HABLEMOS DE LO QUE NO EXISTE - Historias de Demonios Machistas , Fantasmas Oportunistas y Brujera de Destrucción | EP 277

Episode Date: March 27, 2025

Bienvenido a ésta Fogata de Historias de Demonios Machistas , Fantasmas Oportunistas y Brujería de Destrucción en  ⁨@HABLEMOSDELOQUENOEXISTE⁩  El día de hoy les traigo historias que ustedes querida Familia Nocturna me han hecho llegar. Escucha de los duendes en la casa de las Palmas, del fajo de billetes maldito y por qué NUNCA debes robarle a un muerto. ¿Conoces los pactos trampa? Cuidado si tú o tu familia sueña con éste sujeto o pueden estar en peligro. Descubre un nuevo significado de la frase "se me subió el muerto" junto con Manu y Reycito. Tiembla de miedo con la experiencia que vivió Christian Meza mientras grababa contenido en un Panteón . Y como cereza del pastel La Mujer de Ojos Violeta vuelve en la historia escalofriante que vivió Conrado en Barrio Antiguo, así que prepárate porque llegó el momento de que  ⁨@HABLEMOSDELOQUENOEXISTE⁩  HABLEMOS DE LO QUE NO EXISTE es un canal de youtube con el formato podcast que comenzó en abril del 2022, su primer episodio fue "vivo en un casa embrujada" en el que una chica narró sus vivencias y sucesos paranormales a lo largo de 20 años en la casa de sus padres, desde ese episodio hablemos de lo que no existe ha marcado una tendencia en exponer casos paranormales de personas comunes que viven en diferentes partes del mundo. Ice Murdock es el conductor o host de éste canal, durante casi 100 episodios no apareció, nadie conoció su rostro y la comunidad de éste canal , la familia nocturna , creó teorías acerca de quién era el dueño de esa voz. Hablemos de lo que no existe se destaca por tener apertura ante las opiniones experiencias y vivencias de cada uno de los invitados. La comunidad de éste canal es conocida como la familia nocturna, de hecho por estar leyendo o escuchando ésto, tu ya eres miembro de la familia nocturna.. bienvenido. El duelo de historias es un concepto que se creó en el canal @Hablemosdeloquenoexiste, idea original del narrador, se estrenó en el episodio "Comité de la Muerte ,historias de Hospitales" el 1 de junio de 2023 y empezó a implementarse formalmente en el episodio "Abrí la puerta a un Demonio" el 11 de Enero de 2024 ; consiste en un duelo entre Narradores, una dinámica sencilla, donde cada uno cuenta una historia y busca superar a la anterior y al final la familia nocturna nos comparte en comentarios cual fue la historia más aterradora.El Narrador y todo el equipo de Hablemos de lo que no existe trabajamos para darles a ustedes querida Familia nocturna contenido original y de calidad, tardamos a veces semanas ideando formatos luego de tomar en cuenta las cosas que nos han pedido a lo largo de la temporada anterior y por eso el día 23 de Septiembre de 2024 comenzamos una nueva temporada que llamamos FOGATA DE HISTORIAS, en donde el narrador prepara una serie de historias escalofriantes una tras otra para retar al espectador a terminar el episodio por el nivel de miedo que genera. En este canal se relatan historias de terror paranormales, sobrenaturales y reales, prepárate para conocer el miedo de una forma en la que nunca lo habías experimentado.

Lazang sur-gillet, Pugance-Moyerned 15 minutes. We're like it's the hour dojo. Prere to play. Vive the pleasure with Leo Jo.

The casino in-line that proposes the more recent machine-a-soo and the new-rescent-a- on Big Bas-Banza without

without any disjance of payment instantane. Hey, I've gained! Woohoo! SENTURE 10-N-L-Boy

DePos only depots only depo'clock in Ontario. 50 tours on $1 $1 billion to pay money to pay money to pay

money to pay responsible. The conditions apply. When you were little, you've been brassed

in the course of recry, always in trying to negotiate, to change the cards of hockey, the bonhom, the bracelets,

even of the collation. You know that everything has a value, well, before the time to

have been, the things have not really changed. Negoti T.D you can't be renewing

with your instinct of with your instin of without an operation without any money, you

have made for money, you're made, and the appellateate TD is made for you

Di-charge it right now. Welcome to Family Nocturna to this obscure fogata of Histories. The day of today, we're going to talk about of demons, duendos, and a lot of situations that creme. In the stories

you're going to but not wish you want to live in the carne property any one of these. And, of each, for you, that you're new or

new in the channel, for you, that maybe for a recommendation or because you've in some a little clip Did you come to

see a a fagata a full of complete? I want to say to a first. The first,

welcome. Welcome, but I'm going to be able to do you. It's a little escanoncitu as to the inferno. The inferno that's

many people have been so let me say that in this dark recorried, we don't we're just

not you don't you convien. So, so I'm I'm that I'm here in the

comments and put them for favor a little a little fogatita just to just to

give us in this oscura fogata of stories. We'll We'll begin. Never,

under any circumstance, you'll accept what you offer this subject in your dreams. Miranda never never took dreams.

No, remember one a single in the life that he had been a dream in the

one that was a movie or living to be a to come, to come

to get to the eyes and to be to be a little and it's a new day.

It's a chick a much active in the moment in the time in the eye the eye the little bit of the loose or simply does a point that you're just and she's put in a place and she put to work.

It's a person of these in those that are not organized but always you see doing something. No, she's a pass

sat sat down, not she like all the day divagando, she's doing things. Miranda, only has

only has a record of a little a little time where she had soo but creem

no he wants he's not he's going to want to get to contact

and this data data of the years when his son

his son her her her is a point to

get a time to her day of a woman so

is that's a idea of the time miranda in this time she's a first time extrano

for her, because no know that's sonning. Miranda is dormita,

and of the little bit of the time, and he does the point when you know,

that's in the house, is in a park in the that never had had been

ever. And this park, this place, is a place, there's a

bank, there, there are many many people for all parts. And she

is confused and he doesn't look to back to be the

attuendo, but not is something that you know the attention, he has a attention in the place. It has a vibra precious, has a little lago in

which there are a pair of patitos for there, that's that's the soundings are more

reales than in the reality, the colors are more brilliant than in the reality.

All there is so envolvented and so delicious that's marvell and it's then when

appears Nicholas. Digg- Nick. Nick is a type that he

said, Miranda, Miranda, that's good to be here. I've been here so much.

That's a good that's a lot of he's a turn to, he's a and say, who's

who? And be a a little more chapparito than she because Miranda is a little bit

about a small, and this is a little bit more about a 65 or 70. He's the eye right is

red and the ojo, the right is blue. For that's a image that never ever

ever to forget. His rostro is black, black, and it be like

one of those that you're that's that you know, like you know you

know you since a much. He, extranames is a vestido with a

jacket, with a camis very elegant, and no a coat,

he has a little more more more than was a medieval, but it

is a supermently elegant, and she's very fine, and she gets her looking, bolted at above, and he says,

I'm like if you know if you know, and then he says, it's that I'm saying,

come, come, come, me. And say Miranda, that's a dream, no,

he can't forget, because it was a real, and it very very very good.

This subject he's he gets to get to come to the part, he,

and things that that is, but he about the people that are there, that all are friends of him, that all of them are that are friends of him. But, none of those persons, it seems that they're not conscious that Miranda and he are they're going, because

Nick and Miranda simply are in the multitudes, and these people, and they reactioning. They're going to a sender, and he to start some of the plants that are there, plants of colors very vivos, and he he he comments that these plants are exclusive of her garden. And he, with much

good so they can do it. She can do to her and they're in the house,

because they're properties medicinales incredible. He's to tell that this plant,

curate that's very very furs some problems in the mind and the

heart that doesn't that will help to do you and he

still and he still in a vehicle is incredible. She

Miranda no no but it's a model old but supermently luso. They're some

some of the seat, demasiated comodos. The the techo is a lot high,

she's in a place in a house that in a car because says that's that's

there there's a little he he offers a little bit because she's a little bit that's

that's never nobody had been so amable with her. And never nobody he talks with with that familiarity. Because Miranda

is the type of people that you give a conversation. And that's he made to think while Nick he said, because I'm

paying so much not a tension, why not I'm doing something? And that, that when he would offercea things,

not he accepted nothing. Nick, after to get her to get her in his vehicle and

explain to he's the chauffe, and that's this car, that if they're they're

that they her, it was a edificio that was a beautiful. And in that edificio was a

elevator, and Miranda not could create the quantity of the pieces that they took up

because it was a little to a city in the whole a city, and he

never had seen a room, and he went in an luxus, incredible, incredible,

that you could be incredible, you can get to people, people, serve them,

food, that they asked them they were people who were in people doing

spectacles there things supermating extravagant Nick he invite that she

sit in a little sofa that is the thing that is

she has she she she's very very very

she she got to get and you get to

get to and not he can't move the The body is

moving like a way automatic. It's like if it's like a movie,

and it's an actress, but she's not a decision to do you. Only the only moment

in the has a power of decision, is to say, and not to the

offers. And Nick continued to you want you money, and one of these

people, he's a bande and he a bande and the bandeja in the

fashos of different nationalities, but she recognizes minimum three. Her moneda national, the peso Mexican, and the dollar, the only places

in which I've been in their life, and for that can recognize the mona. The other monas no have any the minority of

where are, and are fashos quite great, he's in his country, one of the billets

that's of the denomination more more not they, they're they're not that's

nobody, but it's a number a lot, that you can't buy little things. They're

to buy things quite when accumulas a pair of those. Suppone that those

fajos of billets can be hundreds of millions. And she is impacted.

She's very, very impacted, but not want to accept

nothing. Something he says that is a trap. But it's very

strange. No, he has been if this is a a dream, no, because it's the first time that's conscient in a

dream. It's the first time that he's a final, Nick he says, Miranda, for favor, tell me what is what you want? Do you want to be a person recognized? Do you want to be able to

preoccupate for the money? You want to have fortune? You want to have power? Tal-beast you interest the power. What is what you do?

Imposted in the government? Ser a president? tell me what is what you you want, you want to you're doing people that's

like you're always you're going to be more than the other you're your family

your your sonnors your not a other life and you see you a

beautiful, what is what you what you want and Miranda only

just he just he just he said he's he said thinkal thinkal

Just let's just remember that the only that I'm going to pay is that me help you know your sobrina. If me help you know that you know your

what you will be your and Miranda he was made and discovered that his heart being that he was

laughing because when he said both both eyes turned to color. Of that

that blue and that and that blue they put black like the one

because I've had seen that you never I didn't know with any of this. It was a dream horrible,

he was a first time that was a but not it's for logic. When you live is

something for first a time, the logic no doesn't to ask, he said,

he had lived a dream, because his papas, his brothers, his

her man, that was her brother, all of the father, they were, they were allows,

and and blancos. You know why? Because that all had had been

with Nick. with him. only had been a little bit of a little a chick that a woman's about

to how the maternity and how the one of the young need an angel of the guard the woman had an o'clock

the woman had an o'clock and an o'clock and he was He commenced to promise different things. The only thing he paid is that, for favor, he'd give her son. His brothers and his parents, the same.

Soñed with women, soniard even with children, that they'd all, jugetes, fortune, including a good-estar that needed various of his families, for questions of the

infirmities, a change of that they'll entereran to the sobrina, that they were presentar that, that they'd be to be able to

always. The family was when Miranda decided simply and simply and it's just no me

interest, I'm going to say that's and she was the front of the family. Miranda not is a

person that has been not the person who doesn't that I'm that I'm not a

no. And I'm even a mind that's my mind the thing. And the time still

going and the after after said, and nobody did to talk

to do that and Miranda again to have to have been in two times in the

two occasions there's different places, places in those Nick did things

things more extraordinary but Miranda is a woman very very

not not not the attention of things and that

she is putting in hake to a person she she she

no she not she doesn't of none of that but

she know of people people who abuser to do the other, offering them

something that really with letters little little more. And he know some people that

they offeres to offer them but not are not not yet they're doing to get me and they're

not one of these people one of these people, a person that had a labia precious, a person

that could involve, a person that if was to be a much offering them many things

and querientoless quittering the more precious. So, Miranda, all the time in the

dreams for her was very very simple. No, no, no, no, no. Qualqueerciment, yacht,

car, mancions, luxury, servidum, power, money, life, it's,

no me interest, nothing. No, it was no, it was the easy of

those things mentales, so I just had to say, or no, no,

no, no, no, no, no, to have to And all of no. Fin.

A day, I'd have to have the dreams. The life went to be quite. After that his sobrina,

from her little, he was in the occultism. He called much the attention. And not is that the occultism

per se is something when someone knows that exists, things occultas, it's obvious

that the curiosity you know, but here was a different. The sobrina had a

good, a gust, a gusty from the root, a necessity. I know know things, that persons at his age, no

know that they're that they're that's a very rapid. When he started to grow and and he

was a woman quite malvada, a woman in the woman, endregated in the blood to damage to

do you, Miranda, knows that somebody but no knows who, accepted what Nick

you're he was offered. And you accept the the offerciements of NIC a change of

to give a little less human these days, aren't they? But isn't the whole point of progress to make things more human? That's why, at TD, when we design a product, whether it's an app for making trading easier, or monitoring your account for fraud, we ask one simple question.

How does this help people? That's how we're making banking, more simple, more seamless, and more intuitive. But most importantly, that's how T.D. is making thanking more human. It's never too early to plan your summer story in Europe with WestJet, from rolling countryside to cobblestone streets.

Begin your next chapter. Book your seat at westjet.com or call your travel agent. WestJet, where your story takes off. All family has his members dadivososos and egoists, those members that vellam for the interests of all and those that vellam only for those interests, those who are disposed to

sacrifice a bit of them for that all are they're doing, and those are they're to do you do they're

to be in the family of our subcriptora no is the exception to this situation. And there one person,

the Tia of Leonor, that is a person absolutely egoist and absolutely serrada in

it. It's someone that was growing our subscription, we that was a person that was a good person

that was a good enough to have been the always envisiveyosa, always querying what they'd have the most and always disposed to that the other's furs a mal, with that she'll be well. It's this type of person that when you go well, you, you're envied but no more just a lot of it does there,

does it, do something, does something for that you don't know that's even, because at times, neither he doesn't even care that she even. Just to be that the most not more than better than she, is something that makes sense very well. Our subscription She said that

a long of her life, he was full of problems with her Tia Eleanor. After

that the Tia Eleonor no never to have contact with the family but

because he did something there a context very very and is

that our substcriptor has a brother has Julianan no has

made the decisions in the life and when he

he he he he he know and he's a problem

of manho of the substance. Very rapidly fall in addictions, no have any type of

study, and of a person that's a person that's a lot of time with bad bad and it

and it is a person that will get to any part. Our suscriptor has many

conversations with her mom, with the mom of Julian that is her

and they're they're they're they're they're and they they're very

I'm very Disgastata, no, he's a person Entregated to the job, not is a person carigno, and is someone that just say, let's go, it's a tap. And then, what will be going to happen? Julianne's

peer. In these situations that have been a pair of months in those that are you know what they're not to do. No, they're with resources, not economic or in interaction, because Julianna no, does listen, Julian no wants to know anything. It's when

It appears, the Tia Eleonora. The Tia Eleonora L.O.T.E.O.S.O.G.G.O. G. G. G. G. O'G. G. G. O'G. G. G. I mean, I'm, tell you have got problems with him. Those will help.

Those will help. You know, how we're going to keep the problem, Julianne? Degener me. And then, the mom of Julianne, the mother of the Lord Eleonora,

that, lamentably in many occasions occur to this. Someone still still confiando in who no I don't even you have

demonstrated 1,500 times that you're going to be good. This is the case

of the mom of Julianna and she still confiating in the senior

Eleonora I did it because he made to get a house the

man. The chasasas intoxicated but with some type of

substance that he was a tontado and domilado so

so is he he put resisten he he was he he was

he that day in the house. The family I don't understand what was going to, they wanted what I wanted to be able to-locarizar. Not they were, they're going to visit her house, and the senior Eleonora is, dressedida with a bat, saying to her, because they're not molestant so temprano?

It was about the 10.5 a day of the morning, and then, so, the chica, the subscriber, as her mom, commenced to say, well, what happened with Julian? What did? Why, why not us asked yesterday? What happened? And she,

Ah, for So, me are you know, yeah, I'm I'm

in the moment, they're in the thing, what you're doing this I'm in a friend,

I'm a man who's and she let's go and the I'm sure, I'm talking to

my friend, he's the what we need to what you need to what's a

little, and you and you let's go there. And I go to a week,

two two months, three months, and no had not the news of Julian. Until that our subscription

was the she was the mother, and he said, Mama, we're going to go to

something, three months, lamentably. When they're to get to get a a girl

a girl whose mirroha if she had crossed out of the to have passed to the heart pasted

the alma, those eyes absolutely malekulos, and a presence not captivator, no, aplastant, a person

of these that's who comes, that seems that it's that it's a little turvue and

when they saw, the disconfinance grew up, but at 2,000 and they were in the

family of Julian, that where was their that they were they they're going to this

they're to be to her. The problem is that the house where this

woman, not a house that makes that has a It's a lot of a lot of a house

very, very, very, very chiquitita. Where has a son? And she says that not are very much.

That the man, if it's for them, that she's doing it, that they're doing that when he's he'll be

to give to and you know, we're going to her mom in the moment in the moment in the

time they they're they're a disconfiance absolute, they've put you like lokas.

We're we're going to enter to see to know, because the woman, goance of here

or he called the policeia. And where did he said, he said, he said,

the police to get to talk to us. It's our other and your and the he's got to

get to get to the two got to get to get us my he's he's they're

and this this woman was never first and said yeah getensel

you. When they're when they're in the house they're in a

little in a little of year that she heard lamentos from

some abutations but they were to investigate. They're not they're not to be

not to see them and that this woman simply and simply simply they've

they've brought on the patio, and in the patio that's covered

by a mantas was a manned and was notrida and the

eyes, and when they were they were they were that they had many

some indicios of that they had used in a form violent. For what,

who can know, but that's maturredas were all parts. Moretones

and mordid in others. And there areas where the skin was that was

that was that was not, and the pieces of the

pieces of that they're getting got. Peac pieces. Nothing

that very. But if the sufficient that for that in

a weeks, Juliania no was there. When Julian is they're going to get a house and you're there, me say the descriptor that had turned many days in

that could be talking to say, not about, he was going to when he said to say, it was all buceia things that

not said Eleonora, said, yes, she, she, she, Eleonora,

what you did, and it was all. They were so they were looking the media for all

parts they've made it in a center of rehabilitation and after after the three months

and then it and then it was that they noticed. There's not the light. And Julian, at the day

of the day of the day of that you have been to be the same. And there's a little

detail. What was what was what was what they did with him? No, they know.

The only that is they know, and they're very clear One, Julianne, all the nights He has

gritty, patalea, he's to goy the camera. Two, no has no

their record of that happened. He's been they're they're going to the and he not remember

of nobody. The Tia Eleonora and the witch in his mind are people that no

existent. Siente that never has been never has been never to present

with the Jula, never. But you know what? You know, he's going to go better than never. And you know another little detail? A Julia never had been. He's been 10 years that he's very bad. And he'll have that he says that not like to be only in the night,

that there's a subscriber. Mysatsh, me asked, do you think that they used for some ritual? The family Sarah has had a house, a house in that you could not did you ever a one

one of the last night. This casita that they bought

in the other because not the they were for the and they they were

in the time in those that you get to you money

when one they did know that that was

that there had a good that so that

so that the family so the family is a

family small little a little That house is But all the other is beautiful and for the night's profoundly

Aterrador On one side of the house They have some palmeras And a pair of plantitas that they're in the Piso, no-seed what are But imagine it, the place Very Verde On the other side

They've been a lot of Tierra that has been worked one and other Asper as trying to do some parcel of something The problem is that There is that there no Crece in

Nothing. For more that they do they intend to not grow. Standing in the same terrain, a scarce two

meters, where they're all the part of the part of the house, the garden or patio,

also, they're doing two. In a area, they're puras things because

they're to work, and in the other, there's a house. A little houseita.

It's like a quarter longed with the lot of the same many occasions were that

They'd be that the invite-sehs to stay-a-dorme there? They'd also that they'd even have They've been the Terranos and since

when these constructions. Then the family had been extended. Yeah,

not are some quite. They were many more. And then when

they were the first reunion, they were the first rumors. O'gan, who

brought children? Nobody. Purs adults in that reunion. No, but

is that there were some the little there was a bard perimetral.

Well, it's some some a bit to get to play

to or Or what? Then, it's really the quarter of the

other. Commentaries that first said a prima or a subrina and then

they said the sobrino, the tio, if someone you observe the

same comments, if that someone you're seeing that you're being,

and when you're being, you're being, there. There are others

that say that they are that they're they He's a try to be only there, because there's

the story of a man who when he's he, they were he said, he went,

and he went moot two days. And then when he went to and the people

and the people, he said, what was, he had recovered the hour, he never

he said he had passed many years since then this he's he has

a story, no, the he's the the kid was the the kid, he was the

man, he was the so he atreve to pass to that bit of the house where are the

place in the place, there are many people that are people who there's there's

that's the building a bar perimmetral when they they've been in the reja, they've

felicited to the family because what the beautiful people

there, there no there. What is what they are being? And to

the people, there there, there there, there, of that

place. And he has told the history. He says that in the area of the area

he had bought a pair of the little bit of hand because he they could be able to

start to an little a great a thing. And the first thing of

soldah was a mecedor. The mecedora he made and to show

to the family that had had been perfect and that could confi

in the for that confection moebles met metallic or cos it's metalical and she put just to the front of the

house, just in front of the palmiras, and he put to mecernse a little. She did a point that he was too a lot of the chair, the mecedura, then, of a repent, he started to sobnollient, when he said that from behind to chistarled.

They were this sound as, as if someone he could say, when he would be able to see nothing, he began again again to get us dormido when he heard of a voice

of a woman that he had directly to his own and he said a Paco, his name

he's a sosted much, so he's soott much, much, because when

he was he said that he saw that he was, he was many many some

that's behind of the palmeritas and behind of these plantes

that they were that he was he he was he was he

he was he did you They heard many ricits, but not were of children. And those sombrass were started to move as if they were in any part of that

property. Dejoa his equipment to be able to do that soldahura. No. He wants to go ahead under any other circumstance.

There are some that if you're looking at a certain hour of the day for the ventanas of this property, but from outside to be to see a person that of a sudden

and so on. Even when the house is absolutely and no It's not It's not No, no

No, no that anyone who's Those those Those

Peele-rugated Ojos Burles Cabeo and a smile and a And you you,

you'd try to pass a a night in the house of Carta Pancho is a time, and since it's

you're a Tio Pedro had a fallacied a couple of years before he had been born in

but his story is a legend that's a lot of that the people

know that that you have you to robes to robes to robes a man,

it was a fichita a person that he loved nobody didn't

for robar was was something was something was something

that was a Pancho is a family that I've been from his satar-a-awel. They've done to do you. They've done to a pair of negotiations. There's a certain level of fortune that has permitted that, even in the generation of Pancho,

we're going to be able, but not even in a lot of necessity. In the case of the Tio Pedro, there they'd live very well. For so nobody understood why roba-and-a. And the Tio-Pedroro, always said, hey, yeah, look,

the thing I've learned to do. And let's teach about how learned to to make the hands in the cartel of the people, how they

kept their reloges. How he met you in the house of a person, and of

a sudden he'd because Pedro not was to robar all the only

money, he'd with the casas of the house of other

other other other other but he was a he was

a he was he was he he was he was a

carrillo no I didn't that was doing daio. And his family

he wanted to talk to prefer to be like if were a member of the family, because as it was a person

that was actually was a person, but when did these things, you can't imagine the the grits

that there was a car, you're a stupid, but they're not they're about about about about

the word robaste. Because the the parents are very littlegated, and there are o'biders

that are listening, the people that were in the house, a little a little

or some that's a little that's so that's the family of Peter no could

end up to get to give to the vista and make that's like that's like that's

that's he was doing different ways to make timos to quit the

things one day he came a a car and then he was just

the car and then the cochera of a three or four quadras and he left with the keys pustas. What was what he passed to the auto of who, Peter, no, he was to tell,

only he was sentia very happy more, and he was and he'd be it and his around was a tonne. After that, he was a little

he changed, he said, that's a subject, that all the time, he felt like anerbo, as great- and at the

time, as a bit- time, as the because, you could be, you'd get frio,

you'd get us What stupidesses is that he did? Pedro? De-repanter had a little and he was that's strange as nervous.

The family at the conclusion that he got to get her, you're going to get that and he said no,

no, they're not going to understand and they were nervous, they're not about that never abagable the

light of his own always was Peter He was to go to his

and he was and he and he was changing he went she did he

all the barba the but he was very desasied no he

was deprimed when he when he about it was so he was

so that nervous as they were at put to

any person and whatever something that was that was

a point to be a person. a What was what he lived no,

I don't understand. The papa of our subcriptor no he had to he was the antithesis

of what he wanted to talk about conversations with his brother, but his brother was

despota ingreied and he said that the other were not so

he he was he he pado he took the he took the person

and he decided he was he he said he was he he was

us We don't get us but I'm a bad so one is the past

and other is the other thing is the thing and then he said the story

more espantosa that you you could imagine he he

he got in a house and that in that there

was a guy there was a person and that

in a man he he had a other had a a

and a Pedro so he did easy and he he's and he's he he's

when he's when he he took the fajo of the fos he took like if

a lot of the hand the palm of the hand. And even he

did the and when he was not the markas so was that so it

was that he was he got the and when he he gotro he got to he's

he took the fom of the fom of and it was like if the other man was put in a tenasado, like if the man were of fierro, like if those were agrano, but with a force

decommunal. And for Pedro, this is a transform in a rata. Then he told that he put to forsegear with that man. Sin important to the man was of a

subject that was sitting there with a bottle in the other. It was a could have revented in the head. It's sub-stubicco, it transformed in

a game for him. He wanted that he was he did a faguer because he he'd be He found that, conform forcegea

his man was a friar and he was born and he was that real that's frio and that

dormilation came to the armory and he he was to cover the and when he covered

the area the area he saw that that was sent out that he looked to to see

to do it and she did you know that this person still was going to

back was like a lucidation but a lot real. She seemed strange. He went coming with him.

He put another again the man and he said, or, if you're going to do the land that me pertainse.

This is my. And she la halloed with forces and just saw how the person

was and he got the person. He got that that person no had a life.

Who knows know how time he'd get over? There when when he

the piece, for first, he did of the aroma that had the aroma that had the had been

a mollable. It was probably yeah in the he had had been

about the postura until he did know that the hand was

a man that was a putrefacta and not he had not not had a

something, something he covered the eyes, something he did the

really the reality in the that was I'm I'm the facko

of the bill but you know what is the problem

he no he he was justed. Tal-be with the description that you did you

could have you said a unco- Pedro he said he said he's stupid the problem

that you did you and he patted the head. He got to the house and

when he no, I don't I'm not he had he was very strange,

I was sure that he was sure that he had in the ballsa I

had a a little a sweater or chamarr or a some type of sack, but I'd something where I'd buy a bolstas, he put in one, and then he said, well,

he said, well, he'll forget. And at the day next, the fajo of billetess, was made in his mecita of night, enrolied, manchado of the sand. So, he gotro, he took the first billet, he was over the second was normal, and then

it was to get to the first tinder, no it was not there, no, it was he was very strange, he went to the house, no, he went to, he went to to do not

the morning next was in the messita and a other way put to a little

and it was the first the first that I'm that you have been a lot of

blood more, we've got to get to get to the billet not

never again again again after the face the there

there's the nervousism after after that the sensations is when is

when it is done that it's so it increment a little more. After that,

the voices in the night, conversations like if more than 10 people were in that little

they're not, they're not so the way are the light of the light. He's not

see to see a same he's a man, a morto, a person,

a more. When he's his brother, he's the father of our

subscriber, he's he's, he's he's he's, he's he was

saying pure stupidities don't me will you have to be your stupideces. And he went. But two months after, he fellsio.

He found out of his abitation, rigid completely with the hands a high up and with a fajo of a billettes in the hand.

Nobody was he had got out of the father of our subscriptor yes. You what you think what happened to

with the brother? Well, Beinue at board Via Rai Embarked and profite.

Embarqued and celebrate. Rigolet. Publié, savoured, admire and profite. Via Rai,

the voice that we love. There's something else here now. Something new. From, exclusively on Paramount Plus, it's the series Stephen King calls scary as hell.

Everything here is impossible, but it's also real. Sci-fi vision calls it the best show streaming right now. We're running out of time and we still don't know the rules. Don't miss what the movie blog

calls something unique. to watch. Saving those children is how we all go home. From Binge All episodes exclusively on Paramount Plus. Mano is a follower of the channel. It's the form in the way in the they say it's the diminutative for him of Manuel. Manu, Vivio a experience

ago has two months that has been traumat. This that has certain details and I want to that is with much respect but it's just like to do saying. Mano go with a gatito rumbo to the veterinarian.

His gatito is a catito whewer, that is a man of the house, very exigente, all what he always has

always has to come from but a change all the time is carinoes and is ronroneing. That not

you pass a food because the reicito comes and he's he's gonna that's

to be the is the time that it's to get to the Reicito, always

He wants all the moment that he but if you you don't try to the re,

the re he ronroene you get around your your your little all the time

to do carenions. Manu Ama his reacito and so he has created

and he has been to the veterinar you know the

try put you put you put in some more more more than

more than more than more of and mano, so be to be tranquil all the

time. The time for the veterinary is the same. 20 minutes. No,

he gets so far to the house, not he doesn't too, but it's

a veterinary where they try it and he is a good, it's in this

time, it's in two months, when it goes to run to the veterinaria and

the traffic is a lot more than the normal, but But I'm much more

more about the normal, something more he's going to he's going to very quiet because he's his two

tweets and of a repente he's down that there two camionettes that have these like

these like the lights that are of some type of vehicle official or of emergencies

see an ambulance and be apart a a lot of people bestied with a

lot of white, a maria encapuched that are doing like a cordonado the

the carl in a area in a area and then of the way to two vehicles

there were an accident. The worst is that conform he's going to notice

things quite disagradable it. It's actually a fact,

not he had thought in that in this accident obviously

there there were persons that fellacy. No know exactly how it happened. No,

he's a person relatively sensitive, he doesn't the stories of terror, no he doesn't

live any and when he goes something, he's got a lot of and is that they're

a signar in the piece, just in the part as far in the vehicle

there's a garra totally black with a manchon rogo. That manchon

rogo is recent and they're they're a mark something that he no want to be.

When he's a gore and it's a little to work and it's not trying to not want to

not turn to because he's going to the vehicle that has some of his costados and then

Manu go there but he and so he's and then see that this mant

that's this mantas in the piece of and the under the under is obvious

what you have been and for the form no no position natural

then Manu so Manu's so kind of is extra

something Reicito commenced First, as a mawyer When he He'll When he's

He's got to The carers Heke, he He's all the Cabo Elisha After that He keeps to Say,

He, Tranquio, Ray, Trai's a ballcita With this croquettit with more

Savor, he abient a par And then the reicito no he does that And now

he starts the gato to start To start this curbatura and is mawiating but there is something

rare. No, it's not it's going to see to see a right, he's not

he's going to directly to put down to this mant with this person below. Mano is very

incooo and he gets the heart of the catito and he he's a lot of

that's a lottesque is a lot he's putting more, he's could be black with the manchon rojo

she's feel very, well, and then it's a two quadras of her and then she is a little

to get to her in a little bit more to say to the veterinary that for favor, he'll be

in the time, or be trying to get to get to but you can't do you not it

so it's a house of your abel, it's there's there in the house of her

he's not he's not he's not he's not he's just to get and stacy there's a place

is a place secure, is a place that's a little bit he's a little bit of the reicito,

conforms to get to be runroneer and get a moment in the he's got two minutes, in seven minutes passed that

when he he gets still very very very nervous he back from the car no, he'll be

the car preended with a ventilator back one of the ventana but he's out of the

he's out of to make it's so agitation and so to feel to feel very and it's to feel his shoulders, pesas, pesas, pesas, pesas, and so to feel like if

if it's still being unfermando. And in that there are rachos that are redos that he knows perfectly, is her abuela.

And it's that's all right and he says, Manu, manu, metete me, he's, to come here. And he's,

no, abulita, pardon me, I, no, no, I want to let me get to get me, me,

meh, trite your gato. And then So, he's He said, How does he try the cat? He says, well, I see,

I see, I've got you carry your cat, and metete with him. Aorita he'll get to him.

He said, I know that my mother could do that's things, but I came,

me sente, me barrio with an word, I'm saying orations, no-se, I'm going to

make some more, I'm so, I'm sure, I'm saying, I'm sure, I'm saying,

I'm sure I'm not, I'm sure, I'm a guy, I'm a girl Blanca with a manchon-roho. I don't you'll

say more. And he says, narrator, I'm impacted for this situation. I don't know that this way

to be able to carry these things. Apart, never had lived a and I think that

all this is real. Now, I know I know to think. And you, how you

would be to get to the Morte on on a is a

comedian, that is a comedian, that has a channel of a lot of a different, and

he he lived some experiences paranormal very impactant. No see if

the day of the content in the which I was a pantions. And so there was a spectacle.

There was a moment or some occasions where they were in botargas, and being

in the pantyons of the botargas and they were to do that and he

he said, that he passed two those two stos very very

in some moment of these things that difficult they

are that The first is that, standing there, and doing a lot of noise and barruly in a panteon, they did it out that there were other group of persons apart of them. And then he went to somers, and he was put with a situation that he left. He saw a circle of people,

all encapuched, bestied probably as like a monjes, around what was like a tomb. And they were very concentrated, doing some type of oration or saying things in voice a voice

but then it was cold when I thought when I'm going I'm here I'm much time here with this group

of persons doing a lot of they're doing that they're doing that no they're doing when it's when the second

thought the things they putier on and if they're armed what I'll occur when I'm in your

oration. After that situation, he put his in polvorosa, he put up with his people, and they went to think to do

two times, if it was worth to go to these places. And then occurred this that I'm going to say.

Standing in a house, of his old, in a house in a house in that was his

his wife, he was to do that the kitchen be a sombra that he said.

When when they're when you things, you look a explanation or frankly like,

to look any any other explanation that I'm doing that's just like if it's not going to

anything. So, I'm going for the logics that me serve to be more more

and I know about that I'm going to a part of momentit after, I'm with

my my little, and my little me says, Papa, I'm I'm

my name because there's and he's said that he has seen a sombre of a woman that's moving from a other. And from that moment, I don't see if

until the day of today, Christian, he was doing in pantions because he could to bring a little bit to

get a little and you, you'd be to go to some pantyone knowing that you could try to

something that? Conrado is a sonidista. He's he's a studio of grabation,

places that acoustically are like serrados in a little ermetic. In occasions, if you're

much time in that place, and not you have an air conditioned or put it, it's

suffocating to be there. Conrad is that is used to that's always front of his

computers, being questions of sound. It's just in front of a video that

does a carina of a cabin of the computers, he's a head to the

window, and at the other side there's a one of the four microphones for when there are there

artists of voice that are to doblacks and things of that type. He is the sonidist. He is the

person who know how the cables, the apparatus, know, does it do you know, the question.

The point is that he were out of that he would be a sonydist because he could be

the person that would be able that is a And no, Conrad is a person very social, has many groups

and is of this type of people that's a person that's when you're in your studio of the video is very

very focused. There's a occasion, and this he passed a couple of years, in which he

sent this message, he says narrator, I think that all the stories of terror

are not that I'm I'm I'm with a group of a

the end of the area on in Monterrey to go to go to see a lot of a lot of reliquies,

cositas old things that have, no, see, the people have taken to their own where they're

they're going to get to be. And then I'm going to a pair of people, because

also you know, you topas artists urbanos that's on the things that's

something that I do you do much. Like, without such

kind of kind of sound, see a someone talking a instrument and

to come to do a other times me have also there's many other

other other other other other and I like that this

time. In this time with my cabin and start a further a matter minimum,

to know not to make us not to be not even to know his name a little

because is there where it's little bit your story. It's all the

old. And I go in a plan of the first person that's a person who is a

little bit more to talk about and we're going to talk to and we're to talk to and know someone and

see things different and things interesting and hear some music or if it's a occasion.

And when we're to get to the barrio, I'm the atmosphere the person's

are moving all all is all is in order but I I feel a little rar. The form

more easy that I can explain is like if I have brought my cabin to grabation for here.

I'm felt like emetic, like acoustically serrower, like if was there a little

a little a little from the exterior, and no I didn't know why. And of that was

like me insimismar a little but not was distraied not even simply

simply simply simply much to to be over to hear of normal because it was

like if it's a never to hear of the but it's really it's really it's like it

was a really hard it's very rare I'm going to like debatient with this

that put in my zapats how you say that you say I'm wait a

wait because I'm you're a bad you're to be a little bit incomodo my friends

my people I'm to talk about and I go a little and I see something rare. A light

a light black. I'm like a light that's at the final like of a little corridor and that light is a lot more brilliant than the other but is negra. These are like aces negroes of light, like if were somebs that stubs that stupers that were getting there, but me called much the attention and

I think, Conrado, that you met you, but I don't consume nothing narrator, nothing, absolutely nothing. I'm a person very saner. So, So I'm coming down to because it's something

like a man that is a man that I'm trying to get a narrator and just at

the final of the carie there's a woman of the eyes precious

I'm almost sure that they were but it was a little dark

but it when I see I know I don't see this light that

emana or that it's just just she just she only

there is like we it's like we we're a is dark,

his is obscure his pier is a little morena. It's very strange the thing you

know, because it's like a tachecit a year in the year 50 with a color

like a little little a little bit a boina a frances that has like a

piquito in the part of the top also also of a color maratito

relavable chabella her and she's a woman I don't see more of more of

40 years but at the time, it's a little bit more more more than you I'm

a little bit and she I'm and he says take this is for you and he does a

power and you know two but when it's not it's something it's a

kind of other other other other and me and it is

you're going to get very and here you can't

get very bad and I do I'm I do

I'm the I'm the little that was a I put in the cuello,

I meted in the camisa, the woman, me smiled, me did a bit of the mehia, he went and he went. Dice, It said, It's very strange

because I don't permit that nobody's ever so much, so much a person who is a much a little

of that it, it's like if it's kind of maybe adornilated. After that he put that,

the burbue like if it had been all right, I'm putting attention around and I just think, so I'm this,

what happened, and I'm put the man here, I try this thing. This type of things,

the people who have been in the people who have been in the same, even a second for other, you adapt to the

reality and simply the day the day's so. I'm, I'm, I'm going to do it,

and I'm going to go, and I respond, and I'm a part of the day, the day,

I'm going to get to this thing down to my camis, until that

that day I go to the studio of the for a video and I know that I'm so I'm trying there, then I'm sorry, seeing that even I'm notting,

me am I'm lastiming, me I'm reviso, and I'm trying some marks, one line here, two lines here, I'm a quitted, that's on the table, and I'm

I'll, I'm going, I'm going to be strange. The day, it was a day, it's a day calid, I'm to get to my cabin of audio,

and I feel like the air conditioneded on the night, it's supermente frio. For this, I don't I'm doing

any connection between what what happened because I'm I'm in having to get a lot of things so I'm

in my cabin I'm in my cabrata so I'm sparrue a little bit more I'm stiro I go

I'm a lot to get a because the air of conditional not was not even and it's I'm going to

get to so I'm so I'm so I'm so didn't I'm the air conditioninging

I'm still I'm just I'm sure all used all I've been I'm going to my

sill, I'm in my my I'm in the my appellate, I'm the one of the microphones that I'm in the

cabin of the camera of one of one of the sound of sound of the sound and it

and it and it and it and it back something something so it's it's a

move it's something there that that's that's doing the

rhythm for the rhythm that I'm that I'm done my phone my

my what I'm going to hear going to be a sound electronic

something something something something is something that is that

rhythm is a repeatit so that has a

thing that's I'm I'm put to make to

make I hear I hear two voices in

the same time. He said, I kept petrified. After that I heard that, the on-a-souche- my body trembled and yeah no was of free, it was

of a fear, it was a very, very, very extrano, me quited lentiment the audiphonos, I'm going to there no end there, I'll turn to

see the video and I've been four sombers. Narrator, in the life, I've had seen much fear,

in the life. Me I'm a amuletto because I'm going to that there's something that's going to be.

I'm put up up to the table. I'm going to the back and I'm trying to make

my back the door I'm sure the eyes and I'm mensos and I'm mons and I'm going to

turneating with my hands and then I'm I don't want to talk to that's there

I'm I'm coming I top with the paret I'm move the peria and I

I go and when I go I go I'll go and my cabin to the rest that I'm to get to

get a look at the door is the door is that's closing to me and the video

that's been in my cabin not the of the video see a woman

that she me is down the back and a little little bit

and that and that has the hand on my person I'm I'm

doing the I'm doing the little I'm going to I'm going to a little, for

a while, in an opportunity, I had a clean of the complete, and she kept there's a

mugre to get a over to my table, and yeah, and do a one of that the back to

the back to the bathroom, and me said, Mr. Conrad, but the basura

has passed, past, a matter, of a one of a time, and for never,

when I get, I, I want to get the back, when I back over, I'm

very, I'm sure, but I'm scared when two days after, he said, I,

No, it's it's very strange that I said that because no way he said, no he

he's got a narrator. He said, and I'm thinking that that thing could be in a

part of my studio, but thanks to God and it has been that you know.

And you know, that's a man or that thing that they did you know,

if you let me tell you the story of the house of the Demonios.

P.P. Mendoza is a subcriptor of the channel and me made him

he made he made a question, that more, it's a house.

Not a house very great, it's a house of two little,

the problem is that they're not they're doing probably a house embruchated or

something they're because that house they're they can be able and it

is intact but it absolutely desabitata and they don't want to put it

in renta no they want to do to do what they're there to be

what they're there. Quenta, the Chico, Pepe Mendoza, that the day of today has about the

day of living always in a department with his family. One day he got a super surprise. He had to

acquire to an house, and in a month they were to be able to be able to be able to

be living in their houseita. Pepe was maravient was very chiquito. So,

five people that were there, then the space was yeah something was fixient.

The The house, no important if it was enormous, if was a little, it was a

place, yeah, the space was much that's not the room, what's, but yeah, not going to be able to

be a room with two other those those, those need to be the time, so

so he's that he was great, his brothers, too, and that had permitted

that the two years, you know have been in these plaites that for

whatever thing, stey a bomb in the house. When they're to this

house and they're there are a shock of emotion is a very and he

he's not he's he's he has he has many he has he's

he's that in this place they're more but when he cruce

the umbral of the door and he gets to this

place it's almost if the house is presentara

front to he and he he said to

I said the The sensation of the place is a horrible. It's like if

that place was full of people or of people or of the people, or the

only objective is to do you do you do you because no it's

a presence a place. It's a place a

place. Pepe not was a person perceptive for nothing

and his papas but his papas he could

be then he could be then His brothers, continually are coming down and start on the

back on the spalda very rare, oh, she was the little bit of the little bit of the place or the other,

they say, ah, is that they're they're not that they're that's a but Pepe's the thing that's

a house yeah, it's, you're, in the brothers. All the days, minimum, a person

and they're from the day one that they're in that's things that have been

in the place. He's he's that in the plant of the place,

if you have the worst idea that's to be going to doces

up and to get to the refrigerator you, you

see, you like the side of the the door of the

middle that's there, you see how you a hand and

he wants but the sensation is clear because all the have seen and it's like a

man who's put in a way to get and it's not you're going to be not you're not going to

even even that's not the you're going to be even the door there's a lot of there's a lot of the three are very chiquet

but no important They're space sufficient for that they're more a good, they're more space. The theme is

that these three abitations are the side of the house and there's a little little passigieto

on the stairs, but that passigito you get to the only room that's in the

plant Alta. Pepe he has seen in repeated in repeated occasions.

No you'd not you do you come to do this. Salé of the commenced to

feel something of a manner clear. There's something that you're

that's waiting to the final of the stairs, and if you know to get

to be to be because he's to get to get to he's he's

he's heard that he's the feet of feet of and

that's not that's not real that that's so that so

you're but you're that he's he's he's he's and when he closed the

door of the a new he got they were two hands enormous three times the point in

that the people and the people were he was he was he was not because

they had they got the house the house of the place absolutely

terrible, no idea of the he's a time there was a a A despite of that

sensation of the man, he's that's much a lot of than I'm

that you see a that's up to a little to in the time and the

and she put in cuclilies into a time, he starts to make to say maldiceion

leperated and he to vociferate puras things horrible she can move

but not she can't be to see to be to the woman You've seen the silhouetta, no he's a woman in batta

Blanca, with the skin very palid and the cabooscuro. No he wants. No, he wants. His brothers, of two persons very active, Pepe assure that the day of today

are two people who live with with much fear, she's like cucheching between them, they're quitts the sabanas,

and this is something very strange of the room, but never can be ordered. Yeah, nobody

moment, Pepe, in some moment his mom and in some moment, his papa, intentated to enter in that quarter when not were their brothers, to get it, and 10 minutes after, the house

was made, the room was totally disordinated. The house of the family Mendoza is a place in a fact of the

effort and to the sacrifice, they're there, they're not they're not, they're not to make a put in a

because they don't want that no family live to the horroles that you have been you're

you're you're to get a house and the family Mendoza? And with

this story, we've got to this dark fogata of stories.

So, so all those those who survived this

foggated put me in the comments especially those those

those who are new people in the comments say that

is the first I'm I'm the family no

nocturna, we'll the welcome to the new members of the family putting a little lunita as your response to those comments. No,

it's just when you know, in the comments and then the people are the people who are to survive to one for

first and put them a lunita to give a very little and now, for all those new

only there's just there's part of the family nocturna. Subscribe and give the

the campanita. And if you're listening from Apple Podcast, Amazon Music, Spotify,

for favor, give us and give us. Because this year we're going to get to first time. That for

sure, Felicities to Majo that's third place of Spotify Mexico for first time.

Maho, Majo, Milit Nocturna. You know that Maho is a friend of

the channel. And here there are much fantasit nocturno and more later I

do that maybe, maybe we have things that we're having stories atradora one of

this SOMras and that have sweet days. Bye-bye.