HABLEMOS DE LO QUE NO EXISTE - Historias de Brujos , Ouija y Fenomenos Inexplicables | SABADO DE SOMBRAS

Episode Date: March 16, 2025

Bienvenido a éste Sábado de Sombras con el doble de terror

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Now, that's the part more turbia of this. but pass to this question

as a tourbia go to the third thing for that I'm the third night of the

family nocturna the day of year just was a year we got a meta very

great for us and that not had been not been without you

and it's we get to three metas at three metas at We're

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we're we're also to 300,000 followers in Spotify and one once the

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so so all those who have time, all the veterans, much thanks for for being part of

this project, for be part of this project, for be part of this family, and as a great of a great idea of

a discusculpa and a day of what occurred the same last, today, today,

today, I have a very good of stories, histories tethical, histories summately terrators,

histories that they're going to talker. So, so, if I'm permit I'm going to

start to tell us a series of stories that recopil for you relatoes that made

to get the family nocturna to the WhatsApp of the passadias to

the email, you know, these two data I'm in the last

in the few minutes of this video. If you are doing this in repetition,

be the video, be the stories, and in the last five minutes

you want to do where you can of YouTube. And there was a story that me called much the attention.

Me decimed, narrator, you crees in signals divinas. And, well, that is a time very complicated. It's a filo

very delgado that, that divide between the fault of the knowledge of a time and the necessity of

that something and that something and that really are occurring that's coincidences

that you're that's that's talking about that's going to be that's

going to about the thing. But with the story, this story is me made

something something more because it's the other things that I'm

that I'm that I'm that I'm back. A there result

that we're we're to put to name this person

Ramon Ramon had heard that's he kept in his head to be this

I'm talking about this and it's something that was a thing I mentioned in the channel

that they had been that they had a fascination a necessity for enter in

thematic those one thing is that you get the adrenaline and the

stories of but other other thing is that is a and

that of the knowledge of of the times of the necessity of having

games, that not are in the invocations or participate in rituals and

things of that I said, I mentioned that they had that

because the people that people, the people, they're

like the fascination for the mal or the fascination for the obscurity

and in many occasions, in many of these occasions in that's what

this, this necessity are more these entities those are that are that are influencinging the

person, not is she being she she's the she's the influence that is the person,

only that, but as it's not he, he's it's a adjudic as, as a person

when he's living a type of depression and he will start to do

because it's so when a when in many of these occasions, it's a question

of neurotransmissory and biochemica. The other is a quote. Well, Ramon heard that and he

kept doing and he kept doing and he responded to a phrase that is more well

a classic here in Mexico and I think also in many parts of

the Hispanic that that's that's all he decimates all.

He was and so, and with that, I said, this is a pure quen to, so they're

being done, so they're so many people, so I'm listening, he'd be doing a little

and the every that was, he was he said, he'll get to say,

well, the Ramon he occurred a second thing, and this was very recent.

We're talking that this was about two or three months,

maybe less. Recurban we've got one episode in the I've said about the cup. Something

something that that in the moment in the moment in the he said, a game of a copa, something he

passed to do you do it? Why do you know that's he's able to investigate as a loco,

but as he was looking for the earth and information how it could be the meantado

the cup. And he me revela and me says, narrator, no I have any idea of why.

I'm obsessioned, but as never in the life, and I'm looking for all parts

information, persons that would have used, how it should be the way, and what

are the pathos, and so I'm not a person, and so that I

did a question, I was, and I found, and I was a moment,

in the in the house, I live with my mom, it's started

to feel to not you I don't want to say a presence but we don't know

that the case I'm a very in this time I'm never a mom

was the mom you know you know you're not a car like it's

more more extra it's more more a and

Ramon not he's he he's in he's he

probably probably probably not I'm probably probably not

for desestim too because You know that the good Ramon yeah has been with a good level of

mastery, desestimed the things of that form. The point is that Ramon is that inbebbedo

with this that he got to do the things with that he's that's they're in

his vehicle, in his auto, he's he's in a hospital, no see in reception

as a medical or as I'm know he's he's a

hospital and it's a moment in that for a strange situation, for an strange situation in

his mind, commences to repeat to one and other time, I'm going to go to play,

today, I'm going to go to and I'm going to only to go and the idea,

no, I don't go and he's and he no he doesn't, but there something

very rare, very strange, is a thinking that to feel something

that's something that's doing experiences, instructions, and all of that, he's to feel a fear and

fear of the good, much, much, and no, it's not, it's not it's

no, doesn't know, why is it's not feeling the

the point, is that so nervous and no he no he's to repeat in the

case, or that he's that he's that's the person, but he's But no

he's this voice saying, today I'm going to go to play, he's not

so nervous that he is a take a break, he's to make a little and he

going to get to get to a little a room of the hospital, some

area probably abient I don't know in what turn to be for

that this not he says I'm say, me say, I'm I'm going

to go to the passio is all back so my cigar

and when I go to encend, I'll turn to

and I see in front me to a one a metro, meter and a little something

a lot of a lot of a money of 50 centavos great, but strange.

It's very brilliant. I know of what any money of 50 centavos

here is a little but he about a money of a amount

about a more than than the normal and the good Ramon he

He Because he gets a lot of attention that monedita and when she aghach a garra and he's a count that no is a moneta is a medallia of San Benito and a Where's a modality in the money? The voice in her head that he was saying, Oh, I'm going to go to go to go to work. she cower and he he'll be able and the nervousism the angustia

the need disappears if he's to feel so much that says you know I'm to take this

like a name a divina I'm going to take this like if this cause you're so I'm

going to play to the cup he got the and he let in the ballsa and you

continue to his labors he has a day pesado, regress a house, standing in

the car, he gets to do the time, the day next, the pantalones are taken

to the side of the camera, the day the next to do you, and one or two days

after, he's going to go, he does get to get a pantarone and he

down to the camera, those are the back, the he goes, they, they're, they're,

and they, they, and they're, they're socies, so that's to say to give them desempolydita, she'll put and

go to and go to her and she's talking to her and she she's not to say to the old,

Abuela, me found something and she kept thinking like, but what I found I, no me

I'm what I'm and then I'm back to his pantalones and he's

a question of some years of the medial. He's, my my I'm

my what I I'm and he met the hand in the pantalon

and he top a two things that one he's a lot and the

other he does much a great when put the hand

the pantalon top with his little and the

medial and the detect at the instant the

the problem is that he put the the

man a more and he did do something

that not not had not not had not

that absolutely discosied. His deads they pass for complete

and get a practically to the person. So he's a medial

but he's with the box and see where the box, all the

part of the part of is really but the metal

intact there like there and me and me

said narrator and me total and completely for

me was a sign divina that not had

to do a a cadenita, I now I've got the medial and it's that are things strange that are things strange, things that we can't

interpreter to one way or or of another, but there you go. There's another that he occurred to something that nothing has to be with the podcast. This is a

story, and I had more than a month of not to hear us for situations of work, but we to make a story

because what what he occurred what he occurred he affected much. He said he that he He had

yeah He's He's a little He's a little He's a little He lives He works in

A certain He has a He's a He was a He was He was He was living And he was

He was always But he But he said A little He was a He was A little bit Frick and

He's He was He was He was He was He was He He was

was a place, his sanctuary, the space that was a 100% of him and for him and for the time,

he was a he was a invite to that not is very much, and he said because, I just said

that I'm that I'm the question of my novia, but not me sonable, no,

no, I sentia that was that's so, and of this chico,

he gets a day in the night, this has a a time

and when is a point to enter in your house that you is a

idea it's a door that let me let me like a

door a a little some type of baras

metal that are the part the part as you

have you have you you you see that

you you and there there there a place

a little but in the mark left and in the mark of the right there's

crystal. Not very ancho, something of about of 20 centimeters, something more or less

so on so you see, you see you see, you look to be

a little to the house. Not too, but if he's able to

see a door, the first that's a entire, and so it's a door, and it's

carmine, to the door metallic that has the crystal at the side,

when of a moment something, something it's not physically but, well,

so, but not is a good, but it's a little there's

an aroma, but an aroma askeros an aroma aoddum like if there

in front of his just his feet if he had a

man, there a situation. He, his vehicle, for comodity, it's a second

out of his domicilio. He has a little cochera techata, but no there's

there. It's a back there and then another another unen an animal

desvivied and the cochera is a completely vacia. So, then it's

what is this? But it's an aroma a fructo or a fat, kind potrida,

feo, desagradable, vomiting, or something, but that you

But here is where it's where it's where it's a kind of a kind of, that's

that's that's emanating, some kind of that's through their but when it's a little

pathitos out of that the aroma disappears the instant. nothing whews but

it's like if you give a little and you pegged that a amount and you

do you make a and you no one a only one no nothing

it is again it's disconcertated because no no

it no it no he no there just in the end

and and while he he makes to feel to feel

more much a more and there there something that

you invite that he isom for the window when when it's a

little because see still a little a little in the cell

a room to a a sombra a state it's a static.

He's a I'm not to say, I'm not the word, never I never had said a

thing, I'm many things at the way, I'm a lot of my integrity physical,

I'm in my house, my things are in a lot of I'm in sure, I'm not,

I'm sure, I'm, I'm not, I'm that if someone is, I'm, I'm,

they're going to be going to be, they're, and it's, it's, it's,

it's, it's, it's he's quite I'm in the thing, because

someone, it's in a house a house vestige no has a

sense me alj me alj to be and when I'm when I'm I'm

I'm can't see being into the but the sunbra I don't

let see no no no no it was horrible it was so

so then this is a bad spirit he I'm a man I

was a fanatic religious he he had been in things

of he I've I'm a one I'm a

He doesn't try nothing of that. I just know that he's He's talking and he I'm talking to and he says he's occupied with a question familiar and he

I'm going to go to go to my house, there's something and then my friend me so he says, not you're

saying, no I'm saying, you know, you know that's the things to me and I'm like there there's a

there's no, well, dam me a hour and I'm there. This type is left

out in the car in the car just sat down in the part of the coffre of his

vehicle, when he gets a friend, he says, look, they're going, pass and when the friend

pisa the radio, where is this aroma, he says, you've been to have done a little

or someone that's they're trying to you. They're they're saying, so sure, you're saying

is that this aroma I'm not the first time that I know the one

and then let me revisar where more whey so to be is other

other other and the other thing, I and I said, I mean, a minute, I said, I'm going to a minute, and he'll be a lot of course, he says, yeah, we're going to

start to rebecca, and he would be, for a word, that's silence, no more, and he'll start some of rest, and just with those two there, it's dissiped for complete the aroma. And the friend, the chico that is the owner of the house, is somed

just to the inside and see how it's vanesse this sombra. Instantaneously, the sensation of the house was the sensation that he recognizes since much time. It's my house, is my sanctuary, is my place. And me said, narrator, I think that these things

were just that just are a minute. And is that occur in things strange. Dear Family Nocturna, that for SIRUFORNA A lot of To the hydrophobics

A disculpola, I'm a disculpa, I'm to hydratar me a little 800 people If you're Gustin the Histories

Venga your Like, and come to like your episode for that you to get a more

people. Now, let me a second and and are things strange

Let's let's let's here here this is that is that

is a FUnton. Some things and there are phenomena rare that occur in

I think in the themeatic of paranormal no exist as a expert. There are

people with much experience but are events so

unical and rare that the documentation in many cases is

impossible what is the anecdote. For that on the channel

we we this we We all the stories of terror. Ponto. I've

said, if you're saying, I'm going to say, I'm a very good a good

a great person and a person who's that's a question, because the family noctura

those love the stories of terror, but also it's a way just just a

same little and that's if you want to know more of these things, go to

can't do you document, or busken investigations that have taken to have done with more seriedad.

But I'll say, the thing is that not I think that so exist are people who are people with much

experience, persons that have much experience and they don't have much experience, but people who

have done this work with the investigation. But even they're they're

not they don't know with the people that are going to say, that are

cases very that are difficult can explain because of the

I'm not I've heard of the I've seen not quite that they have to be with

some there are there there are some that they don't be there

are there there there's things there there's there in the

other and there in the world that are in the example in this

abitation that is this apartment in oscura, this Cueva of the pesadillas,

if you and you we're talking on the person, a three recamaras in a

corner, we're in the end of him. And that person is a sustra. But it's

a thing of acoustic. It's a thing of a rebote of sound.

There's an emissor, there's a fount of an recitor, but in occasions

no, there founts of mission, no exists that's emitting that is an

thing that's where this is putting supermating macabro. Quenta a person of the

family nocturna something, something that was in your house and in

the colony for about two years has a good time.

Lamentable was a tragedy. There a a person that this

that this is he no, services of electricist, but really never had been any kind of any kind of he was there's ever

and it was all, but they're doing a very good pay for to do a change important in

installations electric and there was a connection directly to the connection to the

network and the connection and the money, what he provoked two

things. an electrocution direct and fulminant and an explosion tremendous of the transformators.

What was exactly what he did? No, I know. But what is what

I can't say, is that the explosion the was I heard the the

person, not they've not heard, and they just they were, those colors that were

in the moment of the explosion, and they were the the

of the person to get, and then when they were there's a there's

no way to do that the person was electrocutated and without the

during the two years all the time when the time in the

time the explosion of the transformers even that the transformation was

an endic and another and other once the one and

the first the transformer, the pure sound, because there no's affect the light. It's

guard in the music, but the acoustics, not so it's not to be it people who are people who

are people, they're saying, that they're not know of this, persons that people who know about about

the sonnors that's an energy that is a energy that has been a thing that it's

something that that on that the other the other because you're not

there's a not a minute. They're they're not in a form to justific

a event that that rompe the laws of the situations

that we know there. There also a person that was a runch

and in this ranch and it said there that in times of the revolution

or of independence and we're we're talking to some years

the ranch It was used as a type of hospital for persons that were living some situation like epidemic. But the problem is that this epidemic is it's a couple of many lives. I don't know exactly what epidemic was,

but it's the place. Practically, persons that were that were the last place and that is the last place of the last place. This person, is that rancho, no,

see absolutely nothing, but it's really really because when I'm

in the bodegon principal, that was a zone that's one, he's

no, he doesn't hear nothing, no be nothing, no, it's a little

a little, it's all, it's a time, and one that's he stoo

just in middle of this place, I'm start the lamented, like

of persons that were going on very bad rato, like if you were in a middle of many people

in some situation conflictive or bellica, because sonnabhan people who were

suffering. And one after other in different points, every more, and me and me

said, no, I was I was not I, taping the eyes, because it was a

sound you was a sort and apart you, you penetrated directly

to and a sensation like of soled of a feeling like it's it's a

time of the events depending of what they've been depending of what she lived

there it's generally kind of kind of kind of emotional sentimental

what what he was affected those sentiments could could

be some situation but it's very that also

occur much that if you're you're you're in you're a lot of

time. I'm going to give an example very clear of this but before I

have a parenthesis there an actress Esther Exposite and she about

a event of this type that is very rare that in a question

when was in a time she was in his man no

recall is his his mother and his mom and he's going to and he's

going to when in some point of the time he's got to he says that his papa he says

he says they're going to the house, that they're to get to get to when she

were that was that was only that was she was so so nons

that that comes to get to get to get to get to

almost and when is when it when is when it's

when profound, it's to hear very very nearer to you,

a respiration a deeps. No, she a really. The respiration

He getspired, open the eyes, still listening that's and he and he

and the camera is a bad at a situation. He said, no, I'm being

very dormita, she he gets a way, and he comes to come in

the house, and after to pass a par of a second

after say, Mom, and he'll hear to hear the

continual, that respiration profound and the and the and the respiration comes from the

room in where she was a dormita and it's a lotura because it was just to

the camera I'm a car and conform me go and it always sounds more

more it's there's there no there no you're you can't you can't

you imagine the type of that's a eventus we've talked

of entice imitators we've been of places in those that's

kind of this kind of it's a thing, it's something it's like if

it's an option in the that they say this is a simulation and

a sometimes has some the program but there

there there's a that me got to the I'm

I really I I think that from the

perspective of a fanatic that all this type

of situations it's impact, but at the same time, it's okay, or so, what I'm seeing,

the part in that I'm impacted, and I'm a lot of the is because there's people who are in the time,

and that's, oh, ha'all would have been able to have been nothing of this and I'm sure, not have this

case, and it's the case, and it's impactant. Raiza, that I'm a good salute,

she, to her the group of of the Peasadies. This she was the society

of the pesedias her she was a program with Jordy Rosado. And

standing there he started to talk about things that happened there in the

house of the house of the she she didn't she she

doesn't that the the movie is a place that was a

different and there were various That's program in that that's things with

Jordy, also with the good Raysa, a situation a situation that's a very

with a tinder of antiqued and that's very very much that's that's

that you that's one of 100, so it's that family nocturna

thanks for being for being for please go on

saying if they're saying if they're the anecdote of Raiza.

Resulta, that in Reisa go to a tent of antiquities. And, pardon, sorry, Reza no,

a tent of antiquities. He knows a person that was a tent of antiquities. And this

person that went to the company, he went to what he was a pretty, but that

was a person is a new a business, and he was a very well, and

is looking to buy some elements that that's they're like antivus of epoch

of certain matices, colors, structures and that give a certain emotion, that transmit

something that and they're looking in houses of antiquities. It's a house of an

house of an commedor that you have got quite quite a few

of the little little certain things that's things that they

were all those elements and practically the only that's the

main is the middle is the middle and two sills. The silas they are much this person they'll

get to the local and to get to all the all is a disaster. All is a disaster.

The local the little the business starts to get to get to

get to get to and get to happen and start things strange in the business,

sensations, sensations in the moment in the moment in the correlation is direct. A part of the I've got to take this mugrero, we're going to

all this. If it's that the tinder of antiquities to go to get them, to get them, to get them, they're going to

go back and yeah. I'll say, I'll say, that's a lot of getting is something is something strange. The duke

of the Tind of the Tind of Antiguedades. Be that this person with the two sillas and he says,

I said, I'm going to And he said, that he was going to go to the way? He says, because are the two pieces

that were the last two pieces that were going to evened by parts separated. What history had that that was a

separate, that would be that affected the life of the people? Who knows? But a these things

guard an something that when you're in contact with them it's a very few occasions is something beneficial,

for the general it's being something so there's there's phenomena, there situations that are very much

strange. And before to continue with the next story, if you you're doing in the

in the live or in the direct or me is being in repetition, you

or on Spotify, I ask to you give you, for favor, to you're a

invoked in this instant and, for favor, dino's of what country are putting here, yeah, say the name of your country or your banderita,

for know, from see, from me are still two, two hundred people. Salute for all of you. I'll go back

to do that and we're seeing from this instant, before the time. Very well. Nicaragua,

Venezuela, Mexico, where more, where more? Costa Rica. Colombia, Paraguay. Wow.

Argentina, Bolivia, Famina Nocturna, States United, Costa Rica, Republic of Dominican. O'gan,

many, many thanks, thanks, from Turkey, wow. Oh, thank you, family

nocturn, what's to have to have to hearl we, we want to continue with the stories, and

also, if you are in repetition, leave it in the comments

I'd like to see where they're seeing from the sign of your banderita for a word,

put the name of the place from you're doing this once you're saying this let me

continue to the day of and goy and they're telling me and they're going to these stories of

going to go and going to go to go back I think that's going to

go there's there's there's much time from and I

know I'm I'm I'm I'm I'm I'm impacted

has a good quantity of years when if I'm not no record I was in the preparatory maybe it was

a little before, maybe a little after, there was a movie that was

going to make a and it made really really in Monterey that's the

area in the area that I was a thing, was a thing.

The church not was all the things were all times and they were

They were not to impede to get in various cines. The movie is the of the

crime of of the father Amaro. You know, I think the actor Gail

Garcia and the child in the picture in the Caliacon. There you

go. He asked a problem, during that the film and result that if she had

an anecdote I don't know and I It called the attention. When they're doing the filmation, they're going to some type of hotel,

that is an hotel that in the past had a past very turbue, but the people of there no knew. Those who were renting, nobody knew that. And to her, the first night that's kept there, that he took to see something that leaves

elated to the see. He's sat downed in her camera, is practically dormita. When there a sensation that ispired, open the eyes, he's a little bit of the camera to get like sentada,

he gets the door of front, and see how the manija, that is a large, comes to backer, the door is open, and the other side of the door, there is a

somber superminted because no there are lights but that that thing contrasts with the

room, it's a much more more than the same night. It's a form of

form. It's a apartment. And the door with much sigilo, tranquillity

and in silence it's going to be to get there. And that thing

is just in front of Claudia. It's quite impacted, has much fear,

no out of the abitation, he'll get to be able to get a dormita

in a little and a day next with this situation gets a with incisions

with bells and it's a lot of because they're working and when they're

working they're very very very very so many times

then you don't get a I'm a a disveal it

can be very in the interpretations that they're in the

the of the time in the job. So, Claudia, does all this, and

he says, and in the night, in the place, me started to move to the quarter.

All the quarter, like the I'm at the so that's that was going to that was

that was that they're that's a moment, that was the place was a sienta. And in

that asient the used to execute people and they were them

then maybe could be the the the and the and the

I think in some moment there are persons that have this type of encounters in the grand majority are situations inesperated.

Much people are when they're looking these situations not they're but there are people

that's when when it's when it's that they they're looking but not they're not they're

and when they're they're they're they're they're they're they

the mal-yamated the wika because no is a a game, is an invocation of the which nobody has

control for not not say that practically nobody and that are risked to them and the other and that

in occasions you know you know you know you're doing that's making that invocation

and I tell for what. We're to put the name of Itsel. Itsel

and a name of a child we'll put the name Sebastian for give any

name. Itzell and Sebastian not are friends. They're two people that coincide

in the time of the school standing in a same salon. No, if you

could say people because none of both is in the world. But a

day Yitzel is he isle is a little a table of a

shiquita a t' a t'cuit. Because she is a very obsession

that He wants to play that game. Yeah in her house they said that they never really

that's your old her have read a million times for the time, no they

don't they have pericles of terror. It'sel is a heart of

her family that are some those mojigat and etc. And so this

this chico that's he's he's he's he's he's he

he's he he was passing by this bank be the table

he put the hand up the libretta and he says, you know, you're going to

what? And she he said, to the table. To the Uyha? Jugamos or

what? And she he said, I'm I'm not you're I'm trying one.

And so he's going to go to the bank, he's he bachila the

and he he must practically to his eyes and to the class

that the the front of the mochilla has a tally a tally a tally a

table and she's a really, he's in serious. He said, after the class

we're doing the she because no he said in your house, he's

going to get a time, not know how much time, but he said

tomorrow me going to escape tomorrow. The chab Sebastian

and Eitzel they get to get to get to

perrears to take their space of a form like not

consensuated it's they're to be a brava the mal the day next

probably one before before before not not they

don't do they just they're in the school and

me said itzel narrator was a time was a

terrible terrible I go to that I'm for

me is a I was a way to what I'm going to see the

and I'm going the triangle that I'm going that's I'm going to move to and I

know I know I'm I'm this the worst is this the the

the I'm I'm I'm I'm I'm I'm I'm

only I'm I'm I'm for nothing I'm I'm

no I'm no I'm I know before of that not it

in the world, I one day I juke a whiha and a wayja and I'm that idea,

I used to do you to get a wifea and I'm saying to no, I'm going to I'm

a guy, no, I'm going to not a single. No, I'm not a narrator that I

was going to do you was a head. And it was like two months

in those that you not not not much a typical until that I

began to do something to be O'ye, now when I doorm, I'm I'm not, I was like,

I had a time, I had a and when I had costed and when I got to get attention in

what I'm going to do and in my dreams. And it's the thing more aterrador that I've

had been that I've done that, that not is that me is that I'm doing, in the moments

in those that I'm I'm going to go to the camera, but so in

the moment in the moment in I'm I'm in some of the arms that I don't know the eyes,

and some they're in the mouth and then they're they're to getchard or to

the camera until the moment in that I talk with the my

amuade and me I'm totally dormied. And in my dreams

I'm I'm a Sebastian that me is that

I'm and he's to take my hands and he's a and he's a little bit like a

writer. He's not I'm so I'm know of that's and I just block

the record that I took with the legha the the next three

months all the time and every more just I was just

I was getting down but the other they were I didn't

I felt I felt like some hands me tapable the box, me tapable

the eyes, and they're to make sure to be to get chas if they're in a bank,

or me moving to be back, my my parents and I had a

condition medical and me started to do and they all and all

they're and when I'm saying what I was living I'm getting

atorated those words. And my dreams that night Sebastian me

me had done the no what was what did that that kid

I said he's he's he's he's he he's not going to

he and I don't know to give to these things. But things that are

in these mal-yamated in those people are the people are people that have

other intentions there in these in these cases also of Uiha

is that is very very very there there there

that no I know that's this this story occurred about the 70.

She's in a area of a area of and there people that are in,

let's the plantation. His papas are of a good economy, so they're

doing with a good time. Permitam me. His papas have a

type of a zone of plantios, a house very great and there are people

that are different parts of their place. It's a place known, they're in

an high level of rotation, because we know that they're not a time in

many time with the people, I'm going to kind of a kind of hipioza the situation.

The papas were very good money, the people that was there practically,

they'd be a little and they'd be able, and so it's a lot of a trot very good. how

it's actually no see what I see is this various of those who were there were to be a

kind of a cult of and these people who had in that people were to have a relation

with one of the one of this the person that's the story there's

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Saving those children is how we all go home. From Binge All Episodes exclusively on Paramount Plus. This chick has a woman, that is her mother major. And this cult of these people, that were people that were people that were because they were

in the plantation in these plantions they're going to say they that if he doesn't contact her little to

that they would have to be people who had had fallen and she had been to be that she could talk to us

they'd be a lot and that's she'd be a little she'd they're a about

about that if there's there and they and she and her and her and her and her

and things of that type. At final, they're a puros children, to her

and a two two chicas more, that I don't see if were the family, primas,

something they had to have been because they had a relationship and they were a

relationship. And those people put only the kids to play and they're giving

the they're going to make to make to pass many things,

a little a little a little a little about not is that they're asking things very terror over if

they're not more and she's a and she says, I'm saying, I'm sure that none of my family, they moved

because all of surprised and the people were saying like, no, no, they'll do it, not they'll do they

don't let's, until they they're, we'll let me say when you and they're going to be

there, and they're just that they're very can't and the people just just said how they're

to do you the day two of the children that are They're in this. They're inferms, but inferms,

feo. No, they're going to get to get a lot of a question like of temperature high,

no can't control, if they're going to get to the city, and one of the two chicas falle.

The other chica, the that's the endferm he, he's a type

like demutism. No he can talk, the cuerdas has had been,

if you know the alphabet, it's expressed very well, but yeah no can't say it. And so it's during the

two years. The two years, they're going to pass things very strange. The table, in occasions, appears in

the house of the house of the parents, the parents are having to have many problems between them,

and every that they're they're going to they're going to the two and they're they're going to those

things, that those are those don't want to who they who's who they've brought

this mugerer, and they not have been the have been

in the house. Decidion at the final that for that

not they not they don't have they're in the and they're they're in the

little things, the things that they're many they're so

and the table is moving and it and it and it's

on the other in the other in the other she

can get there she's a mother she a woman, and in six

months, falle. The papa starts to enter a a depression very very far

this is not a little bit after a year, and this she has to have a

little a relationship with a very, very toxic of being a child and to be

a little a little a relationship and to do something to

start something that's the woman she was a little moment

was the same person. It was like if mentally was a lot of a lot of

somebody's to help out of that's to get to get to get to get to a substance

in consumption of things and me he said, no it I was, I don't say,

I don't know to say what was what was in that time, but not I know.

My father did all, my her brother my her and we're

we're in my my father all the next

fall and she had has been much stress and I I'm refugue

I'm refugue almost all the life in drugs, until I know I'm my

person who know I'm so I'm start to find out other significant of the

life and I'm I'm to have practices and and I say you

you're you're very contaminated something and I did you have to give to

give with that the whiffa and me said probably probably those

people were doing something us offered total, and it's me,

it's been five years to start a life normal after to have been to have been

on the earth. There are many stories. There are many, many

stories that are very very very very and there are that

are very strange. This that I am put to tell you is one

of the stories more rars and in that I would

you say, if you're so you I think it's a

form in that you can't be a way to keep a little, tantito,

tantito, the door of the time. Because if some day you a

thing and the door is a form hermetic the the

the thing is more more that he was

what he has he has a he has

so he can be so we're Fabian is an adult, he's 30 years, his sobrientito,

a penas is a son-a-old- and he's- a good, for not say that he bad. Although it's

a little, Fabian, no-soporta. He's like that's chifladic-s that for all, it's a

kind of, some kind of some kind of different, that's always things, that's fantasing all the day,

that no-se- a-d-day- to- a-d-d-d- -day-a- even if a six years, nor for

his age, that's a much mimed and that his brother he's overproteg the mom of this

man, he's not he's not he's he's he's a he's he'll

he'll maintain a certain because he doesn't to do what he's going to say

that's that's that's that the little that the little bit to get

to get to make that he's like it's a lot of a time

in the that her mother he's a story a lot in a very repetitive he said

that his his it's a little he's going to call it clement that clement

that tito he's putting very bad because he has an amigionary

that he is a little of the little of the so so fian

he he's another of the men the tito oh god

me he's He's a bit of it. He has much imagination, right, but what really is that Fabian is that faddiadish

and you know he's over nothing of this man. And the her man, he says, is that no,

is that not you're not, no, yeah, my man, in serious, yeah,

not, me, don't know that's a know, you know, know, you know,

to be to be to talk, you know, to do you know, I've been to do you

this is a really, this is too is very really, about much about much of his

man And if you He's He's been And you say You know, Your man, Your name

your name Your name Has been done Not you You have done So you're You know, And they're

Inplicas And they're In other They're Yeah, Yeah, Yeah, Yeah,

Yeah, it has a One of Imaginari The new of the Newho's And the

Heye of The Newho Reddes, until I'm in the Stato, is Tito

Clementit and his Hermann at his He says, a be, Tito, here no live your

friend of your friend. Here that is the man, you know, you're going to do you, do you,

do you know, and you're sure. Like, a half hour after after Tito starts to

do that the other of the other of the is that's he's still and me's not me de

in peace, tell you that's he's he's he's not, no pastidididim

and says that this this man just that just that I want to call it attention. Nothing more to give to

call the attention. And to try to be to see if it a little bit more. A bit of this is a way to get in

back. And then then then he's your brother and having a little bit of voice up at that

you know the little of the little bit of this is your house. You know, this is your

no I'm that's here. I'm here. Here not you're here. You don't know to be

a bit bit to us let me pass to let me pass to us we're and so we It's no, it's what you

know what you want, and what's what you're going, and what you're doing that's just it's a little the tito's more tranquil, yeah,

he's got with some of the house to Fabian, to be playing there and he and his brother are

talking, the her brother's and he says, oh, many thanks like I need a figure paterna and

what you've done is something and what is a more fastidated still. So, like to

do that actations not they don't like for nothing and he and it's the form

to do this thing, but he's that he's a point with a woman yeah, he's a

point with the little, he's he's not so that's so

he's and molestando there. And he is just in the bar of the kitchen

and is he's a can't a kind of to do or

an salad or a or something because he's he's he's he's

there's there is there is there so to tranquilize. The barra of if you

you'll be it, is a barra black. It has the table of cut up and above the barra

there are various puberty. Of the side of the right, there's a little

a portita that if you have you're in a pair of a part of a paratos

a little, there's things of different like species and sugar and

something so it has like in frasquitos and The side of the right in a corner is the zone of those sartens, things that I'll use to do this, the cold or the ensalada,

but those will use. So, if it's that, so, so, it's that's the area of the artemes, abre that and see something that makes that it's a palid at the instant. When it abe the cajita or the zone of the sartens, be the car of a man that'som,

and he's a smile. is a a boy of eyes reds, and the pupils are those have been

verticales like they're like they're and then he he he's a man and he'll

turn to let's he's directly and he and see the door but

I said Fabian I can't I'm I'm that I'm that I'm getting

what I'm the most inverosimil that I 've seen in my life I've seen

I'm I'm but it there's there's that there's that things that not

they're that even even even a little his

mirate his not the man was the person was the

person and the and the sonrisa he no was not

it was someone someone a man and the man

with the the man of the was the man of a man

was the man of a person very very very and He'd be in the venas, the

skin delgatita and colgant. No, horrible. Yeah no said, and with her brother, he said,

no he went to talk never to be able to never to a new unemnedated, because he

gave me a little to now the that's a me. And as my, and my dear family

nocturna, there are events and situations is a very strange. We're we're

we're at the time to get to to get to the last story of

day this story, for a favor, please tell what they have been about it? What have

been to be? What are you have seen? These stories of this moment, I'm hydrata to put to

the last. And also, if you have yet to get to the channel, v. If you

got a little the campanita, and if you're you're doing from Spotify,

Apple, podcast, Amazon Music, we're we're going to get to the first

and we do it only to do you get the five stars. If you

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stars, because this year we're going to get to the first place in these platforms

of audio and know that we're not we don't know so long as we're let's

let's say for here. Narrator I need I need minimum three hours

more totally of course I'm I would like a garganta

a apprato funo an articulator circulator, pardon if not the

word technique, but it's that all my quarters and all of my work and all it's viable. Apart, we

have to do some because the episodes of this time, we want to we're going to

get in time and you know, the stories that we have to the episode of

the one's, if those are good, if the those that these them

they've those they're they're they're they're they're see. Now,

if, Ditch one this, let us to the last story that I'm the day of

today. But, but first, Salus, Family Nocturna. And Cela me mando a

call in that I said, a me makes much noise when you've been a

person that are part of families of bruchos. I want to talk, what we

live in my house, because it's something I'm I'm in a tree

in a city in a city that is 100% of brujo it's a city

but there is a brujeria the 100 I'm I'm I'm I'm

a lot we've in a place in a place there in the

house of my house of my tios that's my tios and my t'er with the

children and the house of my papas. It's a area because even the houses of all there's

there's there's quite we're going to we're not we're not we're not we're because they're

they're they're they're in the way that they're the patio we're we're

we're we're we're we're we're and we when I when I

when I in the family of mom and the father they're they're

not they My mom, something that we know that was, that she was, that he made

a person Christian, a Catholic, not orthodoxa, but so like very very creient, and no

I said that we did we nothing of nothing. I know, no, no,

not has talked to moma. But I can you can say that is very

complicated to live in a family of brujoes. It's never too early to plan your summer story in Europe with WestJet from rolling countryside to cobblestone streets. Begin your next chapter. Book your seat at westjet.com or call your travel agent WestJet where your story takes off.

The first is a little bit of my abuelo and my abuela. My abuelo was a person a little, amable of a heart of a tot tot tot, and he was a

he had dedicated to very, very young to do things of things and he

always was always to help to help to help he

and he was all he was and he was that

he was that he was in relation to people

that had some But, in a person, or, well, is, because I think that's going to have to be able to know why. It's a person that has been able to do you know, a person who's a good unagre d'agre d'native, a person very agressive, very pedant,

very intimidating. No, I needed reasons. She was a brook of scura. had a fila of people she had much much

money but because she had a job of all no he important

to who they didn't while if did so

he did it and more more more more he

was I was I know that that I was

that my my mom was that I had

very that when we went to the of

vigil about when we we were when we were and when the abuela, and when the she was to give us,

she'd be able to and they'd to talk to her mom but she not about that something there was rare there.

I don't know because we were little and when I was growing and I'm I'm not want to

we want to we can't we have much a lot really and I don't

remember any one only a little my old I don't never

never is prepared to eat. And my tios are the the buela that's a

mother that's a really, I don't remember. Then I then I asked her she she

she didn't let me let me the she said, no, no, because the

woman she can put to she's mala. All these circumstances are

to be more complex with the time. The chick that she that's

the story not is a little is a person that the day of today

has about 25, 30 years. I think I for what I'm that her

little bit her but his abel no the bad is how parted the other

world when she when she was a adolescent and her and her and she

began to have a family and they're to get with her

people people people people that a kind different

every every every every I had the and

I to me. No, I can't be cargating with this. And the abuelo so it's to deteriorate very rapid. And even

all they said to the abelah, that not did that he was putting in a bigger, for the

vincal that you had to do it. She said, you know, don't get with me.

And in less of four years, the abel so that was a little

that he was that he was he was just when fellesio the that were that were

that were that's they will have tetric but absolute. When

falle the child, this child is in his mom and of the

father. His papa he doesn't a thing as a family

political, in the he prefer he's not not in any

of these things and we say, we, we, we, we,

let's come into the mother of the woman of this she, the

she, and to her their brothers, that now in the other than they're in the guardian that they're not

they're not they're a little bit of that's prohibitedissimo and that they're much care of the

shector. While they're saying that they get the news by telephone that the

abel that's the baby and 10 minutes after the the abel is out of

the house of this family in the place to in the dole, in the way to be the papelary

of the husband, in the place to be doing the thing, is the out of the

family, of her his wife, saying, that if, now is, that he not is a

father, that is he can't get to his not a bit of a that

that she says, no, no, narrator, I'm I'm this woman,

and this woman, this is good, so, for first me

It was clear. The form in that that was it was like it was a intention mal at the mother. Mama, he impede the entry to the

house and the old has made, and when he gets to the house, it's dismayed.

My house, the house of moma is all full of articles religiousos

but for all parts. Rosarios, statuillas of the Virgin, stampitas, orations

that are blessed, water and the water bendita for all parts, we're also

exercise exercise exorcised, we're in the house, and mom, all the time is putting in the

umbrella at the door, in the wall, in the dooraces, and the

just says that we're to be able to be uned as a family and when

when it was when it got to she desmayo, he's to be to be able to

cultural is very feo, at the point that my mom marked for telephone to his brothers, they were

back, well, his brother, his brother and the tio, they were to the house and

they were all they were them all. They were all over the sobrino were out. Narrator,

horrible. It was grite and grite the abelas sandeses maldicions and me to my

my, den me to the children are me and then I I started to talk in

other other other other other my my wife my wife

she said she was going to help then she she was she was she

not is Christian or she not she she said she said she

he could get to the house and in a minute and he

she is mud but mud mud mud mud No, me

I'd say, but you, you'd have seen a car of a person that's in shock complete. I know what

do you do. I don't see what in gritos, they're in struendos, they're, they're, they're doing

things, it's like if it were a battle campal, and of all the

sound cessan at instant and some and some people, a man and a

woman, to be people, people that were like more to the age of my abuela,

than the age of my mom, they're at the house, and we're saying, oh, here's the house of Doña

Evelia, the name of my mom, I'll say, I mean, they're asking, let me

permit, to my mom to say, I'm going, and say, for favor, passen, she,

she has got to get dormida. And I just say that's clearito. No,

no, no, he's doing, it's is doing the dormida, she's They're in the house, and as a while

after, they're going to be in my old old, they're going to be in a camilla to her house, and I'll hear the conversation. My mom is saying that when he put a rosario to the wuela, they started to start marks in the coo and they're going to start like edithes in the hands.

That when he chow, Agua Bendita, saw that they had grano and ampulas and then those things were in the

time they were in the moment in the moment in the he was the time they were to say that

that she was a woman had a had a and she had been to be there that they

had been that they had much my abel she turned really like in the

Diablo buskandons narrator. Yeah never came to the front of the house.

Never. I was only for the patio. Me took her in noches of the

juby, parade in the middle of the patio looking directly to my

house. All the days I and I had permission to

play with his new but like if had

been made and I did doing his work

and my my mom said, Papa, we're not we know we're

going to our guardian. They were passing the times and my mom bought a catito.

I don't see, and I know how it's my experience, but at the

after the we've got it, my abuel was to get to more of

the house. Yeah no could get to get to the

door because the catito serisable and if was there

was It was to have been to defend. My abwler's to get a like paralyzed. In some way, like interfered with those energies. Obeto, to know. The point is that he started to bring us food, I'd bring a bandejas,

cuencos, sartens, things that were deliciousas. My mom said, ah, so, much thanks. But she was very emphatigated. But she'll go and to eat all, right?

No me will you to do you. It's going to do. It's going to do. is your tithe, I'm doing for my nets and for

you. And he's, and a pen mom, he's just direct to the basura, direct to

the basura. And I remember much to my brother, I'm asking about that what you,

why you do you're saying, he said, he met things here, never go to

not to know, never goer not to not, don't go over your

but can't let's get to her corro that I'm going to I think

I'm the day of the woman that she's excheating his own your own

family. So, the family nocturna are situations are situations that are situations

that are very strange and if in the most families of bruchos

so in situations quite and typical and one once said this

family no night auturna, tell you this Saturday of SOMBas? I'm sure you

think you're like a lot of much, that the stories that I've made a lot of the time at the time.

And much thanks, Anthony, much thanks for the support that you're doing. Let me

see, me appear. Let's see. Here, we're, we're, we're the people who are

people who are many people, thanks, thanks for your support. Many super chats, it's

for here, of Victoria. Narrator, thanks for the Sabbaths, we'll know that's about

a superabraso. What I'm going to see you. Thanks for being here. You were you were the people that were

about about there. I'm sure that they're doing much, that's a recuperer and so it's

that's a big of a braus for a fear of event of normal and I'm

going to get to the moment difficult and I'm Spirits Manos. Saludos from Monterey.

Sure. I think there moment for all. There's a moment for all. There are cycles also.

You know, one of the family nocturna always you always will be a family nocturna and you

always you need to you need a time. Of course that you take it. And one

that you get you get us there's being here. Recurred also that before

in the episodes occurred many other And now, to many of the night

and they're giving pieces and claves of how to put it to put in the way to put in the after the

thing that we say we're saying, the baddiction of the good Louis says, you're saying, I'm going to

talk the thing of the mountains of Apalaches? Okay, clear that yes, thank you,

the fact, yeah, there are various stories of the Montes Apalaches, various, but

are distributed in the different episodes. Then, let's see an episode special of Motus Apparaches would be very

good. For Marijot is one of those other of his themes favorite. Nothing, that we

have been to do you know about a mario or maybe we do this special. Dicee

from here of Lucia, saludo, from the Argentina, I see I see from the episode

one, I'm so, I'm a super brazote. Much, much,

much thanks and then you know you know in the episode one. How you

know here, of Pimp, we're doing, ah, oh, yeah, much thanks for the support.

Mariana, also, much thanks for your support. Gabriella, equally, I'm sorry for the

support. Lupita, thank you, Lupita for the channel. Thanks for those donations of Raquel,

the same. Raquel and Guzman, much thanks for those donations, chico, I'm a

super abasote. Toby, abrasote, Toby, thanks for to be here in the director of

your time, and thanks. Thank you. Thank you. Thank you. It's my first in-vibo.

My Spanish, not the good. I'm to see your last. Cookie,

you send a superabrasote. Thanks for being in the videos. For a car, he's,

dear narrator, a little granite of arena in an ocean when stories and legends of

Hombes Lobo. Well, I think they'd more in the thing of Nahuales,

no, Nawales, Skin Walkers. So, if you would like an episode of that, digamelo, for favor. Of course, let's do this. Dear Family Nocturn,

now that we've yet yet this, this part, for favor, simply do we do this thing. The first, revisa that

is subscribed and the campanita or subscribed and done us the five stars in the platforms of audio, because in many

occasions the platform those desuscribes. I don't desuscribes the world, but of the channel.

Then check just check I'm in the comments of what they'd like that we'd like that weiramos an episode because if there's something that would like to what we'd like to

know what I'd like to say this, family nocturna, permit me to say that if you have a story that you've lived, you or your familyaries, you can't make me to the WhatsApp of the Pesadillas, that is the

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what is the thing of the history? Because a sometimes we'll we're doing for thematic in other

occasions, we're going in the order in the that they're all about what's the that's the

the dweens, the dweens, the dweens, the nions, men, black, apparitions, contacted,

extraterrestres, things of that kind of that type. So, now if, one of

said, this. Family Nocturna, we'll see the next Monday, because the next Monday, we'll have a video that you will be to be in front of, thank you. Thanks for

these 700,000 followers of YouTube, 700,000 of Facebook, 300,000 followers of Spotify, almost 3 million of TikTok, more of almost 200,000 people

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against the channels that are not in the content of the only doing the question of the question of

and I'm with us a great, great, grand, grand, a good time you know, and I wish

a good a few and that that have some little and do you do this

comment and and shareter it's a super super abasote and well a good

good fun of we're we're we're we're this this

by this here here here there Bye bye