HABLEMOS DE LO QUE NO EXISTE - Historias de Casas Embrujadas, Brujas Casadas y Juguetes Poseídos | EP 343

Episode Date: November 20, 2025

Bienvenida Familia Nocturna a ésta Oscura Fogata de Historias de Casas Embrujadas, Brujas Casadas y Juguetes Poseídos en  @HABLEMOSDELOQUENOEXISTE  El día de hoy nuestro querido Narrador, va a contarnos historias que le fueron transmitidas durante una reunión macabra, oscuros secretos familiares, fenómenos inexplicables que ocurrieron desde muy temprana edad. Hasta la maldición impuesta por una mujer a una familia entera, en aras de obtener mas poder. historias que no te dejaran dormir. Te recomendamos sentarte, acomodarte y que enciendas la luz que estas a punto de escuchar una OSCURA FOGATA DE HISTORIAS así que prepárate porque llegó el momento de que  @HABLEMOSDELOQUENOEXISTE  HABLEMOS DE LO QUE NO EXISTE es un canal de YouTube con el formato podcast que comenzó en abril del 2022, su primer episodio fue "vivo en un casa embrujada" en el que una chica narró sus vivencias y sucesos paranormales a lo largo de 20 años en la casa de sus padres, desde ese episodio hablemos de lo que no existe ha marcado una tendencia en exponer casos paranormales de personas comunes que viven en diferentes partes del mundo. Ice Murdock es el conductor o host de éste canal, durante casi 100 episodios no apareció, nadie conoció su rostro y la comunidad de éste canal , la familia nocturna , creó teorías acerca de quién era el dueño de esa voz. Hablemos de lo que no existe se destaca por tener apertura ante las opiniones experiencias y vivencias de cada uno de los invitados. La comunidad de éste canal es conocida como la familia nocturna, de hecho por estar leyendo o escuchando esto, tu ya eres miembro de la familia nocturna.. bienvenido. El duelo de historias es un concepto que se creó en el canal @Hablemosdeloquenoexiste, idea original del narrador, se estrenó en el episodio "Comité de la Muerte ,historias de Hospitales" el 1 de junio de 2023 y empezó a implementarse formalmente en el episodio "Abrí la puerta a un Demonio" el 11 de Enero de 2024 ; consiste en un duelo entre Narradores, una dinámica sencilla, donde cada uno cuenta una historia y busca superar a la anterior y al final la familia nocturna nos comparte en comentarios cual fue la historia más aterradora. El Narrador y todo el equipo de Hablemos de lo que no existe trabajamos para darles a ustedes querida Familia nocturna contenido original y de calidad, tardamos a veces semanas ideando formatos luego de tomar en cuenta las cosas que nos han pedido a lo largo de la temporada anterior y por eso el día 23 de Septiembre de 2024 comenzamos una nueva temporada que llamamos FOGATA DE HISTORIAS, en donde el narrador prepara una serie de historias escalofriantes una tras otra para retar al espectador a terminar el episodio por el nivel de miedo que genera. En este canal se relatan historias de terror paranormales, sobrenaturales y reales, prepárate para conocer el miedo de una forma en la que nunca lo habías experimentado.

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this sold is a new unurred under limited, or to your agent of voyage,

or to your agent of Welcome to Family Nocturna to this Oscura fogata of Histories. The day of today we're going to talk about of casas enbruchas, bruchas, and moneques

that are posseidas. But before to start, let me say some things family night we're going to the final

of these fogatas in vivo. For who we know, we're going to different cities of the

Republic, to do the foggats in live, get them like episodes specials, where I'm

stories that not are in the podcast, stories that's I've got to yeah, and it's very good.

There's the Wednesdays, or the Saturdays or the day to do you do the Saturdays,

but in the Saturdays, but in the time, is that we don't know to the year, and the

next time, the day 26, we're going to be in Tijuana, and the

day 27, in Monterey. And, and a part of there, only only

the Feature, but they can check there in our channels of diffusion, because it's a merida, and with that we're

going to get to 25, the foggats in live. For that's I'm going emotional, and nervous on,

but also I'm ready to to tell them those stories more those stories more that have been yet.

So, before the first time you're the first time, I'm I'm going to you prepare

you. Respire a deep a bit of water and let them let them let us

plentida, because you are a point to hear a a dark fogata of stories. A cadaver

a new year you know, ask if someone has been a problem, because you can't get

super surprises how I'm this time. Resulta, that I've had a reunion the end of

the time, people who know I've many years, people who are family practically, also family

nocturna, of each, between there are people who are people that are the end of

podcast. So, so it's that I have to ask us to ask them

have lived something paranormal, but my maldita custom, family nocturra, my maldita custom, me I'm going to be able to be there to say, does, not has passed something, and it's so per good, but super well in the

platicca, because here I'm going to do with what they've started, that's so much interesting. The first, some people that during much time,

I know, as I know, but never been been been in a postura to create in this type of things. They've been a a pair of viviencese,

things like to hear a voice in a house, to hear a breathations in a part of the house, sent some

presence, but they were things so subjetivas that they were, now they said,

well, we have a story of terror, that we did a fear, and we

passed a year, but not is something that we must be to talk because

it's I'm going to tell. You're going to understand, This pair, when they were papas primarizos, and they had a

his son, around the, between the year and the three-a-year-old, decided to do a journey in family, the first that went to do with the little. They're going to be a lot of you know of the people of Mexico, that's called Real de 14. In Real de 14, there's a certain magic in the environment. There's a people that they call in the Pueblo, Fentasma. There are some, let's call them the capillas, or one of a capilla more

in the day in the night's pass things. They're in there's that there's that's in when there's when they're in

there's there's not, there's been many people, but I've heard about about what I'm going to

say to do. They're going to that they're a bitation in an hotel that was really the

house of a person, but a house a lot of a house a adequar quarters or zones

of the house to convertiles in abitations this occasion that they're going, the place

is so that you're so much a little a bit of a bit of a way very arbitrary

and not with a grand planification because it's this this

the the way that's down the space a

a space a place a a lot is that no has no

has no has a a place very humid and totally obscure. If you're upag the light and you have the door closed there, no's ever anything.

Neither can't see the light that comes down of the door. Because the door is well-construed. So, it has a part of the door that rosa totally with

the piece, another that rosa totally with the part of the right, and it's like two types of sejas that

cover the whole. The point is that if you get to get there and you get to the light. Or you

you're going to with the camas because there's six camas individual, or you're going to have an attack

of panic because they're saying that the sensation there's like if not just they were not a lot of the

time, it's a little bit of the little a cune, that was like a portat, and they could have more arm and

disarmar in a manner simple. And the ventajas of this cuna were two things. The first, get to the piece, what he gave to more support, and so that the cuna

was a very fission. The second part, the cuna, had the barrottes that old, that the little, for more that was that he were, and did peripesias,

not you moved to the cuna, for the same, of the part that was the that was the first, and not to be

the part of the above if it was that was to the little. The little But I had into the cune, he had various

jugets. A carmioncito, a pelota, a mukeito that was based of a soldado, a vioncito, and various

things more. The family, Papa and Mama, what they said is that they were out of the room,

and just to two meters was a machine of coffee. If you had a pair of

a carves, a seme-abirt and the door and then they were they were

to talk, they were in a sills. The point is that not want to pass time in the room. It was a

little of claustrophobia. His was a little contrary, when he was there was going to all the partes like if

was being something so they were so they're so that they're that they said, ah, well, maybe the color

uniform, black, in all parts, the light when you're the light when you get a little,

that you're a little just because you're in a obscurity absolutely. Well, the point is

that something there was that there, but the the child seemed that was super content. For that's a time. For sure, they were in their coffee, they put in the cations,

the little bit of the school. They're still five days in this place. And there's a part of the third day that they're doing this sequence, because that time of coffee now just in the morning,

is in the morning, media, tard, and in the night, just because in the room, just to be the third day,

I don't record if in the morning or in the time, we're we're talking, platique and platica. The the little bit. He said a little bit more

but he was very entertained like babbuceing one and other and when I am I'm soo he's he's a parted

in the barrotes and is talking with a mano but that movement not it's doing to me

it's doing the side the side me is doing the back like like if

there was there was something are there are things of my I'm going

to get to we're going to And then he starts to and go and me and I'm a circle and I'm going to

one of those toys, not is the avioncito. Very rare. I look in the cameras. I'm going to ask him to

ask him to the little nece or well, no, no, that night we we're going to see in the

night, we're going to get in the room, we'll be to start to talk and platic

and platicer and and then he starts to get to and when I met to a other jubete

I'm so I'm extraio for saying you not there not even the

the air and the other there was a other all the days we're we're

we're just we're just to disappear another and other other other and the

point that we're we're we're we're three and every that

every one of the one of the two don't I'm I'm I'm

sure I'm not the point was a distraised, and was so abstraided, in all the

questions of the place, that I started to get a lot of time. No, they were in the first of the

three toys, is when you got to get to the other. The other way last I saw, I saw the last time, I

didn't have the car, but I've been invented, and we've been to have been to get to the way,

and we're going to get to something of something. The the jugets not were there.

No. They were in the in any part and we don't enter a fear,

and if every time that's talking about the little he's not about the we're doing

that we're that we're that people, that's there's going to the way, it's there's

there's we're talking the form in the we're doing the door and to get a little bit and then that's

reddish and then it's got in this cuna and we we know it we've been to

a remodement that I don't you can't explain. Someone has been playing with our little, someone's been having the

some little, maybe it's a little, but how we're so much we're just too, and we're

we're just we're much a lot, that we're we're just and the little, and the little

and the little and now the man, he's not he's not to be a time,

but you're to get the the question long, the last the last two days we're

there were spantososos no we're not, the remodiment, the

a little nice, we know what we'd have to do we do we're doing we're doing the people,

fastidiedied. Decidious, we're the last day in the other about the time, we're about the

morning, because we're just we're not we're not on the way, we're we're getting to come to

something, and yeah, but we we're not we're just more time in that we've been

a bad a bad about, we're going to get the things, I'm going with the

the carmone, my spouse is recogying all over, and he comes a purrars with a maleta my,

with a maleta of him, with a maleta of the little, and then he goes, and I'm very palid,

and I'll say, what he says, no, no, I'm to say, I'm a rattle, because no,

it's a bad, what I'm just, but I'm, I'm going to be a good,

you, you see, you see what you know, no, in serious, is that you're going

to put better than you, in the house, yeah, when we get to the house, no, I'm going to go to go to go to the way to go to start, question, and ask, for favor, tell you. It's that I've got

the other. Well, that's good, no? No, not enough? It's that they're all mached. They're like, manites, like if someone with a man who's agarra, and they were below of the cuna. Del colchon, those

met her, our little, no, the cune, like if someone had had to have to have been to get to the center, and all were all around to the center of and the

kuna. And I said, for you know, the colchon was up of a firm, but a firm firm,

firm, is a thing that's all the little these, these are great,

if those had put in the force, would have rot the cuna, he had saffado. The cune

was intact. For that were not that were to be my person, that had to be able to

be the cune, and was deliberately to the center. One detract of another as to say,

yes, I'm here I'm saying and Cesar, after that's we've been we're all the way

and in silence all the way, we've used music and that we never that our little

and my spoof said, you know, you've been that's that's been better the

way. And so, so you can't do you know, Well, this reunion It's quite

I'm really I'm just We've got it And we're having the stories I'm just I'm feeling interesting and

And at the part of the Parheja There's other people And there And they're And they're

And they're And they're They're They're gonna They're They're They're They're

They're And they're I'm No, no I'm I'm I'm I'm gonna

Have you I'm I'm to live something or in some time or some history that not

had been told. And they're thinking a rata. And then one began to say one of

the chicas that was with her and she's there's a but see you know, but I'm

a quite a quite, I'm going to say the story, but it's a story

that's a story that's not I don't think in that and no no past nothing.

And since he said, I'm that I'm said that there's a something something

something, when you're that when when you live something that your mind

not you can't you know, it's a lot of you know, you know, you

know, you know, you know, it's a lot of that's that's that's

that you just a part of questions, that really you guys, you can't you can't

make you can't how occurred the things and there things start

to get to care but well, in this she she was she was

she put firm and me I said, I don't think what I'm going to say. It's more this is what

what I'm going saying, we're going to do it. We're not in this. I don't know in the

things are not doing. That's a thing that's something. But at the same time prefer you

not accept it. And that normally is when it was a very rare. We're going on parts.

This this is a part of the Monterey live in a city in a different

states of Mexico. When they moved to this city. The

first thing was like a recorried for different houses, to know what the

other than that they was more more near more the time. And they started

to have good and bad experiences. From places, and they were

really good and when I were really two of the house, and that's they're when they're

they're they're they're they're they're they're doing? there. If not, they're trying for a

service, get inle. And from, and from the pair, no, no, are the type of the people, with those that we're going to get them. And those types are violent and neither know them. So, so, discartada, the house. Another house, a place, marvellouso. All incredible. But there

a little defect. Everything apestable to the same. No, they'd recognize the odor, but an odor, an odor, but an odor, a lot of it, tremendous of that. And not you think in angels

caed, this is something more simple. They asked them why there an aroma so specific here.

And they're not because a two quadros, and here is a fabric of the so you know

are the parts of the desechos. And it's not right in this moment no we don't wwee

in the nights is when it's discarded the place the place instantane

no we can even we don't don't we can't use them, and to all the place that we'll go we're going,

we're going to get the aroma of this factory, and we're not not really to be the same our own. So, they're

we've got to two discartations. When we took to go to go to the third house? The third house is in

a colina, a place an place of the city, a place very beautiful, many

trees, terrenos and he was the local because the house had a cost very

a cost to get a $1,000, $20,000 $0. much. But, you'll tell you to tell you

how to it. 20,000 pesos to rent at the house that has a cochera

for five cars, that has a patio in the that's more than, is more

great than many houses including cochera and patio and that the house has eight

abatations and five banos it's a no, no, no, no no, no no cost

$20,000 that renta no there's a way, no matter, no no important

the in the city in that is especially for something. The house is ruined is in perfect

conditions, recent painted, recent maintenance, pieces new, tapices new in the parrads. It was the ganada.

It was not even at the fact that they're in the bode principal, that the the techo

no way to get to any even like a any way, the they're

that's long, is that so, that's all part of the house, could be

even to be even, it's even, so the but had bobedas enormous and quarters and, well, all of a theme structural

digno of a very good architect. The point is that from the moment in the Atalne, contrasts with something. There's a sensation very rara. Me,

my friend, I'll tell what I feel what I sent you? And it's the sensation of when you're a good-in-beenied to a place. It was the sensation

of a rechase. Every habitation that we'd go, For one side was the marvellia Wow,

be that ventana you know you've seen the little the world it's been

beautiful you know you imagine a post of the sun from this

one wow be this ventanal you imagine you know that's

beautiful never I've never ever so and you know

a sensation is even something someone to the someone to be someone

that was I was the problem is that the vendor was there was the vendor was and in that house apart of the vendor and they

there was no there was that's a sensation of someone who had to once, the things

were the things were worse that the vendor in many occasions also was always

and was the point and coincide with the place in the person that someone was

that they were doing. Every bitation in the they were going advancing, the sensation was

more more desagradable, more aggressive, the ambient more pesable. And finally, the vendor

says, there's a attic, it's a one where can't guard many that's a

place, it's a very good, me, they're not, they're they're going, but when

she was he was the thing of the vendor was, it was, for favor,

no me they're going to make, the chica was a professional. The a pair

is going to and they said, no, I think we we've seen enough.

And the chick that was renting that was after several months, she detient and he says,

well, then let me and then to pressurals and they get to the pass and they're

all over because there's a sensation that you not is of one, but of

many, that they're in each one of the abitations for

that they are going to go to be a espantosa, horrible. It was like if people of very

malice intentions would be there in every skin, in every room, in every room, and would be able to be able to the arm or

to be able to or to make you know that you know that's very much. And if you're more time, you're

going to get to go. When out of the parage and they're the vendor, they're

they're the salmere of the salient, it's fear, sudor, frio, they're they're insent

incomodos. They separate more or minutes a pass-tits to the house, the vendorer

and they they're saying, they're saying, they're saying, she's she doesn't make a one,

ahead. This chick that's that's the cigarette, and she's a thing, she's not never been in

the way, she's something that's not they're doing, it's not the price, this house I think

that's nothing. and he they're the story. And she said,

no I'm not going to know I'm not here but I'm five years showing

houses and never had seen what I'm this house this thing I'm brogated. I'm a friend, my friend, my friend, it's super-septic.

You're sceptic, no? Totally. You don't grow in those things? No. And why not rents

that ganga? It's the best house that you have described in your life. It's possible

that you never. It's a very much. It's a huge. And the price that

was bad and it's and it's and it's just me I'm just. In certain no.

I said, in serious, I'm no, no, no, no me to get to a little

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of the mind that when he's going to analyze the things, know that objectively no it's not it's a chance but they're

finally for a house very beautiful, a area away from a city, a house great, with patios very

beautiful that have been artoles, and they're that they're so many years, for the area in the

area in the where they were in the they were notien, and they're cased practically there's no there's

more this mancha gris urban and it's a lot of there's a very not in the new

so when they're in the new condomino with those arbuses in the patio, with that's naturalness, a lot of them those were notews. In the patio from it's the

it's not very much that you don't have because they're to chistart

those arboles those those are those are that they were they were

they're that's the chiste this sound of the shh like as someone

did some some with the book intent to try to

the problem is that was insistent and I'm from the

part of the part of the arboles. Sonas that were full of

follyge that no there was there was a way. The barreds of the house were

quite very old. The place is quite secure. Never had been a

house house about a other had been a good caset

of vigilance they had a double entry to you get

a idea. So it was a very, very, very very

secure but that was very inco in my house, and I'm going to be

living with with a lot of some little little bit of these applications. He's made of these little bit of the type of industrial

that they're a lot that's put in the night, and see that there there's like some boughs black, one

of the chusas. But when they're not any noise, they'll then they're just to give the light and

they're just they're going to make the light, no has any sony. And that it makes

very incoomodod. No he does videos in YouTube to to come how

they're in the sound or what? But he's this thing of the lechusas. And when

he says his wife says, they're they're not, no, me

come as contentarious. Sure, they're not, but what's so it's doing those

sounds, when no lus when it's to the light, when things to start more

the things to, you, and it's a barrida, a trapeada, and a limpea and a deepening

and they're to hear the shistero every when they are in a little time.

And in a moment, they're doing a little little because they don't pay attention

in the arbors, not they want to feel incomod. But if is

that's disagradable that the sound of the chit, chit, and

and of just, like, like, some the unias they're

the video three times. Voltean those two, no any of the piece. The piece is crispa,

just they and they're to make. And they're to do the limpeas. A better in the morning

the day next to when it's a couple of the time. And there's a

process that he's going to just to last a few days and he said, you know,

I don't go to get to the patio. And she he's you're just you're

doing me all the part of the I was what I wanted to tell. What was? And it wasulte that one day he's out of the patio. Justly, there's a little biter the sojas of the arbor, start a little bit to be there

to be more than what he's about, there's a lot of maintenance in some area of the house, and at being there in the patio, of a sudden, he'll hear the list of the day, around the two of the time, here in his ear. Like if it's done directito to the

orleger. And when he'll be a more of a murder, no, there's nothing. but the sojas of one single Arbor, commensan to move to

like if something if something she's there, she got to the house

not it's not quite to get the way, and she's the patel the place. And she

says, then then it does it does the he said no, no,

that you don't let more emphasis and me commenced to comment

the chick and I'm I'm in the house were

around at the seven and the morning, all totally illuminated.

My husband, I was in the work, I was in the house, I'm going to get to

feel like something I'm back to be back, like in the other house. When

I'm going to chistar to the arboles, but me start to a

way different, and I'm very insistent and me are all two. The problem

is the hour. It's very temprano, never had passed that Now, apart, is the sensation that I have

someone's the same thing that I'm going to one and other way over my shoulders, one and another and another time, and every time I'm going to feel every more and I'm just making more, more, more, more. Until that I'm a moment in which I go, God, and if is some bruchess these are some brusiness, and if is something,

so I'm the eyes with much forces, pegged the hands, and began to chistar much, and in that in my mind, I began to rest, Father, Nourst, that's in the and they were in the sky-cilled. And then they were to say with my voice, in this house,

only is a good-in-venied, God. You know what they are. Me have said that are brujed, but I know what are. No, are welcome-ness. Here, no, can't be. Vallance to my house. In this house, only is bien-vened, God. You know, me said,

that are-bruch, but I know what are. Here, not are-been-est. No, are-beenied. In this house, only is welcome, God. And I'll repeat, and I'll repeat. And I'll repeat. I repeated and I repeated and I did get to repeat and me

they're just to chistar. From that day to the day of today, no me have chisted. But now, within the house, with the ventanas arrared, I'm, I'm,

I'm trying to me and it's detain when I detain. It's like a presence that is like a metro, that's looking,

me is still and of a minute, me do a minute, me can't do you, and I'm that's and one

and other this day I'm trying with bruchas Bruchas front of one o'erra Ancianas

who live in a house that's in the afuars in the city in a

city of many and offrend me to something and I'm and I

feel that I'm can't keep the I think

I think they they were I come by via

by by by Profite. Embarked and relaxes. Cirotay. Bookinay. Oh, that also. And profite. Via Rae. The voice that we love. So, this chick has finished to tell me his relato about this house. When another of the people that are there

of invitators, Voltae and lavee and he says, And why not me did that? But molesta. And I know that was in the middle of a dispute that that could put a very interesting. So, so I'm

cut apart, me let's being, and it's all to the going to be going to be and the other

and the other he said, well, but for what to be you know, because then now

now, she has a reason of the because they're going to that's

a minute nocturn, me would have been so, but I'm not there's not just that

I just I just I'm not the other and I'm going to another

story to come this episode is that there there was a story that me

told her. The chica that he reclame to the little she was

to say, since you got to the house because he's invited there's there

now that when you know that you know you know that you know that you've

been going things in the house things rareas things that not have

no any sense that that you're now after after

you now I'm I'm because you You tragist those things to the

house. I'm going to the history and I'm going to say in a form order of a because they

were in this time of the reclame, but what what you occurred is this. It's like

some more or less three semanitas in the house of this chick are going

when the weirds weirds. If are you can't putes that they're

in the madruada when all they are not sure when all to the

piece, but with a force tremendous, and no there's nothing in a

place. In the first occasions, nobody is there one of the other occasion.

Yeah, the two new the house and they're to get to get to the other days, they've got to

things to do that or something, because they're going to get to be the same to the person, the people,

the people, the people, the people, the people, the people, the and they're saying, no, it's that we're we're talking about, but we're that we're going to be there

and the second-pice, the dews of the house, they say, for favor, no, no, pass to the above. And these discussions in the house have been continuous, one and another time. One of the chikas looked at me, the house of the lechousas, and me says, Preguntal the room in the case, in all the

question, and I'll be, to be, that, that's what, that's that's going to get in the house in the marugas, what is? And the two me, they say, no know. The chica of the house of the chuses, me

I've been I've been saying, I've been a lot of a lot of the and it's a sotta contra the

piece. But no there. But there's a room that she has been in that she's in the other

other man, the other man, me says, oh, no, but maybe not, but not be able to that's

the chas of the chusas, he says, but is that those things just that those are things just

that we're not for so you don't want to let's make a question. And they're to say in a little bit of

a lot of a repis, because there's a little, this chick has two children, but there

one major, one of the two, there are some these other there are some those in the redugas

the repisas are going to like if they're something like they're a lot and a

morning next, amnesc downis downis and the things the

problem is that that that's that when they're when they're totally solas,

when they're they're all right, and they're in that they're has deformed. And there's a little bit of that's the

thing that's that's the thing that said that about about two or four months after,

they're a Kermas and in the Kermes in these games in those you you avientas a pelota

to tum bar to come to a type of object and if you tumbled a certain quantity, you

they're a little they're they're they're a lot of a

little you're in some light, he's a little a little bit of

the car, the house, the mada the dragon. Because because without battery

so it and without battery is to get to rugier. And he I'm well,

more well, you know, they're the batteries putas and you don't, we're

put them the batteries, it's functioned. In the madrugas started to do that's a lot of

our own and our his own he had tried to get me and we're getting the

batteries, we're just we're getting and still without without batteries, it's and in occasions

go to the other the other the other man interviener the first day I was in the

sillon principal of the house. You're put here and she he said, no,

a This chick at the house of the lechusas started to have a fear The chica of the house original

me said But you know What's I'm thinking She's not She's not to make anything else

In my other house In a apartment We've just when I've to have to

my baby I was monitoring to my baby and she seemed like an ambient

very very, very very, very, very very very pesado It was like if

something something something something if had met in the

the my baby in his habitation, I had a monitor, and I'm clearly, as a little

he said, I'm going to talk to my baby dormied, and is a voice clear of a little,

a boy, the words that are not the whole, the whole was in the whole

and it was in the monitor was distorted and the door, I'm going to my little,

I'm going to my little pacitos that out of the room and it was a a fear terrible,

terrible. I have to talk to be to be a car, he said what he said, he said

to do the other things with he's Christian and he has people who they're in that they started to

do that and they're to do normal until that a day I took in a

a power I'm made much fear because it was the same and we

have the same we're the other And we just there that the bestino

adored the Santa Morty. I know if it was to be there or not, but after

of that we've moved the things had calmed to the dragon-roho. They were these chicas

just being and chas the other and how you tryves to say that you

try to you always you're always you're inbruched, and they're when then

when then I'm when I'm there and no there something? And when

when I'm that the two are to look because are family and me

said Papa says much that he is very good to manage the

and they started stories that he always as a always was a

a barra a a piece of a pyrr to the person

to get to some some some to start to with the

Bible different orations and he said he said he said that was very good with that but in an occasion they asked that

where did that tradition? And his papa he said, no investigate much to that because if there's something

there's a little dark in the family. Well, they didn't much case. It was that the

other than said, no investigate in that was an investigation in the detail because

they metier for curiousas but after the fang or the

more profound and they were with the part more oscura of the

family. There's a tia that's that's a lot that's a lot of

a woman, a girl, a person. There are different types of bad people in

the world. There are people with that we not empathis or

do something for our standards of what is correct

or incorrect or are they're doing the things that

there are there there are the people but

in the a other, a lot are us all the people are the things that

the good and the other than the caricatures be a quite quite to find out. This tia no.

With this tia, no, you don't have no a tithe a lot. It's a

little to get a most to them, but not to get those, not for

like, we're our particular family no, no, no, no, it's

as, as, as, as, as, it's, it's a Tia, that really

really really he likes to do the things miserable of the other. If you

you're in a rata, he has to say, minimum a phrase that you get a

make a little, and not to be to get in a little to get a little

and there is a little that you've done a malas language, because this Tate is

a person yeah very great, that when she was very very beye and attractive.

And she she, she had his first and his his son he took two years

he was he was in the end of the end of the little he said he's a he's a he's

he's a and he's desis of the little and he he's not she was a single for

she myself that not he didn't be the other this ever and when

not had to have to do you something because if there's to do someone

she is the first point of she has the she has the She's that was a

but of a way very strange of a way in a way in that I'm not I've got

had to hear before. We have to have to be more in the time I'll

say to the day of day of that year that year not that year but

since that she was that she was a very very big

chaparita and a little caroo with a a one

a very very penetrant or the attitude and form of a

horrible like I said, I mean, and he'd like to the and he used to do you and the

but we're going to be the past. And when she was a very, very young and he had around the

years, is when she took her his own, but if we're going, when she had had

about the one of the little that you had been a little bit of the little a little

a little never had a little bit a word always was living was a

adventureer when when it was a adolescent, well, these first years of this infancy, tardy, adolescence temprana, the little bit, and the nina, corrieu, in the patio of her house, she trepahed in an arbor, brinked from the ramma more high-as-altax, and when he was down, quack, like rena-coajo, quack,

and when her mom had heard that, I was going to goreying from a chancel in the man and he said, that you know, that's

going to be able to do you to make a two, three chancasos making a more damage than the carid that he took

of the but, all fin was with a fan to care. No know exactly

where it. No know exactly how it but one one day they were in the

patio. All interrada in the centerada in the center in the child, the chick was

very, very, very, very and was a sucia and he was down to the back to the house and she was a little bit more obsessionada, nerviosa, her mom-said her

and she's all right of her own kind of his customaries, he starts to get her. This chick no reaction. And when he gets, the chick is

talking about and has a book in the hand and is he's going to the pages and he goes and he'll go

and he says Moma, I'm going to learn to go to learn, I'm going to to go to go to

and the little. That was like it was like that they were in the house, they're trying to get to

the attack of the raia, a raeaster so attack to his mom attack to attack the

papa, no they're they're they're a fathercito he

says he's not they're in the hands but not they're not they're

not they're a rebatate is a a parder is a father that's a father that

has been a person who's a person has been doing things good

for the people of the community. Communities small, communities of people of people of

people of and they're in the parroquet also. It's a parroquet great. They're

just in a place and he only a little a quartuch where

he's a great, it's a kind of a carousouser. But when it's a

good, but when I'm And it started to sparse the rumor of two things in that time. The first that one was in demonied, a man a manchicita. You remember, of the little little, the little bit of the

arbor, the sapito, the quack, the sapito? Well, it seems that it was a lot. And the other that was started to carry, the rumor, was that someone had desentered the tomb of the Bruch. Because in the cemetery local, there was a tomb, that

was part of the other, with a lapid, that they had tulled a proposito to cut him the name, the fecha, both of the nascimento,

and any type of phrase that was written in some moment, no there nothing. The place had two

little gargolas at the side of the tomb, and all the house, but in the reality,

nobody knew of who was the tomb, now had a posto, and it was that had

got to something of what had been there was there there there

there your logic is your logic is good. Because it's the book was a

little bit of a new and there things and there were things that I'm saying

that I'm going to go to and it and there and there things that not you

could be that's in the room. They were a colchon above

of other and above of the colchon a sequence of

some some of those almoas were more more that no

seplastable and with all the pressure of the and they were one at a other, and they're in

some of the chair, a little of a little and the manchichita sat down of all.

It was a tower that practically was coming about, that whatever thing had had made

that she had been and this she was and she was sent over and he was going to

be like on a foot and he said mom I'm I'm learning to

to and the the top of the top of this chica with the little bit of the

so that the tower retubed the equilibrium but in a position in that not has a reason

in that not is right, it's totally inclinated and the things not can

this she looks like like she was she would be levita

and they're the malas lengues that when nobody they

had it was Why? Because from the room of her when I was the night

they were the silhouette of this chick, that she was in the room, but not coming down, but I'm

going to desidating. It was that he had done to a house. To come to a 20, he's a

little, the little he has a man spantosa, the bruja the brouca more a brouca more black,

the bruja that makes things like malvadas, destructive, persons that want to be

and destroy to the the other other other parts of Mexico. No is

so, tan, tan, tan, famous, but has a little

and she's going to see to see to see, her his mirate

like it and it and it and he rye to you, and try

to do you in the part the part T more more

more more more the more because she it

was that the tia is into that the body, I'm a little

a demonio. After of that the story of the Tia, I was impacted,

and I said, but that the book where is the what has happened

with the family? And it are things that are not the

book. We're we've about the time, my papa, he was about that

the Tia, of the Levitations, and we're we're we're we're

But I don't think that they're going to tell to talk to after that after those stories, we're going to

the reunion. We're going about it, we're doing, platics, and not all of this thing of the bruchas

and all what we've said, but I'm kept with a sound of a book extrano.

Something that's there. And the thing of the brugery me kept like

running in the case, and I think that I'm because there's

something because Because it's that I'm coming on the day next in a place commercial

are around about a day, one of the time when a younger and says, you are the

narrator. And then so, and so you don't see a and you are you

are you and you're saying, yeah, I'm going I'm I'm just I'm

I'm never over I'm not over I'm and other and it's a writer

that father, I do you do from the duel of stories. I'm really your stories.

No, know, those we've heard about in the house. Before I don't like nobody, but now I

try to all and all are a family nocturna. And I said, I'm going to go to be to come to

and say, and I'm just, I'm going to do you, because my mom also has a

time of a job that not going to be able to see, well, after that. And then,

you know, you know, you know, you're going to ask me to ask me to ask me a point

paranormal of my family. And I, for favor, count. There we are in the middle of the center commercial. The people are coming from one side to other person, that, of the second, did you know, another subscriber, that's in the second episode. But in this,

the people van and come and and it seems, in some moment, that's made, like, a burbuck extrana, because I was talking clearly, even the place was done of bulliesio, and me said, my bisabwella no's enbruj. And at the day

of today of the case. What type of embruch? And my little

little bit in the house in the house in the house, if you do you

do you do you do this and it's a house very disordinated but you know

a narrator and you do it but knowing of this thing. I'm

I'm all I'm all I'm all in an disordern but

no so we're we've put all the firm purpose to

have the things in order the loo to the things, we're going to the day the day

the day the day the day next it's it's a thing that a bandada of

people and people destructive, things things moved, the those plates

out of the other no, no things so many, all the

time, all the time, all the time, but why are what are

there's because they're going to come to when I have done that

never other other case that that's That's what happened? And my mom me said, look, we're doing,

us was fine, the vis-a-sweller. It was a person mal. And she said, and she get to get the things and

we're going to get to get to man, but right they're so much, and me he's a

story that horrible. There you go. I don't know who are who people. I know

exactly what what are the story because my mom no me did me was never to

she's she. but there you go. Me a woman that in the family there were

three three brothers that had a woman and the abuela, in this time,

not the his ex-ar-a- but the abel, that is my viz-abuela that she

was always trying to get to get to that family and have contact with the

children, mom- me that the woman that the mother of the

three chos always they were very emphatic not they

are good person. When they were children, no they'd importable, but then when the abuela had got to get her and she never had to pass to the

house, tomahed the toys and they would have been to talk to them to make this to a way very strange, and they started to

say, mom, well, yeah, I've done to the abuela, you know, you've done to them to them to say, and the

mom says that you know you know their your wife, your your own, no I'm want to

receive nothing of and I don't want that you receive anything. The three children not were

to say it to be in your mom. So, is that they're to insisting much.

The abuela, every was more insistent, and was always space to have

contact with the people, to come the windows, he was a side

of the door, and I started to get out of the house,

and the chasasas when his mom not not sometimes and

they were to talk with a and it was a little really rare, because the abel was so

beautiful, and she was with so good a good idea, that never had a mom, and they were in amissar with her.

They were under the influx of this woman. And the mom, to not to lose to the

children, then he said, very well, I'm going to let the girl enter in the house, but I

need to me make much case. Number one, no, you can receive the well.

Listen me well, no important how beautiful that's what good that's

not a little bit more that's prohibitism and two, that the abel not is

never to the food and to the we're in the refrigerator or and the

we're not not that she's never never that's not that the

little the children not the time. The they were

they were like a person that I had the wula, sinned

the woman being so little that's being a little bit, and she never the mother's

not the mother's never the time. The man, the man, and they were going to

and they they're going to a moma that they they're not, and if they were to give a

little, they were going to get to do the food and not to come to the way. And it was a

year, and passed a two years, a The child that was the year that was the encargated

to be in the old is the she's preparating her the food and then the bula gets to talk to her and that

not was correct something that not was a little bit of the house to get to the kitchen. Regla of the

mother, that not is the way more that the mother not pass, that no

pass the the kitchen and with that it doesn't come. In that the

moment, with the the mother more than the mom out of the girl at

front. The Bola comes to talk to talk to talk about the novicito that has

a certain situation that had been been doing a little the ball the ball the same

the world, he does a certain and he is very content, now he's going to

go to get to this nobic because the nobio because the novio

she was very happy and then when she when to she's when you did you

you get you know you're beautiful that you said that you were you do you

go to your know, let's get to let's let's get a little and I'm

a little to do you to do you and the little to go to the car to get a

time, he's a minute for what he he goes. And when he goes

she's aubes she's a coffee served and has a taxita for her

and it's that's when something when something in the car she's she's

she she she solo with the she alone with a preparing or something. And the Bula, he said, a bit, take the vestige. It's a

beautiful. You're going to be precious with your nobio. And then you think, your mom, la odia. You no, the odies. The sir is very nice with you. And so, in a narrator, me I took the coffee. Despite that, my family came the food that I prepared.

The place in which I left there, to the welle, and with all. My papa, a month after, is a man after. Empeas with a problem gastric, that no can't cure and not can't cure, and he's going to a doctor to other doctor, and a doctor, two years

after, father, but you're saying that was an agonia, an agony to what I've got, my mom, my mom, began to develop a pair of,

say, infirmities, like autoimmunes, that are making to make that their life is very pesada, very difficult.

The chick, is to be in cargard to the family, of the brothers. One of his brothers, of a repent, they start having a problem in the apprenticeship so severed, that can't even get to grow

and it's not terminate the secondary. She kept there. And the other brother said that in the night they were invading things and it molestable. A part of that day of that

the animal, the abueled never was to make a intention to be a family. Never. Disappareceo. Yeah no,

he interested nobody. And then after that the family of this chica went to the ruin.

When her mom, you have passed a couple of years, the father,

the brother was being doing the brother was doing, the he had

had had had had had because I'm because I

was a and that she was a little not so

that was she was she was a mother,

and the Sona with much a little and she's, I'm

even you know you I'm a I'm going to I'm not going to her because

her is a and then she's she she gotro she he took

to the barbilla and he said you're you you're you're

you're you're not you are mine and since I'm

I'm I'm I'm I'm I'm I'm I'm a family,

never ever to to give to them to and then I don't want to tell them, because I'm

horrible the things that I'm in the other way, but I know that you is your fault. That's a

man, that's your and nobody more. Intent to do your apart and for a

favor, if the things are good with you, no deges that you let's

get to someone. If you know, someone that story. And with that story, our time Nocturna, we've

got to the final of this dark fogata of stories, but before, if this is the first fogata, to the first

has survived, or in the time, we're doing the first of the five years, then the first thing, and do it to do the camera because we're going to the

market, and we're going to the 2026. That, for sure, Spotify, we'll start with you the March of the Million. So, so,

Dichael, the next time the next month I'll tell you in the last fulatas in the final and the penultima

and penultima and the episode, that very probably it's a Saturday of Sombras, no see

if it's it was a Saturday, domino, but from this time on the badsas

pesidias. Bye-bye. Subscribe it in YouTube and see us on Spotify. Bye, Bye.

Ah! If you know someone that you can use these stories, and share these videos, so we're more and we're more rapidly to that million. That when we get them to get a million, we have a surprise.

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