HABLEMOS DE LO QUE NO EXISTE - Historias de Duendes , Brujas y Objetos Malditos | EP 276 | EL NARRADOR
Episode Date: March 25, 2025Bienvenidos a ésta Oscura Fogata de Historias de Duendes , Brujas y Objetos malditos en @HABLEMOSDELOQUENOEXISTE El día de hoy les traigo historias escalofriantes que ustedes querida Familia noc...turna nos hicieron llegar. Mario descubrió que lo Paranormal existe cuando lo paranormal tocó a su puerta; tiembla de miedo con los duendes del patio de la abuela. Escucha de las reuniones familiares clandestinas y los oscuros rituales que le fueron revelados a Xochitl. Conoce al aterrador errante que hará que te quedes helado del terror asi que prepárate porque llegó el momento de que @HABLEMOSDELOQUENOEXISTE HABLEMOS DE LO QUE NO EXISTE es un canal de youtube con el formato podcast que comenzó en abril del 2022, su primer episodio fue "vivo en un casa embrujada" en el que una chica narró sus vivencias y sucesos paranormales a lo largo de 20 años en la casa de sus padres, desde ese episodio hablemos de lo que no existe ha marcado una tendencia en exponer casos paranormales de personas comunes que viven en diferentes partes del mundo. Ice Murdock es el conductor o host de éste canal, durante casi 100 episodios no apareció, nadie conoció su rostro y la comunidad de éste canal , la familia nocturna , creó teorías acerca de quién era el dueño de esa voz. Hablemos de lo que no existe se destaca por tener apertura ante las opiniones experiencias y vivencias de cada uno de los invitados. La comunidad de éste canal es conocida como la familia nocturna, de hecho por estar leyendo o escuchando ésto, tu ya eres miembro de la familia nocturna.. bienvenido. El duelo de historias es un concepto que se creó en el canal @Hablemosdeloquenoexiste, idea original del narrador, se estrenó en el episodio "Comité de la Muerte ,historias de Hospitales" el 1 de junio de 2023 y empezó a implementarse formalmente en el episodio "Abrí la puerta a un Demonio" el 11 de Enero de 2024 ; consiste en un duelo entre Narradores, una dinámica sencilla, donde cada uno cuenta una historia y busca superar a la anterior y al final la familia nocturna nos comparte en comentarios cual fue la historia más aterradora.El Narrador y todo el equipo de Hablemos de lo que no existe trabajamos para darles a ustedes querida Familia nocturna contenido original y de calidad, tardamos a veces semanas ideando formatos luego de tomar en cuenta las cosas que nos han pedido a lo largo de la temporada anterior y por eso el día 23 de Septiembre de 2024 comenzamos una nueva temporada que llamamos FOGATA DE HISTORIAS, en donde el narrador prepara una serie de historias escalofriantes una tras otra para retar al espectador a terminar el episodio por el nivel de miedo que genera. En este canal se relatan historias de terror paranormales, sobrenaturales y reales, prepárate para conocer el miedo de una forma en la que nunca lo habías experimentado.
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Discussion (0)
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Pucance-Moyerned
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in a way responsible.
The conditions
apply.
When you
were little,
you've been
brassed in
course of recreat,
always in trying to
negotiate,
exchange the cards
of hockey,
the bonhom,
the bracelets,
even of the
collation.
You know that
all the
value,
before you know,
before the
time the
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really changed.
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with your
instinct of
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for negotiate,
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You'll have said.
Telecharge it right now.
Welcome to Famine Nocturna
to this
oscura fogata of
Histories.
The day of
we tryem
histories
aterradoras.
From the
Saturdays
past, I
said that the
day of
I had
stories that
were special
and prepare
to be
because we
we're going to
doundes,
bruchas
and objects
malditos.
But these
are not
any
history.
They're
of the
stories
more
the stories more
retorsid
and the
the worst,
aterradoras
that have
come to
get to
the
channel.
So,
I'm
you know
you're
you're
to get
a little
you're
to be
to get to
get to
that's
that's
so that
when you
can't
get to
you
get to
a
one of
that
you know,
I wish you
that
you'll
make me in the
comments, and
we're
a final.
Comeensable.
Have you?
Have you
That's what he passed to Sochill, and when
he put to indagar,
she toped with the truth
more obscure that you can't
imagine.
This is a story,
and creme,
you're going to
hear me.
Sochir me
sent a story that
is very difficult
to digeril.
She said that
since she has been
use of reason,
her mom
has been a person
carinousa.
It's a person
more very
fria and a
little distant.
No is
a lot.
Never has
been a
man.
But,
we've got
this
distance, no connect
so much
with her.
And it
seems that
her not connect
practically
with anybody.
All the
life, Sochi
had lived
with a
certain
reclamos to
her mom.
Why not
he'd
do it
for the
time?
And during
many years
in her
infancy,
she was
she sentio
to be
that she
was sufficient,
sentia
that she
not
I'm
I'm
had
provoked
something.
When
were
the
years,
and Sochil
started to
grow
he
he was
going to
do that
not so
that's
that's
that's
that's
the mom
was the
way of
her
a
little
distant
very
very
very
little
carinous
so
sochil
he
began
to
entable
a
conversation
to
know
to know
to know
to
know
that
he was
he
did
know
between
the
16
and the
19
years
that
no
he
No, no,
of her.
Never had
been the
opportunity to
have a
conversation with
her.
And her mom
also knew
to Sochil.
The mom
of Sochil
the time
was sochil,
that she was
that she
was all
with her
and her
mother and
with her
and with
her own
she not
that this could
be a bader.
It was that
was not over
and it was
no, I'm
there were
moments
that could
to remember, no, there were moments in that
that was extrana, because
no, there was a vincolp.
She quixed the opportunity.
Between the 16 and the
19, when it came to that moment in the
life in that many of us
we know we know we're in this situation in the the the
situation in the way we're not
who we're doing
that part of his essence
could be there
in the mysteries of her mom.
Why?
Because, since
to be in
down
Sochil
was
a little
not a
very much
not a
very much
not a
not so
she was
not so
she
always
manageable
a
distance
then
then
she did
know
that if
she
did
that
her
was
her
was the
she
was the
she
He wanted her
He wanted
I wanted
because she
was like she
was like
and I'm
also.
He was going to
try to
make this
conversations
and her
mom at
the initial
he started
to put a
little the
distance.
No,
I didn't
indagate
the respect
no
I didn't
that he
did a
question about
her
life,
no
she
could she
she
would be
she
involved
in
so chos
and sochil
started
questions
that
were
very
very
very
very
Because for the 16 to the 19 years, that you
do you ask these questions about your parents,
about the same family,
maybe there's a thing important.
Why never I've seen my abuelos?
How do they're called my tios?
Why I know I'm not.
They're not really strange.
What relation had my mom with my mother?
She, what relation has with my tios?
Why mom never talks of her family?
things that
that maybe
many of
you'd have
many stories
familiarers.
Sochil
did a
moment of
to make
questions
that no
didn't
know
of your
family
maternal.
Nothing.
Any
she could
be able
the
names.
The tita,
the
abuela,
but no
have any
the
name,
or the
name,
no put
to make,
a detail,
how is your
car,
what rasgos
they can,
not
don't even
the
and the
and the
the
tios, not
say,
the
primals,
of the
primos,
of the
only is the
concept that
who are the
one and when
those are you,
no,
they're the
question.
Sochil,
got a
libretta
little,
the
questions that
had,
that was,
like,
much,
more of
50 or
60
questions,
of all,
from what,
from,
how are,
who are the
people,
what are the
relationship
with them,
what relation
you can,
you
you've got to go back? Why didn't
they're going to visit? Why don't have
redos with them? Why don't we give us
to them? Because we never
we're going to their houses? Because never
they're coming to here?
My abuelos, to what they did they're
my tis?
To what's your family?
What iscondes? And it was an
infinity of questions,
over,
questions. When he got
with her mom,
he commenced to
make her
incommod, the
incoomod, the uncommoded
passed to the enojo,
the enohoho
passed to the confusion,
and not that
that he was expressed
it,
but her
car seemed a
arco-iris
that was changing
to color
in color,
until
that the
mom was so
put so
to get a
really a
and you know,
and only
a pair of
little little
little bit
on the
eyes,
but that
expression
was more
emotions
of all
that she
had
showed to
she was
impacted.
She was
was impacted.
She disculp.
And so,
but she
said,
no,
a little, and he says,
no I'm prepared to say nothing.
Damn time.
Aurita that you
what her mom
he revealed two years
after, you're going to
understand why he
took so much
time to say it.
Two years,
Sochin,
no, so he
occurred to
talk the
time.
He was
a question.
He asked
to his
papa,
his papa,
directly,
because he
was a person
very very
very, very
abiot,
he hadrable
of the gombo's and he said, it's a
very strong, very delicate.
No, me to open it.
For favor, guard it on your
heart and give you to your mom.
She'll be when you'll talk to that
and then a sochi, he
said abertamently, my family
are criminals, that's the problem.
And the papa's the way of it.
What's talking? And he's
kept thinking the papa and he says,
no see.
No, I know.
But it's better that not
you don't you ask you that, because what
you're going to say, your mama, nothing to be
with that's more. And Sochil
she kept with this incognita,
as I said, two years.
Two years complete.
Murieless of uncertainty.
It was making to ask us
her own, as her own conclusions,
investigate in the house of
mom to see there, some album
of the family, see
I recognize rostros. The family
maternity was abhorred.
No existia.
no, there
and if the
abel and the
father had
another family,
she had
she had to
know,
I don't know
to the
rostro's
of the rostroses
of the
person,
he was the
last time
he was
two years
after.
One day,
the mom
and the
father is
all the
morning,
apart of the
time,
they're in
a note,
we're
to be
occupied
out of
the house,
for the
for the
person,
and so
that's
that day
to the
day
the day
next
they're
a
mom and
father because
they're
the
madrugated
and now
when Sochi
those be
and they're
what you
know,
and the
mom
more
more than
he said,
now
I'm
put to
what you
said to the
family.
Yeah,
you know,
your
old old
and soch
and he
does it
a
water
of the
what the
demon
that's
what I'm
that's
you're
you can't
you
know
to do you
know
and he
he's
about
a
mom
they're
nafiosos
or
what?
And the
mom
a slelt a carcatchada and he said,
maybe,
but they're much
pejor than that's
other thing.
He said,
give me
more opportunity to
order well
my ideas and
very soon
I'll say
all but
we'll talk
about the
time.
During the
the next
because
were like
two or three
months
more,
the mom
and started
to give to
time in
the time in
the
that I was
an libretta
great
in the
that he
had
a puntes
and he
I was asking, what you're going to
tell, but is that many things, and
I know how to say it, I'm going to order.
And Sochil, be a mom
a very much empeachment in his libretta,
and of a few times in what he no
had passed in the last
years, commenced
to occurre those times.
His mom was more
more close, and
of a few times in a while
received a call that,
he was that
was a much to her
mom, and after
of that, mom, and
they'd say,
and the night
without that they were
to involve them
and the next
And yeah.
At the day
the next
it was a
new time.
And that cycle
was a
repeat.
Every time
that came a
moment of
preoccupation
and the day
or two days
after the
mom was
a much
more relaxed,
was a
person more
unruient.
After
of these
days,
that is a
time a
little
incert,
three
months,
maybe a
maybe a
maybe a
more,
maybe a
little more,
but
there was
a moment
in the
cessed the
callas,
his mom
mantoo
a certain
level
stable,
and the
libretta
yeah
not had
in the
table.
It was
like
if it
had
ordered
the
information
and
not
to
his
point.
And he
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Some things that never to give you to reveler. No, you're doing nothing to your
that your manita, that for this point, to tell you know, no see if I had a
brother-sochil, because no figure in the history, only there's this
detail. And, too, wait a to hear what his mom said, and you're going to
understand because this was not for a minor-de-dard.
her mom
he said
that since
she was
she was
she seemed
relegated
of the family
never
she knew
that her
never a
smile
a big
a brazo
or a
moment
or a
moment of
her
his papa
was a
was a
person
that was
a
but
her
mother
she was
she
she was
she
she
she
he
was
he was
she
she was
present
the
the
mom
was
molestable and
he was attacked
of another
way.
In the
house,
she was
she sent her
like a
person
and she
remember that
even when
she was
four,
five,
six years,
his
regalos
were
things to
make a
house,
and they
were the
she were the
the
house,
that she'd
not would
not have
a
time if it's
done of
humiliation
to do
the
herons and
and
hermenas
of hermen.
The
brothers and
not
they were
practically
the word.
It was
like it
was a
person
a foreignia.
Since
very
little,
she began
to ask us
she had
adopted.
Why she
was that
bad?
Her mom?
Why not
she had
done?
Have you
something?
Or,
maybe the
obvious,
what you
do you,
it's adopted
and not
form a
family.
Tal-be
it's of
other
matrimonio.
It's
of an
one
a matrimonio of papa and mom is another family.
If she said questions
very profound, because
no I didn't know why they'd have been that
bad. Literally, it was
the chica of the SEO.
No dormia in the court
with his brothers, no
I'd come in the mess with the family,
no I'd go to the schools of
hermases. She studied
in the house, and the teachers
also the doctors also didn't
know that was by the order
of the mom. Why? Because
the masters, when the mom
not was in house, they were
They were very different. But, poor-sit-s if the mom was in
house and, close of the quarter where she was, because all were
rega-gnaissance and rega-grino's agriots.
That's all right. A lot of a person insecure, a little
serrata, and no had to expressarce. No, I knew how to expressar
the cari-in-a. The carino of Papa always depended
of the authorization of mom or that not stood. But then I
felt that she didn't mean, she didn't even. Never.
and it was something
until
that he was
that he had
a cat
and so he
took to do
do you
the house
and not
was involved
in activities
family
and he
started
to get a
different
things
things
that when
you
talk to
live
there and
you
don't you
don't
you
can't
so
if you
were
someone
you
know
you're
notar you
know
the
first
is that
the
family, no
little
money,
he had much
money.
The dimensions
of that
house were
something
they were
not the
house,
and she
was in
many times,
in the
times in
the
time in the
room,
and I
had done
conversations
of adults,
notable
that the
adults
one and
other
again
again,
again
the grand
time
of the
house,
and the
great
a riche that had amassed and
always asked how they had done
done so much time.
She intended that.
We're rich.
I live in a family
rich, but she didn't
he'd know.
Practically no
had contact with the
world exterior.
And, standing
into the house,
she had no
was a ruck of
the rupacke, was
a rome, was
a lot than
was used, and was
dedicated for her
and it was
part of the family.
The education of
his brothers
were in the
different schools.
They were
typically
superman educated. She didn't. She learned
the basic and the minimum and still
more a regaunties, for that never
had an enthusiasm for buskare more
information, for know more.
She started to do different
things. Papa
had a bibliotheca secret
in the booketka.
Papa, in occasions
had left a stante moved
that behind of that stante
had a quarter-median
great and
full of
books.
But a
part of
time,
that was
a lot of
when they were
invited,
he never
was ever
ever.
It's all
was when
Papa
was
she
always.
And she
never
said
that no
she
didn't
know.
Moma
had
friends
with those
that was
to go to
the alcoba
when
Papa
not
in
house.
And she
she
had a
way
a
very
many
many
very
inside of the
bathroom and
she's
a van
and she's
she's in the
mother's
she had to
she said,
she'd
have you
had to be
a start of
chachetadas and
gulpes and
grittos
that prefer she
prefer she'd
rather
to be
also
there's
another detail
there
there were
certain
reunions
family
in the
madrogated
in the
that she
never was
she never was
The next, they'd
rest of different
things.
Pawns manchated
of sand,
plums of
gallinas or
of gaios or
of the
jemas
the yemas of
the web in
certain vass
that they had
like
photographs of
people with
manchas
of cera.
No,
I didn't
nothing of
there.
There were
many vellas,
incensos,
rest of
things,
and she
he took
to
to go get
all
that
when
urgues
in the
basura
and
discovered
chiles
quills,
stutri
rotas
and different
things
that for
her
were
doing
like
a certain
touch
that only
that
only
that
only
that
was
a
year
a
night
he's
a
no
he's
not
not
to
know
and he
he
does
get
a
person
the
the
people
of the
the
she'll do a quartito, and this
chica, poco, go escalando,
know she's his husband,
that was a type of conductor
of a carmion,
and the conductor of
a camion brinked
another posteitit,
and little,
they were doing
their own
little bit of a
house that was
both were
people were
people
exagerately
and dedicated,
and then
after that,
when they were
they were
to do you,
they were
to give them
to do you
the
thing is that
in this
inter,
in all this
time,
She didn't have
contact with that family
No, I didn't
that her family
knew anything
because he was
he was going to
investigate
what things
were the
he had been
in those rituals
and she
did a point
that were
pure questions
related with
the
all the
plantitas
that used
all the
artilogues
that had
when he
asked
people
there were
only
there were
just
there
was
who can
know
what they
were
doing
what
was
seen that they've seen in brujeria,
only those two responses repeated
hundreds of times,
he'd never, or something.
Or no, it was a lot, or they were bruchos.
So, this
this lady decided no-sabre,
no he interested.
The day in the
that felled, Mom,
she sentio a
relief tremendous
before that he
had to get to the
notice.
The theme
is that that day
they had said,
that her mom had
had fallen,
and they said
that, for
favor,
for the belorio,
the velourio
was to
be in
house,
that they
were in the
need to be
to the
she was a
they're in
a good,
but they were
not they were
any carino, and
confidence to the
only to
be a woman with
and he was
part of the
share.
But it's
that in the
moment in
the
that he was
the house,
the house
to be
in a temperature
medianamently
high,
It was strepidosomely the temperature.
It was turned to tremendously the other
the place.
The people that were there
began to feel the frio
and exhaled about.
The repent,
the windows of the second
piece were to start
and starters,
down goopeteers for
all parts.
They were,
they weremuchos
of persons that
not were in the
place.
And then,
all the
brothers,
they said,
I've said
much,
I've had to
come you're to
visit her.
And she
said,
she,
she not is my
my mom.
and you're not
my
brothers and I
just don't
my time
and I'm
going to be
to be there
and then
they're
going to be
a way
and they're
saying,
no,
is that we
need to
give a
favor,
a me
they're
to be
not,
and of you
want to
never to
never,
but is
that she
about
she,
I don't
receive
nothing,
I don't
know,
I know
who are
who are
and I'm
and I'm
and I'm
know who
they're just
they're
not to
not me
No, I need to go to have
no ta'o,
nor see any of
any of the person.
Those people
that were
never had
never tried to
not even
like a person
human.
They had always
made a
little and
always they
had seen
less.
Then,
then be there
them directly
to the eyes
and being
an adult,
put them
the heart and
to say,
it was the
thing that
most satisfactory
that you
could be able to
be able to
and the car
and smiling
and wring
and year
again,
it was a
choque of emotions,
he was
the
fall of temperature,
of the
voices,
and of all the
rudiment of the
other than the
second
door.
It was a
comparison to
have said in
their car
that they
were to
the caro.
The
time is that
when he
back to the
house,
a little
days
received a
call and
and was
one of
his
two,
saying,
for
come,
we need,
we need
to us,
we need to
all,
we're
to all
you're
you're
the
an cl cl
for favor,
salvan us.
She called to look at the
call of the
night
turvada,
because she was
going to
give to help
or not,
and he was
saying,
no,
do you know,
don't want to
they're going
something to
want to be
good for you.
No,
do you know,
the morning
the next
mannacea
more
tranquilla.
But
passable on
some days
and received
the
call and
he was
another
of the
much more
aterrado.
Juan is
very bad,
he was
very
very
I could have to all
brother
for
brother
per die
all the
fortune
culled
all
and she
not
she doesn't
know
in what
she
she was
no
what he
he said
to say
to
she
she
never
I never
I
never I
didn't
talk
because
they're
not
your family
our
family are
we
we're
from
here
the
my
side
no
there
no
what you
think
with that she was her ankle.
Mario me
sent a message.
I made a message
to the WhatsApp
of the Pesadillas
and in this
message me
says that when
he was very
little,
he discovered
that if
there are the
things
paranormal of the
form more
aterrador
that you
can't imagine.
He had
around
of 14
years and
his
brother had
nine,
and they
had been
a day
to do
in the
house
of the
there
there
there is
a
context
specific.
The
abelos were
persons that
were people who
were
very
abodalalas
abelago.
Families of
these that
were
new ones of
hectares
and hectares
and they're
going to
the
generations,
she went
and was
the
fortune.
The
house
of the
abelos
more
was
the
house
of
the
father
abel
of the
father
a
person,
he never
never
heard
to
he
and
less in
this
time
and
after
he
This house is very
great,
very great,
I refer to
be a lot of,
it's of a
only piece,
no,
it's not
two pieces,
but that
piece has
about 10
abatations,
four
bachions,
and imagine
the construction,
because
each one of
the quarters
has space
sufficient for
three
Kams
Kinsize.
They're
are large,
with some
bodes,
a techo
altissimo,
and you
know what
the part
more,
the part
the patio
was a
area
that's a
very
that even
when I'm
a barra
and a barra
supermently
old,
it was
a world
was a
work,
it was
a little
your own
a
he was
to go to
the
house
of the
house of
and in
a maniton,
that's
they were
a company,
and they
never came
they'd
never did,
because
no
has the
minor idea
to him.
But there
a moment
in the
the
parents
had to
to be a
wedding
to the
family.
And they
not were
little
little
little
opportunity to
get to
get to
get a
house
and mom
they
could
get more
risk.
The
house
was much
more
more
little
there
there
maybe
there
was a
person
they were to
they
they were
to
get
more
rid of
.
In the
the
house
of
the
abelos,
they didn't
they're
even can't
the
perils of
the
doors to
open to
open
none.
They're
houses
these
antivues
have
a
little
they're
so they
were
more
sure.
Decidier
that
they were
there,
they
they were
the
tient
and
they're
they're
they're
there
in the
patio of
the
abelos.
They
they're
a
lot of
them
they're
the
door
exclusively
for
that they
could
enter
to
a
a
boy.
And there
a situation
very
different.
They're
connected
some
some new
television
to the
entire of this
time.
And then
a videocasseter.
You know
you
imagine you
time you
talking.
But are
these
cases in
that you
put you
put you
a
videocet
known
also
that had
a
sign
magnetic.
We're
talking
of
a
rectangle
more
or
about
about
20,
22
centimeters
of
long, 5 centimeters
of
an inch and
also a
little bit
of the
fond of
around around
of the
15
centimeters.
You met you
met you
those
cajitas
and you
put in
a little
a
lot of
cajas
because
they were
in cajas
each one
of these
cintas
and
there
inside of
the
cartituras
that they
liked
and
some
some
some
some
them
they
they
did
sometimes
those
two
much
were
fascinated
The Tienda
The Tenda
Campa
was a
marvellian
Cabian
and other
two
and other two
people
more
of the
old
time.
The
television
and having
all
those
refrigerios
two
little
like
mantita
extended
and
apart
a
colchoneta
gross
with
all
this
they
were
in
a
palace
Arab
because
it
was
the
the
techo
also
and
being
being
there
and
sentian
soniards.
In various
occasions
putio
the
and they're
both
talking,
rying,
playing,
and they're
many hours
together.
So,
so they're
like
pauses,
they were
going to the
tinder
of the
time,
and they
were
in the
house
directly
to
back,
and they
were the
first or
the
first or
back
they were
they're
getting
that
something.
Mario,
he
he,
he begins to
do
know that
that's
that's
there
there's,
there
have been
there,
but he
had
had done
out of
some
statues,
some
them
of
domos,
some dweens,
these
barbones
that have
a
gorrito,
more or
about,
so I'm
so they're
so he
started to
see,
and
the
repent,
the
second
third
time
that
went,
to
he's
he's
he's
almost
and sure
that they
were a
little more
more
more than
a
little bit
and they're
two,
they were more
of 10
statues
that were
distributed
in the
patio.
And for
more
that's
memory,
no,
no,
she
can't
have
ever
ever,
but
well,
the
little
and the
other
and it
doesn't
have
that
that
have been
that
things,
that
he's
a
man,
he's
he's
a
little
he's
a
man,
he's
he,
Encantado
with
Dorming in
the patio,
not is
thinking in
stories of
terror,
and more
being he's
having,
like these
moments
with his
brother,
in those
that are
very good,
for the
plaitos
and for the
rices and
all the
one of
his films
favorite,
because he
gets
rapidly the
Tenda
of the
company,
and when
he gets,
he gets
the
the worst
of the
situation.
His
brother
is absolutely
dormied
and the
poor is
is that
roncando.
When
he's
roncando,
he put
to malas
at the instant
he
he moves
and he
says,
he's ronk
and the other
yeah,
let me
do you know
the problem
is that
the moment
to roncar
he impede
to hear
the
television.
No
can't
hear
to just to
get to
get to
press the
attention
in the
runquid
so
so it
again,
he's
he's got to
and the
man back
to get
to
get to
get to
and he's
and he
he's
a preate
and
they're
to goalpes,
at a point that with a
patada,
empohed the
television,
and you know
turned to do that
thing.
The two are
very sad
because there's
no there's
no way to
make to make
to more
other than
the house.
The house of
the abelors
all are
all this
all right,
and it's
very quick
that's all
very aburried.
No,
there's there.
There's
not to come.
For coming,
you're not
to be able
resentied,
so one
agarer the
colchagre
and the other
carra
like a
pair of
a pair of
sabanas
and
they're
to be
to the
end of the
house
and they're
they're
they're
very well
and
they're
well
what
was
who
know
what
they
they
they
can't
and
in
this
we're
in this
he
remember.
He said
a
little
a little
a
a
little
like the sound
that's
the bolsas
of the supermarkets
when they
start to
defunding
that's
much they're
like if it's
stuble in
it's trying to
and you know
that's
that's going to
get to
all that
then he's
he's
that's
rare
so he has
the eyes
and be
that's
he's
the side
and be
a man
along
that has
some
long as
he has
he's
not be the
one of
the
Be a silhouetta because it's
pegged to the Tienda
and it's one of the
u-u-as, the Tijuana,
and is a back down
that's down.
What he's listening
is a garra
that's rompiening
the Tienda of Campaign
of a little in pocto.
He's kept so
that astustado
that he wants
to turn to the other
side,
to start to
his brother,
but when
he'll look at the
other side,
he that his
armone is
like a car'd
like a
craddle
the
back to the
and the
side of the
also you know,
and in the
light is
a light,
a light,
exactly
the other man,
exactly the
thing is
also being
also a
little
a little
a
little
after that
after that
he's a
feeling a
little bit of
the
little
he does
make a
way,
and not
she can
do you
do it
is something,
that is
something
nothing
recommendable?
Sult a tremendous patada and
it's a matter in the
tracerer of his
brother and see
that's just
so he's justa.
So, if it's
that he's
a little
to see a
he's going to
be that he's
a time
and he's a
man that.
Then he
he's got
a point there
that has
the paper
of the
brother,
no he
he gets
to be
a person
valiant
but he
that's
that your
manito
is a
more of
a
responsibility. So,
so the only
that's the only
that's a
record that has
a little bit of
his abel
and he
he,
hey, hey,
hey, hey,
and he
and he's
to do that
him,
like a
thing, because
is the
only that
he came to
the
head to the
company and
and he
and he
and he
and say,
hey, hey,
hey,
hey,
and then
he, and
the repents,
how the
garras
they're
they're
they're just
to make
to make,
they're
no there more sombras,
and then they tumbled
so the tumbled
so on the feet
that's
and he's sent out of
the colchas,
and his brother
says,
also he's,
he says,
how they're,
how they're doing,
so,
are more than one,
and say,
are many,
are much, so,
and they're
to hear much
little pieces
that's,
that's just
moving for
all the patio,
for all the
sides,
they're coming
to the arboles,
and they're
to the campbae,
and it's
so the sound
the sound, that Mario
sires
the eyes
his armarice
and they're
like a coachita
like they're
like they're
and they're
and they're
like if much
manitas
start to
get the plastic
of the
but so
a lot of
you're just
they're just
they're
and they're
and they're
and pass
and pass
and then
Mario has
really a
fear and
he's a
even a
maybe a
he's a
year and year
to year and
year to year
and yearer and
then it's
it's
a car
like,
like it
comes getting
the car, she stacioner, it, it's apache the motor, and then, all those passitos, they're
to be there's a ruyed of the hands, and they're sullen purasas of the nymphs of the patio.
When it's uprored the door of the house, Mario no one of the room, it's a little bit of the
the covertiso of this
Tinda of Campana
all the statues
were just to
front of the
door,
pegated to
the other,
one pegged
at the other.
Who's
accommoded?
Because they're
there.
And is sure
that the
gesture of
the statues
cameo.
Now they're
somerises
and colmillos.
Before they
had the
box
serradas and
a barba
they'd
cover the
raita
to the
line of
the
lavios.
It's
going
to
the
house.
And
will be a
time
in able to
explain to
his papas
what the
demonious
was what
they were
that they're
going to
go to
many,
and they're
going to
because his
papas
not the
but
Mario,
but Mario,
this day,
has been a
very clear.
The paranormal,
if
he went
and he
took to
the
door to
the
house.
What
you're
that are
those
statues?
Dweendez
or
something
Beh
BIA
Rai
Embarked
and
Profite. Embarked and relaxes.
Cirotay.
Bookinay.
Oh, that also.
And profite.
Via Rae.
The way that we love that we're going to
tell you,
I've discovered,
thanks to the family
nocturna.
So,
so I'm going to the
family nocturna
to the invok
for that I'm
and let me
a banderita
there in the
comments
for that
you have
overvived
to the
time of this
episode.
Now,
see,
I'll tell the anecdote.
Resulta
that in this platform
of videos
short and
very far,
it's not
a ticketed
a person,
and he
he said,
that's a
story,
I'm sure
that you're
sure that you
know,
but here
there's a
thing,
that maybe
we're living
a effect
Mandela.
The story
that I
heard,
I've
never
had never
I've
told here.
I've
asked the
I took the group of the pesadillas and me responded
the same. No, that story, no, we've
told that story, for two things. The first,
to give you the same sensation
of fear that I left to me because it's
a supermently good and tetraic.
The second, to
know if this not has
been told on the channel, or if
we're reallyarming we're being victims of an
effect Mandela. There's a
child North American that she's
narrating stories of terror. No
I don't remember the
name,
I'm
I'm
a little bit of
my etiquette
It's of these people who have much charisma
and they're kept gravied in the mind of the
people. He has a idea
and is that he wants to go to a
place to buy some
a new object. His papas
have been thinking in remodelar
some of the house and
they like the style that is like
an old vintage, they call it
some, so like this
style of what used,
of what you see a little
a little, but is a style.
Then they're going to go to a movelry
that is of movels used.
Entran to the place,
commencing to see the things,
and it's something
very strange to what happens
there.
Traen a presupposted,
the time,
they're in a little
orgated, but not
too much.
But his
his son,
his son,
is a way
strange in that
place.
It's like
nothing to
give to the attention,
but the
same time
was trying
something.
Papa and mom
they're
asking,
what are you
saying,
he's
nothing,
but it's
like if
were
coming into
the pass
and the
things,
going to
a new
a place
as much,
as I
know the
and it's
that's
super
strange,
because for
the general
he,
I'll
say,
from these
people,
it's a
person who's
a man,
he's a
man,
he's got
said,
he's
he's
because the
things,
why this is
this
is this
Marks, this has
a certain aroma,
or these colors
are strange?
Mom,
who thinks
that she has
been the
owner of the
owner of this
article?
Coses
I don't
he said,
he was like
in a
little trance
coming into
the places
like a
different,
a meta
specific, a
well,
Papa and
Moma
are like
curiousos
with the
situation,
commences
to see
it,
and they
start to
see how
he recorre the
way,
every
every one bit more
of a little more
of a little bit of
a
other in a
other room to
but not
you know,
it's like it
gets to get
to get a
no, no,
no, no.
It's like
it's like
a way to
and it's
a room that
has used
but that
apart the
new vehicles
we're just
certain
markers of
polvo.
As some
three
abatations
more than
the first
many,
much people
even even
get there
and the
manchchch
gets
coming and
directly
he gets
he's just going to top with an ovalo
great and just he'll just
he'll want to be, but no he's
talking to his papas. He
is like verbalizing in
voice alt, thinking in
voice alto, as he called
some, he'll happen to the oval and
he's top in front of a spejo and he
gets like in a trance of being of
his own. His papas are
very much-a-missed. Never have been
seen that. The man, muchach, no, is that
has that any type of problem of
personality or some problem of
or some other type of problem. No.
It has much angel,
has much charisma, but never
ever see ever before. That's
being being without doing without
and be there, and start there
about one, two minutes, and
that neither can't see
know that they're going to be
and they're going to, enter
a period more when he's
despabila, and he says, ah, when
they came, can't buy
that's a spejo? And the papas
are impacted-isimus. It's a
a spejo enormous? No
has nothing to
with the decoration of the
house.
It's a
old and
has a certain
aura of a
extra air,
the first idea
is that there's
that there's
that's a
carisim.
It's a
enormous, it
very well
labrado,
no it's
that has any
problem.
When he
put the
hand on
the same,
revice the
space,
no does
do any
any kind of
the
way,
so it's
the basis
are solidly.
It's
He, and he tries to get a lot of the thing
is a pesada what he's
but pesadissimo.
Decho, it's much more
pesable than what
should be
material is very carous,
has to be made
be a matter
very good,
has been a bit of
a grossor
tremendously gross.
Finally, the
Papa,
he says,
he says,
there's a lot of
a paper
cold and there
there's a
cost.
Three dollars.
It's ridiculous.
No,
it has a
cost, but he
decided not
to ask him,
he said to the person
encargated that
he interests the
space of the
third plant.
He says,
how do you
do you get to
the envio?
And if he's
he's a
he's got a
way, he
I'm doing the
money.
And then I'm
the cardat
the costo.
I think it's
bad.
Three dollars.
Yes,
in that we
we're doing.
And I'm,
I said,
but is that
we've been
very long
more,
tell me the
cost because
I don't
want to
get in
there and
they're going
to be
a person
he said,
no,
sir,
that's
that's a
that's a spejo,
I want to do.
Well,
the day of
the day of
so they're
the same
day in the
time.
No,
they were in
24 hours.
The spego
was in the
house, and
after that
this man
he's a
person is to
be a
very rare.
He's a
mother,
that the
second,
but not
cabed there.
They're in
a quarter,
a walking
closet of
those places
in those
you can't
be a
bit to be
a bit of
that's
the space. Well, the
manch who makes his little bernche, but
then he'll accept, and a part of that
day, he starts things very
strange. Papa and mom, no
they're going to do know because the next days
not are focused on the child,
or in the space, are focused on things of adults,
and they're passing the day-a-day. They've passed
two or three days when he'll not something
in the comportment of his son.
Maybe the form of a black, maybe that's been
can't, maybe that's been like
disalignated, maybe that's
see more nervous of the
habitual,
maybe the
ojera
that's the
arrasras
that they're
there's
there's a
there that's
there that's
so that
so that's
a lot of
much attention,
but much
attention,
at the
point that
in the
nights,
close of
the night
when he
should be
totally
dormied,
he starts
start
in the
passios,
and seeylos,
to
see what
is going
to be
the
room,
if it's
doing
something,
if it's
of those
Orarious
when
he's
coming to
get to
this
room
that's
a lot of
a
little
that's
a lot of
the light
and he
he's
the voice
of the
he's
that's
but it
and it
and it
and it's
a
because
it's
about it
is
talking
that
the
door
the
the
little
the
he's
he's
he
he's
he's
my
I'm
I'm
I'm
I'm
I'm
and
the
mom, seeing me different, what is this?
What is here?
Nothing, nothing.
I'm going to
do to do.
The mom
is quite so
strange that
she comes to
revisit.
They're in
cameras in
the house and
begins to
the grabations.
What you
in the
recordings,
she was
aterrata.
Resulta
that in the
recordings,
that has
audio and
can listen,
be that
the child
is all the
room,
he par just
in front of
the
the space and
he's
to have a
conversation
in voice
very big
bit of
she's
talking and
he's
moving the
hands not
at the
top of
the
room as
that the
voice
was a
good
the
well
the
mom
is sure
that
sound
there
something
like a
kind of
a
sound
repetitive
so
so is
that he
is that
he's
he's
all the
volume
to the
amount to
the
volume of the
the cint, the volume of the
apprata, at maximum.
And I'm going to
hear the second voice.
And the second
voice, no
it's a little,
it's a little
voice of his
little bit.
When the
the little
little little
little little
little bit of
the other
voice
starts to be
what she
was a
sound of a
sound of
a repeatitiv
that was the
voice of
someone more.
And what
the dejo
is what
said the
no,
no, no
I want
to go
to get
to
you,
no,
no
me
obliges to
get me
to get me
to get me
to get me
to get you.
I'm going to
my mom
I'm going to
hear this.
I'm not
two seconds.
He
about the
marid
because in
that moment
is in the
time,
he says
that needs
that's
the
house
yeah,
he
must have
the
sign the
he's
a
person,
he decides
that the
day
the day
so he
he gets
the
he gets
to be
to get to
the
person
to the
person to
he says, no,
yeah is of
you, I
that thing
I'm a
question.
And then this
man
he did
know that
that's a
cost,
because he
wanted
because
I was going to
because I'm
that they
had to
the same.
The family
did desacers to the
picture, but
you think it's
that was the
story of
terror even
they'd
know,
because he
has the
experience
that
some day
he could
superar
those
them
more
but
right
you're
you're
those
them are you
think you
superar
those
not is
whatever
whatever
so
Salvador
he was
a
little
when
was
little
the day
to
day
but
when
when
was
when
when
he
he
had
from
his
10
his
was
perfect
normal
and
he
was
a
man
he
was
a
Explorer. Curious.
A person who had many
questions,
that was to be
how it was around.
It was of these
children that when
you do you give
a little bit more
after the
is a totally
disarmado.
And if you
let's keep
doing it,
you'll get arm
but sobran
pieces and
now have
form different.
Salvador
he was
being in
his surroundings.
The cortinas
was cutable
the place
and had
opportunity and
having them
in the
piece,
I was
to be
could have marred
of a different
manner.
No,
there was
a new
one in
the house
that's
the interpussed
to Salvador,
because he
had the
patience,
but the
patience
more than
you imagine
hours
could be
with the
mini-nud,
with the
pointita
of the
little
and then
then you
again,
until
that could
imitate the
new,
it was
it was
it was
a pessimism
doing
nudes.
But he
had that
mind
that was
that
I was to observe, to be
details, to
start to revise
the things one and
other times
to find something,
something that
before had
not had not
something that
the other
not been.
When
he was one,
pass around
two cositas
in your
family that
they were
the first.
The first,
his papa,
and he
starts a
ratch
very difficult.
His
father was
a person
very
organized and
was a
very good
post.
The
problem is
that the house had
a year
before,
he was going
and had
had got a
carrable a
good time
and he had
risked to
a pay
a month
much much.
His
hours
not were
to do
not do
and that
and that
that's
that's
the day one,
that's
started in this
thing,
and he started
to reduce
the
gasos
to the
maximum. The second
was that,
less than a
second after,
descomposed the
lavator and the
sequed over.
When he was the
technical and he
revised it,
lamentably
it was more
car to repair
what to
change them.
So,
this sir,
did the
task to be
the time
and the
lavator and
a sequator
antiquis.
Things
of one era
of the
Neanderthals,
but of
the
neanderthals
electric. Because those things
old, years, but functioned. And
functioned with electricity. The
sir, for the cost of the
he was acquired, he, no, he doesn't,
he has got riddumbring in one part, that if when
is when it's turning around the part centrifugator,
both of the lavator, as well, the
sackagher, sound in those goaltpe-dos? No, he
doesn't know. You know, what if
has the lavator and he likes?
He has adapted,
like a quadro of crystal
that makes that in the moment in the
centrificated, when I
goop,
no generate
any type of
derrame.
For that's
it.
Not going to
be a muggero in
the house?
Are you?
They're fashas?
But,
but it's
that's a
that's
something that
simpleon.
It's what
did
that the
poor
Salvador,
to the day
to day
to do
that
that
that simple
and simply
simply
simply
simply and
a lotch. Luching for not
acabardarters every time that there is a
in the environment that
can be different.
Something that is simply
in the sombras or in
any other recondit of the
house, there are aqueathed.
All of their life
normal. The Papa of
Salvador was
infrascated totally in the
buskedom of employment.
He'd start to mark
one place to other,
and then was to
get solicitors of
job,
and night,
a amistice,
and know-knows,
people
and all the
mother.
The mom
was looking
like a
space for her
because the
father was
like a
mergum,
not a
day, like a
certain moment
furios,
a certain
moment in
simismado,
no
he was a
man,
was that the
mother was
that you
know,
uh,
I,
had to go
to do a
little bit of
a little
to go to
visit the
the becina
that was
a woman,
had a
a little what
to do with
the
abuelos,
etc.
And get
to get a
hard to
the little
was a lot of
and he was
things to
do that he's
and he's
simply she
she's just
she's
in this context
in that
that case in
that they
have a
year,
that is a
house a
house
that's a
same
mind that the
he's in
that he
said,
Salvador,
start some things
that's always
that's like
that's that
probably that
nobody
more see.
The first is in the
Cometor
Some Woyas
Some Woyas
Those Pye's
And there are Woyas
And there are Waiyes
So he's imagines a mom
Regrasando and Culpando
He's even
Even the Waias
Are You Those Waii On The Wai
They're not
They're not even
Obsererer
So he's that
Cere rapidly
For a trapeer
And he comes to
Tapia
Tapia,
Papa,
he came to go back
He came to
go back in the
Cases while
He said with
these
pensions
because
ultimately
is a
little
uncontrolled
maybe is
that's
that I'm
or
maybe mom
he's
out of the
bad you
and he
did you
have
been a
think of
Salvador.
But then
when
he's
going to
these
and they
know
they're
they're
in a direction
to
the
direction
to
the
and the
passos
they
are
they
come
in circle
and
they're
going to
see
what is
the
problem
just when
the passos
there were
now that
the passes
continue.
And that when
he was he
he was going
with many
questions in the
head.
One part of
your
head
doesn't
that's fascinating
this is
fascinating
there to
see where
these
are you
know what
you're
thinking you
you know
you've
seen
there's
there
there's
there
there
there
other explanation.
At the day
the
mom not
is.
Papa is
in his
things.
He's
in the
room and
now there
no there
no way
there's
some
some
some
some
there's
no.
There's
the sound
of the
steps
of the
feet
that are
to be
to be
to get
to
get to
get to
to
get
as
a
the
kind
of
kind of
of
kind of
a
kind of
a
little bit at the final and another
a callida to the
piece.
It's pegas
and it's
to get to
get a
long and again
and a
carida to
the other
and a
room.
The sound of
the sound of
the
sound not to
the sound not
to the
room,
so he
is that
he's that
he's to
look to
in
house and
he's
does
just at
final
that comes
of this
part of
the
the kitchen that connect
with the
quarter of
lavato.
And then when
goes to
the quarter of
the door
in the
car.
Papa,
he has to be
molestated.
Talves
he's much
noise when
he was going
to go to
that he
says,
pardon,
Papa.
And from
the other
side of
the
other side,
he says
from the
comor.
Because,
Salvador,
but don't
what,
what did you
do?
And then
Salvador
he went to
to the
other
and he
he says,
no,
of
not,
No, I see.
It's.
Okay, Papa.
And he's to have his
habitation,
now with more
questions.
No,
he wants to
his papa.
No, he
says anything,
but there
something in the
house.
There's
something, and
he's just
he's a
percibi-
he's
to look,
questions,
he wants to
know what
is what
is there?
He's
that the
last time
that he
was to
the lavendaria.
Sabre,
that he
he left
some
whewas mojada.
You know what you
know what
is what is.
Cree that is an
adult for the
type of pisada.
No,
they're a
pisadas of
his amigitos,
no sullen
a pisgast
of his primitos,
sound to
a pizas
to do you,
a mom
and a
papa when
they're in
the
bad you,
but not
suen
to be
the
when he's
that's
that's
looking.
What is
what can
do you
can do you
do you
can't
how you
all that in the
when you see that
a sombra
oscura and
high,
it's a
area of the
area of the
apartment that's
the water and the
water, this zone
of the lavado,
he's,
coming down from the
commisering to
the room,
and it's at the
house
probably the
of it.
She kept
impacted because
he was
the sombra
to come
and I'm
not much
no I'm
not.
But when
all
back to
the
there's
the wayes.
It's
has been
no
know what
is the
but now the
way of the
way of the
way of
they're
and they're
and they're
a count
that they
come in
just the
first
front of
the lavator
there is
where they're
going to
the
things.
Something
has to
have to
this
place
so
the day
next
before
it's
the
area
to
get to
the
lot of
the
lavator
and
standing
there
I'm
to
hear
this
sound of centrifugado,
Pa, pa, pa, pa, pa, pa, pa,
the gulpeteo
that does it, every
that's
to do you know,
but you're
the problem?
The lavator
is apagher
is a pager.
And it
starts
memory.
All the
days I've
been soning
that golpe
and mom
not been
having been
not being
frascaed
to put a
attention to
that's
but the
Salvador, but
he's got
the lavator
and he's
a lavour and
he's come,
and it's
the
a place totally
vacuio,
salvo for
some wueas
and the
instant in the
moment in the
time and it
starts to
get a
tap.
Salvador
has to
get to
get to
get to
and then
and a
part of
that moment
that
security,
that necessity
to explore,
she
was the
man,
because
Salvador
is a
person
totally
insecure
and now
he
refugia.
It's
refugue
because
know that
in those
places
of
the
house,
know that in those
new or
antigoas
know that in those
little
changes,
you can be
going to be
going to be
the murder.
Tell me
in the
comments,
what you
think you
what were
what were
these
things in
the
house of
Salvador.
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Before
to initiate
this
story,
I need to
know that's
a point to
hear of
is a point
to hear of a
supermating.
And if you
are in a
moment
susceptible to
your
life,
maybe it's
convenient
that you
do this
this.
You know,
because we're
to talk
things that
can get
to be very
sensible
to all
you guys,
then
take it
with discretion.
And
definitely
I think
that this
ultimate
story
not is
for
this.
As
that,
once
said this,
if
if you
permit, I'm going to
tell you the
story of
Mariana and
her mother.
Marianna and
her
little bit more
are the
day of
today two
people who
have more
to be the
two people.
But this
that I
want to
was when
Mariana
had nine
years and
her
her manita
seven.
Marianna
me
said that
her infancy
was difficult.
Of the
nine to
the 11
years,
was a
infirno
absolute and
it can
sound to
a little
a two
a year-tos. But
after that
you're
exactly what
what you
you're going to
get the
last you're going to
know that
this is not
you're not
to do you
know,
she's
a point to
complete his
nine years,
a point.
Lamentableable
many,
some
months
of her
last
a mother
to
a mom,
they detected
a new
a
family
is going
continually
to the
doctor,
all the
family
is
preoccupated.
She
not
understand why
they're
so at
final it's
mom and
mom has
been a
mom has
been in
some
but she's
a new year
and two months
after the
mom
she's not
mom falleceo
and now
mariana
has a
problem
double
she
she's
very
only
she has
her
year
no
he's
and her
she's
her
she's
she's
she's
she's
she's
she's
she's
she's
she she
she's
she's much
so
is that
is that
is
the role
of
mom.
His
Papa
is doing
the
better
but he's
rot.
His
heart
and his
mind
is not
a
effort
titanical
there.
There's
a
her
that
he
came
constantly
to
the
house
when
has
to
the
people
to
help
to
do
with
but
Marianne
is
super
responsible
when
when
yeah
there
there
there
there
a
lot of
there
zones
limpied and barred
and trapeas
because not
has all the
force
to be able to
keep a
little bit of
not the
details as
all the
but he's
a great
effort and the
task and the
task and
she's
taking the role
of mom
the next
the next
months
is the
first part
of this
story
in that she
has to
have to
get forhando
a
little
character
no
it's
it's
it's
there's
much
the lastrimas in the house. And if you
yoreas, your womanita will
so, not you're trying, Marianne. And
she's going to say,
Daly. Acquareate that my mom,
you're doing a bracito from the sky. No, you're
Mariana. Papa? Papa,
a basis is it's time. And a
sometimes, even is it, so
he's not, but yeah, you know,
I've said to the Tia,
give her his space. And Marianna, yeah
no thinks like a little.
That year, when it's supposed
that should have been able to be
in those months
he's
10, 11,
12, 13,
14, 15
years,
because he was
to mature
rapidly and
yeah.
There's a
thing
is your
character,
maybe is her
essence,
maybe is the
angel that
has the
angel that has
because you
understand
the situations
and is
a little
that's a
little bit of
you know,
has something,
has a temple
of fierro,
has a
character
that not
rompess. And not
I'm not to
I'm saying for
this
that I
just to
tell you
I'm
about to
start.
Passing
some months
and
he's
a lot
and he
more
more absent
of the
normal
but
you're
not not
absent
and it
is an
insimism
about
absent
and
unsent
pensative
it
and
it
would be
like
if
if it
still
still
still
still
absent. And they're
to be two
months in
which she
will be
enfocated
more than
her manita.
Because
Papa,
yeah,
he had been
very
really
he was a
really,
he was
present there.
Necessing
his spaces
but he
was,
already
not it's
so very,
but not
he's not
his
heart
with us
not her
mind with
she.
Marianna
she
does
make
a count as
the
thing,
the tia,
the
she could
have
had been
had
she's
it's
difficult.
And is that
she has
she has
some pendent
so it's
that she's
more sporadic
to the visit.
Maria
never never
to be
to be
to be able to
be sure
that day of
she's
that she
is the
person who
the person
that's
the
person who
was the
wife and
the
wife of
a new
she's
a new
she's
just to
say she's
a
she's a
she's a
minute
she's
has just
just
much
major
mentally,
is much
more
more observator
and it's
that for
that person
a papa
is a doctor
know,
he's a
person,
and he
doesn't,
poor,
poor,
Mariana,
is made
a whelco
of emotions,
but my
mom and my
mom,
but not
he's going
to say
to front,
because for
first
in
months,
he's,
he's
he's
and he
is doing
that he
doesn't
a
carcajada
and
he's
doing
some
comments
that
that this chickarria, and this
chica, Maria,
see a little person.
She saw a person
amable,
alegre,
linda,
a gradable.
They're to pass
other mecesitos
more,
one, two,
maybe three.
And she
in those three
months,
has seen how
Maria
came every
more
more
and for the
third
month,
it's obvious
that no
is an
friend of
a papa,
it's
something
because they
have
much time. In occasions
they're
besitos, becitos that
only they'd
have to mom. And Marianna
no care to say
nothing, no
want to involve herself.
Apart, Maria,
in the time that's,
the minimum
he's onry.
And a
sometimes,
she despise
with a
little bit of
her present a
party, and
says that she
will be to
live with
with them
in the
house,
Marianna
she's
feeling
and at
time
she's
Sient
Triste
and at the
same time
I'm
a little
and a
little bit of
so you're
a little
after you
have been
to mature
rapidly
one part
of her
still
nine years
and a
few years
she
she had
she not
had been
time
she
not much
that's
that's
that
a day in the
yeah
and
that
just
she
that's
you
not
my mom
I
want
my mom
she
she's
she's
she's
a
a
a
a
why
What he's
It's not even
Mariana
because
no has
important.
The
Papa
was cut down
a tracito
of the
car,
and he was
getting
with the
mouth abjured
and it
were all over
the
cupboards
on the
plate.
Maria
Volteo and
he put
the
hand on
his
hands and
he said
I'm
don't
you know
I'm
to be
a little
right
that your
papa
to go
to go
to
get
to be
but I
don't
no
no
no
that
She, Marianna's
She gave
a point,
that Maria
not was
a woman
a monster.
A monster
disraceated.
A monster
bestied of the
novia of
a man.
A monster
that was
his new
mom.
When the
Papa
went to
to
ask you
a million
two hundred
million,
two hundred thousand
disculpas
for what
he had
said the
she
she was
saying,
Tranquio,
Tranquio,
I'm
I'm
she was
She was heard, Marianna,
she was very
a repentida of
her words, and
I wanted to
tell her
and say to
never to ever
to say that she
not was a
person a
bad, that
she was
a person who
was really a
way that
he could express
remember that
he has been
nine years,
although he
has been to
madurar much,
no,
he has to
have to
have experienced
of a
nine years.
When
she's in
your
room,
mixed a
with a verguenza, with the
arrepentiment,
with a little
of a stasis,
and with a
lot of nojo
and yet,
and he
he's going to
give a
door to par in
par.
Maria's
he gets
being,
sonrere,
he's
going to
her,
he put
the hands
in the
arms and
he he
he pereeta
with a
hand-a-ra-
but he
he piret
with a
Fuerza
that
they're
They're
to make
And the
They're in
voice
Vos
Vajita
If you're
Peeee
Pee go
And this
Nia
just to
start the
eyes
because
she's
a
feeling
And this
Morrow
and
she
And he
says
I'm
I'm
you're
you
want to
you
keep
you
get a
So you
she's
that
she's
going
Mora
Maria's
he
Kemp
Mora
she's
saying
and soonriending. If you
move, you'll be a much
worse. And then, Marianna,
agonating the
blackerimites in the eyes, he
kept being, and he says the
head, he says, he's not
move, and then
now see. Maria's
a leager and, sonriding, he
says, now you're going to
learn to live, like I tell you, to
give you. He does the
world, seeer the
door, the garra, and
the vented up to the
camera. The
little
in the
camera is
there's
there's a
very
fear and he
says,
no
you know
don't say
you know
his little
and he's
his armament
and the
armada and
the armada
and he says
you're
you're
you're
not say
that's
the lady
she inca
and a
part of
that day
he's going
to be
a tradition
all the
night's
that she
will get
to that
she's
going to
the camera,
let's
say that
they're
saying,
and not
say that
and that
never
he'll
know that
he's
he's
in the
middle of the
two
cameras
and he
and he's
going to
know
they're
going to
go
going to
go and
going
going to
a
time.
In occasions,
he's
something
that seems
that
it's
froten
the
dead
and they
put in the
front
and
he's
and he
when he's
when it
then it
And then, and then,
and then,
the piece, and then
the front,
and then
the hand
with the part of
the back of the
back, it's
abutely,
you're saying,
you're going
to do you
want to do you
want to be
or they're
to say to
your papa,
you're not
to have
a house,
and not,
and I'm
to try to
and now
they're going to
know what
I'm done to
do you're
to do you
to learn,
understand.
And then just
just the in
much fear
in the
head.
Poco a
little,
Maria
seems that
was
just quite
not a
other
other
the time.
The restos
that I
had made
the
hand of the
hand,
and they
were
in the
Spanish.
You
those,
use them
for what
you
want to
do you
want to
you
do you
get to
get to
my
rekees.
It was
all the
thing
this
woman
in the
times.
When
the papa
of these
chicas
was
out of
day
and this
woman
she
kept
because
nobody
knew
in the
work
and she
never
to be
going to
she's
working
because
she was
she
never,
she was
she
always
her
and she
never
put her
when
this
woman
she
was
there
and
they were
doing
do
do
do
do
make
things
they
they
they
put
little
little
little
little
little
little
little
little
little
little
little
of a sudden,
he had to grab bela's with his hands,
that they'd have to beacare calient,
put some quencos,
some platitos above of his hands,
he was recollecting the cera,
and she saw that,
and she saw that,
after a little,
after a lot,
she was a lot of,
some of them,
that had one at all over there,
a photo of each one,
and in the nights
now when razzed,
I'd,
I'd sendia those cera
with the form of them,
and they'd
traversed
some
little
in zones
in those
she had
to do that
she'd
be done
that she
would be
doing that
he'd
doler
much.
All the
the next
days
she
she wanted
to have
a
way to
have a
but
not he
did
do that
he's
not
he was
that
was that
was that
was
I'm
never
never
never
never
he
I'm
he
he
said
he
he
For favor, no
do you get her
and she's
trying to
very few.
And Maria,
nothing more
he's on
her
and she's
a woman,
and with her
little.
I'm trying.
I'm
I'm
that's a
process.
If you
want to be
to the
house,
I'm going
in this
instant.
I'm
I'm
to
because
you're
family.
And the
father
was a
future.
The
he's
the
thing you
think you
he's
all the
thing you
and
you're
to come
to work
to
do you
that
things
that
things.
Marian
is
the first
time that
he
can't
that's
romp
in a
little
little
little
and he's
a
he's
he's
he's
he's
a
little
he's
he's
to get
the
the
door
to the
night
that
that night
not
that
not
because
they're
going to
do
after
the
after
they're
going
to be
bad
if
you
have
boffete
if
you
has
been
has
been
there
has
made
one
and
things, that
night
really
will be
to try to
bad.
You know,
that's the
worst,
that every
that's
no
there's
not there's
not quite.
No
he's
got to
get to
the end of
the
and in
the middle
of the
other
the day
the
day's
there's
no way
no
that you
have
that's
that's
what is
that you
know,
but no
he's
put you
to be
these
moretones
because
no
there
no
the
profound, and Marianna
they're
destrozzasant
little to
but as I
say,
Mariana,
she has
a temple
of aero.
But there
there's this
old adagio
that says,
no there's
a man,
any idiot
that he
support.
Because
Mariana
begins to
look the
manner,
he wants
the form
in that
that someone
he wants
to get a
time,
but he
has been
he's
he's
he says
to his
papa,
and he
says to
start
a
She does it,
and thence the
all the reenion of the
amuad.
There are some
there are
in the way that
are you
and they're going
to say,
Papa, and
you know,
that Maria
never does
encounter.
Because if
she does
find it,
all of
all right.
But something
that's
probably the
Providencia,
maybe God,
maybe the
Virgin or
an angel.
Because Marian,
during
this
suffering,
during
this calvary,
she had
that she
and her
her
in the night and so that
those tortures
spantosas
he put in
his brother
to prays
and said
for a
person who
someone is
there's
helpen us
need to
us
we need to
let us
mom for
not you're
making us
mom for
favor
abrass
us
help us
maybe
someone
someone
that's
someone
that's
because of
this time
that's
a day that's
a woman
that's
She is grittandah
and she's
saying
that she's
that's the
arre, that
you know
who is,
and that
if not
she's
going to
go to get
bad for her.
And this
child,
she only
she'll
hear a
little
she'll
hear a
voice
elate that
she has
heard
during the
nights
during
months
but that
never
had
had
heard that
she
had seen
to
her
and
this
voice
elada
and
a
He said his papa,
well, if you know what I'm going to be sure
and let's get with care.
And I've heard that the door
was closed.
Seguida of that,
the papa,
came to the abitation
of Marianna and of her
her mother,
let's do a brother,
he starts to
start a little
and he said
and pardon and pardon and
and pardon and pardon and
and pardon and
and the day
next in the morning
without explanations,
he has made
to say,
and comeienza to say
that for favor
met all in this
and try some
a caras
cashes of carton
grandes,
met all what
they have been
if something
if something
does it,
we're going
to come
for him.
And she
remember that
the next
year is a
year very
difficult
because
they're living
in house
and not
they're
more than
two other
months.
His papa
had problems
with the
renteros
because
the renteros
he had
at the
time
and then
they were
they were
all the
parts
because
the three
months,
left
the
house.
No,
he'd
more than
three months
in a
little bit
and brinkab,
and brinkab,
and I'm
and I'm
a little.
And so you're
a year,
a year and
a half,
two,
as you're
not.
But
never to
know of
this
Maria.
This
chica
advanced
with her
life,
she
grew,
her
and she
had a
very much
and she
had a
relationship
precious.
The papa
no longer
never
never
never.
I'm
never
to put
to put
in
risk,
those
and
when
even when
you have
passed
a good
lot of
a good
time.
He's
saying
to the
other
for what
he had
passed
with the
woman.
But
then this
little
she
starts
a podcast
that he
a podcast
that
a podcast
in the
podcast in
a
subject
with
a
lot of
and
some
and
somberos
and
he
starts
and
then
I'm
a
question a
first
a
that she
to
get a
to
impact
And is that when the things,
the bests, the eyes,
the eyes the
little bit of
a bit of the
sense, and then
it's a lot of
when I'm going to
they're going,
they're going to
hear the response
and they're
surprised,
he took the
value and
he decided that
he had to
go to get
to him,
let me,
explain me
for what,
why,
why you made
to follow that
that woman?
Why we
we went to
that house?
Because we
we've been doing
a while
three months
and the
father
he's
he's
responded to
a way
very
shortita
very concis
and it
was more
aterrador
of all
what I've
lived
ever
he said.
This is
that I'm
going to
say that
he's
that's
the more
that's the
more
that's the
he's
he not
had
no
no
suspicion
of
Maria
that
that's
he's
was a
very
much
that
was
she
had been
a
little
with this chick that she was
had treated very well,
and with this chick that he
liked a much and that was
helping to over-givar
the pern of her husband.
And, standing insimismado,
one day,
he was just outside of the
house, with the
hands in the
and then,
a becina that
has been from
a much time,
he,
is a woman,
a young,
a woman,
a year, a woman,
a second-of-seven-year-old,
He comes with him
He says
"'Becino,
"'For favor,
"'acompawn me
"'degal me
"'dyees minutes
"'and he's
"'he wants to
"'that
"'that I've
"'that's right
"'muchas
"'in'
"'and he's
"'when the
"'beckon of
"'the muckees
"'and me
"'and me
"'Tus,
"'Tus,
"'Tonpa'
"'Acompaniam
"'a,
"'necese
"'I need to
"'I said, "'I
"'I said, "'I
"'to I've been to
"'that "'a'
observed her, but
needed to
talk to her
and I
went to the
house.
And she
me told her
live
solterra
and that
she is
a person
that
has always
not have
much
contact with
the other
but that
not
always
was so
50
years
after
when
was at
a point
to
continue
between
his
11
and
two
years
then
his
so
she
then
his
father
not
repon
of
the
Pyrida. At the time, at the
months, he knew a woman.
A woman, of the
which was enameled peridently,
a woman that was able to part
of the family. And every
that was his papa there, it was
a love. It was a dulcura.
But when he was going, it was a beastia.
In the nights, when
her father not was,
she met in the room in the
room in the room and her
his brother, a little.
A veces, those
amarrava with a
hilo
rojo,
he put
to
to write
things in
the
piece,
and he
started
to learn
in the
other
he's
he's
he's
he's
he
put up
mues
of the
sand
and
I'm
statuels
and
and
he
had
and
things
they're
things
they
they're
not
to
say
they're
saying that
they're
something
that's
something
that
she
she
she
she
He tried to talk and say what was going to say what was happening, but his papa never
had heard of her.
His brother was ill and felled.
And she was to feel bad,
until that one day, having around 15 or 16 years,
he was escaped of the house.
When she escaped of the house,
she had to be changing between families,
nothing more than they said that, for favor,
he had to care,
and at a little time,
he had to move, and muders, and muders.
One year after,
his papa had been be behecised
so much, had
been a total
conscience and this
woman had
had been kept
with all.
That woman
she had
called Mara
and is the
same time
in the same
her house.
Thank you.
Dear Family
Nocturna
and with
this story
we've
got to
this
dark
foggata
of stories
so
is that
for
favor
if this
fogata
was
so much
I'm
in the
comments
put
a
a fogatita
simply
for
to know that
you've ever
you've ever
really really
this is one
of the
fogatas
most of the
fokatas
now
if you
know
this is this
subscribe
to pick it
the
campan't
we'll
see the
next
jueb
now
and
here to
you
I'd
I
want to
that
you
have
those