HABLEMOS DE LO QUE NO EXISTE - Historias de Brujería Infame , Pactos Fortuitos e Infestaciones Indeseadas | EP 309

Episode Date: July 17, 2025

Bienvenida Familia Nocturna a ésta Oscura Fogata de Historias de Brujería Infame , Pactos Fortuitos e Infestaciones Indeseadas en  ⁨@HABLEMOSDELOQUENOEXISTE⁩  El día de hoy les traigo historias que ustedes, querida familia nocturna, me han hecho llegar al wts de las pesadillas. Escucha la historia de la casa del tronco quemado y la maldición que oculta. Tiembla de miedo con la casa de los demonios, las brujas del tejado y el Ritual de los Frascos. Y conoce la historia atras de la leyenda del trato con el diablo. Asi que Prepárate porque llegó el momento de que @hablemosdeloquenoexiste

Lazzang sur-gillet, Pugance-Moyerned 15 minutes. We're like it's the hour dojo. Prere to play. Vive the pleasure with Leo Jo.

The casino in-line that proposes the most recent machine-as-a-soo and the money-to-cili-a- on Big Bas-Banza without exigance-enance

without any questions. Hey, I've gained. Woohoo! Scentire the pleasure Play-O-Jo! 18-N-N-L-Eepo 10-2-LORUXUKKBBAS-B-Bon-A.

50-TORDDVVANZZZE, DePovovs to pay are responsible. The conditions apply. Biennue at board of Via Rai.

Embarked and profite. Embarked and celebrate. Rigolet. Publiere. Savoray. Admire.

And, and enjoy and we love that We're going Mewan. Welcome to This

Oskura of Hogata of Histories. The day of today we're going to infestations. But,

before to start me to give to all those that is the first that are

here. If you, for a reason, it's the first first time that you get about, I'm going to

tell you know, we're going to start to be able to start a fogata oscura, what means that you're

going to hear of a sequence of stories, that are to start for the more

uncoquas, and we will be the most atterrador. So, is that you're not

you you're not to get this foggat but if you do you do you let me

in the comments to give me to a very welcome to this family, the family more oscura and more chida of internet. And one of this,

invoked the family nocturna for the family nocturnal, and me say, Narrator, we're going to the Gira of Mexico. Because, this week we're

we'll use the features and the places in those we're going to start and nothing that we're in your city and for we're going to

get to once said this let's make this oscura fogata of stories. Never, under no circumstance

you say, you'll enter in a house in the case you see you they're but

you're in the first you're not a person. You know, it's not there

can't occur what he occurred to you. Teo is a person with a

context supermente particular. And when you say that's rare that a person

has been that have been a things paranormal and I refer to questions of

things and questions very very delicate. Theo Nacio and He grew up to his 11 years in a community that was very rudder.

A community in the which, a penas on a foot out of house, you're in risk. Theo took contact with persons that were people who were people who were very violent, persons buscadas, but were part of the community.

He was a little. He was not distinguished of good and malos. He simply was used to live there. after that Theo Crece And when When he gets 15 years

In a community And he starts And he says I've been in a place I've had But then So it's

Yeah, And when Yeah, And so I'm talking And so I'm I'm talking And listarse

When you When he's When you're Even more Ruda Because now if the violence

So it's It's It's all And you It has to integrate And it has to diggerer

And he has to to be a front, because if not, the violence is he will have to come to him. Ateo he took to go to the war, and he's an instantia. His character is a world, a character reactive, is a person

that no he has been a lot. Or is more, in occasions, if he gets to have a fear, but no reaction to a person common. When he has fear, he has front, but he does front of a way in a place in a posture of attack, and not will be able to

to go away and be there's a little. Theo still and the day of

day of today, he's 50 years, he's a person very

active, is a person a person that's a character

quite quite very that every that every that

he does he probably not would not I

would it like he he he would he

he would be he because Teo instantaneously is going to put in guard and he will go to the place

the call the world. He will be a car and the things are not to terminate that's easy. Since the

context that I think you know, Teo at the day of today, if you see in the day day, is a person

very normal, is a person that would be a person who would be a chararriety and very

amable because the circumstances in those the day of today of not are circumstances

of fear. He has a job property, has a local, and does services

technical. And justly, a person was a person's to make to make him to make sure

to domissue to revisit a thing related to the maintenance of the windows, that was

going to this property and he anticipated. The property has a part of a few

months back, nobody is there and I need to you do you

do this because the I'm to put in rent. Teo he asked directly. Dime what is. Dime if the is violent. Dime if I'm

to get me a little bit of protection because someone's there or there's a possibility of that he met someone in the house. The person says, no, it's a barrow very beautiful. Of course, what I want to be that the house not decagues, for that's see being as well as the rest. But I've noted that this type of problemites in

tuberies and in windows. For favor, be for the person that came to the service. The person that was the type of confidence, it was a cliente new,

he was a very good bestied, he did the anticipo he said, and they

did he he's not to be to be under the law, and he gave

the the key the he he he was

a usual and he he has the original

are they are very very very used and

normally in where he live those those those

have those those they have received the house,

those the keys those are the only to they're to get to be

those they're for the only for the time. When he did the

little a little a little he's a little he said,

and this house I'm I'm a lotteria because that

type of service for the area in the area and the thing

he did you do, he's a very good Heva's herringenance, for if a case-a-you-a-you-up a spryde and he's been a pair of

things more of the defense personal, but he knows they're not they're going to all in a little cajita, the cajita,

the cajita, and it's using that perfectly well. While he in the camionetta and go to the

domicil, is he's thinking all the time the type of problems that can have the house,

for the data the person, for the the knowledge that he has done the time,

he has done this, is thinking in possible problems and possible solutions, what he does that occur a little phenomenon. In a parpadeo,

he's got to gore the 30 kilometers in those that had to do to get to do that the time. He didn't

even if you didn't know that the time is like a sensation positive in what will be a very good job,

and then he gets, he, he's par in front of the house and occurs something that he captained the instant.

It's something that has been more than 25 years when I was in a situation of a war, and is that someone in the obscurity you're observing. When he was in front of the house, he sentio

like if someone in the house he looked at fichement. I'll tell uscurity, because when he saw the windows that were the side of the door, no see absolutely nothing to the door. The barrel was very beautiful. But the house, the house of genera scarlethrieus,

it was like if it would have an energy proper. If all of that barrio, the casas were black, this is roger. If all that barrio, the people of that of that place were, they were in a way like elegant and beautiful, the last of the people, the person who are going to attack the rest of the

place. It's a lot. It's a place in which has been a violence. It's a seem like a place that is upon to to attack. But Teh, no, is a person that terminate in questions like so spiritual. Not is a person that's a person

who is a professional. He will go to the house, not to be to do and what he will do is something a very simple. A protocol.

He has protocols for when are in places dangerous. Regressa to the camoetta and he took then the

caja that he was to use, he was put under the brazo, he the maleta

in the other side with all his instrument of the hand, He has the keys, a door,

the mailet, take the caja and it's part of the protocol. If there, when he goes to the mallet not is there,

someone is in the domicilio. Go to the carmionette, regressa, the mallet is in the same place.

That is a good sign. Camina in the first piece there are two windows that are

rotas. There is a focus that is parpade well, and apart while, while,

while it's there is a thing that has been not had It's being heard. Where is out of water and it's very strange, because the quantity of

water is not a poca. It's a lot of that is a bigger, or that is a tube of a tuby has rotted. The rarer is that the the piece no is to be in signos like of humidity and not so much to

the house. At the contrary, the house is set a and the worst of all, is that is that it's a feeling like if someone is a sensation

that he knows perfectly. No, He doesn't know why he's he knows of questions scientific, but he identifies that sensation. The worst is

the intention. That presence that is there, not is a presence good. He has known in persons that

are disposed to keep to do all the other, and I think you know I don't me refer to

the bienes. I refer to the good as the best that we're that we're that you

can't, you're not started in this world. He, Theo, is there

is there tranquil, but is in guardia. All of attention is in his eyes. Every movement that is agudizing the o'gidens, he takes postures in those which are not going to flanks in those which

they can attack. Then he's the window, the place more near where is the but the posture that has not normal. His eyes are looking all the periferia.

Nobody is to be to be able to be to be a surprise. When he gets to the ventana, making a macko like if if they were

revising and as if they knew what she's a little and he's

a little a little and then then he's a strike and he put in the box and

he's a instrument more that I don't you to be to be with

a personal he he is there he is a there

is in guard and and it then when he

he he he he he He's carrer up. In that instant he's alterer, he's a lot of the spades

he put rigid, he has to put in guardia direct. This can be a situation very, very difficult, or it can be an animal, or it can be a little. You have to have much care.

So, the first that he does that is that's what in your hand on the armory to put it in a little bit of a lot of that one of the right, he put it just in front of him and he

is to pressing with a force that's that's in the man. Theo is with this thing in front

and with the other man down, the instrument more more dangerous in the zone more

secure and is when he's when you're at you're I'm going to repair the house

me I'm he's he got to the go coming to where

is that area that's that's going to and it's he's that you

see that in a lavabo and the they're being and they're a

amount of a quantity of the time time they've time they're going to

get a good time and it the the key of the the car of the car

in the other and always being to the point to the they're

they're they're not No, there are passes. Nobody is going to the escalars. But when

when he comes to hear the and then say the way to say, you know, I'm saying, you know,

salted of the house, no I'm not going to call to the policeia, I'm with to defend me,

no do you make defend me. For favor salte, no, I don't do you go

to do you do anything. He's he's when the When I've done this before, it's a voice so potent,

has a decision that when says, Saltte of the house, no is playing, and the person and the person

and has been, you know, has been to have been to have a but here not going to this.

Here, there is a silence sepulcral, and in the moment in that it there's

three pacitos more there of the thing, it's terrible. It's the sensation of that the

enemy is a positioner behind and at the instant he's put to the

way to be a lot of a lot of and he can look to be on the other and there's a bad you know

the bad the presence that's very very close of him is a enemy and is a

in the presence of the enemy and there there's a enemy no is visible and that's

he's he put in the back the left the left the left the left the left

the left forces of the right still with the other instrument that's directing to a side on the point not can

cause cause but in the periphery of his eyes is looking to see the back and it is the

other side. Because you know, but now it's there's a man, but now now it's

invisible. We're not we're not talking to high technology. Entient that's in a place

insecure, insure spiritually now. Now, no doesn't not know

to be against that's not he's then you will be to make

that the mead's it Cometh I'm in I'm in I'm in my work, I'm in a pass

I'm in going to and if there any other come here, salter you and in the moment in the

moment in the that says that you begin to walk to the stairs and you know

not have no more that you know to get to get to get to the

walker the and the things can be the pathos so it's giving the

space sufficient for that if someone goes to go to go to the other

the other the other the he's and then he's to get to the

house and then the thing that every pass that's a

thing every every every that he's a single

and the one and it's that it's something

that he's that he put to the blood to

react with the tension put to the maximum

and the question the You know, You'll support you to get at the Scalera? It's a

The pressure literally, the pressure of the in the the blood, in a person of a person of 50 years

and you're a stress-tall, it's not very well. Teo, he convinces to the MED no

me will go to not, no, never. Commience to take a thought of

the hour, and starts to restirer more profound, and start a little the

part of the time and then it's a menaceousious that he he gets 45 minutes,

four-quarters review, you the the house no the mobe

those 45 minutes were practically a cateo to a detail, from muros and From, Paredes that

could be able, things that were in the house, it was really. And you know, something? No,

there was no nobody. It was there. It was there was a little. He was going to be able to because one

that he came to do the thing to do you have been solicited, I've revised,

now see, what type of problems had, the type of the type of the door,

after this type of after these things, it's that's coming into the escalator to the escalator to

be a lot and he he's quite he's going to be in not enter they're not from

the plant a place the plant in where he's so he he's that he

he's like if he could be to be the ragadera and the lavab of the

the plant altar gore right now now now so one

one on front the other hand the other man He goes, go, enter to the

and you know, you know, you know, there's there's a walk down on the

escalator, go back and then what you want to get to a place, it's a

presence, that's a that's that's not you, you're not in a physical,

you're in a place, you're in a good, but no a big on the side of

him, and they're a way, and the it's to the last of him. That sensation

is to enter like in a shock. The reaction that has physical is instantarly direct his man right to that place in the way in which I hear the sound. But, for other part, the Cerebr has to understand that that thing of there

no see. That thing of there is playing with him. And when he understands that and he can't be sure to be his color facial back from the rojo almost rosy, to a rojo more rosita

because he was able tranquilize, Sientincentaneously like if someone, that would have been sat down

all the time in the escalator, she put to be at the back. That sensation

was such such an un-brasadable, that he decided just just to put a little

rigid, continue to be to the plant back, go to his

maletta, met the things like as nothing had passed, no

the the And from there, cort the water. The worst is that after the

water, listen how they're going the same, and then they're going to start. He's

walking to his carmenet, he's sitting in a shock total. I want to take

this work, against what I'm I'm going to do you and it's

doing Vultas. Revisa one and other those protocols. Revisa, other way, the revisions of the house. No, there is the place. No, I know. No, I know what to do. Regress to his office. He says, for

favor, come back, here. I have to talk to you. When the owner, he says, yeah, it's all right. And he says, sir, had passed something in the house? And the the Lord, nothing else, he says, what happened there, or

what did he, and to come back? What? or not the job. And he says, the house not is the house

and he says, no, there's no, the house. And Teo,

Teo, no can't make the fear the so he said, so I'm

said, in two months I'm going to go to go to call for family

nocturn that me send me some give some I'm I'm

don't have the time. It's never too early to plan your summer's story in

Europe with West From rolling countryside to cobblestone streets, begin your next chapter. Book your seat at westjet.com or call your travel agent. WestJet, where your story takes off. Fan of soccer, you could assist a moment historic. You could gain these bia for the final of the Cup of the World of the FIFA 2006 with Visa. It's just to have a card of credit visa BMO for participate.

Inscribe you at BMO.com bar-oblic concourse. The reglements of the concourse is applicable. If you're a point to have family, elige very where you're to live.

No, I'm going to say that what he was going to Elvira and Eugenio. Elvira and Eugenio

were in the Fuego MISMO. The two two, since they were, when they were 17

years, Callate that they were all the day. They were to start a class.

The family did not after, then they were very enamorated, but also was very

very juicioso. No. It was final of the year when the chick was a woman, and when Eugenio wanted to be a papa and wanted to pass the rest of his life with her. Lamentably, and this is

something that many have lived, a raise of the age and the fault of studies, the opportunities of a very good job, not are so many, for to say, that are very, very pocas. Eugenio wasco a job, the first

that they'd be able to make part in his mess because his family was sentencio. You've eaten lunch before the recreo? Well, aghase cargo, sir. So, is that you go to encargar of the senior and of the young, because your senior

occupant a year, so formese yeah. And Eugenio, from there, it was he made us into little, first with the vicineau-lavar the car. Of one or other place, they said there was a good job there, a cargador in the market of abastos, and it was a

person that was like an person that was in-your-in-a-one. In this localitto, it had to be a million-junk-s, Entrava at the 6th of the morning, it was 5 o'clock, but it was made a-the-off.

Cance-dicissim. The good is that the Pago not, tan, tan, so bad. He permitted to pay us a techito for him and for

his wife, and that wasa feeling to feel. It was like the chief of the house, the head of the house.

You can't tell you that the words that I use, that is a story of the

years 80. So, in this idiosyncracy and in this form of living, and in this buskid of Eugenio and Delvira,

they went to live to the house that they'd love them to pay. One casita that had two-quarters. Apart, the Sal a Codeman, Cucina, apparently made a three-p-three. It was a little

t'itititit-tit-o. Mesa? No, it was properly one of the one of the one. It was the mess more small, pegged to a little because there was a little

two sillas. The sillas, to able to open the to the entrance, you had to get to one of the two. in a place

very, very, very, but they were in a despite of these circumstances were in

their and were to have to be be and they were a good. He was he felt great,

he was that the things was that was getting and the thing and I'm

that so that things started to be to but that

that that that that that was that had

a little that was a little that That house, it was most

he was the second month, that was the house was alive. Elvira started

something that Eugeneo didn't even he'd be used to a while, he'd chasable, he sat down, and in the

second, and in the minute, he was a general, but to do you know, because

that's a barbarer. Roncaba tromcable tremendously and he no he'd be and he had to

do chas two cosites in the night. First, he had to because there no way to get to get it

and so I had to do not really and the second is that she she was going to start to hear the cellas of the

commas of the commas were they were and they would be the sound it perfectly because it was the

sound that was the when Eugenio had a and he rastrava a rachinid a desagradable well that

sonniko was reproducing other time in the madrogas I was going to see she was going to see her

she was a loka, she was there in the quarter and what said to be to be in the question, because maybe to be hidden to

a piece of a or in a little more than you're in the same. So, she's that she was to get to

the camera, peggedita, Eugeneio. The problem was that then they were other noises.

He commented, Eugeneio. Oh, yeah, they're going going to things there in the cella,

like, like, they're like, and the and he's if you end up and you're if you end up,

That, Barbara, the repent, I end up dormied and me and you get to move. And yeah, I'm the more I'm going to

do you know, and I'm going to the same, and I'm going to the morning and you are you're doing, a chair up of the other,

pegated in the stufa, tiradas in the piece, well, what's the night? She says, and she's the

what I'm doing, that's the that's going to the night's just you're doing the and you're not, man, you know,

you're being, but you're, Not you see, we don't we're talking of that we're going to

we're in and the little and the year, he's experiment to other things

that you know, not have not they're with the not with her because he

has seen as being in the kitchen the only the only the equipment

of the the equipment that practically are a cargions,

there that's that can't open only and they begin to all the

utensi of the kitchen that they have they as they're metallic, son to sound where they're

going to the viva, the caron the gulfe, and then a little he'll be

to hear how it and they're to bebrar the objects. It's rare because has a pair

of platitos there just above of the cajorn and those no vibran.

There's a part of the window that is a part that's a part that

was put down with silicone, but something that's the is what is what is doing that the river no isle. One day

decided that he was to get a man in that that is a big around and it's not being a little

not very much. It's not a good. So, it's like the house. So, it went to

put a place. He was a part of things. For a there, he's a

little pesable, and when he goes, he's sure of what they someone with a

capuched somada from the the window of the comedor, vending it directly. No, he'll look to see the the rostro, but

he gets a minute, and he's a little in the room, and he a little bit in the door and he he gets.

When Eugeneio he gets, what enojada said this type? No, he was the dinner at the

end of the woman's just a no more, no, he did he said, and the he was, he sat on the the camera

after the time, and he went to to roncar. Elvira had to try it all the sentiments that he had made

a nod to the gargant and I'm saying, Eugenio, I need to me protect and you

protectas and you know, and that night he said, that someone that was from the

commed from from the door, what is the case, he's not he's a good,

and from to say, Eugenio, Eugnio, there's a little rarroro at this house, I'm not

to be a good, I don't still to here, Eugio he said, we're rented

for two months, we're going to we'll have three months, we'll be able three

times, we're we're not a three months, we're we're not so we're

to get to and then then the Vira wants to to try to all the value

that has and say but is that I'm that's a good that's all that's

they're making the that's in the window in the night in the night's in the

manner is a way in the house. And that is a very good a part of

a couple of a month after a when she is a time, with a roseario

that he gave her because her mom he said you're embarrassed not you

don't you put for the good you need to you pardon to

God the custom of the time Elvira he put in the

camera to and he starts how something something that

something of Brink the Techo and begins to come to around to him

and Eugenio. The the techo not is a techo of a piece of a cement,

it's a tach of lamin and it is where it is a time

when he's when he a inco that thing between mahuia and a

because it's something that's a voice of a maugid

of a gatito sound something more melancho more more

fur the the chinty. It's a moment in the time in the that he's

not a get to be very much he's not too much to do you do you know to do you

do this and she's and she and she and he and he to ask her and the

people and he's to talk to the barrio oh again it seems that my house

there are something can be someone that may help help you help

that the she doesn't many questions. He does a pair of gerbittas, he says

that she has done a that I have been to be used in the church of the

mother, that she put to to be a rosario, and he does do a some of

that's that's that's not a day, and she is a very quiet,

and I'm doing, the days in those the years, because no there's when there

when there when it's put to rest. That house has rues in the night. It's a

year after a couple of months in that she has used to get a little of the

little bit more of the yearbitts that one a beck and he says, Elvira,

I that you I'm changed before the baby. And he said, because I know,

I've seen, not it's for an not for and I know that you've

seen when you made that my my And from my house I've I've been that in the

nights around your house in the deschions they're like a lot they're like a lot of

they're not really, for you know, because one I've got to the amazer. No,

I'm sure. I'm sure but I'm going to see what the sun and those things

not didn't move here simply just they're not they're

I'm to go to you and you to be you What can be going to be living Bilma?

And, believe me, is something very delicate. Bilma is a person that, that is sumamente religiously, and me say, narrator, I am a person very spiritual, very, very, spiritual. I've pised many religions. In each one of the religions that I've

been to a person, of the which has been, of what is the religion, but live the religion and live the part spiritual. But all that is because I'm trying to go in contra to my destiny.

I think my destiny is obscure. I think that someone in my past did something. And is that I've been a little experimented

things very rare that never I've never encountered other person that live. Now that I have seen your

channel, and I've seen that here the people who have been that tryvenes

to tell them, I want to tell what me, but for favor, no digas my name.

Vilma, when he had around to be an one of the situation. Me said that

she was in a bar in the world many of the houses were dishabited

and they were in very, very, very, very, bad state. At the

point in that various of the house were practically ruins, and they were

in a place, but there was a final, nobody that had had to

if he was a money sufficient as for that the people were to

do that those things that they were that they were not. The people were used to

that the houses they were not put up that there were people not intentional

or not that were to get there because would be in the barrio

even more more more more. And then then they had had the

times and they were the time to put blocks and some and some

type of in Harry blockying the types of entrances that they had in the house. Vilma, at this age, a day in a day normal of his life, in the which no has passed

never nothing of the type spiritual, and is a person that simply is a little that is a little bit, that plays with his people, that I live a life like any other,

he goes to run to the house of some Amygitas when it passes near a house and there something that

she has a she doesn't to say, I don't know if it's something in my mind, in my

heart, if it's something that I'm going to go to the house and at the moment

I'll turn. It's it was a very rar like if something, like if a kind of

like a type of thatig would be a back to and me when I'm

puttee to the front of a lot that was there, the matter, the

way that's It's a case a back, which a me doesn't mean,

because I'm not in the border, but it's back to get to be into the house,

and I leave space to make me. The place totally

desecho. And I not not I'm a person that not a person,

but it's that I felt I that I started to get to the window.

If me me had been about the things spiritual,

you but I know this. Entro in the house. Camino on the house is a massico of polypolares,

no has made the t'emoeblets, the paredes are chasas are said in rockabiva and of and then just on

the front of a hall that's of going to see in diagonal and it's what seems that

it was in some moment was a patio of the house there in that zone where steles

of the light? Me, it's where I'm the I'm a narrator, for a little

very rapid, I'm going to come to that's, and I'm that's like that thing is, because I'm

thinking, I'm going to think, I'm going to there's a clavos, there's, there's

there maybe there's a little there. No, I'm not of that so.

I'm just I'm to go to be and I feel that, it's

like if was a case to a a call. It's like my

mom me was about I'm and she and she respond to a

surprise and I'm doing the thing that's a but here my

my mom I'm my mom I'm in a place the that is

that is there there can be there other there can't

that can't end to per and it's all

and all and I'm feeling I'm feeling me ruggious of what I'm doing without sense and I'm going advancing to there and when I go and

contemplate the patio, I see a scene that me leave a friar. There's a gas of the exactly in a trunk that's parted and is that's been quenade. At the side of the trunk

there is a mess of a peter or a type of amago of a mesa of the side of the right. It's the way that is the

earth removed as with the form that I in some moment I've seen in some cemetery in the one of the one they put in lapida. It's a type of

a type of a child that makes a bulte in the part of an way that's over would have been a person

what I see me a free but at the time me he's and I'm to come to come back

to the tronco and when I go to the trunk cremado I'm in the center

of the tronco that I know there there are some there are some color

rojo, but no I doggro to understand. I'm and as I'm sure. I'm not. I'm the

arms and go to go to that's the narrator. I'm start to hear things

to me around and I'm make you make you and I'm around every other

more, more, more, more, until that one part of my curiosity

has there has been there I'm the eyes and I'm

all around the trunk is all of the cranes. All right. All right.

And it's all come from that tumba or from that bulte of the because from there are going and more and

more and more and I'm that's starting to get a all the patto and get a a moment in

that I get a terror that I think I'm going to go to some

so I'm trying to get some that's I'm going to not going to make a so I'm

going to back us and in this behind the trunco that's a woman vestia of black

that's covered in the part of the rostro and in the area where they're to be

like a redel a steyo a that makes feel that that was a point

to do make a mind. I'm going to go to the piece and I

no I'm a one only one only. I'm going to go to

when I I when I go out, I'm I'm going to say Pilma, Ben, Pilma. And that voice is a voice aspera, is a voice a voice that's a voice that's a voice that

me hypnotized, but I'm so much fear that I'm going to go ahead and I'm going to hurrying. No I'm thinking in nothing, my head is that blockia a part of that day. All the semans are a minimums-sueing

about alacranes. This woman, trying to get to get to a other manner. I've

topado in various occasions when I'm doing the lot of the d'I'm doing a

facial and of a second I'm in the space and in a

parpadeo she she's there's she I'm not see if I'm

see that see that I'm seeing she's she she's she's

and she not my life never was the I'm sitting and and of a

repent I'm to feel a frio but the sensation of the

sense of your feeling to be saying I'm and I'm and I'm a little

my car. No, I don't tell you someone, I'm there no

one one but the sillion was unded and it was

and I think like a man and a great

I'm put in the regas I put in I did I'm

much And when I came, other again the bozaspera, Vilma, Ben. From that

day, Nargador, I've to look to look at religions, spiritualities, something that

me will be to that woman. In my dreams I have seen things,

I've seen with books, I've seen road of aranias, of scorpions, of

armigas. I've baptized she like the reina of the insects,

and I think that the reina of the insects. Me He wants to

do something. But not is a good and not something that I'm

going to be going to and I'm going to I'm going to I'm more. But it's like

this reign of the rest of my spirit. And one and other again, me I'm going to

find. The history that is about the burghry more infame that I'm

made to have been me the manned Rosalva. It's a number that we're going to put to the person that me sent me to give it to not give to data, neither of numbers, neither the other than you

you're going to hear you, you're going to understand because we don't do we need to say that's a detail. Rosalva and her family live in a community marginal in a

country that not is their country of origin. They're living in a country that they've got to a very good and it's a

situation very difficult to get a in that place in the community in that they've been, no is a community unied, not is a community that's a community that's a contrary.

She says, narrator, it's like living between bivoras. All the residents and the people who are made a lot of difficult. Some people that

are not very good and the people who are very good always are always always are the defensive because in some moment

those mordier and those pick them. I don't but also with the time you go back

so. That makes that we don't have much communication with nobody. No we have force. No us unimus as a community. No we have corum for nothing. The person to have an opportunity of work and has the opportunity to go to get to here. No, he says, why? Because there have been cases that when you know that

someone has the opportunity, even they make damage to not get to get out. It's a community very hard and very difficult. No I can't justificing the things that here do these people, but also I mean, I think that it's from the pain from

the soledity, that comes from the desperance. In this community, there's only been a

only occasion in the which all us we're doing we're not, we're almost all those

that you were you guys in the streets, all those those who you top in those

there were a chamaquito, a muchachito that around of nine years that contrajo

this a new not so contrae, it's a really, it's a

problem, and it's a not you, partes. This is, as being a little and it was

a manchachito that was a little and it was a mannadier, all he did we had tautitus

and he was a little was a little and he's always we know we know

when we when we know the not the whole all and the father

and the programs of radio and television Pidient Pidion of the community for favor Donar them

because I need to start the treatment against the child. My family, including my

papa and my mom, we put us us like the pilas and we we're doing what we're

more we're not we're not a good job, a penas to be but in

the other to be having a agasa of pan each we're sometimes a

third of pan with all to separate tantito money and to start to cumular to

to get to do it to get to do the father of this man. The papa was a little he was there no way to

and the contrary they were to open up to the person that had had been the opportunity, and those

had been started to start to make money, and this he was to pay all the treatment

that he needed the the hospital he opened the doors and they start to try it,

the things are going evolutioning and my papa in those times he used

to do something, maybe for stress, maybe for anxiety, or for a style of life,

always in the morning, before the he was in his own, he was to get a car,

and he never had shorts deportive to narrator. He was going to go to

get a in the clothes, and the time, he was to go but he

was going to go to get to he's he was a he was, and a

little of chispeo of the water in the that was is the water of the chipichip, the, that not is

like you'll be a canteros, but if you get a much time, you're gonna be empaped, he, he gets, and he's gonna go to parer, and he's going to go ahead. And it's, two, three hours, and in the three hours, all we're always, he normally

a time, but yeah three hours is he's putting up to Inhack, his job. No, will get. No, will get that day, I'm going to go to work, and he'll be able to do that luxury, so is that all of, is that we're all we're worried.

I'm with my mom and we're a little a little very little with us. There's a

little bit in a community and we're in a community and we're and then four hours after my

father my papa and it's very strange. No has seen that he has been

a little soo but it's all, but it he's all he's all he's all right

he's not, he's just just said pardon for preoccupos you,

you're to go you, you're You feel the No, but no, don't you preoccupies, we're going to

to the doctor. No, no, no, no, you're going to feel like to get a lot. All the day

my papa is in black. Sented out in a chair, tirated in the piece, sent out of the house,

in occasions is a park. It's a park very dangerous narrator, but

I said that I needed to be to be to be to be to be and I

not not not for two several but he's he's

the time that's in he's a he's a really a time, he's not he's we're doing

we're doing that we're we're doing that we're not going to talk about in the house,

we're going to we're we're doing to do you and you doorms more you're

you're there, there's there. And so so I'm a time until

my my papa and my mom that we we're that we has to

and the narrator what he the heart in pedacitos. We told us that a time after the day that we

went to look a little he went to he was used but he was a route different there was a

something, something that said that he said that was a little bit of a little but so

so often often it's not definitely someone to be getting to be that

he's he's not even not even even a even a one all

all over to be able to be movement in the So he's just to have movement in the So he's just a lot He goes to work very tranquil. When he's coming down to the Cerro, because if he has a case of that intuition He starts to move to

and he said to something He seemed something more rare. Sintio as if he superiors the Camino and there are various veredas But he knows who'll continue It's so accelerated that no he's thinking, nothing, Just about it's going to

try to make sure the normal would be eligient to be able to beckyce because you know where you're going moving to be rapid, rapid, rapid,

rapid, rapid, and of a repent he got a little bit of a few. He said that there a lot of

pietritr forming a circle, that at center, there was like a barro,

a type of barra and that barra large, there was a part of statues, that he

not was he didn't make the because they were very bad the bellas frascus that they hadentro tenured

photos. He, he's the time of the brugery and he he doesn't he, but he

he's a brogery, and then he's the photo of the picture of the community narrator. There was

the photographia and there another photographia of the little of the family and be

that up of that's there, the area, and there there's a other photographia in that's

that's made that's made, that's done, there Me, Me too chemo

Me too chamoskado, Meadde I'm trying other things in that boat. He said what he saw he put him

and then he started to come to a ram large and then then agrano a ram

large, he started to move the things to make a little to start to get a

little the little the and he started to move all.

Of course he's hebrowing the frasco termed event the earth

above of all He tried to Encended But that day It was this day It was all Mimino

he was He was in a point for to generate some water and lot intentating that the

malas vibras that they chas us did it. We're told that the next and the

next the new year passed another all us we're we're

impacted who who could have been so that so that

had been he made that his his family and

the the to the next two or three seven he decided mandars to another world.

And there we got something very clear in the case narrator. If not we'd

go to that community, we'd to terminate so and we're there there was

there was someone and was trying to tronar the few little

little good there. Two years after we went and

never we've never to know more of nobody of the

what. RBC Training Ground has discovered potential in over 20,000 Canadian athletes and counting. Your story could be next. If you've got the drive, they'll help you find your path to the Olympics. Let's see what you've got. Sign up for free at rBC trainingground.com. There's something else here now. Something new.

From exclusively on Paramount Plus, it's the series Stephen King calls Scarious Hell. Everything here is impossible, but it's also real. Sci-fi vision calls it the best show streaming right now. We're running out of time and we still don't know the rules. Don't miss what the movie blog calls something you need to watch. Saving those children is how we all go home. From Binge All episodes exclusively on Paramount Plus. Dicen that the devil's

and that he is the that's the letters in the contracts. So, so I recommend that before entering in tratos with him, you'll listen this story. This story me I'm a booker

and says narrator I know if this story really but it's a story

that they they're in the family and when they they're they're

they're and they're and we they're and we're and

they're they're saying the same when you you're

you have you have to you want I want

to you hear the story my my parents

not people religious. But this history, if you, every that they've been an opportunity,

no they're they're they're saying, and not they have been a lot of what they said almost

in the initials of a while we'd call him Arnold. The Tio

Pisabuel Tatarawel Arnold was a subject that I in a pivitit

and in this time had around about about a person adult, and this subject of the

name Arnold, had developed a certain gustito for the arts magicas. He was the spiritism,

but also there was a quat for there kind of that wascuer that was that he

was a major. As the he liked these things, we'd that person,

the other person, who knew who had been the other person, but he accepted

that he was to visitara and he I started these arts magical. In that time,

the family of Arnold was a family very Catholic, but Catholic persinada, of misa the dominoes, to do things,

the father, persons of the people that were very very appellated to their religion and the customs.

When his son he's got from the guacal, no, no, no the

verweensa. Because one is that is that is that is that is that is that he

want to be a logger and that's And then they thought the papas, this, where is it's not making. No know what he's doing. And

they're alarmed so that the papa, even when it's of these generations in the calls, look, not-se-awrne-laws, the things, just at the force, they're going to understand. Even when it's of that time, he's going to direct with Arnold. And for the first time, he has been a platica,

father, and he said, I'll try a person for that that's talking to, because what you're doing not is not bad. No, more words. No, there's

no other another part of the nor do you know, he's not a other

that's two days after he's he's not we're going to do and then we know,

and Arnoldo, well, the day after the moment I'm going to this house because I'm having

arto this old and if he's not he's doing, not is your problem,

is the my, and he's the way how to go to that's but accept this

disdewan. A-persele-stra-le-train. A-be-sa-le-stra-le-train. To see, they're to be with what tonteree they are. They're in

a type of merendero, in some type of fondita, in the which is all saturated. Arnoldo,

is front of his papa, his papa, no says any way, he's looking with a car

in the which he's just-gand- second- and in that, if if this, if this was

a verdict, he'd would be culpable of all the cargos. He in in any

moment have been not quite to do you not quite. You know, not you're not going to

think that that's not that's thinking what I'm going to do and you do you

know, and you know, that's this talk about my chives me

out of the and you know, the devil said, and he

is he's he's thinking how to make to the man

to the family his his his back and react

with surprise sonrere, he put to be and he's he's he's

he and he he's he's a little the man as he I'm

doing the hand and the hand pression the the dead

the right right and move the head to not

disappro all the situation dacro down and he

he's a little he's he's he's he's put

my stuff apart. I'm I'm there, and he's his jesus

and with his things that's the this is a true power, and this is me going to

get to and he's going to that he's sitting in front of him, hevante the

look at a big very well bested that you have the hands about the

table, he he's and he he says take patience with your

father Arnold your father no you see I'm

I'm And what you're doing not bad. And then Arnold's so-prenned for what he's saying, and he says,

Thank you, no, no, no me say, sir, I'm a good, a me interest, me, and it

is good. And it's more, I know what you're going to be able, Arnold, you want to you want to

get a lot, you want to you're interested the women, the power? You know, you're doing

is power, you know, and not the things of your Papa. And Arnoldo no he doesn't

this conversation. If my Papa me is saying that what I'm doing this person that's that's

this person who come to but my my papa then or no know that this person

is that person is say that this person is I'm doing the I'm doing the I'm a good I'm a good to be in front

of someone that is he knows that not has got that has many ideas in the the head. The

senior major he responds with a a sonrisa but it's a sonrisa that's a great,

that's a margated, so manned, that he he, he's a little

the skin, she put all the little the redised, and he starts a lot,

and the he says, if you want, if you do a matter, and down

of the the table, he's a man, and it doesn't, he

he's a hand, until Arnold be well, and that that's a

Gwantese of his skin, absolutely obscure, a black like the night, with an

unas absolutely and long as a point of a pico. When that he's over Arnoldo,

it's and it's to be a little, the voice of his papa he said Arnold,

when he he goes he's he's being a person and he's being a

man, he's, he's, he's I'm because you are doing the things

bad, and he's he's he's he's do. And Arnoldo he'll walk to the front and in front of him,

no, there's no any one one single person. With who he was talking no knows. What he is that is that

was looking, he was going to and he interested to do a little bit. But as he in

no moment he was that it was really that he was that he would be to get to

change to another, this is he changed the job, he put to the general,

agached the head, he went to the head, and he said, when

I'm my general? And there he's the conversation. No

there was more talk about, and two months after, he had been

enlisted in the army, that that's with much fear of the

factos, and with much fear of the black of the trache

gris of the red and the man never this

This episode is brought to an espresso hear

that that's your next obsession Every coffee, a new world. Every sip, a new taste. This is the new espresso. One touch, endless possibilities. Iced, flavored, long, short, because some days call for that espresso kick. And sometimes, a smooth, silky latte just wins. It's exceptional but effortless. Like actually effortless. Simply press, brew and explore. Nispresso, what else? Keep exploring at nespresso.com. She knows. How? Did you blam? No.

The devil wears Prada, too. He's the movie. the event 20 years in the making. Honestly, can't with the secrets anymore, so I think we just, we should tell her. Will you two please spit it out already? This Friday, be the first to experience it only in theaters. In light of the recent scandal, I'm here to restore your credibility. Oh, because we're a team now.

That's a nice story. The devil wears Prada too in Theaters Friday. If you're a while you, if you're not even though, or alegette, but never you atrevas to do this. Paola and Javier were married Paola and Javier

had a son of a man, Raul was a little of a penas two or three years.

When Javier he was to make that he was not so much in that relation. The past

of them was the one of a one of a party had been that had been that when

they were had been had been that had been certain vices of He was known because in the house,

he could control. But, out of the house? No, Fuerre of the house was another person. He had

he had a little bit of the day that he was to have the other to be able to and he had been

that the mother and were bruchas. They were to do that and he knew a little of

a brogeria. All of those things not were necessary that Paola was up because she

could put to more. She was understand why he took this type of decisions and

he could do it and he's always very intromatida well, very entromat the day that

he got after he went and he had a little of the shirt and olie a perfume of

a woman that's that this woman is that this woman is not a not me and so

the ideas of Javier is a type egoist is a a type is a

person is a person who is a a person as a point secondary. And then, and then, as farce, as far as the list, to get

to get a 100. In the 101, maybe there's a little bit more for someone more. But in the firsts, no. In the first there's, there's to have an amor proper. It's what he says. It's what he says, leaving to this extreme. No

can't have relations a long plaza practically with anyone. Only with Paola? Why with Paola? Because Paola is a alma good. Paola is a person that, lamentably, is a person very very beautiful,

very good but that not this type of things. As you know, it's all the time, even when

his intuition he says, you're getting to get it's a thing, Defiendet Paola,

la it's a little, because there's a little and he's a little bit. No,

I'm saying that Paola actue in form correcta, nor that the decisions that's

taking are the Mejores. Definitely not. If they're having a very mal a life and they're with a subject that seems to us will make a life a new year conformed more time advance. It's more, I'll tell you, in the plan of Javier, is to leave them, and abandoners. That's just part of the plan that he has been. She'll be

interer after, because this story me la Mando Paola. And me, he said, the narrator, I don't know a count in the trap in the he was, and I saw with the man in the he was that. I'm enamored to a idea of him, because now I know that he not was so.

He started our life of a matrimon and with our little, I every little more free. But I felt

that was the stress, the work, the problems that had in the plant and in the company, it was what

he said, and I said, I was it was a much, that was a extragerated, when he was

when he said, I'd like, I'd to have a money, because he didn't know to do you

and he said he's, is that all you want to you get to you, and he is to

eat to restaurants with friends and and not me invite him I thought he was he he had won't

because he he was I'm much time with those ideas when we're things change.

I have to defend to our child and a sometimes I'm to have to be

it's it's a baby he's he's he's he's he's

certain motes, certain phrases that were things that I don't say I'm something that

I'm things desagradables, things and when I said, no you say, I'd like to

be like a car, but he wastes and he was going to and he said, the new he's not

he's not and I'm going to be and I'm my mom, pardon me, I'm, I felt a narrator

that I was very fragile, and I don't want a man for the world,

the world needs people that are people who try to try to mal, and I'm

to make sure to be to refer him to forms horrible. And every that was with us was a little bit of us made some moments

horrible. He he wanted to we're going to our moments. You know, and, well, I didn't be like a

fierre. You could say that there was a moment in the that this practically not was a relationship consensual

I was at there. I know that was going to get to my little to my little to get to

my little of a maraena of things and I didn't know that was going to happen to happen things very rare. My new my little, in the madrugas and is crying,

and he's crying, that we'll go ahead. When I'm parro to the camera, Javier, me says, Acuestate, yeah, me will be

to make the little bit more a crystal. I don't want a crystal, you, don't want a question, and that you're all

that I'm going to get to get to get to the whirquito that, that's, that's all the we need to, a little

a new doro, and the day the next he'll be a new year to go to go to be to go to be

to be a so I'm to get to my time, I'm going to that I'm talking to my new, I

know what I'm, that's the little bit, and I'm saying some things very very well, and me

say, me they're all my, my assuced the and I'm say,

and I'm a new he'd a new a new a new a new a one mano encapuched,

that has the face like of calaver and I say what is that, what is that? And me he's it,

whecitos, whecitos. No, narrator, when I hear of that I'm put a mal, then what's

what's going to be going to my little, and then I'm I'm going, and I'm

going to the same to the little to the thing, and it's just in the door

of the endra, and I don't you don't you're to be to get only,

and that night, me I'm going to do with him. Would you have seen a Javier he's a

fierre? Gritando, vociferating, and doing portasos, and he never was he came to

me maltratow. He went to there and the door to the day the next, the same

and the same, and the docile, me prepared the sabbored and I'm

said, Paola, look, I'm, I'm, I'm, I'm I'm

I'm I'm And, I'm trying me say, I'm going to ask you that you

never more you'll get to get to the boy. You know, you know, you're I'm going to

make you're a mother, and I'm going to be a man who's a little and I'm a little

not so a man. I'm really a very much and I had tried that morning

that I said, and that night the night the was a narrator, I was

saying that I'm rompia pedasos. So, so a night narrate,

I was my little bit of the little that's that he's that he had the

side of my camera, he was going to know that he was going to be there,

even when Javier was going to be to be being a lot. What I saw, that night that was the day next, I would

get to him to While I was in the closet, I started to see by the regia that Javier had got up with the little bit of the shoulders

and he said, no I want to you're doing. You need to do you say what you say, no you dores of the

and just get to doors no me important, but he's to talk to to your mom,

it has to do you have to do you do you're to do you know, you're not you're

to be my person. Frunciel in treshu and I said what? what is this? And I see then that of the bolsas of the pantalone

he'll take two vellas grand and gourds of color black, she does put to the side of the camera and he's a little in the piece, narrator. The present the bells, and he says some things that I, the only that I'm going to offerend, to do, now is to you,

damme what you pido. Between those things, I was talking more and more things, and one that's he's and he says, and he's, and he's over the

door. And narrator, I sent in that moment that I would be morty. Sentient in that moment

that this old, this type, this thing, that not is a man, had been having been

this to my year, and I had made not had done. I'm

going to go to him, I'm I'm, I'm, I'm to get

information, and what I'm saying is that that's that does that there's a thing that's there's

that they're more close, that I've started to be to get a carisier the and where you know I've

seen, but it's like the caches more smithed and to back a narrator. It was like

they're like they're generating a type of deformation. He me says that for

so he's that's that's not he's not the question, and I know

never I don't do the the seguiment of the classes, because that so he took to Javier, and me I'm going to do that the other type, all the time, we've been preparing to offer us to do.

I know about the brujery in that then. At the day next to the morning, before that's the door with much tranquillity, I'm the door of the house, and, I'm going to the

house abkirt, me went to my my son, and never to see that type. Then I, I knew that I was looking for all parts. And then,

I was interred that he came to a family of bruchos and that what was doing was to offer us. I don't

want to know about the brujeries, I don't want to know of that I'm the only that

is that my child is that my child and can get to get to get a old and I'm going to

be able to be able to and that story that we've got to this

dark fogata of stories all those those are new

they're getting to get at final to If it's so,

putammmelo in the commentaries narrate I'm in the first time. I'm here the fogata of

one. For that I'm in the family nocturna we're we're the family

more dark and more chida but before to make the family

nocturna that they're making present in the comments and me

say what was the story that most the that's

the story that mal desatero. And one of once of you guys you revises your subscription, subscribe to the channel, because there are much

that they like this channel, but then they say, oh, I've never seen that have seen many videos. And it's because, because as they're not subscribed, and they're not even picked the campanita for the notifications, then simply YouTube no

is it. So, subscribe to, picker the campanita, and remember that we're going to the 2026. And if you want to support this project for the 2026, bet to the platform of color, red, with

the rations negras, the that before was of audio, and now is the video, picale, and give us the 5 stars because the 2026 is for the

family nocturn. Now, once said this, we've been in the Sado of Somas but from

here to Svra you, I desire Duleses Pesadillas.