HABLEMOS DE LO QUE NO EXISTE - Historias de Duendes Fantasmas y Diablitos | EP 321

Episode Date: September 1, 2025

Bienvenido a ésta oscura Fogata de Historias de Duendes, Fantasmas y Diablitos El día de hoy les traigo historias que ustedes querida Familia Nocturna me han hecho llegar al wts de las pesadillas. Descubre los macabros sucesos en la casa de los diablitos, la aterradora experiencia de Basquecraft en una isla desierta y como un incendio resultó ser el presagio de la bestia. Escucha de invitados indeseables, hoteles malditos y vacaciones paranormales. Asi que prepárate porque llegó el momento de que @hablemosdeloquenoexiste

Welcome to Family Nocturna, to this Scura Fogata of Stories in Let Me Let Me Sphin'OXIV. In the episode 321, we'll talk about three simple things. Duendus, phantasmas, and diablitos. But, before to initiate,

permit me to say to you, my dear family. That invoked the Family Nocturna for that's be made present here in the comments and put, for favor, narrator,

the Family Nocturna is for the 2026. Because, you know, it's probable that for when they'll listen this episode will be the

last time we're going to our first million of our family of Spotify that you know that we're going to

celebrate with a video exclusive of a Platic Secreta, that you can listen to and that

so family nocturra for all you're all of all of all right and get

and so especially for those incautos that are for some go to go and some of

whatever to let's not you don't even I'm to put the light, because we're going to start with an obscure fogata of stories.

Rocco and Michelle are brothers. Are the two majores of a family that has four children. Rocco, is called really Salvador, but for some strange reason, since he has been 10 years,

he says Rocco, and he likes, even when Elbae and he's presenta with new people that he has made to know he, he's present, as Roco.

Michelle, from very little, was a little bit particular. He was a person very data to questions artistic, he'd encantable and singar,

and I'm always all parts doing spectaculos. He had a artiste, and Roku Michel, although they were the most

great of his brothers, they'd get very, very well, never had a problem. Roco?

Roco, Roco, had this part artistic, but he was more calliata and he had to

bocettos, little little little in a libretta that nobody knew that

he had more than that he's not a other Roco, Rokko fungian

because since it was a little, he had had done that the

sports of contact were the the kuf then football

American all that was a something that was he was part of

his essence not not were a type but was a

type that when was a competition, it was all for the whole for the but

that's if you want to the dark, at the manned to get

to get to get to a little, if there's a little bit to be

to be the fury of this type. This type since

he had three years, not was a person and this subject

when he had 13 years media an 85 sumamente high, tremendously

strong, no genit, not ponched, Firt. He he he'd he'd he'd

a lot of his day to do you to do that his little bit Michelle. Chaparita

one 62, delgarita, always a very unriented, but also with anything

Michelle to cover sensibly and that roco was lying no, to the

type instantaneously you'd you'd as come of color, of a black

that was his color particular, to a rojo colerical that you didn't see any in your worst a lot of they're in a relationship

for him her, her manita was practically the person that was and also his confident

for her he was the friend of his other also in many he was a lot of the papas

always they were and they always they're two are men they're men not they're

they're like the people and they're always Rok and Michel they were to look

in the head to get to back. I'm going to this for you understand

that the type of relation that's when you know that's much

so much that's the phrases and Rocco, you know what he said. Rocco no needed to say

one single word, because a sometimes with his own his own the movement that had

or the type of respiration or the eye, the eye that he had

never interserrable, Michelle I was perfectly that was both very intelligent,

both very sociable, but were in the one for the other, the

great friends. When they when they They both 13 and 15 years,

occurred a situation in the family that is very difficult. The abuela, that was a

woman that were a woman, and the mother of the mother of Rocco, for a

situation mal of the death both both are in a situation

that that are in a situation that have to make a when they

don't make a a testament the good is that the wife and the

children of the mother and the boys are the tios so nice and good old and they're so uneded and

they're not any need to that they're talking with the father of Roku and they're saying,

goy to live to the house of the house. No, beupupon repongance the

house that you've done, and they buy them the money. For this

moment, Roc and Michel now are not the two brothers, but in this story

we're going to let's that was a car rickie this day. The day that the family is to move to the house of the abuela, what does Rocco is to

do you know, he's going to a pair of scovas, she is a loton like of mantitas and of paulos and palacates that's put in the

head at the top of the nose and others up to the cabel and it was a lot of a time

that was three years after the house had been a lot of and not going to make sure that michel

was going to make sure is that he got many hours before and he commenced to do a clean that came to make a quantity

of polvo, a quantity of the teraeas and he made to be infinite because he was a

three hours and no had passed of the first room of the house that was a kind of

a deco-o- a zone a lot a lot-a- because you have to know what the house

of the old-a- is very old and it's very great It's a car that's a large, a large, you're going to

you're in your hand on your right, then you're going to be the second the problem is that the

passage of the second piece is a minute and in the night's is a because in the

pastio there's there's a light. There's a part of focus that who

know what you know is because every every one it's

one, it's so the passillo is long and super

dark. Arriva, there's the room principal, which is just the that's in front the escalar, but it's a

little bit of an old, very, very, very, very great. And then at the middle of the passillo,

there's a baynito, a baio, but is very very incomodo, nobody he doesn't use to use.

Apart, it has a part, it's like if always it was always using someone, even when the

place is a second, it's full of polvo. It's like if someone would have to use. Not to

explain, but Rocco me says, yes, I'm that I'm in the little bit more. It was a not very good

the sensation. It was like doing the little to someone that I know I know I know and I

know that I know, I know, but the other side that's so little, I know there's a person that I'm

that someone is there, that someone has been that someone has to do or that someone has been to

that's a It's something. It's something is a very at the final of that the passage that's a there's a

lavendarie in the second piece but it's a lavendaria that we take a time to

start it because it does a real real your own life, has a very

a sensation so a much a lot of an olivus a fereo feo, it's like an olor

a fierro and there in that that place, for more that we limpium, the the odor never

never to go to work, because you're in the night to be going to be able and you're going to get to be back to you.

Narrator, this is what me says, Rocco. I went, after the time I did get a lot

that's been in a job that I was to be able to make a getting to my family with Michelle.

I'm and Ibrace to my brother and I said, her manita, you have been

The house is very suce and if there are arraines. And she started to put black and just said, you know to be sure. So, you're going to protect. So is that keep with me. And we're going to be able to be and a bitation, but you don't

be able to be alone. And she seemed very tranquil. In the plant of the above, there were the three habitations that we used. My papas in the principal and in the other two we're partied, I and my brother in one, Michelle and my one's a small. But these

habitations, narrators, are not many big. Capriam four comas queen, but only we're only two cabas individuales for abatation. So, you can't imagine places very, very great, in those there were much space, and the closet

that had the wett was enormous, in our house, it was a closet very small, so it was that it was a place. The problem is that we don't have many movels. all the house had echoes all the house had sonnows

and there were sounds very rare the first night that we got us we're all we're all right and I you can't

hear that the people that was the person of the house that that's a feeling I was a

great and if some of my men's they're saying they're they're just

they're not they're not saying I'm not doing I'm a narrator really I'm I was doing me

to pass for a person that simply nothing to never a because my parents were so atarrated

that they're that they're not going to they're they're doing but I had a new year

that night that night I didn't even I'm I'm I'm sure that

I was a person that I was not I was he was he

there the bulto I see there the form of a person

and no it was something was something because I believed that someone's

in the first occasions with all the time of the time I'm going to be coming up to and I'm

coming back the bulto disappeared it, no he was disappeared but it was a

form that was a dark that was that was that was that I was sure

that we we're not even we're never even there so still

passing the time we're we're a time that agotadoara that it's a moment

that at the night we're getting to all the time. I don't see if it was the vibed

the world, but if you could say that we made sense and not me made it's strange.

We're we're tired of times. But passing that time, my brother Michelle,

a she he had a lot to think, it's a person very entregated to the arts,

although to me me and she me Inspira. I don't know. With that I'm not more. My libretitita where I do

do things, and the only person that is Michelle, because me a much of a very much of course to teach them. But Michelle in the second-pice, in the room principal,

it transformed in her in his art. And there had some caballettes where montaes to make his

chas and his pictures, and it would be to do a million things. One day, I'm doing the second

I know she is working there. Because there are certain sounds that I recognize that is yeah moving to his brocha

talking for her own movement in the quarter. I was when I'm going to the room. Michel

bolted with a sonrisa of the heart. He's super content for what he got to

do you try two pinceles in his hand or his hand those he's

so pretty what Michelle view is that the pencil started rolling

to me. What I saw is that of that she was she was a man of the side and he

pego in the two pencils that I'm making that were going to make sure I'm

put a pensive, I'm a way in the way in the I can't she said what she

said, I'm just the just I'm just I'm sorry I'm you can't

be able and then she was going that was something I'm what I would be

that's that's I saw a I mean I did a Mido that I can't say. I know how

that's going to happen in my head. The caballete that has about that's not you're not

talking about the fatas delgatits but only was the bit of the part of the

part of the end of that you did a bad you the person I'm obviously not

he was doing but there was a bad that you another more than that's the pedas of my

My brother, I think that all is but from there I know that in that case occur in things very

strange. They're going to pass the days and the times, always there's a

noise. There's a real thing to a cat. A cat that no has to sound to

the house, but only so it on the second piece and coming from the

lavandery to the court in the work in the Michelle, my brothers are

assuited, they say that in various occasions have seen things rare in the house. Dice my brother and my brother minor, that they don't like to change as with the door open, because when they're there and they're changing and they're saying that someone enter and they're having to say, hey, me are

changing, and no there's nobody there. The two me told them the same story, but not were exactly the same, days different, and no I did that the other to hear the history of the other for that you suggested to

but I know I knew that there's a indecable in the house. My mom

said that was there was going to get into the gato. What I did my mom is that

I've that I've I've seen all the morning is part of my time I'm

going to go and you're a little a vicarate but there all the other

the same days amene abier but you know what is the problem

the side to outside has there barrotes After the barrotes, there's a tel Mosquitera, of this that is to

espantar mosques. The is made with some tornillos, but the torsions are with an erradumbre that's been able to keeper. The tail is darkestimovable, it's of ferro. That

ventana is the that's the open. If someone is able, it's for the inside. The house and I was looking that there are quarters occultes, because the house has a form

very rarer. No, there quarters, occult, no there's form that a person is

there's there. In that house I'm sure that I'm not in

what I'm not not the not aminemas purgatorio but maybe

spirits of the infirn still passing the days in that time

I had my Nintendo 64 and you can you can you

was I'm I'm I'm a person and that I

did it was much to disconnect me there a television that we we'd share

in the cell. My brothers not were to be a television and to play, and my

papas had to get to get back in different places. So, for that moment,

in many occasions I had been only in the cell. My brothers were

people were very applicable. But as people, they were those people, they were,

they were all the time were thinking to make in good qualifications, people, people,

and then they were, they were doing, to do their task. They were to do their

and apart they were to do you're in a time. 10 of the night, the two brothers and

were in they're in many times making many times making pictures, because she said that

was going to a grand painter and a great actress in the future. No, we'd

we'd in this time, I was a point to to enter in the carera

and I, I, I, I, I'm there a problemita with some

semester sabbatical, and in the semester sabbatical, I was helping in things of the house,

pendenties that were and I'm to be able to work in the house. Michel and I were not

that hour. 12, one of the morning, for you have one of the time. For this

all this all of all this all this and I know, I remember exactly

when, what I'm going to say to that I'm that's the day of the day of

the day of the piece I'm done. When I'm about my Nintendo 64. I don't remember any of the game. But I'm there.

I was always, very, very, very, very, very, very clavoured, like if was my work.

And of a repent, I'm, I'm going from the escalers, and they're very lento,

and they're much in back. The light that we have in the passillo, in the

plant back, in that moment it's a which me makes very very

as I'm the piece of the other is a a sensation horrible the the passage

is a very long much much much much we're not and it's the

light up and he's the light and the room and the second piece rarissimo

that you use he's so I'm so I'm that I'm Michael that's Michael

that is Michael the time and the night and I'm I'm listening that I'm

the second but I'm a moment in the Then I'll a narrator and I see that there's a person just in the part of the side of the escalars and me is there.

No, I see those rascals, I see a person a chaparita, it's like a somber, but it's a person that's there and then I'm my manna, what's the past

you're all? And she doesn't move. So she's there and I'm, I'm, I'm, I'm,

I'm, she's a fact to play, I'm sure, I'm going to the cellular, because I I'll tell you that the light of the

passillo is away, but not was something that was just to just to go. I'm a cellar, and where I got my cellar, that was of those bloc, or of those cellars, I'm a SMS that I've got to get in this instant, and where do I'm

is Michel that says, Herman, where is when I'm going to be that I'm soothed, then I see that person is there in the escalars, and I'll say, Michelle, me is

getting Mero, Mark the telephone where I I'm going, I'm going, I'm

saying, for favor, if you're trying to stop, he's doing to be here. Michelle,

you're the that's here in the escalas, and where I'm going that I'm a

car to be a car but it's a gritty of a garganta that's a

and it's my brother and he is my never I've heard.

Norrard when When I hear that gritty, I reacted as I was, a guard of the spaldas of my armada. In that instant, I prieto the poigno,

I'm, I'm preet to the stomach, and I'm to come to get to the escalars and I'm, where I top with something, I'm going to

get to and I'm going to make that, I'm trying to when I'm when I'm the eyes to two pacito of

me, there, but the bulto is at the middle of the wall, and is the crossando in the

codo that there is the middle and he's going to up to get up uprored and I'm trying and then a voicecita

into me me and say your mother rocoe your hermana and where me starts

I'm full of courage and then I'm thinking it's what it is not know who

he's I'm and I'm to come to come every handol so narrate

so that you retumbe in the house and I'm I'm going to and I'm

listening as someone someone is moving the stairs and still moving and still even up

even I'm getting to get at the end of the escalator she's still saying that someone

and I start and I'm put in the sun and I'm starting to start to

start like the value of my my and then I make a

other chock of adrenaline but durisim and there I'm

I go almost and I'm going to the room. I talk to my brother, I'm, I'm. And when I'm

the door he comes a and in the moment in the moment in the he's a little bit and then

there's a little bit of the garganta like if not could respond. And he said, Michelle,

Michelle, you're well, and where he's he's seenal the coel of

the cooo with the kind of you, you come you, you got to you getcha, and the

a little she aghach and it is a kind of a ruptu but a

horrible, and he and he to be to be a little about. What I

say is what you did you Michelle. Resulta that 20 minutes before

of this moment in the that Michelle is she's doing like a

she was doing a picture and was being good

and I got when when it gets the situation to be

so involved that's that's a question that reacted, that reaction very rapid and it's

in the bathroom the second piece. Me a writer, that when enter in

that time, he urges to get to get out of it, because it's there's there's

that you're to be in the second thing, so it has been to do the more so that you

can, the door to the door, and something, and it's something

that's something that would have not be. The side right, just to the

floor of the lavado that I'm the light is the end of the problem and why

the why is the place that has a minute that she has been in this

place. It's like if it was an obnotic, no know exactly how time

it's but he starts some the movings in the room to the

room to the but it's the sound very repetitive. A pass, a sound of a cascabelle. A pass, a sound of a caskabel. Another pass, another caskabel, another pascabel,

every more close of the saline of the quarter of the lavato, more close, asercandos more to Michelle, but no see nothing. Although there is no place that there's nobody there. Then she, being that quarter,

commencing to to come back in direction to the room in the place of the picture of the and when

when he gets a few the little the light is up and the and the pathos

and the move to be her back she starts the door and he got her a cellular

and she see how they're moving up over and it's about the palanca

how trying trying to open the who who for favor, no me

asusts. When I saw see that I'm in making it, it was when I was up I'm going

and I'm going to I'm doing, well, she was there in the room, she was

she was in the little, she was just to get to me. I never I'm

never heard. She never she said, I'm just I'm just the great. When she

she's when she she's talking and I say the I'm open the door,

I'm I meto and he says that when I enter in the room she she saw that was a woman with a

rostro horrible with a pale that was so an old but so that was more than

was a paper a pergamin all wrugated in the rostro not was a person

major, it was like something that was like some and then when they crossed

those looks his that thing sonried and the the piece and the

quartio. Then he did know that that that was a cat in his black, a cat that was he had a coer-o-o-o-o-o-o-o-o-o-o-

and where he saw the door, this in a fraction of a second, but the door was and it

was made, and then she felt like something something she was like something to let me

let her to get to get to and when he was to be vomiting. Narrator, what I don't you

did say, is that he started bollas of ballas that definitely not was a thing was a thing that was

not that was what I was we'd know that is that my aboella and my aboels and my abelers and

they said that part of the house they were to the liabilities.

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Elazar me says that he has used of reason, always has been the same pesadilla. The pesadilla is of a man that is totally obscure, that would be made practically a lapis, because the eyes are black, but they're more than a circle, in which no, no, there are painture, not so that man in light, like if it was something

or a a piece. It's going to a tonteria but he says that he's a little,

he's memory, always that that's so you know when when it when he

does he a time he's because he lived a situation

very difficult and is that the 10 years he he's

a time. That situation of the incendio he

he every that that has a dream that's a

little bit of the truth that's I'm studied a point about about about

questions somatic or somatization and I think that my emotions and

certain manner activated that these sensations in my and

even when the day of today even if I have a

I don't a great a lot or a

situation like so that so when I'm that

I'm especially, or in certain places, or with certain people, I'm like if that cicatrice palpitara. Well, this you do do for something.

All the time, I think that was a somatization. And that person of my dreams, the person that I think is like an

sombrose of those eyes that I see, that's what every time that is what it has been understood,

like the somatization that I did, but there's a time, it was that

has that I'm going to tell you what was what you what I'm that you're doing that's

what I'm the first is that never we've that was the causeante that the

authorities were to do that they're determined that was a short circuit

but the reality my my papa was talking with the people

they're they're directly we're going to put that to prevent

that sanctioned to your person. But the reality is that we don't have any the menor idea of where the fire and why it was that manner in the house. As far, no, there was a damage mortal to any person, we're going to leave in these situations material and, well, you're going to have to be charge of that situation. But no, will have sanctioned

a person. My papa, I accept so. Never no one was told in the moment. But I, a narrator, I have, to be a bese in when a a that combina that that's a woman of what I'm always the same. I'm in my

my apartment, I'm stuck in my apartment, and my world is a lot of it. And then, I'm a little bit more small. When I'm open the door of the Blankos. He's a balance over me, me take to the soil and it's like

encorvado above me and no he's not that you're a strange situation, no I

can't talk. The door is that I know because I hear you I'm

my name and I'm going to all the and I see for the rabid of my

eye that that his feet are just on the but it and you want to

say, Papa, I'm I'm here I'm here, I'm

rescat me, but no does that. No, I can't talk, no me be, or something because my father's

out of the apartment, and just says, no, I'm going to go and I'm going to go out,

and then he's going to out of out of the house, he's got a person,

my son, my he's there incered, and of and of a person gets, I'm

I'm a good, I'm a good that I get a the ears and I'm I'm despirto.

Always is the same dream. What was exactly what I saw? The fact that I remember

was something was something was a little bit and I never made the idea, no-se

for-ke, that had like, that had, I was the bombers me made backer.

All this that I said, I'm I've understood, or until the day of today that I've been 25 years, it's been like a situation related to a somatization, with a trauma, with things like. But, after a little time, passed something, and I know what I can't

think. One day, for recommendation of the psychologist, and for the therapy that I've led, that me has been doing a person, like, more social, with more instruments and resources, my psychologist, my psychologist, that he's a man of the negro, that's in the pesadilla,

that is my trauma, you know, I don't do you know, I'm sorry, it's ake, then I'm said,

he said, to get to the world, with the force that really should have the force of a

picture, because so me it's like I'm I'm like a wall, but then

it's like three-dimensional and it and it's the point I'm I'm a libretta

that is all of the and a carbonciss with a carbons, I'm

to draw one and another other way or other I'm not I'm a artist and is that I'm did a great different

but I'm and I'm and I'm and I'm and he was making a way more more precise

until that in an occasion me kept in a form very very similar

when I had that I was seeing it all the emotions horrible that you

can't imagine but apart I don't I'm I'm a

idea and the and the penis these are recurrentes my psycholo

me said that if I had the force and the value. He was to show

to what way to confront him my dreams, so we're doing like some things. Narrator,

not I do you do the quote long. Stando in my house, one day,

intentating to do this exercise that me said, my father me he's my

talking, and it's a little, and it's a lot of and when I enter in the room,

it's kept being looking to my person that I have the eyes and I

are the some mantras to record those in the dream. And when he gets being,

he's that that's this and he's that you know, and he's a little because it's

a little not you want to do you want to see a thing. And so

that that that that I reaction to be my mantra in my

so then I had to have to I need to I'm something

I'm something I'm no, no, no, no no, that's

that's the that's the diablo, and I say with the eyes like oh, no, we're not

we're talking of that my therapy, for for a lot of you know, let me, it's a

question personal, then this this is the devil, it's of my therapy. No,

I, what you that's that's that's that that's that's not

a videojow and of a movie, but I don't I'm

I'm my privacy it's my private let me know

not not a person like a despota or desadable

but my my father, from the incendi, was too, over the protector with me did so I'm doing. So I was doing

my separation and was part of the therapy, and I had to be firm in that. So, then I was he was a way in that he

was a little retasado to that I'd give to my space, and he was so insistent that he said,

well, yeah, entient, that this not is a diabolical, that this has been

to be with my therapy? Because you is so insistent that this madre is diabolic? And,

and just me kept being and me said, because that was the cause that was the

thing that's the time. And I was the story never never said to be my

father. And then he was thinking, I'm with my psychologist. And I

start so much, so that I get to get to a rabe I,

I've to get to the language to not insults and he he

when you when you when you said to me my way, I'm how you

I'm going to say I'm stupid papa with my psychologist. When you talked with my psychologist? No, I, I'm

why I want to talk with your psychologist? What are you talking? Because you know, that is the thing that I'm suing, that me tap and no deja that you finders in the incendio, in my dreams. I mean, that you're saying that are your dreams is what the day of the incendio. And I, narrator, not I'm understanding a part of my head because I've

a process of to therapy that me have led to understand that what I'm living in my life is a form of my trauma

represents what I'm in the really I'm really I'm now this man I'm saying like it's a real thing, and

I'm not I'm making you know, I'm a question, you know, that this not is of the

devil, and yeah, I'm in peace. He's just he's just he's just to come

with me, me, and he says, that thing that you've done you was to put to

to get you. That that thing not is the psychologist, is the devil. And take

much good. Because I know how I'm that you but I know I

can't assure you can't help you. And where me said that he said,

I've never seen my father so much that's I'm so I

never, and then I did we we're we're we're we're

we're we're we're we're we're we I said, me you can't

what was what was the day of the incendio? Narrator, he said that he was in the

house, that he was to hear a but it was a that was a mouser and

him, he was made, it was like a sensation of that something that was something,

it was that was that was that they had a never even didn't they,

they were playing, and they were they were talking, and they were, and they were the

and then after that when reacted, the house was in the house and there's a other, because they're in some kind of in

some type of trance. He said to my mom, that, for favor, that he will go to me, go to my

room, he starts my name, and he's to come in around the camera, and he said,

he was something was a little never to be a bit, it was a little more more more of

normal. The piece was all covered by a somber. No, I'd never have

nothing. I'm found that was there was going to something. I'm said,

I said to my mom that I did a badition, that was a she was

a she was for a time, for times, I'm put with a cross

in the front, and I say a question, and when I'm met I,

I'm I'm I'm see, I'm see the form of that

thing that you've that's that's a page and disappears and then that's

so it was a kind of a kind of a animal that was rogiened and I

just came you get and when you're you're you're you me desmayed

in the back you know you know you know there's no there's

there and your braus you had you you take them

you don't we present no no sign of have been

when they were the paramedical no it was a not because what you did you know the policeis, because they were

found that I had brought to get to the house to get a car and that they did it a little

never, never he had to never the thing that I've had in the other

the I'm saying, you say, I'm saying, I'm saying, I'm saying, I'm saying, take care

that thing that's the psychologist, that's of the Inferno. Dear family Nocturna,

as you know the thing of the thing of the I'm a lot of the I'm

part of The host, Jordy Wilde, in this episode of 327, he left a person that told a story that is alucinant, is a fortissima. This invite is a person that is a person that is a set up to do nother for Internet, in the while he's expone to situations of high level of risk, we're in contact direct with the naturalness,

like these who are like of Survivor, of what is it for the people that not is

about this context or this type of a thing is that

a person with the amount of you're I'm saying that sometimes

not not a not a not a and will

be going to be being in a place

in a in where there there can something something

that is in contact direct with the natural

No, they've been Tendas of Campa not even many occasions food, has to get to get there.

The resources to survive are the place that they're in. That's makes that many cases where people

have perished the life, having this type of things. Others have had been

a moment of an encounter that sublimy that are a change a

life, or it's something that they're something to do you want to you

can't. As you can imagine, this person he likes much because he has content of this type. And he says then that I had heard to a certain friend that he had

recommended a island a desert. This is an area is in a area where that is abitated by nobody and has

that his wife, and a couple of people more get to get to her in an embarkation,

he they they're in the place and he is a certain quantity of things

related with the channel, because are things that he grab a internet,

a drone, cameras, microphones, a little bit of things more. Lamentably,

one once that is there that the case, that the moment

in the time that that's or start to do some other

to do have to be problems, but well, all the

bad bad, agar the drone, he see, more or less the place. Not's

a dentra because also know how it's a fauna, but it's enough to give us to

get a kind of of the atmosphere, of the zones, of what is what

they want to what you want to what you want, it's a time that he has a

drone and he makes that he he gets to get to and

get a little the time, he's to hear that they're to come

to him the murmoo of a conversation that it's a free.

It's that there is a person who it's a person who not able to understand

that they're about, but the sensation that is rara. Just, this do you know

a pair of seconds, and one that and a conversation, that conversation,

is very strange, because just it just comes, it, there, a rafaga

of the wind and the heavy that the rome it's to the

a a velocity to the way to the way he can't have to

the control and the drone is a star and it's a

thing and when he's he's not there's not there no

there's many. It's a time. But also also

also is looking times and content to to share in

internet to to do it in the internet now

now now to be. And well, no no, it's not another other way, it's in situations in that really

is in risk, so is that is that he's thinking in the rest of the team that's the time, the job's

that's all the time, but also, he does a little bit of the same, when he does know when it does a

time, you go and he a peska, a pesk, a little that I don't know what type or he,

but he does know that the cuchio no has a final, and to cut out of that was a problem

to decomar the pescado was another great problem, but at final, it's the fished, the flavor that had an manhart so rich, that's all the problem of that moment, but in the moment in the time in the last one of the last bocado, something else

something else, it's heard from there, a sound of a wind, with him, a murmur. It's another time the conversation of a rato.

Some two persons that are talking, now, now, the piece is the enchina, is a little alert to see what are these people

of what are you, and say the conversation is the end up, and in the moment in the moment in the time in the conversation comes a chaparron,

a quantity of a great, together with the but so strong that it's that's a little gore that I've

made to make to make a he, and also his things have to go to guard them because if not

all you're to be to turn to and then then it's in the Chaparron, de-repan, he says, you know, where do you

these voices? And it's a little inquiet, a little inco, a little incoombo. When yeah, you're starting part of the time, or part of the night, decide that is the moment of doing the takes and the recordings of the microphone, because he only is going to be

24 hours in that place, and in the morning they're going to pass for him. And there, when he's got to the equipment, it's a jubia, but before that, I heard the moreoverue through two voices. Two voices, that with a wind, came down to him, and in the moment in

when they were pared, he pino the jubia and pego so strong, but so hard, that's he choked to lose his equipment. In that moment, he decides that it's moment to go ahead of his place, he's going to be able to dooms, he's being to be honest with himself. Those mormoyos, he had been in many places where no one only being a single

a human, places where no get the light, places where are really in risk,

but never never seen so much that's very much, now he said, that any

one of those places that had been had been something, that's those

usurus not only air, are voices, voices that are so that's that's

he, take a parato that he can, he can communicate with

his know, he he'd that, he'd go for him, that is the

team that's not not going to do that's not a matter of the risk, after the

time, he's a time, he is up, sub's your equipment, they're on the

return, and when they go to contact the person to the person to the person to the person,

and he said, he said, I'm going to say, and the person says, yes,

what did, but fifte that I'm the voices, voices of people, but I know that

the place is a vacill, and sonabes, a wind, and then there were rafagas of air, and then there were jubia. I made to lose all. And, the other side, the person that the recommended the place, says, ah, well, so, me has a sense, eh?

Why does it make sense that? I don't know how it's called the island? No, it's called the island of the Ortaud. It's a island to the that's a lot of a little

many people went to to order to get to desuscribys then then perhaps you're

listening the conversation of the people. This story that I'm going to tell

me the maned Chaba Chaba is a person that is a person who

has a year and he's he's he's he's he's some

Ranks in those that no he doesn't even and he's a child, to get a any type of a new year, and I'm

saying, it's so my impulse, that I'm planning. I'm not going to go to where I'm going to go,

I'm sufficient, I go to the adventure. I'm just, and I know the people are going to do this one of

going to have been to say, and my person, I'm going to do you that's not

that we're not money, nor do you the Counts of bank, and there in effective, and I have to

start to work to work to get a money to get to get back. What that is has led to after the

years, to my husband is to never to get to me to we go to our car.

If we go to our vehicle, in our carito, all is very good, because the

most that I'm going to have to do you do this to be to be a lot of

That is a lot of more simple than I've had been to have had been to work in a hotel in a lot of three months

to have done to pay the passages of three persons. So, well, I'll tell this,

a narrator, for you know that I know many places, many places that I don't have any

idea of how signall on a map. I've metied in the car for breaches

for can, short, for long, long, for recommendations, for

places, that the people us never you go. I'm going. A me I like the adventure

in a narrator. To the places to go, I always try to get when it's when I'm

a hotel, even if you're a hotel of a mal murder, no important, because minimum there my

wife and my son to get to go to I've been that's too that's too that we're

we're not we're going to get to the car because in the camas there are chinshes

there are pulgas are so they're so much I'm that we're a lot of the second is a

fourth and we prefering as I'm going to do that's a little bit too and not dorms but that's part for me of the adventure

well the year last me a situation that makes that the day of today has a favor to

I'm going to say as a little as a year as I'm a year I go and for the rancas

I'm the time I'm no me important I feel that the life is made for the

risks and of a year to I can't. But I'm sure that I'm justificatism for the reason, and the problem is that I know what to do. No what I'm sure. I'm afraid. I'm going to be able to an place in Argentina that's called

Corrientus. For that place, we've been done a pair of routes for where to go to us, on the way, in the same place we did, we're making a family, we're doing. Our children

So, we've So we're too much in the conversations we're in we're in the partically the route to the

same place and then every one of your decision. Decidimus because we were to

get to get the two like a carretera type of that we were more together.

We're we're doing with the other chico, the other and I practically

we're practically we're in this time when when when you when you have to

have to have to have been part of the the voyage and it was like an

environment and we're we're going to the two vehicles, the the adelante and I

know about he's more that he did he go to show to the back to

the area where we but the point narrator is that there is that he's a

moment in he's he's not no idea where he is what is what I want to

that that I'm that's that's that time that's because after

to make us to They were really metied in the camp, in middle of the nada, we got to a hotel that was precious, of a luxury, a hotel of aftain,

very natural, but with some a cabado, but a little a little, all the world, it was a little, it was a albercas,

and it was made, that it was very rare, that no tubier signallements, that no number put there, but it was a a place like

of rent a place to park carrows, I'm a the zone where I'm when the two we're

we're doing we've made made a signal like that we're just just to go and he

to the car me does this signal and I go hey we're we're going to let's

we're coming down and he I'm he's good hotel you know you're

so incredible we're this is too we're we're we're and our and we

he's chabon I'm, I'm I'm lost. I'm in some point. What good that we're going to we've got to

get to be there in the road. And I'm the kept a-wending and I said, and I said, since it's like three hours,

but I'm to have a very much of a very there's where we're going to go to and then the

trip to and then the problem in the problem in the name of the narrator. I've got I'm in

middle of the nada and I'm with an idiot that you can't say,

nor do good orientation. Then I am I'm going to get to the same

I'm going to say, I'm going, the vacation is an adventure. And look the

place. We're we're when we know when we know that is the lobby

has a aroma pino tremendous, but it's an aroma kind of

artificial, medium that's impregna something, and a very much, and we

we're we're we're to talk the campanita and a woman this

this lady I've seen a person like a nefast, so molesta with a car of

many people zero-educated a person that just just got and it was said to say that

so direct narrator after the after the they're not they're not even one

one 11th one 11th one 11th 114 a-dose not not he not used

what costable we we supposed we're some we've emboukarned, that then we'd

go to cover, to be able to cover, but like this quote and I know,

we're in more or less of what we were in we're doing we're going and we're so we're

going to the house, we've went to the people, and then it's

when I know a matter that's that's about the four and the

time, but it's starting dark and there's something and I'm I'll tell you, I've

been said that I've been in my places and I've been in the horrible, but never me had had done

so much that I'm there's a fear that I'm there's a way, but it's in the moment in that the

light was going to be a different, it was a strange, it was like if there were somebrass in the

place, but the place was and it was a little, but it was sentia like if

there were somebers there, it were in movements where there nothing. She felt like if there was malice and things moving

between the malice. No, there was a narrator. But I did that not the only, because my husband also was always. And the other chabon, with her husband, they were still. Vending for all parts. And the eyes of all of all kinds of all right was to be a lot. I was to give my husband, that we pass him to the room, I'll close to the door, atranks the door, and I pego a chair, and there was a a scritor of a madera and it was a pego too. The door has a crystal at the center,

that is a crystal of these, that are a little blanco-scos, but you can perfectly as if it were, but distortionated. Well, it was out of the moment to another, and to all it was a lot of it. I'm sorry, narrator. You're going that it was like it was 3 of the morning, an obscurity absolute, and still not were any at the 8th of the night.

Not was normal. outside I'm sure that I saw some far, lights, no see you see a lot inside, I don't

see if the lights had some because I thought that there were many fogos and the

cabna still being a cabna had two abatations and you the side left

there was a door that had a a room a small a very not so

not so I'm not quite but something I'm I went to my bed

and I'm A you can't enjoy before to do you to get to do this

and you have to our little bit of our little our little four

years to the point of and then he's great and that he could

move his and my and my person's that I'm so that I'm

on my on on on I'm I'm I'm I'm

I'm like if someone so someone so if piser

in the Cep as as could be moving I'm I'm parro of the

camera, I'm to the door, and I'm in a summer that's coming a sombre that's

I did nother, I felt like that cabna, not were a cabana, but a prison, I felt a feo, it's a a desagradable, he looked at the

door and I do a fear horrible because I see a somber a person asomandos and then molest,

I'm I'm, and I'll say, and I'm the door, and I go, no,

nobody. Nobody. I'm, I'm just, the cabna, after that's a obscurity

absolute, I'm the door, and she's seeing seeing the person somatings

that's there. I'm don't you hear of what I feel the I'm

put chinita, I'm really, my my wife, my wife, I'm going,

I'm going, they're to be a parpadeer the lights, and they can't be in

two windows that someone and they are taping the windows with the

door, narrator, I said to back, where's out of the room, the lights are in the things that are

in the room. No, I mean to say persons, because not sonaba that, it sounded like if something

was there had been there, but not he could see to be back in back into,

I'm to the door to the little and the lights are you

that's somebody that's had had to have got to just that just

that was in the obscurity and I'm I'm feeling a weird I'm going to I'm going to turn to the

room to I'm going to go to see where a summer pass to the door and it's a back to the

person. I'm a person, I'm going to be my wife and I think it's but I'm I'm going to

the abiento into the room where I'm a man that my hand to my hand, another man that me aggrap my arm and

another man more and the three me, they're going to start to the end up. I'm going to

get to go to back, I'm going to do the little bit of and I'm going to do. The person that's all in

the door in the crystal, she's like asomando, I see there the sombre that's going to the other

to the other. I'm going to get a other door. I'm if there's a other way,

I'm going to get the thing, I'm doing the thing was a very well, and the

other I have to open the door. My husband me says, he's an idiot you're going to make

to make, as you know, and don'tier something of what is going to say in my. And where I said, and where I'm

he says, and he says, I gotro the back the back to the caro, and we're going and we're

going to directly to the vehicle when I hear of the after the last 10, no they're no, it's

a girl, and I'm go, narrator with my spouse, what most that I can I'm in the way I'm in

the other vehicle and to his wife, that's all they're going to the carbaugh, and he's

parpottying the light, and I said, I'm, I'm, I'm, I'm, I'm,

I'm, make, the car, no, it, and it's, and it's, doesn't,

start, it, doesn't, and the light, and the light, and I'm,

I'm, I'm, I'm, I'm, and I'm And I feel like if if I'm there were people

that are doing people who are doing and I'm going to be stances I'm going to my wife and my son,

and I'm and I'm to give us to do the car. Where we we're in the stationation

of the cabanas, the car the carlo the instant and we went. In the

middle of the carterera I was I'm I'm going to I'm I'm getting done.

My husband, the day the day in the morning was done I'm

the carreter never see the to pass. No, if we passed a night. No see if we not going to go to go to him. He was the kiddough he. And standing

in the carreter, my husband is a very enochada. We're stiller. And no, you could have been and I just said, because she had to understand. Oh, look. Who, who? Who, you? Yeah, we're to the house.

Yeah, tranquillize. From that day, Narcador. No I don't know to sonar with the room of the hotel. My spouse now no me want to come to

say the truth, when me come in those arrahnkes, for more sure that me want to

make sure that's people that no they're that's my despired a need to from the

mind that's and I remember of the voice of that the time the problem is that now

I'm I'm I'm I'm that I'm that I'm that I'm that for

he'll go back for him and no, no, no I'm don't know,

but I'm If I'm going to to go back to go backations. And with this story, we're going to this

dark of the dark fogata of stories. Before to let me say, if you're new and you

did you do you look to make the no, without no process without to have

had to have had been to have been to be the day next to be to the day.

Then I'm here in the commentaries narrator terminate of one for that and subscribe

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have to have you don't know that you have to you have you