HABLEMOS DE LO QUE NO EXISTE - Historias de Dones Siniestros , Maldiciones Benévolas y Entes Demoniacos | EP 315

Episode Date: August 7, 2025

Bienvenido a ésta Oscura Fogata de Historias de Dones Sinestros , Maldiciones Benévolas y Entes Demoniacos. El día de hoy les traigo historias que ustedes, querida Familia Nocturna me mandaron al wts de las pesadillas y me dejaron helado del miedo. Escucha del aterrador espectro que habitaba la casa de Ramón. Descubre los SECRETOS MACABROS que habitaban en la casa de la abuela y los poderes paranormales que descubrió Kevin que poseía pero que preferiría no tener. Melanie nos compartió una de las experiencias mas escalofriantes que he escuchado mientras Álvaro vivía un día normal hasta que lo paranormal hizo notar su presencia asi que prepárate porque llegó el momento de que  @HABLEMOSDELOQUENOEXISTE HABLEMOS DE LO QUE NO EXISTE es un canal de youtube con el formato podcast que comenzó en abril del 2022, su primer episodio fue "vivo en un casa embrujada" en el que una chica narró sus vivencias y sucesos paranormales a lo largo de 20 años en la casa de sus padres, desde ese episodio hablemos de lo que no existe ha marcado una tendencia en exponer casos paranormales de personas comunes que viven en diferentes partes del mundo. Ice Murdock es el conductor o host de éste canal, durante casi 100 episodios no apareció, nadie conoció su rostro y la comunidad de éste canal , la familia nocturna , creó teorías acerca de quién era el dueño de esa voz. Hablemos de lo que no existe se destaca por tener apertura ante las opiniones experiencias y vivencias de cada uno de los invitados. La comunidad de éste canal es conocida como la familia nocturna, de hecho por estar leyendo o escuchando ésto, tu ya eres miembro de la familia nocturna.. bienvenido. El duelo de historias es un concepto que se creó en el canal @Hablemosdeloquenoexiste, idea original del narrador, se estrenó en el episodio "Comité de la Muerte ,historias de Hospitales" el 1 de junio de 2023 y empezó a implementarse formalmente en el episodio "Abrí la puerta a un Demonio" el 11 de Enero de 2024 ; consiste en un duelo entre Narradores, una dinámica sencilla, donde cada uno cuenta una historia y busca superar a la anterior y al final la familia nocturna nos comparte en comentarios cual fue la historia más aterradora.El Narrador y todo el equipo de Hablemos de lo que no existe trabajamos para darles a ustedes querida Familia nocturna contenido original y de calidad, tardamos a veces semanas ideando formatos luego de tomar en cuenta las cosas que nos han pedido a lo largo de la temporada anterior y por eso el día 23 de Septiembre de 2024 comenzamos una nueva temporada que llamamos FOGATA DE HISTORIAS, en donde el narrador prepara una serie de historias escalofriantes una tras otra para retar al espectador a terminar el episodio por el nivel de miedo que genera. En este canal se relatan historias de terror paranormales, sobrenaturales y reales, prepárate para conocer el miedo de una forma en la que nunca lo habías experimentado.

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you aid. Dearlyarge it right now. Welcome to Famerian Nocturna to this obscure foggata of stories. The day of today we'll talk about of dones sinistros, malditions benepulas

andes demoniacos. But, before to initiate, permit me to say that the day of yesterday was the first

fogata of stories. Very probably for the day of today, I'm going to be able to bellowed,

but very content and very emotional. At the final of the video I'm have a surpriseita.

But, before that, before to get that surprise, I recommend that you put a little a little bit more, that you relaxes, and that you

make you that you're about to start a offgata of stories. Comeensamos. Poncho

us made a story of something that he lived in first person but no he doesn't

remember nothing. This history is the same or we have the

details to a part of two or three because he's he's a he's a

he's a point he's a little bit of a little from a person very nervous he's a remember as a

little bit more a little and the day of the day of he's a person that has a person that has what is what

does this that is a little timid a little retrived no he's not to say that's

a person silenciousa that pass desapercivita not I don't think because that's

after this after this a platic with a pap. All right. And the platica is a reason that Poncho, for some

extra reason, even he said a lot of the time, a day, he was called the podcast, it was that

he came in a distance, and he was kept listening it. It was rare because when he started to hear

the stories of terror, but no, it's so a way, for some strange reason, I said,

I'd say I was to feel tranquil, and even they were stories of terror I'm still in the

story of I'm that I'm in I'm going to I'm going to that's history that's been to be something to be a

but I don't I'm not a lot because it was when I had five years. I think that my mind it was

what I told my my papa. To put it in a context narrator in that time I live

with my papa in a house that had been a big and it not you imagine a casononon a more

the construction was a big and the patio was a building there

three quarters one that I think for what me said my papa

that was a that were that were a part of the because at

final five years, then that that my was a small, that no would be the necessity of

spaces and there were an adequate a space. We'd be able with my Tia Sylvia in that

then since, because since I had two years, my mom was to go to the

house and never never got that's she's that's she's never really

and she did you do you do a part and me she's my

father. My dad she was But it was a lady. For me, it's like my second mama. She always was very circana. But it was a person like, how to say it? Like very tranquil.

Like of these people that not are so informative, that not they say in all, that are serious. So she was very tranquil. Tal best for that those things that I'm going to say, without that my papa

said to teller of all until. There's a result. Result that Papa is passing for a situation economic. Yeah, I've been five years, the situation of being with her with her and with me, and not having a

a pair of her has been a little difficult. So my papa is a person amable, but very serious, and also you notice as a little tristone. If you'd have the rosa, it would be to the face, my papa, always like, alarged, like if he was thinking in something something like to beas on something.

I never I've been my Papa always has been a person like

a good but I'm a person like a little a little gris I'm

to tell this because a form always always my

my father my papa was my he got this

house the house is in very good but but

data the conditions of the place to the

the world because the house not was fita

he had accommodations, the patio was very great, but he was very very very much

but he was a man, he was a man, to have been to be to be able with the

time, he went, he got to the instrumentes, he was to get to get back

the patio, and we were not a week, and a house a lot of that they

had had a good hands of paintura, but nothing more, no other other type

of problem. It was feyita, it was a very discuited, but in a place in which is a could be able

to be a little problem. More, after after after the patio. A part of

that he did he did he did he did that area as a space

special like your sanctuary. I was getting little plantitas of here

and I know where I know of the I'm that I'm in a problem

economic important, but he he was a lot sometimes in massettes and

sometimes solas and it No, I was just there, especially in the first months, because he sentie the patio as rare, like if could have

some animalito for there. Then he no, he'd give a vibra of sack me. But one of the new, he was always that he was content, was tranquil, was happy, and decided that it

was a moment to get me to get me to get in a zone in that could be a corner, if could be able to play with the a play

and so but me he said in the moment in that he was a

thing that he was very very strange not so not so not even that my

pap not is the type of people who he's very rare, he he said he said

he's he said he was I'm I'm gonna I'm to go and I'm

and I know and and yearer and my dad my dad me said you're

you've seen something there's some animalito I said, I'm going to be able to I'm going to

and where call it a narrator, that pego the gritty in the sky, and he said my father,

I'm going to but with so much fear, with such that much more that much that's

that's over the door to get to because he had been the dooring in the olden the

person who's that she was that he was that he was I'm not that he said to try it

to I'm I'm said to I'm in the and you'd try you so

so much to me. No, I could carry here sitting at like, because you're

grittanting but horrible. He's a little my time. Then then your Tia Sylvia,

you say that you can't you try to me make on a little, that me prepare a coffee, that me

relaxes, and then he's got to talk you, he's got a mecedora, she's

and you put in the time, so you you're still pastidito so you just that

you're you're just you're I was sitting at the side and you was playing some songs and you were just

you're in a quiet well, I said, I think he'd in a bad moment,

but I bought a ballon of football and I think you don't you know you

because it was so much you're so I'm so I'm a ballon

of football I'm the door and I say I'm I'm I'm I'm

and you start to you're to get to get to be a word a word

that's a I was a caba, the calaca, we said to the calaveras, and when you did you say the

calaca, no, man, it's cremeceo the back to the spalda, no, I thought that

I said that you got to I'm in the door. No, I know why. But, from that

day, the patio me generated a certain disconfianza. It was had tried in various

months, it had constructed like my son, but now I'm a bad

a one one one one one one You got me, and even you're trying,

I'm going to say, I'm going to have that the child has those fears, so I'm in the middle of the patio, like if you were a tree, and I'm

doing a post and you could have done the two hands and I put it, that put you put your feet in the place, and then you got after

being from the house, to the crystal, and just you just said, the calaca, papa, he metio.

When did you I, I was sure that he had and the door was lightly open me left you just a lot of

I'm just we're just a rata in the patio we've got a time there but a part of there I think that was the detonant

for the that happened the thing that they were all the long of three years not were one after another

because if no, me said Poncho my papa the Mr. Ramon would have

taken a but tarant because he's so when something, it's all not a little.

It's not a my time. My father is a think it's a time. in the pastime of time, it was for the time.

It was for the path to be to live in that case. My papa was a person that at the separation of mom had been to look

in the religion. He was was a Catholic, but not was practicant, nor knew anything of that. But, since that's separated, my abuela,

his mom, he'd recommendable much the rosarios, and he was to raise to the rosario, and an brother of him, that had

had said to the religion Catholic to be a pastor Christian, he said, he'd to get to

the Psalms. Well, my papa no has a man, he's a person, and he's that he gotro

the two things, and we're one in the one in the fourth of my Tia Sylvia, one in the Bible in his and another Bible in the Mio, and there a rosario in the Bible.

My papa bought some crucesites, that were like some of the focus of the night, of those that are that's all the dark, but it's

a light very tenue, and just the quarters, he's made, or I know where it or no-s-one- it. Maybe they were

some wak-als, because I remember that not were some mesas but in those messes, was upiland and put the Bible

abirta, the rosario in and just up a little, sometimes for a connection or a little the unchoo, was the lucese in form of cross.

That's all you did so it that if in the night I would be a need to just a diosito with me to me go to

that's what me explained. But the three-quarters Navarer, entravs to each one and were

exactly the same in that zone. In the area where he put the Bible was the same. One day,

he's that I especially I'm talking of the calaca. He said, Papa, the calaca me is the

papa in the nights no, he left to make a calaca. And so he was that he said he was he was going to

that night, he was going to my room, me, he he's got in the camera, he's all

and then he's to say me, look, Ponchito, there is diosito, in that

book. And also there. If you see that crucesita of the light, it's the

light of God. Not to let you get to get that you your house and also

if you get to get to you know you're to do you want to you

don't be to finder more than God's and God and you got to he said

he said because he didn't do you know when I was totally more tranquil.

He's he was he was able to to be able to be able to be the room and then thence is a quartered a coffee, my papa

was addicted to the coffee, he was to the cell, she's taking your coffee and then he's got to the noise in my

room, he's put by the and he's a little bit of coffee and be a lot of via ride

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that he had left the light of the messita yeah not is because it

is a and when it's a little the Bible the Bible is a the

light is the light is being the rosario also also he's a very strange

I'm I'm totally I'm my tia yeah so you

see well that you say no but the mess was intact the

the mess still the I'm the little he was he

put the Extendio the sojas because they had arrogated a par. Put the rosario in middle. Put the lucesita. Me da

a good idea. He's out of the house. And where he says a gulpe a big to get a and he

and where he is the Bible is that the little bit in the room. He abrace

I'm just what you say what's going to get to come to come to his own and I'm

no matterdor. Nothing of what I'm I remember I this me the he's going to tell him

he's he's he's he's going to get a little in the house

so he's he's he's let's let's let's I'm that you're

that you should be in the thing that my stuff my my father my little

my she said and my she perci- he said God God- God-

sure that's that I'm still she'd be in your bed at the she's my

I'm going to do to do her A, some song I was singing my mom, my Tia,

my mom, Sylvia, because I'm getting very very dormido and then when I'm totally dormied, they're in the

door in the room and he says, ah, you know, he's talking his papa, me is about,

Ramon, Sylvia, the tia, the tia, he's par to the camera, go to the

door, he's they're talking and then he says, Ramon, no stas talking,

Poncho is being have been dormied and they're going to talk and molesta Sylvia and when

the door the door the passel is a back in the all the lights and Sylvia

he's a sustow and he he's thinking Ramon no no

a roomist that's that's the door and he doesn't

with the he goes to come the and now when they they're

when they they're they're when they they're they're they and

The passillo still vacill, she persina, and in the room, that still were in the

lights and they're the light for the door. When pass to Sylvia,

no she went to, he got a grito, he went to get to the susto, the tia

he's got abrasado, he's a man, the papa of Poncho and he said,

Ketel to, Ketel to, no, I can't do do, I'm do so I'm so the Mr.

Ramon, so he's The kid, and during a time that they're sleeping together, no pass nothing. Until that, of a repent, they'll have to be able to get to little things. The routine is something we have to

have to be in-counter. When you have a very present something, like this, you just know you've got to and you know where it's, you know, you know, where you know what you've got to, but pass in the

times, and if in some moment you're moving to the place, you're going to learn of where you can to be that that thing. The

Bibles not are in the house. If you have done after after after

those months, not they were the those were in the messas, until they

they were to be not they they're not the and the light, it's

that's why you know they're not they're not you're

you you're your Sylvia, you you're you're not you. 6 of Ponchito is to point to get to

the 7 and there are things raras in the house. Poncho still about the calaca and he's

saying that there a calaca in the house that he does his his papa

he says where the calaca and then he says he says there's a sitting there

but the sillion not he's done and then the sir he says the sir Ramon to Poncho

or the papa to say you know you're you're And Poncho, he says, no, see, no, see,

and say no, see, and say my papa narrator, that I said, that I said that, I said, when he said, he said, he said,

let me say, let me say, let me say, he said, he said, that he saw that he saw,

he, was like a woman very delgada, that had the hair, like, long, all,

and was dresseded with arapos, with arap, like a old a downed,

but he not she a color, he was a when you see this when you're in the when you're all the when you're all over the

thing. The other stuff, In the night we were to And I said my papa that we'd talk about the door. I was in my apartment. I was going to

my father and my papa was looking where we're going to get into the space. We'd talk about the door.

To me me it was to open the door and no there. I mean, I didn't know it was that when he did

that's a sudden that and my papa it had been to be back and he was on the

passio. In occasions narrator, he was about on the door, I was talking to

the door. We'd top we're we're trying and we we're a lot of but I'm the

worst he's not he's not used that they're only he's even in my

house maybe for that when I'm that I'm feeling the feeling the feeling like

like if something that I know this this is this is so this I'm

I'm not I'm but I'm but my but my my father and my

my mom my my dad and he had fresh because they were narrator. When

when they're when I was back when I was after I'm my seventh anniversary, resulta that

in one occasion, something, my papa said that he said that he gave much

a lot of and that he said that we'd make a ballad that we we'd

get all to get all to do to get and that we we're going to be a lot of

we're going to make a so much that we're that we're we're talking and we we're all

a kind of for a as a as a because we're not a time without our time. My papa

us was trying. For that it's he said that no took sense that he's got and he said when we're

not when we didn't me and my he's he's a madrogated with much fear and

and he he says that someone come in and he a woman that view with the

eyes car coming by the passillo of the the door

to be he's And he's put in alarm. Here, if his instinct, paterno, I'll look at my tia, my Tia is a tirade in a Mewel totally dormied, and he decides that

not he will be to get to look at me. And then, he'scuching, that I'm trying but vaguely. I'm trying, like,

trying to get me and he starts the voice, and he gets to the sound, the woman that that was in front of him,

was a little to him, because he was never was he was not there, and it's when he

note that I'm that I'm down the sillon. I was flaquito, flaquito, and when he's

assom it, I'm all agasaped, acurucated, being like a type of obvill in a

position fetal, I'm the eyes and I'm saying, that no me get the calaca,

that no me get the calaca, and it's and it's me sayososos to my my papa

to do much too spantto because when me intent to make, I'm trying,

I'm pegged in a part of the above. When they they're going to finally, I'm

lastimated a and he says that for that a man has decided that's a little

than to get to sit down in the because in that house they were

going to and at the day we we're there that we're

not my my papa never me never this story,

nor I'm after after I'm I'm I'm the

stories of but I'm to be the that he made that he made that's

he made the story. At the final I don't I don't I'm a thing,

those things that I'm like I'm, not, no, no, me really, there's

that I got with what I susted. Me said, that like three or four

years after that he's he was he had as a friend to the

other and a other he was a call in the house,

we're talking, they're still telephons inalambricos, receive a of this type,

to say to he has a a new that's a first of the news, that for favor,

when my papa he said, he said, he said, no, no is what you think you're,

but needs sit and I get a and he's very nervous, for what they can get to say,

it's going to say, and the friend, he says, he's sent out, in serious, if,

because what came is is far, Firt. Echalo. The Vecinos New,

do you remember the house in that you're back? Yeah, the

they're they're a year, and they're they're a little you

have your your your patio, that's all all that you

did all when they they found a person,

and it was that was that was that

I'm because I put to talk of rite extrano.

So, my it's a thing. It's not that you have done. The

story that I'm going to tell. It's one of the experiences more escalofeating

that that any person could be in the life. This story me

she said she was when I had around to the 11 years. But it's a story

that has a markedis for always. And there the context.

Melanie, at his 11 years was a princess She said. She was

She said, One of his one of his one of his shows, was to see the little the ratoncito,

of the one of the one of the you know, you know, you know, what you know, these things,

that were a lot of when she was going to go to little and a little, and in

the house all the time were being being people that this market. That if

she, the be there the monster for that you you can't understand, that if the sirena, if you can't

understand, that Mark, we're talking. She had the dialogues, she learned the music, and he was

a bestida in her room. And even you can't say, oh yeah, that's very rare for a little of

one of the 90, and for her was her fascination. You want to say that because I

think you imagine for two seconds the room the one side, figurates

in a repisa, for the other all the colors pastels that you could imagine because each

one of the colors representable a different of the princesses that she adored. A she not you know, you know,

you know, what is the princess that you get a better, what is the what is the one that you want to be

an newie ambitious. And so me says Melanie, narrator, am about those

people, I'm going to the day, and I'm and my papas, as I was

my her daughter of unica in that time, we're all the time conviviening and they'd like to give me side. So, is that my house, my house was a castillo of one of these stories, and all the time

were cantos for here, risas, for there, all color pastel. My primos, a very odiososos with me, because they're saying, oh, the princessita,

oh, the one, the one, that's all right, let's see we'll see again, we're I'd say, Bess. And I me result abdioso, because I

did it, so I'd like, so you'd be able to, because I was to see, because I was going to be, and me I'd go to work, and I'd have all my movies, and I'd put it, and was able to put in my cassette, and I'd play a tele, for those who know who's a casetera, is that, before, the movies no-savis in DVD, much more than streaming.

Before that, they were some caskitts, and there were some chagintas, that in a single magnetica and there were a apparel a lot of a part of a certain in the car set and there were

a particular it was a particular you see like a old old but it was a minute in the

one of the one of the one of the once that you'd have to get it put her in a regressor

in a rebobinator or in the casetera but not you do it you recommendable rebovinable the pellinable

you rebovinable pickle a button that you said, regressal, and all what that's the time you

was to turn to take to take to about a or 30 minutes in what to be

to be to be that technology to be in that time. Why you do that? Because when

she gets and put her one of this in that was in the

room, in the other room and not they were to be there

a little she does that the movie that he put no he was re-bobinated

the movie was more than the middle but he decided that first he will be

that he will be a bit of that he likes much that that she

does it she can't and in a moment he has

a time when that has also she has

that she see the picker the stop and the

check or the to get her from the the caja this

that's reproducing or the car and he he's a toro the

movie because of the one of the two you're to do you

don't let get to his mom they're so and

so when it's when it a caset pick stop

pick reg or reject or or how so

I'm not so but when is and he'll go to perfectly, the form nitid,

the reflexe of the door, that's being and she's she's not, but when he looks, he a man

black, that has a little bit of the door and they're and they're going to put into.

No monster of the movies that see, that's that's that of that,

that's see be malo, if it's so it's that's that's that's

that's he's a papa, like in a movie of a horror classic, these hands are open and

they're going to get to get and they're this little. This is, even if is like a cobarre or

that's a lot of, it's more very strong, and me said, when I gritted

when I said, I'm, I'm going to say to my father where he's

so I'm going to go to the passio to see to be to

where I going. In no moment I thought I was a or something. I was a really a

person. When I'm a little bit of a time. I'm going to one side and there's a and I'm

for the light, it's all the sunbara and it's going and it's and I kept free.

Never me never to get to the cell to the television only.

Since then I started my good for this mark because as some

in some some I associate. My papa when when he he went

in the history, but since even being a little bit of that I'm clear that if was a

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we're little us he said that if exist in those phantasmas

that he he not he he was that he did this story she

called a but Sol but Sol no has nothing to

say to you have to have to have to be the infancy

of the infancy of the father that the the

story that the Sol is our sub was the was

something was something was the house that the

and that he passed during many years. There's that the abuel

Lachio is a in a place aparted in the city in these

places in the time in the that there was not even you was learning

and you know you you're you know you you know you know you

you're you're there's because the great majority of the people

not not the not in these where the abuel Lachio

The abuel or Lachow, had developed good for so he was able to learn and if he was able to even before his brothers.

And it was a man who was a man quite of these that's that of a bit in a arbor,

but also you see working with the papa and the mom. The bestrozzling the

house and you're then the abel Lacho and he was he was he was

he was a few kilometers where were those abelos, but it was these places in those that was in the

carrie of no way there was people who had been in those the place was very

very very dishabited and then he used to go to the house of the house of the

abelos after that he got a problem in the house of his father

a engineer and probably he probably he probably he's done it did that's

he was coming quietly and while he was the door

the of these they they're a resort and they gole-and and that they're in this part

like a mosquito, of a tela, that's, when he's not, he says, I'm going to get a-were-in, and he's going to and then go acerating the pass, because he's got the gritty

from the back, and when it's like, he's got, Lach! And he, yeah, I've that they've

discovered the travisurita. So, Lach, he's to come in more, more, rapid, more rapid, more rapid, and before, and before,

and before, and before, is that's Corriending that's up and he's going and

going and he's going to get to get to out of the house and he's

he's and he's going to and come to repair what desiso but Lacho

does it so it doesn't go to the there no he was

a she not he and he he's he he's

he's he's he's he's he's he's the house of Lach

Lach in this time that he had between 10 and 13 and

13 and He gets to the Buella that if you have a book to put her and then he said that he was the

first time that he was the first time. In the patio of the abuela there was a poso of a water

but it was a little time it he didn't he took never to never to get to

a cubeta with and he is reading a book when he from

the window from the second the next to the post to a little

a little a a little little the baby ruby he's doing the

he's getting a bit back up the escalarers because it's a biggit with a little bit of

there's a so when he and when he and there's not a other side the post well

another day he'll be going his papas was a little a becina to be

a man who know Lach she's still living this type

of adventures and the next the next the second the second-pice, that was a pair of months

after the window, resulta, that's the same little little position, and he has to be looking something. He's to be looking something. So, so it's that's a very good rato, Lach, with the manitas in the board of the window, and is it being

to be down, because he's peeing, what does it? Who knows if passed five, 10, 15, or 20 minutes, maybe more, because in the mind of the children, the time, of a little, and a sometimes

very little. Lachio there was a moment in the because the little bit of the little bit of nothing.

It's more. Just, not because he was there was there was a little. But if no,

there was a way. No, it was a one of the only a little the

hair, no, it was so it's not a moment. That's now,

he's the part of the story, but in this time he was he's

he's he's Yeah, when she despero, he grita the little, the the little bit, then he goes to the escalars, and his abuela

he intercepted before, not you start. And Lacho, in that time, the boy, he said to her little, Abuela, is that

there's that there's a girl out of this, you see, not you see, but is that I'm going to go to

go to work, that I'm saying, I'm going to talk to you. Dice the said the abuel, that the Buela

he started to interrogar. No we're in the times of the people that are so gentiles and so empathic. There was,

Dime when you see you have you asked with her? Dime what you are doing? You're all these questions?

They're questions like inconexas and it was a interrogatory of a police that was enojated no, no,

no, and if sentia that she was going to get a he was he said that he'd docks purest

men't she she'd be purests said she'd that they'd have them in peace and that not they're regaigning. Now, he's a adult,

he's the end up. The abuela had been a connection or interaction with that. I'd say you in some moment

I was in a little bit of the little bit of that I'm my question, and I'm sure what they were, but not

my mother, me said, and I'm just to get this and you're going to another time, two months.

When I'm going to go to go, the abuel me has to go? Oh, you want

you? You're you go to the second piece. You want to do you but not you go to

you're going to go to you know, and he's all the time he's he's put in the house,

the way to make, to repair, things to make meermelad all that all this, do you do

to be to be able to get to gorele abel well, I don't know,

because he's so much I'm just just want to play with the little and the

and the he says the he said the he's a little she's a When he said thatcho, he gave much

but at the same time he said, no, a minute to be going to be able to be my mom. And he said, no, abo'u'u'a.

So, well, he's a little bit of my mom. And he's a little bit of the house, Lachau, bolted to be, he's there, the little bit of the little bit, there's a boyd, Abuela, is a lady, is the side of the pozo.

But when the abuela is a soma, not is the little the little bit of the little bit of the child. And what she describes is this. It's a woman baghita with all the skin arugated and the

eyes mortals. And no, not is a little because I know what he passed and that woman is to get a mother. The abuel, he's assured that

after that time, yeah, even to go to the house of the Aweller. Never was enter of who was that woman and what

was the story of the mother. But what was sure, is that the phantasmas if they exist.

Kevin me made a story of the most strange that me has made to

me say directly in the narrator, I think I think I have some kind of kind of

of a don, and if is so that is not not it's a

bad, I don't have got that Kevin as he

himself. He was a man who a unfermiss or could say. I said that continually had many many

problems in the stomachs, nausea, fat of hauntichones and his mom did to consults

in repeated occasions and never had nothing. Total that at final after after many

doctors and specialists the mom now opto for reganed every every

every I'm do the stuff oh, you don't you

don't think and he he's he he he not to not to be a

narrator, I don't know I invented, to me really me were mad at me d'n't me d'n't me d'n't and I'm

see why not it. Not was the food. In many occasions no had nothing to

have eaten before. It was the nothing. Passed the time and is where I know that

that maybe there's a reason extrana with those the stomach, there's

when I have around of the 16 years we've They were to send an activity in the school. This activity in the school

was to go to a park to a area of a area and plant a arbolit. They're other times. At the day of today, I think we need permissions, but in that time, no was it was a lot, no, it had nothing.

The other, the people it was like a little. Well, I never knew what I bought. I'm going to a park public, I'm going to come to do with the people that are doing the

because at the final, where I live not was a place that great. I'm looking where to enter or where to put to my arboretto, where

to plant it, and then when I'm going to I'm going to a little bit of a little feel something very feo.

Me starts to dole much the stomach, but much, much, me does much asco, and I feel like if from the

the piece out of some and me agarararer those arms and me they started to jala with the wands for all the

back. Like if were not rascar me, like intentating to get to the piece and I feel a

debility, a fault of force, but something very very disagradable. So, so I do a pass and

where I think I'm that's that's just it was too very rare. Me tranquillize,

I'm like, restirating I'm, I'm like styrandom what happened what I

want, I'm, I'm, I'm, I, I'm going to sit. I'm just the instant. Apeness, I feel like some of the hand out of the eye. I'm going to dole. All the stomach. I'm very gas to

regress all what I have in the stomach. And where I'm moving, and where I'm move, I'm and I don't see nobody, and I'm, I'm going to see, I'm going to see, this is a very strange. Bajo the excuse of plantar the arbolito, agarre the palla, me put to do my pozo, and I'm to scarvar and scarvart and scarv.

And in that a company and me say, Oh, wait, if you're to plant a

arborito, not enterrars it? Because I have a a poe a poe a poe so far

to make and then you get a reason, and the man and he makes a burl to the other

saying, ooh, this no, he's so, and I think I

start bannos, and I'm so I'm there's a something, I'm I'm a pokes

with the punt of the with a tap metalica, it's all full of mo and just saw a bit a rizzo of of the pillow. I know no said about the thing

of the brusheria, so I was to get the earth in the pozo, when I'm at a certain level of the tree, I'm, I'm going to and then

they've done that maybe what I had had a technique because as the poece the post very profound and then I put to the

after the other they were thinking that maybe my arbalito would be better and they were a pozo more profound,

they were they started and they started to scrabber because they they're in that I, it was a

way to be the other than they're in that I'm that I'm that you, and for that was doing the

post. So, so I was that I had the the raises of the little

or where I'm the part of the the house, me to I'm to get to

and when I'm I'm in the table, and I said, look, my mom

what I look at what I and when my mom be that, me I met a cachetada in the car and he said,

why are you doing brujerias, and he got her some wands of the kitchen, with those she got her always the pastels of the orno,

and with those wands, he he gets a out of the house, and he starts a lot of a lot of

and me and you're going to go to write, no you're not you're doing broador,

I don't understand I'm not, I'm going with the father, the father, the father me

that's that's going to because I do you and he said, and I said, my mom me said that my mom said, I said, I'm going to rest with him, because I'm doing

and he's making. And he says, how can you start doing gruheria? What kind of the demonio you got to get to? Who, who's, to get to that?

Tell me, and, well, I know, I know what I'm know what I'm trying, and I'm saying, Padre, well, I don't know, I know, no,

no, no, me digas with this, and you're doing, for these tontaryas. Who was the he said, was your tia? Your tia,

your tia, you've seen that's, that's like in those things. And the narrator me started and he said

a lot of people around, and I said to the father, no, no, and I felt a very much, because I don't

know any to say it. And the old was saying names of people that I knew that I know,

I got to the house, and I said to my mom, Mom, I don't know to say the but I'm

not a list very long of bruchos. And my mom, that me says that, like,

like, what you're about, and what's I'm, and I'm the father and the people that mentioned and my mom's

so much to start and that's a farranch in the house and he's to get a little people who were the other people who said,

I'm there's where I'm know about, two little things the first, the first, that the brugheria, all the

place, in where it was not something, not was a good, and it was a thing that was that I'm going to

say, and the second, that there never been told anything that of that, and I don't know that those things. Well, that

night, they started to pass things in the house. In the house, it was to fill out of a aroma very pestilent, much as it had been made, as if we had

had been kept the things out of the refri, and I would have made much a lot, but for three, four days. Something has

a prodrived, so tremendous. My mom, agarro, Agawawawabentita, and I was and I said, Mom,

we'd say, Mom, we're, we're going to I was enojada and I said, you call it, Bruch, go to and get to do your

and get to the house, narrate, and well, that was the first socese, no record in what

the moment it was I'm going, I'm had to have noce of the house, was a

bad, that that's did a farrancho in the family, then that was a

very very pesed, and for what he said, I'm not he, I'm not

not just I'm abstra- and I understand, that it had to that

maybe with demonos. Passed the years because my retortigone stilled, but I don't

understand why. And one day, standing in the work, you know, I'm talking that this when I

did it, and it has been a time, there has a much cario and much esteema, but I've

been doing the work very bad. We've done, we're going, we're doing a

officein' things administrative and he has been doing very bad his

things, but very bad, of a way in that it's descharated, and

be bad and one day I will talk to him and I'll say something I'm not to make that what's going to you're going to you're going to

because you're trying so you're you're going to so I don't no no I'm going I'm going to

and something and something when we're I'm very I'm much the screener and where I'm

put the hands in the door so me engarrot so they're rigid rigid rigid and they're they're going to get a

but that I'm going to I'm going to I'm going to start like if my friend would be a bit of the aroma that I've in the house

after years when I said that I'm going to that's the park. Then, narrator, I'm going to what's going to

and analyzing and I'm that there something in your but I know what I'm saying,

I'm asking a excuse. I'm separate the desk, I'm you know, you know, you know,

you're a thing, you're a matter, ordanarer. And to him so to illuminate the eyes. In serious, me going to

help you. Because he's a desauceal. We're going to get to get to get another frasco like the

other frasco because I'm that I'm going that's a detail. And of a repented, narrator,

me do you know that a carhom of his door, top. And he I'm saying,

and he's no see, no see, well, why not you've paid to make to make to come

to come to come to me. all the of the story. And I wanted to

that caron little to be the caron and I'm quitton the caron and after of that I

top a photographia of him into a box of this Ciblock is all full of

the earth and it and it has got that when I see that I'm

it's grougeria he said and I'm me me and you see that what he said what?

That's what box? What bolsa? And when he I'll say one third time. The bolsa, the front of the cajone, the that's arrable, the box. The bolsa, he noja, so endures, but it's all right, but you're in those casillas.

Well, if you're going to be able to be, right, the type. And never I've ever looked at. And then, so me has a very rare to his reaction. So, I'm just, no, no, yeah. I'm to get to the man to the cajon, and he'll me detain, he'll change the voice and me, says, no, that you don't to do you, that's my. But yeah no is his voice, narrator. And I I'll grab with

forces the bolsa, I'm I'm in the carhont, this type like if he had been

into the little to get to get to get to get to get to get back, and they have the services

medical of the work, they're they're going to get to this thing to do that I'm a

time, I'm a many years, I'm I'm going to see the thing that's the only that

he's been to try to try to mojada. Then I do ballita, the romp the most

I'm going to a bote of water, and the other things that had been there's got to there's

and one of the gusanito for that they don't have rasternata all the and the stuff.

And the time, and the time, he's going to get to be all the old,

he went, he's he's a little man, there's all right, there,

all this, I've already I've I've lived two anecdotes. No, I can't say that I'm a detective, that perceives the paranormal. But if I can't

say that maybe I have a super-power, that me does fear and not is a father. Because I'm interred of a little,

that that's that is a perspective. When you I'm at great I'm not, I'm going to ask you a

story's, well, I'm going to my mom. And I'm my mom, no there's there's

terror and paranormal and and they say, no, man, well, how not will be there? If here in the house of the house of

a lot, I'm a one of the primas of your papa, and as the pasts being a

burruchery, and me I'm to record, the retortichones, the arcadas, and all the problems of

the stomach are in the part orient of my house, the the part

more pegated to that house in the house in the workeria. And it's where I start

that all that I thought that I was to be with the brokeria that's

on the other. Alvaro is super fan of the channel, but he

never had been ever ever never really that's a person

that you love the horror, he and he says that he he's the

channel because when you know, when you know, it's

so Alvaro me and I know to understand this

that even that he doesn't that it's It's true. And he says,

I've gotre the idea of that those stories, many people are very creative, they're just being made. But, you're trying the best. I'm just a lot. I'm fascinated. I have that idea, narrator. Until, after two years. No, me passed

listening to your podcast. Me passed apart, in my house, standing I there in my routine normal. My routine normal, my routine of all the days when I get, is this. For the general, in three three months, I go to the gymnasium

about at 9 of the night I go not I'm not so I'm so I'm a lot of sometimes like a

kind of liquided of protein or me he's a little or like a very very very very

very very light to be very very well I'm not I'm to do the meditation a

and when I'm I'm a meditation I'm I'm like all the ideas that I'm in the

whole of a paper to be being dispegated to go to dream. For this point, narrator,

it has to be a second of the quarter because if I'm kept in my cell,

and I'm sopite because I'm really too. So I'm to get a bit of

then I'm to get to get to all the thing I have a paper. I'm

I'm I'm my battery. I'm met in my bedation, I'm

I'm I'm I'm a little fresh, which it has a two,

three minutes, no live in a place that's so a little bit of a little bit of a room when I sit down that's a bit of a room that's directly in my

invitation. My baio is a little bit. I have a lavabo that practically the door rosa with the lavabo. When the door is open, I don't put to start completely front of the lavabo because one part is it being in the space to the door. So,

me have to get, I'm going to, seeer the and where does the lavabo? then the retrette and where it's the retreter, and where it's the regada. And the space of the raggedera it seems to me media narrator, because I pego one of my shoulders just

in the wall, and the other that's just the end up where I'm like the cancel of the bayon. It's a space chiquititit. It's made for three Alvaritus. So, for start a gusto and lavarned the dintes, after

to doorme, I'm metto to the bao, and for inercy I go the same. I'm open the door, two passes to the right,

I'm the door, I'm over over the right, and then I'm move a

right, and then in front of the light of the abo, and I'm look,

I'm going, I'm my eyes, I'm stiro with the hands, post-teso, I'm

always, I'm not for what, but now I'm in the back I'm back my

piece, and when I go to that I'm a narrator, there a little bit down the lavabo. And me is

being and it is a look at my mind direct to the eyes. I don't see if were two or three seconds.

I was sent me it like so it was still. I'm quite frio and I'm feeling how my hands are

to vibrate, how the heart is me startserer, but in a point in that it like if

were going to just getting to all the and in that I'm feel that the bejigas

in the part of the lavabo, to be at the spejo, no I want to I want to start a question, I'm going to find out of

the lavabo, and no I'm appeared to another. If there's those things, not are pures stories invented,

and with this history, our night, we've got to the dark fogat of stories. So,

is that, for favor, CENTEN me in the comments, what was the story that most

they just and a surprise- So, let's the time of the day of

three of the time, or the time, the time, the time, and they're to come to talk with

some comments very interesting. Dichn one this, I want to say this one thing, there's a

thing that we're doing in the family of know that's stories of terror, very stories of normality,

very durn, vivences personales that are macabras and that has seen have seen and they've

seen at the time at the time they're not they're listening. I'm going to do you're going to say

how to hear of the platform better than the other that was to do the video also you're to make it in

the platform you're going to put to let me let's be the icon of the channel that

you know you're you're going to put all the list of episodes but be of one in one

one and one you're short. What's a secret. One, two, three,

four. And I think we're going like in the 11 or 12. You recommend that you do you're

those episodes. Some episodes shortitos. Five minutes, 15 minutes, 20, and some have to

40. But there there are stories that you've heard. And you do it

a lot. These stories have heard less than the 10%

of the family in October. So, so you're saying to

you, not you don't have have heard these stories, and no, not are not stories that we have told.

All the stories of the Places Secretas are those stories exclusive that only are there in that this platform. So, if you fall in stories and you feel like

not are sufficient episodes a week, maybe you have some good practices secretes that you're going to help.

So, so that you're going to go to see the next fogata and stories or in the

Saturday of SOMras, I'd I'd desire you, I'd I'd doces