HABLEMOS DE LO QUE NO EXISTE - Historias de Brujería , Nahuales y Cementerio | EP 249 | EL NARRADOR
Episode Date: December 19, 2024Bienvenido a ésta Oscura Fogata de Historias de Brujería , Nahuales y Cementerio en @hablemosdeloquenoexiste El día de hoy les preparé historias escalofriantes que ustedes me enviaron al whatsdela...spesadillas y que son tan aterradoras que seguro serán protagonistas en tus dulces pesadillas. Descubre que hacen una Bruja, un Policía y un Loco en un Cementerio. ¿Has escuchado de Mirerva y la casa de los demonios? Te platicaré de Marco y el ritual de Bienvenida que le acaba de dar su Familia por haber ido y pasado una noche en la casa donde moran 12 demonios. Y no recuerdo si alguna vez te he platicado de la cazadora de nahuales, asi que prepárate y recuerda suscribirte solo si SOBREVIVES A LA FOGATA.
Transcript
Discussion (0)
Welcome to Family Nocturna to this new and
obscure fogata of stories.
The day of today,
we have stories about
of gats,
demonies,
families with certain dones
that are more than
malditions,
and one or another act of
a burglary
profoundly macabra.
But,
remember,
that we are in
in times
Navideneas.
So,
we have we
have a little
detailito.
If you want to know what is the
that's the gift of the
team of the pesasaliers
this is going to be
your dear family
nocturna,
you'll have to
be able to
this foggat
of stories.
Dicho one of
this episode,
we'll start
with this episode.
If me
permitting,
I'll tell you
the story
of the
Lorde
of the
night.
Resulta,
that in the
fieldas
of the
family
nocturna
there exist
there's
people
very
distinguished
and
you'll
I want to say
as
a little
a few
days.
Me
gave a
commenter
a
narrator,
my name
is Natanael
Kano.
And I'm
fanatic
of the
stories
to let me
know the
I'm
impacted.
But the
next
phrase,
let me
do a
reason.
You know
I
don't
I'm
a
person.
I'm
good in my
art
but
no can't
the
story
that the
Mr.
Natanael
Kano
Mando
Mando
is
the stories
more
the stories more
the
he's
heard.
He
says,
Narrador,
you
want to
say that
you're
to be
the people
that you
don't
give
any
any of
your
any
one.
But I
do you
have
very
why.
And
not is
that the
stories
that
you
don't
be
that
is
that
after
I
do
it
is
impossible
that
something
that
I
get
to
give
a
story
and
I
want
to start
you
saying
that I
have
heard
much the
phrase
Mexico
magic
like the
day of
they're
much
the
way they're
a
fact
was a
question
and a
me
to live
a
very
tragic
my
history
not
not
that
they're
not
a
story
but it's
a
story
and
the
cress
of
the
pastel
were
when
Lazzang sur-gillet,
Pucance-Moyerned
15 minutes.
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responsible,
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apply.
Beye
Beirroi,
Embarked and profite.
Embarked and relaxes.
Cirotay.
Bukinay.
Oh, so see.
And profite.
Via Rae, the voice that we love that we're
commenced.
And my family
not only not only
not came back,
but it's
the situations
that we've been
for that,
no,
of what you can't
me can't
me can't be
to hear
to say
what happened.
This was
by the
initial
of the 90
I don't
I'm like the
record
so exact
of what
because
you're going
to be
going to
you're
on the
endbrines
the year
the year
we've
had been
a tragedy
in
my papa
my papa
took
a
accident
laboral
and
and a
right
of that
the
company
we say
we know
that I
do you
do you
do
that they
were
indemnizred
very
well,
to the
way to do you
know,
and she
did it work
a lot of
money to be
a little bit
to have a
lot of
a barrotes.
In the
feches
Decemberinas
the year
after the
year after
the period of
the
father,
there was
a bad
function of
the
other
and the
house.
My
abuel
that was
with us
the
mother of
my mom of
my mom
was
inside
the
house when
passed
the
incendio and she respiroumuch
gases toxic, we're at point
to lose her. Lamentably
we've lost all there.
We've got the tienta
barrotes. Moma
had been a little bit of the
money earlier. Why? Because
he had to pay all of the
pernida. Aparted of that,
the terrain entered as a question of
litigio, of knowing
it was to be able to beend, and thener
the form, the bestinons
were a situation spantosal.
My mom was about,
I was dishecha.
I was in that
I had
a penance
years.
No,
I know,
no, I
could do
nothing.
And my
papa,
he had
said to my
mom,
since the
accident,
that he
not wanted
that he
wanted, that
he wanted,
that I
would be
that I,
that I
could be
going to be
going to
get a
future.
Narrator,
I don't
study,
but right
you're going
to be
when you,
when it
accident in
house,
when my
abel
was about
to die.
My mom
was just
a lot of
and I
knew it
was a
thing.
We know
we're
not the
family
Christian
but the
really
I never
had been
like any
any
I just
just was
doing
and I
did I
do you
and I
keep you
I'm
that I
was
so
that I
was
to be
to be
to
the pastor
of
the
church
that
was
about
two
three
quadras
of
that
of the house that
that's
incendio
and the
pastor
very good
on the
day of
I'm
very much
he's
about the
community
and then
they're
a cooperation
both of
both of
the problem is
that the
house is
inevitable
for more
money
that we
were in
a
problem
we're not
we're
we're
we're
we're
and even
I've
meant to
say to
the
community
and say
and I
I'm
I'm
I'm
thank
for
your
help, but not
it was a
sufficient.
We need to
we need to
we're not
our teches
and we're getting
and she's
and a senior
community,
the senior
Minerva,
that I'm
that I'm
that day of
day of all
that's
she said
and we
said,
I'm going to
give a
house,
I'll
give a
house,
I'm going to
say
the narrator,
but
maldita
that she
that's
she of
there's
there are actions
that are
a heart
very
a good
and
he's
a bit of
people
that's
she were
good,
this
she was
she said,
she said,
she had a
house,
but
that just
the
people,
that were
there were
about
to desabit
that,
that we
were
that we
were in
a colony
very
brava,
a colony
in that
she had
to have
had to
care
but
we
not we
not
we
we
we're
that we
were
that we
were
that
the
The senior Minerva was the
that was protecting.
His words
exact were.
Diggal
that the
senior Minerva is my
guardian.
No, they're
to do not
to do.
In that moment
we were so
that never
us crossed
for the
that they said,
that those
words
that were
something in
the colony
in the
column in the
person,
it was a
public,
it was a
common
pretty
pretty
in the
unes
in the
that were
going to
their
to other
places
consuming
things
very badats
that they
were in the
brain.
It was a
very
very dangerous.
For that
you'd
an idea.
The
house was a
house
of just
three
abetations
and an
area
common.
The
habitations
are
small.
There
had a
cab
matrimonial
and
you
had
the
space
to
two
three
pass
for
what
was
a
closet,
a space
of
a
30 centimeters,
for there you
put you
put you
an tube
of extreme
and there
you'll
you'll
those things.
It was
what I mean
no,
not puertas,
the
other things
not were
not really
closed,
and the
room.
And the
room had a
cell
a cell
commedor
and it
was a
carbia
and a
house
and the
door,
and at six
passes
was the
stufer.
Our cell
to the
Cometor
Cucina
media
a more
a
more than
a lot of
it was
a little
and we're a
house
about less,
we'd we'd
we'd
we'd
we'd
and she
was in the
small you're in the
salienta
in the salita
that's
you'd
tell you
or she's
in one of
the two
sillies that
we'd
there for
the
commer.
Also,
we'd
know that
when we
we'd
in the
morning,
she was
she was
there was
there,
and she
and then
we'd
we'd be
to be
like some
movements
repetitive
that's
to move
ahead and
and
and you were you doing this
all the time.
Atraz,
Adelaide,
and then
the labos
started like
if it was
like if
were masticing
something.
And you
were you're making
and masticando
and that
that was
my abuela
little,
little
was there
in our
world and
much time
in your
world
internal
or
know
there's
where I
was more
more.
It was
a bit
but
you know
something
that was
something that
was
my mom,
it was with
fear.
I noticed
that I had
a mirab of
a minute of
that's
a house of
a three
the other thing, and the
Now we're very preoccupied
for my abuela.
Thanks to the help of the community,
my mom, minimum for a month or
two more,
no will have to be
preoccupies for questions
of money,
or questions of food.
There's a-all-to-all-a-all-allant.
I do the camion,
the other way,
I do a lot of the school
that's seven kilometers,
and me regress I'm going to
go to.
It's be part of
the things that we have
to sacrifice,
and I'm sorry.
No,
Pasa
nothing.
In those
idas
to the
school,
to the
preparatoria,
I was
you know
you're
about the
10 and
the night
had come in
the regress
about the
seven
kilometers,
and just in
the
subida,
that was a
sub-
that was
a
quadra
before
to get
to the
house,
me
are around
to
the
people,
subjects
that you
don't
you
don't
never
to front,
people
that
They went with camisas, wangas, pantalones, wangos.
And this is for criticing her rata.
The theme was for what they used them.
And it was because many of them
were occulted things that,
we'd have been, and less, for
someone of the law.
So, things that were quite
dangerous.
Various of them were using
things that not you topas in a Super 7
or in an oxo,
because are things that
are you directly to the carcel.
And these types, in this time,
And various of them
were the
half of his
cerebr,
here, the
half of his
cellar,
in other
part.
But they were
pandillers
and pandillers
very aggressive.
I'm
around.
I'm very
nervous.
I'm not
a person
of pleito.
I'm thinking
in my
mom and my
abuela,
and all
my
my head
me says,
how you
can't
be you
and I'm
going to
get to
a way to
there,
but no
it's a
circle around
me.
And a
man.
And a
and then I
heard that
they said
in the
dimas
and me
you're
you're
you're
you're going
to see
to do you
or what
you
because you
get you
not
for the
I'm not much
me do
and me
and me
I'm
really
guillito
or what
you
you're
and
I'm
saying
that what
I'm
going to
we're
going to
we're
not
not
not
there
not
there
was
that's
even
that
I
I was the
Sir Minerva.
She said
that she is
our guardian.
And then
I started to
tartamudeer
Minerva, Minerva!
And she
started to
Rearva, you
call you
Minerva?
You know,
here's my
nervita.
And where
I'm saying
that, I'm
a guardianna
and all
are in the
eyes and
they were
a narrator.
They were
in front of me
and it
was the
circle.
And the
The type, that
was he
was like the
leader of
this band
and he's
he's a
way to get
a bit more
than we're
going to
and I'm
going
and I'm
going to
and just
hear the
long as
what they're
what they
were
saying
I don't
know
I didn't
I'm
I'm
I'm
he
he got
to the
house
that
that day
I'm
that
I'm
I'm
to
understand
a
little
of what
me
said
these
bandillero.
When
I get
the
house
result
that the
house
has a
aroma
a sumam
pestilent
something
askeros
horrible
and
occurred
something
very
from
when I
started
when I
know
this aroma
and
mom
see
by
the
windows
that
get
to the
door
there
there
there
and
she
she
sudan
me
the
door
and
I
say
what
And I know that that
Sillon of two plazas
not is where normally
is that.
Now it's practically
the side of the
door and it's
moving and it's
pegged to the
door.
So with the
door media
abirted,
me metto the
house,
I'm going to
see,
what's going to
what's going to
what's going.
And he's
nothing,
nothing,
metete,
metete,
and you know,
the door,
put the
sillon and
says,
is that,
he's that
he's not
the
the bathroom,
I'm going to
be able.
We're going to
we're in
a rato, you know,
but I'm
not sure that
my mom
was going to
me and then
when I'm
put the
help the
little bit
a little
the door,
and I go,
and this?
And you're
saying,
me has
been very
nervous
ultimately,
and you,
you know,
no,
I've
been feeling
nervous.
And no,
I'm just
that's
saying that's
a matter of
as it.
Like the
while
was a
better than
more,
my
mom,
she was
very
preoccupied.
And she
had to
be able to
be able to
get to be
the
head.
And what
I'm
going to
do you
do you
do you
do you know,
I'm
not going to
give you
and I'm
I'm
saying it
was a
thing.
I'm
I'm
the day
the day
the
next,
I'm
I'm
I'm
need,
I need,
I'm
I'm
in this
Coloina
Brava
a door
to
hear of
someone
that's
a person
to be
something
a chamba that
me do in
any thing,
I'm going to
whatever thing,
and I need
need to bring land
to the house,
I need to
get a little
a way,
yeah,
generate a
something to
do a moment
to another.
It's me
forget in what
colony I'm
the old
the old
the old
to tell the
mom,
what was
of the
senior
Minerva.
All of
all this
all over
days.
I've got
got to
money's of
some people of
a tienta
that me confiable
to
go to
to buy them
something
and that's
I'd be
a little
a lot,
a little bit to
get to
something to
the same, I'm
with the
school,
chambas
all the school,
chambas,
and dolear
roba,
what they put
to do you
get to be
and then-
done a chanceita
to be
there a
time there
to be in
the
way,
I mean
not legal
and official,
but they were
cooperating
various
masters
because
me were
with much
I got to
have
a
time to
do you want to
pay
a
word.
I'm
money
so I'm
not you
I'm
I'm
and I'm
and it's
a error
because
when I
back I'm
forget in the
color in
that I'm
that I
mean for
I'm
that I'm
I'm
I'm not
I'm not
then I'm
that's
I'm
I'm
I'm
so that I'm
down the
car
the car
the
to the
car
to the
two,
three quadras, two
types of
two types of
They were, hey, you, the
of the mochilla,
parathe.
And I just
I got it.
I got re-corriending.
And I go
and I'm coming
to the
road, so on the
coast,
well, I'm
to go to
the
car's, and
I'm going,
and the
repented,
this type
the time,
the dimas.
Sal, and
he's a
and he
says, this
is of the
Minerva,
largence,
and the
two types
that were
to be
back,
they were,
and they
I heard. And,
and they just
silvaron and they
went.
And me
said,
I'm quite
Dimas,
I'm
I'm out of
the house.
He's,
Minerva
not they
is over the
never,
she's
like that
a minor.
Cobra with
things more
caras.
And if
if you know,
me
think to
you know
to you
knowho
and I'm
I'm
I'm going,
I'm not
a person of
but nobody's
with the
rie. And me
he says, no,
muchach,
no,
you're not
you're
not the
if you're
not the
minerva?
The minerva
is the
that's
she's
she'll
go back
to the
you're
a guardian
a
strong,
but if
I'm
in your
back
I'm
there.
I don't
I'm
I don't
get,
you
says
as you
as you
as you
I'm
not I
met
and it's
He was. No,
I never to
know of the
Dimas.
No,
I never to
hear of
him.
No,
they were
to get
pandillers
with me.
I think
the
voice,
that was the
place of
the
Minerva,
that was
the
guardian
and that
was the
narrator,
the
was the
mala.
And I
kept,
that was
what they were
saying,
that these
pandillers,
these types
that were
violentos,
me advirtier
they're
more
as I'm
more
Inferno.
I don't know
how many days
passed.
From
that situation
that I'm
my mom's
very nervous.
I felt
the house
strange.
The aroma
rarrow
that was
that one
that I
did I
wasque
I'm in the
assqueroo.
It was
every
was more
more
more.
And I
sometimes
I felt
something
like if
it's
a
sometimes
in my
house
a
in the
of the
mother
a
sometimes in
the
of the
mother,
a
sometimes
it's
in the
or in this
cell a common.
A
a little
a minute
and there was
where it was
where it was
the sillon.
Why the
sillon
why the sillon
whews
and then you
know that
that's
and now with your
stories
I think you
I've got
a idea
and you
too too
that was
in the
night
in the
next I'm
I'll say,
no, I'm
know how much
sometimes a
time,
because when
you're
in those
places
the
time
is a
manage different. The time is
distinct. My
my abuela,
every bit, was more
perdied. Yeah,
I almost not
out of the room.
We had we achieved
a mecedora
there, and in the
night I was tranquilized,
knowing that the
old was there
was there
because she
was still the
recinor of the
mecedora.
He said,
but in
a night that
I'm going to
do to
feel a
rare, I
feel like
if someone
me observar
and me
I mean,
the
when I
were these
people,
of the
carseyed by the
carrie,
of when
came to the
Dimas,
and it's
me come to
get to
say, I'm
that I'm
say,
when I
know the
when I
know the
thing, and
it was a
handhackack,
I had to
all in the
piece,
there,
in that
point,
I,
I,
saw,
a figure
in the
thing,
that was
a
top,
because it was
more
high up that the
tach
of that
house.
I had the
back to the
color of the
color of the
color of the
I'm in a
sombre.
But a
a sombra
that when
he posed the
view the
view the
part of the
area of the
area that
I identified
as one
that I
did it
I'm kept
the instant
I'm
I'm
heard in the
room and
and said
and I
didn't of me
I'm
I'm
to say
to say to
say to
Godito,
please
God you
favor,
help me.
I don't know
how time
it was
before I
never to
get to
get to
but I'm
not the
car.
That thing
I'm
I'm not
I'm going to
see.
I'm
I'm saying
I've got
a grave
error,
because
me enfoke
in the
fear
that I
and I'm
my
mother.
My mom
yeah
also
also
I was too
also
not even
I'm
not even
I
did count.
I'm
a question much
after
when it was
a time.
My
abuela,
his
mind,
I was
a lot of
you're
seeing the
you're
seeing,
it was
like the
person
that's
that I'm
that I'm
that I
didn't know
in that
time.
Without
that
my
mother,
is the
person
that's
moving
the
meced
all the
night
because
not
got
in the
bed,
I'm
I'm
I decided that
I'm
going to
do not
to be in my
my apartment. I'm going to
my own
my house.
I'm going to
when I'm
when I'm going to
the door,
when I was going to
I'm going to be
my mom has been
done by the
timeceding of the
mecedura
I'm
I'm met to the
apartment,
no I'm
having a foeco and not
we've made
done a little
and it's
a little bit.
And I'm
a manned
aubela
that's
a postated
the most
the most
lejos,
the most
that's
put a
mecedora
and a
peregated to
and they
have the
eyes
and they're
just like
allbusying
and then
then I'm
he went
and she went
and she
he's
he was
I was listening to the meceder.
Well, at the final, a senior
grand,
me asercule,
me accosted in the
camera and I'm
to go to
my little,
I'm going to
get to be,
she'll be
like,
and I'm
being like,
well,
the poor-sit
yeah,
you know
is here,
no,
me can't
me,
I'm gonna'
I'm tap
and it,
and it
doesn't
what time,
but in the
madrogada,
I'm used
to hear
to hear the
mezeator
that's
it's
and I'm
despirto.
And then
I'm sorry
my abuelita
because
yeah for the
then I'm
having to have
given to
a second
I'm not
he had
done a
susto
and he would
say
pardon abelita
me
I've been
to
come to
and then
when I
know the
my abelior
and the
but now
see you know
that you
know that
he's not
that you
know
that's
me she's
moving
a me
The barbusioed of my
abuela,
I see in the
labos,
but I'm
to hear of the
voice of
a voice of
a new year
that I'm
saying in the
o'clock,
the night,
the knowres of the
night,
the menors of
the night.
And not to
the labos
of my
abuel,
as if
were they're
moving
at the
same
rhythm,
as the
words,
the
men were the
words of the
night,
the menores
of the night,
the gentleman,
the peer
is a
pinnita,
I feltia
that me
I would
have done
an infart
and then
I'm
I'm sorry
to be a meceder
to start
doing this
she
is going to
get a
up and
she
a little
like if someone
was sitting
behind
down to
get all
the
person
back
I'm
I'm
I'm
I'm
the
door
and the
mecedora
and
I'm
kept in
the
cell
that
day
I
To the day
next,
I don't
care
to come up
a mom.
When I go
and I'm
lastime in the
night
earlier,
that maybe
one of the
resorts of
the
camera was
that was
that I was
to be
to be able to
to
get to
there in the
cell
she said,
no,
no,
you know,
no,
you know,
you know,
and I
don't know,
and I
said,
why,
what's,
do you're
in my
camera?
I said,
no,
mom,
for
you're
to be
in the
Kermen't in the
Kama,
we're in the
night,
we're in
the room
of the
night,
I'm not
I'm going to
that's
when I'm
when we're
there,
something that's
not there in
the other
two
two
habitations,
it was
the light
of the
cell
of this
area,
that was
the
part
common,
it was
and it
was
coming to
someone
coming and
was
just
out of
the
door
and it
And he was
like if
if there were
two
persons in
the
house.
I'm
I'm going
in the
part of
the part of
and mom
me says
you know
you're
not you
then I
think you
the
I'm
you're
you're
you're
putting the
cellion in the
end
and
my mom
me says
I
think
I'm
that someone
I'm
that's that
they're
they're
there's
they're
not
not
I've
done
but my
mom
had seen
sometimes
months
is
is a
Mired of
Mired.
Decid I
that in some
way to
confronter those
things.
I said to
moma
that we
had to go
to go to
her.
I said what
me said the
people are the
signora
Minerva
that she
is a
poor.
And then
mom
me said
that not
we're in
our house
that we
we're in
our house,
that we're
we're just
not more
made some
that's
been a
person
like a
way to
a person
that's
a situation
that are
a situation that
they're in
another way,
she's always
she's a
way with a
lot of the
feeling that's
our house
that we're
to get to
that I
didn't know the
I'm
I'm going
to ask
for a
pastor
because for me
were the
people who
me were the
people who
me were
and
I'm
coming
with a
subpuest
a
woman
and when
that person
of
this colony
my, I went
and I visited.
Me
asked,
where did I
went to the
house of Doa
in the 3-6-3
and me
said, no,
with that I
don't me
go,
and go to
and that God
you do
because the
devil
you know,
and I
said,
how?
I said,
no,
I can't
say more,
but if
you can
do you
do you
do you
get to the
house
with those
you can
you
you can't
you can't
mom and my
my
mother,
since
when you
were in
it's a
person who
had a
person who
I'm not
I'm
put to
give her
time
and I'm
had a
time
had
a
time
since
she
she
she
was
using
the
same
the
part of the
aroma
the
house
was
my mom
and
I
not
not
I was
I'm
I
was
I was
a
routine and
little,
I was
I'm trying
the
place,
so I'm
a day that
I'm in
a way,
I'm in
the preparatory,
me tendier
the man
for that
they're
a quarter
of service
in a
house of
my house of
my
and from
and I
started
I'm
I'm in
all the
other
I'm
a pastor
to go to
work,
he's
he did
his oration
my
mom
that day
that was
that day
was a
badi'
like if
that he
was doing
that was
that was
anticipated
that they were going to visit.
My abuel, that day
was conscious,
narrator,
and he was talking
like if nothing
had happened.
And every
that the pastor
me the
mind, I
saw my
mother too,
and I
saw the
when the pastor
was my
mom,
I was made
to be that
person
full of
and my
abel
went to
another
in a
mood
in the
mood extrao
in the
that I
did not
the story,
no me
I'm
I was able to leave
there.
My
abuela
a month
after the
mother's
still
a year of
a year.
So,
that one day
just me
about me
about
the person,
and I'm
to get to
the
car,
not the
family,
narrator.
The only
that was
I was
I,
and I
didn't know
I,
I don't
I don't
study,
I don't
to be
to that
all the
part,
I'm
to be
all the
time,
and I
That was when I learned that in the carretas
me despegapes,
and I'm down to
a carmone,
from a little
and I remember
that you did your
ration.
Godiott,
of some way,
me say,
I'll give,
for me,
for the
soul of my mom
of my tita,
and for
favor,
get to the
Inferno,
Doa Minerva.
What would you
in the
Zapato's of
Natanael?
In a
a cemetery,
He goes a
a bruise,
a
a boy,
a boy,
and this
not a
story of
a story of
and here
we're going
to talk about.
There's
a ex-policya
that is part
of the
family
nocturna
and he
used
much the
relato
and he
lived there
some
he did
service.
I think
we're not
some
some of
some of the
stories
that he
was in
this is
a story
that's
a story that
he mentioned
that
during
his time
of service,
always
and he
he was made
like very
clear for
as he
a very
very firm
the person
right,
a person
correct,
a person
that really
was incorrupted.
Only record
three
cases in
those that
a
proposit
and with
a
conscience
he
he was
a person
that he
supposed
that he
should
have
had
been
to
have
the
this is the
this is the
I
this is the
day of today, because it has to be
with elements very strange and
scalofriant.
Resulta
that while
he was in a certain
patrogygy nocturn,
in one of the various cities in
that he worked,
he began to receive
reports continually that
were from the Pantion,
that was notating
that there was a person
that was causing
damage and disperfectos,
and as he
was just new in
this time,
in this
area,
not was the
first in
to go to
the place,
I'm going to
get to
not only he,
and when
he was
asking him
there were
a pair of
other people,
that we
were, let us
they were
a way,
or you
had some
a protocol
established,
because they
had done
first to
this place.
Terminable
the turn,
it were
there were
in the
courtel
or in the
zone
in the
where they
had to
have the
vehicle
official
and there
is
where
it's where
surged
a little
the
place
about the
time at the
last time
and it's
where it
is where
they were
captured
to the
person
that they
had been
to be
the
situation
is that
had
three
nights
after
doing
this
type
reportes
in the
area
and
they
not they
they
got to
get to
start
things
rare
that
that
very
probably
was
a
man
a
subject
of
about
about
two
five
five
years
and
the
The subject was
a loco
that was
that was
totally
out of
he asked
he asked
what are
those
imperfectes
that's
doing
and they're
that's
that's
the
strange
he's
that's
rompien
the
lapidas
and
he's
taking
all the
earth
opening
the
taud
but
no
he's
but he
is he
he's
but he
he's
he's
he's
really
scarvando
all
and all,
opening the
taut,
like if
was to be
a little
and like
if not
it was a
he was a
very strange.
Very,
very,
very,
very strange.
He said
to his
companions,
that if
had an
opportunity,
that the
second
report,
he'd
let me
let me
let me
that they
considered
that the
type was
that he
said,
no,
no,
no,
he's
he's
Then, then, it's agile.
It's a bit more young than we're, and no, no, we'll
we'll have gotten us.
He'd have taken.
No, no, is the case.
He's fear.
And Robin, let's say, okay.
Give me opportunity.
I'll say, go, if they're going to be, if they're going to be
to help you, that'serca.
And here is where it occurs what strange.
Let's give you, it's like the fourth,
or night, or sexta,
from
these
these
reports.
There had
been three
reports
in the
night
and there
no time.
And then
of a
whole of
the
night.
Just when
he
had a
two hours
in the
report
of the
panteon.
The same
subject is
being
as perfect
for
favor
to help
and
they're
they're
not a
type.
We're
are carrying much
the
time.
Ruben, it's
It has, but
it's a place in
a zone in
that it's
a lot of
a lot of
a manned,
these tubos
that have
like a
form of
a form of
and it
is to
defenders,
say,
let me.
Ruben
also a
reposas
and
commencing
to
get to
the
panteon.
He
is a
vestido of official
no
doesn't
give a
garre
on
over
and he says,
It's there.
There's a
there,
the ground.
Yeah,
there's
two tombas
that's
down to run
to do you
and rune
other two
lapidas.
For
favor,
detenal.
We're
not going to
do you
do this
never,
no,
no, no
me make a
scandal,
and for
favor.
After
that I
enter,
the
reja.
No,
we're going
to get
to get to
get to
abortad
without,
without
nothing,
without.
Cierran
the reja
the more
tranquil and
the time
you're in
a
cadena
and they
put in a
card
in the quadrilater
or a
grander and
the
celletal
now
just are
Ruben
and that
that's
that's
and he
is a
repubberate
and
one of
one of
two
is
part of
the other
is posado
and
he it
he's
he's
he's
coming to
he
he's
he's
going to
the
tumas
and
he's
can't
on certain
petac
in those
in those
not
are made
to
do you
know that's
but he's
going to
walk to work
and then it's
going to be
to put up
all the
sound of the
sound of
the sound of
a pala
that's
scarvando
and you
know where
to do you
know how
every
that the
pala
is a
time for
time longas
ruben also
he's
not going to
listen
what is
and really
really
is to
the front
of the
panteon
then
are still
about 20
meters
that he
has to
keep
going to
keep
to keep
in the
end up
and
It would be more
a
professionalist
and a
a loco
that is
under
dead
dead
is a
very
extrano
he's
he's
coming
and then
he
he's
he's
he
he
a
my
my
my
my
you
don't
move
I
am
armed
but
I
don't
do
I'm
where
the
subject
he
crispa
and
he
put
tenso
he
he's
he
He says,
Tranquillo,
friend,
no
there's a
difficult to be
going to be
going to
go to be
I'm armed,
I'm going to
do you know
do you
do that's
not you're
and then
the subject
and then this
person starts
a little
last time
no you
don't you
know you
because no
you get to
get to
something
to lastir me
you're
I'm going
to be
to be
a boy
I'm
the subject
Entiente,
he gets
parado
and he
he's got
and he's
trying to
say things
and he's
like he
he's like
it's like
it's like
not he
not he
not longer,
not work,
and it can
emit it
and it's
to make
to make a
more like
vocal
like ah
and no
they're not
the words
and Ruben
not that
this person
is like
in a
desperation
absolute
and he
He says,
I'm going to
to be a
front,
and the
subject is a
and the subject is,
and the subject
and he's not
move the
head to the
head to be the
thing.
He's not the
back to
say, I'm
saying,
I'm going to
say, I'm
not you know,
do you
do you know,
don't have
a lot.
The subject
to have the
right,
the back,
and they put in
front,
and the
under the
arms,
salen the
run in the
he says,
Tranquino,
remember,
I'm sorry,
I'm sorry,
Sack a pair of esposas
the spouse
And he says
For favor
Sal to the tomb
And he
He'll start
Again, he's
He's putt over
He's puttive
He's put in
The Nade
Because he
He'll look
He'll
He'll
And he
And he
Ah
And
And Roveen
Suppone
That's
There's
There's
What's
What's
That's
What's
You're
He says
And he's
He said
do not do you.
No,
we're going to
do you.
You're going to
you're doing
the other
no I'm
your enemy
let me
help me
to help you
and then
then see that the
subject to
and start
and then
to move the
head to
and over the
and say
the table and
he's all the
and say,
no do you
do you want
to do
do you
come come
me,
we go-
all together
After 10, 15 minutes,
to be with a patience
tremendous,
that normally a
police not would have
because he was in a
situation of
high level of
risk, but
Ruben, in this
case,
he took the time,
and he
saw how the
guy was
to relaxer,
and not
he'd
and simply
said,
and the
things that
he was saying
Ruben.
15 minutes
after the
time,
he was going
He was coming
very
slow,
very lent,
soyo-sand
in the
middle of
the stumbas.
And Ruben
was in the
part of the
armory,
he said,
I'm here
to get to
get to
keep your
enemy,
I'm doing
to help me
to help me
to do that.
No,
I'm going to
the patruia,
you get to
the commandancy
and there
you know
you'll explain
what you
and he
says to
this person
in soyos
for
favor,
no me
you
make you
you know, and he says,
I said, yeah I
said, I'm sorry, no
I'm talking to you, no
I'm talking to you,
but if is here
she's here,
she's here,
she's, no
me matts,
no me
you know, and
Robin,
he's,
he's,
he's,
he's,
he's,
he's,
he's,
yeah,
no,
you know,
you know,
you're not,
you're
this subject
and then this
look, and,
there's,
there's,
there's,
the eyes
are,
adapted a little more to the
obscurity and see
not.
And the
subject is
and he
says abiernement
you think
you think I'm
you're
think he's
I'm talking
the nada
she
she's here
she
and not
me permit
you know me
to make to
be to do
and it's
you're going
and then
Ruben
he says
but of
what you're
in the
mind of
Ruben
to nobody
to be
so he back
so
there
up
that's
what's
what you
he said
you
get a
and he's
a little
the subject
he's
you think
I'm
I'm
not I'm
can't
you
you can't
you
on the other
What I'm
what she
said,
she
will be
to
get to
keep
with
she's
going to
Ruben
he's
he's
a little
a
little bit of
the
first.
When
they're
a
time,
it'll
do the
guard
or
the
car, I'm
much the
For
favor,
no me
get you
see,
you know,
and he says,
you're
saying,
you're talking like
a man,
you're
talking like a
manned.
And then
this subject
he's
does say
something that
is a
thing that's
we're
not
in the
pantheon.
If
no,
you don't
let us
back us
we're
to do
to make
to me
and my
my
little
not you
make
you.
Ruben
he gets
thinking,
he's
going
whiltas
and there's
a little
very rare
because
this you
know you
know if
you're
you're
not a
not you
know
he's
a type
in these
things
but
they're in
their
intuition
I think
in that
he
has
he has
he has
constructed
that
he
he
he's
much
before
before
part
of
any
person
he
he
he
was
he
was
and
he
there
there
He said, is he's talking of
this type.
Algo
something in
he said,
he said,
no you are
mintying.
Helpal.
Algo.
And Ruben
he said,
how I'm going to
help?
Because I don't
want you
to get them.
He said,
we and
my, my
daughter.
And says,
is that
you,
you know,
you're
you're
you're just
not there.
We're,
we're,
a,
not to me,
a,
a,
a brujeria,
and
is it
involved
my
your
your is a
a
stupid,
a
a stupid.
A braw
a
really,
a
he said,
and then
you know,
and then
you've
been
because you're
been
done
and then
you've
been
the
part of
the
lapida
and that
because they
were
they're
they're
here.
He said,
it
has two
months
we
demand us
I'm
a
man
we're
we
we're
a
ladron
result
that the
woman
was
a
woman
I got
to my
house
and in the
part of
the lavabo
there are
some
there are
my
photographs of
my
daughter
and my
wife
the
and I
know the
my
wife
I'm
and I
do this
hours
after
I'm
my
wife
is
my
she
did
something
that
they
don't
understand
the
doctor
she
had
a
perfect
health
the
the
fras
the
My husband,
I do
my frasco and
the other
my wife,
I don't
I'm going
a man who
he said,
I'm going to
this panteon,
and me
said the
area, but
I know
where they're
and I
don't me
say,
if no
those
I'm going
to die,
my
and I,
and Ruben
he's
kept
so,
with the
eyes
with the
he's
what it
and it
automatic,
Toma the
keys,
he hithed
the
and he gets the
women,
and he's
we're going,
but no,
no,
you know,
rompas
nothing.
Let me
let me
do something.
And he
said Ruben
that's the
reason for
the way
he was
not going to
do you
do you
want to
get to
be
to be
really
that was
being
actually
was
more
coherent,
the subject
when he
the subjecto
when he
He went
and he
went to
the
way to work
and never
he's
nothing to
do you
I'm
doing it's
he's not
he's not
he's
he's never
he's
I'm trying to
but no
really really
really was
a person
me
was saying
that me
was saying
the
narrator
I'm
we're
we're
we're
we're
we're
and in the
tomb
to the
side
of the
the
of it
in the
he had
perforated
and have
done
two things
behind
the lapid
there,
a
view,
two frascos
grand,
that five
minutes
I'm in
I'm sure
not there.
But you know,
you know,
you know,
what's what
does it,
that's
one of the
situations
more rarres
that I
did that
he was
that he
could be
the frasks.
We're
we're
to the
tomb
in that
he was
he's
there
and I
see
and I
know
that's,
and
why not
you go to that's, the other of the frasks. And he
and he says, no jones with that.
I'm saying, in serious, we're going to
move. Necessesito
and I need to find those. And he said, but
how are those frasks of
video, so grand? Those that are
and he says, no
you play with that. No, I'm going
and I'm going to go ahead.
And I'm going to seeerer the
tomb, the lapida, in front.
Those are there. And me
there's no, in serious. If you know
going to be going to give us,
He said, I'll pita,
romp the frasks, and then he
perceives, and he says,
those are those frascus that are in my
house, and says, you're not, there's
those I'm sayingaling, no, there's nothing
there.
He said, narrator,
after that I rompil the frasks,
he sentia an ambient
so cargated,
tan horrible,
that I'm per
to me,
he put the pill of
gallina,
and he said,
you're,
and he said,
fifate if
son or no
fifate
with the
pally the
I'm going to
the plastic
and there were in the
other
a photo of a
photo of a
little bit of a
little
you know
what you are
what you're
what you're
not that's
not that you
just that
we're not
we're just
you're
a sack you
put us
we did the
sack
and I
let's go
not
not they're
not
not even
they're
narrator, I
you know,
I don't
I'm going
to be the
things
until
you have been
and you
have you
have you
have been
in the
panions?
If you
don't you
don't you
do you
think you
bring you
this
story,
because
here we
want to
tell you
one of the
house of the
two demons
I'm
I'm
dear family
nocturna,
as I've said,
since we
have been this
podcast and
for those
people
that people
in different
types of
situations
paranormal
or that
have been
in contact
with that
other
reality,
it does
get to
not
to express
nothing
of these
situations.
Part of
that is
that a
sometimes
those
they're
to be
people,
of things,
of
people who
want to
want to
want to
get to
the
people,
they're
not chasas
just
not to
that
that's
different
of the
situation
is
much
more
more normal
of
what
you
you think.
I mean,
I'm not
I'm going to
to be able to
keep to
do you know,
you know,
you're all
you're
definitely,
it's really
a lot of
criteria.
At the
final, as
we're doing
in the
channel,
we're
just the
stories of
we're
we're
about this
time,
but this
type of
situations where
they're
in the
stories,
occur
even in
the
many
families.
And it's
of a
family
to
talk
the day
of the
day of
the
as we have
extended,
there are
families
complete
that
they're
in the
program.
And it's
a family
complete
to the
story.
Resulta
that this
family
have
certain
attributes,
dones,
they're
some
these
say,
but they're
others,
but they
don't
they're
not even
with the
family
and they
are
and they
are
that this
reality
or this
world
or this
phenomena
paranormal
are the
to come to the
door of
the members
and it's
until
that each
member
express to
have had
been
contact with
this
reality
when
then
they're
a
dinner
a
intervention
and they
they
and they
start
all
and
each
one of
those
experiences
that
one
for
that the
person
not
not
so
and
two
so
that
you
know
that
is
a
question
of
a
family.
Ace
few days
there
one of
these
reunions.
Dich
family
was having
a day
quite
normal,
as it
could be
after
that you
hear,
but one
of the
members of
the
family,
the
his
major,
that we
call
here
Marko,
Marko
was
was very
nervous
he was
very
angustied.
I've
had lived
something
that
the end of
the
to the time to
not even if you
a lot of
not really to
and then you're going to
the end of
the time,
there's a lot of music,
many good charles,
and for the general,
as are persons
prudently,
as have ingeded
alcohol,
they preferring
to get to
to sleep in the
place in
that's
doing the
reunion,
simply and
simply simply
for not
not cover
any
risk in
the
way,
yeah
either for
they're
managing
a vehicle
and put in
risk
their
and the
other of
the
other
on some
application
but not
not
not
not quite
that
they're
on the
things
that
then
decided
to
get to
and
they
were in
that
the
car
when
there
were
things
scabrosos
that
I
tell
the
story
because this member,
after having lived
that had
had almost two days
of not
not dormer,
nothing.
He was in
a collapse,
he was notable
very nervous,
angustied,
anxios,
and so,
in this day
that the family
had a
normal,
a day
every year,
he was
he was
about at
the 7
of the
time when
they were
all right
to be
the time,
and just at
the time,
I'm,
I'm
to say
you
know,
I know
I'm going to
believe,
but if
not they're
I'm going
to get
to get
a lot.
All.
All,
you know,
and two
brothers,
you know,
because even
he was the
brother
he was the
only that
never
had
lived
nothing.
So,
they're
and Marko
said,
certain
things that
occurred
that,
like,
as I
said,
that I
told
to the
He said his relato?
All
are all along
to see
the one
to the other
with a certain
mind and a
smile of
and a smile.
And is the
Papa,
the man,
he's put in
a act
quite quite
extrano,
he said,
I'm very
to the family.
And Marko
he says,
no,
do you,
I don't know
I'm going,
if you're
going to
think you
I'm trying,
and the
he's
a lot,
no, no,
no, no,
no, no,
no,
no, no,
I'm
not I'm
doing
to you,
you're
you're
you're
we don't we want to
we just wanted
We're going to
but Marko
is that
our family
has a
ability to
have a
little bit of
Marko
he's got more
a sustado
and he's
that's this
he says
normally
we're a
ceremony
every
that's
that's
that you
see that
you're not
well
we're
going to
do
something
more
we're
more
the
one of the
right to
do you're
what's
what's
and then you're in the zone where they're all the
people who are the verres guarded,
the room to make sure the area of the room to do it. The brother of in-medio,
another alcohol. The
hermana
minor
pied a
refreshco
and Mark
simply
wants a
water.
And the
brother
he says,
Marco,
you're
very me
mean mean
so you
want to
talk a
little more
more
and he
said,
me going to
tell stories
of terror.
No,
stories
of
horror,
no.
We're
we're going
to
tell us
we're going to
be able to
talk about
to
hear it
Marko
said
a
Marko
said
a
he's
he's
he's
the kitchen, he's
and he says,
no you
do you
take,
we're going
to take,
we're going to
do you're
to be,
the one of
five, ten
minutes
after they're
a lot
a lot of
a lot of
she's,
she'll
ask,
and she
to devorer
palomitas
as if
were
being one
of his
movies
favorite.
The
Papa
he says,
look,
normally,
you
I'll
say,
this we
do we
make
more
formal,
but
you're
the
ultimate and you're
very affected,
so is that
we're going to
do so.
Mark,
as I'm going to
the family,
and now I'm
to cede to
the word
to the
person that
want to
the first of
his vivences.
The
one is
the one of
the man,
and he says,
I've
seen the
I'm going to
see a
look at
like,
oh,
I'm
going to
look
I'm
I'm
see some
that you
see that
there's
somebs
that they
they live in the house.
And Marko,
he put in the car
palida, palida, palida.
And the brother's,
he says,
Papa, I can't
continue
talk about.
And he says,
no,
your stories are
better more
a little more
a little,
yeah.
Let me
go-and-a.
She,
she,
we've
started to
perceive all
for being
in a
time to
me and
your
brother.
Because your
mom never
had lived
nothing,
but,
but you
are many
years,
Mark,
of
being
We're just
we're
we're going to
we're
so.
Then the
mom
of Mark
started.
Look,
I'm going
to tell the
things
I've
have been
here the
last
two or
three
years for
you know
I'm the
last
I'm the
last
before
this
before this
moment
that they
they're
doing
the
year
the year
you
you
you
remember
there
there
there
two or
three
nights
that
you
you
in the
and I was
I was there
with a
cigar,
I was coming
and I
asked that if
all you were
very
and I said
so,
yeah,
get to
get to
get to
do you,
see,
I said,
he said,
he said,
that you
did that
my
day,
I was a
first day
as a
day,
as I
got to be
the
car, and the
car
and the
second
day
the second day
the
car,
and I
did
where that
thing
rod, and me
abrasso. And when I opened the
eyes, no idea, and
disappeared the sensation. But
the third day, me gave too much of the
first of the sensation of the
brazo, me hallole to hear the
and it was the voice of the
man who fellacy after like 10 years.
And then Marko is
I don't see nothing, no
me has ever been to pass anything,
a few times when there's
nobody in the house,
I heard how someone
I'm from my
apartment and
he's
to get to
the bathroom.
I've
seen as
the door of
the rager
and it's
the only.
And Marko
says,
Mom,
you're just
not you're
a little
a question.
But this
you know,
is to be
to be a
just to
know it
that's not
that you
that's
we've
all this.
As I
I'm
I'm
the story
of Marko
is a
delight
for
those
that
they
like the
terror.
So is
that I
want to
I'm
the mom
of Marko
continued the
brother of
the middle.
He said,
I don't
I'm not
I'm not
I'm not
but
is that you
do you
do you
you know
that you
went to
a
man to
you
and me
just on
the
house
just
with
our
her
little
our
she
decided
that she
she
was
going to
she
was
she
said
for
So, when in the
madrugada,
I went
to go to
the room,
and I went
the room
of our
little bit of
and I'm
and I'm
a little
a little bit of
the camera,
I said,
this is that
this is
rare, when I
saw, the
little
she disappeared
and she
and I
did it
many days.
That
that is a
house,
and in
many occasions
and in many
times,
you know,
you've seen
you've seen
you,
you've seen,
you've
you've put to
think that
the
abacina
has
20
years?
And then
Marko
started
and it
is certain
no
there's
a
little
a few
a few
few
a
few
just
just
just
just
the
person. The
one
he
he has
that he
has
never
he not
he not
look
many
many
details
that
he
also
he
also
he
is
something
but
not
see
many
many
details, he no
be something
that's move
and he
he'll go to
see, it's
like if
if he's
like a
film that he
felt an
photograms.
So,
they're,
they're
the images
of a
moment,
and apart it's
like if
the lens
was so
because
it's
a
more
more detail.
But a
sometimes it's
like a
bit of
infuminated
a
sometimes is the
sensation
and it
he's the
feeling that
he's
with the
eyes,
but
not
been
things
aterrador. It's more
well, people
that some
times that some
they've been
people who are
people who are
going to be
there and he
says,
if you can
you know,
when we've
in the
back you,
you know,
you know,
that we're
a house
in that
they'd
many things
like usad
and I said,
I said, I'm
could enter.
He said,
but I
think it
was for your
things
with your
stuff,
and it's
I'm,
I'm going
to be
movements
outentro
and it
was
and I
knew
I was
to be
It's like
that's like
that's
like to
it's like
quadrary
things.
He's a
very assuptated
but at the
same time
he's still
he's
kind of
a cobigated
for the family
not is the
only
rarito
the other
he's the
he
he's not
more more
than this
after after
after this
things that
that's
that he
didn't
that he
was to
that he was
that he was
that was
his mind
to be
he was
he was
he was
a bit
but not the
sufficient.
Continu in
the
stories.
The
next is the
Papa
of Mark.
And he
says,
I mean
me
they've
been,
since
many
I've
been to be
my
family,
because
all your
Tos
have
stories.
One
more,
others
men,
but
they're
stories.
We've
in a
house
in the
that
there were
tragedies
from before
that we've
lived us
and in the
time in
we've been
we've been
very
doormosas
not you
think you
in things
like criminals
simply
mortes
natural
but very
dolorous
people
that we
were
much
and those
people
not
abandoning
in the
house
for
a time
nobody
they
was
but
in the
reunions
that I
had
there
many
various
people
saw
many
I
I mean,
I mean,
I'm not
that they're
having
seen to
and he
had been
a lot of
he's
not,
we're going,
we're in
the patio,
we're talking,
we're talking,
yeah,
we're
we're in
a little
entrats,
but with
an ambient
that's
puras
and tontaries.
And,
and of
the commensale
he's
to get to
get to
get to
and it
got
a car,
he's
a obvio
yor
yorando.
He saw a
from the
from the
suns of the
time.
But here
there's a
situation.
He never
knew to
my papa.
He never
saw in
his life.
He
saw a
his subject
that
the
description
was the
my
father.
When
he was
the
when I
did he
never
to
go to
that
house.
In the
the
space
of the
house,
when
have
people
who have
done
my
father
and
my papa
It was so enojada that those people
grittan and we're nothered with the time
we've identified those things.
Me referred to me and to your tios.
Me have passed many
things as you know,
for questions of work
I'm doing much time in carreterer.
I don't know
I can't go in carreterer.
I'm always going to urgency.
In the carretra,
no idea of the
quantity of things
that I've talked to be
seeing,
presential,
that no way in
that you can't
let's explain there
a pair.
Stando in
Carretera,
I saw
with luses
like a
100 or 200
meters,
a woman
of a
Cabeo,
that was
like a
surape or
a jorong,
something that
I covered
the
whole
completely,
he started
to
start a
little,
I started,
he was
just in
the
carretterer,
and in
a
partadeo,
you
you're
saying,
that in
a moment
that
parpade
yeah
not
I'm
not
in front
of me.
Yeah
not
was not
not
was in
a lot,
that's the
same
woman,
because I
kept
impressioned
that way,
I'm
talked about
many people
that had
passed by
that
all they
have seen
all,
all,
those,
those,
we
had been
all
we
did a
time,
I'm
that when
we're
to go to
a
high
velocity
and
to be
about
the
two
hundred
kilometers per hour,
we started to
and was going to
the altitude
of the
carmone.
But as if
was going to
not I
say to say
if it was
an animal or
a person,
but no
there is any
animal or
that can
go to
go to
a two hundred
we're doing.
We're just
we're just
when we're
we're going to
we're
to get to
start the
adrenaline
because if
we're going to
accidental. When
we're talking about that, because I went to
your Tio Chui, when we're talking about
to that more people, we're going to
the place, and it'sult that they're in the
Curva of the Diablo. Because there
something else persigue, and makes that the
carmioneros be matten.
We're going?
But, you know,
before two years, that we've
to a hotel in Aguascalient?
Yes. And you're
that there was a man who
Tewo
that was
very
molesto
with your
brother
and said
if you
know,
if you
know
why
I'm
you know
I'm
no
the
really
no
I'm
no
I'm
no
I'm
no
I'm
I'm
I'm
I'm
because
I
said
that
during
all
the
madugated
she
she
she
she
she
started
to
start
to
start
to be
to
he
had
to
do
and
And Marko he says,
But my
brother
He's got
to come
all those days
and never
he never
he's
never
and he's
and he's
and in my
court
I don't
hear about
I
you know
you're
too
but when
he said
that he
I put
alerta
me
I'm
in the
madruada
and
I'm
in the
lobby
and when
I was
back
to
back
I'm
I'm
a
black
black
Pellone
black
the
Pellida
like to
start
that's a
Coneying
in the
passio
and when
I'm
because I
am used
to get used
to get
to get to
the bao
the bayon
that's
public
the bayon
that's
you know
you know
you
I said
I'm
I'm
back to
the
bathroom
was
and all
the
the
doors of
all
all
I'm
so
I'm
I'm
you
I'm
your
her
because no
I'm
because
no
We had we had no money
to move our hotel.
And if they
had said
that in this
hotel there
there's
there's a
there's
not quite
to get us.
And then
the
little
full of
palomitas
after having
took her
refreshco
ancious
for
to come to
go and
he said,
and he
going to
let me
to tell
to me or
no,
yeah
me to
and then
they're
the
well,
and say,
well,
hand
you,
you know,
and you
know,
I'm
I've been
sombras.
And in
this
house,
you know
how many, but
they're many, but
they're in the patio.
In the patio, it's
the sombre of
the little bit.
But also is to
a man.
And there's one
that's a
good.
That's a
way,
I think it's a
bad at a sudden,
you know,
you're going to
get a saddor
at the
when you
see things
because
you're going to
do it.
In the
ban, if in
the nights
you're all
you know
to do you
want to do
to say,
that I'm
to go to
to be
to be a
to be in the night,
asustan-nobos.
I'd
I'm going to
go.
Because that you
think you
in the
night,
since I'm
not I.
And he
you,
you know,
that you
did you
did you?
Because
you said,
that my
amygic
and I
did you
did you,
the day that
did you
did you,
the
pyamada
no,
we did
we did
in the
house,
her manito.
We
got
very
very
in the
morning,
the
the pyamada
was in
the
house of
a
other
that
you're
not a
nobody.
Probably they're in
the
sombras.
Marko
was that
hallucinable
but at
the same
he
felt quite
he said
well, and he
did, well, and
what we
do we
do this?
Soportal
it?
Acostomberate
no
there.
And so
how do we
manage us?
Accommoded
to
understand.
Because
we all we
do we
do things
different
but what
is that
you
can
you can
feel
be tranquil is that when
you pass that
you can't
tell us.
And yet
we're talking
more to make
more than you.
Marko
is sent you
so much.
You know
because?
Because
no story
that was
so terrible
as a
terrible as
his friends.
They were in the
house of the
time.
They had decided
to get us
there.
But there
a detail
that not
I told.
From the
moment
in
in the
of the
house,
it was a
little bit of
when they were
in the
panes in the assadour.
They said,
this house
is a strange.
Never had
been.
It's a
very beautiful,
but it's
rara.
And the
an
man,
to get,
to get a
hand,
all those
who have
sent to
things in
the house.
And we
were five
those that
we've got
the
one,
none more
to you
invite to
do this
the other
they're
to do you
let's
pay the
taxi.
And all
we're
like,
ah,
we're
you want to
you're going to
do you?
No?
But,
but not
you're
to get
to get to
them.
And until
you're
all we're
to do
to do you
to the
house,
I'm
we're
we're
we're
a
time of
a pylomad
of a
very
prepared
as to
that
that's
so
we're
we're
we're
that
he simply to
every
person
that he
had
created
a story
and
us
was going to
had said a much
people,
any stupidest.
She went
the person,
was entering
the night,
we were in the
night, and then
he said,
and then he said,
oh, all right,
now just
they're in the
five and I,
now if
we're going to
to do this
let's say
that's a
house.
Marko
enter in
the house,
and when
he does
know that
he does
get a
thing.
I've
entered three
times
that night.
The first
for the
first, the
first,
the first
two for
the patio
when
he was
to go to
the
a little. In the other two,
a pretty prudent,
never even when
when I decided,
I'm going to
go to the
go to the
and I'm going to
and she's always
with a person.
But in the
three occasions,
although the
sensation was
a desagradable,
the
house was
a lot of
a lot more
than the
exterior.
In that
occasion that
came on the
five,
the house
was worse
than the
other than
elada,
absolutely
alada.
When they
they
It just had
Falares,
what they'd
not were
sufficient.
When they
were in the
frio, the
infitrients
dethrough,
the door
of the patio,
he said,
very well,
no we can
go to
go to the
house.
Now,
so,
we're five,
and we're
in a
place,
they're in
this house,
they're not,
when the
people were
those who were
there,
some,
those,
doing like,
ah,
what a
fear.
Others
really
started to
put up
some people,
they were
a carcache
and they're
like,
oh,
no you're
not you're
not the
person,
but I'm
that's a
little one
that he
said,
ah,
you know,
you know,
and the
taut
and the
manhirton
he said,
I'm not
not I'm
not you're
not you're
to come
to get to
you,
if you're
to be
there's a
light,
and you're
there's
there's
there's
there's
there
but
while
it's not
it's
it's
in this
house
they're
to be
them
and they're
to do
to the
people
they're
they're
they're
to get
and you
go to
tell
what you
say.
Marco, he
said this
and
he was
very,
very nervous
to him
no he
don't like
any the
stories of
the stories of
phantasmas
and
that's
he's pure
love and
he's pure
love and
pure a
good vibrator
and
never
had been
that
ambient with this group of
people.
I don't
understand what
was going to
think it
was a
big and it was
getting a
way to get a
little bit
but the same
time,
it was
very rare
there.
They were
going to
the passio
and this
type
was going
the time.
In this
bathroom,
we've
seen a
something that
is a
thing that
is a
very
meodos
if you
appear
all of
the
same.
He says, no
You know,
the quantity of
people that
have gone to
the house
for that
that's in the
bathroom?
I don't
recommend to
right to
get in this
house.
And if
already,
some of you
know of you
did a
and you
did it,
he was
to be present
every moment
every
more.
The problem,
for what I
want to
you know
that they're
because
the people
that have
been
the rest of
the
night
here,
then when
when they
go to the
other
that thing
that
that
they'll
start
there.
And those
that pass
the night
here,
you know,
they're not
they're
anti-cuerpos
or no-se
I don't
you know
I'm not
I'm going
to be
but it's the
thing.
Marko was
the words of the
manhirtion,
but one of
his friends
when they
said,
if someone
perceived something
on the
bano.
And Marko
he said
why
you put this
like, and he says that I
when I met, I'm
I'm saying, I'm
saying that, I'm like,
is that it was like a man, but not
a man, and I'm
I kept with the idea
that I passed with,
but this quote is
that's very serious,
and described what I mean,
he's got to
never been
his friend so nervous.
They're going to
walk down to the
house, second
piece,
commenced the tour.
They've been to
up the escalars.
Who sent you
something?
Two, they've got
the man,
I,
I, sent that
something that
me
past
well,
if
you see
another
that something
they're in
the eyes
and they're
going to
because
what you
have been
to the
house,
is that
after they
they're
they're
they're
and they
they're
and when
they're
a woman
just in
front of
the
rostro.
That
that's
a
look,
you're
to get
a
edor
askeros
it's
like
the
the
the
had
parded
and
after that
you're
going to
you're
going to
you're
so on the
eyes,
and they're
going to
never
nobody
has
told that
they're
who they
know,
I know
to say
but this
has
years
since we
since
we're
that we're
that
has
seen
that
this
woman
and
in
his
past
and the
still
moving
the
tour
in the
second
there
three
Purs.
And they
these
three
Puerts.
If you
remember in
who live in
this
house,
you know,
they're
very nervous
and not
one's
not one's
to try to
respond.
Because
it's
that I
don't know
the
question,
there's
there's
a
there's
and then
one
says,
you know,
you live
just you
only with
your
father,
says,
yes,
my
papas
live in
the
third
piece.
I'm
don't
I'm
they're
in the
situation
so
then.
Then
there
there
there
there's
because they were
abitated
since we
moved to
we've been
my
men,
because never
we've been
in these
quarters.
Dentro of the
first
room,
there's a
one of the
second
there's a
woman
that
and in the
third,
and that is
the
one of
the
other of
there's
there's
or someone
or it's the
that we're
that we're
because they
move in
a tambour
and the
problem is that
that thing
of the
orcado
after
when you
you go to your
house,
you're going to
start to
feel that
you asphyxias
and it's
a attack
of panic.
It's
like if
someone
into you
to start
the garganta.
And it's
like if
were
someone
sadico,
because
the more
suffers,
it's
more
do you
more
do you
those
that
are the
on the
on the
those who
have been
that's
not they
don't
enter in
those
quarters,
no
they
listen
they
they're
they
they're
if you
you get
a
door
Abirted
and is a
trap,
not in those
quarters.
In those
quarters is
where they're
in the
demons.
Finally,
they're
at the
court of
this chico,
the
friend of
Mark.
When
they're
in the
room of
Mark,
there are
two
things there
that's
that's a
one.
The first
is a
cabo
of the
those that
have
like
some
that are
that
that
move
and they
go and
on a
by
and they
sub on the
children and
are doing
to be in the
little,
but it's
a cabo
quite great.
The second
is a
space that's
the
body complete
a little
more than
is a
whole the
marko is
metallic but the
brunied
with a
dark
and you
think it
is ridiculous
because
it's all
pretty
all
there are
two elements for
a story
of a
very macabra
and now
result
that
they're in
the
house
of the
demonious in the
quarter of the
type that's
doing the
tour.
And then
there's
where Mark
says,
hey,
don't be
ridiculous,
no
you know
and the
infitrione
go and
directly to
Marko,
he tap
the box
with the
hand,
he says,
no
say that
you want to
not
don't say
that,
no
don't you
don't you
don't you
don't even,
it
and you
know the
reaction,
it's
a sign
that they
can't
they're
put the
end of the
hand
and just
just
just
for
accompany
to
do you,
now if
we're
to do
do this
that's
that's
not the
thing.
And in
that
moment
that's
that
the
door
behind
the
they're
they're
sure.
They're
they're
that
a person
has
to be
doing
with
because
they're
sure
that's
they're
in a
part of
the
part of the
part of
the
part of
the
situation
that
that you
are
not
not
they're
not
combination
of
a
alcohol, a combination of all the
sensations of the place. Then,
all of the anfitron,
without, signal the places,
points where the people can be
to beacosted, the
piece, a sillion for one person,
two persons in the
camera, and total,
is the six persons.
They're all
are alled-as-a-costed.
They're allude,
for that no,
has any sense
that I've passed
about 30 minutes,
he begins to rechina
the jugete of the
cabo.
Mark,
I had eligied a
horrible.
He was just
he was just
on the
piece,
car,
practically
boca-abaco
and he
could be
to move
to one
to the
right,
be it be
the back
and at
the back
the
the
the
back the
just the
partas
that were
that's
that
he was
how
he was
moving
on
one
to
another
as
the
problem is that
he
was that
the
the middle of the cabo
and there
no see that
nobody
stood up.
He does
that he has
to turn your
head to
his head
and the
side of the
side of the
sofa for a
person where
is an
friend of
him.
The
friend of
he is
totally
aterrated
taping
the box
with the
two
hands and
he's
going to
look
to be
the
back.
Marko
Giro a little
the barbilla
to be
trying to
see that
there's a
little
look to be the
image of
a subject
with a
guy,
as if
were more
more profundity
in the
court,
like if
if there
someone
that's
there's
there
is a
back,
and the
longing the
two
hands
like
the
problem.
The
problem
is that
what is
that
is
the other
other
other
there
no
there's
a person
in
that
there
no
He's a bit of a fear
terrible and the only
what does is
serrar the eyes
and get to
and get us
back.
Acquiredens it
in this
abitation
not we're
going to be in
silence,
he said to
restar in the
head.
Who knows
how's
hours
passed?
When
went the
first of
the first of
the
people,
he said,
I'm
I'm
I'm going.
And the
anphitron
he said,
yeah
they can't
to come in here,
you know
he's
what I'm in
the room.
All of the
whole are in
there.
Aterrador.
Nobody
was playing
even the
anfitriot.
He was
agitado,
he was
he came to
out of the
and he
got a
and he
said,
he was
too
a bit of
your
but he
was
he was
a
palid
completely.
He
he was
there
no way
and that
he was
that
not even
the
the
man
the
Marko still
resando the
next days
and not
I could
do not
because I'm
going to
see that the
after the family
she seemed
a little
minimum not
was going to
be the
only that
he was going to
that's the
only exception
to that
that's a
that's
you're not
you're not
you're
not you're
not you're
going to
start you're
in preligo
now
let's
let's
let's
the relator of
valeria of
Nocturna. Valeria
me mando this story, and
is one of the stories more
locus and discavilegedas that me
have yeted. If this story is
a realad,
it's really one of the
cases most epicos and strange
that we've been told here in the channel.
Valeria, the day of
today is a chick of preparatory,
and
he's doing something that
is illegal or no. You're
to hear you hear of
a couple of
months,
the
father,
and they
were in
a other
area,
in this
area,
they were
in the
other
news that
had
acts
like
of violence
and intents
of an
accuser
to a
other than a
little
to get a
mother,
that the
people,
that the
children
that had
been
being
being
were being
many
strange
about
that
that that that
that's an acosador
not a person
but a
and that's a
a gruho,
things that
have been
something that's
been good
that Valeria
was to be
that's in
that's a
time of the
time,
because all
what I'm
going to
do you
have been
in the
world that
if she
had been
to do
that's
that's
that
this information.
Resulta
Valeria
what you
know
what's
in
that
that's
they're
a little
incommodos,
they're saying
that I'm
much precautions,
that not get
coming into the
house,
that I'm
much careful.
But at the
family of
Valeria
not is a
family with
many resources
economic,
what makes
that the day
to do you
do that
even even
when they
have to
take precautions.
Lamentably,
it's the
reality of
many,
so when
when you
start the
times,
the time,
even when
they're in
these stories,
his
papas,
you've
heard,
ah,
well,
they're
to keep
working,
because the
two work,
and Valeria
still studying
in the
preparatory.
So,
is that
Lamentableable
Valeria,
in this
time,
has to
go in the
morning and
and
back.
In this
occasion,
in the
that she
did a
preparatory
talking with
various
friends,
she got
to come
there,
and he
came to
the house
that's when
he was going,
that someone
he was
that he
was doing,
The only that
was to get in
a little
was a cat
a cat who
had never before
never before.
She was
nothing more.
She just
saw the cat
and she
calqiced
and list.
When
it's a
house
about this
situation,
the mama
and she
we have
to make
a
little bit of
and
Valeria
and said
when you
know
when I'm
she's
a minute
to get
to make
a
little
to make
a day
the
mom's
so
tan a pecho
that no
he went to
work and a
Valeria
he said to
be a
lot of the
and he
said there
so I'm
that they're
in the
things.
So,
so it's
he's
he's
a media
morning and
his mom
and he
went
like seven
four
more
more than
the house
and
they're
in a
place.
And in
this
yerberia
the
mom
comes
with
Valeria
and
at the
final,
at the
front
is the
the car a
little
kind of
a
little
skin,
skin
skinnisa
and
a bit
very
long,
not you
see
someone
that's
very
hygienic
and he
he's
the
the
person and
they're
they're
they
they
don't
put
the
eyes
and
Valeria
and
is the
person
that
she
doesn't
let's
the
I'm
I need
a
you or
the
chief
or
whoever
that's
encargue and, he says,
we'll send them the herbs and we
do them to do them clean. And she says,
well, but, well,
well, how do I do you? And yeah,
he says, look, get your manoe of this.
Get you a little
of this aroma or
essence.
Get it, too, this pair
of piers, this symbol, and you
need to do these two passes.
You're going to costar
and for the instructions this
other time.
The senior, desperated,
accept.
They're going to the
house, and, well, Valeria,
he receives a lot of humeradas
in the car,
some gyrvas pegandole,
her mom took a pair of this
baby and she'll scupe in the
car, well,
a act that Valeria
never will be
able to forget
in the life.
Something that
says, no,
no, no,
my mom,
when it's
a fond, but
it's a
full and it
and so,
then Valeria
is a lot of
this,
simply because
they did
vacations and
to be
the day
next,
but to
get two,
three scupida
of that
but not
go to
go to the
school,
it's
then,
when,
advanced at the
time,
the mom
is
a discuited,
she's
to disrearing
in things
of the
house,
and of
the
situation,
she's
being
there's
making
the time,
making the
tont,
see how
he comes
the
the
other
earlier
had
seen
that I
see
that's
strange.
The
house
has
not a
thing
in the
he's
like,
hey,
you
you're
you
what's
you
the
gos is
the
catito,
he gets,
like,
sent him
in the
quarters,
he gets,
and she gets
to talk to
get to be in the
little bit more
to get to be
and the catito
he does the
panse, but
there's a
there's a
rare, there
are a lot,
the gats
not act on
so.
This gato
is intelligent,
it,
and it
is that he
is like
very methodical,
like a
much much
a much
concentrated,
he's a
little
the
room,
and he's
a
door,
and he
to look at
a car,
to be
there's
some
in the
catto
could have
entered,
a
little
a
door
and
and be
a
mother
and
she
in the
room
like
a
very
so
that
she's
with
the
eyes
and
he's
like
and
he's
a
little
he
after
after
the
no.
No,
no
there
no
there
a door
abier
Valeria
Regress to
your
apartment,
and is
here when
when it's
a little
inaudito.
In
her enimera,
in
her cajonera
where
has the
room,
two cajones
are
open,
and the
gato
is revolk
into the
one,
brink to
one,
she's
she's a
very strange,
and
she makes
to analyze
the situation.
A cat
without
how intelligent
and how
Fawterter
It's
not
those cajones
Those can't
Atorado
I'm
battalion
to bring them
to help
my papa
this is
rare.
Comien's
to ask
with
the school
if
exist
like
animals
with the
forces
of the
human
and it's
there when
she
when he
he
she's
a
little
like
questions
mythological
the
word
Nagual
and
and
he
starts
to
talk of
these
bruchos
that are
in animals,
but that have
things that
they're in
some of them,
a little bit of
their behavior,
that's quite
much to
the human,
and she
starts to record
the mirada.
The mirada
of that's
the gato
that I've
seen the
where,
where,
where,
where,
and then
then he has
a vague
of something
that's
in where I
have seen
that way
that's
a few
days.
And,
and of
And then Valeria,
I get a pair of
of billets
and is it
a little bit
and it's a
little bit of
the subject that's
the day
earlier,
that's the
subject of the
little bit
that's not so
that's not as
so it's
that I'm
there to be
there and
he has a
look at
that's
a postated
totally
over her
and she
that's the
mind of the
that I
had seen
that I've
seen, and
she says,
ah, with
you?
No, you know,
you know,
to have a
gawals,
and then,
but I'm going to
see a little
reaction.
Valeria,
for this
then we know
that's
there have been
been taken
being very much,
but never
had been
to do this
what I'm
saying, and
he's,
Naguels,
these things
not exist,
but he's not
she's so
nervous.
And he's,
well,
even, even
doesn't,
they're,
they're
they're doing
something,
and then,
and then
he has,
he'll
He says,
Yes,
this quam it in the
entrance of your
house and
these put them
in the window,
and with that's
not going to
the gawals.
She's
she's not
minty'all.
He's going
to ask.
Because the
gato,
now he's
visiting,
and this is
very rare.
She's not
that that
that's a
cat,
has a
little of gato
and much
of pervertido.
The gato
is a
camera,
and now
he's
is waiting
when she
when she
is going to
a
to a toy. And no
he
pired the
and you
can't
understand
what is the
after the
way of the
way of the
way.
And she
is a
approaching
the situation.
She
starts to
the toy
in a
form in the
way that
that's
attractive,
because
is sure
that there
there is
a person
vestida
of a
got,
disfrasated
of a
cat,
then
then she
to do
things
that normally
not do
he,
he's
to have to have
caughtivated,
he
he makes
his
defense,
he
that's
that he's
like
that's a
kind of
unlawed
and he's
when
discover
that
exist in
a
part of
plantas
that
if
if
you
put
in a
place
and
you
you
and
you
then
then
you
then
you
then
the
the
nagual
will
be
not
be
not
be
in
And she
commenced
a couple of days,
a pair of
the same.
The cato
not par to visit her
and she can't
give to
give us.
The cat is
not made
more than
to be there
and beleased.
Nobody
is out of
her has
seen the
house.
Nobody
asks for
the cat.
She is the
only
that's
having to
contact with
he.
And is
sure she
after having
seen
the
dependent,
the
the mind
is the
same.
The sensation is
the
same.
The
I'm sure that is he.
She doesn't
that this type
is someone
very dangerous.
No,
it's very
small for that.
He's a
little bit more
money.
And it's there,
after having
a good quantity of
a house,
the haula is
one partes.
It's arm
from the
part superior.
Accomoded
all these
herbs, but
it's envuelve
before,
the way
in the
way,
quit and
simply
some
little
and they're
going to
get to
putterer and
they're
the part
inferior
of the
haula,
it's
put in the
camera
where he
does that
that's
that's
that's
that you
up
up you
and up
of the
mantas
put in
much of
her
stuff
that's
done
that
the gato
that
she's
that
she's
she
she's
to be
that
is
the
call for the
Gato is more
or the
hour in
that she
is a
time in the
routine
of this
cat when
when he gets
to get to
see that
when he's
the
little
the cat
is a
revolkating
just in
that part
of the
camera and
she
she gets
the toilet
and the
cat
not get
any moment
of the
defences
and
he
agh
on
the
side of
and
he can't
the
car
the part
superior
the part
the
And,
and
doing two
movements,
makes that
these herbs
are there.
And it's
there,
when these
plants
swutting
their
and when
this cat
is atrap
that he
he's
not a
mawitt
but a
larido.
And she
me
says,
narrator,
I'm sure
I'm sure
that I'm
a
haual.
You know
for what?
Because
I've
five
days
with him.
And
you know,
you know,
I'll go.
As five days
that no
I've been
the
yearberia.
I'm sure
that I'm
still I'm
thinking what I
do to do
my mascot.
It's like
the Nahual
no
know who
who's
me to
you?
You,
Cre's Nahuales?
And with
this
history,
family
nocturna
we've
got to
this
fogata
of stories.
Now
if,
yeah,
you've
to
tell me to
tell me to
what will
be the
thing is
the
The
dear team of the
and his servicester, for you, my
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atterrador to what
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for that every
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and every
more we're making
the foggats
more obscure and
it's more
difficult
to survive
to them.
Once said
this,
I'd see
a beautiful
rest of
the time.
We'll
see in
the
The next, Sado of Somsbra, because
if, regress,
and now,
good night and that
have good night and
that have
sweet,
bestadias.
Bye, bye.