HABLEMOS DE LO QUE NO EXISTE - Historias de Brujería , Santería y Lavanderías | EP 334

Episode Date: October 20, 2025

Bienvenido a ésta Oscura Fogata de Historias de Brujería , Santería y Lavanderías en  ⁨@HABLEMOSDELOQUENOEXISTE⁩  El día de hoy les traigo historias extrañas que ustedes, querida Familia Nocturna me mandaron al wts de las pesadillas . Escucha de entidades que se esconden en los lugares menos esperados, posesiones aterradoras y almas penantes que vagan por el mundo de los vivos esperando que alguien los note. Descubre los secretos de la pluma de las blasfemias, tiembla de miedo con las manifestaciones de un ángel caído y conoce los secretos detrás de un evento que marcó para siempre la vidas de Horacio , así que prepárate porque llegó el momento de que  ⁨@HABLEMOSDELOQUENOEXISTE⁩  HABLEMOS DE LO QUE NO EXISTE es un canal de YouTube con el formato podcast que comenzó en abril del 2022, su primer episodio fue "vivo en un casa embrujada" en el que una chica narró sus vivencias y sucesos paranormales a lo largo de 20 años en la casa de sus padres, desde ese episodio hablemos de lo que no existe ha marcado una tendencia en exponer casos paranormales de personas comunes que viven en diferentes partes del mundo. Ice Murdock es el conductor o host de éste canal, durante casi 100 episodios no apareció, nadie conoció su rostro y la comunidad de éste canal , la familia nocturna , creó teorías acerca de quién era el dueño de esa voz. Hablemos de lo que no existe se destaca por tener apertura ante las opiniones experiencias y vivencias de cada uno de los invitados. La comunidad de éste canal es conocida como la familia nocturna, de hecho por estar leyendo o escuchando esto, tu ya eres miembro de la familia nocturna.. bienvenido. El duelo de historias es un concepto que se creó en el canal @Hablemosdeloquenoexiste, idea original del narrador, se estrenó en el episodio "Comité de la Muerte ,historias de Hospitales" el 1 de junio de 2023 y empezó a implementarse formalmente en el episodio "Abrí la puerta a un Demonio" el 11 de Enero de 2024 ; consiste en un duelo entre Narradores, una dinámica sencilla, donde cada uno cuenta una historia y busca superar a la anterior y al final la familia nocturna nos comparte en comentarios cual fue la historia más aterradora. El Narrador y todo el equipo de Hablemos de lo que no existe trabajamos para darles a ustedes querida Familia nocturna contenido original y de calidad, tardamos a veces semanas ideando formatos luego de tomar en cuenta las cosas que nos han pedido a lo largo de la temporada anterior y por eso el día 23 de Septiembre de 2024 comenzamos una nueva temporada que llamamos FOGATA DE HISTORIAS, en donde el narrador prepara una serie de historias escalofriantes una tras otra para retar al espectador a terminar el episodio por el nivel de miedo que genera. En este canal se relatan historias de terror paranormales, sobrenaturales y reales, prepárate para conocer el miedo de una forma en la que nunca lo habías experimentado.​

Welcome to Family Nocturna, to this Scura Fogata of Histories. The day of today we're going to talk to three things. Brugheria, Santeria, and lavendaries. But, before to initiate with this episode, permit them to recorders something to all. Inclusive to the new ones that just

are going to say, we're going to we're going to make sure to get to the million of subscribers in YouTube, and when we get us, we'll get us a surprise incredible to all of you. Something that probably they'll probably those dayeromated for always. But, for

that we get them as possible, I propose a interchamble, just equivalent to theterrador. If you support and you

like a story, subscribe. If you are two or three stories, then then let us the

campaignita and let us a commentio. But if the episode complete, you can't, share it

for that every we're more more than the million, because when they

make the million, we're we're this No, you'll apag the light. You're just a

point of a little a full of a story of the Priscilla has got to a shust, and a

that's that's not just to do not what you did you know, the problem is all the

problem, is all the that's the question. Prisila has a one a year

a situation very strange. Pekeena, but very strange. She has got to

six months with her new carmeneta. His new camioneta she has her She doesn't that's the

best vehicle that has been a life. It's one of these vehicles sophisticated that have

sensors for all parts and for many and one and for six months. And during six the time, it's

a lot of something that she had presented a little bit that's perfected to some time. But in another,

but it's And going on a carly a way that a little life a bit of a bit of

a bit of a bit of a way that you know that you get to be in a great and it

gets a moment in the you know, that you crosss below of the

point, because it's a point of that you light and that gets a moment in the

that you get a maybe a bit a little kind of you can't

be able that's like much obscurity Maybe it's that That's that oscurity What he left That's the place

It's a little bit of But it was a little Until it's a A month, a month and a And yeah, And yeah, they're To pass for that And of a repent

So, you know That comes Many cars very And the carrile The right Is it's a vehicle To the carrile of the Right

And then Allentating All those cars And then So, so it's a count that the carrill of the right, maybe for that there's not

many of some of signaramintos that they're saying that there is there's some kind of any kind of and it's that.

And it's to get to get a rapid to the other. Never was your intention to get

to all. But I'm going to get to get to the way. The good is that all the

line of vehicles lentos had had taken a space a space sufficiently

ample, for that she could incorporate to new to the carrill. And it's

there, when he was down the and just when it's down the point,

they're all the vehicles. The that's the detain, all the

all of all the back, and when it's there, the middle of the carmett,

the the middle the light, but the theelante is submerged in a

complete obscurity, they're commences, they're on the sensors the

sensors of the when something, something is very close. And there, with the

lights the sensor of the side of the left right, where you need to be

there's there's pointing, it's on it, it's a little three levels.

It's a level that is an a level a level and a little

the level that means that is a little bit is that is that there's a sensor in

a level Naranja. Then the sensor frontal, in the level Naranja, you have a more a more than a major.

And then it's the right at level Naranja. Something is supposed to a less than a minute,

has been on front of the can be and that and that is a vehicle, but no there's a

back. Then the sensor of the right is active. Then the sensors of the

back, and there's a problem because in a second, the center of I went a little more rapid. Tracerro of the right, part of the middle

in the part of the back, and then the second. After the second round in color rogo, like if you tryhers a little bit more.

And then she started to feel like with fear. What is what is here? Why are me sounding the sensors and that way

is a perfect? What is going? Someone, someone could be able to get to be made to get to the vehicle, and he has gone to

see to all the part, and it comes to see, to be of one and other side, the vehicle that has the vehicle that's on the part of the

light, don't have the lights and the buses encendidated. So there's a part in that obscurity that is illuminated by the but other part no. And there is very incomoda.

What is what is sounding? Because it's soning over the carmone. And another other cycle in color rojo.

So, something to be a little bit more and it's around. And again, it's the moment in the way you say, yeah,

I have to do it. And it's a window. When he a ventana, it's that light

in color rogo just to the right. And then it's desactive the

sensor of proximity and now it's the right of the right. Just in the window

of her. Suppone that there there is a less to be a less of

20 centimeters. It's at the and you can't be

nothing, but he's he there there. He's not want

to extend the hand, not more something does

say and then he begins to move the video and when when it's a situation the vehicles are to move and

she's a fear of the there's, there's like if you have been in a situation that's not

that's a but it's a perfected of the vehicle and get it to the agency, and get it

to the time. When he's she's still she's a molestia, it's not to occur to

the fear, it's in tors to come to do to make in to turn to put a situation that that's more

powerful than that was the day earlier, because that night not had not done, so it's that you're

that's that's that's, she gets to get a person, and let's say, that it

costs it, a fortune that had been a great that how they can do that

that's that they can't do a perfect, no, know, but it can

cause a accident, that that type of things, and they people, the people

of the service, they're that, that, that, that, for a favor,

that they permit to do you know, that's the problem is that she when one of

the person like the people, he's that you know, that's that you know, let me,

let me bring here the computer and in front of you we're going to see, what is the

problem for that that's going to get to that she's she's

well, but it is a really, but it doesn't admit it, it's

fear, see me, if the computers, no appears nothing.

Something of the day of year is very strange. The man comes, connect the computer,

and revisa the part of the sensors. It's a system so simple, and it's

made to a way that she does it and she says, and then he says,

yes, yeah, I've, pression the button of sensors, and then appears a

letter, and he says, this is strange, it's came the day

of year many lectures in this zone. But you know it's not me those mark as

a code of error sir. Vian all the letters of those sensors and the

day of year for the sequence is like someone if someone he's going to

around the vehicle. Where was, it was in some

kind of when she she says that phrase the the she's

the she's the piece that she's the perfect

that has the car no no me saying that

I'm doing in the nothing and it's a little

it's a signor no, no didn't any a

commerfect to the carmeneated. When that that's going to say,

the computer not the computer does it. It's a false contact,

that that's that it's and it and it is a kind of

something that's not, it's done, I'm what I'm what

I'm know what I'm a malfunctioning it's more, that

we're to give her the service. We'll have to revisit a detail. No, she'll be sure. If we're going to do the vehicle

two days there in the agency, those two days. Desperted them the news most profounds of Priscilla.

He gets to his house, they're in some of these vehicles of application. When he gets in the

house, they're still waiting mom and she's waiting to talk to her mom and with her not about

the situation of the day about the theme of the Camionetta. How can it be that can't beaculses that's a bad quality? Because she's very molest,

because with the enojo, it's more easy not to make a case to the fear. To that you have that's the first cap of the skin, that

that's the that's calending to the mues, that's the that's the head to be the same

that they're that not he's that's making that's making, that's that makes that he's a little,

because me you're a vehicle that's a bad? Because if it's it's a bad, right? If it's

a bad that's functionament, that voiceicita that's a good-in-scient, that, for favor, that what I've ever has a lot to be with something paranormal. It's at point to peggar the gritty more grand of the history. When he gets to the house,

she's just a kegling with mom and with papa, and he's commenting all those desperfectos and the malo's tratos. The papa he asks, oh, you're very molesta, well, what was what was what what was, and she starts the story, the story that you

heard you've got to hear that, no is necessary repeat it. What is necessary to know, is how reaction it. While she

was talking about about the sensors, how much more functioned and how those armatosters electronic,

get to do these type of problems in those which one is one of there's a problem,

and it's more than a chip-sitt or something that much that the mom

came to do that put a palida, palid, palid, palid, palid, the boca,

the boca, the boca, the labios for complete to the point in when he tried to when he

said, what he said, with the words was in the point you're in the point

he said, the point, the point, mamma, that's, the lucid that gets and you get a

all in candylated, you know, the you know, the mom is put very pale and he's

and he's, ah, my, let me go, because to me it's me that's a

little bit of your carmionette. Priscilla is he he said what you're talking about

you're not the carmoney in the agency, how it's nothing with the carmionette

because there's the voice and she said to say that she's a alarm

they're at point to say to say she's she's she's her

she's she's six years he's he's exactly in the same

the same the same just he was a round of a road. There was a situation

ahead and we had a field very, very large. Just when I cruised the part initial of the point, when you're all in candelada, there we got to because something happened and we just happened. When

I was there, I had the videos above because I had discomposed the air-conditioned of the car. And at the start out of the car, of a sudden, I began to see to see as a sombra that was around

the vehicle. I don't I did know the principle, because I was a little things to think.

But then I noticed that every certain time, it was more more than me. I had

been sent into the light and then I see nothing at the first, and then I'm

block in a light, me block in the other light, they're back of the vehicle,

as I'm put down the I'm trying, I'm a little the light because

it's the way the back, and then the other side and then

I'm still looking to see what what I'm put the car in neutral I'm at the front of

the vehicle and then then just I'm just I'm get to the brazo and when I'm don't have

no I'm to get to the vehicle and I'm up the window and when I'm

going to the window that was manual in that time it just just

just it was a bow like if someone just I'm

put to that when when they were in the place I don't

know I'm sure that it was a time that they were in the

municipal of the government, when they were they were there, they were

a route for a route for a car or a carer, a person that

was in a car, in a state of people, and all of people, and they just a

entry in the point. I'm put to investigate in the

time, and many people who are people that are in parted there, it's just exactly the

same. Something around of the car. There are things that are just to the sides,

but it's not some malfunamits that they're that they're they're they're a good,

we're going to give us a benition. And from that's a little in their house at

your little, you know never she's so long. Margot me made

a story and me said that during ten years he was

working in a lavendaria in that just the day that she sawed, she entered of something very obscure. The place, was totally embrugated and she never had never had

done. During 10 years, we're talking when she had 16, until her 26 years, he was working

in a lavandery and her work was very simple. It was accommodator of the plendas that were

the presentas when she went. It's a work very simpleon, but they had so much volume of

work, that was a hard a job that's a very day the first

the first time that they were not the time of the time. She was she had the muscles

they had they're molied, all the ballsed, when it was the point of

to call he had sometimes things that were many that, that look at that

that ganchito sound very delgated and a sometimes, yeah the cap that

they put in plastic or these kind of forros that have in SIPER, to put them to be able to be able to beck, some other things that are not bad. But, yeah, when you're cargues,

you know, it's almost 200 a day, really is something supermente pesados for you to get you to get a piece. What, what could have? He had marked all the dead of the hand, because they were tantus and tantus and the repetition had generated callos, with callos,

in each one of the dead. She had been a expert in few a few mesicits, and she could be

put out of different prendas in every hand and they put in the way in that he

could be accommodating just as just as just like the people that are in this

and those are not a great as I don't the hands

they were all made those she was a work a level

I was to make a good quantity, to me permit me to be paying part of my studios. My papas me pagable almost all, but with what was left, if there were jobs extra, if there had to put for some type of situation, if there had to invest it, I was what I paid.

So, I had a life mediumament oldgated, and my papa me ensued from very little, that if I wanted to be a person free, I had to learn to work. I had to be a person responsible and valer me

myself. So, so that's the I've got 14 years, I've worked. And that's the job and I paid much better than all the other those anterior. So, is that I'm I studied the career. When I go to the career, me

buskary to be used to the labendary to a new thing more of the gerent, and in that time of the general, but me said, that I could be able to be

a double function. I could put to carry the things, but I could train to the general and me augmenter on the I was

close, I'm close, so many because they were more succursals and me were to be really chisdus. Because I was the

thing, but as I knew all the time in this place, and I know all the details of the operation,

well, it was something very simple. I don't want the general because it was a much responsibility, and

I was trying to take a pair of people, but the time advanced very rapid, the commodity for one

the fact that I was there, no had a necessity economic that's that they're

paying very so that the time for the time. I'm

I'm going to that the local, but it was yeah the last of the two years

and is the environment is that I'm strange. For the question of

my studies, I'm there only in the times, but we're a lot

level of rotation in the t'clock in the nights and it was very rare. We're of the few places in the city that we'd service 24 hours of lavado, planchado

and all of that, express for emergencies and a lot of things. The business had a volume, as I'd say, tremendous, and only in my turn, me took them a quantity of prendas, but loco, it was a lot of locus. Well, the altar that we'll know why it. Two aignito before

after to go ahead of salimmy, the dukema me pique, because I'm of all your confidence, that, for favor, will be a supervisor. Well, I go to the turn of the time and there is where I tell you that I top in the environment all extra.

It's a weird, pesado. And I go, well, is that you know, that's the thing. It's the thing. It's a.

One, that the employees have been that's a bad character that is that's it's for their life that's

the environment or two, the chemics that we use in the morning, not are not being

the place. The time is the time. And it's what it was a sensation of because the sensation is, I mean,

it was a sense, the place, the place and there were many people, in the time, but

in the other ways there was there. And I said, and I'm a lot of time. We get a

time in the time. There's a good attitude in the people, no, there's a

time. When I go to the night, is where the things put in the turn

of the night, that number one, nobody me want to nobody me

He wants to tell that why they're that the people the person

that we're the time that's that we're not a time, that person that was

a person that was a person who was a maybe distracted and other

other thing, but as we're a car of a little

that that I'm that was the person that was the

person when I I'm there to see that I'm there I'm

We're We need in our plastics and in our cover-trages the mark is a form

to do not our marketing every way that the people get to the house there's

there's there's why? Because many people after the lavards

in lav and the plastic and they're they're just they're not they're they're

they're they're they're some dresses specials of gala there there

simply let's just they'll just we'll do it. Because we know that in a month or two, when they'll go to use

to be our market. Part of what does that does that you don't you know that's that's that

is that we do that we is of color is a different, it's like a black, but with a

part matte and there the logo that contrasts. It's difficult to explain to be the way

thought. The do the way is a man is a aspect. And that so I said that when you'd give to the bolsa, if

then you know, you know, you know, you know, I'm going to do. Because in the night, when I'm going to see the type of, the carrille, where we're going to

get to do that the world black. And it's me makes very rare. So, I'm a little bit of the child, and I say, hey,

that box of color black, because is there, we're going to change to the original. And she says, yes, And if,

let's and I'm encargo, no you care of other things, etc, etc.

pass in a pair of days. And me go to top the bolsa the color

black. And I'm this box, because it's here, we're we're not

we're that's like that box, that's that box that box that's a

little you know, not you don't you don't let let's be a I'm

a second to the last I was I'm really I already I'm

this woman how's people not have have to be fastidated with that

type of attitude of I'm doing it's in the time to start

dallying with a person that just that's the more to

make the not just the thing I'm I'm because we're

this I'm that we're under that they can insopible and

how is the more more confidence I'm I'm I'm And for the third

When I see the Bola I'm going Oh yeah See standing The Bolsa Blanca And no me You know me

You're going to Carego We're going to Cargo So is that I'm going Caminando the Borsa

And where I Garrar the And he says No. It's a Cuckrardor Something I'm in the

Ambient Because I don't If I'm If I'm You're a person If you All-to-Tover For me

It's Resolve Abland All-T-to No No No No problem

so great that not so I'm so I'm for that's for so I'm for this they're in my with the

general for so they're this time of turnes for that's it's not you get a boffetada

but no no it was a reaction it was a question and I said and I'm you'll

gollas to get that but totally totally I was totally I was another person me

I've been been a monster and I feel a a rabe that me want to

get to over over to you and I'm have to use all the control of the I'm able to

get to get me up to get her. Because I feel a courage and a odio that I can't explain. And in that

narrator, when I doffetada and when I'm still controlling, she starts to talk

in voice vagita, I'm I'm so I'm just trying and I'm just a

one of the hands and me says and I'm just, tranquilla, come, try,

come, venting, and I'm I'm very strange narrator. me tumbled the Curepo,

I'm very courage At the same I'm going like if I've put a mantle a manta a psalatita

that me came you and it's covering and me is getting with the abracito that she

me does to get to I'm getting that I'm more more than more tranquill

with much suhers with forces of the locus of the loco no-ent

I don't that was what I was living there and I just to guide for her and just

I'm going to say, I'm going to see, I'm the person that I'm to say, 20-tantos

years, and I'm feel like a person of more of more of more than the hearticulations. I have a

horovita in the back, because I can't keep my my body for the

person, for the painstance that I had two minutes not I'm I'm

I'm and when cruo the umbrar I'm I'm sure to year to

a madalena She, she's going to sov to sobbed the spalde, and say, Tranquilla, no pasa nothing, take it all, don't you keros, and I'll let's go, and I'm saying, I'm saying, right you're explaining,

and me say, I'm, I'm confused, even more, and I'm going to cry and y'rard, but I'm a lot that I can't explain. And then, after that, she, saccautia of cigars, and me says, Toma, I go, no fumo,

and me says, no you say, you know, you're going to you're going to do, for what you I'm going to I'm a I'm asphyxio

I'm a fixia I'm sure I'm rick at carcacadas me invite to me sit and I'm it's more

important to this sitat and me that thing that's she's alive has much time here

no you don't let talkes does do you I've seen things very bad

very very malas I've I'm time working here and I'm I know, but

you've got loco, that thing. Detrace of that a bolsa there's a girl,

no-se of a but it has a mancha a rosa when I when I came to

this place, I was, I got the box the black, because it was the

only vestido that in one or two occasions he was that was not

he was he I'm I'm, I'm no me, no me companyer,

she put like a hysterical to read her and he he put to do you get to be

to be able to you're going to go back, when they're when they're the duke the duke of the

best you know that you do you're you're doing? If you the duke of what you're going to

do you're going to she's just he's just he's across to her he was a person,

she tranquill a little after the time, and I got to be and I go and

the vestido, I get to to lave, and when I do you to love to do you

know that that's a mancha roger. I'm with much fear with my

friend of the companyera because I felt that had done and the mancha was

and it was a lastimed and the liquid vital rojo over

over the then it and then the time the process of the lavado the vestido

is all again back this she's out of but it's that all

the body that does that doesn't that What did it was That's what did you?

I thought What's the something? And right just simply he did the effect. I'm going to and I said

you know, you go to do to do you going to do that to say to the doggia of what happened but no regresses

because if you do do you go to put to protect and here minimum with this no friagas

your curricul the chica me made case was was very extranated of that day.

At the day the next I'm going my stifference in his bolsa blank. I'm going

that's a little I'm going to go back. Passing two months. You can't the

companyer's the companyero? The companyer that just was just like that he said, and then

the jeffat you know that you never to ask to him. Yes,

well, that's that's a point to do you do not because me said,

oh, what is that that's a box Blanca. I said, ah, it's a vestige of novi. No- I don't know who, it's a lot of here.

And when he gotro, he started to talk to me, but did a way very glupeated, and me he said, that if he didn't

he had said a case, and not it was a good, I would understand what really was good and of what

he was made, he was doing that he was he was talking, but he got to because the guy was

full of but of the other me did much fear. I said that he said,

that all was good. The vestido he had brazzed so on the first of and it's

when I know that the vestige was a other way with the mancha the

manch the time he goes one of the ganchos and he was

a point to know to be but I'm I'm and he got to

a car and he got on when he got the

car he had done he did that the she

said that you I wanted to the company, but there were in the videos of the cameras, and well,

I was going to the wife, he said that what on with that and she said, it's for the good sort of

the local. Since that we've put it has brought many clients, not the so I, from my

recommendation, I've seen what I said, the duke and I also I do you also recommend

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he has much fear and respect to the things of spirituality, oscura, and bruteria, santaia, but for over all the time of the Santa

Morty and the I'm going to tell why. Oracio has a very peculiar

is a context that not, we don't is the habitual. Papa and mom are

people are people conversas the papah if I remember for what

I was of the religion Yoruba who in some in some

in a Christianism but a Christianism as a

very radical and apart also of the type protestant

but very very is a person that's a met you with a fear of a

that is difficult to see the rhythm his mom her other other

life had been been about but but then he this person

to know this person, who is the father of when he has the conversion she after after she has

been a Catholic is a family that is a idiosyncrasias, you can't know there's much

water and the air air in the environment. There are many discussions in the time, there moments of

much euphoria. They're people with a character explosive. They're people who are very

determined. They're people who are they're not as far as the people they're not.

No. Very leaders, very echados to but also in moments

conflictiv Orasio comes of this family. His character contrasts

much with the of his papas. Tantos excesses of the father of

the father and the man, he has transformed in a person a little more

more than not he doesn't not matter, not it not be so much to show

his or to know in what they're in the other irrelevant

yeah, you have been a dinner and he did you know during

his infancy and the the pastes about spirits

and the phasas demons demons because the Papa was of this type of

charismatic, but I'll say radical. And the mom from the mother, she had to talk about much

about the pactos and things good and bad as those, and I'll say a combination of the

water's and when they were to be of religion, maybe at the level

of the practice there there much contrastes for their baggage

cultural and the story I'm I'm this because

he He said that, from the little, the thing of the brogeria, the palomayombe, the santaia,

they're things of respect in your family. With respect, I'd say he'd say, he,

that one of the stories that he liked very from a story, but it's a story of terror.

It was when her father he told us about the plume of the blasphemias,

and he said that there was a he knew and that he knew, that he

took the control of your control of your and that when you tookabas that pluma and you let you in that tintero, that was a tinderer special of madera, and that in the liquid, no parecita,

but it was another thing and of color rojo, I think you could get. One of the time that you'd have to start to scribing in automatic, and your mind not going to be to beckxedmias. No matter your religion and your creencers, but they're continually offences to the life, to the spirits, to God, to any other than

that you you're at the and it was like to that's the paper that you had you that's front of you, that's the paper that you're in a second or other, of gusts, it was a

rather than it. Also, the father of Horaceo had another history. He said that in one occasion

he knew a person that that in her was a angel, and that with the time they were

that they were any kind of that was that person, standing in a group of these durations

in those he participated one once that he was a he was, he

he went a day and he he began to be a woman very amative,

very a little, a little bit, but a voice melodiosa that embellasable, you'd beleasable, a voice delicious, that all the voice deliciousa

that all the thing, no was going to any filter, nobody never revisable what this woman said,

but all what said was it was a and the father of he was that the person

knew the things of the other of the other that there when he was

the day that you did this rito and he commenced to describe and he he was going

the phrase saying, I was there, the papa of Oracio and he was

to feel a little of the kind of and calide he sentio and much frio.

The rito that he was using was to do a kind of invocation and

nothing was being being called that that was now that was

that this woman had been that this all the antennas and the alarms. His companions about about that an angel

back out of the skyro is that they were manifesting there. That they had had proofs then that the sky,

that God, that Christ existed, and they were about that the Papa of Oracio said,

Tengue I think that's too good. And one day simply, the Papa of Oracio

was to ask us directly to her when he was just moments in those

that and started to talk of those things, that only knew every one in his intimacy, I was and he asked a direct. What kind of

is? And then the woman, bolted, and with a mirabye, with an eyes absolutely

dark, he said, one cailed, and he turned, and he said, because nobody could

hear that words more than he, and he still talking with

the father of that moment decided to change of the group of

because all, from his words, were in the influx of the angel cailed. All there were contaminated. He had to hear.

So, he was he was looking different groups, different places, in the places that he had used, he was to

ask him to ask him to get to here, and then he went to a new group. One more tranquil,

he had a fear, he didn't want to experiment to what he had to live,

to live, to come to live with some of those types of entities that he

called it, that was a deities that was a good really a unlawful of that he

was a very much. So, he was a group more more rather than

more a way very, very aterisada without any such such

spirituality, and more being, like little rites of sort

psychological, something that you impact in the emotions and he was a

he was a year, a year and middle, all the context of the

family, all in the life of Eurasia was good in the time. In this time, Oracio was around

the 15, 16, 16 years, when her mom, he makes to enter in a group,

in the group of oration are going and that are a monjita that is

vented, that is that can see, that is a mother, it's a mother,

that apart, has been has been certain certain people have been has taken

with her, have encountered Paz, they're that are manifestations of God.

The mom is a impactated, and he makes to invite to him to give you're

going to say, no he has a time to do you know what that you

know, that that's things that's that's that you don't

think you don't want to that type of that the type of the

time. The Papa, that was that's like in a point indecisisisis and change your of religion one

more. He's talking with his pos and not if he's doing so do it's not going to

do you, and they're these these practices in house. And of a

day, after the six months that he is assisting to the group

with this monjita they they're to get to the good, Orasio,

he's saying, well, because they're to be the things

bad. And they're saying, please, if something, if something, you

you're Orasio, no he doesn't know what is going. It's a time when his papas are moving to

move to their but it's something urgent and that's just their parents, they're in years living where the same.

And they're very close of the familyaries. It's not doesn't know what they're doing, because

they're moving in the periphery of the city, very, very very much to where they're and then,

and then, they're just they're doing really to do really to do, and they're doing, and Orsio,

no, I don't understand what the past. The all the days, all the days of the day's all the day's

in the way and he's a lot of the he's not a question, but he's very, I'm going to be

strange, because you're no, no, he's just in the confidence. If something something, you know,

but rarro that, has been a thing, has been robes, or so, why me you say this?

No, no, no, only, so, so just if it's a problem, he's,

this time has generated that or Oracio has a separation of his papas.

The mudance is a grand incognita for him. Apart, is the adolescence,

the group of friends, people of people who are doing and that he's all that way.

When the mudance is that that's that's that's a mother, he's not,

he's only a little, a little, some of sometimes, you're not they're not

they're not they're not going to that that's that's Papa and Mama, he don't want any know.

He's got into his decisions. Tantas maldita things, such extremists that are all the asses that

their beliefs that have done. He has made all the life for pure superstitions and creences ridiculous.

So, the day that papa and mom they're going to the house, because

who can know where he can't he'll at the new house

for him only, and this part of the people he's they're

going to do he's he's do you do to do something. He's going to go to his abitation, he's

going to put a little bit of something. And then of that's going to do a break,

pass the exercise, and he's going to go back. Because his papas into all

their thematic are people are people are very very very people who

have you, why you're the light there's the water I'm know that you're

not going to let's go back I'm to say not. But now now you

they're all you have to the copete and what he is what he wants to do you know, to get to

see the the day, to make the thing to do you do this and then to get to do you, to get to

and be to do you and get to the men, it's a real realty a realtor to the

manor to get a idea of that you're in the time and then then in your

house with your television to do a whole volume watching a movie in the that he's

present a attention I go to a moment in the time he's like yeah, he's up he's

upenta all his robes in the room for that be a disorder part of

the courage that he has that's that time that he he's he's

he put it he's he's he's a ragad in water and

that's that she never she he's not you want to you can

get to get to get to get to get to get to get to get to

where he the water and sient the yellow, ah, he's going to breathe with tranquillity. Ah,

he's just only, no, there's nobody in the house, there, he can

be-bawner. Yeah, tranquill, and disfruited the chorros of the rostro, the

the body so, you know, you're like if culled or as if

calliering alfellers, no, it's still, it's a great, fresh,

fresh the water, and it's There's there, with the eyes serrough when the when the

time he gets the key because the the key in the houseita in that you is a very ruddy.

When you when you're when you're because it's like it because it's because it's that's much

and nobody had done nothing of lubrication. That fierro that's moving to get to

and regular the water is moving and it's open the In effect, be that the key is terminated

and it's cut a sopett in the water. No, what can't be that can't be that you're going to be

a little? It's a idea of me. The key, how can't have been being given the water?

That good that I'm that I'm that I'm that I'm that. Where is there's

there, just in that ba' in the that's a idea in the ragadera to the air

to the wall the more close to the door, are around three meters, three meters and a minute,

but three meters and when it's a silvido in the it's a little bit, because he

he's a little bit, and he he'll and he chintit, with all the spalda

with the back, and it to the area, it's a way, when,

when, when, when, when, he'll hear, the he'll

hear of the to turn, and when it'll revienta the regatta with a rubeing, that where he caught in the

skin, it's it put in a lot of and it's a sustado. Sal it and only he's just

he's a little the regadera some that are going to see it. It's

more of panic what he is going, it's with a back to the cintura

back the escalers and he goes out of the house and he

the poor type almost and desnudo, a out of the house because

he can't enter. The the poor is this, he with the very very much

for the people, he's just he's some he's some of the little bit of the escalas

Horaceo says that's the day in the most fear in all his

life. I could understand what was going what was going to know that

he was he he got he was he was a spectacle for the colony for the

the place. In this time, no there's no way of because there's many questions.

Sir, digal to his son, that's poor little putor for our daughters.

This is a barrio decente. Here live in puras people in that even when they're in the same,

minimum, we're not the poor of Oraceo that's about the house, almost

and it's not a matter to get us. And all the The mostuchess who were passing, he silvapes, he had certain signos, gestures, and phrases.

For him was a moment horrible, but the worst, he knew that was he was in the house. So when they're in

a man, and they're with the door a man, the father he's indignant. What caro

he's going? He's going to go to directorace, and he says, what demonios, you're doing,

but no copo any little the word. The mirada of his said all, he said,

he'd, he'd, he'd, he'd just he saw, he crossed the miras, he took

of the arms, and he said, pass, right? And Orraceo just moved the head

to the above, and he said, we're going to go, we're going to the wife, and

he said, he said, come to come to come to and when he says that's his vehicle

no, I see, on the light, they're on the house, and then

they're they're doing to do a lot of things. Ba' His mom, he's a rosario,

the Lord said a book, he said a letter in reverse, the sir, and he starts to do you

and he's a paraphernaria tremendous. The father says, tranquill, we have to explain.

They're around him, with a box that they were that they're made for that

they're not with a great or great or they, they're they're around they're

they're they they're not you moveas, for favor, we're

we're we're going to let's something to the house. What they are one of the relatoes most atterradores that

have come to be able to something that has said many times. Tengan's good with who are you taking their processes spiritual. Because at times you know, you know, you're going to topar. Resulta, that in this group with the monjita, that was

the monjita evident, she had a man right and that since many years was someone like had been in this type of groups. The monjita, for the time of health, she absented her and she wasnted over the group of oration to cargo of this

child. This chick had a necessity to destacar. It had a necessity of that the other had been like a vision of her, like, someone that was spiritual, more all right to give to God, more to something. She needed a social, of which neither was conscious. For that,

one day, he gave his orations special. Things that that's what's the occurred to her. The place in the other the oration, he changed, he puts certain bells, Syrians of different colors. He was aughta that

always were Syrians with certain symbols Catholic, and then he put those symbols different, more them as parted, in some of the old ones that

did they were that werecimines an old, hebuked some sigilos. She said that those sigilus was for that

the people could distinguish between the and the bad, and that those signers and were good, and those put it there, that he wanted to know who of them had the fortaleigh to do that. Why? Ideas that had since much encirrised in her head, and there,

without supervision, he began to ventingle. The situation was that he had all a guion, a music for aminised. To the five, ten or fifteen persons that were they asked them, they asked them in the piso, and that then they'd start attention. And he

began to narrate, he said to tell us a story. He said that they were in a way of a

road in a middle of the bush, it was a way of the road, because at the

other things that were beautiful, but just for the center of

the end of the thing, they were some of the thing. The

road was all the borders were the rio. She was to walk and to keep up to the way to get to

never to get to the borgas, because there were was the way, and they needed to the end of the way, for

more fear that they were going to that's the end, finally they'd get them to a house.

This house was a very lue and at the moment of to have been to be able to be able to

and there. It's where the things were the thing. The first the first that

was the father of the time, because the moment in the that's that it's an door in that image.

Addentro, there's a dark, even could be a little because it was a

dark, that was that was there was there a little because there there

and the the the muebts that they were painted of a new, a pair of a few,

and there was a t'a the This woman, Sevella young, and a 40-tenth

and many- years. His rostro was very black, very palid, his eyes of

color and he had a strange, because it was pretty pretty

platinado, but a dorado, but a very diluted and it was a black.

If you you were going, it was you were exactly what you were exactly

that color was, and this woman, I'd try yeah a type like of a mantle black

that he he could be the and she came in the t, he was a put in the

his hands to the father of he all this into the mind and the

father of he was like if not had any any type of decision

proper he took the and the woman he does a sign moving the

the head to be over the he's he's he

he's he's he and he the taza, it starts to be able, and he'snt he's talking something that it's a time spes, that

the book is like to get to put all around. The labus is it to put in the gargant there's something that's too and no let's breathe, and when I look at her with much fear this woman, only be that there in the labos that they're having more

rojo, rojo, rogos, but a rojo, so big, a rojo, so sanginolient, that'd be fear. Around it's the start to get like

to make like the and then a smile, a smile that's a person,

a a person, a that's that's and it and it's and it

and the mind, and the moment, she does know, that the poppil

not is the of a human, it's more the one of a one of

a one of a one the type of animal felino or reptil

and when be that it's full of fear, Abre the eyes, the heart

the heart has been very agitado and see the box that has like it has been

like the and he and he and the salivs the color black. He

much fear. Just front of when he opened the the

eyes, he was a manta that was the matth of the hand it had

the had to he's going to get and the person

in the the person that are in the piso convulsioning. There is a person that's a little bit of

the woman who's up until he doesn't. He's not respond. He's he's moving for that he recone and no succeed nothing. They're going to pass almost 45 minutes for that that's a locura to terminate. The people that are very alterated. Nobody says nothing. Nobody expresses

nothing. Everyone has been fear. What was what happened? Much of them are scoping, one in color rojo, others in color color negro. What demonious is what scope? No. And there is where it's where it's a process in the way they want to

give to the woman of the orations specials direct to the carcel. Probablyly those druged to all. He did it. Why they were now with this mant? Nobody's knew when they put it. Nobody recalls that. Only record that's a dream. Those ideas

that were putting in what moment do you did that. The problem also was, not you imagine is a genio malvado that was doing his plan. And And then, standing there, they, they're just looking with a mirabye of a secene,

I'd know, nothing of that. He was made a chinole of a corner, and was he'd be kept out of the house.

No could say nothing, no could be to defenders. The people were to get to say, what demonious is he said,

and she did not much, it was encogued on shoulders, and not they had in words. The woman was made a mud,

they'd be a process legal. The monjita She started to one to one I wanted to and I said to make a

direct, I want to be what she did it's something that was a lot not. We don't

understand what was what was it. She's not we did it. We don't

make it and we got to talk about the time. But we don't know we understand.

And then the papa of Oracio and the mom of Oracio start the same story.

The sendero, the stedars, those arbores around that there were

things that there were there's there's a little a lot of the house and when they

have been to these people in the little of the popilla like a reptile with a

little all the all they all they they're they're and then the monjita

and then the mongita and they're just they're saying it's she is she it's all they're

all they're all the both all the woman the woman the woman of

the orations, the that was your right, we're saying to imagine. They said, no, she was going this.

And when you're going a script, that's going all the part of the house, and he says,

when you're the door at the other other side, someone you're going to be waiting.

That's that's that's that's that's waiting to be all.

All of people. Nobody said the Suggerio. And the monjita and he says, for favor, no actue in contra her. Because I think that she knows what he

did. What I say is that that woman that they've seen, take care because they're going to be doing. The Papa of Orasio, he says, no, you want to actue legally. That's what you're going to. And the woman says, no, those I want to care. Is that

she was trying to me. And let's tell, that that this dream of the house I don't have the one of the mother

was the she had been the same she had been in the last she not was she never she was

she was that she was described to the other except the description of the

woman. The woman that you described is the that the motherita in his

own she was she was sure that what they were doing that was a demoni.

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