HABLEMOS DE LO QUE NO EXISTE - Historias de El Arbol de las BRUJAS | Hospitales embrujados y Seres Condenados

Episode Date: January 30, 2025

Bienvenido a esta fogata, hoy te invito a que te prepares, ya que estás a punto de escuchar relatos macabros y perturbadores, que probablemente te roben la tranquilidad, iremos desde reuniones familiares en las que ocurren eventos aterradoramente inexplicables, hasta el descubrimiento de oscuros pasados de familias enteras, preparate por que las almas de los condenados rondan este episodios, pero también ten presente que estás protegido. Por cierto si has vivido algo paranormal envíame tu historia al wts de las pesadillas y si este episodio te gustó, síguenos y danos 5 estrellitas, contigo siendo parte de la familia nocturna lograremos la meta de este año.0

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Book your seat at westjet.com or call your travel agent. WestJet, where your story takes off. Welcome to Familiar Nocturna to this oscura foggata of histories. The day of today, you'll talk about of hospitals macabros, of entities ancestral and of

knowledge of cult, histories that made them people who are very far as the family nocturner. Legendas,

that have passed generation in generation between the members of the family nocturna,

and some anecdotas that are that are so macabras that no I think that you

never any to want to you want to let me let's let's the

welcome if it's the first first time that you're in these foggats of stories. And I

tell you we're not a single rule for you're to formes part of this

great of the family nocturna the family most and chida of the internet

and that is very simple. So, it's a foggata of stories.

If you know let me know to make me And one said this, you desire

good and welcome. Comeence us with this oscura fogata of stories. If you

do you do you know the time of the possessions, I'm I'm I'm

I'm this last I'm talking with a good friend she was she probably

you know you probably you know the first she's she's she was a

very obscure a few days. There's a family there. It's a person

very very certain to her. I'm meted in many questions related with

santaeria, palomayombe, grugheria a thing that he was a much.

For what exactly or why I don't know. But that person

invited to Elie to that could just just to pass there

a a fine-de-semana with her, but it's also that there was a manned an invited inesperada. A Bruchita, that has been the complice in getting her own these caminous,

ritualists, caminos of course, caminous and sinister. You know, because occurred on things very obscure. What I'm going to in relation to what

Elie and you tell in some moment, will be some phantasmas more, some phantasmas but

I think this story is a part of the you know that he has seen

this invitation and has decided that he is going but he going to get to

talk he will invite to a person very very a person

that has a past that has that has that has that

has never a reason to a reason of that the

things are going to complicate. Eli comes to this reunion and in this reunion,

it's a surprise that's this Bruchita. What good that was

accompanied Elie, that being, being there, there, there's other person

also invited to the place, and since they've there's there's

there there's that they started with some rituals, some

of the aperture of the and things of that type. Ellie, no sabe, no but there's an ambient rare in the place. It's a place that she knows. And the ambient is strange. It's an ambient. It's a A place that you know you know but that has a sensation

extrana like if were a other place. Jaley is just about kind of when he's

another other thing different. The person that was a person that was

being being that's a little he'd he's been a little kind of

in simismado and when he'll to look he does to find that there's

something in your mind. A mirab that she know she knows

perfectly well, but now is different. It's like if were another

person. He's he'd see, he he's you know, and he

only parpadea and with a look and he says, she,

why? And she she starts to know that's very very very rare

that is being a way absolutely atyipica Two minutes

before they were in the way, they were talking about and they're attacked at the risa,

commentinging, tonteries, anecdotas, things that are trivial, but in a very good environment,

and since when they've this house, this is she's supposed that she has been that's

that's changing. In that, has a very rare, something that's a person

very proper. It's a person who is disinivida, but also when when he gets to

places disconocidos knows, I'll guard a certain regard to and he

he's going to one of the other of the other person who is a

person who's a person, and he said, come to come back, we're

to come to the thing, but the movement, the form of the

way, it's something that's that's strange. He not so

he's not part, what he want to go to to

do to not is something that not even consume. It's a very

extrano. She's a little impacted by the situation. He's directly with the person

that he invited to the place. He's he has had been opportunity to

say, and he has been to talk to this person that they're there

to be a little and he he says that she he says he's

he he says he's he really very been. There been

many anecdotes in toronto of that person that make you have you have a

little the minute after 20 minutes after they're

they're on the time the person the person and that person

that was in the person that the company to get

to bevers of that he not he not he he's

he he he he he he he and

he and he he he who he protect. And the

the witch he pela the eyes. Or so, it's able more than what normal. He's surprised. And he says,

if I'm protected. And he says, yes, I see that's protected but who he's and then

this person is a person and then. And when the bruchita he, he says, I'm

protect to someone that me really and is very very and is the that's the

is the way to be in and then then he's trying to get to be sitting at the piece.

He says, is very very alt, is very is very. He's because it because it's

because you know you're because it's a conversation a question a question

a question a question. The Bruja begins to say he because he

has much, because he has to pay. And then then he says

but she not you not you're not you encadenade. And so the person to the person to this place. And then the Bruchy

says, yes, maybe he'll be some of those. He says, no, no, they be some, they've many. This person seems that has something that's a little. Something that's something of the people that are there, because no's detain. Gila another invite. And then,

he says, she also, who knows things, and know perfectly of what I'm doing.

And then Elie no does it is a agitated, is a really, the person

that's the person who he was totally different, the kind of is a

little bit and it's that you can't be you know, you're going to you're

to know, and he don't know like if this were a question, so,

if I'm so I'm so I He said, He says, "'You'll "'You know "'to get

"'to be "'s. "'So "'and where "'and he "'pone the "'one the "'one the

"'and he "'to start, "'and he "'and starts, "'It's much "'dolour. "'It's much "'dolor!

"'And then "'He says, "'You can't "'to see, "'and he "'no put to "'he can't "'he'

"'he can't "'heepepiece "'One and "'and then "'The "'Pecate of "'The Pekado of "'the one "'is the

"'the "'the "'the "'the "'the of the father is the children, the the people of the

people, and signaled to the person that I'm you know, you know you know, you know

you're not some of the but you don't know another, and then I'm you, you do you,

you know, you see you know, then you then they're they're doing to do a time to

other, regress to the normality. The environment, for a moment to be this

infirro. Because it was impossible to breathe to be in it was like the

thing had been absolutely obscure, like this person, what was that was

had a presence that was that a great, that that

could that could be that you, it was something, it was that you're

that you were to you're not the part of the apartment in the situation

depression, it was attack. It was to feel like if something like if you'd like if to be able to

be able to be able to do you. Apart, neither to think was a simple, not for the

lack of oxygen, not for the sensation of a pressure absolute. No,

it was because there was a little possibility that someone was that someone was doing

that the thing of the thing to that thing that was that was what the people

did you knew, he was what they were thinking, said what they were seeing,

and then this woman just says, who is you, and she starts

to say, he said, you and we know, we know we know we're we've

seen, we've seen in Atipa, in a tipa, and there again, she'll

be able to to surprise, it's a little and the normality

regress. That thing is there. Who was? What was a tipa? She was she was

but no it revealed. This chico now is a little

strange. It's a he's got he doesn't he has no

he's the last of the last the time in the time it

is like she had been done and he

He just got to start. Salient from that there's a conversation very strange. And he

comes to to reveal some to this chick, to Elie. As years,

I practiced many things, and I had the faculty of that entered in my

spiritus. But they were in me things that were good, me

did do you did do to the people that were around

me and And since then, I've blocked to do that world. Never never

ever ever to practice nothing. Me I've been to all these things.

That's before 10 years, and never had passed nothing. Today,

when I did the house, something went to me, and I could

do you do you. And now you've this story, I'm the question,

what is what is what is what I occurring with this chico? Is a medium or is

a port abjured for possessions? Welcome to via Rai. Embarked and profite. Embarked and

celebrate. Rigolet. Publiy. Savourer. Admire. And profite. Via Rai,

the voice that we have. There is a hospital in the there is a creature or a

person that seems that is a point to This person, for a moment, cre that all is imagination,

until that they're going to to pass there things very strange. This is the story of the governante Oskuro. And here, we're going to

tell her. And as the story, what was that entity? Also, what was that that was a

guardian? No, we know, to know, a science is certain. The entities spirituals,

a lot or many times, or many times, more well, they're in forms to give a little kind of a

kind of to get a little bit of your mind in your way. This story that I'm going to

have to have to one of these entities, but that it has been that it has been a

and family nocturna has been a few years took a success

very tragic, Dada a circumstance that passed under the words of

negligence medical, but let's go in an accident. Termin it in a

situation very delicate in an hospital. It's debatient between the life and

the death, so I'm good, and it's there where

there where occurs something very very strange and very

sinister. The people are to put him a cateter where

is part of the sedante and part of the treatment of the medication that you have to know,

I'll know what is the things that they put in the moment. When it they're

only in your room, that be that something that's that's a point,

something that the thing that's a over the one a sombre an

sombre an a sombra that that's that is a agachated

because part of the spalda, peg in the techo. Brazos long, piernas

large, a torso enormous, very very delgado. And he is a being,

is this person. Then, alarge his brasos and he starts

to orcars. Sient something because his hands not are not

they're in the thing, they're asphyxian never had seen

that person that is active. instinct of supervincea, a fear, a fear that maybe

comes from from the world, because it's like this is his family, he puts to be a and he

starts to get to the room, she arrank the things of the and it and it

and it's practically in the passio, a emergency in the hospital. How

caro he could do you do you get to the time? The

people, the person is very a little, and they're saying that someone he's going to

and the medicals and the end of we're doing, those sediments that they're doing. But this is a little

strange. During the the next two days, all is nebulos. The person open and have the

eyes, they're little records that don't know. That sombra when open the eyes are the

eyes in different places of the other places, they're to open to be able to sometimes

more close, sometimes more less, for the third or fourth day, they pass

to the way to do the time. And this subject in the mind of the

time is where he starts to make to do you know, that's that they're

in in the in the time occurs, it's something that he

does make a very strange. No could talk, his

garganta is really lastimated. Express to it question

much so, then then he He's trying to do a little of movements with the and with the expressions facial to get to understand.

When he opens, if he gets a surprise. A side of his camera, is her mom. His mom is he whileing for him. The mom has a car of a cancancey, tremendous, of a preoccupation incredible,

but when he'll be to open the eyes, it's like if he'd have been cuted a mountain of preoccupations on over. It's like if other of us would have been back to live

but she is a time. And she while he's he's talking

and he he's he he's he he he seems

he he seems under the of the medical so what

he says his mom because he is being

different points of the room not not not

not not not he just he good that

you good that You've got started. We're going to be very very quick you're going to

get to very quickly. That's in the room. But he's going to on the

other. Because he's not he's but in the room, there are 10 familyaries that

he knows. But that were there and are there all, and they're being. No,

it's something that he he quiss much in life. from her father and his abel

his aunt his tio and his tia that were in an accident and he has been

many years the person to the person to his when he was a

little his his his a friend a he

had two he died he died he all

those familyaries ten familyars not they are still are you're not being the head of

right up and it's then when it's when he's been that the rosto the redone and his mom

no knows what does it says he's saying my my jit you dole something you can

express nothing and just is these people are there have

a little a little a loo of a little a little line

of black but bright he he can be

that can be be you can be being loco or that maybe they're they're visiting and

that's a fear and he's a fear but but as you a idea because you know

I'm going to visit me they're going to get and then his primit his best his best

he gets in a parpadeo no he move so it's only is just over

more and she sent a calide tremendous that comes from his right.

There's where is your prime. And it's like if that calide to be able to not some

words. It's something that gets direct to the understanding. We're to do you.

You don't you don't you don't be you, you're to get an intrusive

something, something that got to the case and he kept clearissimo. He is

impacted, not can control the yant, are people that he's much.

Apart, he's I'm alive. He's alive. And he's feelinging. Voltae with his mom. For a moment, he'll take in account. And his mom, when he's got so, he said, I'm going to be here, you know, anything that needs to, for favor, ask me signals, you, you know, I'm

here for you. And he is so exhaustive this, that of a moment or other, he'll get to be able to get to be. When he his eyes, his mom, still standing there in this abitation of hospital. But now, she has a tendido

at the side of the camera a little bit more in a room, and is a tired in the piece in a

tendido and it's then when he the right, the familyaries are there, all postados,

all of the way, all of just before to get to get us there's there.

And there a situation. The lights are parpadear. No you're not you

because when they're to parpadear, see two persons of intendance that they're going to say we're going to see,

and he's and he's not a imagination of him. The family is, the light yeah no.

The intendants are crossing by there and then see that behind them came a a sombra.

A sombre an sombre high. And, another this primit that person that's

person that he loved He he a cold he's a when he he's

he's a he's a he's a other way he says, he gets he doesn't he says,

no move the book it's like if it was a thought a transmission direct

that that does a certainty absolute no you don't

you don't to come to come you you you're

you going to we're we don't he's he's he's

he's he then, he to her abuela, and her his abuela and her

mother, and she's a woman, she's been with a rostro like, full of

emotion, for a moment, you know, that's a rostro with the little bit the

and then the woman, and he, and be, how that sombra is a little

of the room, not able to get in the room. The focus

are parpade and it in all the area, because the light, it's the door,

and it He'll go back and back and he'll go to get without a little

and when when he's there's all the family except the abuel. 10 days

was in the hospital 10 days that passed of the time

to give the time the days in those one to one

he began to be how the phantasas of those

families were disappearing from one in one how every that the

sombra wanted to enter in the room one more moved the head and the

words they were to get to get to you you're going to be

you we're you're the last day the sombra

came at a velocity tremendous he was he was very

good but the doctors not they were to

do his primit, was the he said, "'Manyana you're going. You're going. "'You're going to "'you're going to

"'you'll be "'you're going to "'ifference. "'The prima in a "'pardee "'no is a "'the sombrae "'a'

"'theirirircimal "'and then the "'primps "'inces to "'lapaping. "'And he, "'for a moment, "'sient,

"'that the "'Carrasel "'to say, "'theirir "'it's "'What's "'theiririr "'s' "'Theiririr "'s' that is you know

that's that's they're not going to the whole of the hospital, a struend

and he has a great for this moment, he can be able to but it's

that he's not even expressed nothing. When he goes, the room, the

room is a back and the day the day he was

he was he said, never never had seen so much connection with my family as it was with that moment in the hospital

and from there, I began to give me a point, the important that is the relation that we have with the lives, but also with our mortals. And now I'm going, who is the person that you're waiting to you

in the other side? Connoces the legend of the loco, Lucas, the entities invisible and the realities occultas? No? You have to

hear you. In the family of Pedro, there's a story that's has been going of

generation in generation. One history that not only is captivator

is absolutely aterrador and there a thing. It's that you are

that's that is real. I don't exactly to what family of

Pedro or he pertennes this situation because not know

if the abuel was the first in to tell or

this was the father or the the the abuel of Pedro.

So, no know how many generations are involved but there is the story. A family

of Peter has much time when the cities not are not near as far the day

of today, and they were more more than people, this family of Peter he started

a much inquietude about the burghry. He wanted the arts magicas. He thought

that there had powers that could to make him more more powerful and that he would

be able to get certain things in the life. But I'm talking that he, this family

not was an adult. It was a little a little a person of a person of a

person of three years. And his abuel that I say, no see

what generation we're talking, the abel the mother,

he said, he rotundament not so it could be to be magic. What magic, what type of magic, no

I don't know the minor idea, but listen to what I'm going to say, because it's tremendous. The abuela said to say, that

his family is maldita, that they're prohibited to to get to the magic, because are susceptible to

be destroyed for her. And then, this little, he said, because he said that,

where does that where he's inventor the history. She said, no is a invento.

You have heard of the loco Lucas. And then he says, well,

is the loco of here, is the loco of the people. If you know,

he's my brother. He's like, the loco Lucas is my

brother. The loco Lucas was a broho. And he he

In the people of his around they were a sort of different. Dicen many,

that I know that Lucas could be about other than other than he.

And from he said the loco Lucas. He said a loco because he was

about with entities invisible. The problem is that the

things that were the things that were never had never had

had gotten to nobody. Lucas could read the heart of the persons.

Lucas could read what was in the mind of the people. Some said that

were a timidor, others said that were a ladron. I mean things

that have many to explain to this little, he's quite,

he's he knows, but you know, but you know, that's the thing is the

way, Lucas not had amistads, Lucas not went to be there,

and there, with one and with other, to Lucas he would have to visit him, and he he no

he had information of nothing, he was he said, he said, to be very money.

Until he said he that this not going to be a sufficient for his ambitions. And he

he started beings more poweros entities that were more more power,

more forces. Lucas he'd like a superhuman like a person

that had more more more powers that the other to the

other, to be not the thing. The problem is that it was that he was

he was he was because they're saying that one a day in the

house he was a sonar as a something to

a something or something and there a great a

great and night three days and when Lucas

came the house was And Lucas, we had had been He said,

he was talking to the person, he had to use any one a single and the people,

and the people they'd have been the roba for that he, he was in the

and as he's seen on the day of day of he, nobody can't

never see that he comes, never that he he's been that's there, like,

like, I'm talking, like, you're you, you're a loco, Lucas, now

that you know, don't think your curiosity you get to because Lucas he's a lot of

because he he's not he's his family and if you know it doesn't there.

Because you think you a adult and he has these fantasies or these

ideas of being a good a story will be sufficient for

that you don't, he had to prove that was he

he started to ask a loco, Lucas. No, he was just he was a little he was a

little bit of his and he was going to and he was thinking on where was the last

he was he was going to another to the other a little

a carhejone and then he was directly to him and he

he said he is the he is the he's the he's the he's he's the he's the

he's the other part says yes yes you know, you know that is your

nephew, is your nephew, Lucas. Lucas, trail it with us Lucas was the was the was the

was the voice was different. A few of a time of a other and when

you're directito to the Rostro of Lucas, his Rostro his rostro

in occasions all the facial was encanecee for completely and in

occasions percied profoundly the dark, the colors, because it were various, for the types of of the eyes, were different,

the mirabye that was full of fury, of noho, and that was he said to do you, you know, you know, you're a

look at this, it was a look at a look at a black. Nothing. No, no, there was,

there, more than a back, there, was a little, and that was a way, and moved to the

head, like saying, so, or as you, moving, the right, moving the right,

of the left, or the right. That mirrored was absolutely black. Like if the eyes were lookediated

back. But of a repent, the eyes were you see you like with a little

little touch and a and a little a coffeecet color mil,

colors that were that were not easy to get the the rhythm and to see

you know to be physically, and there was where the things were

where the crossable the looker, it was like if you transpasara, it was like if it

was a way to be a little and then it was a little, and he saw it

he was he was what you in your heart, in your memory, the

things that you've done, and the family of Peter no he resisted when

he crossed the his mind he was he he was that Lucas not

was he was he Lucas had much many things. Much things in

of him. Coses vivas. Cosses. Things that are there probably from the

humanity. Coses invisible. Coses that know all. All about you. Because they

can learn you. Like if you were a book abjerto. And in the moment in when he

was crossed the the the all in he was

all in the these things, no he was he went. Lucas he said,

Ben, no you're going to know you know you know that you and the

magic? And from that's then you to know to know is, it's

the generation in generation the legend of Locke Lucas in the family

of Peter. And now I I don't what what was what he

was what was what was Prohibido to hear this story if to you do you

do this and the and the things, because what what you happened, it's

something that's about the arbor, you've heard about the story, that's

that you occurred to you just to a member of the family nocturna.

Resulta that that she was there was a infancy, a country

a country recondito of Mexico just in the house in the she was

her mom, because mom and papa, they had separated, they'd have been a little. And in that arbor, there were

things weird things about, things of the sensation of the need. If you

had that was there was a night, there was there, like if they were

like if something, and that was a fear terrible. For other other

other other other side, they were a perritte. And that perrito, all those days, to 11.5. of the time, to 12 of the

madrugada, commenced to lader without parr. At last 12, he was going to the house, and regressable the house,

Mewartre of Mewart. This chick, let me the Roxana, when he saw to see these patterns

that were the sensation in the arbor, that perro that he lader, he kept with the

of what was going. So, Roxana decided that I was going to

investigate for your own the night. He went to the little

after the dog, he was a lot of a lot of those. Rostros. Some rostros

between the foyer of the arbor, he went to the house was a mother, he had been

Apeness a Pesadilla for Roxanna, a one of a post of a proper

life. At the day she she went to tell her to tell her to her mother,

her her mother he said, we need to go to be to be to be the

other and is the when they they're when they they're they're saying,

oh, I, I'm you yeah I've said that arbor, separa the brusas,

we have to corred las. And I said, oh, mom, you, with your superstitions, be what what you

did what your little bit more to do the house, prepare a part of things.

With a lasto long, it's a little to get it to get in a

type of tin a great or some recipient in the that has liquid is exactly

I don't know. But, we'll, we have been some type of water or

of menjurge that he did. He's to get this laso that he

has him smerge, he makes to make some some words,

he's and he is doing that doing that the third day

he when the per when the perro she's position to down

the the arm with that with little little

part So, chocasos is to this laso and goopiar the tronco of the arbor, he says in voice up high,

things that this chica, not she said, and it was very little when it was when it was when I said,

I just had my my oldla that was but I grittable like, but I'm

like, I'm like, and I was, I was, I was, I was,

I'm that I'm made that she was she made like, she said,

like, and and salt, salt, of gran or great. All the water

mixed and then I'm then I'm with this laso and then I'm a lot of and then I'm

to useer tantita of the water. I'd again again and I'm a lot of

the tina and I'm nother narrator I'm I'm the

voice of a woman from the old that said

yeah you pemel and melda and he he was I started to gritty,

and said, narrator, I was there a house, there was a light in the patio because we've put some

lanterns. No, there was there nobody, but the voice came to the arbor.

At the day next, more or a media morning, my abuela had

said, he said that no us going to get to and the day

a day morning, and the next a new this be in mal-estated of the

roste and it's a my mom always had been very a

real relationship. A person that my mother says that is very

envisions and he was I'm I'm I'm I'm I'm

my I'm and I say she she never you never

things personal so so there those things narrate

for the next two or three days this woman

came to the morning and the night the

perro, you know he had to get a at the night, it was at the time, and it

was the time when it was the terrible. A feast in the people, me invited

I want to go to go to but my father. I'm I'm going for my

account. And now I'm going to my count going to and I

know, and the other there's the side where there's they're

to observe me and they're to keep me I'm I'm going I'm still going to

I'm sure that I'm going to go to the when I'm when I'm a lot of

something something that's something from the I'm and I'm like so much

eyes like they're eyes like they're eyes like they're gats to

those the light and then they're they're like all the thing

something something me asusted much a narrator and, of a sudden I do that I'm going to know that I'm in a place that I know I'm in a place

desert, of my side there's a house that a lot of a place that never in the life I've

seen that had the the top in a form of a triangle there's a

door immense at front in the door see a cross marked

for so I know that's a church the doors

the like if were a sacerdote or these people who are the people who are like very

very cargated with his but it's like if it's like it's like it's some up

one or another. So there there there, there there's a light

and this person comes to come in the place, and conform he's

going to get on the little little the door because there

no there You're talking of someone of more two meters that when when it's that's all of

the door to be so it's a lot of terrible but terrible but I know

that my pieces are gone and then he's he put and me

put the hands on the head was the sensation more horrible that I

can't say what most askeros desagradable feo I

feel I'm invaded totally for someone and I'm

to get a narrator. He was in in the first of the place of the people, I'm at the whole

the people was there and they were all the all they're to be a badgered and I

went to the car and how time I'm I'm I don't

I don't I don't I don't I'm I've never to see. But when

I'm when I'm met to I'm not that my my pap's not

that I'm going to do not. And at the day the next when I'm I'm

feel like I'm sorry in the stomach, I'm in the body, and around

my my my mom discover that I know that I know,

I know I'm I don't tell I'm and then when

said you're they're they're they're they're they're something

you've seen a last you and me I remember the becina of the peyne. I'm

I'm going to do the church. Nothing more I'm going to the family. And then

they're at the house, they're and you know that not the narrator?

No, it's my peyne. In some moment he got someone in the

house, he and I think that for there me made the bruchery

my abuel said, poor- little who's got to not

he's not to make. And And I, Narcador, me guarded. Me guarded the Bible, and I never had been able to do. I mean, I'd say to

me went to the Fiesta of the People, and that what happened, no, it was no any sense. So, my abuela, me took with a person. This person, began to say, Reesos for me, and my my abuela said,

I want to you give a treat special, that's at the level. I'm going to that if he does that, know, that not so met with

us and narrator all the days my abuel me was going to

me I'm I'm putia a boca a little a bagacito

a a a pan. I'd all and it and

I was and I was always in the hand a little

I'm I'm that that was that that's that

it's the thing that the back after after

three I, one day I went and that day fellacy the family. I know exactly what

was what did my abuela, and how happened the things, I don't know the

story. What I do you say, I've said the of the church,

because after the family, my abel and began to have a

one and other other and said that all was that all

had been that that is the place that I'm the place in the where I'm the place in the place is a

thing I'm trying to that's the place, the church of the church of the this episode is brought to you

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Luisa foe on the cabanias and he was in the middle of his habitat, a place precious and beautiful, when he took to toparse with the condensates. And they, they don't create much. Just they're a money. And this story, Cremely, if you have a

dreamt, no you come in to hear of this bellada, contando to one of

the stories more macabras that I'm called. Luisa me made the

story that is the story more traumatic that I have lived and I

hope to be going to go to see a last

a one a cabas and she went she

she are in in the place a lot very very very

we're in the not the natural that's really especially if you

come you're from you're you look like they're in a

dream and it was a good was a little she she always

always had thought that she she she they're

living in the natural she would be she'd be

like she she'd be a No, could be more equivocated to Luisa, because in those cabrains began to occur

things strange from one. Each one of the cabs that are in that are quite separate. They want to

give to the people to be privacy. Around of the cabas there are there are borkes, and there are

little can't connect one a cabana with the other and also connect all with

a zone central. The cabana of them, at those sides, have two cabrains that are not-hirtas. Not are close, but you can't see. Tal-beau-century, or 150, of every

side. No, you know you're not even when gritty when grits, you're trying you, need to get a little more of form and you understand what you're saying. There no there's sonnids. The place,

it seems totally dishabitado. In the nights, a guardabosk just pass a cabana

and they say that, for favor, that one that one that they get in the

light in the area, more than the cabana and you not get to be preferences,

you know, they're not at that that's a super strange the

commentio, he has a thing, how that's not the door to

to nobody. I mean, why I have to get to my cabana? What do you do you do you see?

Is it a a chica of a child? Probably you have been like, what you

probably have animals salvages, coyotes, lobo, osos, et cetera. No, even

gats, montes, perros, et cetera, perros that not be, we're,

we're, so urbanos or so tan urbanized. The point is that not so

not it refer to that. Luisa when he asked, oh, what, what are you what are there there are there to be a lot of

the problem? He said, no, signorita, no, no, no, there's no there's no

any danger in the but I, but I don't want to be about, but I'm more just that

one way, just that one of the things, you're in the endro and you, and if

they're they're talking the port or they're not they don't they do you. We don't

call it. We don't use to come to get to talk the door. And he says, Louisa,

oh, yeah, that's strange. If you didn't you know, it's talking the door, and it was the

way we're the time. And it's the day. But one that I'm the nightceceer,

and one we're just we can't we can't be the phone. For favor,

no, they're in the door. And this man, like if had some

he'd maybe and it's Luisa is a tautor with the words in the word of

she's quite a lot of she's a minute she feel a real real realises the real he's not

the risa because he says, he's you're doing a brahma you know, you think

that the people are correct to the places to and you are going to give a

is to do you to get to a rome to come to come to come the

and you go to the and it's a problem that's all If you free, no

we're going to open to nobody. And he's to get a time,

and it's a lot of the light of the zone central. Luisa, Luis is

super incomodo not is very very not a time of the

legends , she she has she that she's in

danger and it's all. No know of what? And it

is very rare because there this to open the doors

or if is attract something. And it's that the entities that are of invisible

can be you can you that are that that something that you are

you external verbal, mental or emotionally that's that's that's

like it like a light in the dark because Louisa

conform more more advance to the night. More Miety. He's more

alert. He's stucs noises that even even is there. It's so so goodised. It's

so hard to that's that's the masticer of the people while they're being

being a conversation. He's at the border, the the collapse because

no he doesn't think of the he can't be in a fear, MED,

MED, MED, MED, MED, MED, MEO, atros, no

want to somers for the windows, Sient to he's see that's

that's not, it's going to go to get to get to something, no, no, something horrible. Start there

is an spando. So, is that he to do you to the old that's

not the cabin, they're on the two in a room, being just just right to the

door, it's a door of very beautiful, no see nothing

to not out and and being there of a moment

another, he's a something, something, something that she know

and something that makes enojar at the instant. A ronquido. The novio is absolutely dormido. And he was abasantly herashing her, just he left to get the and he commenced. One minute before they were

talking. And now, but like if were a a pietra. And Louisa he made a little codazzo and he just

just abode the other side and she she will be left she's a mollesta she's

enoched but because of that the fear now he not is the pendent

yeah not they're not the sense that someone is going to get to and

there there no of that there no of that there's

not of that he he's that person for that he's

he a light of the water when when at

the three the morning, they to talk three times the door in the cabana. He's kept helled. And he's

being there and the door. And they're a little. Luisa has a fear terrible.

He's going to move her the man, and say and get and we are talking.

And then the nobue just stira and he will be to do you. No,

he does it totally dormido. They're to talk to the door. Every

every the noviro, like, I'm a little, no-rength, and just it's a runka,

until it's a moment, after the two times that they're talking the door,

that she says, you know, I'm in peace, yeah, I know, that's a big,

he's a word, and I'm a voice of a woman major, is the that the

other side. And that, that is something that I'm going to never to be a nobody.

Start in middle of the nada, in temperatures in temperatures almost below zero,

where you know you know that's in a place that you're not at an

old you're an ancianita that says, a money for the money for

favor. It's something that you don't you need to nobody. Luisa

not could create what I was saying what? And the woman

said he said to a money for the condensates, for favor.

Luisa, no trai didn't try a money, no trai that's not a drama sounded very

strange. Nothing more he said, no I've got back, and the

woman he said, in the bolsa, in the box, there's money,

a monet for the money for favor. Luisa see the heart that's

latient that's that's very, very, very rare, because if you let me take so rapid the heart, you'd have to feel a lot, she'd like to be able to the

hands, that's telangue, that'selander the body complete, no see any anycikire to walk, it's like if stood there, in the middle of a dream, because yeah no, she doesn't even she's even her, she's just personalizing for the level of fear that she doesn't, and the

woman, he'll say, for favor, for favor, louisa, a money for those condenades. Luisa, down the back the back. He makes

to come to get the bolsa. Where the box is like if this

woman would have put a because there three money and she

not she had those moned she she not that that's

that then you then he says no two are two are two are

two are one one one one for favor. The problem is that the voice of the

woman, not sound out of the door, it's going to enter of the cabana. It's very short of the o'id of Louisa, and she only aprieta the puny, he says to his noviour, and her noviour still ronkando. The pairha that was a level in the entierro.

There, only are she in her, and that, that is, that now is to into the cabana and that he'd be, for favor, that he'd do one of the moned. Luisa,

he's a point to look at the abutteer when he's in the person, parading, a person a chaparita,

and then just he'll just turn, he's tally the man, and he gets to move her to that

and sheent like a mano-elada but fria like the fear, free like the death,

the time of the the two the one of the one and the

and the silence absolute. The room is much more hell

than when when I open the eyes there no there

and only he he he and he back

the box has two money of money and

all day of he a money for the condenades. And now I'll have you

those moned as what are you with them? And with this history, we've got to this obscure foggata of

stories. So, is that that's the family of Spotify, for favor,

dagon me, if it's the first that they're in this fogata of stories, overiviste?

If is so, let me in the comments because I want to the

welcome to this a dark family nocturna. And if you had formed part of the family nocturn, tell me also,

I've been a narrator, I'm part of the family? Or, if not you see, you know,

what was the story that had to pause to the fogata? And one once said this,

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wait, because we have a matter. This year we're going to get

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May we have a great surprise. One of this this I want to see a time. We'll be

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