HABLEMOS DE LO QUE NO EXISTE - Historias de Brujería Desalmada, Conventos y Duendes | Episodio 427 | Hablemos De Lo Que No Existe

Episode Date: September 21, 2026

Bienvenida Familia Nocturna a esta Oscura y Extraña Fogata De Historias. El día de hoy te llevare entre las carpas de un circo donde #Duendes o #Brujas se unen para darte #DulcesPesadillas Entérate de #Secretos macabros y oscuros que te pueden llevar a hacer #Brujería por Avaricia, y ten cuidado de los peligros que esconden los lugares antiguos que aunque parecen Sagrados atraen entidades siniestras. Todo esto y más en esta #Oscura #FogataDeHistorias en @HABLEMOSDELOQUENOEXISTEY si nos escuchas desde Saltillo y Torreón no te puede perder estas historias #EnVivo nos vemos este viernes 25 de septiembre en Satillo y el domingo 27 de septiembre en Torreón. Ya puedes separar tu lugar en nuestra Link en Bio o en nuestras redes de difusión puedes encontrar el enlace, #ByeBye

Do you wish you could just hit skip on the worst parts of your life? You know the same way you can skip an ad? I get it. I'm Siaiaa and I live in Ice Cove. I've made some questionable decisions that didn't end up the way I planned. And today I'm still figuring it out. Somehow things usually get worse before they get better. Apparently, that's how I roll.

So bundle up and come along for the bumpy ride. Stream a new episode of North of North Tuesdays on CBC Gem. Welcome to Family Nocturna, to this Cura Fogata of Histories, in Let Me Too The Today Today, I'm Heregues, I'm sorry of brujeria, malewa, and disalmada, Conventus and Duenters,

but before you start, I'm a trot. Today, I'm here's histories that are different, histories that probably more than one, you're going to be loved. So, if the day of today there is a story that you love, then, the day of today,

If there's a story that you like, come to your like. But if there two or more stories that you like,

subscribe and give it to give us. And if you are the Spotify, see us and give us

the five stars. Because at getting to 800,000 followers on the new

Platic Secret. One once said this, go for something, and be for something to

come to but no you occur to do you put to because we very oscura fogata of stories.

Comeensamos. The empathy generates the connection, the affinity, the resonar of two different, it's a person

can put a moment in the zapato's of other. It can't a person to have an tisbo,

an idea of what other can be being when someone when a person is

a way is a form also to do the form that's a be empathic, also see that

pain. And actue in consequence. Not necessarily they're in the same level. No necessarily they're living

the same. But the empathy you permit, asomarty a little that you result a

other than there's a second and say, okay, I'm not what is what's going to be

doing this. Because the lack of the other than the last that doesn't have been

empathy, can even to have even to have conversations that any any other person

would even would even even if not even it's with a grand cargaret and

lamentable Yolanda she got to topar with this second type of

people Yolanda is a mecer in a restaurant and he's

at 10 at 3 the morning it's a very very per the

type of the type of clientela that get to get to the other

all Yolanda has had to learn to sort to sort of type of subjectiles and clientes. And not I'm not to talk of a genre, you know, I'm about a style. Persons that get in bad intentions with her, and she has to learn to manage it. There are two cociners at-as. There's a person

in cajave, but she is the only mecera, and is the one that he took to be in contact direct with the other. In certain moments, there are persons that get, and it's a quartetopart. apart in the there's a

mess and five sills. These people are that that's parted, because not

that are a little strange, and as they they're not they're in, they're going to

make the rest of commensales, if it is that the little there's

not, not they don't know that's not I'm I'm not. I'm not

I'm I'm not I'm I'm all the people that understand this. Yolanda, he has much fear and respect to that habitation, because in that

habitation have been a few people that have been made up to pass on the news and have done things very fervous. In that abitation, not is that they're repulsed, is that they're not going to cross all those perigues in that moment. I want to that you understand. This normally occurs after the midnight. No, it's

so close to a place in the place to be the policeia, and even if they're called, very probably First, first, occur the problem, and much time after after, the first patrua. The police not is agena the situation. They visit continually the local. You know, all this, for that entient to understand the circumstances of

that work. It's a work very stressant. It's a work very disgastant, at level mental, at level emotional. But he offers a very good suldo and a great propitans of Yolanda. The people that get in the madrugada and certain profiles that pass

for that and are to dinner to this restaurant-s they're some good propin'n't.

And she has been done a life that a bit of a bit of a lot of a lot of

a lot of a lot of a lot of a little un-tanky the day earlier took a

dream very rare she was she was she was and I know that was

in a place in a woman he had a voice of the voice

he inspired much MED she He wanted, but no there was where, no there was nothing in that place.

No, he was never ever to see, and so there a person, a woman with a

black, she appears, no entient how she does it like the black, but it's

the thing that it and he generate a absolute, she'll she'll she'll be

a lot, at the house, no, there's no-a- nobody. Her

his husband his wife, and then she has to go to work and that is a relive

Ligerrable, Ligerra's so anxiously that she's she's a lot of much fear She was to She was a

Cusca, he made some Compras, he went to just to receive to his marido and I didn't

He didn't because he was very too because of She was directly to this restaurant

where he and in the moment in the time in he gets she's that she says

Oh, O'clock, no, can't some of of you docts suplier me.

Today, you know, there's a little bit of a lot of but I'm very inco- one of the

co-iners he says directly, you know, you're not you're about your husband,

you need to you know, you know, you know, it's a tontary but I've a bad

dream. And the other, the other co-iner, a one of a year,

he's, he said, I think, in those things, you've seen a premonition or what?

And Yolanda Wolted to see, no, no, how a premonition, like, like, like a premonition,

like, I'm going a peserty but I'm with a bad, it's too bad, the two cociners

had the question, and she said, give me more more more, because in serious me does

feel like me's a very, they're saying that's that's a question, that's

and one of you're to be in car to do the work of no matter.

No, it's apart, I'm a lot clientela, and Yolanda

is very good person with them. They're a very very beautiful

relation to the three. There in the front of the kitchen there's a place.

That door if you do a house, that's a room, that's a mess and

exactly. D'Olanda back to the back to the room, that was his right

to be right to the door. When he's he's there,

the other two, the cociners, they're they'll they'd be they'd be able to advertise that, that, for preference, be able to the door,

because there are three persons there that they're very, very, very, very, mal-spina, and they're to have done to make any problem, and no have been exiged anything, and not were people that,

they'd have done to do some type of a far-rancho or a-enna, but they'd have something, something rare, but as they'd have more than two hours and a-mere-a-half, there, she's

he's old Yolanda the opportunity to be able to be able to get a parted, he said it

went to find out of the phone, and it's also he was when you know,

when Yolanda began to hear to hear a person masticando to do it and then

then she said, no, no, the Tia, Yolanda is just is doing right

of her for that he's not he'll be to be to be and someone who's

more more more he's he's responded but you're going to

to make suffer much. No, the one? Yeah, of one, it's going, but, but, but, these are things that not we're not to talk to us. Deja, and another says, well, no, it's a very car. And the other

other met a little bit a mess. For that, but what we're going to get, the money that's just doing the year, we're just to, we're just, we're going to, no, they're going to to put to back right. And then

the other he responded. No, I no, I'm no so I don't know I'm a word, I'm

saying I'm going to come with all. So is that we'll enter with all. And yeah, the Tia

and Orlando. She's the she was a little that me going to talk to the herensia, but yeah

it's a time. And I'm the third person. And the third person and says,

I'm the other than the bode, we cast a two years, and the very can-

just me $5,000 dollars. It's a old old an woman that's a lot of

a lot of the money. I should have to give us with time. She said, she was and I'm

going to go to back. And the other says, very beautiful, and

and they masticando. Well, the brucho said, he's what you

did, and then when all those are that they all right, very rar.

Very, very rare. No, no, no, no, I don't have nothing in

in your body specifically that he has reactioned. What she had made he had

done to talk to say to talk about the respiration, the heart was

the heart of a little to be in the people who are to make a person

to the other world. So, so I want to get to

attention for nothing and they know, so But when they were the brucho, just in the nook,

sent you five deditos very friose, that they took her and they were reposing there. Yolanda, with much fear, to go to the head to the right, just to see the face of a woman with a bellon negro that he's been able to observe. He has to be able to gritty, and not can't permit,

because if the people are in mind that she is there, the things are going to terminate very bad. and he begins to and get us and thence and then trying to

not generate any kind of the problem. It's then when the other cocinero is a

question of her she's there and she's doing, he's not he said,

he's rapidly, he's to come in that's not a patasos in the

piece and saying with, something, something, and he gets over and he's

something, something something they're they're they're doing, they're they're saying,

And the type that is masticando, he said, well, I'm over the I've got to eat all the other of the two.

No, you know, something more than this poor care. And he's, he's, and he's,

he's got, a minute, he's, a little bit, and then he gets a Yolanda, and she

he has done a lot of some of many times. Yolanda no could do do that he also he's

also, then he makes one, and O'O. Don Pacito, two, and Don Pacito, not with

the boca, with the rodillas and the and the piernas, and the two can't come in, as far as far as the other extreme of the

kitchen. He put a siguita, and Orlando he's being with the eyes disorbitated, and he is the sign of silence.

Indice direct over the labios. Cackety, and no digas nothing. The type go to the

refrigerator, buskk a pair of postres, go and and when he's serve the five

minutes, they're bosifera. What kind of this? It's aodd. It's aodd. And then, then the mecero with a trap in the hands.

What was what was what happened? And he started and he starts to say, and he starts to get it. How, that's not even a chaffarancho, the cocinero? Finally, they're saying the words and the subjects

are menaceing, and they're going to that the cociner is. Guarded specifically those two postres for when it had to desacred to someone, because

there were not ongos. I knew that in the first rebanada that they'd do the postre, there are the sepa

completeita that had I'm going to maces the way to be perfect and tacto. The plan is there tumbling

to be able to get to be the cookinor and the cocinero and the signer that Yolanda is going to get a rabado

for the life. It's tap the ears with the and he says no me you know

you know you can't you know you don't even you don't even I can't do the A return, he's going, and then

after your house, no pass nothing. You know, you know, for us. You've been here. You know, come to your house, go to

get to get to get to get back. -a-hour. That's the time. Yolanda, no, agrna, no, agarra, any more version.

And, you know, it's doing the cookinger, he's doing. And then, he's quite, that he's,

45 minutes after, he, goes, to the house, in an absolute silence. Yelga, and when

he gets, his husband, he, he, television in a sofa. Well, it's supposed, because he's accosted, ronkando with the television oncendid, in a position that very probably was two hours

before, a position comodda, to be a position comod, but there's a yolanda, being it, he'll take the hand, he looks at least is that he's not even is conscious of the hour, so is that he'll do, he's go to the two escalars, they're in the camera, and he'sposed, and he

goes to the night, for favor, laugh, you'll have to a a dream placid and he descends. But at the 3 of the morning, just when in a dream very profound, he's a good, he says, in his ear, and when now the eyes, the woman is to front of her, taping the boca with the indice, Yolanda, move the the head up, above, and, at parpadear, there no, there.

The heart, the heart, the heart. The spires, he asks her husband, he asks, he'll give it to hospital, they'll revises, they're there, and they're there something to be to be back in the nerves because he says that's a good, that's a

thing that's something that's something that's something that's she's a time, and all the next nights,

that woman she's doing. Two two years visit, visit, and the worst ways,

no, is that it is that you go to happen to get to a bit more than

you, you're still a new alarm desperator to be a desperter, no matter,

and Yolanda, in Two of the afternoon, expecting to see a time, and that hour would be to

go to work, and exactly, at the 3, 33 of the time, this thing,

this thing, he was a one of the time, ask them, and it's maybe,

but of a day not appeared this thing, and you know,

and Yolanda, at the months, in the time, I'm

trying, I, I'm saying, because is sure, it's sure,

that that What other thing? He washose to molestal. Because these malditos had committed what they were talking. And not was to that moment that

he wanted to say to his companyers, that came to a client. He was chained a manse a cliente

of a little bit of 75 years, always very amable, that no, he was never in his

turn, he to come down when when he was when he was at the restaurant

like at seven and and eight and all the jubes I've been there's

those two jubes as I've been doing and not he's a little in the

restaurant and not he's he's the way to try to introduce what was

what I heard was asking first for the cliente and

the two cocieros those and they're they're the

one of the the little the and then they're they're they

they're they're you now he passed something. Yeah, we went. And Yolanda

said, but how? Well, we got the chism that they were in the house.

And when came there were the doctors, not they were to explain, but he

was tired in the commas up, and garrotated to the woman, with a

face, and it's a rostro of that you know, when Yolanda she was getting

the people, and they said, how was the woman? And the two are ried and they said, well, look,

it's a-matter, because it's called like you. And there understood that the subjectors that had been in the restaurant have been completed their commitment. In certain measure, me identified with the history.

In other measure, it's impossible that me had identified with the story. You know, but you want to say that this type of things pass, and, I'm going to commentarles in torno, something that has to be able to have a story. There's a

subscriber of the family nocturn, that I'm a superabrassote, I'm super-encored. That's a few years, was Monkita. She was in a convent. And me said, I'm going to be

very clear. In that moment of my life, I felt a call, I thought that God was that I'm

to be to give to my life to a life to get a time. I did

know that that my name that you but there's that there there was that

there there there was that I'm sure. And in that you

can't say that was a convento enbrued. I'd say, no, no, no I'd be so, but if occurred various things extra-strains. No see exactly what they're deviant, but the things if were very, very, very, very specific.

You've got to know that that convento had a capilla that was abiered to public. To enter the capilla, first there a rea black, bastante with some porthones, that reja at the 5 of the afternoon, it was a cerrava and nobody could pass

not see it back to the convent. After that, there was a door and and then trying by the door,

it was a capilla. The people was very repetosa with the convento. It was very respectful

with us and we and we had much care of the community and with the city

in the city in a city in a city of there were a little so the

five we're the and we we're we're practically to

nobody. The The doors had a porthetititia that we'd beaed and for we'd beaed out of wereas, very, very big old, very bigas, of metal pesadissim,

rudosas, as you imagine. We'd do you chasions nocturned those Jueves. What signific that? That all the

Monjita we'd separate from hours, from the 5 of the time, until the five of the

day next, each one had one had a hour assigned to one the one to talk about

the 5, a other monjita to be the 6 and socessively to me, honestly, me took the poor or the hour.

It's the time we the hour of the time we're not to be with the paranormal. It's the

time. And more the superstitions and that's that's not to be able to be able to be the

time. So, I took the or the time in that you don't do you know,

before the time, and then after of that you're not you're to get the time

and it's notable it was a time nocturna, I had me was all right I'd

have my orations and I'm times. In occasions also I've used to some little

appellate in stereo and with volume down, I was music, I was

and was a good and it also also I don't know I'm not a

superhuman a sometimes I'm sometimes I'm getting the suning

my body I said I'm I wanted to I'm and I

all the forms to maintain me despiery. 10 minutes before the 4 of the morning I had to get to

go to get to get to the next mojita that I had to again again back back

and in what I'd get to be in my apartment but I'm to get to five and

practically to start to the time. In some occasions I'm done.

And in some many few I'd I'd get to and then I'm

I'm there But in a night, pass something rare. No is normal. There in the capilla you see a pass.

Much tranquillity. It was like to you with the Lord, something very intimate. In occasions you're just

so dormita that you're not so much that's nothing. Nothing. But not all the

sentiment. But that day is the problem is that the sentiment not was past. If I felt like

from the capilla and I ran around something something. I'm to see

to see that I feel that I'm looking at me they're observing, and for you know it's normal.

It's the only time that I'm feeling I'm doing this place. And so I have seen

two times in the life. No, I'm a person that never the night,

and in the days, nor the person of me myself. But I felt a

fear of and I felt that I see that there was going to, it's like that

that thing was being me because when me is And when I noticed that that incommodied was a fear and that I felt

in a disadvantage, me sentia to some way at a point of being agredita, me sentia to someone that was, front of someone that I wanted to

a victim, front a predator, something aflover, he was percived because they were to talk me the door of there,

the capilla. No, there's a reja, there are a door of metal enormous, and me were talking the

the door of the capilla, no you know idea of the fear of the idea of the fear of the one of the one's not there

no way, which if one of the women's not that's in the convento, all we're all the entire, we're

to have to that point. That's what they were to be there were to be a question. And as I'm

to do that thing not like that began to razzu- the vix of the capilla, and I'm to get my

or the I started now how me got me gollied the door and rascoenaed the world. And you know not were a

video, it was those who were all over and they were like if were all right and they were and they were

horrible. I put the stereo, I put the music, I started to get the volume,

me put to come to and it a little a pass. But, just apollo the stereo

and me tranquillized, the sensation of the presence that was out of the capilla

regress very Fierce to PAS, I started to PAS, I PEOPLE to ask the

sir, I'm sure that's in a moment, he was a time to give the re-relevant,

and if you adverted, I'm, I felt something in the capilla, just for that you got a

door, I moved the head, and me say, no, and I'm saying, I'm not, and

she'd be much more men, you, never to be nothing to never to But I tell you that in the convento

passed on things raras. It said that there a pair of passions where I

saw that were to be a person. Nobody was was projecting. A me

not me took to be but what is that one a time a

time we could make a time to let me I

I'd I know I'm in a time in a five

five a hour and a sometimes two hours and maybe

but yeah, if it was an occasion very special. That day me gave an opportunity to start talking a hour and I'm

talking about, I'm justicably, I'm justices. I decided that I'm to take the last time of the

room of the house of the movement that came in the convent and I had a silence.

I'd I'd want to just to my family and enfocarm in you,

and could be there a moment very when I when I'm that my father me

that my no one there's no more My papa is a person who not tinder to talk to. No, it's a

well, after the next week to come to come. Well, because I'm so I'm wait. I'm sure.

I'm much more going to know of a student in interchamble in other continent. And as I'm talking about a few years,

the fact of using a cellar no is any even option. So, one has been a video of a lot of

a lot of times, but for these calls going to get to all the I'm put in accord with my papa.

All right. All right, all the time is all right, that's not even though, my papa, me says, oh, yeah, I can't ask you a little bit more rare because me interrupted? My papa no interrupwe. My papa normally

listen and listen and listen and also, and also, me interrupio. No, me to terminate what I said. And me asked me to ask you feel very rare. Where do you, I said, I said, from the conventor, Papa.

And you're You're only And when I said I'm going to I'm down And he said Papa

Why? No, I'm No, I'm For question For curious But you You're not

Curious, No, you're You're not No, I'm No, I'm sorry But pap, but you

You know I'm talking A man That's That's sure That's He's sure That's

Sola He says You know You know The Pils Me She's I'm

Mongita Nourour I'm I'm I'm percent to him. But these are things for those that nobody you prepare. Some

things that learn to do you know, I'm trying to my papa, that's what is what I'm talking and me says, like a man that's more

and like he's doing orations and then he says again again, and then I'm going to speak to say, well, Papa, you know what,

we're going to let's get the conversation, I'm a little incoomoda, the next sabana, we'll,

and I'll talk with my family, all perfectly well, only that never I ever to get in that room.

Because result was that that time when I went to go to my best of my time, I'm going to be able to

see being a great friend, I'm going to do you know, and where I say, I'm going, to me end up that I'm going to

get to the question, and I'm not the person, and I'm going to be you know, you know, I'm going,

and she no, no, no, no, no, no, we don't know we're not, no, because is to

start doing, you're doing, it's just something, you're mustia. You passed something. And he said, yeah, I mean, me, they're doing these things. For that you're going to be

scared of those things. For that, but I'm going to, you know what I happened. Quintam. And me says, I'm going to do. And what happened? And that's the year, says, in the nights, no me left to dream. Reza. She put to rest. No, Latin, because I know Latin. No,

is Latin. But no is Spanish. It's an idioma that no I recognize. And it begins to restar in a manner in the way that it's enugated, never me attacked, never me

did it, but it really not it was not a comfortable, I'm many,

but in this time, the convento was there then I'm a room about the other of the

other man would have to be and I know that and I decided to do that

the moment in the moment in the one of the one of the other day was exigiento

that, for favor me can be the thing that the world, because me was about

my I was impacted. Passed three or four months, and in one occasion we were in the capilla. The Sor, the mother superior, was at the front of the chapel just to the side of a port that was the interior of the convent.

The rest of us, the novices and mojitas, we're there. All inked in the Santissim, one's were sands were at least, they were in a moment of oration and recogiment important when they're in a moment of

passos that get to the door. Nobody had in the convento. We're always the

same people the same the same the same the door, to come in the door, and they're

to open the door and is so notorial the sound, that all, without us

we've kept and we're in one in one, and we we're the

when the door was able to go the door to the other side, and the other

the Lord, he was looking, he turned to the door, and as if no would have passed nothing,

he was going to the pomo, he said, he said, no end up attention in those that are

them the important is the oration. Here is a place, it's a

place, and a very they're not not even, don't they're

that those things, they're they're the thing, and that's the

thing that's the to front and continue we're saying. You know, because in his words, not only a one person that was ordering,

it was a person that was in peace, and that passed no that was transmitted. Nobody came to that me came to

me kept very present. Me got very present, and there activities paranormal or activities that

simply not can't explain, that depends how you're you, you, you know, and you do you know

for something, because when you're when you my mom, I had I had said the convento, I had

had done to be there mojita. We're in the cell of my house, when my mom said,

oh, I'm not you know I want to but I'm there's there's, but I'm

there's, I'm going to and I'm and I said, I'm and I'm and I'm and I'm,

but I said, she, one day I get, I'm in the passel principal,

we're in a salon, the salon, the salon more the cell, you know, what is

the only the only and at the end and at the end, and at the end, and at least, and it's a mangy-a-lawful, and she has been a woman-a-lawed to-o'-lawful, he was a bit of a bit of a bit. No, there was other color in any other part.

The chick, did her own-oos, the tis-blank, very very, very somrient, a rib-it-a-half-a-old-money-old, and me says, God, the bestigued, and I wrote to say, like, to say, and it's

my mind, and it's my only that I want to tell you is that, of the phantasmas, that phantasm, not why is that it. And then to me, me, I'm a dud of narrator. I'm just out of the conventor, but as I say, I'm a friend,

that was my best friend, and she, the day of today of today, still being monjita. Well, in one of those is that I go and I look at the convento, and they give an opportunity of that talk about this monjita phantasm, and that me says, ooh, you've got to

just a time because it was a little bit, how? We did a video grand, you, you know, of those that we manage of the packeteria, and that day we had to

get in emergency the mother superior to you and the two novices that we were the rest of the convento so we're

we're going to have a problem of logistic with the paqueteria for more that we're not that we're we're not

we're going to when we're when we're the mother superior us was giving indications for that the day

next one was to be the packeteer and intend to make to make the things or to be

to raster and all that, we're going to open the porton and just

Pilla in the techito, there Aya above was the cajana And then she was a Anojae of all the life He's going to talk about In this moment, those of paqueteria Why opened in the door? Why they're in the door?

Why did they get into the convento And the person, the geren't or the Encarrata, the person in contact with the repartive that was assigned to leave the things And he has a call with him very cortita

The mother superior I said, I'm just I just want to talk with you because I want to attend this disgust that I have you know, you know

to come to leave the packet and in the moment in the time that nobody he made, of some way, it's a

way to get and that property. It's a very incorrect of your part. Even when it's not

to give us this packet and that you know, not are the form and the manner. And then

the type he says, I'm my mother, but I met me and me opened, and me abriety.

How they could have been able if the place was a little bit. A manca of some eyes very beautiful, of a tess black, all dressed of black, very

amiablement. I was I, 10 minutes afloat, toky, toky, toky, tokey, toke. And I was about. Madrecytah, I know that's there, I'm to go, I've got to go, I'm so much presuroped. And then she was very presuroped,

he went, and he said, passel, and let me, and go. And where me is going, and, go, and, go. Me, c'rower, the door. And, I'm sorry. and simply, I did the rations

the other other and I don't and the mother and there's the mother, there's the rascences and the

time to get in the same time the same time to get into the type. And being there with the type in the

paqueteria he was a photographia and he he said, who was the monjita that's

he said to her margarita and she narrator, she had the she had the photography

in front of me me and me said she, she not she not this convento There are many conventos

for there, like five quadras and felled so ago in one of those conventors, but she liked here because since the other

world, no, he's not to visit us minimum one a year. And so, narrator, no,

I'm going to say that the convento was enbruured, but if me passed some other things.

And family nocturna, I'm want to tell you a little, but I'm to say that the

duendes not you don't you because you know that we have you we're

By the You have you have been That's got to I'm I don't But the The Equip of the

We're We're Bomba! And poor dwee duendes, no they were this war, but apart of that

the war, don't you because I have a story of duend's that I'm going to and before you get a conclusion, I know what you

want to be You know what says, look, a narrator, when I'm around of 16 years, I'm enamored perdidently

of a type that was in a circus. First, me enamored. Then, it was what had to happen.

And then after that was a palazzo. No, he had a bad of the

payasos. The problem is that was that was a very bad and the circus

they were because really not did their job. For that moment, I was

was I was was born and was a woman very complicated in my life because my family me was rechasing and when they

came with a work of my wife, the future father of my son, the future father of my husband,

he got a vestyed of a house to pass his house to my papa was saying that this is a that's a narrator and it was the

moment more that's taken to the reality that you you can't imagine. Lejos of being a very

humiliation, very entristeasable, very stresant, and they prohibied that me would be over. As I was

a little they'd talk about to do you and then the things were very rapid.

The right, my little my little three years, I'm dedicated to the studio,

no I've never Oh, how to say to what there are persons that that there are up not a water and he was one of them. But you know what? Who knows what?

Because, I mean, I remember about him and he was and he wastes. No one relation we had to be but something that was the child when my child

the circus regressed to the city and I saw that he appeared in one of the cartelones principal. Or so,

now, now, I try a spectacle good and that me go to the circus and me was

a murder of the show, I'm going to the spectacle, I'm and he and he

invite directly that we're going to the little and he starts and he starts, he's a

question, he wanted to know his but that my father he was

he was he was completely and he got a that I think he was a

very hard that you was a little that I was not prepared

for this so now my 19 that not He was not too so much

so he asked a disculp and said he was he was for a

whole and he was going to not I'm going to be able to be able to the

little that he was that he was a man and he

he made the part of the car there

there was there no two and he put a

lot to a lot of people that I would be whatever

anything that could that were a favor personal

with it and It was she'd that she'd a certain renomber in the circus, because the people had to

the head and said, yes, sir. And I'm to understand, oh, this is another? This is he

got to be a chance, and me he said, and I'm to say, to be a friend. He's about

many. I'm getting much these years. I'm going to be a man. And, for the thing is a

pali-aso, but it's very different to be one one of the one. And now I'm doing

the things well, I'm glad to to be there. It was like two of the morning when

I don't goented the platic I'm a little in the carerino a

a small is a space sufficient for that the little

the person around me put they're in times they're very well all right

all right I'm not so it's a night no way there's no way

there's and I'm little they're they're the hands. And I open the eyes narrator, but the body me pesa, and no

I have my son. And I pego a grito, and I grito like, my little, my my little! And then outside, they're going to group people, talking the door, pitting, that me open, no, they're, the door

is closed, and they've been left when they went to, and I'm because I sentia tantal fear and tantal anger, that no I don't have so control of my body and I'm going to the door and I'm in l'rhym's and I'm

asked what happened and they said they're getting, they're getting the lights and then they're going to puttas to all the place.

They're in the catrecito, the house that was there. They're in the closet where was all the ropo'n. And then there's no signus of that someone says,

oh you know, So, there's a little bit of the ear, and it's a signaled the o'idoo, and where all of all right, it's all right, a few hundred, hundreds of jant to a baby, me'd be a bit abadado. No, the body was to tremble. In that, he goes, well, the father of the

and he asked, what happened to? And I said, well, the little, they were, but, like, he went to come down, by yet without question more, and he was going to beas with some eyes, with a ravi, and the people did it.

And I mean, me, I'm going to give more fear because I started how the yantto was moving

to a place to another and a little there's a lot of the turba of people

of the circus I was with two chachitas there that they were

there one of she a door and when the door

she starts a start a there we're we we're we'll

get to and and the father of my my little, the eyes enrogecised with a corre and she,

he said, no, I'm going to find it, and the other and the other and said, well, the

she said, the girl, the idea that I brought the little I, I brought to and they were, that when

they were when they were in the that they were in the yantto, and the yant was to

move to to the other other other side, but it was like if it were moving,

I was and I and they had they were going, and I was there looking at that point, that appeared a bigot, a young woman, that was coming down to go to the circus in the madrugada.

How will be going to be going to be a senior? The place is there, they're going to. No, there's form of enter, and I was going to. He said, "'Tenan'cuit,

because there's a dween here that's going to do you, that's has to be able to go and we're going to the carpa. And then, another, he says,

"'a me has to be a brother. And the other says, but no, you know, but you know what I'm I'm a circle with him, and I'm sure to see him, and he'll get a-dient,

and he said, and I'm here, and the two chasas me pegged, and move in the the head of the river to be able to something that never we've

to understand. And now I'm to ask, a point, a-pok you're a fondue in it. And with this story, my

dear family nocturna, we've got to the endil fogata of stories. But, before I

I'll be to say my dear family nocturna this day we'll be in Saltillo and Torrion. This is the

ultimate call to you can't get separating their places to and goy and you're in a few

months more we're going to be in Mexicali and in Tijuana also we're

going to be in Hualahara and and probably very very very soon in the city

of Mexico so so you so that we're until we we're we're

we're we're in the next Saturday Sambos sombras, I'd

a desire you. For sure, subscribe and pick the camera and on the camera. And in Spotify, see us in

another five stars. Bye. Bye. Yeah, I'm going to ask you a little.

I'm a very. I'm a particular to the family nocturned of Saltillo and Torreone?

Yes. Family nocturna, the voiceicita of the last yeah, that those defiend,

that all the time to me to give a lot, to give us what was? That was

stories for that you can't talk about Oh, for favor.

As I've said, in the fogata in the city, the fogatas that we

do you in the theaters, in the theaters, we have different sections of the

show. And one of those sections are that we selections of the best you

and we want them and we have made that they're good that's

so far far people of Saltillo and Torrione manden us his stories.

For favor Ponging Salty and Torreone at the initial of the history

and manden to the WhatsApp of the pasattsop of the passatheas the pashs

81 37567 6754 more 5281 81 37567 6754 mandala

because in one of your story will be told that you now of the

first I'm said one I'd want to no no another another

almost almost almost And not I have one. You have two stories. They're rare.

They're rare. There are. No, it's not not much things in the paranormal for that

you're that you think you was like a little and it's a little pedasos.

Occupes that one one one single thing, that no has no

doesn't occurr pass. And then in at some moment we'll send her to history, and here we'll we'll talk about what no exists. In the case, we'll put to the

name of Samantha, he passed something very rarito. Samantha I live a life normal. No is a mann't of the stories of terror, or no it was a lot of the paranormal. She lives with her mom, that is mom a solterer, says that there were a circumstances

very complicated with her papa, so is that they've been the two-funds and all very well. He has 17 years. No is a little. Tomew. Tomew. Tampo is an adult, but she's in the middle, and she consider for the circumstances in which have lived, a person very prudent. At the day of today, it's, he has 8 years more, has 25. But when he was 17 years, he was this

vivance that he left her markadishima. Samantha and her mom have a ritual. Senan, together, the days that can. At final, now, those 17 years, they're taking a cup of wine, each one, a Samantha, they put a chorrito of jug of And his mom So, she put

a chorrito of cup of wine. And the two bring them and they're for a good life.

And to one of the two, it's there's some kind of a manfufada more

different. And the other says, and for a good pizza, or for

some some rottes, or say, and it's all they're

they're they're a day. It's a thing. It's a one

different, and so it like a moment special. Sub in each one at

the one, the other back. After the way where and when

when you get to the stairs, each one to do you know the other in directions

opposite. Samantha enter in the room, see the door, normally,

she quita the rope, the little doubleed in a chair, and the

one of the one of the one of the time, and he can be done, and it

and it's a day next at the 6 of the morning, open the the eyes.

Nuncook a desperado, never occupied the cellar, nor the alarm as a little bit of the exception.

That night was the night, and standing on the camera, and then it's that something

that's changing that maybe the temperature, that maybe the atmosphere, the pressure, there's a there's a

little rarro there. Because it where it's the eyes, and where the door is to start to start and

the door starts to come in and more and more, see that there a woman that's a little bit in a

bit of a and the silhouettes is quite much to do that her of your mom. It's identical so is that

she's the mom and she goes and when she gets just to front of the camera

Samantha she's so I'm yeah yeah I'm just to get

me and you have so I get to me because she has

been she's she she's with her mom her mom she's

she she's a little more more to be a then,

Siente where the under the camera in a point, and then

that undiment commences to get to be to be to be a

back to be a over and he he's a little very

very sum, sum, a bit very very very

very much a problem of eruptions in the and then

he's sometimes he's sometimes he's softasite and the hand

that's when the hand, doble his index, and he to take with a unyna from a from the palm

to the muke. And the sensation is so dolorous and profound that she does know that she does

not the mom. Her mom not uses long. And she has aparted like something

that's transmitted very feo. The other other brother, the right,

he has to grab, and the braza with forces. But she not sent her to be over

the body. It was like had been out of the camera and he plasped to the

when he's in a little cry, he's like a little and in less of 10 seconds,

he's there his mom but with the eyes injected, the one he was, being a

little bit that the little bit of the camera and being the head and moving the head

and he's Samantha, what happened? What happened? You've seen a piece of a pastire,

and Samanta is sure that no was not even in the moment, in the moment in the moment in the when it was

the moment to open the door for complete, or in the moment to hear the pastos

for there, that that thing, that's disvanseo. And since then you know that

there's a other rare in the house, and the mother of Samantha has kept a mark

that's a middle of indice, after the muke, and it has been the only time

that a cutada had taken a time in the And there's something very rare. No, there

gots of bloods of no other objects, punso-cortants, no have any other that could

have had had been to be that way and then that's in the house, they're

in the other we have these senses that they like mimetis

with the endor and there a child Andrea. Andrea

says that has a great quality and he says narrator, if I

would be the head the I'm the person more distraided that you can't imagine.

All of them all over and I'm a point out of a problem that I'm a problem that I'm I'm really

I've done you imagine I've subbed a caros that no corresponden to my family and

me have put to talk to and have passed until 10 minutes until

I'm that I'm that I'm that's perfect of that's that's that's

that's that's that because that's people have said,

I've I've tried to say you 10 times and you no you know and I see with a car of

a little bit of a carcane, me back on I'm going to get over the car, and I've passed several

times. I've got to the supermarkets and me have been doing the officials,

because I go and when I get into the and I say, I'm going, and they're

going to get the people, and I'm not pay. And I'm they're

and they're in the RIS because you know the supermarkets to the

that I know, that I is a person that distraided. Me guard in the

cellar, the cargeras. It's a key in the carerator. My targetas are very little,

never they're not used to because I'm kept up at in the cargeros. So, but me

passed around two things very rare, and this if I don't know there's in my

house, sat ditt in a room, when I start to get dormida, and I

feel that I'm so I'm very rarro I'm just maybe I'm back back

back to much force while to be done a a movement I did have been

to have been said that. And then I'm thinking that's when the sillion is moved to back back and he and he'll play there's a and I'm going

and I'm going and the next and I said but if I was but if I was I was sure and the door and the sillion

was choked by the door and no there was and it was he made any but then I was I was justraired and I was

just I was there and I went to various days and me went to the house of my noviour and he was there was

I was in he was there I'm in my own when I'm in when I'm I'm in front and I'm

what I'm you're doing that's runcating and you you're in my hands and they're halle and where

they're gonna see you I'm gonna I'm gonna do a car and I'm sorry and me he says

what you're you're gonna and I'm you're gonna I'm gonna I'm gonna I'm gonna I'm gonna be

so if you we're gonna like you I'm just going to hauling, I'm here. And, well, if it's a certain, Narador, how will be in front if I was after? Well, me was trying. And then I said, but,

but I'm going to be in front and me say, no, if you want, we'll have been trying. And then I confessed to a narrator. But this is the more than I. Because this is distraved, it's a co-barde. Me, he said, well, I was a very much of the door.

And there was a sombre in the door, but I gave a shorro of fear. And as I did know, I'm just to talk with her, and I said, no, I'm like that's a friend of Andrea, and I'm a more I'm going to

when you're when you're my time, I know, this is other other thing, and when I'm that I'm

never going to to be entran to me, but no, I know how it's a but it's not because you know that's about

to be able to get it because I know, I'm going to have been so, what you're

it's too good, it's good the time the night, so you're so you're more than

so you're to get us to be a mano so. So, so Salty and Torreon,

manden those stories, and separates and the foggata. Mexicali, Tijuana, Awas Kalientes, Ciudad of Mexico, and Guadalajara,

goy and they're preparing because in two and three months, we're going to get to see us,

on the sabbath in the fogas in your city I'd like you'd have some and then you see,

and this jubes also, bye-bye. Bye-bye, boy, posisita! Thank you,

thank you, Ardard. Ah, if you're those stories, you've understood. You've seener.

Bye bye