HABLEMOS DE LO QUE NO EXISTE - Historias de Confesiones Siniestras , Apariciones Oscuras y Entidades Malévolas | EP 275 | EL NARRADOR

Episode Date: March 20, 2025

Bienvenido a ésta oscura Fogata de historias de Confesiones macabras, apariciones oscuras y entidades siniestras.El día de hoy traigo historias que ustedes , querida Familia Nocturna, me compartieron alwhatsdelaspesadillas. ¿Conoces la leyenda de la bruja Gema? Descubre junto con Martin los secretos ocultos de su buen pueblo, su buena gente y su “buena familia”. Escucha la Confesión mas tétrica que nos han hecho llegar al canal. Y Conoce las las experiencias reveladas por una enfermera que ha visto directamente a la muerte con sus propios ojos. Así que prepárate porque llegó el momento de que ​⁠tu y yo  @HABLEMOSDELOQUENOEXISTE HABLEMOS DE LO QUE NO EXISTE es un canal de youtube con el formato podcast que comenzó en abril del 2022, su primer episodio fue "vivo en un casa embrujada" en el que una chica narró sus vivencias y sucesos paranormales a lo largo de 20 años en la casa de sus padres, desde ese episodio hablemos de lo que no existe ha marcado una tendencia en exponer casos paranormales de personas comunes que viven en diferentes partes del mundo. Ice Murdock es el conductor o host de éste canal, durante casi 100 episodios no apareció, nadie conoció su rostro y la comunidad de éste canal , la familia nocturna , creó teorías acerca de quién era el dueño de esa voz. Hablemos de lo que no existe se destaca por tener apertura ante las opiniones experiencias y vivencias de cada uno de los invitados. La comunidad de éste canal es conocida como la familia nocturna, de hecho por estar leyendo o escuchando ésto, tu ya eres miembro de la familia nocturna.. bienvenido. El duelo de historias es un concepto que se creó en el canal @Hablemosdeloquenoexiste, idea original del narrador, se estrenó en el episodio "Comité de la Muerte ,historias de Hospitales" el 1 de junio de 2023 y empezó a implementarse formalmente en el episodio "Abrí la puerta a un Demonio" el 11 de Enero de 2024 ; consiste en un duelo entre Narradores, una dinámica sencilla, donde cada uno cuenta una historia y busca superar a la anterior y al final la familia nocturna nos comparte en comentarios cual fue la historia más aterradora.El Narrador y todo el equipo de Hablemos de lo que no existe trabajamos para darles a ustedes querida Familia nocturna contenido original y de calidad, tardamos a veces semanas ideando formatos luego de tomar en cuenta las cosas que nos han pedido a lo largo de la temporada anterior y por eso el día 23 de Septiembre de 2024 comenzamos una nueva temporada que llamamos FOGATA DE HISTORIAS, en donde el narrador prepara una serie de historias escalofriantes una tras otra para retar al espectador a terminar el episodio por el nivel de miedo que genera. En este canal se relatan historias de terror paranormales, sobrenaturales y reales, prepárate para conocer el miedo de una forma en la que nunca lo habías experimentado.

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little, you have braced some have you're doing traditions oscuras, and entities, summally malabolas. But,

before to initiate, permit me invocar to the family nocturna for that you make a present here in the video, and

they'll give the people who come to the for all of the new? Bienvenito. Bienn't.

Bevening to this fogata. If it's the first time that's here, let me, let me let me explain

a little the reglas and what the fogatas. The fogatas the stories. Some a sequence

of stories aterradoras, that are in order, commencing for the more and little to descendient to the infirnors.

In this dark, in this dark you're going to be able to the family nocturna you can't, and you

know, you'll be to be able to this great family just at the final of the video.

So, one has said this, family nocturna, for favor, pongan the foigito

to say this good and to all the new Good Suar. I hope that

survive and we see us we're going to let us let's see you're going to tell you

know, I'm going to tell you a marre despidated and sin a reason that no only

just destroyed a family but that day of today has that a person

is that a person sent us a story. Sarah is a very difficult complex and profoundly oscuro.

Resulta that Sarah, after two years, vivied a period, his papa passed a

better life. The Mr. Chevo, the Mr. Eusebio, Papa Chevo, how he said Sarah,

was a person that was very little not an guy, that intelligent, and not a type

that was a person for having the good the first the

other was a person very silencious a person that, for more that he chava

never I never I've got to a good job, and well, from the day of

day of today, he's 20 years, but from that's that he's all the mother,

well, of herences very good that received by the old of the old's of the senior

Cheo. But there a situation, the Mr. Cheo, a past of not

not be the person more intelligent, and to have the people

with the great, the success of the family with the major's exits, a matter of all of that, was a subject with a person with a great, and with

Sarah had a relation very profound, very beautiful. She never was he to her, and she, in the moment in that he was

a child, he made a fault tremendous. Sarah is a child, she was a man, never could set the things to

get the time, so that's that was a time, first, in tientita locales, and little, go escalando,

right, his 18 years, even no terminate the career, and you have a very good

place in a business. And she yeah, of the family, and she has been

about the two months. Two months, taking in account, the moment in the

moment in that I got to the few months, yet getting to the year

of the period of the father, it, occurred a thing,

but it she and that is the day of today his papa he's but I

want to tell. She, a raise of the part of his father and

starts a great necessity to be accompanied. That is a problem enormous.

For the people that need to be not not even sometimes, in many

occasions can be victims of predators, of persons that are

people who those need to and then they're they're to be in a space and

they're to force the situation and the other person yeah that is a vulnerable

we're they're they're they're they're they're they're they're

but finally it's dependency and it and it's sometimes some of violence

but you're I'm saying because I'm that certainly

Sarah came in a relation of a she was she was she

she was a was with mom. But, strangelyly, since the father, she was

his wife, mom was more absent. It was like if he was living a duel,

but at the same time, as if was a very enoched, as it had a

very much a very good a relationship. And strangely his mom

started her part. Sarah needed to be a person. And there

is where appeared a subjectio, a tpego that he's

He, and he took the circumstances, rapidly he started with Sarah, and in less of two, three months a relation formal, and, a part of a series of abusers. All the time he was taking part of the ganances of Sarah. It was a subject of vivor, he was to live of luxas,

of things that she had ever. And the subject not a single effort. Not all was in the economical. All the time, he was about a toned, in-tile, that he was that nobody were from him he was to accept

that was a person that manse, and as much a little a bad-a-law- and that was a person that nefast and

that was that nobody would accept never, that had a great-to- be a subject horrible.

One day, standing in your house, I'll say that in this context, the mom

of Sarah, the She-Clarita, no was present, was living a situation very difficult that for Sarah

not he only was a one of the one day standing in the house of her mom only is she she's a

and she being in a a discussion in the that Sarah you know you say you you're not

I'm going to you do you the subjecto the guy the arm of the muckus

and the catchetea and he he says I'm I'm I'm to be

saying Sarah never I'll forget because she sure that never ever

ever No, I don't know what was going to be a little bit of on the end up and in that moment,

after the after he meto the catchetada, this subject wants to return the compostura, he says, in the car

and say, no me will be able to do you do you do what you do that's and it

and it's going to be made to beeneed the camis made a debotone

the same he'd be it was part of the safarancho in in the place of preoccupation for her and for what he had had done,

to give a disculp, to reactioning, no, no, no. What he was her image. He important about how he was there, dispeineded with the camisorone, desaliniated, he still, he'll look at the barra

when he goes to the ba'clock, and say, look at the ba'n. Sarah, in that moment, is so enojointed, that's just to cry, of pure courage and frustration, and say,

oh, p'allie, oh, ha, that's here. no passed no two minutes the subject peter a gritty in the cell,

he goes to go to the house, and Sarah, no, I'll be able to know of him.

The type no, he's not he says, he's going to be to know, one or two

months after, that this subject, that's that's something, he was

aterrower, he was in the time, when he was when he's was alinia the camis,

and then He broke the light of the water metio the hands in the water, he was going to clean

to get to the car and when opened the eyes, just here there was the man, he was there

was a man never had seen, but that is he was presented the photos of his papa,

his papa that had had fallen recently. He was he was he was he was

that when when he went to go and he went just a part of the part of

the just did here. No, she saw, and he said, and he said, he's that they're with a

force so strong, but so tremendous, and that just he said in his head, Bete. The subjecto,

as a co-barde, he went to the house, because was an absolute covarde, he's

back to and he's he's not he doesn't to have to have that he, he's

that he was he was going to see to see to see to come to

see and it, and it's of this type of people, not is the type of

people that would be frontar a lot for someone so. So, a raise of that Sarah

knows that is very content. He's a very, very, content. Hebe

he's, he was he said, heppachew me protect, Papa Euseb is there.

And then a raise of this situation, she put very reflexive. Papa

he went. I'm I'm very Sola, I'm with Moma, because we're

going to get a mother, and then I'm two, three, or four days, past a little, and I'm,

something to do something. He said, what what's going? Papa Chevo me is defending, Moma. Papa Chevo me is a message of him to say, to us that not we're going to we say, we're going to, where said that, palida, palida, palida, palida. And he said, why do you say that?

Because you know, you know, because you know, he said, he's, he's, he's, he's, he's, oh, mom, is that you has been other planet since that's was Papa. But, Moma, he was out with a

man, he's how you got to a lot? And the mom. He said, you know, and he said, how? Hebo? He, me Oh, Sarita, what you did you? A part of there, Moma Clarita commenced to

feel to feel bad. He starts to report to be to be very nervous. It gets a moment in which the color of the skin is

different. It's a little more palid and it's more apagata. What is what is what you is what

is going to say? After that in one day he gets Sarah of the work. I'd with a ram of flowers.

I'd want to give a surprise to her mom, give a trot beautiful. When he gets and open the door, the mom-in-law that's with the nerves that's too-of-grit to and begin to say, "'Vet, be, get, yeah,

"'for-favor, pardon me!' And Sarita, "'in' the ramo, "'to you can't imagine, "'nabom just, being-a-a-oh, "'what's got, "'what's the mama? "'Ah, oh, God, Sarita!

"'Oh, God, Sarita! "'Oh, God, Sarita! "'No, God, Sarita! day that you're your papa. And Sarita, Moma, Papa, yeah not is, Mom. Dice, no, Sarita, if is your papa, if it's a. Moma, no me that's a job professional. No, says a tunt, my God. Necessant to something. Dicey,

say, Mom, Dime that you're not right now even with me, you get an hospital, you we're treated, and he said, "'Scu'm a-knota. "'Tennyn, I need to confess "'al something, and is in serious. "'And the mom-sseve "'todd, all nervous,

"'and, Sarita, he says, "'Yes, but first, "'tankil, you see, "'you're going to "'are you're going to "'is, Sarita, is that "'is, I'm going to "'of-pun't

"'for what you "'you're not for what you "'cress. "'And he says, "'Mamah, "'callie, "'catt' "'Tomate a-go,

Tomathe something. A tecito, relaxate tantito, let me come-o-a-counter. And if you want, I mean, you know, you know, the senior Clarita accept, accept to go to Sarah. But there's all a thing extrano. When she's going to there, the senior Clarita, she's going to taping the eyes

as soon, puttings at the most nearer the parpidus, as no, for not to be the periferia, and no want to see any crystal. And that's a Sarita in the moment in the moment in the when it's

up the carmionette and is in front of the vireos of the door of copilot the signora the man's tap the eyes

with the handebras the halladera of the door, open the door, he goes

and he goes and he back his video the retrovisor for that he says mom, me are you

are a lot not going to go to a hospital and he says I'm, I'm not going to open the

eyes, but I need to talk to something. And then there was Sarita in your carmionetta,

a carmionette a new a new little, but minimum has air acconditioned, can see the wind, the

air acconditioned, and in that ambient a strange, Sarita is going to think in Routes

to get to get to get to get to get and her and the mother

and the mother's that I need to confess that he said something that's a

really a little to do you and she's he kept looking, like that's I'm going to

hear of and he's my no, no, no, no, you're going

to make you say, you know, you know, you know, you know, you know,

you're going to go to not, but yeah, you're you're all you're

to do you and now me's we're doing and it's we're we're to the

Listen, my hita. What I'm going to say is something that maybe not you want to be to know. You did something to do you

do you know, and the senior Sarahita he says to this is the point to say that it. Resulta

that the Sir Chevo not always was so we're so we're not so that's not

so much that's not he didn't the type that sarita he knew since he was

the type with such too and say so bad of the end up for not

to get a good work. It was so. Don Chevo. He was the second

son of a family of persons very pudient and was a subject very intelligent.

It was so intelligent that had massed a little money

without the family of his parents and he had a

part of people he he had in his negotiations let us,

let us, a carpintery and a question related with rages and things that have to be with soldators.

He had these he was going very well in the city was a very good good,

he knew of that he and had people and he had a woman and two children.

It was a subject that the life was onrised tremendously, sumamente that was always

points of view, very analyst, very abiot. A person that everyone was that he had a problem is that had a secretary,

a secretary like very ambiciosa and envidiosa. A secretary that the life had had done

had done and so and so he was trying to seducing to Mr.

First, for we, we're, like, forms and alternatives

that's and a lot of human. Certain types of of the certain types of certain details, forms of about him,

insinuations very indirect, much coquetery, intent to always have a lot of him, tatal with

a much being much about, being a problem in house, she was

she was the angel that he was but Don Chevo no

was a time a time of a time she she

she was she with Chevo, but he wanted primarily the money. Then he

he was to look at other arts, and he began to look at and he attended to

give to give him littleceit um, umidita of a repented, postres

and teas to to tranquilize to relaxers and he started to put her certain

things to the until eventually Don Chevo of form extrana, she

was very obsessedionated to her, at the point in that he he was present in the business,

and only was present for his secretary. This secretary was called Clarita, and Clarita

was in her own to destroy that matrimon to arm to Chevo. What she was that

had had consequences. Chevo, intellectually, he was he was like a zombie.

His her husband luched for Sierra Mar and the father of Chevo

understood what was going to what he was their ex-spos because they were

together Chevo wanted to get a divorce and he was he was he

was his two and they were to be with something that had had been to be

that this woman and to not get to they were to

they were they're a very good a quantity of money under

a contract that never never to never to get to get to all the problem

is that the problem is that the money that's the money that was money that

was a car much a house and the other to be

to be to work. And with the money that they've made to get to get

getting to little and so that's very little, Sarita had been to have

had been to work, but not he's that these were the

reasons after that's when his mom he was going to this

in the caronet, Sarita she disencaj brinko the the anger

to the ira to the indredulity and the incredulity to

ask. The senior that had had been had had

had had a man In some moment, in that instant, she felt that no mercea his respect. So Sarita

wanted to par with the cameronetta, I wanted to be not to her, but what he did was to go to the house. And when I was

to go to the house, her mom, yeah, in the middle of the soyce, in the way of the

she said that she was a time, he was going to make a thing, and Sarita he said,

but I wanted to be, but I'm you're doing, and she He said, Yes, is that your

papa not a part of a lot. And it was very difficult to make a un-s

and then Sarita she's a big yeah, I'm with a cry. And he

says, I'm why you're saying, because I need to me you know,

because I invoked, and it is going, he's sitting with in the camera,

I'm in the picture, I don't I'm not I'm I'm want to

see here, I'm I'm the problem that Sarita, is that is that

is that to do. After that that's possible that's a another companionate.

Because Sarita says that that's a day, the she mother, she's she's

all the days with moretones, has seen in those that's great- he's been

that's a life is a pastadial but Sarita Sarita no doesn't know of her

no she doesn't do you but not if his papa is her bad or is a

or is the thing that that's that's that's that's she's she's

with the heart, that's that's that's that's pure men,

are you mean, but know the more of your heart and he's

really, and not know what's what you do you do you do

do you do do you're in the car and and profite, Embarque and celebrate,

rigolet, public, savouring, admire, and profite. Via Rae, the voice that we love that we love.

Floor me envied one of the stories more extra-that- this channel. And when I say more

extrana, really, if you're listening this channel from the initial, tell me

if something to do this. Flore has an an abelita, that is a person

the Mr. Esperancita. The Sir. Esperancita has around

of 706, 77 years, but is a person that has a mobility, is very

intelligent mentally, but is the day and is fresh-sik and is a person that of

life is to arm to-mall. She was like the chief of her family, was the

that was the person. and he took around five children, the mom of Floor and four

four brothers more, more or men, women, not exactly in what proportions.

But there you go. Floor me said that the Abel Esperancita from

very little was very insistent in a pair of things. That

had much in God, that always were very honest

and that be so , allege them for complete of those

things of the things of the things about the and things about

the old she she had she and the other

other the story of the witch the story

that a very very very very a woman

that was a woman that was a woman, that was a

very intelligent, he began to give to tell that the people in the people in the people

not were people that were people who were doing solutions with chamanes and when she saw how

they were how they decided that she could do that that's then when adopts the name

of Jemma and he begins to offer the services to see the future adivination and

enomomient and he starts the good fortune and simply this woman what

did a combination of things. One part of the sense common, simple

logic, other part a part, a lot of a lot of a lot, and other

very good part. If you said, all the people, then the people,

the people didn't how had that information, but it was because this

Gemma was in all in the Misa. Gem is

to start to find that in these He went but he wants to venture

to do that better. And when you say, he's going to only and exclusively to economy.

He wants to get more money. And it's then when he ventura to start to do

to do the people. And it's very strange but this this bruja, this a bruja

false she did know that there was something in what especially was talentos. People had been

piddling to some type of work where someone was to be affected. The Brouja Falsa, and thencea had to do a little of a polvora,

and I'd and he'd doggis and so, and so they'd cause many risks, but she'd

appear to not. And then, after those acts theatrical, I'd convinceia the people that

something that something to something to they were to those bados of the and eventually pass.

She was She was after the life does and if this person, the that is someone,

eventually the things they're going to and then then I never saying, only in a long, in a

long, in the next two months, and it was and it was that they'd say that they'd be at some

they'd be at that they'd not be able to We have our moments, and this Broucafalsa, is based on that, to start to desire the future of negative, to start to do this type of and, and,

it was very strange. But it was to gorearse a rumor that the Bruchy was a very powerful, that was a that was a good to do not to the person, but a real. And is that,

in all the other the work, there was one very specific that they that man, for those Feather Falsa worked in this people, there was a

certainment of beheess, the reina of the primavera, and the chica that he was

was next to to get us a person, a type, that was behind the new reina

of the primaver, was with the Brue Gemma and he said, he said, that no

he'd not even he'd he but he wanted that this chica perdi

all his beauty and all her And the Brouja Gemma, doing use of all his art theatrical and of all her labor of

convincement, he said the next, in less of a year and before that he casser, he'll be able and it's very strange.

But a month after, the house of that she got, poor man, she was in the little the body,

rostro, hispald, all parts, of second and third rado. Very appenaed the book. He stilled a little his physical and

lamentablelyly, for the people, the culture, the form of think, and that was this subject that not was

that was that was the the bode not was concluded. When the the Brucha

Gemas was enter of this, now his work not more was the logic or the sense

common, convener to the person and art theatrical. apart of the chismes, now he was to gore rumors

and he said to the people that had been good to get ridden with her, you know what what he was what he was

what she was the she was the end up that was her end up and all in less

of a month and the and the Brouja Gem and he was she made to do

many because the Bruchah Gema came a moment in the she she let me, she knew, she, who saw how

they were the brucous and was imit, and she not was sent to capable of any power, then she was to know that predications very rebuscated to be made to the mind, and they were things very aventurated,

because in any moment that could be able to runper the fame, and it was to get to be used to get to people. Yeah, not were a

two years, that had been all the their agendas. It were months and he he went to accumulate

a amount of a fortune tremendous. This woman had a house very great

just in the part of the upper of a colinita but not was the only house there

had various around. After that various people was made direct to the hospital

according the the things that many did that they were that they

were to get the After to make many Parenthood, not was to surprise to one day,

there was a turban of persons with machetes, piques, and they were in the madugada out of the house of the

Bruchahem, and they started and they were the windows, they were the doors and they were

and they were there. It was there. It was like if those had been

it was the power to be to be to be to any attack

and the people they didn't go of that house with fear they they were

they didn't in any part. But is the Brue

Gem not much magic had much intellect she

was the house and the house and and

in secret had put to people that not to

a two and had occult perfectly well the

end the thing when she came that were

and they were all to out of the house, you had a route of escape.

No, he even occupied to get to get to get to the tunnel, sure of that not they were

to find. And so it they were. But yeah not was a total, not could to get back

to the house. Simply, he called a group of a team of modanza,

was a group of very, very car, but is that the Bruch Gemma and had

accumulated a fortune tremendous. And there, in front of these people, the

people, they were not not in quantities as as much that turba that night

but in the number of little, there's she was vigilable from the other house in a form

in the way that he had been to know, he had teased it, now she was being a person,

and no they were this person, only were the woman, and they had been destroyed, he had been depogeal,

but there was his fortune Gemma. Gema that had in the other house in the

that called the mudanza. And then, when they were that colchon that's because it was full of fashos of the money,

and when they were that they were that way, because the the Bruchah was on the side of

that the sillionc't, and I saw the that all of all of the thing. He was made,

almost a place ahead. And his life began to advance, and he went to talk to

a certain of a herence that had received of the some of the few who fellesiered in the extranger, and so

he was advancing. He studied a couple of things, he was a good for the cocina, and it was so it was a little bit. It's then when they said that this woman disappeared and that never used to do

the arts magicas. That was a woman that was repented, because I knew that the magic was bad and caused much destruction, even for that he was used to that he was using.

Flour! The chick that he's the story? He said that the story he loved the story of the witch was a woman

was a lot of but that was a story that was a story of that was a way that's that was the

way that not was the magic real and that not that other people that was

that was that was that was that was that was much that was a

thing is a great that's but her abelita was very insisive nothing

of magic nothing of brujeries, nothing of things diabolical, nothing of that. Here came a situation. That story

of a time every time a new member and had been his own his daughter to tell the story to her

and she said every other and other that was one of the little nietas that they could repeat. But it was

something very very close to the day of today day of today. Stando there in the

house of his abel. One day they talk in the door. When

open the door he's a lot of not I'm prepared for this.

Flore me said I don't the person more I'm a person

discortez. But I get a a person that I'm a person and then I'm

saying it and when he's a person with a person with a lot of my roste much

and I say I'm, excuse me, what What's the person? I'm going to look at Gema for the first of and he said,

and he said, here no live any Gema. Yes, is a senior yeah major, it's a woman, is a woman,

say, let me go to San Lazzar. And then Flore enter, and a door and she has

a little that she had that was fresh. The Bruch of the history, the poblito in that he

he's San Lazzar. And then Flore says, what is what's going to? And he's to look at the house. Abuela,

Abuela, Abuela, you're going to get a old, abuela, is a very rarrow. There's a person that's

asking for a senior major, I think you're you, but he's looking to the Bruch Gemma, and is he's

in the house until that he'sombe with this and now this woman is a woman is

a company of two people. He says I say, Disculpe me I don't know where it's

I'm going that's going to he's he's going to I'm going to say a little no, no, no

you know I'm going to come to look at and I know the door. When Floor

does the back and the room, Doa Esperancita is sat down in a signion and

he says there's a my hita and she she said what happened whatever nothing

my jita wait me here she's sub to his recamara and makes a

call call telephonic and he He says, well, my jita, you know, for favor, that you goys, but these people, you never just,

you know, and if you get to see them, see you're going, is all. No, me has seen. No, you know

when I'm going to go back. Two hours after, is there is a carmion of a mudans. And the

lady, nobody, did say, there's always there, she got many things to the house.

Dice, Flore, that she suspecta, she far profoundly of her because you have

four occasions that's top to this woman of the Rostroke-kemato and those types. They always ask them

for the Brugga Hema and always discover in the new domicilio that has had been to have to have been to

five times in two years in the same city because he doesn't want to be to be a time.

Oh, Florecita. No, are the deudas of your abelito in peace, descance, my

man, but I'm with some I'm and they're and they're when Flor's to say to

because she he, Cree, cre, cre, that the is a boy istienting. He said, Oh, and why don't you pay, what's it? Or you

have a very good money, and if you know, look, between all we pay us. The old lady's, he responded. Doña Esperantita, being very clarid, said, no, they're looking money, my jita. They're looking Jemma.

And San's no more words in torrent this time. Now, I'll ask you, I'm wondering. Who thinks that'sosue Flora, that's the Brugha Hema.

I'm going to say something that for those who are veterans of the channel, you know

but for the new people this is an information that probably not have heard. It's a

time that I don't do. Dentro the the the I think

I'm my favorite. There stories that more the

attention than other. Especially I'm a certain fashion

for cases in that are in the events extra

but but also for those people who have professions whose profession their profession is impede to talk to these things.

I'm talking from medical, psychiatr, psychologists, psychologists, policies, persons whose

work is so serious and if simply in some moment relataring any of these

things, affectarian their reputation. You I think me makes the attention

because when a a an a a doctor, a psychiatrist,

a psychologist, me a story, yeah, to be the end of me put in the penes of

the point, because I think I reveal this, expressal it, although here in the channel

guard them an absolute anonimato, no is a quite thing, it's a force and it

probably something that they've probably been something, this story that I'm going

to tell that you in a hospital to a group of a group of a

group of I was just the end of the end of a group of people of people known to we're talking

of things very superficial when one of these people me said, oh, hey, record me

before I go back, I'm a where we we're doing the reunion, we're we're

we're in a space of about 15 minutes, where me said this that I'm

going to talk to. This person took a checko of routine. I'm

to go to the hospital to to do to

examines medical. Stando there, he was dialoging with a pair of and the and the women's

in some point, they were a little nervous. This person that had had been

a certain with and had made a connection, a certain vincal, he said

in a plan like a problem, that, that are asusted are at a sustan

that, and They came to look at a look at a look at a compilitar and I'll ask you, in serious, a little, what are you? And the emperors they said, no, no, no diga nothing, because

then they're just another, because then they're, he'll go and then the protocol of check-eos, and before that they go ahead, they're the hand, and he says,

for favor, counten me the story, no I'm going to say nothing, but I have a person known that narrate

that's stories in total anonymat, for favor, tell them what what's the and there and there is it

because it's a very good. He told that properly not is that they are not

that's but what is that is that was that had occurred a day's

an event that not is the first that is the third or

the third or the one of each has the problem or

more well, the interesting is that each one of these people had lived apart and not he had talked to the other, until they lived the event, juncts.

I'll tell what what they said. They said that they had like, imagineate a quartito of this hospital. And in this

quartito, there were six camas. In those camas, there were different people that were

convalecentes, but none of them was in a state critical. It was, more than persons that were reposando of some surgery, of some

treatment, or were they were under revision. To those six persons that were there, of a sudden, one day, she was used both inferneras

in different moments to see that in the sillet that they're at the side of the camera, there was a person all vestida

of black sentadita. They, as, as the first time that they've been this, that figure

they distinguished at the instant. A woman, a woman that is sent like reading something, but no she

doesn't get to see the rostro, the silhouette is a woman, and not see that the person that

is in the camera, he's preston or is taking a conversation to get a question.

In this occasion, the person was to be a almost almost with the

eyes and then the other. And one not enter in the room, they're in that space and

that time. But a part of that moment they're to put a much attention because they're to attack.

Las are not of a way aggressive. They're going to make that in the moment in the

time that they're more they're a feeling a but that

that's that they're going to get done that. Talves for a

last of three minutes or of five. And the problem is that

is that to get a alarm. The alarm of the signals vitales of that person, because she'll be totally in the other plan. And as they're going to to get a time, they're not going to be

to actonar. This is the third way that's the past. So, when she was the first, she was atent, was in alarm. And he said to the little bit of the

time, hey, put attention, I think the person that's in the camera number 14, for darly a number, can get to

have to have a problemita. and the other she kept being and he said there was a problem

with some there's there's there's a no no, but I think can't have

a problemita and she he said and she's let me go to see and the and the

and the to do and checka and he he says the she's the she's the

she's the woman she was she was she put her she's all the little the little chinita

of the she's she's she's she's she How you know, I said, because I've

seen, because I'm saying, because you know that's being a need to be a little, right? And the other

he said, yes. The two started to say that you have been this. The sequence is

the second. First, and in this occasion, no, they're not, it's a

sombra, a sombra that pass in the pass the pasions, a sombra that if there's

with them, or women, or women, they're to say, he, it's, he's,

Acaba to pass to someone. The second point is that if they're going to see some there's there's

there's there's a person, a woman, for the general, vestida of the

and that is there being like, but not is interacting with the other

person, the other person, no, he doesn't even if it's even if it's despite.

The third point is that in some moment they're going to get done

done, the they're that they're revisiting a table with signals vital, they're going to and start the eyes. And they're

to start the alarm when the person is in signals vital. Not is that every person that's going to the other

world, have to live this, no. But is that one of the woman of the NECro, the other

two points are going to pass. These two two chikas were together and they did,

and we're going to be here, and we're this person, alarmed on the doctora, all normal and,

and, in a parpadeo, it was soning the alarm when they were at the person, he had parted.

They said they're not they're not yet, but that there's a minute, that they're

not having the minority that they're doing. Now, you've heard you have you

have been to the first early to plan your summer's story in

Europe with Westjet from rolling countryside to cobblestone

streets. Begin your next chapter. Book your seat at westjet.com or call your travel agent. WestJet, where your story takes off. Ten much care when you prestes your house. A a lot of people that you have in front and in those that

you desire or confies, a lot of you know all of them. In the case of Avelardo, what he lived with his sobriano for putting a little relation, it was something very disagradable. Avelardo He has a He lives Only there

He's a soltero It's a house Not very It's a house It's a house that It's a It's a Pissus, but it's

If you enter You're going to A cell Codewor Cucina But really Mide Apeness 3

meters For 5 And then At last You know All the Most Those

Most Most Those Most There There's A part There's a

you do a passillo that he put a techito and there the lavador and the see a lot of the lavator. This practically is all the plant of alas.

There's a badger. There's a door. In the part of the part of the upper,

there were some quarters little quarters. He decided to tumbar paredes, and they're just there

some support, some vigas to the techo, but all is a loft. Pus a second

the second piece, separate the the first, and he had an, let me a air ventilator

of a good capacity, and all of that part of the thing he was to be quite a fresh with his

air-conditioned. For a situation of a belardo has to go. When he said to his family,

not to the family extended in a reunion, that for a situation of the time,

will be going to be in the city in the he, coincide that a

sobriene of him, because more is the novi of his Sobrina, he's

looking a house in that he's able to get more or less about in what he's

a little bit of his because he came to he's asking the department in where he's

living, he has to move, in fin. Abelardo, after the insistence of his

sobrinita and of this subject, no, he was not a common but at

he said, if you have the things, what he he has said, then he

he has very clear with and he says, I don't want that I'm going to use in my house to do you know,

I'm doing no other than a refuge of after your then you're going to know how you're going to so he's going to

his family with the father and all of the house and he going to get to that's a

good at that's through the first years. There are some times

there's a belard to this child. This chico he responds very well all the

time in hours. No there no a person that report in any

type of incident, molestia or problem, that's all put in tranquillity and it

makes that the next three years, it's supposed that he should be living

there, but you know that's still being there. No, they've never

that's going to get a case, and for he's more more

because there's no reports of nojos of many and part of

nobody, and well, he he's he's he goes to that

he's there's no that he's known and of of confidence to get in the house,

than to have a lot of time. Just a time and a minute, before that he gets

when he gets a time, is this this chico he's saying that he got a new department,

that he will have to get, that he get, he's going to

get a time, he's that he don't be any problem with a that,

that no, he's a belard, he does a little bit of a disconfiance but he'll have a very good surprise

yeah when when he gets the time to get a department and the department and the houseita that's super

good, it's very very good all, all is in order. Of actually there's a

detail but a detail that is he's very beautiful and is that the paint of the wall of the

floor of the piece of the he was a he yeah he was a color black

but he was a big he combined with it could be Pinteditas of

Man, that color that now is black, black, but that it's been like with

certain tonitos coffee. Well, the point is that now is that a color

black new, brilliant, beautiful, and it a trap that had a certain

level of umed with a and it and it doesn't try the paintura

and he says, ah, but that's badaro me put a

good. Then he said, he he said this chico to give you to say, I'm,

muchimates me, I'm just the apartment, the casita painted, I'm sure a good,

I'm a good, I'm a lot of, no. And, well, yeah, he's the

minimum, yeah, he's the money, he had had had put a money,

and that he's, he's he's not there's there. There's much more

more things that's there he's and he he took, he took, he took

to pay all the plate rotos. One that he's fascinated, the place is a

new, like the day that came to get a new house, and that's totally in his home,

now he's another again, but now, well, yeah, I had a more of more money,

and so is that he was to he was to his house to docks with certain retooks technological,

paders. He bought a series of bocinas that was able for the middle of cable for the first and second Piso, he bought an Alexa,

and he had a television, and that television also was these televisions, and well, at the final, what he'd was that he'd be able to listen music, that would have in all the house, that music, to have, like, an ambient musical or an ambient that he

could want to listen a movie, with the bocinas, sonarer like if it would be in a cinema. And he could choose, How many bocina son were, where sonnabre and all that. You can't do all that. Because, of a sudden, it's about four, five days.

And then in the night, it's a music of violin. But not is any violin. It's a music absolutely aterrador. It's a sound like grave, but stridently the best, music that he no, and no voices.

Only is that sound of the violin, but it's sound like, Tristy, malevolo. He's He gets, he gets, then he's his stereo,

of his bocina, and he comes to be able to the volume. And this is very strange, because it's like if

if it had dis-configured or dis-program he he gets the volume, he's up the volume and

it's up a moment, in the that it gets to get a more than it.

It's he has a strange, his Alex is a paid, his television is

a-pagued, all is apagued, but the bocina sonnabes so on the rare. She's going to doorme. And he's going to start to be 15 to 20 minutes. It's sounding more tenue. Are the bocinas of the plant

back? He says, but those are connected to this modular. It's been able to see the modular. The modular is apagued, but are suenans of the above. And it's a cuckoldeer, and it's a function for that were like to be a mano-libered. They could connectar, maybe, for

Bluetooth or some other form Wi-Fi or something. but they could connect to that they'd directly the information of an apparel. So, it's that back,

the plant and they're disconnected, they're the energy. Yeah, it's a cabo the problem.

He's up the escalars, it's preending the television, and of a video in the platform where probably

you're probably you're going this video, and in that video is that music of the violin.

And it's something like sonata of the diablo or something. He no

recall exactly the numbers, but it was a music dedicated to the devil and only was a violin. It's a image is of a demonio, then it's a susts much, apag the television and the disconnect,

it's a way up to and then Alexa starts to talk that song. She hasusts, she molesta, is very incommod with that,

revisa his cellular, because Alex is to talk about that and he's does a cellar not is a little Alexa, no has put

the application, then then yeah, Apag the Alexa, the disconnect, and he gets with the cellular,

he put in a mode on a second, the cellar, one hour after then it's

a sonar that. No, has been the mode on the car put it.

He's that's a morning next, is doing about it was, what happened,

I'm doing ideas, probably a hacker, someone has been in my equipment,

it has been to be a thing, it's two, three days, it

Mism, Ombudsina's to the other, Bosinas of the cellular, the television, all, all, it's a moment

after that he's not that he's about a and he's he's going to ask him, hey,

there were things rather than you've been here. I, he'll say,

he'll say, I'm, but really is the nobio of his son, but he

he's, he says he wants to he's he can't to come to the car, he

They're taking the coffee and he He says, No, what's been living in those days? And he says, no, he passed something rare here? And the sobrino is impacted. The man, he says, For favor,

for favor, let me keep me, even that's been three days more, because just I'm looking that me contact them, and not he had

done. Now that you're here, they're talking, it's for me, me, they're to be looking to me. And Abelardo,

he gets to be and he says, no, I'm trying to I'm not even let's hear let's be explain me

you're talking me you're you're taking you're playing with me because what I'm doing not is I'm sure

I'm sure what I'm saying no no no is that I'm I think I'm a group of people who we're we're

we're gonna we're gonna with the world so with the world of the Murtos and now that I'm

we've been we've been we've got we're gonna we're we're gonna that's you're just

is not just a more a more important. Me, you know, I'll just to try to my friends

to contact him. And Avelardo me made this message and say, I'm going to gore in my house.

Since that day I've wanted to say, I've got to that I'm with my son,

and I said that I'm a person with the she was, I'm she's,

I'm not because me, he's made a very bad subject, totally

improper. And if the problem I'm in the house. I've to

disconnecting all the bocinas, Alexa, the television. My cellular I have to maintain apagued. When I'm in the house and I'm discuido, the worst is that you have entered

by the number 0-000-000-000-6-6-6. Dic. Dice, oh, yeah, even if you're in the cliché, no me important. Necessito, I need to do a lot, and I'm not a good, and I'm

even though to live I'm still to love. And you, what would do you? What do you? Delia is a situation a question a very strange with his marido. This situation

has around a week that's been going to be so extravagant that decided to send me to ask what

could be the respect. She me says that with her has a relationship with a

there's a question in all the things. And when you say in all the things is

in all. They're people that all do do you do do this

passion. They're in the house. She's doing in the and are very appassionados in all the things. There's a situation

that vivied more or less two months. There was a despid unjustified, there was a good indignization, the husband,

as a person very appassionate, he moved rapidly and he got a not the not is a place that

he's a lot, but right for this moment is it's turn nocturno. A. He has to start

working of the night and get up in the mornings to her house and that has made that's been in a disface very important of time. She has had adapted to this situation of a manner rapid, as a person that's embebe in all the types of the work that has, and

in all the things that she does, it's with much passion. Look, between the work out of the house and the job in two, three days. But there was a situation that there began to occurre. As I do, this is something very recent, is something that they're living very little time,

but she has she's so disconcerted that she wants what is what can do you. Because no know if what is going to

is good or is bad. One day is a costed in the camera and simply she doesn't as it

the door of the alcova, enter to her marido, she acuesta in the and she and she

and he top to the door abirt but no there. So, so it's

a little impacted. But that is At final, he was so can't when he went

to do that all the other could have been a imagination. No, he had to get the

door or the door of the other part, the part of the other part of the part of the part of

the part of the part of the time. It was a impact. It was just a

little a little a little bit. The day next again, it will be

to occur the same but now there is a great difference. Now, now see

that's a hand and a man that she knows perfectly well and commenced to talk to the car to the and it's

totally for the form in the way in the thing she's a feeling that she knows what are the intentions

and she is that she is that she's a soorhoho a little and when he's

and when he's not even, I'm, you know, I'm, and... no, we're no, no, the sensation, the situation, and it's... He had to have the door, that the camera of the side of his husband was attended, and now is totally distended, and the door is open. Apart, was the sensation.

A partier, when he'stie in case, there's not occurring things strange. He's lavando trasties, and he's sands he puts the hands in the part of the back of the back, but his husband is still in the job. No, is there. And she is, she's totally sure of that, because

he saw that 45 minutes So, so it's that with this certainty in the head he does it. He does want to find out

there. He'll be his husband. Voltae the window that you're in front to see some refecto

and no be nothing. Then I'll see to his shoulders, all not have nothing there, the

sensation disappears. After that, it's a little sensation, like if someone

he would be making little little cosquillas in the part through the

car and it It gets a moment in the moment in the hand behind the collar with and it's time there's a razzos of something.

A little cabo longed and chined to color rojo. She has the hair and her husband also.

That is a cabo of a woman, but nobody that knows has a baby rogo. A part of that moment,

in the camera there is a cabo rogo, debaio her combated, the red, and he's

a white of the house perfectly, and in the places that there's there's

there's the way, the situation is that one way again, this, is that

is the car to get a feeling a and the heart of she's a cremeas

and she they're to start to the back, and is where I say

I'm a problem because I'm what I do what do because

I'm is that I'm just going to and I'm a much chemistry, but I don't if this is something good or bad.

And you, what you recommend you? I have to do you have to be a correction of some of the

video. Recurred that you're that in the hospitals, or the stories of hospitals and

the stories of the stories that me I like much. Well, me felt a

little detail. I felt to say that also that there's that too

there's that in personal me are the coutivan. They're that they're that when

a member of the family nocturner, for having heard a little, or when he's a

question to ask you, it's a person, of those that they never ever ever

ever that they they're they're a story and it is something

something that's a spelousnant and and very perturborda.

Rosendo is the person that me mando this story. And Rosendo he took to start listening one of these episodes where I spoke about my experience in a

house enbrujada and he he said that in his family in some moment when he was a little, and we're talking of more of 10 years ago, he talked about a house enbrujada, his papa was put very well and he said that he

no he liked to that about that time. Rosendo, at day of today, you know, it's a adult. And that he's

he said to think of a way different. First, I think he's that his father

was a lot of the things of a lot of a lot, he was a little,

he's a other he's his his father is to

something his father probably lived something, but he was thought,

I think my father is a person septica not is a person

religious, no is someone crevient, but also they're in nothing, and is someone that's apeg

much to the sciences. He was and experimented. He's he went to him and he said,

Papa, I want to ask you something, and I need to be very sincere with

me. And the father, he said, oh, you know, you know, is very formal,

what what you want you what you want, you want to do the

supernatural because lived a something, and then when he he said that, the Papa

so, the Papa so he's tarts to talk to muttoned for, why you

you're why you're so, why you're no, no, I'm like in those

things, you know I'm like me so it's so it's really, and Rosend

he says, yeah, be, papa, be, that reaction that you didn't

just, you've lived, you know, and I'm the real, and the

father, no, no, no, no, no, no, no,

I'm I'm to tell nothing. And he said, yeah I said that you've lived here. And then Rosendo, that is a type very versed, and that is very good to be involved in dialogues, he was thinking

all the day, of how he could enreder to his papa, and could make her father he could say that his father he told a story behind of so much. So, simply he, he told him. Papa, I think

no is just. And I think is very disconsiderated to your part that not us tell us this story. And the papa he said, why not is just and why is considered?

Because it would be a form of protect us. Saber what you did what you would be

that we're not we're going to we're to get us and we do this with us

with my and my and my you're you're not being vulnerable. The

culp was the form in that Rosendo did that his father he had

his father he had had to take a part

of anything else for him really was a traumatic and after you know you're

going to be you're going to get to the woman, and a her mother they're a third

brother and then this brother is a person just a person who just a six years is a

little to hear this story that ispantos great rasgos because what he was

what he occurred when he was when he was a oldic he was

a person was a pen a We're talking that are more than 40 years. He says

that he is of that he lived at his parents and his brothers in a little

a city little and in that city chiquititita all were a little

little and it was a little bit of a little bit of people. people, all they were invited. And you

know what not a people people they're in they're going because he's

intended to that the point of the intention. It was of the family and they

they're much to them to there. There was a house that was

a taboo. Nobody wanted to that he didn't know

what is the story of that he he was the house

never. The house no was a was the door because

it was a place that was a little bit of a old and that was a

cover of a lot of the other the rest of the house part

was in the other part was painted in a color black

and see black and black and that was

been had been been painted but it was just was

just she never all the windows of the

house was the the doors, that was the principal, one lateral, and the patio, also were inacted, and you know what? Since the papa of Rosendo

had used to reason, that house no was abidated, and nobody had been able to that house. Nobody said that what was there, who lived there, or anything, if someone asked, he'd call it in the box,

no important to who he has heard, change the theme, no we want to talk to, and it was a taboo. He recalls perfectly that was he, the case he did that the Casa Negra

was another and he saw that when in his house there was a feast. No, he said, if it was of his papas or of him, of a tia, no he wrote.

But there was a feast in his house, all the community was there and he was to get to get some things of some part, and when he goes

and he passes by the Casa Negr, be that there lights, but no the lights, and be a person that's

up and see from the frontalels. The problem or the situation is that that person is that person

he generates a sensation of mal-estar tremendous. No, he's an anciana, if it was an

anciano, if it was a woman, or if it was an woman, but he was that person

when they were in the door and he kept being, when it when he

he kept seeing and he clava the mirrored, he sent a combination between fear of the kind of,

and he could be able to discoverer. So, is he gotro going to all the car with all the

and then he was he got to go out of going to he was going to get a

way, he was he had to he had seen his house. He was he was he got to

his house and he he topa with a great surprise. All the people that is

supposed that should be there and there's celebrating. There, no there no there. The house

is a house is a lot of the second thing. The second thing is that the house is

not normal. When it's the door the door so much the way to give the

very they're very payasos and they're saying Don Martin, how he's,

he not he didn't he'd not he when he when they said he when he was

a lot but it was a little it was a kind of a

In the place of that the door some of the hands out of and they were and they were and they were in the house

and they're in the car and they're a certain and said it's so long as so long as that's too and he's

I was that I was to get to get to to get to what he was and the and the papa he said

but that was for it was much hours because he was too far

and martin has a there is a time in a moment not has no

simply not he said his papa is that me as I'm sorry because he said

I saw I'm in the house and I'm there's a man you and the pap he's said

my hither say hey my kid me that you said oh my yeah no you

not you not you don't have to have to have to have to have to

pass on a part of days and occur in two situations that martin

no record with exactitude how passed. At the final, understand it. It's a young of just a

nine years that's a shock and in a impact because he is a living a little

little a particular. Recurred that one they're to come to the house. His

papas are very assuptas because outside of the house there's

a big a comoda a lot, and in the part of there's

there. There's there. Who knows? The problem is that the comoda has a moanito in the part of the right of the end up. It's a good guylo. The next thing that's a quote, Martin, is that that comoda is in the quarter of

his papas and they're in discussions in a manner continual, his mom saying her, for favor, sack this thing to here, and the papa, saying, you know what happens if we don't accept them's his regalos? And then, Martin, no entie, is what what is what is happening, and who's the

The theme is that, that's a comoddy, get a house, and then start to occur things in the house. Of a repent,

he's not that's sure that's been listening to a pair of people who are doing in one of

the passings, and when he's, because it's a little of people of people of people,

the house, the houses, it's not that's even the people, and if it's

that the people, they're going to the person, and they're Without question, no to come the door.

No are people that have a custom of some modalities urban, but they're all they're trying so, then

when he a soma and he says, he's going to he, he he was trying some of the community,

only no he didn't recognize the voices. And the house was a backer. The

he was only, he was even he was even not even a papa and that he knew that he

he no he no He doesn't know of demonies. He simply he made with a much fear that he's quite.

He's not they're trying a lot of a lot of maybe they're going to surprise. If it's

he'll talk about that you know what they're going and now I'm going to hear some

and the part of mom. They're like a carer of the and Martin

he is just a lot who's who got in the car, no he

no one he's no one he no much they'd suck a

sussed a but that's a lot of not the question, he's going to get

to get to a man. A part of the moment, papa and mom are very had been

nothing in the house, now that he's going to something that they are the

things can't make a because Martin not you know, but it

doesn't that they they're there's there's there's there's a

situation and there not are not honest to share the

community, and to ask them to have two the young of the age of Martin that for favor they're

going to get to be in the house to get with him that they're going to be in

questions of the labor, of their work, that they for a time, that they're

not so. For a situation, the papas of Martin don't want that he go to

they're going to the children come. At final, these families accept them,

they're they're to be the kids are the events that traumatized to Martin for always.

He says that since these kids are going to but that one of them starts to start.

This person, this new that comes to start to say, he says that why he says

that's a and he he says what amygut those who live in the quarter of

your papa, I know they just to talk much when we

we're also we're we're we're we we're is a little bit of the pacitos and

he's a quarter of the voices of the and they say, is that I just I just said, but, but I don't know those I'm going to. And the little is that they say, is that they're that they're doing their fear, that for that's not they're going to present. But that they're going to play with me.

A part of there, this child in every opportunity, he met, scondidas, at the court of the father of the part of Martin. Martin, he is looking for all the house and he's top in the court. Here, there

there is something very strange. The the little bit the camera or the closet.

He's not a comod and the comoda and the comoda is, the cajoner to that they

were very rare because the carhones are very very pesas and every the

year is the carhons especially those of the very are very

very and the down just little about martin he is

that is he's that is that he's that and he's talking much, so me and he's,

hey, let's go to go out, start out of this is the court of my father. And this

he's a little that in one of those, Martin, he's a little more of the

time, I'll look to the carhons and they start to start

solitos. That he does much fear, but also he does a

very much and the next time that the next his best he makes

he put to come to be there and he he is He's going to the cajones and he

is there when when he a pair of eyes of color a marilla, some poppilas like a ser human but are amarillo completely

and the part of here of the rostro is like a kind of a macrada, media marigenta like if

were a person a much. And he he recognizes in that instant that even

that even the voice is the eyes not the eyes are they are of a

adult he does a a fear terrible and And the voice

he says, I don't want to go to get to and Martin, he's

he's got to his his friend his friend he's his next to Martin is

waiting his papas when when they're so can't that he know

he don't know they're not they're so when they get to

when they they're not just they're they're in things more

important for that form mysterious that is the day of

today no is the person that's he's and he never

to get to be a community good where there people

there nobody did that that simply simply was

he he he went to his and he he told

all what I have lived he he he he

did the people not did not they that the child, but Martin not was a little bit

a little bit of a lot. After that they were to know the community, that they were to get there, that they were to get to be very affliged

for what he had passed this man. But not he that comod that cajorn was, the disarmar

caron by cajone, and every caron he cuted all his clavitos and they they'd

made made and he went to when they when they cuted all the part posterior

was a a door and in the part where I'd have a perilla, there a circle-it-with-a-strel invertida. Martin no was what he was living. Passed many years

until that he started to batar cabos and he did a point that maybe his papas did something that was that was behind

the disappearance of the and that maybe for that was that door was that was that I was that

I was in the cajonera that they had given. And all this It's what it was part of the

maldition of the people of the house and you acceptaries that you? And with this

story dear family nocturna we've got to this this offcura fogata of

stories. So, is that before to finish to ask us to all

those new who've survived if is so so far

put here in the commentaries narrator so I've I've

said that the campanita for that we can give the welcome to the family nocturna and invoked

to the family nocturn to all the veterans to be present in the comments and every person that put

there, and for favor about that they are the new contesten with a

lunita to give this grand family the family most and chida of the

internet and once said this that great family nocturna we

we're we're next the next the same the morning orario

of the city of Mexico and and you know for the platform of videos long.

We'll see there. And one hour after will be in repetition on the platform you know the of a circle red with the

lines nears. And one once said this it's a good week a week and that you have

some your littleses and you guys.