HABLEMOS DE LO QUE NO EXISTE - Historias de Duendes Siniestros, Brujos Malévolos y Casas Perturbadoras | EP 284 | César el Narrador

Episode Date: April 21, 2025

Bienvenidos a ésta Oscura Fogata de Historias de Duendes Siniestros, Brujos Malévolos y Casas Perturbadoras en  @HABLEMOSDELOQUENOEXISTE  El día de hoy les traigo historias escalofriantes que ustedes, querida familia nocturna, me compartieron. Escucha de la hacienda maldita, la entidad con cabeza de toro y leyendas familiares antiguas que traen consigo maldiciones siniestras olvidadas. ¿Sabes que la llorona no siempre viste de blanco? Ingrid nos cuenta del pacto que la convirtió en médium. Conoce el aterrador cuarto de las muñecas , la entidad malévola y la cabaña de los marchantes, así que prepárate porque llegó el momento de que  @HABLEMOSDELOQUENOEXISTE  HABLEMOS DE LO QUE NO EXISTE es un canal de youtube con el formato podcast que comenzó en abril del 2022, su primer episodio fue "vivo en un casa embrujada" en el que una chica narró sus vivencias y sucesos paranormales a lo largo de 20 años en la casa de sus padres, desde ese episodio hablemos de lo que no existe ha marcado una tendencia en exponer casos paranormales de personas comunes que viven en diferentes partes del mundo. Ice Murdock es el conductor o host de éste canal, durante casi 100 episodios no apareció, nadie conoció su rostro y la comunidad de éste canal , la familia nocturna , creó teorías acerca de quién era el dueño de esa voz. Hablemos de lo que no existe se destaca por tener apertura ante las opiniones experiencias y vivencias de cada uno de los invitados. La comunidad de éste canal es conocida como la familia nocturna, de hecho por estar leyendo o escuchando ésto, tu ya eres miembro de la familia nocturna.. bienvenido. El duelo de historias es un concepto que se creó en el canal @Hablemosdeloquenoexiste, idea original del narrador, se estrenó en el episodio "Comité de la Muerte ,historias de Hospitales" el 1 de junio de 2023 y empezó a implementarse formalmente en el episodio "Abrí la puerta a un Demonio" el 11 de Enero de 2024 ; consiste en un duelo entre Narradores, una dinámica sencilla, donde cada uno cuenta una historia y busca superar a la anterior y al final la familia nocturna nos comparte en comentarios cual fue la historia más aterradora.El Narrador y todo el equipo de Hablemos de lo que no existe trabajamos para darles a ustedes querida Familia nocturna contenido original y de calidad, tardamos a veces semanas ideando formatos luego de tomar en cuenta las cosas que nos han pedido a lo largo de la temporada anterior y por eso el día 23 de Septiembre de 2024 comenzamos una nueva temporada que llamamos FOGATA DE HISTORIAS, en donde el narrador prepara una serie de historias escalofriantes una tras otra para retar al espectador a terminar el episodio por el nivel de miedo que genera. En este canal se relatan historias de terror paranormales, sobrenaturales y reales, prepárate para conocer el miedo de una forma en la que nunca lo habías experimentado.

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DeP DeP so we'll be it. Welcome to Family Nocturna to this oscura far fogata of the stories.

The day of we'll be about the duend sinisterous bruchos malevolos and casas perturbatoras

but before before to make to say that the day of the day of the day of

and if you've been the bad the first that's the first that's

I'm I'm I'm I'm not you're to be to the

fogata. But, however, I know that you're new or I'm new, and you're

recommend that this channel, I'm not you're going to keep your because every one of the relatoes going to be

more more than the more more and it's a little but I want to be this

way to the family more chida, the most most scoer and the most beautiful of the

internet, invocle to the number, and I'm the people and the

commentaries, and I'll please, I'll put you a foggat, a loceit for you know, and give a tantita

extra extra power to get to all those incautos that have been to get to this. I've been to the

final of the episode to give the well, let's the much good you want to you're not

the bad sure that you're that this not what you're that you're something more

more Lamentably, that is the history of Elena and Samuel. At the day of today, I don't even stand between us. But I want to tell what were the successes that lived, and that, today,

almost 60 years after, still are trying a lot of destruction to many people. Samuel and Elena were probably in some

a party or reunion of their people. I'm talking about the second decade of the 1900. For there, of 1,920,

initials, medied, or finales. If you knew it, they were neveredly the one of

the other, and they were a family very atypical. The family of the time, the woman,

and normally the woman no, he was to accept the things, in this case, they

were quite equal. The things were all they were one, so the other his inquet

and his necessities, and Samuel was a type that was but endiosado

with his woman. Since when he was a he was a man he was a type

was quite a one of the they did a pair and a relationship and a person to

the whole they're so you're scandalos that Samuel not to make the decision

for some that sometimes were to consulting with a public

you imagine you imagine you that that but they're they're

not they they're to get to to to get to that

they're that they're to their they're not how they're

it was just I've little, to have a little usual. There was a idea of Elena that

was very usual and very difficult to get. Just in the road to the two kilometers

where they were a little there was a little a little desquidated that

was a convento. It was a type of asienta not so great was a

place. The cost was impossible to pay in this time. The day

to today, it would be a commonal, but in that time it was

a cost old and impossible for, you're his arcas, his ingressos

that they had. Samuel, one of the decision, he was he did

incansable to be to be a bit a work of routine but

he was to learn different things. Errera discovered that was a

very good carpintero and actually a evanista because the

type had some the madera and he was with so smear and that time

that was in that he had people who had a good good negotiator at the initial and

not said to be able to get a certain fame and and he had been a great

great new new they've had been not not for situations

social but because Samuel little he had had done that

he had done a good good this not was the night and

But past 10 years and after three cities, these two could say that were some new rich. They had amassed a fortune.

Samuel had had a newgocius in four or five cities. He residia in one and he had associated with a pair of

people with those who had very good good because he went to the time, that apart

of the carpintero to be a person, and someone profoundly enamorated of his

other, apart of all that, was very good with the and he started that the numbers were done very so the numbers

that were going to and the business. And it was advancing the things, there was a time when they had

passed out of the 15 years of the casados in those that Elena sent to Samuel very

extrano he was a little absent he was he was in many moments

out of many long as when I was in house, no he was a

conversation with her. Never never was he's but she's a bit of a little

when she was decided to go to him and to bring this theme Samuel came to

a surprise Elena, we have to go to get here. I'm want to

say, and this you have to know you know you're that we're going to

see that we're that for this then they were not more they're

two only they're No, they're young-tos, yeah, no-renacquojo, and some crows. Yeah, the most little bit of two

or 13 years. So when when he said that they'd go to go to what, what, what, what's going to

do you know, no, no, me going to understand, me going to when you get to the place to go

to go to go to live. And Elena no didn't, the muchachos had made sure

certain circles of different, they're, they had a certain reputation in the city in the that they were living. Cambiarse, no was anything. Sin embargo, Samuel

he said, "'Muy'ammy a fun of the "'Semone to come down to the kids "'in'all who helped us help down there in the "'up parted, invited to some family "'for that's made to do you share "'and, and, of a sudden, "'Henna, he began to go to

"'and run for some carteras that had "'a years without transited. "'And is then, when Samuel "'Samuel par in a place "'in a place in the "'he has the sensation that's even though in the

past, but is in in the nada, it's very very short of the place,

where they're not quite, but you're sure that this place, if it's he's

not the vehicle, he back to the car, and it's and it can't be the same

the house. This is our new house. He had had been the

house, and not only that, because El was was impacted, when

when it was the door, all all the was renovated, it

Rastro there, that the time had passed, all of it was new, it was lusory and beautiful. For that's his absence of the months pastos, he was reconstructruing the asienda for

her husband. Elena was marvellousied. Marivialed. There was a area that was a type of caballierisa,

the while Samuel had had had done the time to reconstructural to be something that was a

much before that the time that really was that you can't imagine an aroma

to past tremendous Elena, Elena, was ecstasyed. It was a new place, a place that

had desired in the past, that had since that's the time, he never thought in him,

you know, but at being there, it was like all if all were perfect. But,

there was a sensation in the air. It was the sensation of that something that

something that was there, no, he was the presence of one or

no, It was like if if I sentier celos in the environment. A sensation extrana, and it's

that she's so he's going to caller. They're very good relation. They're much the things.

But this is rare, and this is of those things that are to external. Elena is it

call you. She's suben to the car, and then, they're then,

to the house to do you just to do you, muchachos, muchachos, we're

we've moved and there in that moment no there are not to go to go to the house of

the son of the house of the family because from the moment

one that when it's they're they're they're getting to do

things that Samuel renovable the but not it was

they're they're they're to get to get to they

people people people people Capataz, a type that's a type that's going to

do the installation of the things for that were perfectly well puttas for that then the family

simply would be to come to the place. The Capataz with his people, every two

or three he's talking to say he's saying they're having problems that need

to change to Samuel no he said he said, I think you I'm I think

I was a person and this type he said they're saying are

not explain me because if if I can't I can't give to my

family. No, don't be sure Samuel. They're purest tontarious

but need to we can't give you and I'm and I'm and I'm and I'm

and I'm and I'm that it's very strange that into the characteristics of the people

were that were not that they're in nothing, that not they're not to

they're against God and then then so he did this recommendation Samuel sold to apart,

you're going to you know, no, no, I'm going to in serious, you know, I'm sorry, you know, then your

people is going because it's a convento? And they say, no, no, are tonted they're doing, you know,

and we, they're going, it's all facilitation all, if you do you're to create

to nothing. Well, Samuel he's got four people, and he he says,

he's saying, that you can't that's that's the time, the people are

for there. And it's it's a very rapid. It's like it's a lot of

it's not it's like they're superstitions, all this, ideas that was created the first

group of people who were the people who got to be, and it's going to live to live to

the house. They're done that this place to be a day, a person to be a lot that is very

luminous, there's there's a little there. No they're exactly what.

But from the first days, the child the major of the three brothers,

no can do not be only in his room. He's there's there's

there's seeing, and he's he's great, you're great,

no me don't be there's there's something, no way, he's not a little

something, he's years of not to bring stories of this type of his muchachio. Samuel said, "'Card, do you, d'uarm, "'but not you're going to do, "'in the room, to be you "'tolder more fear.

"'Dormirte in the piece "'and you, and "'or want to do that, "'of the closet. "'No, he wanted to "'but then, "'sus other two "'neusers,

"'merelyly of different "'cummurmoyous in the "'sanker in the "'sangre in the "'and when they said "'Sangue in the "'Samuel said, "'A-be,

"'Here, we are "'this we're talking "'to other He He was a He could be a He could do a

something that he He made something that he could be a little fugue for some of the canneries

or of the room is a limpia and intact and and he starts to talk

of the parents no it's it doesn't like if the three

chikuel if they had put to and the poor Samuel

he wants to try to get to and free so is

that one he he has he He says, A-ever, van you're

going to be able to be more valent, I don't want to me being with these things. And the chen are the

little bit of an apartment. And that night, it seems that all the night. At the day

the day the day there's a thing that have been there. And they're two,

three, five, seven, 10, 15 days, and the house is a

other other again, that to go to his negotiations. When he goes to

the new things start to come to get to come to the time. Elena he says, Elena is a person

very conscientious, that's a person that's a important, that's he does a rarrow, he says, why, a woman,

pass something, me needs, no, no, I want to so you're going to something,

something without something, but no you're not the time, see in the You know, you know, here is your house and here you want to

see. Formas in those that they were when they're to get to the house, the things start to turn

a little rare. Sus muchachos that he remember perfectly and the actually the most

of all is fornido yeah a bit muscular he's he lanky it,

he he a cabado it, he kind of and the other two

have they're no he doesn't what's going to go to talk about

with Elena. And he says, you know you're that's a lot of

a lot of and I don't have given to them to do this for that they're

to show to make more more than I'm that I'm because

they're many many things. But no, I'm just

they didn't to come because you're you're not you're

you're but you didn't know that you can't they're not

they're he came a call a call the a good how could have been

so I'm not a lot of this, these people these people are very disciplined and they're a lot of

and then I'm and then I'm and then I'm and then he's

he's got reune the chicoes the little over to the city to to do a

little and he he's he'll and he he's there's there

in the part of the house let's explain me what what's

the sart of things that these poor young people there are there's a in the caballierisa in the if you have the poor

suerty of the world and for some situation that you did you have an ambulism and you started to

come back and you came to come in the car you get to you're going to be a man who's

that is a carbalerisa and and is it with a psal some

some type of pozo. The man is very high, sumamently muscular. No, he has a camisa. He's a lot of titheree, a pantalon, a jeans, a pantalon of mesquilla. But no has the head of a human. It has the head of a toro.

And if you'll look to be, he'll continue working. But it's like if if, if, if the mirada, poco, to start to scarbar into you, and if he, since that you'd ever be able, to get a little bit

a little of your head into your self. It's like if rompia some type

of be able between you and he and now both were the same. It's very strange

to explain but it's that's that day the major of them is changing. He

said, he was he was he was there was out of the house

at the house and this of the carererer. The two eyes were like a lot of a lot of

a lot of and the man, and the man were to not a part, but the other

is that this was that it was that it was impossible to hear his

thoughts, there was a buffy the buffy of an animal in his head

and he could hear a a problem is the problem is the the buffido

was the problem is the the buffido he impeded to eat

to get to get to do to be to be in the back more strong than the water that was a

little bit of the manned to the manned he said the in-medio he said he was thinking

with the paredes that sandran that those that are because there are things that are

people who are people who are the and then Samuel he said but what you're talking

I'm I'm doing to reconstrued the house here there's there's

there there there there and then it's when it is when it

he contact to the people who were in the work of carpentery to modify

and to make and they're and they're what they're in the house, because here there's a

that when Samuel he was working in the house, not had been a lot of the importance of the

world. There was much more bultos of things that they were in that they were

to be in a manner in the you know, the person were in a carretta and a new

some type of material that they were used to use to and they were six. But no they were

a lot of a year, it was a thing, and he, in that moment not he had prested attention.

Until now, said, they said, they said, he said, he said, he said, that's,

there's, there was samentas, but not they didn't want to be all the time, said that

whatever that was that notice, it was to provoke that all they'd

get to work. So, so they're not the question, and they're all they're

they're in the time. The Alta Rottation that was in the moment of the muebles,

now also also also, I'm so you put to contact to the people,

the catas, the subject that he gave to the people there that was

there. Well, me have been to be a man, Toro. I'm they're

they're they're to be a subjecto, and that's These stupidesses are people

creetient. For that I told you're people more capable, people that not creole and someone

and he's he made his family in a trap. In the room that little that's

a bit of a room something, and he went in the room, and he's the door,

and after that during 10 years, no did it never to pass nothing

in the house. The family grew the young not are much chas

are not muchachos 10 years is a quantity of time very very important that's the grand

incognita what did Samuel. Samuel he met in that that in the room of

the abitation in the he not is a man a ruco and a good, it's a good in the

business, but what demonios did you do? But what demonios did? And lamentably, 10 years

after, when the young are they're going to discover. Because of the night and the morning,

his papa is a no, no, no, no, the doctor, and all the

money, and when they're looking alternatives, Samuel, tranquill he says,

Muchachos, degen to be being to looking things, all, and the

my is getting to your final, accepten- it, Yeah. His papa was a

little that a lotchator that no that's a lot of a lot of

in the time. He had had gone all the kilos that you want to

you're a a post right in a poor Elena suffered with him

all what could suffer a woman because he was he never

he never he he never he put to show to make a

more a little just just it's am Amol

let's you don't do you're a man of much guys, what you're going to do? And Elena, and he was trying to the best of the bestroasted in a million pedacitos. But it were the

things like they had to confront. There were three muchos, that yet were an adult, but even as his papas had to continue being example. And Elena was a lot and knew very well. And Samuel in his heart was very grateful. For that he told the truth, a few days before that he

falleceola. Resulta that when he he commenced to ask him about the people about the thing that had passed on

that case, he staped a colladera and a pesterer and a pester. The house had

been a convento, has been a lot, but the house not had been a little warried of

maliants, subjectos that disappeared people of the people around. And there they were

after that after that like the little little poblit where Samuel and Eleanor were more

and they were mini-ciudadess that was in the afuars and they was just about that people

that were that were there was a placet and it was a prostitul a prostitul very

out of the law in which they're to many people that

not didn't not complete certain certain perfils or could

provoke certain scandals or reclamable things that not they'd talk about reclamar.

The place was full of stories, of persons that had desvivied. The muros had been

covered of the same. Many times and painted after black

of different colors. And that aroma, that aroma yerro, they had changed by

perfumers delicious. For veals that had some kind of also

kind of that was that all the world the whole

that mugerer was put cultivating, it was full, during decades.

When Elena and Samuel came to the place, they were they're in the person that were in

that they were, that were, they were some time, because Samuel did the opportunity to investigate

well, they said there were a woman that was the that was the person, that was the

person a woman delgated, a woman, with the rostro cadaverick, with the hands whewasued, and he used to use a rock oscura victoriana,

and a woman he liked to go to go to go ahead. And if someone was in their property, the personas only

saw how, in a parpadeo, they had in front of their rostros. It was not, only,

and simply with her, you know, you're not received there, and the those person were not used to

get to get to probably, probably the altar rotations had to be also the point.

The point is that in the place in the place in the place in many occasions immobile, in the

quarter of the voices. So, so Samuel decided that had to talk to to be a

dweger to the property, and he did a family, and get me me to me.

Dehannos ten years for that my children not be new, and then

do what you want, Samuel no view to nobody. but if I sent you a man in the that he pared with much

forces and he he intended that the trato was backed. Why not I wasco other alternatives? Why,

I'm going to go to get in the history for always there a grand incognita because the

family no know the family no the first of Samuel, the first that is to get to

get to all of all of not you. In the the place in the place of the

place of the No, you know nothing more of the place that destroyed her family. She has now for the

story of Samuel, that those things that were the people are the people, and that's

his wife, it's very strange, because it was a place that the place he had

had taken a certain to some of the family. Because they're

that when they were when they were the things, all the the

walls of the her, sangarer. Like if were the blood of the same.

Like if those extranaring, like if they were to go back. Elena went.

She kept with the property. He had sufficient money, his husband,

he had made a life a fortune a great, and he didn't,

she was going to their their children, but the things, but the

things not there's a They were growing and just passed 15 years. Ah, yeah record them these things

like things of the things. They're things that passed or not passed. No,

man, me was inventes, is that we're we're living a moment difficult,

Papa, so it's because in the mind, the time is

and the time, the sequence that had sometimes is

a different, but someone who was like a

person, who he remember that For a pass, how was every other to her

not so you don't see they're all the children, the time in the they're in

their own their family, Elena is abuela, and Elena has a year after

and it's then when one of his children, come to the thing,

Mom, why we're we're we're we're doing the house that

all that all over the thing, we're we're going to a

kind of a kind of a a new hotel where the pairjas, families, can pass, yeah, a moment, a fine of a week, and we'll have a negotiation? And the mama he sees with an unredulity. And Elena

he says his son, "'You know you "'You know you? Why not we're going to be there? "'Ivo, no, I want to record "'cours that you know myself want to record. "'But you'll be to "'dehack, to that place, "'mintra, no will be able to "'Nadry. And if you want to

"'to see much to your family, you never you'll get to yeah, nor you never when I know you and they're going

to pass years, and they're to pass years. Because the not you're 20 years.

Those stories of the good Elena in peace and then what things was going to get a

story of terror that they told of adolescents, never they're never

to get to the mother because even the even the even the even the

little and the nieets when the people they were they're there

of 20 years? Suna a interesting? Suan a place? It's a place. For you know,

we're not going to be? The same, we know, they've been there a time there. I prefer

not to to leave a mom, to be able to that she didn't that we didn't

the place and that never never never. But, but if you want

to say a time, but he's just to make because

you're not so not in the afueras of the city and

Crecyed much the Pueblitos of there and, who have been doing in that

place, so first you go and you're you're you're not the millionaries

that were Elene and Samuel. Yeah, those fortunes are some other

customs, yeah are other styles, yeah is other type of union and it's

when then they're in the house. And is when the Nets of Lena

between them now, primos are to talk to about the

legend of the O'ye, is that I I said, hey, me you're going to come to want to get that. And they're going to talk to, in these

generations, about a subject that's there in the madugas that seems like a kind of a poe. They're about that

in that place there's a yorona. But that the yorona no, it's been of black,

he's in the black, they're about the murmuyus in the abutations,

mormuyus that are that do Murmoyos that you put in the Piel Chinat and that's a lot. Because probably it's probably has

some type of moe in the wall in the because of it's like if the walls are a little

and like if they're to be there a liquid rojo like a kind of that's

that's sure the property is suce or has something but are things that are things that

are so they're that they when they when they're two generations more generations

young, that they've got children like a very, and he gets to day to do you,

the child that she made to the story. Resulted that she had heard about

the house of the Tatarabuela. What decided, or of the tatara, Tatara Tatar

Abuela, there you say, you're you're saying, but he heard so many,

tantas things of this house that she had to start to start existia,

and she did the opportunity to to go to a group of friends to

a city that was in a little bit of and he was a place to where he was that was

that was the carreter that was and that's going to the surprise because the dichos

place that was a little that was a little a sienta a little

and she was very very deteriorated and he and he he looks with his tios

old or with the abelels to be really actually exist

the scriptures of property if they are the family and they they're not with the

if they're to be the person, nobody the house, nobody he's when he's going

to go to get to get to the stories and then he's better I don't

go because they're because they know that the stories are super

super super super macabras and that have passed on generation

in generation certain certain that someone did someone saw to a yorona

that that's We can't voices in the house, that the house is very enbrugated

so. And she says that with four, five am I'm to go to go and he

going to a idea, a idea, that's a whole of we've got to this house, and we're

a place on a family could be past, maybe a time or a fine

of a good business, it's an idea of an idea of a thing that nobody

had thought in the family. But here, a difference of the

the other members of this family. Nobody's the detu. It had passed much time from the vivences directs. Legendas, Quintos over-cento. The importance of her. This chick was with two

friends, and passed there only a night of supposed three that had to pass. No, she said there absolutely of nothing, because he said

that they had to get to get to there in ambulance. The friends they said that what I lived was very scabroo because the

chick entered like in a mode automatic in the when the property, he started to describe each one of the habitations, what was he

did say there, and they described many people that were, let's do you know, self-desvivision, and others

that they were to the other world without they they were, he said, he said, about the

secretos that were the things, about the phantasmas that were and morabes

and they and they had in the night. And his friends they were a performance.

That she was going the idea. What you did you do you know, not for a

leech of love. Is that they're in some type of escape room, in some

type of house inbruchada. This is a geniality. And she he's a thing,

with a naturality, with a credibility that like if they would have been

that they're that they're going this guide is conscious of what is doing

and they're not done know. As they've got to be the night, no they're not they're

at the time. And for that's the moment Kulmin. When they saw you're

that an subject, an actor incredibly good, was doing a poe, in a

techo there of madera that was rumbed in a part of the patio,

and was a posto, but he was a botarga, a type of maskra of a toro that was

so incredibly precise and good that they were not they were and they were so they were his

company and he said, here is my duke with him he, he was he was

to the head of and he he said she and with various voices distortionated

what they did you they were to get and at the when they the toro

was the toro not was and they They started to understand that there was going to be a little rarer. The chick,

she desmaya, enter in a state very strange that is something similar to the epilepsy, is it's venting spuma, is it's convulsioning

in the piece, then they're they're doing contact with an ambulance and they have to get to get to that.

She doesn't there. But after that, there's there's a very very important that's

living. And is that have people that has a much time that not

are between us but there a detail a detail she thought she said she was

a couple of years he's a don the don't to have contact with the people

to have to have contact with the people that are the people who there was

there there was that doing a or so he was he said

he said no use that you don't you did you did something

something something This chick She never had ever About that Was it. It was a

something that was going to like a way sporadical when they did you did her

but also in an environment very religious are ideas not? Until has a

year a year what I'm what I'm to tell what was the

what's what the case of the Tatarawuel passed a second

term a one a legend. Cosses that will continue

on. Things that are going to say. Maybe, maybe, maybe if I'm

some sort of some type of epilepsy, lamentableable and for this, I've got to have

this case. So, you is that's the things. And you know, for various things that

has revised, that not is imagining, is there people who are there and she

didn't know in a new a notice a little, a hospitalized, is a very

grave, he had had been done a lot of and they've seen it, and now that they're not

nothing benigno, it was something was that was that was in a time. I think you know that I'm that I'm

and, and then what they said the doctors are, we don't we're not even the

month. No, we're we're going to do a month. The her brother

standing hospitalized and he a son, that for favor, call me a whole

the family who are the opportunity to get to be to do your people. When this she's

inters of that's directly by that, but no can enter to the hospital. There are

dark, there are things that are going around over there, that's that's

that's it's impossible to do a little to be a kind of of a

attack of panic or we're going to put to a number to this Ingrid, says, Ingrid, you're

selling ideas. For favor, for favor, please, tranquillize. And decide that the day next will be the day that's the day

that's the day that's the new thing. Necessed to enter in his five senses. And he said to his coonado

that, for favor, he did an opportunity to do a house. Not trai a

time. These stories Delene and Samuel, you have been very in the past. Very,

very in the past. And here there's certain impendiments of Ingrid not have been so fared. So, the

Cuneado, knowing his situation, he said, that, for favor, he's there in the night,

that is very probably that the mom of Ingrid and Susanna, her mother, will also that night.

He's still not know because he's going with family that are in the city to be able to

get to the child. And, well, that night, In the house of his cousin,

is done in the room with her mom when she says that someone comes to talk to be able to the cell. And it's very

rare because she is a 100% sure that is the voice of her so she up the door in the room. Escuched her

mom that he's sure that mom was sitting in the camera but here he he was just there in the

bathroom, and in the bathroom and the main principal that is very far and then

he says she's her mom but attention, just he heard yeah at the

long as the and he that's a little bit of a little that originally was a

little a little a person, now is in the center of that

the room, and just the center is a dark

a long with a longed and when Ingrid see

this sombra and he and he he he in the area that

the area that should be how it's a lot of some of the black, and it's the ultimate that

when he's the when hecobra the conscience she's she's a in that his mom and the

husband of her mother are at her side and they just are saying what good

that's well, but not a little but he got something in the they're

they're very, but tristes, it's like if something has puted

the soul, the spirit, the and it's when Ingrid

says, what is the what you know, I'm not nothing, yeah, and the other

said, and the other, you know, we're a good, but it not it

is a time, one after they're a time, the

she got to get the next days is a very

and the situation very she she And it's when she was to

enter what what was that night. Dice the mom of Ingrid that she saw her

she was to talk she put to be in the camera and he started and she said,

Ingrid Dija you're well, what you did you see she put up

he, he came to the cella he went to the center of the

cell because the center of the cell in a place in a place

in a place he, he looked to the passio, and he started to

a voice that a rarer, like if had a little bit more a voice that would be that was in

the house, and it would be that the house and it every time that he said

something, the videos crugian a little, he only crugia a little, the voice

was of the hermana. Exactly the voice of the her man, but the things

were things that were and he he was to her mom, in what moment

he was to do you to do to go to go to he said, he was going to he was the woman,

that she was in the little she was he was going to see the sun of this day. Then he

started to talk to his wife to her and the husband, he was out of the

house is stoddissive, like if you would be, and when it's the only that's his cuneada with the

hands abirtes, he starts to read, and he recognizes the risa. It's the reason of his wife,

but it's a terrible, it's a little, it's not a bad, a form in that

his wife has been the voice is the same, and then he starts to be

to be a way and he said, you've been to me when could you,

I'm, I'm, I'm never you me, and it's I'm he's

the last he's the voice of his his one, he's when they

When they ended in that situation, they'd mark to the hospital, no less davenia, and it's then when when they're the poor man, goopped the piece, commences ataches

epileptic, and they're in to attender it, and receive the call of the hospital. That's then, when Ingrid understood,

the words that they said in the church, what they did not is a don, no, you use us. If you're

all the mucs, you're going to teller with this story. Melisa me She made a story that he left those

peels of this this was a little when he was a lot of many of us happened things in the

pasto get in a moment that the years that you're doing making that the memory to be

making new and things past and apart medias traumatic look better

we're better we endteram in the oliv. Meli me she didn't because she was very

little had a certain attraction for things paranormal. The theme of duendous was her thematic. No, I know why? If you were why you like that much that time of duendos?

Because you like the stories of phantasmas and terror? No see, no see, but me attract. I mean, me, me they used. And also, conforme it was growing, she gave a point that you know what I had some data related to the duendos, she said, that's that is true. No, that is a

a minute, as if had captured so much information with the past of the time,

that she would have even in the real real he's, but I didn't know because it

he, not I had the idea. And they were going the years,

and we got to when Meli has a year, and it's a age,

to get to hear to be to be to be a little so much so

thank you, thank you, but when, When you, when you put much attention

in a phrase that's I've said in various occasions. If you you're you're

to ask you your mom to your father, to your brothers, or a person

with that has lived a time a time a extraordinary, extraordinary,

or that you can't explain, you're you're going to that you're that

there's that you didn't you know you didn't this is the case

of her. She, 27. years after that he a matter of the terror, that he used the thing of the

dweens, that never has been to why. Bye and he's and he's and a papa.

And his mom and he says, there's a story that has to have to be with you.

But I know me that's your tia because you're going in his house.

And me he said, with my she, she's only only has a child to the

mother, then you know perfectly to who's really to say,

but to me my my tia to her house, there me and I don't that's the place that way.

But you know, you know, but you know you're if you're a story of terror that maybe if you go and ask her your tithe.

Well, Meli, go and he mark a tia, they're going to charsie a coffee-cuit, and the tia, he says,

how you you know, you know, you'd be here in this house? And he says, if this

house never me has never, no, no. No, because you you know because you don't you

don't, is verrat. To you this house you was a after you know, I'm to tell me

to get to the thing. The tia he's to say that she's she said

when Meli had a pen about about five five years her she was

but embeleas with her son's the tia the day of today is but no she's

never never put to have never a new she for that when they

turned to Meli she transformed in her consented at the instant.

There no there was no no any type of

a no there was a question and the she

and the she was and the she was that the

princess they got the she she every every

every every had I bought moore but not she

was she originally was that she was she could

have to before they He started to to fill her to the mulecas. You could say something really is that what she wanted

is that when Meli was to go to get to do with her house, was a dream it was a very beautiful. And then

it occurred that after after a year- that she commenced to make that she had a collection very considerable

of a 15 or 20 mokees. Those 15 or 20 mokees that were different types colors, vestiment, styles, one day

Meli, he'll discover and he gets fascinated. And he'll have the house of his tia, no, when's going to get to me, Deli? No, when you're going to get to make melly? The question, because Meli wants to start all the day. And it's

what the tia is a cuckold, but so with a great, because for her, it was like to have her a little. The mom of Meli, was a professional that was dedicated, also, to the medicine, and then for situations, no-seye-of-

of work or of studios, she was like so, tan, feel like her mother had done that's a detail to her because he

had been to have time. So she did more to the area professional and we said it did a adoption

during a time. She expected that the time was minimum six months, not because

not because the situation professional was actually was actually and it was a form to

do you're a thing. And Meli, Meli, Meli, she was always had been a new that had all his

mouye and it was the house of the of the mouye and the house of the mouye and the case of the mouyeas

to come. After that they started things very rare. Not so were six months.

They were two. And at the second month, Meli, odia the house of her house of

her and never to ever to ever to ever to get a but it. But it was

that much, so, and even he could say that he had a lot that's the story that

the story that the time. In this house of the mely had been there

a couple of her own about her mother and her things in things to make sure the

thing that the time she was a idea of she was conscious that was a

time she was a she was enchantada fascinated and she she she

she sent that her mother she was she was at first being

that that area that she not she had had been perfect all

was until that of really he started he's a little to do you know

for a little bit not she was not he said I'm not he said I'm here simply

I'm sure the after after after the room and she putia to talk

the first times that this okay she has a she has a she has a lot

and that's talking with the you you're you're you're you're here

you're a lot of me not And she's the little doing those voices so she's she's

so she's so she this little bit more talent for the voices, because she's a voice that's so

that's different to the she's a voice that's a voice that's a boy or is a little bit

but is very pilluda and very aguda and when Meli about a manna

and other manja but is very much in her role change the voice

is rapidissimo and the and the little she little the a little. A-be, Celestina, why not you like that? Yeah, Melissa,

let's say that. And you, Rosita, because of that? Is that you are the favorite of Celestine and you're better than she than she's better than she. And she's a voice-cisset. But then there's a voice bien-pillud, aggressive. That's going to say that she'll just say that she'll just be to give her to her. You know the attention

to the Tia. Also, it's a little that's a little bit of and has to give her space. So, it's that no, open the door. Grave error.

Because the days are advancing. And in those days that he's going that she's not

that's not a time with her. She, she's decided that no

there's a lot of problem, he says, if you need something

and let me talk about a time. A time. Apeach

to do make things of a little The point is that Meli, little to start experiences

strange. What I'm going to say are the things that you go to be the new. Tia,

no me doesn't know the little my room, me quits the mucke. The tia is part of

the game because there one newke more than the other that had a seat

proper and there was where they were where they were a maceable but

a much a much a lot, but not a a moneca that has the time of a little more

smaller than than the other that can't get those people in the then she said she said she I said she

she said the the little bit of my house and then she's a little bit more and he said and ask her that if you

want to be your friend, is that I'm a friend she be that's mal and he says Meli you have to

be a good name so she's she's that she'll be and she she plays with her she wants is be

a friend but not know how to say they're going passing the days and Melis

is more calm and he he said he's a reason the girl she wants

she wants she she's that she she she and a part of

that she is a miss that she see that she makes the door and come in

a conversation longis where Melisa is saying of her. To me no

I don't like the chocolate. I'm much the little little the

colds. I'm my little bit put the little all the thing to

and then we don't get and it's and it says like things things very

things I'm like the blue no I'm that

black in the piece and this blusita I'm much, and it's commenced

about and say about things of them, as if someone more ever ever ever

to hear, until that the there's a voice that's And when she says, the tia is a little rarer to, to see what was that, intends to open the door, and no

can't. He's a Melly, and Mellie, he says, is that no, he says, that we have to talk about it,

and listen in the voice-a- voice-a- to be able to tell you, but no longer, I think, the time,

there's a person here, but when Melisa can't get a the door, the roomieca and he's all right, and he's,

and he's, and he's, and the one that you said, no, she said that no, no, she says, no, no, she says, but why of the muneas is, no, no oneeke's, Tia?

It's the little man who live here, but is my amy-a-huh, but she's putting me a rarer. The Tia commences to have much fear, before she,

because you have many occasions in the night when she's that she's to hear her to hear her and she

and she and she does get to because it's that's, but she does know that that's a

room has the door so the so the little bit of she was a little bit of

she said, so the little bit of the night and she's the room and when I'm in the room

Melissa is totally dormita and when she when I'm the morning and I'm I'm to get to

you know there's there's there's a other person that's the question to talk to

she's about this things raras not he's not he's wanted to incomood some

that that is a voice of the little bit of the time he says, yeah me has passed, that when I go to the door and I'm going to talk to the

and I'm saying and I'm saying and I'm saying the way I'm going to say the old you know, but if you

do you know that you know that's you're going to see what we have to be we're doing. The problem

is that in the occasions that I've been in the bad you know, she not much let me

the tia of Melissa not much when he's because this subjecto can't so that it's not perfectly in what

the house is and what is what is what is doing the problem is that she has been with Melisa when he's he's a

when he's to ask her other moments and no, result it has been other moments that she has been the

little little in the he's been in the boy, he's heard to be to the door and he's melissa

so. So, this gets a point in that the Tia, in the Pellos of

Puntas, is the middle partanoica the tio he says that too the time to is acting

extrana. And Melisa simply one day, he says that yeah, that you don't want to

be there. He's going to go to go to the house, because the house he

had a little, that that that was a little that was all the hair,

the car oscura, obscure, oscura, ascura, ascura, ascura, like if you

he'd he'd like much her carita, and a day he went a mask and it

was a She was a little different, but she was quite a lot. And then he said, to see, I guess my voice, and he started to talk like her. And from her, and then Melissa said,

I don't want to be here. That little bit more than M. Naomi and Javier have an experience that'serraiser that no longer idea of what was what happened,

but never want to live to live something. The worst of the case is that they know why they've been at a point to do a celebration.

This celebration was a kind of any type of anniversary that they were a no-s- or a situation

of this type and they were in that they were a gift a-s-as-as-as-as- rented a kinted-a-kintas-o

they were allos totally, to be all the end-of- every time for them and pass-ne

incredible. The cost of the kintra not not-barato but they had arra'd not over

just to that it and it had a little thing. And is they're

they're to pass the night of the night of the night of the

Saturday for the day, and the day they had been said to the

that they they'd get to get to get to at the five or six of

the time. But he was very clear. Okay. I'd do you

do permiss until the five, six of the time, but if

you you're to get a to be advised and you have to pay an extra and if you not you go. And they said, oh, yeah, I'm going to pay two days and I'm a little bit more.

No, no, no, no. Entientem me. If you're going to get more than five or six of the afternoon, you need to pay an extra. It's importantissimo that you pay you an extra.

And they just simply understood like a negotiation very rara. And he said, yeah, yeah, no, don't you're more,

me go to four and five for that me deches in peace. Javier was the that was the whole of the negotiation.

And while he said that the guy, to the guy, I'm going to get there to be practically

until you're going to get there, I'm going to get to get to get to get to and you

get to get and I go to and I'm you're going to let's get to get to some of the

time, or yeah you're going to be going to but you but at the end

I'm here my chicharrons tryan, here the decisions that are are the ones that are

are the ones that are the same nevered of this situation she was going to pass a end of a week spectacular and list a yearnest surprise and detail

romantic and beautiful after detail romantic and both a pair of enamorados of torturitos that had been made a lot

of detail it from Javier prepare a scene that he was exquisita that was that was a alter

cosina and Naomi having have you've been some little little details, some

vocadillos, that Javier had had a few years, without she had had been

nobios in a good time. Cositas detallito, of those things that only are

for the romantic and maraudes, that they did a video of the good,

they're going to a night, and you know, and they're to come to come

to come a couple that were things that in the past were difficult,

and so that you you remember, even to beckoning something. Noche

of the night of Saturday, everything, the end of the time of the whole thing,

everything, it was exactly like it was the day they're not so they're

the question. No, me, saying to Javier, imagineate, imagineate that we

could we live here, that this were to our house. And then then Javier he sold to

a carcajada and he says, no, so, so we we're we're going

to be living here. This tremendously grand the place. It's imagined the maintenance.

And there's arreid, and say, oh, yeah, the romantic and that's you're all. No,

let's be thinking of the things. you're not. It's not. It's not. It's not. It's, And she said, Oh, yeah, no, Javier, no, not says so is so. To get us were we're going to be able to

no, no, you'll forget that this, that's the until the do you know, we're going to, you're not

so, you're so, no, but is that I think to do this regal again in very little time,

we'll enjoy, and I have the time that maybe maybe he gets a night and we're so she yeah,

and then you just the little the lot, it's, it's, and I'm, I,

the idea, and he said, well, but let me do something. And he's put to to get to the other

but like if it's a bollied, like a woman that's doing, what you're doing?

I'm doing it. I'm just doing the thing. But all the other more that is the car.

Because if he gets the it's a man who that we're here, that we're that we're

not our anchas like if not we not even we're not we're just he said,

oh, you're set more calculator than you? And says if the then we're going to do

do it. We're going to make them but complete. And you are doing the two. Recogent the

place complete. No, it's not those things indispensable. They're not those things

are the time. And it's the time. It's supposed to go. They're just two-tits

as a part of the house because this place like you a quinted more or that you

a little, a lberka a little a zone a zone an entry in the place can

have to be to be in the two vehicles formed one on the other in a place a place

very, and at a center, a complex abitational of a one single piece,

but of eight abatations with a room, that's a lot of that's

a lot for more or more 20 people, then you can't imagine.

They're they're in this part of the house with the door when

they're when they they're they're they're they're elados at instant. No see if you have

passed. That you do you do you do you do you're used to do you do the things

in a certain way, that when something that's a point out of completely, it's not

and apesta. This is the case. Why are the door? There's a porton and behind

of that porton there's a barter perimetral they're they're they're they're

they're they're still. They're that toke a timbre from the not that they're not that

the door there. He's got the ado elado, Javier. What carhawes is that?

He's that's going to the door, he's at the door where there a window,

move the curtain, intents to somarse, no be there, because he can't be

a little a piece of the door and they want to talk. He's

much fear. He said to know to say to my cell,

mark to this subject to markle this type, and then tell that if he is here in the house, he mark the sir this, no he contest, he will be mark and he doesn't, he'll make a message, if they're in the house,

you're not out, they're in danger. All the night, commences occur to things very strange, because at the part of there, no sign of cellar, it's like if they've put some type of blockadeer of antenna. Afora of the house,

they're going to hear passes, but not of one person of two persons or three, of a multitude. Imagineate the the pathos of a hundred of people who

are almost marching and that are coming from the zone where they're the vehicles,

passing the side of the alberka and then roundando your house. When

they get to get to that they're seeing that they're seeing that what you

see, are the only that they're many, like if they're in a

place in a kind of some kind of a They didn't know. Comience,

they're to see, of a repelings of the video, that someone turned to

an hogger out of this place, and they start to hear a woman that's

grittant. In some moment Naomi, he says, we're going to get us,

we're going to get us, and Javier he says, the portons are closed

where they're in the boardahina of things, people courting, and,

other people grittal the windows the room in moments start as a lot like if a lot

of persons desks were going to the door and it's a crujure like if it would be

to cede and to the hands of more of the people, they're going to

the cellar the the cellars no have no the the

the the night the light is the light was in absolute

obscurid Javier and Naomi, since a rato, the two, every time that they've been an opportunity soyosan,

because they're that will be the last night of their lives. Sienten that in any time

will enter, this group of persons will get to get to get, something,

until the light of the sun, enter for a ventana, and they

they're all right, all all in absolute silence. Moererer in fear

for to somers. No, they were rostros, no viret, it was like like they were like the

back, it was a not of the sense. But now when they so on, all is

in perfect calm. Nothing was moved out of the place. Nothing

was in a place that they had had had the

day before before before the cell. The cellar

you have another again, and then they're in

a message of this type they they they

said they they they They didn't know what they didn't know what They didn't know what occurred. But something They're clear. Those that were there.

No, are people. What do you think that are those things that They're appeared to Javier and Naomi? And with this story, Dear Family Nocturna, we've got to the Scoura Fogata of Stories. And now, that we've got to the final me interest to know two things.

The first, Soverevivist of one? If is so, do me to know in the comments to give you the welcome to the family. Only that before you

just to subscribe to and give the campanita for that you're part of the family

nocturna. And the second thing is about the stories of today of the

what was the most you and for what? And once said this

we we'll we're next next you know, I'm I'm going to do you

want to you're I'm you're