different to be a old. The day of the guy is a

type that's like very he's he's a decision and Oliver after

he's he's no important that he they think he

he he's he's he he's he's he all final

the things that all things end he's he's

going to be he's with the It's simple casuality. It has a reventimions

of your adolescence. It has to this form of self is farge because it has a pasto in that there is

a success that he made he made him and he says narrator, I want to tell you

the day in the that I'm my friends. Resulta that Oliver is

living a situation a difficult. In the moment in the we

we're in the life of him, he's about 15 years Oliver

is a muchachio, a much much is a very important. He, of the

fact, he mentioned as a person a little gray. No is the most popular,

no is the more guapo, no is the person more decided and the more intelligent.

It's a pretty pretty pretty much. It's doesn't not a disting.

He see as a one-inem the life in the there

there there are there and there there there were protagonists,

from how they were the bestian, how they were in the attention, and he he was to

read with the other, he was to keep a leader, but never he looked to start.

And so he went to the preparatoria, and there is a problem because they're

that you know, you're in you're in a group of people who were people who

were people like very dars at situations related to situations disvelers, to take,

fumar, and the question of the school started to do a lot

of the without in it, and he did count of the consequences. Oliver,

though was a pretty pretty not not not not

not always always always he always, but this

last semester of the preparatory it repro- repro- and he

he was to never in the life he he would

have thought he would be a repetitore, and for him, was something very dolorous.

Narrator, no could, and doorme, in the house all the time he was doing whiltas, how is that I'm a tonto, how it's been that he has reprobated?

Only, and they were the time, narrator. Really, not that was that was that I'm distracted, is that I'm not my

priorities, me sent me so bad, that he was all this to my papas, and I said that all went

perfectly well, that I didn't go to the graduation, because the graduation, the feast, I made, something like, very ostentoso, very ridicule, that I preferred to go to my friends to a ranch. My papas were so contented of the graduation

that they were going to pay that aida to a ranch. All were a mentored. If there were a ranch, my friends were going to be there, but they were sioux a lot. I was the only that no. For start me and then

I was just moment I don't know that he was that I'm that I'm not a

way to get to my reality not I'm not going to get to repeat the and what I did in

a narrator was meant and mean and mean and mean but that I'm repient

properly what I do you I repent is that personality that personality that

I had to let me get me to all ranch we were

four friends of the four amigos, we were the most enclenque. Physically,

not was a person decided. There was a leader of group. There was a second person

that always was looking for the person who was over the leader. There was a third

in the group, Raul, that was a good friend and he was he was a

fun and fa, he was but of a bit he was the way, I was was the

I was the always the always the debates, were, to who you going to be able to to do you, over and you

will be able to to make a and you're going to do you. And I'm going to do you to do this for you know,

who was the better, who the one of two was going to be a really leader. There was one that

was a and that was the that was the the, like, the more he was the more

he was a form of so agressive, so aggritty, so exclusive, that even the second, the

that I I said that I said, that we're going to let him, Jaime, we're going to sometimes, if he's a cobarredable

a little for the other, the other was an arisgidavisgated, and there were many things that was the other one day

he gets with a vehicle, this vehicle is of a car abjurted, we make that we're we're up those

three in the part of the back, and he he's to get to get to over Bordos

and Batches in what in one an occasion I'm a point to start I'd have been fired out of the cameraeta,

and only because the other two me got around and me backer, me salve. That so he was that the driving, he wasnto'n't the risa, but the two that went back, helping me, that I refer to Jaime, and to tell me

that I'd say that sometimes he'd sometimes not. They'd both were paltied as well and I. And there we'd know that Gaspar was dangerous.

Gaspar was decided, but not was a person very conscientious. You tell you all this, because Gaspar and Jaime decided that they wanted to go to a rancho. And it was a rancho in the way they said that were a rancho enbrujado. When I started to tell of that,

narrator, to do you know, it's like I've put it some type of tranquillizant in my day-a-day because only was thinking in the rancho and me disrended for complete of my reality. That if I was repeat the course, that if I had to confronts my parents, that if I was saying purestment,

all that all that was a dream. The reality is that there were a rancho

embruched, my my papas my were to do you know, it was going to

be going to do you to get to and then it was the most the first who

was the person, and if was Gaspar or if it was so

I'm in this time, in this dream, and we went to be

a place a place a car we were in a Moneta of Gaspar. Gaspar I was conducting as a loco in the

road. When we came to the zone that, we were awayed of the city, he got a packet of services, and even when he was managing high velocity in terracere, he was, he was taking one after other, he was in conditions of but he still obstinated and

no there was who were who did a front. Jaime, in two, three moments, he said, hey, if you want, I manage, Gaspar almost he's left the blows, and we we understand that he now was in his five things.

Prefererimus never to give the things there's a moment in that Gaspar he revueled

the stomach or detain the vehicle, he back to get a dormido to a lot of a lot of

a lot of the level of chaos that I had meted I'm still even we didn't

know we're that's that's at the way a little it was

a little and when he was he was he was he was the other,

it's a cross-as the lake is to the carana. A part of there, we don't let

take the ballante, but no he asked him the camera. He says, now, go, let's

get. Gaspar, he abienta the caja. I'm going to the time. And then

we're going for a breach, and he has got to get to get to in some

place. There's a little to be a carna. Gaspar is totally dormied in

the car. And, And, of a repent, we started the things that we had been to be able. The cabana was

not a little luso, it was a little bit of there were a cranes, and the only that we did him and I was with some

scovas that were in the other the other one, scovas, one, that was more deseched

than she was made, and a pala, was with we started all of the house.

The two we're doing after after one and a half, we're exhausted. The battery of the interiors is for a cabars and even is titinianing. And then, we decided that's all sufficiently, not-sucio, the cabana, as to be able to doorm. We're not, fastidiedos. Jaime, never was expressed. But I saw the car. And he had a

car and he had a caro so I'm doing here. And I'm very I'd have repentied because I'm going to pass a bad because we're going to three days and if I'm going to say to

my family. The dream that had been the days anteriorers for the house embrugated now is a badger but

no had nothing to be about the paranormal. I'm tired. I'm tired of the body. I'm afraid of that something

I'm going to get to that mugroroo place and that's the cabna to come that we're

Caspar was I'm Ronk. Desperated? We've got those things, we're all in a place, arm us a small tenter of the campaign that we've been

done to beavisional but in the cabani-it and yeah when we have all those armed, we're going to Gaspar, we're justeperted and we're in the

Tienda of campana and we're going to get things of bivere's while he's while he's profoundly dormied

in the car Rattraulte in some moment I made a sandwich I don't know how time it was exactly

one of the lanterns for this moment is parpaping all the time the other we have been a power

because it's for an emergency because we don't getteries and not are things so you

so Jaime I'm saying what's what is what is doing Gaspar to where I

remember a narrator he was he was roncating into the the

campani that we've put in the cabinita. Well, I'll go to the entry and

is there being out of the door to the door of the cabana. I'm going, hey, what you say?

And I go to get that and he goes to go to Jaime, Jaime, he's not, we're going

for him. And then Jaime, agarra his lintern and he and he's he's going

and he's he'd be idiot, idiot! Where is? What do you pass? Gaspara

Casas! And in that's Volta Gaspar, he quita the camis and the

vented, and he says, the lagoes in the madrugated are more a gust, and he

goes to go back and he goes, the narrator, while he's going,

this type this type this that I had had that that's

because I'm an agility. MENTra while was going while going,

but not a person the the braos the little more large, but it

Gaspar, it Gaspar. Tal the state in the crystal is a

level of the ability of that's a practically a artista martial for how he was over, how he

gotchae. There's a moment in that you not have a friend on the then I

go to put to another side the maldita lampa I don't want to see it.

Jaime suelt the carcacada and then he's in what we get we

we're in we're in B'E and he goes to Garpar and go directly directly

to the When the two We got a narrator, we're at more of the rest of Gaspar,

and we've come to get to see to see, but there's a little bit more in the car.

Not I see that because we don't we want to do you know we're to look to look

to look to look penurias and desdenes there in the night. So, the only

that I can say is that the factions the car were rare as the mue that was

something was a see us, he'll and he a lago, and if they're

in a clavado, the strange is that we never we're we're not we're

we're with the lantern, narrator, we're we're the water, the water

of that the lagito that's a little not too but so much for the

impact of the night, the the reflection of the light of the

light of the light was totally calm immobile, immobile. It's

a spego gigante and we we've seen as the other side of the lake, because we're looking with the light as we're trying, we're like the other side of the lake, there's movement. Not

I see to say if it was the light of the lunar, or if it's we intuit or something, but there's a couple of arbolitos, there's a set up, detects movement. Jaime, still gritting to Gaspar.

We'll hear something very rare. I'll say, Jaime, that he's called, then those two bolted to same point and I'll say what exactly

was what we we've seen because the day of I don't I'm trying to you know I'm I'm trying to let's

imagineate that a sabana has like a bright so is the more that I can't

describe and being standing to be the piece that no there would be a sabana should be

there in the flas in the front of the sestp is a high and

this is is a piece no no there There's form, but there's a sabbana black that's

bright being to get to get to get to get and when it's a form like if it's like if it's

like if were someone, one of these cults not very good, that have made much in the

United of America, you know, those that have like a part ponteaguda of color and so and it's

to get to the lago and start to go up and they're going to us. And so,

there's a sound of a lament not of a woman, is something that is like a person but maybe

can be a animal, soen's the lament, we're saying, we're going to get, that has a

case, and then we know, Jaime, apache the lamp, and he's going to

go, Jaime and Gaspar, and me said, first I than he's than he, and first I

that you, and it's but at a total velocity to the cabana and narrator, I'm

I'm going to the water with the water with trying to that if if there was Gaspar, us would be,

and then you know we're, because all this sounds much, but it was a minute, minute, and a minute and

two, that's thinking it's about a person that is buse, but well, the point is

that I'm there's that in the leg, in any moment he's but I'm

sure, that in the ultimate before I me to be to make to go from the

front and it was a a muck like a mueka like a smile, it was a face

and a nose, but that had the sonrisa marked. It was something

that I was just that I got to that that sabana that's that's

more I'm just I'm made those to come to go to the and I'm going to

that's gritty and that that's that's all the fear and that I can put in action because if no me had been petrificated and I go and go, go, go, and cross, cross, and cross, and cross, and

trotrallels, and get out of gerbajos, me tropese, me cajoo, when I'm going, when I'm going to know, but I'm like if someone me stuping in the noca.

The sensation is horrible, me put the foot and I'm a little I'm the same, I think I'm more abilities of those that I creolea capable,

I'm going to all the velocity, and in a point of the I'm going to pass to Jaime I'm

I'm going to he's hey, what you're doing I'm saying and I'm never I'm first you

before you and I'm going to but I go to but I'm going to the cabna

and not more because in that moment I'm a tantita conscience if no I'm

I'm I'm I'm I'm I'm I'm in there back

behind behind behind he's a second after after and the

first I'm the We just somers to the Tend of the Tampaign and there is Gaspar

dormied in the same roba that was in the time we used to when we got to and then just when he made up here

and I say we don't we'll be about this time, in that we we're just just trying

to dogering this, something, something's to start to the cabana and it's to

open the the door the perilla. The perilla the cabana not was the

I was a key. It was a key. It was the one of these that's always that's always that's over. Where we're going, Jaime, me agarra, and me abienta against the door. I go and I goopio, and I'm he'll beckonbedo, and he

said, oh, I'm gonna'emps, and he'll make the head and the body, like if I were some type of mueble or something, and I'm sorry, and of fear, because me feel humiliated, but on the other side, there's

someone who's pushing the door, no see if with the same are more forces, because I feel that the door in different points is ceding, and I'm like Jaime, Jaime, with a chingada, pressame more strong, press, me more strong, and then, Jaime,

with the double of forces, me abienta, me peg, and he'll say, Cabron. Narrator, is the moment most humiliating that I've been in the life, and at the time, the moment more tranquillisting that I've been in some moment, they've

left to push the door, those two us kept sent those, and I, my car, had all marked on one side of the last and the other side of the

other end up the other we're in the morning we're going to we're not we're not going to

we're back and never they've never they're that I'm my two friends

but I discovered that I could be a much better but

I'm that I'm there's there there's there if Natalia

would have said what he was going to have never never

never never never took but today but it's

too too it because you can't hear this story. Result that Natalia is

a subscriber of the channel. It's fan, it's family nocturner, but no's because at day of day

of the day of the time, and all of that is a reason to to play to the whiffa.

Since that she said she she has that she I'm going to see, I'm interested,

I want to know what was what was what was because of this nobody

me had been about. Me said, that the story of

The day of today, has 45 years, but this story occurred when when I was 15. When I had 15 years, me says that she, that in her Juventu, Natalia, was a little bit more out of the way to bechada for the person to the world, standards social and limitations that had to be for a situation familiar or what was, or expectations in toronto her, that was her,

that was her not interested. Natalia, as a new a girl that's a really a that's

that's the one of the idea that that's the idea that so when you know, you know,

desobedient, but like if it was a sport, something that you say, something that

is exactly that's a practically if you you're saying, oh, you,

for favor, no you're going to do this, it's it's almost you you're saying,

Natalia, you're I'll ruego, for favor, that you do do it, because she goes, if she aviant and it takes, like, a mission and a compromise such that, until that terminate all the things prohibits, then she'll return, and she'll

be a little. She says like, narrator, was my form of being, oh, diab, me chocaba, me molestable, like, no, you know, that person would want to put limitants, or me could say what to do.

Cas! When they said, I just, I just said, oh, it's fine, and I put to do exactly something by cause of the things that said that no, it was to be one for one. And if they were there, in the car of the people, and in many occasions me took around, persons that no me knewcied,

that's me kept me into, oh, yeah, Natalia, pardon, no, no, I didn't tell you that if you no, did you, then I was kept, looking the eyes, and I'd have to do the example. You don't want to bring the

things, because those regalos are your prima. narrator, I knew that not my birthday of year, but I'm going direct to

the gift to get to be and then it's going to my Tia. Natalia, perdon, no,

no, no, explain it. You know those of your prima? And, and I'm

going to the eyes. I'm going to the one or a other what they did. Because I was not what

was what I thought about. What I was that was that I didn't give to order to

the woman. Tueue to get my mom, levant, me, but from there my mom me said,

is that you always are the same. Oh, poorstits of your maestras that they have to get to

want to be and I'm always the same chantelette you know I'm all this narrator. Because my

mom and my my tias were people like very Christianas two tias a Catholic

and one more that was a man you can't imagine the calvario that was in the

car car in the pure rugs, pure what is good, God, what is of the devil, and do this, my jita, because it's good, and God-it-to-te-go-a-care and purrs.

And purras things that were even in-ojada and after the Torre. So, that's that I could do do make to do my papas, and if you were

to remarked in front of them, I did it in the moment. When I did I'm 15-an-y- I'm

that there something that had beened in Juggteries, narrator, that I was to put to my father's

to my whigah. You know, why I've this? Because in one

occasion I've heard that they're talking about a certain movie

of the exorcista. And mentioned a scene in the they're and the

way. And my mom said, no, is that is very

that that's not that's that's not the mother, and Natalia

is that so. So, the same day that I heard that

I'm he had all pure monnas guarded, demanded that I did

and things it because I don't think you that's a little I'm a time, I'm

doing my things and I did my marranito and I did the money, I went

directly the jubberate because I had seen that table and I go and I'm

I'm I'm a carererer I'm I'm I'm I'm I'm

to give to the house and I'm my mom my look you my they're

and when when when I'm when I why? Because me I was very well in the school this

week and was a a gift of the director and my my father's she'd be doing like, but felicitities I'm,

how good. At the end you're doing in a woman of a man and me started to add a cantaleta and

in the middle of the table this, I'm to start to start to bring the thing the

wayha that my mom's put palida and call it and I want to hear me

and my papa and my my papa I'm that's the thing you're the real

that really very well, Mom. And so, they were doing, no, they knew what to do do their daughter, poorstitos, of my parents, well, I knew that they were doing, and they used that, for me, this was a bromota.

Me was about it, but it was about doing much. No, I saw any how regauntary me, no me put it to quit, and I said, "'Deak, I'm going "'cruing, no, I'll let me "'to go to my invitation, and "'I'm going to do it, and I'm

"'that I was going to do "'ne to do anything, and I'm "'ne me d'gans, but I'm to say, A-be, you, that's on the other

side, Dime, what is what I'm to study for my exam of my every time.

And then I just just said, I just chichabba and the other side, and I

wanted to the rizah, I said, I'm going to be going to play this I'm a

day that I'm that I'm that I was a that I said, no,

but for what? And that's idea I'm again again, you're

you're to And they said, no, I don't know, I have GENAS, it's a game, all-tonto. He had the caja still with the plastic. No, I had been able. What he had to

play. I was a door serrata. Nothing more, I was about. And I'd think they were. And I didn't

the pack. But my papas were, as you know, I'm not you know, I'm gonna be a lot of

my door. My mom, me said, that hour in the morning, before to do you to have to do you to do an oration,

without that I'd have gots of water, bendit to my water and my food. No, narrator, I was I like, I was glad to what he did. Because no, I knew how regauntary me, because no-lose-had done a motive. I had been able to do nothing. But I'd have been

a idea in the head one and other once. You've got to, and I batteed with that idea. I'd say that no. Until that one day, that idea is so intense, that I go to the school and I look two companionitas. These two

companions are two companions that, well, very, soncilia, always me in the game, all, and they had regained a lot of times for seguir me the game, but, well, they said, they'd say, they'd know, and I said, this is her good. In the school, there was a salon that they had in clausurado. Nobody entered there

never, and I knew, because I was to go to some. So, as much, because, I never had regaigned, I knew that this salon no, so it was never, nobody. Well, to that salon we went to-as-saint-a-saint-a-saint-a-n-law than the same salon than I. We'd get a certain hour. We'll

get him to set up. Sacko the table. I'll say that we're to play. The kids, neither can't what is what is going to be the table on the piece. Pongue there a tableau, like a rarer in form of a triangle,

above of the tableero grader rectangular, and then I'll say to the two girls, you're going to put here, and I'll to say what's then. So,

narrator, I'll tell the girls, that we're to say, like if someone

is there other side, that for favor, that for favor, so that's if she

want to communicate with us and one of the two, narrator, it was

very rarer. No, I want to give numbers exactos, we're to put

the name Pamela. Pamela she kind of behind me,

so for a ribita, like of my ombro of my head, the hands have puttas in this thing,

the other little, like, and she's going to be going to and then she's

saying, the woman, is that she's behind you, and you want to

say, Natalia, the she has you know, and I know, and I'm

to say, well, tell to the person, that me, that me will be that's that they're

going to give to that's the instructions and Pamela narrator, another day, me I'll say, is that she says, that you're going to you're going, that even

you're going, that you're going, that you're going, and you're going. And I'll say, tell me to say the manned-in-neger, that she'll be able to open this table. And then, the little bit of the girl's ennoge, to see, to be what what happens? Voltaire the table

narrator, and then it's But it's she. The table not is that is that she moved solo. And he starts and the other

little bit and the other and then you and not sure you'll hear the letter. You'll get it until that you can't do.

Narrator, when they were to deletriar that I was pointing all in a hojita I let's the carcachada

and I said to this my name Pamela and you you think that you're you're going to

this this is the we're going to talk about about mortals the the new

she's me kept being being a narrator they're they're they're

they're in black and they put in black and it starts to a bava black

spesa and I'm I'm I'm I'm the desgraced I I was the disgracier.

I'm going to go ahead with the other companionita. Let me go, let her here, let her again.

She's out of the salon. The little is a little and I'm going to say thisal and I'm

going to do the conserge and I'm going, there's a little bit of a lot of the salon that is all over

the same I'm not over I was doing and this person of the conserge was like like,

what you I'm going to I'm I'm going to the man and I'm going to go to

my salon. And I Who is culpah to do you The next he goes to No, we're going to

talk of the thing, no me I'm going I'm know that I'm never that's

not they've not even to be my am I'm my friend, the life still in that's

narrator, that's that's like at the secondary and the prepa I don't

I'm exactly but after that after that after I'm an ender

a time to my family Pamela going in a a

jacet family, chocarone with a pipa of these that's that's cargain

a lot of the whole of the day. The day that I entered this I said, I've

passed more than three years. I'm impact it because the words

were and the one I'm in the fire the other in the

mystery you, you for you're being you're you're

going to be you and you can't you do and

you made not bad not it's that if it's something

that's going to go to in the fire, my friend she's a woman of the

thing, the woman, he had passed when we've to go back, when weh a week, three years after

my other other friender they detect an end of this, I'm talking, that we're talking about

that's a year, she's she's a she's got to have her she has

been to her know that I'm not so we're not sure we're

people we're people who we're we're so great and we're our families if they're known.

So my mom is the one that's the one of the secondary, they detected to something, that's that's a little

and that's not a little and you, but how if you've said that's a little bit of a little

she's a but they're they're not they're not that's the and they're not the that was the

narrator. And me I'm one to know in the mystery. Narrador. Me

I'm going to put me very mal, I'm paranoid, I'm I'm going to my mom and with the mongita, and I said that, for favor,

me help me give you know what in the secondary. The two said, hey, my daughter,

my daughter, but it's the life is that is so, there's a risk in the life, but nothing has to

have been to the womanjita also, I didn't, no, but you're all, you're very exaggerated,

of the nina, you're doing things being things very fared, sometimes. We're just that you're

a lokiya, you know, so that you had the mind very retorsied, and thank you. And so, but no, no, no, you have to

those things, not you suggestions. Well, three years after, narrate, I'm going to go to be

mal, I'm with my ophthalmolog, and me says that I'm a problem very advanced, me

to make to make to many questions because you can't that you have given this type

of the endis that is, there are a good, the night of the morning

I have the problem advanced. At the day of day of my vista is is extremely disminuida, but what I can say to say that I see, is that when I'm in my house, I'm open, and I even perceive a little

of the light, sombras, silhouettes, always there, someone that's there, that when I never me dirge the word and me record a much your sensation at the time that we're going to

the whigra. I think it's the woman of the negro that's me is present and the day of today of today, he's here to check the things that I did in my infancy.

All the colonies have their secrets, but there are secrets very darks that they can perseil with the

time. We'll put to name Louis to the person that he made this story.

Me said Louis, that he was when his parents had been living in a certain

colony the the same when he took about over three and the

five and six years, that is when he, like, he has been a conscience and you remember of the things, me tell you that in that time, between the five and six years, he recalcable much his papas,

never you'll accept nothing to that but that's always they were by the bigot, so they were always at the when the

sir was passing near the house. If they were they'd top about the parada of the carmion, they'd say that they'd

they'd say that person. Never they they said the name of that person, he only

he was a woman. A woman that when they started to say this phrases, Louis,

as I said, he'll have had been five, six years, and this

woman, between 30 and 40 years because he was a person a person

a young. When Louis he's 15, 16, or 17

years, but just before to be a old of this woman

is a full of can't he really her little her

her He's a goroabid, encorbedita, encorbedita. She's always is a colony. The colony in the colony is a colony of people

a person not all of the car. The parada of the camion, for some is a certain, but

for others is super retirated. This she's in the faldas of the serro,

he has a kilometer and a part of the carion. No, it's

a vehicle, no, no, no, she can move she, she,

she can facilitation for the colony. Always and they're going to be poor-sita. Who knows

what age will be at this time? Before I'm this time. And I'm poor,

she's not pietyed to her and he does that right. She's always is

that you a day, Louis, he gets to the over the time of the time.

I'm I'm I'm exactly narrator, because me they're

saying a little that my mom said a there's some of

some that they're And my mom me said that to say that that's there's a little bit of

the abondigas there's a little then you're the albondiga for the middle, and you were the one,

we'd have to the end up the word and say ah, mom, I'm, me took the

money, because we not us could be not come for that they're so I'm

so I'm so I'm I'm saying this that I'm saying this I'm thinking see a piada of the

she'd beaed at the carmion. And then where I do that, my papa, pegged in the mess, he's kept being and me says, no, well, you're not, you're not too. How's it to occur to say that?

And I don't know. I'd kept doing to my papa. Papa, but how, if you're a good person, how don't you do you give a-te-a-seller? Yeah, it's a great. And me says, one, no, no, it's-day-reight,

said, Rai. And two, Miko, for that you know, to get a little,

I'm in the never you never you're not the way you're a little I'm trying, I'm going to

my papa, I said, with this old I don't want to do you,

and I'm that I'm that I've talked the premium. No, I'm even when it

was the tradition, and it's me quitted the and I'm the and I'm

the table to the I was in the and there's a my mom, me came to look at like two hours after and me

he said, there's there's we're saying to let's make to give us to give to that she's not

and they're not desacting nothing never, but I just my mom that's all my mom

is my mom is good I'm I'm I'm I'm but I'm but I'm

but I'm but I'm he's not he's that one day that I was going to go to

the and me I'm a circle, I go, oh, God, do you go to the carmion,

and she me kept being, but with some of her own and I'm saying,

I'm I'm going, I'm I'm coming. And then the lady she's

me and I said, thanks. I'm the hand, the

I'm and narrator. It's was like he was got to the

same the same diablo or a pest never, because I

go going and all the the way is of back-as-de-you- get in a enramed to get in a

carmion and all the people that we'd be in just to see a little and they were being very

feo and they started, and I kept thinking, why they've got a tis-a-tire this

this girl, because he didn't that's got in a-o- don't- that- no-a-n-

that-a-n- because when I'm I'm still a-in- -in-a- tis-l- don't-e-

you're- not to- -s-c't- the, sheena, well, a narrator, I was a

good, I'm very a lot of I'm going to work, I'm going to work there in a central

commercial, I used to get things in bolsas and start to be playing to the people,

but no I'm going to think of that I'm very enoged because when I go to the

house, I'm topo to the doion almost when I go to the house,

and me he said, much thank for I'm I'm want to

give to this and I He's a statuella that's a angel that he's like a sword and

the angel he was clavent and I'm like the people are like all the people of all because they're

making like the feo mugre people people false and and then I go to the

tattoo narrator and me go to the house and I'm met I don't I don't I'm

and I'm put in a room in a room in a room in a car car because I

don't have space in the A part of the room, apart, if they'll have, me going to ask, and I end up so much to say, well, I'll say, well, I'm going to tell, and I'm going to want to, because then I'm going to do a while

a place, and the case, and I'm going to go to the sbara, and I'm going to do, and I'm going to do. And in the middle of the madrogated, narrator, I'm going to hear a little very rare, like my my papas are in the middle of an

legato, if you're inruits in the house, and, and out of course, one goes, and over, one, it, and go caminand, one, one, over one over the other, and then then I the door, and thence, I'm and I've got two of my

brothers that are out in the passio, the two much more chiquitos than I, and those be all all desconcerted, to my her manita, the most pekinita, that in this time,

I mean, I remember that I had had been, but I think it's seven, it's yory, y'ry, and just I'm and I'm just, no, man,

yeah, I'm sure, carmel, yeah, let me, let me go, and I'm going, and I'm going no, I'm

I go, yeah, no, pass nothing. It's not, you know, still you're going to do with me. I'm going to do with the quarter, and we'll get all the night to dream. Well, the day next I met up my father's narrator. But, trailing the eyes of mappache, trailing those ojera that no could with them, the two were very tired. And then, I'm going to my brothers to the school.

Papa, I'll give you to pay the car that he has taken. I go and those dejo, I'll go, and my dad's, and my day not went to work, what in all my life never had passed. My papa and my mom, that they want to want to want to want to be. And that day are not yet. And that day, they're not going to be. Oh, well, I go to the house.

For this, I go use of my mawana's, of my arts, and I prepare an arras, and I prepare a soup of, like, of fideos, with a lot of salsa catsun, and it's all very, very good,

not I don't know, prepare a carne, but, look, a plattit of one, a little, not to do it, So, so is that So I'm up

My mom Mel Mugrero that I left in the cocina and me say much thanks my son but he's

he put in the voice where he put so my so narrator and you just he said, look to

you're gonna get a lot of you got and he said, no, you get a lot of and I'm gonna get her

and I'm gonna get her and I'm gonna yeah I'm going that's me too three bocados

to the box yeah I've that's that's my papa is my papa

is not I go, O'ygan, you know, I want to get to make and if not my

issue, then you know, but because atoche my men are all those assustated and you were all over

to the and my father and my mom, the other, and my other, he said,

things, you, you, occupate in the you, much thanks for us,

you're a good, he's a good, he's a good, thank so,

thank you, but not you, but you do, you occupate in the narrator, me

I have to go to work, my papa go to my men, I'm going to get to the carmion,

I'm not I'm not what I'm and I'm the same, and in the middle of my time,

my men, my parents to get up back, no, I've had been done with

a lechon narrator, it's but well, who can know what's what's

what's what's I'm going to my friends, and I want to narrator. In that second

occasion, my brothers are the are the ones that are the same. It's that you a man who out of the little bit.

He's made a Raulito. Raulito was my brother, but was very co-ivied in this time.

I don't say so, then Raulito started. Raulito, is very well. Descancco

a rato and he was he was he put there one side because Raulito to understand he had

to make a lot of a chom but it's but it's but it's not much it's for

not it's for So my So my brother So doormen, I don't want to get to get to

my father And the day After the next time I'm I'm going to prepare the same food because

it's not like me And then I'm Nother, I'm So it's a idea of the idea's of the No, I'm

You know, you Moma and I'm We know, we're We're just We're just We're doing No, it's a little, it's other things.

Cases of the things of the bad, we're going to talk to be there. We're going to say, who's going to be

these things to us to us. And in that I'm going, we're going to we're saying, I'm going an angelito

that's a devil's. And he's, what's going? And then I'm going to do the cliches this of the

sabhanes, I'm, I'm a statue, the stature, the statue, the statue, the angel, I don't have

done The car has all right and has two cures. And the devil, the body is rogo but has the

head of a person and then there's a very rare. And so it's like a diabilito to make a

man who a devil with a person so very rare is the the body with a general and the

body of and the body of the person. And so I'm going well, but

then it's for this. If you my mom says, what brujerias are these? What are

doing? I don't I go, no, mama, no, it's my. I was my, I was there I've got to goaded, but I'm in the other. And my papas

me kept on being. And so, narrator, what I said, do you know, did you know, they're doing, to goreying to

a quarter, the sabanas, so they're in two sabannas, envueled in this thing, and they're they're going to

see, look, what's going to do you, he's going to get a lot and my mom is saying,

who says, who says, in who what is, is venting that's just the liquid that's out of

that's all right and the sabana is put in negas, negras, negras, and I'm that's all right

my mom and I go what's that what's this purrs. Miko, but no, you keep the little bit of

the sabanas negras see where is coming like a piece of a peltuco all so

a lot of manohoes of the cabo, Nero, so it's they'll get to

the water and it goes to get the and then that's a little a liquidito

like a roguise rarro and I my mom is just pantinging no, I said we don't you

get that's that's some purrugies my mom still resando and then we're going to we're going to

say how it's going to say how it's just-n't-a-mere-n't-a-miss. of the why they said that's not the sir. Well,

there's a narrator. And this is, look, chism, chisem, because no me consta. But my

papas me told the same story one and the other, and I, I think. Me,

they're in the colony in the we've been, for me is the colony in the that I'm

that I'm that always ever ever was a but that not always was

that so, that that colony when they were were the first that were

there, and that's those colonies that said uh Oh, and once here was a pure

Monty. Well, when my papas were there, it was a poor a month,

they were of the four that were in the and that she was there was

there in the house of the house of the house of the

and then there was that she was because I was a

poor's and pretty and the people when the people

to go to go to live for there. The she was to the house of these people, and they were

to do you want to be in some a new someone who did it, if they were to do you

and then he said to say this thing. A day, like after three or four years

when there had more casitas, they were and put an church Catholic.

And in this the church Catholic gave a father-cito but one of

those father- narrator that only that only that only the person.

And so the time was atosigando with that they had to give the 10thm, they had to

do it's good a part of but they're they're just they're going to one and other way, the house

they were in the house, but they're they're they're and they and what

it's a day, this she's a woman, go and he's present in

a domino and he he's about and he's a bit, where

where's the padrecito for that you know what he's the meros well

he can't do not do not do anything to do those that I'm going to see who they're to come to come to get to come to

a person standing there, who knows how what's things did he said? That the father he put so the table,

and he was all the whole all right and that's and that people started to see, somebrass,

and started all of the and the church and the church was inabitated. The father not went to

the house, you know invited people, yet no viz to the on the mornings, but that the velators that were there were going to in the madugas

because they were in the same, a little, a boy and that was like a demonio with a body of a man.

My papas said that not they had but that they were that they were that they were that was

that was going and in some time my father he took one and he said oh no, no,

it's that inbruched he said, and he said, and he's went and he's until

that the colony commenced to ask to make to make them to be someone who they were

to be a and I don't see if it's the archidiosys the suer or the insistence of all those

of the colony but but without that they they were they said they were they said

they're the father he was they said he said that the brother because

when the father was to they're they're they're they're they're

they're they're But he went to visit the houses, that he had no paid and paid and money, they'd pay that were there and that if were there were things in his houses that were visceral, and result that was that, yeah, that the

middle of the colony narrator wasabye, they'd have been in the house, from the room, from the aromas that had in the house, that the food were to let's make,

that were in all of the nought, and they said that were inbruched. The father those started to attend, and a day there's the

when when she the woman, me says my papas, and there we're going

and we're going to be the woman, the bride and says, another again, me

made to another. Right, let's show, who are those good,

and with who they are people, and who are a book, and that the

father, he's a cross, that's a cross, that's a cross, like,

a cross, so, very strong, and he's, and the Brucha and the retort and he's

running of the church. And from that day the father he said, no,

he's a second he's not the person, and not the time we're we're not here,

we're reputings one and again, because the woman is purrusharies, and now

that you accept this, we're going to get to help to help you know, but you're

a narrator, as you know, never did never did happen nothing in the

house. There's three things you have to know the brujeries. The first, never you'll take with the

hand. The second, when you want to deser to do you guys, more it's worth that you know what you're doing. And the third, I'll tell you to know what I'm going to be. Elvira is a subscriber nocturn. But no is any jovenasa. It's a young ass that has those good

56 years. Yeah, the day of today is a while a very young and is very very happy being abuela. The fact, he says that he's a point to have kids of his nieoters for you an idea.

But this that we know not about to occur to come to be not a

when the nietta when the nieta when the newt five, six years, decided they

were to do you do you want to do you in the house of Elvira. Elvira

is a very and is decided to venting the house for the venterana for your

is the first nita. Apart is a-partes a- and since years

they've had had to his netecitos. So, that's five years. It's

something that is a value of the whole of the cost of the world. It's right in this

instant. Me said, Elvira, so I'm I'm euphoric. All the house, I put mojo rosas

distone rosas. There were some bands that I put them around in the parts of

the other of the abitations in the we're I'm I'm I'm

some people to decorate the sill of my commed that all was a rosy in different tones,

for that was the house of a princess, because to my princess she would be able to celebrate well. This fiesta was a mediumamently

great, because they were families of the foreign, vener had some of the people, and you can

imagine. I was, I was there was a bombotorole and teatro. For all, I had to

say, it's that is that will be the year's a birthday, that's the five-a-

years, that this princesses that this princesses, that is going to to find her

castle and I went to but like was the abelah my little bit of there's a there's

there are things that one with the time they'll and for not ever done the things in the

moment then we then we know the consequences and when you don't know

you know I'm because in the celebration that all over we're having

we've had been we're we've had been we've had been a

a lot of food of different countries and we're going to do this spectacular. A bit of the

celebration where all is looking to be my nietecita piti to go to the baby to her mom

she's up in the little bit she needs to some more and they're like five ten, 15 minutes

until that I am the I'm the where is there Vanessa? Where is the last the first

her the mother my my nuerra me said with the she let me see if it's up to

something. And then we're going and it's you're trying, but I'm a lot.

I'm a lot of a other we're going on the door with up the little we're

the little her piece and she had was all manchated for all the parts no we're all right and yore

and yore his mom and he said to do not no pass nothing we're we're going to

let's we've got various tragecit princess, for that if she was going to change,

then I would happen to be nothing, nobody had to be to get to get to the and then I'm

saying, it's that I did much fear, a man, a man, she's a smo'

for the light, and when I said, I'm went to my nuer, I said, you know,

you know, we're, we're going to make that the party is just, no,

but why, we, we're going to make that the thing, that's that's that

the people are there's and I just say, because what is saying your is the real. And I don't know how to explain to him, no,

I didn't know how to say, that the little bit of something, that me had been forgotten, back to the

house, so, then, narrator, I bring a fear of a horrible, because you

have to know what we've ever before, and not was a thing. Twenty years,

after, my my husband and I, we were we in this house, we're with the other that now is the husband of my nora, our son, but in that time he had

around about 10 years, a little more, more, little more, little less. There, in that house, we had bought a recent

remodeled. And something that we had liked much to my husband and me, was that the details and decorations

faultants, we were going to buy only and exclusively of Tendas of Antiquedities. And there was a rectangle

that's a altissimo that we've got in a tinder of antiquedities and narrate. Since we we've got

we've been, we've been in one of the passages of the house, all perfectly well, and the life

was with normality. Until that in a night, a primit of my son, he goes to

the house, and, and standing there, the two in the room, I know what hour

it was a narrator but he to get to like a little but as much asking a someone who's that there's

someone who's there's a we don't understand what we're going to go back when we're we're

this is what we're not no see is more no see my spouse but I see

there is a there's there's there's not a part of the part of the part of the

where is the part of the I don't I'm not I'm going to see what I'm going to be,

we're going with the chos, the chos the young, we're going to the door, the

other's my son, my sobrino is there, but is so much so much so much

I'm done that you're and you start, and they're to come, that's that's

something in the house in the house, that's I'm a little, he was a

he was a person, and that he was he had We don't have no idea. What I'm going to to tell you I think the situation

that how mom me starts to the day of today to that I'm that I'm not not to be a my son and his primos

they're going to tell that since much what is that is that in the night's it's

he's how the caridu is that after that after that that's occurred always at the

1.30 at the 1. at the 2 they're to talk the door

at the at the morning they're to come to come in the pass and they're

to hear of some they're and that they've been before during

a time the last the door and then there was

no there's and then he did that it's that's he's not he'd

after this he'd the door he said to be the door and said, Mama, Papa, what

what's going to and there's nobody in the passio, but the passillo but for him not he

no, no, no, he was more importance if he was going to and we're

not the other than that we never, never, nor that they were trying to

the door, my little, and he said that the last was, that after

the next he was he was to hear that there was that they were and

they were and they they were, and Now that was the primit, what occurred, is that they tried to open the door, but there was

a sensation very rare in the house, like a sensation fea, like if now if were someone bad. They're just they're not, but they said that when

they were like someone very enojado was like that were going to the point and that saw it was to move, like a sootar

and attempting to be and there is when we're sopourn, and then the passos, They were passes that were going to end of the

passage but when when they were patiavian the narrator. I and my husband, we don't we can't

think this we're asking, we're we're we're going to I'm a quote, I saw a foot that

was a foot that's not you can't say how that can't be but I know what I so I'm

so I'm very very, very very assuited I'm I'm I'm I'm

and when I'm when I'm the door the door of the as the way down, as the quadrant

inferior, there's a mark of the wuella of a foot, and me I'm quite a big of a little, that is the light, that is the

person, that is the way that is the way, if that I'm going to my spouse, I go his old, I'm, I'm,

I'm, I'm, he's just a lot, and the day the next I don't know how he does, but he'll tryying

a person that no I want to say, but I don't say that's or no, but he's to clean the

house and he was here in this house there's a new thing, but no the narrator, without we have

told the details, without you of the person, this person, he brought my

husband, this person was talking to us in the commoer, we said the question,

he said, he said, the he said, he said, he's not, I don't, I don't

the point of the foot that's he's so, and then he's he's a

he's a person, he's in this space, but in this here's a lot of energy.

There's a lot of it. Because if not it was to do you. The woman went to his vehicle, he brought a type of manta

very strange of a little that was a little bit of a layer that was the other and carton. He was to

do some resos, he started to put her things between the tels, he went to the second

piece, no we took to say nothing because he went and he and it was the Spego

that we bought in the house of the old he put the

the he was we're we're we're we're we're after

she she she she put put on some she

put with with the dead no so I

know that she did this because it without a carato

a that was a so starr I'm I'm the

redos I'm no more to Two, while they were the

the spejo the spejo started she was a lot of she was a she was

and like if she's empooed the and my husband and she just said

no they're they're not they're going to let's know,

narrator I was she was a fear of she she she's

she she's when he he's not he's not can't

get to while they they they they So now that is so with the

tela, regalen it, vending it, but not they're in the house. As we we're going to

let us get to get to the house, we've got that's a space to the front of a

room that we had we had been for the mudance and for what we

did you and there in that time for 20 years until that in the

fiesta of my my nietta my nita my nita they're they're in the

a-bao, my nuira, my nieta says that there's a woman that she's talking, that I hear a voice, that he does a little, that needs a and she said, I'm going to mom, and that the voice said, no, help me, you. And that started to see her voice. There was a

door that was the room that we had with the caches, and that when she entered, the lights were, and then she reflected to finder, and then she reflected to the front, in a space, like a light, and when she asom, he sawed,

he sawed and that when they did a much fear, because they were in a color like a color

redos or a color redos or a marriento, something that was more like a vivora, she assupto much and it

was when it was going to she's going and changing and all, I said my nora, that's a person,

I go to that bit to the house and when I met in the room, the part of the

above of the space is there is over where I'm going to do my nietta that

saw the person that's I'm very much we're to take to get to the person

never I never I'm never I went to my and I did he

the space he's discovered and he's the day next

narrator no we'll we get a ranch we we're we

we've a we've we back we we've done what we

we've done we're we're we're Grandes, but there, look, with some of the years, we've been able to rebecca all right, and we said,

no, you'll beckxas. And there's a lot. Oh, halloa that nobody will be able to rescat. And with this story, dear family nocturna, we've got to the final of this obscure fogat of stories. But, before you know, dear family nocturna, that is

in Spotify, for favor, sing-nors, and den us the five stars, because every 10,000 subscribers, we're going to have a surprise for you. you know with the Plata Secreta. People of YouTube, all our family nocturna

here in YouTube where we need us, for favor, revising the button and have also the campanita because you know, I'm talking to

say, I'm part of the family nocturna and not are subscribed to the channel and with that they're on a loton

and also because we're going to get to 900, 000 and a part of that moment it's the marcha

for the million. So, so family nocturna, helpen us with the March for the Million. Revising, for favor, in YouTube, that are insureds, and one a thing more.

Before to initiate the March for the Million, have a question. You've got these stories? And, I've said one of this, imagineatel us in vivo. Now, so, Dich one of this, dear Family Nocturna,

between the video of today and the Sabbath of SOMBASS, I'd wish that you have a dulces pesadillas.