HABLEMOS DE LO QUE NO EXISTE - Historias de Cementerios y la Peregrinación de los Mu3rt0s | EP 337

Episode Date: October 30, 2025

Bienvenida Familia Nocturna a ésta Oscura Fogata de Historias de Cementerios y el Peregrinar de los Mu3rt0s en @hablemosdeloquenoexisteEl día de hoy empezamos con éste doble especial de Halloween y Día de Muertos, les traigo recorridos en Panteón que terminan en traumas, espíritus de halloween y rituales que atrajeron seres que asechan en la oscuridad. Escucha de las tradiciones que le ayudaron a Nando a pedir ayuda a sus ancestros ; la protección contra la bruja avara y los secretos del armario de la Abuela. Así que prepárate porque llegó el momento de que @hablemosdeloquenoexiste

Welcome to Famine Nocturna to this Oskura fogata of stories. Jonathan now never no celebrate the Halloween

and the day of Muartos. No is a person that has a person has been

contrast and for that he was not Jonathan had a very much that's

that has had been to have to be to be his house and and to

preferences not not to be not to be this time. After

the years to have had one of our stories, she atreview to to write her and now you

will be to hear you. Resulta that Jonathan formed a year of a group like of

young, that were in the things, a little of politics, a little of a

little of events. You explain. In the city in that he live, every year

near the day of Murtos, they're an tour in the cemetery local

in the commiencans actors, actresses, and a staff to get to get living like this experience for a tour for the

cemetery and in the actors and the actors and the actresses represent are some comical, other dramatic and other

aterradoras contendtel the story of characters celebrities that are there. Jonathan says that

he came there there was a part of the regals that were a little the regla

number one is that the members of the staff, never they'd be to be alone.

They'd have to be a minimum two together. The thing is

that the people of the staff had prohibited to pass the

middle to the center and they were very things. The

first was because one of the years came many

people and they were that people that had

had a possibility to extend in the cemetery

use more spots more spaces and do something

more beautiful and more dramatic, more interesting for the people, but they'd have been provided to use the half to the end of the end of the

thing of logistic, not had to be a problem, like, it was, it was a bit of it was very rare, because they not

they'd use the other time. The other point is that the last year in the

he participated, no I didn't because they're so very and so firmes with the

fact that were two. Faltar a lot of people of staff. Situations that had

passed in the city, persons that was a group very great, and well, those who were part of that

group, they were in their activities, one were, one's not they, others were out of the

city. And well, that year, there were many people, but they were not

their people, so that there were so little people, that there was that there

was a little bit that the person, to tell that was what they were certain

lights, certains like luminaries, in the parts of the tombas back in the sombras, the members of the staff were moved in groups of two. And they were observing, nothing more, as to the persons, if someone had an attack of panic,

if someone was put in very well, if someone was to go, they were those who were those who were to beacquoise, and they were to come back to the cemetery, and yeah. The point was that nobody, nobody that were to live these works, to get a solo in the panteon. That nobody that would be there

that would be a lot of your state of animo, affect to the experience of the other. That year, the last one of the last year,

that he was a person that was in a cresiment in this group, and very really pronto he would

talk or be in the part of actors or start that he he was very entusiasmado. For that

question about the question that were two, there had been two people, a new and a senior

major that had had seen well, and, well, as too little, as a three people of the staff there were some

and the rest of the chachos that were more than five, then they were distributed in different points, and I say,

only were two two, one of two and one of three. And that he was that he was he was going to let us

just, let us just, we're just, we're back a lot thought, and he's just been and he's

still being, the repent, the companyer with that he is there and with the Jonathan he was telling all those frustrations, the companyer said,

I'm a little more of the stomach, we're going to do. And Jonathan he says, no, no, no, it's that you, we're not nobody, we're, we're, and the other group, and there are many people. So, you're going to, you know, better, you're going to be. So, your company,

no, he has a much discussion, has an urgency, he's kept viewing the spectacle, are talking something about about Dorote Orango and they're talking of

your story and the people are totally in that when Jonathan when Jonathan looking there's

the rest of the person he does know that there's that there's that he is a

member of the staff that no had been a subject a little little a vestido

also the caraver all the all the staff that is a tradition that has

a tradition that has it's he? person, the member of the staff, he's a little bit of the staff, he saluda too. And then then he does a media

world to the subject, and he starts a signer with the hand of Ben and see me. Jonathan, he's going and he's recanting, no he can't talk in voice-al-altern, because he's distraire to the pass, and he's never, and he

says, where you go? And he says, there are some members of the staff in the fund of the cemetery, you have to try them. Help me. And then then he says, but for that they were for them if they're

they're not they're not and they're trying to and then they're going to do not down to when I'm a lot of

20, 50, 50, passes, he has to make a no trinity and no

there's a little lightnerner and and you have two times that it's top with little

peduscos with things that not are like well in the cemetery and

he's he's that they're going to get in a tomb abirt that

that's going to to be with a lapid in mal-estado, that's going to pass something. So, is that the guy's the guy's

the guy's, let me go with the companyers for a lamp and I go back to

for the muchchchos, but no those people. And the man starts the pass, and he

says, they're on the help me, and he starts a more rapid.

And Jonathan is a little disconcerted for the attitude. When he goes

where he should where it is the place, and it is there is

disconcerted and the other chero, and the other man, he says, help me. They're in the front. Where Jonathan, he starts to walk up. The other

other than one of the internas, it's a very strange that you know, and it's a person there, and it's a way, and then

the whole of this loquera, no, she'd know what, but he top to front with another person that no view.

And then, he's a sustado, pego a grito, bolted to back down, and is this person, and is this person

that person that's, sent over on the the and is also a type of skeleton. He said, you're an idiot. We're looking like, like, where you metista?

And Jonathan, he says, well, there's, like, two, three minutes came a friender to say to me that there's people behind us and I'm going to help. He said, no, anybody is the only who is the only that's in the group.

And Jonathan, but the other man, I don't have seen, is one altote. Yeah, cack, come, come, back, come. It's more than one hour and we're doing this

show, we're just we're just talking, we're just about. And Jonathan, is super-discovered. No, he says, well,

we're going to the other, and there's no idea, no entient what's going a stanta rega-gna

that's, that's not really alterer, he's very confused, the companyo he goes, he's got

to the entrance of the cemetery, and conform he's going one of the hands in the box and

he starts, here's here's a Jonathan, here's- here's-o- don't know to be

and when the part of the entry, they're there all the companions, some chicas

and all right and others are with a car of anojo, of molestia of reprobation. And this companyero

he goes to the leader of the group the front of the organization. And then the type that

is the front just he just he he gets being a hand a hand on the armro

and he he's not he's going to get a disconcerted he's a little

he's he's the subject what happened tell me all, tell me all and Jonathan

he says no, no, I don't know what is going we're doing my

companyero with the we need to the people needed to go to the

banio we're very many I'm I'm observing the

people and I'm that I'm going to me and I'm

and I say he's that he there there there there

there there When he says that, the type, the the guy who's at the front of the group, move the head of the above, and then just he says, how it was? Like, we're, like,

we're, but how was physically? No, I don't I don't I remember. It was alto. But the rost, no I don't I can't, facions. He'd you've seen the hands. Yes, me is so, how are in the hands? I just remember that I had two very long.

No, you're not even No, you preoccupies, but I'd recommender that the next days you guys have seen. Pondt, you know, and he says,

Jonathan, no entiento, because, is, I'm a few days, buskame and you can't.

The next two days for Jonathan is something very strange. His head not is a normal.

It's lapsus, has moments where it's and not is, it's, and doorme in a time in other

moments. It's like, do you and it's I don't know, the mind the the

thoughts not the things, not the time, he's in the house, and then it's

in the other part, but no is he can't how it he goes to and he's going to be

a little hebe with his parents, his parents had certain indications for part

of this subject, the person, the person who are the person who they're doing, they're doing,

they're they're doing two occasions that Jonathan is, say, when he's discussing with his

papas and is but nohawadish. I'll tell what happened what happened after this days when he entered in

calm, that is when he's when he has he has been to ask him to ask him the people who

the demonious there's there there's there's the you're you know,

you know, we're you know, we're you're that you need to you've got

that you did you your mind your mind and you're to talk about you, intimately to give this

a discussion, and you don't enter was in the restrives, and you started to say, well, dehem only, I need to

get me, I'm still, I'm still doing, and you're doing it, and you've got to have to grab to, we've got

to turn to get to the piece, we're to get to you, and you're just you're asking what I'm

that's just that's very for us. For other we've got to the chico, Jonathan, no regresses

to the cemetery. You'll go to tell why we're those regals. You know that this spectacle

has been decades. We know we know exactly when it's not we're not the

first shows a member of the staff disappeared a subject alto of

broads and quite, but that's a fortnido that

had the two long never they never they The fact that is that he was

coming on the front of the cemetery saying that I was to look to more companions of the team that were still. Never was

never ever nor his restos, but every certain time there have been people who have been

that they're that they're that we're in the that they're never set in solos it would

that I'm never produced that accident but there's a situation that We always, we're very

fear because in the part tracera of that cemetery, it's going to be many years there were sacrifices ritual. What we're we're using for one, and now

his own, and now his own is trying to someone who replaces. Lazzangue and for a few minutes. We're like

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DePas Bonanza. DePosonimum of 10%. And with this story, caridia, Nocturna, we've got to the initial of

this double special of Halloween and the day of Muartos. Because if, Today, we'll be the first part,

but the next Monday will you're the next last time. For sure, before,

before to continue with the story, remember, that in YouTube we're for a million so,

please, family nocturna, and all those who are new if did the first history,

subscribe and then the and then you and if you're on other of

the other of the redes, subscribe and give us and don't the five

stars. Because we've we've said this and one of We are we are going to continue with this Oskura Fogat of Histories, Special

Doble, Day of Mewartos and Halloween. There are people who are that in these celebrities of Halloween, that before it's mentioned, for some of the ramifications historic, that comes from the Zenheim of the Celts, well, there are people who are

that in these epicles, there are many spirits in the environment, occurren causes around, and for that's eligiered these feches. Because what are in those things? No. I know. But there's a person, there's a chick of the family nocturnal that he

loves the time of terror, that no's listening while he's doing the aseo of the and while it's passing like the day in their activities, within his house, because she has a man, she'll be a woman-sulted, then you can't imagine? In many occasions, how does I have passed to me and the people of the presidias, in many occasions, be the light of the day,

but Halloween, says that Halloween is her feature. He likes so the stories of terror, that all the year for it is Halloween,

but only in Halloween will have opportunity to get a entire of the house, so it's not

a local. Then, then, he's, he gets to see to the people,

and then, and it and then, and it's and it's very important. All the years,

it's merrier more than the earlier. Mentiona to her that this tradition initiated a year

after just at the divorce that took with her was a very much that he started about this

and he never said, she never even she was a time, he was going to do you know, a little

a little bit that the next year was waiting after after and after to go. To get to make it

a tradition in the which always always doesn't get a because

no compete with anybody but he is the house most form that's

but it is that it is so the enthusiasm that she

has and these celebrities that all had had been

in a question of that not their not some their

not she she she she is that she is that she

or that is that's a the spirit, but it's independent of what she

think, it's that there and that in these times are still the

opportunity. Because just the year last, he had to have to be

all the arrangements of the days for a little situation, something

something something that little that all the time,

go to the houses of the and he's and he's going to go to the all the decorations

that are all the those that are going to get around and they're doing other than other than you've been located in

different, you have used in times, and make it and while I was looking one of the

the house is, it's going to get to the point in the that's to the

time and when to the house he at a little minutes it's

a part of the tradition. Be as the encode. How are to have the experience

of the people that come on coming down using a truce or travesora or piquing? How are you going to be the

house? And come in this side. I'm the man of the colasasas great, if I'm a

put some a cat gigantec about that make a mawilled and that has been

incredible. The paredes. I can't put them certain pegatinas that are that are

some men and rossos a house of the terror. And she is being fascinated where can put every thing that's

different to the year before, and that's something like more elaborated. And while he's being all this, she gets,

being the door to the house, and then his little he says, Mom, the sir. And she

will tell you, and he said, what's the other time? And other again the little he will say that,

and in the door, that is a door of a color made, of a repent he's a

sombra that it's like a sombre of these that's that's like plain as well

and is a man that she's being the right has been the hands down

and the and the feet get to the and are so they make a

rather and he maybe some a person he was he was a car

was with a very poor and in a matto of Then he was his support to my house, because you know, you can't get it thinking, it's a good, it's very real, that somber. When then, the manos of the

time's pegged, the man does a step for the end up front, and then he does two passes to the door. And my my new me says, Moma, Mamma, trytelow for Halloween. That man is my man, I do a man, agarred to my I was a little bit of my way far away

my house, me got a day I'm going to think, how I'm going to do you do to get to the house and

that's not really a year. And this year I put any decoration. This is

I'm thinking because I did I know a festivism, and it was a festivity, and it was still

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Your story could be next. If you've got the drive, they'll help you find your path to the Olympics. Let's see what you've got. Sign up for free at rBC training ground.ca. Joanna, no turentive any type of tradition for the feches like Halloween and the day of mortals. His family never has celebrated.

But, but after three years, occurred a situation espantosa that he took to live it in house of her mother, just between these two feches. So, your abuela, that

not is a person like very traditional but with a lot of a person, is more

a person that is a day-a-day not a person so a person as apegated

to the family, not is a person that has a person like that they're

so much that's just in a person a little a little gray very

and a a way and a way to let's the person but you have

to understand your the bula no has traditions, never celebrated the Navi-Nus, never celebrated

nothing, any type of day of nothing, but they detected a disease terminal. Since

then the mother has been to connect to connect with his people, and decided that of

a way strange and macabra, a good way to do it, was to celebrate

the day of the Murtos in their house, and he said he was

they they're because when she go to the is a woman, she topa

with a paraphernalia very extra. A combination, a malgama of things very rare. The abuela has a

kind of a casuela, of a tason, that is a old old black and is a

yellow, but it's these oyes that are like like a a

other part of the house has has between calabasas

and calaveras, but in other other side, it has cranes of sugar put on different parts, and they put the names of each one

of their families above, what the family no the family no you're in great, for something. They're not

of that tradition, and when they saw their caravats there, it was very rare. In the patio,

hevante a altar of those some games that have to the children, a columb, a sub-and-

a sub-and- used to, and in that patio, in that at the heart-de-mort- Mewartos, put the photographia of each one of his

Nets, that are still vivos, and they put there. For her, it was a gesture beautiful, for that she had to be to ascend to, even after the

death, they would continue who's going. Nobody was that family was a sustadish in the house of the wuela,

they were very incomodod. The abel not knew the tradition, only saw what what was what she did

do, and the family sentia that the bula they was saying the mother they Nobody's He tried to

to prove the Pozole The Buella was the only that one and other way, you're at

some of them and they were and they were they were, and they'd and they'd be the did it,

and for that's doing, and it's he said that was the moment more, it's a

strange, familiar, because all they were not even uncoododos, but at the same

time, they were the gist the was a whole, was a little

was a normal, and it was the thing more rarer that has lived, when you're going to to be in the mother, the house that has

not made a little of the house of the rest of the familyaries, so is that they're going to and it's a house a

great, she when she gets to be to do this in the house of the couple with the and are in the rizah.

And is when I came that I'm that I'm in my calverita and my name, I I said,

what's this what is this? What is? And I wanted to reclam to my mom, but yeah she was with an eyeing with anews to and I said, you know,

this is your daughter, yeah we're playing. And then the papa he asked, you, Anna, when you went to the patio and you saw your photographia in the tomb that that, that you did it, so well, in the altar, it was he said, Mom. In the altar, how, how you sentiste? And then

he says, Papa, me to start much fear. Dice, ah, well, for my my brother, I'm or what? And then all my

prims that were and they were there. And the more little bit of you're not a girl.

The boyla did a house of the night. The boy was saying, I was all the thing that it's

your intention. And at final, we're all we're all this, but well, he's,

narrator, we're in the court with my father, all, all-mured to the

Risa, my Tios all in quarters different, is a carona a great, and, de-rependent,

and there's a lot of Risa, me down a lot of a lot of the one. So, I'm with some of the guys, that you

know, I'm going to be able to go to the baby, and in that my papa, and then is, my father, now,

you're going to get a mother, the mother, not, the mother, no, she's he's not

to do that's bad, and you're not, you're going, and you're great, and, but I'm going to

the quarter, I'm going, and when I going to, I'm going, I'm the front of the

passillo as someone that's there's there but no

I'm know I'm think, I'm think, and where I'm he's

and he goes to and it comes but it he's p'p boom, boom!

When I see that narrator I'm so I'm so I'm what I just what

I just just got that someone I when recuperer the conscience I'm in the

camera of my my papas, my parents and my kids are around and they're saying oh, I'm saying, you know,

you're doing, you're doing, we're doing a little and a narrator, I'm a little really

strange, a rarer, get to the ambulance, they're like a pressure a little or something.

I don't have any opportunity to explain to what I'm, and when me are attending,

me are attending in that that's a passillo, and that's a window that's

where was the altar that was the altar that was the the games of the kids of the

and I'm like a concerted, like if if really me had been dismayed and it's me made that

was a thing, so something, something I'm and when I went to the world, I'm going to

the columpio was a figure, it's a little bit more rapid, making a recinid

and then then I think what that's what's going, because me kept like deconcertated

and me they're talking about those paramedics that no I'm I'm

And then, like agudice a little my vision, and I see a somal the side of the columpio,

a sombra that's like and with a mano-negras and it's moving. And I say the paramedics,

I'm too the columpio is moving, and when they're a narrator, and they're going to be

going to, they're saying, if they're saying, because there's because no there's,

and they're not more and they're going to look at another other point of the

car to see doing revisions, but the face of the Mideau that I saw that me that was in the patio, I mean the picture, I mean the

I'm in the patio, not me the other than I could see. Nando me says that he is the death, but not

the death as a stadio of life, but he is sure that he was sure that the death of the

building of the apartment in which he lived, has like two years. Just they were at the

time of the day of Murtos. And Nando if it has a type of tradition familiar, to go to the cemetery, and he gets a little

little bit of the families that have there, for tradition, and coincidencia, the family paterna and the family materna, all are

interrated in that's a matter and year-on-a-one, he's a part of detalitos, a-one a lot of a a little bit,

in occasions a cart, flowers, and go and they, and they they're in the stumbas of the

families. he is a person of a good. Nandovae and he does this, and even to familiar to his family, or families with those when they were in

life, neither took much relation, but they're still being family and for him is important. He's

that in a way it's like to get with a person that's a little and give to a papach

and present a tantito to your time. Dentro of his tradition, he's to sitars

to the tomb. And, and standing there sent out in silence

without think nothing, it's all he. He says me imagine like if

that soul that person that spirit me starts his inconvenience those inconvenience those penients,

his pesters, I at final of some 10, 15 minutes

that I just I just thank for having me told that and

and he's the next year I'm come in the

next tomb. I'm preparing some things, narrator this year, I'm going to

have written. I've written a pair of things that I'm going to tell us. Now I

want to tell us things that maybe not are not. Things that have been

had been in the family. I said at the thing, it's a thing, so,

and I want to be doing this things. When we got a report of the

edific of the department that was going something something something

that was a preference, not we'd know I didn't know what was going to quill-the-

telephone, we're doing the car set of vigilance, and for there us were making all the inquiners,

I'm going to my and then I'm going to get to be to be a thing, like, and so it's

a matter, I'm going to get a little the nerve, I know, I'm and I'm saying, sir, is that it's a

something very extra- for that, but we're we're here, like in some type of risk.

No, no, no, no, we're not we're doing. We're not out of the people, no, well.

Entendie that then so I'm a thing to be more calm, I'm more nervous, I'm

going to go to the terrace, I'm going to go to be back. Much of when I'm

this anecdote terminated saying, me that I'm saying I'm a lot of the terraces, that if

were a situation related with ballas, me could have done another. So,

So I don't know what I thought in that moment. I was I was going to go to the terrace, sacer a cigar for the nerves, and simply observe, see if I saw something to tell me. Sal go to my apartment. I go to the terrace. No, there's no one of the decino.

There, the fumators, we've toped in some occasions. No, there's nobody. Sacco, one of my cigarrillos, do enceeing, I'm seeing it by back, and I see that just in front of the edificio of departments

are in those Arboles and normally there there's a lot of people but right no is there

nobody and it's a solid weird a narrator I'm not I'm not there

someone and he says but like it's a Halloween with a

capuch he a guy and he is that there is that

there is there there there there and for they're they

understand I'm I'm I'm I'm I'm trying to I'm sure. I'm going to

a person with a problem mental or is a problem mental or is a little bit. I'm not to have to be careful. I'm at. I'm not. for here. And then simply for saluders, I'm going to go,

good nights. And something happens very rare. We have sensors, narrator, that's going on oncending conform you advance. And he, yeah, he has been a certain sensor. I've got a couple of years living there, and I'm of these people that's people that go ubiquing the

things and it's a prended. It's a very rare that no's the sensor. And I'm kept there and I'm waiting, and I'll say, Good night. And I've got to I don't want to the hand and saluted a little more

effusive. And then I'm going to come in penumbra. That rare. Only are the sensors on the sensors

on the I'm going to be in the because I'm immobile a a rato and then I'm moving right

where it all the the passio is a but I'm with the question of who you

who are that person? So I'm to come to come in this anecdote. Me said

this anecdote, me I'm saying I'm a to come to go to the sensor and see who are who are there. Because at the other side no

there's carlera to go back. They're in my side. So I'm coming down to and when I go to the section

of the ascensors, they're all and not see that they can have to make that they're moving.

This is rarest is a building. I'm in the 12. So, they're in the one.

No, there's that has been back on those seconds in those that's the thing that's what's going,

what's what's going to be my department, me met, I'm mark to the guardia, there's distortion in the telephone.

That's never me had passed and no me has worked to pass. I'm like, I'm nervous, all nervous, all nervous, I'll markar, I'll mark it.

Until that I go, yeah, yeah, tranquilizate, bette around, etchate other, respite, water,

let's a while, you're all right, and then so nervous, a narrator, me, I'm to get to the door,

and I'm, and something to me and say, and you can't see to come to see, by the meridian and a narrator where

me asom, in the walled at the front, there's a guy vestido of a black with a guadana parado there. No, he

no, I view the hand, that's the kind of a dresser that's well, I persin a narrator,

I'm of a rediress, and I'm to ask, and I'm to say, I've never,

I've been never, but if you can't do you listen, I'm just I'm just

I'm just I'm the sensor, and when I hear you the sensor, that enter a a little

the light below the door, I'm a somo and see a person who go to be a little bit more the guardia.

There's a guy, there's he's got to do you know, and I say, it's not we're seeing this, sir,

we're very vigis, we're just a lot of the guards, we're going to get a right right

to get a policeia and we're to say that's to start because if that person

has been much time there, but we haven't seen the guarders

narrator. And they're to do the revisions. Nobody had entered in the cameras. Nobody had been in the camera in the camera, in the camera

because there's a camera that's all the thing. To me be the skin chinita with the cabios erisados

and with some some of the day I don't me let me I'm just. I'm where the

side I'm going to the other side and the other side when I no, no, no, no, no, no.

horrible. You do you know, in the scene in that I see from the middle of the middle and I see that thing

in the camera, in the moment in the moment in the I'm doing, because it's a calculation of the

what was the other other than one second the image is a same, I said,

no, me he was the frugate. So, they're in the guardies, all right,

no there was when they when they came the subject in front of the

guard there no nobody he, he was to part. Simply yeah no it was a a problem.

Between the group of the bestinos, we're there eating madres, molestos, who was, who was, and we know,

and we said, but for me this not was a problem. I mean, I took over the cameras, me took over

that thing, me took over of the room, it was disappeared in a moment or other. For me

not it was a problem, there was a day next in the morning, two people of

the the building, those were mortals. Persons major, simply were they were

in their but they were not an manned to me. That's the murder, the

that was in the house, and I was to get to me gave to me

never. When I was around the 10 years, I got very clear about the thing of

the thing of my father. My papa, I had a a business

in a a house a but but a certain moment of the year, that if I

no, I remember, it was like to end of October, my Papa had decided that

was going to the business, and if I had to change a house more

a house in those moments, I know because, I know, I'm

clear, but I thought, he, he put, some frasks grandes

with limones and water in different parts of the house.

I don't I don't understand why. Only he knew it and I thought that was a little kind of like a

flowerer ecstetric that simply some day they were to get to get to put in. But with the past of the

time, me I did know that every certain time, Papa, he'd put the limones

and the water and he would to put them and they were interit there, those frasco

were transparent and tugulares and desentonable in the house. Never he asked in that

moment Papa. One day there a woman, that is a woman,

like a one of a year, he gets in a carraso with a chauffeur, he's

a and I don't have opportunity to hear my my papa and my

he gets a moment in the he got and I see this narrator because

there was a type of vitral that that we could

we're in the and it was a way my my father not

my father of the Vance the piece of the roof, and siresence in your court and marken to the police. When I see what is going to be what's a narrator,

I don't understand what I'm sure, but I know it's good. The woman, after that's my father,

she's he gets a being and he and he and he he'll and he'll and he

and he's and he's and he and then after that when my father's the person

is like being a something and the a little brink, and it's a person that not was a young-sita, but he, and it's got with the two feet in something, and I see that my

papa is returce and I said, What a year-tan-jia? He brinked in the foot? I'm going for the passillo to the other to enter to the, the

market, then I'm going to the pass-sill, and I'm going that my papa is a part of the stomach, and no, I don't

what is, and he says, my, boy, ben, come, come, help me, and I'm Pied, for favor, in

the other to the market to a hospital or that you call me a ambulance or something,

that for favor, he try a water and that start a time to change the

limones. I'm put in the house. I'm very assosedado because my papa

never had seen so palid my papa. My papa is the water, and I said,

I'm saying, I'm saying, I'm saying, I'm saying, I'm the first every time and I

read to the the pain, like, of the stomach, I'd look at that thing, was sure that was normal. But now that I was to change it, was all all done with lama and

without water. And it was so me very rare. I went, I, I went the frasco that, I, I changed the limon, these

those, I did to the basura, those can be in their place, I'm in the second, and the same.

The limonels in this, even were made those poddive. I was sure a narrator, that in the second frasco,

that is in the salar, for where I was looking for the vitrina, and I said, I was sure that was there. But they were

in those puddied, lamos, sin water, what was going, what I'm going, I'm going, I'm going, I'm going,

for the third that's in the area of the kitchen, the limoners are dark, and there water, all

all the all the things, not are all the things, we're sure, we're

very limpos in the case, not I'm not to be so, and I'm not in the

the kitchen. I'll call, I'm a and the limonels other way to the limonels

almost in water. And my papa me say, for favor, change to but yeah

no limonels there. Then let me to get out of the house. We're the only two

that we're the house, we need to a new a beck the phone, he makes a my mom

and says that, but for the person, and narrator as if were a

plaga, the house the car the I was I'll say what I took to live.

When we went to the house in two or three occasions that my father not just had

to be in my time the paint of the that was that was a new and a

good quality was it was to be to get a 10 or 15 years

without to give any any any any that there

in the the the back it was like a a

being a tisne of carbon all manchated so

of the black, it was horrible. The crystals to the door to see the

house in the car. They were to put all the teleranoos like sussios, of a

form very, very, very, extra. And my papa me said, no,

you'd to come to that house until that to be the normality. Much

years after, I'm that the house took years in a little

a little he did the good money horrid, for what what we

got to get to the bank rot, he was to have to get to get to be in the discussion

for what I think, was that that was that I'm that he had been a price,

and he said, I'm just going to pay the money, and me

you're going to you're going to be a lot of that's that's when the

mother did that's my life to my but what was what did? And me

he said, Brugery he, he said, that was what he did. That was a woman in a

brawough and we know he never you can't the night in the peregrine

of the murtos. That was a phrase typical of the abuel. And never we've

understood, that that that's a word, that's not a word, he said that he

had lived something that he had been that that was that had that had

and not they had to us not us not us not those

my father, my tisos, because what he lived is something that nobody desired to live never. Counta that when he had around of about about 16, 20 years,

in a pueblo in which I lived in that time, in the afueras, there was a house medianita,

like of 15 meters for 15 meters, a quadado so complete and that in that

house separable a grand part of the house for that in the festivities

like of Day of Muartos, vendied all these, like, luses of the luses, and all those things that

are made of in the place in an almasen of the fireos artificial, of cohetes

and of these type of things. For that zone, passable peregrinations all the

years, and resulta that in those years, when he had between 16 and it,

occurred a catastrophe tremendous. He loved the the cohetes, and always he used to

buy a good quantity, separate his pesites to get a cargated to the house, and then

in the preglinations, he was coming down, and he was going to the person, but he

also had the shoes, some of those who were in those who were that were

and other that were that were not, and the preclations, that were not many

those people, without many times, they were in some occasions, but that

year occurred a tragedy. That year, he never did not even ever to buy the cohetes. He was

he was going to think that type of there were because he had new newness

and that he would buy a minimum one new when he got the news

to the people, that the place, just the day earlier for the

time, if they had had been people that were a point

to do their pen pen the person, and one of the the little

, the quets, it's the version that's the contraids, the quet is of the

men, the quet saw it's going to the house of the house and it

to do you and the moment in the it's it it's

a fire because two seconds after the second

the whole all the people down all the

people doing all those people are there's not there's

practically nobody. The place not got cordonado the authorities no

there were people so it's that we're a scene of crime would be very contaminated

sumamente contaminated because the people were to know and they were to

talk about you talk about something you talk about it's obvious

rest of parts the Kermada, the aroma, something that's so it's

that's a time, his time, his father, those papas they were to be able to that way to

that way, but after a week, but you're still standing in the book of all,

but the things and the thing was done, it's the place, and there

there no there's there to have a rasto of nothing. Then

he's he's back there. Just of that peregrinations,

of where was that explosion. So, is that is it's a way to get impacted. It's a matter and there's a odor of polvore

here. Still, it's a little bit of a cabo. It's an color that's a little bit of the whole life.

When someone preends a abel and the unstratharably he says, alh, alh, you can't sender the

the cabel, all that is a rae, of the aroma that's a It was like impregnated and grabado. He said that the aroma there was so strong,

so askeleros, that you revolve at the tripas. In the the piece, there no there were restos, yet no

there were many vestiges of the cohetes. They'd still still like coetes that's a little

a little about there, a pincit of that and he, as perinercy, commenced to recogue

to recoges all these things, and of to be in the way of the peregrination. Only he

he was aghachando or he was recoging things the explosion was so great that there were things that were things

were there were many arboles quamados and we were talking that those are

about those are going to about he. He still moving and that he's

getting two things free and soo and he still and he starts

and it then when not something something is a little a rhythm who's know how

time has been going to be the way the way to the quets or the vestigues

what he got to those their hands are those those things

the thought the thought not not he's not

the never to get the the the arms he pesed

he is something something something something something something

something something that it's to notice that around there are but are those are the

other ones are the right right I'm at the right right right

so I'm right piece left and then he's not a part of

people are much because it's that sounds like a marcha like

people as and that's it's it's it's it's

it's it atont. The sound sound, the sounder, but also it's the end up front of the and it's then when it's a point that's roadied to a lot of

sombrass, sombras of women, of children, of children, of women, that have been babies in and are just sombers that are coming into that march. And they're at the same rhythm, camilland all the way,

and he seems to be being in the middle of them. Comience to think that the forces to begin to fallar, No, he doesn't No, no not a

His head is a dormiladissima Siente a frio tremendous and a lot of and get to get to be there.

And it's then when in her voice that never ever had heard but that

he's a calm and and he a face, the voice

strong and tronator and like a manate and it says

that he he's the night in the Peregrination of

the Murtos. And the abuel when he He says that. He puts argyed,

or I'll take to all the sombrates see. He can't be able to be he's there. And he comes to gore like if were in

the world, and when he comes to do you and when it's the group, the somras are the sunbecese.

And there, you're at time, it's about the night of the time. When he had

had yet were the two of the time, in where those four hours? Who knows?

The point in the point in the he, he has taken the conscience, is about three kilometers of where was the house in what occurred the explosion. Never was to

that zone. Never was to be a pre-gination, but during much time, he was to hear the story one and other once.

Persons disappeared that were to see the place and not revisable, and persons that during the perigination

beians seeing sombras that came to them. He, he had formed part for some

seconds, of the to be thereiners. Look, Air Canada has a sold world. Super, an offer for

the assort, station thermal, volcano. You've seen the price for the Japan? M,

The conditions apply. Narrator, me I identify with various of the stories that you

know, for factors that you do you see that the things that are that's

that you make sure. When it was a very appellate to my mom, and I

never in the danger that was, my mom, a so I was

a very very very with my and that person to

me I was made a more a more that it's

is that he was that I'd be something, but it's of those people that simply their presence and their form of being done a new mother was. My mom was what I said to my abo'el ceciled. What my abuel ordered her, it was to be at least-as-all. No, it was she she wanted or not

wanted, it had to be it. No, we'd have been in the house of this signora, we'd have been in a department. My papa not supportable the attitude of my mom and finally we'd have. He was gave a little of the pension alimentica, and I was moving to one

to another, and only saw how in those years my mom had changed every way more to be a like, I don't know how to say it,

like a slave to my abuela. My abuela, nobody knew exactly

in that she was clear that was a good, I had a very, very

great, the people and the people, I'm with much respect, I never felt

a finity. To my mom, for the other I cared much, but

But, but it just in a Halloween when I had a 15 years that made

the first before the last of my life. My abuela in form

very strange, he was to celebrate the Halloween doing like a

kind of a party. She was very elegant but with

vesties very strafalary my mom was my mother

and always my mother was saying that those

are days many days of great celebrations, that many moments not can't as much as

days, and me, I made to be my vests here, my bwela, always with vestiges and like very

ampones, as if were a muñaca. As the the bestions were a problem, but

was it was very strange. The mess that was in an room that

never never was like to access to the person, more than that day

of Halloween, and it was a big a large, with sillas like very ornamented

there was an alfarmamented that always was a color red, a more obscure, a little more clear, and one

of the walls, it was all the quadrants, but of the quadros that were a weird,

a man, like, as a human, and then the head of a little the head of

a person, things that were more being of a person, it was a part of a third

was a Vibroarer horrible. And there servia different comings, but I saw orations that I knew that I was strange. I'll say, it's something in what I

grew, and I had to understand that this was something but something I was rare. As I don't it in the day a day,

but in this type of occasions, something, something I made an my abuel had orations saying,

we're offering all to you, sir, but of the night, of the darkness, the dark, the Lord,

that's in the occult. And I said of that I once, when I had the house of a man,

they said, Lord, but, Señor of the good, Lord of the Lord, of the

Lord, that you know that you knowces in our and it were a thing.

And the those of my old and the one of my Halloween when I took

15 years, there was a moment in the I'm parro of the mess and I go. I want to

go to the question. But I'm going to hear for one of the pastilles of the first piece that

a little or a little little that's like soyoosand it's a very, very tenue.

I'm going coming and the passio and it's very rare because I know if because I'm

there's there was going to but I felt that the the passio almost

like if and respirator only, if it wasia and was a claustrophobia and then it was always to be able to be a little, and I don't know if were my nerves, that I'd know that the way were the doors more large of what were, the pages more lex of what

were the way up, and, of a sudden, and it was a very strange. I was coming under the passio, and when I got a little bitation that never before I had never before, because I mean no me would be to be exploring that house, only in that occasion,

I had like that necessity, that inquietude, but there was a point that was like in the air-in-law, in the way were two doors of madera labradas,

very bonit, but at the same time they'd have a sensation rara, semi-abirtas, me asom for there, and I'll

the yant of another person more, are like if were two or three children, and when I see,

at the front of that It's just see like a type of armory or roperer of two doors

so grandotas and have some cajoncitos above. I'm very rare. I'll say right right

I don't know what I'm a time I was a chaparita and be yeah like very great of that

I'm going and I'm coming down and I think I'm going to feel something something

something like if if it's like a little little the bellits of

both the the two, the brazos, and they're going to all, all, all, to be

a lot of, to be a little, I'm going to say, where are they're doing, where are,

they're doing, they're doing, I'm going to be my aboom and I'm going to

get a narrator, I'm a roperer, I'm the door and when I'm not

the man because it seems like you're doing like a back, it's black,

the the wall. It's very rare. Me attract. I'm going and when I'm going to get it. I feel that

the whole the whole of the bones and all the colds, freeos, freeos, but frios like if I chupar in the

cold, it's a really, but it's a door, dura, the point that I can't

move. I'm going to start a attack of panic and then I'm at the front of

a lot, as a light, there's there the rostos of the people who all are

people who are yon. One me are seeing me, others are seeing between them and there's a

there's a there's a and there's a little, and where I'm my old I'm over my own.

I'm a fear that I can't tell you got to the arms and then I'm quite agitated

and I'm quite confused, I know exactly what is what I'm exactly what I'm and then my

abhra one of the carones and it's and he's all And me says, Andhate from here, that if you're you, I'll go to that

house in that day, I'm going to never to see that that way to never I'm exactly that

I didn't know. What I said is that I did it is that day I know that I know that I'm that there

people who are very very certain to you, no you can't find you to learn

to open the eyes and see more there the mom, the the papa, the

abuel, and the The only that I got to tell the narrator and were the legends, secret to

voices, and were things that were the things that was that I had the man of the rucas

more than the realhousas and just that his power he had been that he had he

was a house. And with this story, we've got to the final of the first

special of Halloween and the Murtos so so you prepare

because the next a Monday, we're going to the stories, please, put me in the comments,

what was the most you've got to and if you got them two, three, or more stories? Compartelah

for that every we're more in this family nocturna because we're all more

more than the million and to we're that we're a good, that we're

we're we're going in the sabbado of somras let's I'm I'm

not before to say something to say something a something a

a promise. Ciudad of Mexico, we'll see in a week.