HABLEMOS DE LO QUE NO EXISTE - Historias de Brujería Siniestra , Brujos Novatos y Lugares Embrujados | EP 282 | EL NARRADOR

Episode Date: April 14, 2025

Bienvenido a ésta Oscura Fogata de Historias de Brujería Siniestra , Brujos Novatos y Lugares Embrujados en @hablemosdeloquenoexisteEl día de hoy les traigo historias que ustedes querida familia nocturna me hicieron llegar. Escucha el consejo de Olivia para estas vacaciones... NO te conviertas en Cazafantasmas, o te puedes enfrentar a lo que ella y su novio Samir vivieron con horror. ¿Conoces a la Bruja del Norte? Tiembla de miedo con la brujería y uno de los amarres mas viles que me han mandado y descubre que se esconde en la casa de los mil demonios junto a Edna y la herencia del brujo... así que prepárate porque llegó el momento de que @hablemosdeloquenoexisteHABLEMOS DE LO QUE NO EXISTE es un canal de youtube con el formato podcast que comenzó en abril del 2022, su primer episodio fue "vivo en un casa embrujada" en el que una chica narró sus vivencias y sucesos paranormales a lo largo de 20 años en la casa de sus padres, desde ese episodio hablemos de lo que no existe ha marcado una tendencia en exponer casos paranormales de personas comunes que viven en diferentes partes del mundo. Ice Murdock es el conductor o host de éste canal, durante casi 100 episodios no apareció, nadie conoció su rostro y la comunidad de éste canal , la familia nocturna , creó teorías acerca de quién era el dueño de esa voz. Hablemos de lo que no existe se destaca por tener apertura ante las opiniones experiencias y vivencias de cada uno de los invitados. La comunidad de éste canal es conocida como la familia nocturna, de hecho por estar leyendo o escuchando ésto, tu ya eres miembro de la familia nocturna.. bienvenido. El duelo de historias es un concepto que se creó en el canal @Hablemosdeloquenoexiste, idea original del narrador, se estrenó en el episodio "Comité de la Muerte ,historias de Hospitales" el 1 de junio de 2023 y empezó a implementarse formalmente en el episodio "Abrí la puerta a un Demonio" el 11 de Enero de 2024 ; consiste en un duelo entre Narradores, una dinámica sencilla, donde cada uno cuenta una historia y busca superar a la anterior y al final la familia nocturna nos comparte en comentarios cual fue la historia más aterradora.El Narrador y todo el equipo de Hablemos de lo que no existe trabajamos para darles a ustedes querida Familia nocturna contenido original y de calidad, tardamos a veces semanas ideando formatos luego de tomar en cuenta las cosas que nos han pedido a lo largo de la temporada anterior y por eso el día 23 de Septiembre de 2024 comenzamos una nueva temporada que llamamos FOGATA DE HISTORIAS, en donde el narrador prepara una serie de historias escalofriantes una tras otra para retar al espectador a terminar el episodio por el nivel de miedo que genera. En este canal se relatan historias de terror paranormales, sobrenaturales y reales, prepárate para conocer el miedo de una forma en la que nunca lo habías experimentado.

Welcome to Family Nocturna to this oscuraata of Histories. The day of I'll talk about about bruchas

brusiness, brusheria of novatas and places enbrugated let me say, that if you

do you do you do this time, today, are these are really

those really, so I'm that I'm this recommendation. Before

to this fogata preender the light, because if no,

I I'm I'm you're to have Tulses Pesadillas.

We'll start. Olivia had a dream, he'd be a chastas and he had been

various adventures with his novice, until that then really was a

top of something, something that's that's about the story of Olivia

of Samir and believe you you're to hear me that

she has a very good time we're about we

about she she As a 20 years when this movie was a year she was a first time saw the other

Casaphantasmas 2. He said that he was so impacted with the concept of a group of persons

that really are castes that she said she said that she said that she was her

this impulse was her his novio Samir was totally enamored and when he was

she was she was that Olivia had de once in when his loquare Samit

yeah knew with who who was, who decided that he was going to support.

So, so during a pair of a year he two dedicated to the

time of the money, were they getting a money, and they're a part of a party,

these cars mobile, these cars mobile, that are very used to the money,

and they're a party, and they're every every year and their time to get a

100 to go to go to places to be in a year. Busk during

the year the know if a lot has a idea, contact them the

people, and only when know that a person really is

being back back. Me I'm that the next three

years after after the Arby no there was

nothing a adventure very divertida, tenebrosa but divertida, because were to the

cemeteries, they were to get to the book, and they're to putteland to beaux, theaters,

in those that were never they never did that they did it, and a little bit of

a little year, you have to be a year, for this adventure, and it was a little bit

that was a little desperate. Until that you They heard about a parkiadero, a place in the place you're going to stationart,

justly, a place of Arby's, of these caminetotas, that said they'd that had a space in that nobody

was a lot of honestly, and me said Olivia, I decided that we'd go to go to that place, and I didn't

talk with many other of that one, and I did not of that. I wanted

to be a city where there was a town where there was a Then I went the idea to Samir. Samir me said that's good because he

he was going to be able to see him the game in this time. We're going to get him to park adder to this zone of the carmionettes me gave a surprise fea. There was a ton of these casas rodents. But there was a space

great, you're talking, to almost 150 meters for 150 meters, a space large in the where no had nothing of

cesspet, there a little a bird and it was a

very very very because there many that were

that they were actually in the people and the people

to not that I made to be very I'm

a place. It's you around you put you put you

put a messas and you get a a lot of a

person it was a nobody invadia. And I said, no it could be that the superstitions are to get this level. Because, yes, if it had that bad vibra, but it was a bad vibe because it was super-discuitable. So, is that I'm here.

I'm sure that's there. We're going to. And he says, Narrator, me I've this susto from the beginning. And we're advancing with the Casa Rodant, and when

we're going to crosser like that point-it-and-estan- in this zone that nobody's he wants to stationar. Various people of their houses rodents

and they're to make a point of to get a barranco or a point to to get to someone,

because they're those people that are so these people, and we're doing these and we're saying,

and Samir and he says, hey, wait a wait, don't it, so it's like if it's

like, they're they're still to know, better we're to see, we're going to let's see,

and the people, only they put around the camera and they said, there's a there's

there no, there no, there no. And Samir and he's asked, why not? No. There's

there's not they're to be able to be very bad. And then Samir's he went

to talk to some of them to be more about questions illicitas that were there,

that had those teges and manhees and they were to be that one,

but resulto that not, really genuinely the people had

a minute that's a minute I'm in a lot of people we're going to we're

we're going to we're for us we're saying we're not we're we've got we've been

we've been in the years. We've been we've been we've been a group of people who

were many metied in terms of people, we've been going to be those guards of the the deweens. So, so we

we had a red of people that knew a lot of these things and that were not really of these things, but for us, those, the casasmas, it was a pure a quote. All right. All right in the way you'd have you know that that's a

person that's a sort of herbularia, that I manage a little like of medicine, of yerbas, and maybe he knows that and it's like a book.

The other person that's been like the brute, that type is a mentalist that's that's he's

and he's he intuye that's people get being impacted. You know, you're a business.

So, for me it was a pure rolloo. So, is that we vendings, the people

were very contentas because they were going to we're going, and I'm really just was

thinking in, we're here the RV, nobody's going to get to robarn us nothing,

we're we're we're we're we're going to we're going to get that really

they're really that's a fear of this space. And yeah. We're we're

we're there. Two days narrator, no pass absolutely nothing.

We're we're so that when I did I say to my wife to

Samir, let me to visit my Aublet and when we we're

we're we're we're the car the door the door of

the house and it's the front that we we're the

sombra of a person that is coming down from the RV to the door to the door to open in front of us and there

no there. No, there another entry. No, it's like a window that a window

that's a little, not so the window. Notie is that's an agile. The

way was too. The two we kept petrified and never

had been a phantasm. And we were the house a phantasm?

Then we we just we've looked to see to see a and I

look to see a little bit, and he said, we're going to go to do you know, we're going to let's do,

let me go, let's go ahead a taxi, we went to five kilometers, five kilometers comingando

without saying a word, we're just we're we're just we're absolutely

nothing, I'm was distracted, my head was revueled with images

with situations now what we we're going to do we we're going to this camionette and now

how I'm going to say to my I'm going to my wife and I'm that's a mild it's a bad little.

Pasha that time. We're doing we're doing tontos in the and then narrator.

If I'm a good idea to say to Samir, we're going to let us let's get us we're going to

we've been what we've been a sombrough we're what we're a sombrita orita right we're

going to let's see and just simply let's say to the people that's

something that's a powerful and that we're that we're that's a person, that's

much more and we're not much not much. Narrator, we'd have we're had to be

the carionette that's could be there. When we got we got,

we're we're going to the house and it and it's a thing

and it's a but what he's we're we're we're just the idea

that we we had to go, but in automatic we went to our room, we went into the camera to doormer, we just the door open. What we did not

we did, we're doing, we're just people very percabied, it was like if we entered in a mode automatic, like if actuared just in a form automaticized,

we're metem to doorme. I know exactly what he was to hear, but I to tell what is what I'm to me.

standing costada I sent that something I'm but not something imagineate

like if you they'd get a refrigerator from because I'm

that it was that was to be to I'm to and it was

all the the the head the the arms of

the I'm I'm I'm I'm I'm down the

the I'm the the pressure it's it's it's

like all I'm the point to have been I'm I'm

the I'm in a re-o-o- a catito a catito very, very rare because

me is seeing fissoment and his eyes don't see little little,

they're like they are very intelligent and malevolos I'm I'm I'm

I'm the eyes and I see where that that's I'm so I'm

so much I'm so I'm saying Samir help me for favor, because no could

gritty with it was like it was so it was too it was too I'm put it put it all the

pulmones me up all the my forces help me and I'm and I'm sorry and I

got over me generated like much damage and I don't could even open the eyes

and I'm very much and then I just just I just I'm where the

the gato where the gout I'm I'm that's that's that's that's

that I'm because I'm pair of garras that I'm a rasguon and rasguer and rasguer

and rasguer the spalda and it was like a lot of allfilers first they're and then

me clavaran and then I'm a real real the whole and I put a great

I'm I'm I'm in front of me I'm he's he's he's saying

Olivia despirta yeah let's get me my amor and I just I'm

I'm going I'm doing, I'm really, I'm very, I'm a lethargated, no,

I don't know what is going to it's like it's like to be in the back, and I

don't have you a idea. Then, so I'm trying to try to me to take a

back, Samir me says, what you do you pass? What do you say?

And he says, what is what is this? And then then I put the hand the

the We're going to the Ba'Oenry, and in the bathroom, I'm always full of a raeasos. And he'll me begins to talk, that I'm going to

say to be saying that, for favor, he started to startiard, me started, and I no, opened the eyes, no reactionable, me started to

be able to the o'clock, and I was like if it was in other place, and the body was a while, something very rare,

and that he gave much fear, and for that I he was when I started to that they were lastiming. He never saw the

no, the of the rascuans in the camera, no there were no, there weretes, it was after

that he went to that he was to be a back. Narrator, I don't have to say to

but we don't we've got to look any doctor or nothing of that so,

all lastimated Samir is going to be to front, me sit to a

one and we're we're we don't let give explanations to

nobody. after that day, the next days I'm I'm going to and I'm that I'm and I'm

and in my my room, my room not is there there's a a subject a subject

that has like the pelocano a beabio a cabo a cabo so it's eyes that part

that we have black in the eye all marigient like if there some

type of a problem of but the look at the feeling a a lot of a lot of

something that is like someone that's being there and she's delighting to be me when it

when I'm I know I know I'm going to see that the gato but not in my

dreams and I'm going to out of my house the gato the gout

that I in the RV is now there is now there in my

domicil but there a problem. Nobody no one. Let's have I've said to all of the

house, is there sitting at the end of the and my mom me say, like, what are you

say, they're doing, they're doing the door, and the cat is there's a little bit. I'm sure.

I'm sure. But, but I went used to get really a really nothing. I'm

used to so yeah to know to see that type, I'm not going to nothing

nothing there. The sensation to be observed, the of being in a sensation like to

be able to be able to do you know, after you're after you do you know. And it was advancing the

year. He said Samir that not I wanted to get with the spin. Samir me

said that the frugated that we're going to the casamomom that we were going to that's over

that you're not of this. And I'm that I don't want to keep down a spina that I don't

care me with the sensation of that I'm a co-barde or that I'm gone to the MEDO, that we're

to be a bit more of cats to be in a car chasasas shone, power in the time in the

hour dojo, ready to play to live the pleasure with the hosos the casino in line that's

the most recent machine-as- and the game of free money, on 50

Tours Plus, first depotelment, exclude in Ontario. 50 tours gratuys on the machine a sub-based Bonanza. Depo minimum of $10. Veil to show in a way, to be in a fashion responsible. The conditions apply. And he said, but Olivia

understand that any casser-fantasmas we're. So, capped, for favor, not we're gonna'cassmas. It's a game. And the first times that we've never got to the idea of that he was to do that.

But this last time you put it in danger, my amor. No, I'm going to permit it. It's, I'm convinced. It's. It's. Samir me want to want to two, three in vestiges, but

look, a second and Samira Pechoo-O, we're going to go to a place. There were a house that

they said that it's before the 1900, it was a house that not in ruins but not

not is abitated, because the people, the last those were traumatized, and well,

there were many many stories. I was the guy, I was the

question, the veracity of the stories. Me said, that, I'm going to occulted nothing,

that the house was but embruched to the thing. And he said, well, but there

lastimed to the people, and it's not, they're doing things. And then

I'm that's not to the other than other than things, I'm just I'm

used, so I'm that's the place. Now, so I'm going to see,

I'm going to be a lot. And then then I didn't give to know,

and I went to We came to that house, we got into, it was a house a little extrana, because it was a house that not that was a lot, so, no, it was a lot, but it was a lot of long. No, I know why the construction was like, so it was some type of motive or some type of reason.

The habitations, imagineatelas, were three habitations continuous in the plant Alta, were six meters of long,

and more or more of a inch about three three

meters and those many and two one on

one and one one one was not not

was not a one in a one of a piece

of the house and there was a a back

was the construction more rather that was a hotel

or hotel of past it It was more that than a house. In the

part of the back of the room, the room and the room, there were

columns. It was a house, but very strange. But that was the thing is the

thing. The way of the house, it was that was a little bit than the space

of the RV. So, I, so I, Samir, what did you? Samir, what did you?

me said, Chiquita, if you want we're going to we're in, no, we're going to be in, and no.

Because I'm going to get to here and I'm going to a miodosah, and I'm not a miodos. We're going to

get to get to make, no, to show, no, Samir, I know, I know, I know, I don't want

to feel a miedos with me, I'm going to accepter so. And Samir, not just me kept

being, like, God, who can't understand, I'm sure, then me

says, look, you do you do you go to the game. No,

we're going to know about it. One a night. In that day that we were in that case,

I found something a very strange. Just in the zone of the kitchen a

side of a refrigerator that not of a time, just

to the side it was that the piece had a kind of

I'm so I'm said, oh yeah, we're going to move the refree because I me sound, that is like a a trampilla, a a point, and here is a sotano.

And me says, Samir, oh, yeah, not is our house. We're going to do you and I said, well, with all the reason, Samir, well, if we're going to

investigate, we're going to investigate. Well, the new one of us going to be not going to now that's so I'm just

to look to look to be with a car of God, Sando, when you when you're

to understand and me the problem is that the refrigerator is that the had affianceded the page.

They had put something like some some clas a little, he had made under the and then we

end up forceigating Samir and I because we're trying to get the house is a little bit of the sir,

the sir, the man we don't know and we we're doing two troy and then we don't know

and then we see Samir no, he knows much the carpinteria but he took to learn the rest of

the time the time he was just they were just about just that way was

that way ruptura, but in the piece, if it was like a raguilla grandota, and if it was a trampilla that had a sonn, the aroma, the sensation of humidity,

was too askelerosah, and he said, you know, because it was a tardecito, better morning, with all the light of the day, we went.

We'll come. Samir me said, for what you want to do do you want to the case? I said, for the experience

complete, if there are phantasmas that they're that's a one of they're yeah, you're saying,

you're trying to get to the devil and I said, no. After what we're going to we're

there's just we're just just so I'm so I'm and said, we're going to do

we're going to do and tomorrow we're going to we're doing and we're but then I'm going

but first we're we're to be with a car of that I mean

I'm going to my limit Olivia. So I'm going to be the last is the

last you know, I'm going to not more casasasas but I'm going to make that Mouram that I'm

and I'm I'm I'm so Racko so I'm he's not I'm much with that

intention I'm that I'm to give to another thing so that so I'm

going to get to the house in our house in our my borsas my

bolsa, par to doormy. And where I can't see the eyes, I'm going to

hear the little bit of the quarters of the room, that there's very very very much.

But, but not all the world of my had been in one of those

other that I felt that the place, so where I'm that I'm

going to, I'm going to go no, no, no, no, no, I'm going to I'm trying to

me those and I'm with the loco. No I'm going to do. I'm pegados. But pegados to the point that I'm

trying to make more forces me dole. And I'm how the passos come in coming,

they're going to come back to Samir, me, they're doing the around me,

and then someone is a gachach because I'm I'm a person of a

person to be a person, and a one, I'm a open, the

I'm the eyes, and I'm the that that woman, that woman no can't be able.

It's all those pommulos like the fashettes as much like you're years of not provide

a single bocad, of not ever eaten nothing. The hair

has a little is a capoient of black and his eyes

and his eyes. And with a face of a much odio me

he's why he did here? And then I'm I'm

I'm the head to one side to other like saying, I don't

I'm don't know I'm I'm saying to a lot of a lot of why you

know I'm why it and where I'm not the he's this house let's

let's get it narrate the so I'm so I'm I'm I'm

I'm at the side my my is far my is

force me the same we've we then I said, we say, we'll go, no, no, no.

In the night, no, in the night no. And me says, we're going to, and then then, like, I'm just, I'm going to,

let me back to the sotan and me say, no, you're a stupider, let me get, let me get into the kitchen, a narrator,

like in automatic, something, something was, it was like, it was an energy that had to do that thing,

I'm going to go, to that part where this refrigerator, me met for the trampilla, for the portita that we had

abired. There are some escalers that are more prodridden than what you you can't imagine. Not just because God me cut. Because it was to get them to get them and it were to the

front, but me want it. And without, it was like if you'd know that place. I'm going walking, I'm a little, I'm going to

get to be, sub I, and then Samir me is to get into out of the I'm going to like in echoes, like He said he, that

I said, that's all right, like, he said, what's going to be, what you're doing? Let's say, and I don't say,

or not, I said, no, I was, I was, I was, like, I'm, I'm, I'm,

I'm going, I'm, put in the cell, and I'm, she's the daughter of the house,

bette to go, here, go, be here, be to me to be to be to be,

and I'm I was Feehae I got her I brought I brought up

I'm and he he was to do a little and then he just he said

he said he was a woman of a old old a man a little to get

to be a so that he was he was a little a man

he had he had a he's kind of what what the man he's

we're he we're and then he says that that after that was a that there was a

no, there was a power in the world that he was that he because when

when I was going to he was going to I'm I'm like if was in

a trans extra kind of kind of maybe I'd have done a lot of the thing, he's

a house, the house not had electricity narrate, the house, It's a light and see a A guy who's

A guy that's there Parado in the Ventana and a A little bit of He gets a carisial. He said that He gave scalofriots in all the

And he said All caro Tohack At caro At the day The day The morning Iannicy

normal, I I'm not I'm back of the things He put to say me What was

what was What was And then I'm I'm I'm I'm I'm back

molestar the gato no me have been lost to lastime in

the I'm in my room, the only that's that I'm really

that I'm in the I'm think it I'm seeing that it's something

that's a very very very from from from

I'm never that I'm that this gout. Celeste Jimenez

took a living a very very this story has a good final, but no

dey to be super macabre. Celeste, the day of today is a moma, has three and she has 50 years. So, so it's

about this that I'm about to tell. I'm going to this because it's very important, because what you are to

hear, it's a tremendous horrible. Celeste Jimenez had a very good

relation with her papa and her her mom. His father and her were two

maestors, I think one of primary and the other is secondary, and they were masters very entruged to their profession. They were of these masters that really they'd love to their work, that were in a grand class

and had a relation very close with the students. He was because she, for when they're going to enter to the secondary and all the

maestors are to their mom, because they're all right and they have done and they have a lot of people who when they're

to their house and they're in a man, they're they're in a good great,

maester, maester! Because also it's an help much. Like the father and

the mom are in grades different, Celeste has been a education

very very very very very much much a woman

for the child. You think all this context because what is

a point to occur in the life of Celeste when I had a old old

when he's not a minute. Of a repent one day his father,

that the Mr. Jimenez, is a type is a type that practically

is a day in the school, hega a house, he's a

hand on two, three things of the other, and he's also,

he's a good, and a good a good a good, he,

he is a type rich, nor their spouse, too, nor do

their families of aboleng. The casita that they're paying, and they're paying with sudor and

and the and they're about four, five years of 20 years that are to be a not a

house a house of a house of a house that has a house that has a little

two and the cell the same, the cell a commoner there, no the kitchen is

a little, and the cell and the commedor are in the space only about four meters for three. List, no, there's more in that house. A-a-mobile-to-all-a-tall. No, a-maio-no, a-a-completo for all. If you're

visits, they're in the family. If those who live in the house, they need to go to the and at the same time, they're going to have to do file, because nothing more there's a circumstance. In these circumstances, Celeste has been developed in the last

four or five years of a way a little bit with his papas they're all right they're very well they're people are people of

very reasonable for that another other what is about to pass it has no has a single

one day his papa is a strange he begins to say that they need

to a person that they need to the house is diminute the house never is a house

never is disordernate and Then, he says, and he says, no,

what's the past, no, what's the money to do you? And he's enfurce. For the first in the

life, Celeste will be to be a man, he's got to the mess, discontrolated, saying, that there,

nobody he doesn't, nobody he doesn't be in a little in a chikero,

that horrible, that has been to be a new, and he's going to do it, and it's

sense what is what is the man. But as someone had been there

listening, a couple of hours after, they're to talk the

door, a little hair dark, a dark, is a

black, he's a white, and she, and she with some

those eyes, azules, azules, very impactant they're saying,

that she gave services for to maintainment of house, for the cleanies of

and that was to be very long, that for they were to be able to get to get to the

house to live and to clean. What is the Leste to his 16 years he said,

he said, he said, he said, he said, this woman how to get to live,

not is a house- his papa. His papa, is, he, the door, and he

says, oh, let me, let me to be to get me to how we're

to to pay. And from that day, Monica, because if she was called that woman, she kept to live in the house of Celeste. Sin sense of any. What was made less

sense is that her mom, the mother of Celeste, no chist, no she no-in-lawed, no said nothing. Only was, she circled to the

door, he said what said this chick, and when he came his husband and practically he did a side, she was

sonriending, I went and he sat down the cell and he kept on the television. Although this was just was able to

forget that image. The situation most loka that has seen in the house of the house,

or well, the that was the most the most the house. The house

not has many many other she will get to get to get to

Monica? You know? The quarter of Celeste. And now Celeste

has to have to have to get to do in the in the sillion. No has

no. And Celeste, as he wants a mom, his reasons will be the house. So,

so is that she's not she's appropriate of the court, but of that same

day, it's the door and no it's that nobody enter when the

door in the night. And he says that he says, but he's got to

get to something from the room, like if it was something

like it's he says, after in the morning, to anybody can't enter in the

night, no me molestes. Like if he ever in all the life.

The not say absolutely nothing. And they start to advance the day.

And Celsa, no is a chick that has a malice but is intelligent, it has

a different experience, and has had a part of a part of

very responsible that have had a made a chica that's

that's is having Monica with her father, not is normal. If he gets a much, he coquete a much.

More rare that's the attitude of her mom. Like if not come in not hear and not hear

not hear of not. Because her mom when start these coquetoes that get

a moment in the that are more because there are many occasions

that Celeste see a monica sent out in the part, and

her and her and she not pass to not this

type of situations to the rest of they're doing that it's not a

question she's she's she's she to do all this she's

she's she's she's she's a lot of that's the first she was the

first thing she was a mother super enoched but at to have almost the

eyes rojo and the car roja raja revented of the caravan't

I'm I'm don't know what I'm and the mom will be to see

what you do you do you do you do you want to get a bad

but horrible horrible Sereste she put to get to get

to she and pass other other other something

super extra and because that Monica there there

when When when it's out of the house, we're that there's new, that's a few

not a way to know that's a lot of the end of the end of the end of the

lot of a lot of that has a space sufficient to have three plantitas

has it's a newbe of a color that's a

of the. and it's in the like if was another like a an alambe like a lus like a lacran

like a bivora he gets and he and he he's going what he's being in that

house is being a thing a and mom and after

after after after after after a time that's

you're have got to things that not not was the lasteleste. Celeste

is the time. Acostated in the cell, making-setone, like if not heard of the rooids in the night in the house of his papas, something at this age, should be able to start having exposition. Sus papas, that are in those persons so conscientious, now not only

are discuried, are sumamentary negligent. It's where they're not even planch the roba, neither the celeste, nor the of them. The house, a person to have Monica, that's encarge of that, now is a chiquero.

It's a little bit more that we'll keep going to this relato, but no-n't-do- so it's-to-do. So, Celeste, knows perfectly that Monica is a a man-a-ment-a

the form of the form of the form of her, all in her is false, including the eyes, because she was the

espio. When, she had, Monica, had had in her apartment and not dormier with his papa. He was he le spio

from outside, from the ventana, and he saw in an occasion to start and in the quarter, as a kind of of a trance

and aida because no he was doing nothing, but I'm doing allbusier and those eyes,

no, those eyes were completely negros. She was she was sure because no he did

a fear that he was using some type of pupileant maybe in the eyes in the

eyes Asuels. But Monica is a mentirosa. Monica is destroying the life

of his parents. Monica, what is doing is not a part of the house is

a chiquero. The house is a chiquero all is a shikero, and nothing

of that has that's she's sure that are about to be

part of the time. Because you have been past days

in those that can even they don't be a

manik no no have opinions, no has nothing to say, only she a sonrient

and she put in front of the television, she goes to the house, the other the end of

the end up, but it's all the day, it's all the same and you're sure that

he's a few and it has a moment in that he has a attack

of fury. His papa and Monica came went to come to buy

her new to Monica, the she's she has the

roba-raided, have the roba rot, and no they they're in the little bit of the father,

that's the little bit of the his papa, his papa he put to like, what you know, you know,

is that we're doing all the efforts for your education. No, you're not you're

things, those are things, and that's things, and that's a little, that's

destroying all, you're going to go, to buy to do you, then, in an

attack of when the father, when the Papa and Mornick, He took a marty And no know why

but he He gave all his fury to the masetero that he did he he said

that he was a he put so he put so he he and even he he

he he got the and he he was to get to get to and he he's

like a kind of a construction not very very well made not very resistant

a a part complete of the masseter volo in

pedacito and It started to carry and he left the

little a frasco a a that not he's

a picture but he's this. He's going to the macetero and

the back there was a frasco different. She was for a pala into the

house and started to make a pression from the house

and it and it's all and it sparsed a combination

of the type of these things things that

were the photos that there so there could have details. In a

photographia that no know where they had taken, it was her mom, and I'd the eyes

and the eyes also and the book too. They were written things around, that you

had not to distinguish because the liquid was had been but it was made

that was made that it was because the form in the way that were

in the the eyes was made made that with certain

figurates that you had put all the skin chinita

like he did Celeste. When he saw his his father,

something he was the attention because not a photo they're

the father and it was a other photograph with

a little red and no was nothing of

that was that was that was a one

and Monica in that she see a very

was the of her, the photo of Celeste and was a frasco was all all of

clasas and then he was to understand the the pain, the

the pain the the other times, retortijones that

were that were on a piquettes of the

no and when he was he said he he's this something

he's not he's no one he's with the the same pala and he was to

recoged all the mugrero he put in a bolsa was for a libretta

a little and it and it was a a a little that's he had to

do it all the bottle, and it was all the mugrory and

about three hours after came his father was

was very disconcerted was like was like acting

in a manner Lenta, Rara. And Celeste He asked, where's

Monna? No, yeah, no, she's good, she's good, she's

she's like, he was had been in the head, like if it

had been had been that's that's that's that's that the

world, that's he was going to he was little, he's he's

had maried all all the time. So, her mom,

she saw like out of letargo, but it was a very

and he was in the and the kind of the bad at the disgust, like a like a like a

ayes, monica never ever got to appear there. Passed many years,

came the divorce of the father of the father came a change of the

both parents because if they were You had time without their

respective schools and the work and the work and the little to after that

after that after that he was in a very good time. When a day he asked,

he said, she was she was she was she was she was that she and the

man, and the man, with a voice he said, I think, I think,

to me and to my and to me and you, you, you can the day that I I sawke, that he was

to buy a lot of my house. If we had in the house, in what the head

to go to get to get to a and I'm a lot. But I had to get to

get to the rope and being that we we're we're we're going to put us

to put us me. I'm I'm I'm idiotisated I'm I'm not

I'm got any miscuso but I didn't in front of me

me he started to be with much courage and And just me

I said, that pinches squintla and she did a little bit of a little like with

courage, like if he was in a bottle, he put up a lot, he put it to get over,

and he said, let me get to the house, and I know, I don't know, I'm

I did that she she made a question that she's a little, and me said, and I've

done to know what that of brujeria. And, of many years after I understood that that's the

other but now I'm sure that I'm clear that these things are still if you're

of those people who is there that in some moment to say to say that he had

done something because Edna received a herence enbruched and

believe me, you don't want you never ever.

Edna knows that comes from a family that is

very peculiar a family with a past a past to is something that nobody

he doesn't know but it's a pasted that all of because of seven generations ahead, all they're

in the people who are in the story. Edna knows perfectly that an abel of

her, the while no he was a and was a brucho malo, a person

of very bad a person who used to all to his around, a person

that especially good, making pacts with demons and doing the people, a fichita, a person

to which, not his own his own, the kids of Edna, none of them,

none of them, never in a tone good, and, and, they're never they're

not, they're a child, is a child, she's a child, when she

had a about 14 years, and is the story a rise to that occurred something very peculiar, very, very peculiar.

That house, a person, a person to be property of the family, not they they're not they're not

they're going to get in rent, it's going to be derumvando, it's going and it's in a mal state, and

nobody he put a person on the family of Edna, both her family

nuclear as the family extensive not are are people that have many necessities economic.

Not are people rich, but if they're all all of course, easily they would have a casita

that's that's a money, for that that's never never had never to understand

because they're not rents that house. But then they've had to go to

the house of the abel. And when they were to the house of the

old, he was a very curious. When I was

horrible and horrible and irip pilante. She's with her mom and with his

father. They're discussing about that they're sure that the archive that he had

had done the abel but the other said that not. And they said that

he's he's he's he's that you know we don't know that the

things that's he's not used that I'm like my my pap so can

be bad when they when they they're like they're like they

they're not they're Then she, like in a discueido of papa and of mom, he starts to come to make for the

house of the abuel. Because he had been there many years, but not he said, and he's

to come in records, things familiar. Reconose the passages, recognize the umbrals of the doorles of

the door that has a mark a roja a lot. It's very rare because she can't and not she

c'cure. It's like, yes, if, I do it's the point of the language. I know perfectly that is this place. I know there's the other side of that port, but at the same time, it's like, it's like if were two consciences at the way, and then

it's a little bit of an image. A little a little bit of those caireles dorados, but the rostro is very, very palid, and the eyes those have like of a bivora. And she can't do it, and even he does

fear and even it does like a little a little a little a

little of the end up a little a little a year and then she to have

this mehidid when she's she she she'll a

little pastits of her and the pastillo of the house

of the house and all she's a silbet of a is a a little

but is a a little a little and she will be a carder of the image of this chica of

the careles and the eyes of the oh, and it's like no, it's like it

is like, I'm not, so it's not going to get to the little and he's

right right and she back and again, and then it's not he's going to go back

to the thing, and when it's a mark of the door, she's a little

parada looking and she's the she's not a not quite

to see her not because it's because it's right to the past it

and it and it and it she was she and she was she was her

eyes, her and her and she were there's there in the

house and she she's not a part of the that she

that she was that she He was there in the house of the abel.

Hego a grito Edna and he went and he was he was he was he said

for all the house and probably a pair of the couple of his father.

The he he got he he said and the papa he says

what you say there was a little a little a

little that They were all right. And as if they were guards of security, one for ahead, another for the other for at last, they gothroned to the area, coming down to the passillo, until to get to the door principal, and they said, "'Cere to the eyes, no voltess, and "'sare to the house, no voltess. And they're in there. And they "'And they can't, and he's a quarter-in-in-the-law idea.

"'But she'll remember perfectly that there "'that there, she saw that in her, she saw that "'sus her parents, while in the way, they're in the the way no, they're talking of other things. They're going to they'll get a

question. So, is that they see the the game. When they they're going to get to

go to come to some new to get a little, he's like, and then you say, and then

when he's when he's the things, there's a car of the little

the door, being the directly and sonriending, and she he's the little

and he says, no, no, the what you want, what you whatever, whatever, and the

and the people, and the count what's what's going to what's going to another thing. We're going to

see a movie. No, no, because the cinema is very too much. We're going to a center

commercial, we're going to go to do a little, we're going to a park. And then Edna

and says, yes, let's say, let's do, and what we're because they're going to and changing and

changing and changing and the activity. But a part of that day, Edna, commenced to

have the dreams. A dream very rare. That's a She just got to be in the house of the

abuel. She is in your apartment while she's she's she's

she's and she she makes the end of the end of the end of a signal like to be

to be in the front this this she's to her to make to make

back back. Edna as a robot is put on the

camera came to her and the she's she is she is a

abelow, because now is inside the house of the abel, to get to get a door, that you

never have seen, there's there's a patio, in the patio, there's

a a little a little bit, and it's the part posterior of the

heart, and he is a little indice of the earth. Edna came in the

sun, came in the sunn, and then it be like a tumul, like a monoton

a lot of a a like a like a tumba improvised in the

whole they're a and they're there and it's very strange.

And it's very strange, because that that's a sound of a mother and when she's

when they tell us when they they're the story that I'm about to say to

tell you who had been his abuel. And they they're that what you

did at the initial? His abuel no was a good person. Your abelroo. A witcher.

A subjecto that is a pactus and no, to do you to make a bad. It was a man.

He was a man. He was used to the family, that was he had been that there more children that were that were

that family children advenedisos of women that both the women as the children as

were those children as subject in his moment goza of

much fame and much fortune and he had a lot and he

he's not to know the point. The point is that the family

came to have little fear no of respect much

fear and they started and he got so

embriagated so that full of the power and he got

that he got he was he He was just living in that house, in the house in the house in the

in the house in the he was living there and one day receive in a call of the house, there's a voice, a voice that is

like gutural, that is of a man but not pertainse the abel saying, they're going yeah.

No coped to ask where they're making. That type of messages and that type of things,

only could come to when they go to visit the house of the Abuel of Edna, that in this case was the of his father,

he's toping with a man in a man, that for some strange reason, not was all too desnutridden, but no there was anybody living with him the part of him. He was he was still, but there were vestiges of that he'd get things to the

camera. When they asked the papal, who is who is doing, the who they're doing, and they know who's referring. You know, that in that house probably there are other things Occultas.

They're afraid and not They're not going to be there. But the abuel of Edna, the papa of these persons, he says, Yeah, I'm for

I need to me Releven, I'm going to get back. And it's the sabanas of the camera in the that's

he's a costado and he he's made that all enusanado. Something that has et

a lot of long time. When it you know this sensation that would be

to say what's going to say, not, no, they're getting being and they

do this repulsion and asco. Sabian that was part of what he was paying for

the things that he did, but no they were to have more so they

then they then they they're they're they're like, what you

do you do do you need to me relever no we're

to I need to some of you know and I'm relever and there's where

the information. What is that to relevart what you need to you need to and it

and he has been done that I'm having done to be to make a lot of

people. Nobody was a person nobody's never to the book and

the doctors don't we understand how still So, this not is advancing,

should be more, and your father yeah, it's a not a really bad.

And then those doctors said, that there had to get to give him and the

Lord said that no. That he he wanted to be they were to be

that he was a family, so it's doing reliveos, but is doing

relives to do and then another and of one day for

a of Edna, that for this then-etna, still didn't be in the way, and a voice of a woman, says,

yeah, come in my amygita, and your papa, and you're called the call-the-

mother. The mom-de-en no, he was talking, but he called his brothers to

say that something macabre, nothing more were, and when when they were to the

house of the abuel of Edna, the The abuelo is a mother.

Who is the he's the he's the he's got? Who re-le- the

abel? Who know? No, of the other of the other had been

him or she, the last the last last the question.

The problem is that Edna is the more the next

generation of this family. He primos and he prims, and since

the the abelow, they're going to a sonial with a migua imaginary, a migua

that has certain rizos, that has eyes of serpent, and that he has a little

in the that's in the thing, Edna, when he's this story,

if it was a person, not the person, but as that she's

that she is a little, and he says to his papas, I don't do it

to be to give to that house. No, I'm going to go to go ahead of the arbor, no I'm going to checker nothing of that.

And then those his papal say, you're still, you're still the most that has done to one of your primes, was

a year, permanence firm, no you do you do you do that you need that that she's a

little because not is a little girl. Then, Edna, commenced to have the

dream of more recurrent but it starts to become more more more

more more more. In the The Sueno now, appears a sombra roja. And this

sombra roja, he's waiting, he's excheating. And that sombra

roger, the the worst of the case, is that's very disobedient,

because not the time when when he when he when the eyes, when the

room, the the sun, it's just in the room, and see

how it's coming, and he doesn't, and it has been another more

more than to start the up and to expect that the time pass,

because no get to pass anything. It's a little a second a little even with the

eyes even with the parpott, he'll see a movement around of her,

things espantosos, but no it's nothing. In the the dreams has tried

to talk, but in the dreams not can be there in the room and he's

the same and that somebrived around the she says, no, let's

make in peace, deem me in peace, let me in pass. She ever I thought that that

that's functioned but the things were a little bit because they're in some days or

maybe after some months because this has been the person more than more tempted for this

situation and he said in one of these occasions he sentio like that that sombra

she sub in the camera he put not the hands the the

hands and his hands are in the just behind of the nuka of the cooel and he

and he's a lot of a lot of that she is a way that's she does know that

she's that's that's and she has that has been enough to have enough

to be to be a cargating to someone and a person and someone so

so that after that's the next time he's he starts that

he comes to make more Lent, that is more apagata, that is more energy, and all the time is listening little shusrs. In one o'clock, in the other.

No, he knows why not going to say to Papa and Mama. Tal-Vas, maybe Papa and Mama know what to do you have done this type of cases. They've never seen the abuel in their time,

then maybe they know how to be front. But me, in that moment, and if I'm occurred. I'm sofocated for this,

that no, no, I buskestle only I'm a a little to do that and passed months.

And in those months, I was a person, apagated for complete. My papas

wanted to more contact with me, to have more more attentiones.

I don't that but it was like it was like it not that not to be

not to not to so. And so on my day, and aubub suffocated and

aplastated, standing in my dream, I said to the woman of the eyes of the serpent,

it's a good, I'm going to be and in this instant me I'm

I'm and I see to see how it was going to be going to my

other day I'm going to be a little that's the house and I'm to go to

the A So, I was I meted in the house and it was like if me was waiting

the house was a kind of a like a place, a place, a place in where you

like you were like people people were in ruins and the yellow of telerrains

horrible. It was something that sensation like a bonit in a place

so feo because I think there there and I were people were feeling

to have me there. I'm I'm coming by the passil I'm going to

the way that was that was that I'm that you that's about a bad that

was a last time that I'm going to I'm to get a a and that

that that that was like a a little a

door, that was a pome I've to have to put to

pute a top of a yeso and the door so

I'm in a patio that no there's nothing

of Cesset, there's a there, I'm coming down, I'm

I'm sure perfectly of the little the little about the little point,

and there you know, where I go, and I'm there's a tumul, the

munton of the time, as if pass there the

eternity without that there's a got a the

water, I, I'm the I'm the thing, and then I thinkem, maldita

Brouca, that no I'm going to get that I'm at the earth that was up, and I went on the house. Where I pice

to the house, narrator, I sentia that the kind of other end up the same that were like if were

not as were not like they're like they're like they're that when I were to be going to

be to be a little, creatures of two patas, creatures of six patas, caturates of four-pathes, something,

like if monsters, demons, creatures, people, were sitting on all the parts, and now were not

they're all they're enoched, and they were they were, and they were making make, make sure,

and I'm going to the house of my abel, I'm at the end of the end R and as

it's a purpose, I'm not I'm able the door the door to be the door,

is to I'm, and I'm that I'm to me and I'm and I'm just I'm in a call and the

car off of the I'm going to do you I'm going to that I'm I'm going to that I'm my house

I'm more more assusated than my life. Nothing of what had had lived or

felt that's instant had had preced to any to

to all this that I've had to I'm I'm

when when I when I don't with a surprise with a I, at one

side of my camera, I have a comoda with a small. When I go in my

room, the comoda is a moveida and the mirror is a little

and then it makes very strange because came to my mom in the

room for why I want to I'm so so so I'm

going to the camera to get to be to

because what I want is to because me I'm inclining

just to get to get to and the other the front of me, she is the

little the girl and she's being right to the eyes. When I see,

I don't I can express exactly everything what I think it and you

did it a year, the I was that I was going to get to

I'm to get to and I'm I'm asking a help I'm

want to get to the thing. The thing most spantosa that you could imagine all in a second

and when I kept there with all that whole of the whole of the little bit of the mirror and the little bit of

the space is there in pedacito. I'm getting, you're in the car. It's. It's. I'm kept in my car. And she's and then he said, no. And then just, I'm going to the

head of above, I'm going to the plant of the floor. During a month

I'm not going to get to move to the room, but a couple to get that I

didn't have the that I didn't that I was that I had to

my past. My papas was putier as raros,

and they were in the day of the house and They were very preoccupied and me

said, the arbor to you werest, excavated? And I said, no. Someone took the book.

Narrator? They said they found a pozo. No, there was nothing to and we

know if someone of the family succumbed, but we are sure that someone

that relew to the and with this story and these raditas

our family nocturn, we've terminated this oscura foggata of stories. So, please, tell me,

what you were the stories? There was some other little a little to get a

little bit of the tranquillity? And if is the question, what was the story

that's the first to go, and if you do this project, you know, subscribe to

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