HABLEMOS DE LO QUE NO EXISTE - Historias de Encuentros Demoniacos , Brujería Siniestra y Gatos Guardianes | EP 316

Episode Date: August 11, 2025

Bienvenido a ésta Oscura Fogata de Historias de Encuentros Demoniacos , Brujería Siniestra y Gatos Guardianes en  @HABLEMOSDELOQUENOEXISTE  El día de hoy les traemos historias extrañas y aterradoras que ustedes, querida Familia Nocturna, nos enviarion al wts de las pesadillas. ¿Conoces las Pruebas que hacen los Exorcistas para saber si hay una posesión demoniaca? Escucha la historia de Isis y la amenaza paranormal que la llevó a su divorcio. Descubre la Brujería Siniestra que habitaba en esa Casa Maldita, entérate de la historia paranormal que vivió Evelyn cuando trabajó en una línea de emergencias y tiembla de miedo con las energías Macabras del Hotel Embrujado que visitaron Irma y Robbie. Asi que prepárate porque llegó el momento de que  @HABLEMOSDELOQUENOEXISTE HABLEMOS DE LO QUE NO EXISTE es un canal de youtube con el formato podcast que comenzó en abril del 2022, su primer episodio fue "vivo en un casa embrujada" en el que una chica narró sus vivencias y sucesos paranormales a lo largo de 20 años en la casa de sus padres, desde ese episodio hablemos de lo que no existe ha marcado una tendencia en exponer casos paranormales de personas comunes que viven en diferentes partes del mundo. Ice Murdock es el conductor o host de éste canal, durante casi 100 episodios no apareció, nadie conoció su rostro y la comunidad de éste canal , la familia nocturna , creó teorías acerca de quién era el dueño de esa voz. Hablemos de lo que no existe se destaca por tener apertura ante las opiniones experiencias y vivencias de cada uno de los invitados. La comunidad de éste canal es conocida como la familia nocturna, de hecho por estar leyendo o escuchando ésto, tu ya eres miembro de la familia nocturna.. bienvenido. El duelo de historias es un concepto que se creó en el canal @Hablemosdeloquenoexiste, idea original del narrador, se estrenó en el episodio "Comité de la Muerte ,historias de Hospitales" el 1 de junio de 2023 y empezó a implementarse formalmente en el episodio "Abrí la puerta a un Demonio" el 11 de Enero de 2024 ; consiste en un duelo entre Narradores, una dinámica sencilla, donde cada uno cuenta una historia y busca superar a la anterior y al final la familia nocturna nos comparte en comentarios cual fue la historia más aterradora.El Narrador y todo el equipo de Hablemos de lo que no existe trabajamos para darles a ustedes querida Familia nocturna contenido original y de calidad, tardamos a veces semanas ideando formatos luego de tomar en cuenta las cosas que nos han pedido a lo largo de la temporada anterior y por eso el día 23 de Septiembre de 2024 comenzamos una nueva temporada que llamamos FOGATA DE HISTORIAS, en donde el narrador prepara una serie de historias escalofriantes una tras otra para retar al espectador a terminar el episodio por el nivel de miedo que genera. En este canal se relatan historias de terror paranormales, sobrenaturales y reales, prepárate para conocer el miedo de una forma en la que nunca lo habías experimentado.

Welcome to Family Nighturna to this Oscura Fogata of Histories. The day of today, we'll talk about of encounters diabolical, brutheria sinistra, and Gatos Guardianes. But, before to initiate, permit me, invoccurra that

us accompanied this in-vibu past in the first fogata, because it was Fameria Nocturna, and here we'd like to hear this foggata, us put down here in the comments, how did it, because it was good, so, so

so that's that so that's the night revising the comments that they're those are the last few years

pastos at the time but in the event we're going to I'm so much so we're

so much that you put on here the comments and you that's listening this foggata

respira relaxat in your seat if you want to you're to put down

the we're putting to start this oscura fogata of stories we're we're

I have to tell you the history of Isis and Tolomeo that is one of the stories more rudas that I'm made to make

but before before a little of the question you that you protect you because you're

about to hear a story that's a very very strange Isis me made

a story that I'm said a narrator you want to the initial

the situation more chaotic Triste and difficult I've been in my life. At the day of today

for me no has no idea what I'm not even I know know if it's good or

malo. But I'm to go to give to all the I'm simply I'm

to tell what I my life my life was totally normal I

had in this time three years of with Tolomeo we

we've we've in a department and we're passing

for a rachito a little difficult difficult difficult. I was a little absent, a little, like, insimismado,

a much infocated in his work, and the fact, I was sent me a little abandoned. In my work, had gotten a very good position, me had made a promotion six months back, and Ptolemeo that like he had pegged

Duro. De-repent, of the nada-narradour, I was going to the double of him. And even, when never had been a time in the question of the money between us, Now, it seems that it was a thing. I don't

understand why he affected to be a lot of I was going to be happy with me. The day

that I went to talk to talk about the thing, he was really quite when I said to tell

how you they're paying, and I said the amount and he said, well,

but that you have to be back to the impuests. And I do you

no, no, that is just just just so and it and it was

the little bit so it was it was you're you're doing.

Yes, yes, yes, felicitities. And I said, I think I'd like to celebrate and me then I said, I'll take many things of work. And from there narrate those things not even.

I don't understand what I was, I said that I said abandoned. With my first new new suldo, one of the

things that I did a gift of was to buy, like something for that he and you have a moment

special, planed all the night, and I was I said, and I'm

a week before that, for favor me separate that time, because I had been

a lot of a scene beautiful, I was to get a first of all the money,

and he had the project of a car. In my head, it was obviously,

I'm going to do you more of the costs, apart, I'm

to have to have details to you, and you're to get to be

your car, and you think it I'm thought, but when me

I'm enojated. Well, Isis, no, you know what I'm trying to bring a place that costos? I'm saying, I'm going to, I'm going to restregar in the car that you're going more than I. And narrator, it was a discussion Sinton, and Son.

Never looked to be, any of the leanseria that he'd never the leanser to get to the other than I wanted, and from there, the things simply went to bad in peor. No, I mean to say, that went to do you want to beets, because

not were pleatsyries, It was more than silence, absence, abandon, as I said, he's focused on his work, he's metied

in his things. And Tolo, whatever was always had been a caballero, now he was known.

But even in his arrahnkes more more fervest, never was a time of a

lot of he was he'd then he was quite asimimimed he could be mastic

these things and he'd a few, 15, 20 minutes and then we're going to the discussion. Only to get

to get a trap-and- 10, 15, 20, 30 minutes. I was just I was waiting in other other place.

A few I prepared a coffee and he prepared the suyo. And then after we had made a

reset, he had started to open the eyes and he was to be over not ever to

all the part of my place. And I had to solution this, but no I saw how, no I saw how,

I put to investigate during a week, therapies of and when I put the therapies of a pair of a

person, I think he is a very comod, because he's a man, and I said, he's going

to be a person, and not a woman, that maybe will be to be

to be me, more for the time that we try we that we try you're the

process more more strange, more more rather, and that for me

no has explanation. Vengo to the house, I'm going to use, I'm

going to use, I'm a carder of the therapist, the therapist, I'm, I'm, I'm that,

I'm going to do you want to all the to do you, he'd say, and he did a plot

to the I, I was, I'm the thing, I'm did the target, he said, he said,

that just the other more that he was that he was entered to the situation, but that not could

have the therapy properly with me, that of Tolo to know what was going to be to know what I was both then just

that simply he said to he said to me get to and then it's all so. So,

now I'm thinking how diablos I do that but apart if he's he's not he'll use

and I know and I'm the case to be balls I'm coming to run

to the department and then I'm up the door and I'm the door

and where I'm a place and this is the only that has passed

to this and let's I ask, for favor, that no they're but this was what

happened. I'm in a hand of the lot of the arms, me haven't a little on the

wall, and they were a door. For a second, I thought I'm being assaulted, that I

had been in the house, I wanted the grito for that the things not

putier because I'm a level of violence and of course that I'm going to

do you want to do you in a second. And in that I know what I'm

passing, I'm a Tolo in front of me, but with a car of noho

narrator, but with some eyes of the odio. And he's a stupid. You're a

stupid. And then me a second the punio to the car and he has

to be to have to be and I just I'm not I'm not I'm not

my mind and I'm my voice and I'm told to you I'm and I

am I'm that are at point to mandarin the other and you do all the

and then he'll be a part, but the he'll play a two, three times that the

hand, it's a really lastime and it's really good marks and you do you know

you know, and you know, he said, he did a little back, he went

to do and he he was to do the little I'm I'm

I'm I'm I'm I'm I wanted to Sub. I had much

to open the door to the department. He no me about. And then he going to be

back on. And when he goes to go back to me and he's the part of the department.

And me said, never I did you did it's a stupidness. And he not you

think you I'm going to get that I know that you subscribe this life,

to you and where me says that, narrator, you, you could say

that if you've solutioned in two seconds and I asked, and I said, hey, a bit, I don't get, what I'm going to say, but the fact is that it had been so horrible what I've ever been, that the only that could have been to start, was start me to get to my tracerro, and not de-fronted, because I sent that the world was to me cawere, and not because

all of it was for all what had to pass, and I began to cry as a little, who knows how many hours me kept yurrant. Passed many residents, me gave a very a very a good

but in that I could be contend not I'm like in a postura to consoled

my my head was made chas anicos my emotions were made

not the words of to- I'm not even I'm sure you I'm

that you're that I'm and I'm in these images to see

that's a point of I'm horrible horrible he I'm

to the police after They were, they were to take data. At the final, no had the lesions

because he no did not do the page. Me said they did he was to go back to be here. The other

he was a little, he was a very good. Tol, no, it was not seem. I didn't

see to see it. I had a stress post-traumatic and I started to get to

get to the night and I'm all. I've to go to the department during

a time during a department, he was only. I went with my brother.

And with my brother very little because even she was in a lot of the other of the room,

and she was going to the morning to the little to the moment difficult, that for

favor, not you don't be a sudden, that I had a lot, and it

was a great to and it was because me desperable in the madruada there too,

and I did I had much a very therapy and from the moment of Toldo, until that I'll have, passed 8 months. In 8 months,

no, we know we're not to put it, because I know there was nothing of those things, yeah no, we've done, and 8 months after, for questions of therapy, I quice confronter my aggressor, and I said,

I have to talk with him. He mark, I'm going to call for telephone, no me want to contest, I've got to get a person intermediary to to the I'm a

story, all the story, detail to tell you to give a favor, that I need to

my pass, maybe for the peace of but I need to confronter, that for favor,

we need to find a middle an little no, we don't want to

see, if we don't know just two only, we're not a place, there,

and there a person that's like a kind of a guard, the that is trained

for that, a psychologist, a psychiatrist. And it's us has to form a paper in the which we

we'll accept us that if anyone he will intervene, yeah, either by

means, or medication, or to the force, with all that all that we are sure.

I'm the paper because I know that I'm he's he's and we

get us and we're we're and we I'm more in an interrogator than a conversation. Nothing of what was there was

with a fan after after after a person. It was a person with a agressor that no, that no,

he was to be to be a typification of any type of all you knew, for that

he said, and we we've got that I'm a lot of my life. I said that me

had made too that I'm that what did that did that did not that he

he had not I didn't want to be with me. There a million manners to terminate that relation. What he did was maldard,

was disconsiderated, was absolutely egoist, and was the most destructive that someone me had done.

Me lastim- it was never nobody he had done. Apart, that simple and simply

and he was just he was a person that, he was I was always the

money. Also, I got the money, the I conted the paper that we had had been each one, and how he had

accepted that he had accepted, the role that had played in those days that made to make you to make a my planes

that had to the car, all, all, all, and while he was he was

listening, nothing more me be and I'm going to be to be to see, and then

when I'm just, and then I'm just, he said, and you can't, and you

you're going to keep with your there, you're not you're not

another, the other part. And then I do you say, but it's that, what, other part? Or so, tal-bees, you understand the things different, but no there's another part. Tal-be there's another version of this. No. No, no. Dilless, what you did that day, before that I was put it like.

I went to my job. Regress, no, dills. And then, says, narrator, I, sent you that's the the sand. The the

time was to I'm going to and I'm putting a tag, me was espied, and he

knew that was to be to be a time, the therapist, the that I could I was

to be and I thought he was, he knew that I had a domicil

particular, not I didn't directly to his office and then then I kept

being and he I think, you think you think you had a

man and he made a face a a car of repudio of the idea of and he said

I'm saying to get to get a mostia you never you know you're a manned

tell you what you do you before in that you you're you know I don't

have any the idea of what I'm talking and then I

there was a moment with the therapist with the psychiatrist and the and I

say you please to tell what you have to say because no

I don't have the the menor idea of what this man is talking. I've got to say what I've got to say, and I'm doing another version,

but I'm not you, for you, you, to know, he's not a man. If you put you put a rastreadour and you've

seen two hours before to get to the house, I was with a therapist. Yes, no, I saw in his consultorio,

lo, I saw in the domicil, but because I was very nervous and he was the favor of attend me,

because I did a your targetta and that me how to how to convince you to get to give us to that we're

a couple of that I'm just the only that I'm doing and he said two hours before the house and I

go to one and with one and other if they can't see you can't get to be a

person that you can't say a maldita and it's noten the security with that

he'll talk about and you know a narrator I just I'm sentia in

other I know sent me for all the whole I was I was confused honestly one part of me I wanted to

hear you know I don't think that demonies about this way? How can you a mentirosa? I don't

not I'm not even a person who's my face of disconcierto and says no your caras

your your gestures how you say you you're not you never I'm

I'm I'm I'm you know I'm I'm I'm let's

let's what this maldita, before that me violenter with her.

What you going to say, narrator, simple and simply no passed.

Or no I'm I'm I'm I'm to get. Tolo Jura,

but he has for the most sagrado and he not is a person

that that's that's that that's exactly 30 minutes before

that he was like he was to goopier the the I went to my I was in a rope a little seductora, I sat in front of him, and I said,

the car and why you're so this is a burl yeah and then I said directly Isis and here I don't know how to reactioning Isis, I'm

thinking in how divorce me of you because I don't support this relation, I don't want to be to you know

you're going to you're the refrigerator you gotrast a tasson of frasas those put up

to the mess agarast one with the the hands, you were to get to get to get to

me to get to get to my time. Because it was your form to say, if you're my way,

I'm going to the other world. The therapist, the psychiatrist, the guard, and the guard,

and I'm too too too, a rador and the people. But I know. I'm

really allergic to the freas. No I can come a one one one because I

can't terminate in the hospital. And if I don't have the treatment adequate,

maybe not I'm going to all of all of the know it when the food we're in a common,

the reenno in the center had a first and we did a hospital, grave, grave.

From there never took something that had been a contact with a nothing, where he

saw, I gotre that way that's and I went to to get to to the

he was he was, he was I let you let you goys, I'm going to do so. And then I understood. If a day I'm entero, that you have said,

I'm going to subscribe, no creas that I'm going to feelable. The problem, narrator, is that that's not so I never was there.

And after two hours of being a therapist, with the psychiatrist, and with the guardia present, Tolo,

never in no moment he retracted of those words, he said that that was what happened,

that there were the mask of the maskas, and I'm with a person despotate, discontidated,

destructive, and capable to do whatever to do that that was that I knew that

wasn't, but that also that's the same overgely, the power

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and no free mensual. You're made for negotiate, and the TD is there for you aid. Passing to the things pears, I want to share these

some little data that some of you know but others of you have time without even or maybe never have been

heard. Resulta that the exorcists in the cases of possession, need something something

that's called certidumbrale to say, to say, to that's that the person is a posseous. This certitude

moral provien or surge, a raise, to do a lot of a lot of a person.

It's a manned to a psychologist, with a lot of processes. But, previously,

for that the sacerdote exorcist, those envied, because in occasions get

directly with them, and they They have to envied these these tests. They have to suspect that

there's some type of apollo or extraordinary that's occurring in a person. There are various

signals in those that they're in the thing is that are very obvious, sumamente

obvious. One of the signos is the levitation. If you see, that a person is that

when you're to get to be there's going to get to something something.

Another of other of the senoglosia. The xenoglosia is very difficult to identify because

also there are persons that are like if they're something different, a language but not they're doing. So it's difficult you'd have to

be an expert or to try an expert in a certain type of language to recognize if the person is talking in a manner

perfect, like if it was a native and especially this occurs with languages with languages languages that

have been hundreds or some many of years that nobody malas about. The

sacerdotes in occasions for say, the experiences that are having with the demons,

are developing proofs. Pruas that for them are giving a little of a

indication, if they're trying with a person that has a person, or simply

is a person with another type of affection, but not demoniac.

These that's you're going to say, are three of the proofs

that they have done different exorcists to the people that

have been for acts of possession or for suspect that they are

posseidos. The first is of the Father Manuel Acuna. The Father Manuel Acuna, the Obispo Manoracuja,

is Obispo Anglicano. One of the proofs of that he has commented is that he has that he has

a little exorcism, a type of oration of liberation, and of exorcism that when

he says that a person has a problem, it's but not with his davios,

but with the She says, while he's talking with the person, commences recital the oration

in the case, or the other person is talking about, he's listening the person,

but recita the oration in the his car the words, the has much and it

and it doesn't much attention. And if the person of the front reaction to

that is there is going to something and how reaction with things

with details like say to say, de to rest of those sacerdote, when it's something that

is something that is a thing that also that they've been to come in the demonies, or they're going to

runn't during the long time, they're and then the person still the person still with the

discourse that had before, as if not she did a question that he was grunying

during almost a minute, minute, and me, Proves that are they're

creating them to make to be if the person can be under

a attack of an engendro demoniac or of some type of demon. I think is the father Luzon. Disculpurn me, if I'm equivoco, that he had some of the Prowse, maybe is the father of Luson. Disculpens, one of those, maybe could be someone else.

But the proofs with vassos were simple. As he had a lot of many vassos in the messes, and those vassos, they had water. He served a one of the vassos, and in some moment

in the person was there and be it he was there a box he was he was in what he was in

the person that was in not said is that the that waso that was that was that was

that was he was and then the person only when he gave the water

because in many occasions during the hours that were in the exorcism

he he took water the water normal but only when

so when he he was the water and a identical, and with an water that if you

see you see you see it's the same aroma, the person he's

he's he's and then he's and then he he's actually even to

physically to form a second the father, the father, in the moment in the time with his

d'n't a word, to us one specifically and is when he gets the water

and there all of the dark. And it's when they saw that person was a certain, that probably he was going to happen. In a occasion, standing visiting a person, the Father Gabriel Amort, suspecting that there occurred something pese that the person was perfectly normal. After that, he put to recital and he said,

Listen me. And he was to recital an oration to the Virgin Maria. Acto-segid, the person started to ruinier almost for five minutes and then after that

as he had said, he had said, well, father, it was a good to see it.

And the father was there was a night, I'm I'm found

another another another another a third form in that there

are there if someone there there some there

there there a exosista Catholic in the United

that he occurred a way a very There was a person,

I think that is a person that's a person who's a person has a work, has a normal,

but of a time, he has done that's done that you that's in presence of something,

there are people who are saying or acety ungible or anything that's anything that's

a person to feel to get to doorme. Asco. He commenced to do arcadas and not even to get to

to get back with the stomach. One and other a situation very difficult for it's a one and other once pass to

that's part of a family very religious her family the middle is Catholic, the middle is Christiana

but with any person that makes a lot to get to a temple is impossible. To him

they're to sitarer to some other the other person the starrote he's

he's he's he's he's he's there with a a libretta,

he's a hand, a relo, and he's a place, and he's a question to what he's

doing, what's going to be a lot of questions, a type of interview, interrogatorial, very amable,

very cortez, and of a person begins to feel much asco, he starts to look at the stomach,

and he starts and the father, he got to his librette and he started

after after this person, and he's Sient a little more tranquil. The father

apuntal, he offers a glass with water. The person accept the water with water.

It's a normal. He's he'll take, he's a time. Continue to

the plattica and then a hour after. Another pain.

The person is very anxious. The person is very and the person simply

is going to put up this. This person terminate to have those symptoms.

The father he offers more more he wants. Continue to the a platica, during two hours, in more

15 occasions, the person present this type of symptoms. And the sacerote appuntoed more to 15 times different types of points. The person, this person that was in a type of possession, no was about, like, focused on the libretta,

never he asked him that he punted. Simply, the parent of his post, he finished, and the parent he said, let me, let me know a few days, I'll ask. He has been and we're going, and we'll see what we're doing.

person, the person who has the problem, the supposed problem of possession. The sacerote is the minute after this person that had the problem of possession is away, the office. The sacerote, very tranquil, cameina, asie the quarter that was just to the side of the end of him, in the the the

interview, he opened the door, and is there a companyer religious, sent out of a chair, simply a rank a the o'clock of a libretta, he's the letter to the sacerdot, they'll be, the My friend,

religious, he's a ralto he gets the second, he says, he says, he says,

probably it's a possession. You'll know what is what did the father,

because it's something very intelligent. The fourth in that was a person

religious was a place unsonorized. He said that, he said, he said,

in the moments that he would he would during the two hours, between

four and six of the time, and when, that just just,

for for a point to before to point to the oration and in what moment was the time? What orations

the time is the that's the same. The appunters, they're the same 15,

Magnificate, 3.15, the person begins with arcadas, and start to start

asque, 156, fin of magnificate, 3, 16, the person to show

to show the person, and after upunt, oration all allation, allus

coincidian. Here There is a data that I've I've said the indication of that person religious was that the

orations was made and in the mind, that no about the when the court is acustically

and not not going to not say to not. Also, as a other person religious

not had any the minority of what was going to not the other quarter,

no I'm not about the interview. And apart of that he didn't

not even when and the conversation between the two people not

we're not. For that the father knew that there's that I'm

that I'm this to this probably to be the person and the should be a part of

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concour. The reglements the concourn't I'm I'm sorry, but today is a very bad day

for that you know me because this that I'm to tell is one of the stories more rars

escalofriante and that's thattrics that I've told that's a part of decades in a

not so renovated faculty of ontology in some part of Mexico there's three

children, Sylvia, Martha and Paola. The two people in those we're going

to be Sylvia and Martha. Sylvia is the chief of this group of three.

Paola is the little that what they say they say there is

a and maybe is She's a chick that she's a little that's a other

and then I'm a lot more passive, but in many occasions Marta's a little little

egoist. She's more in your benefit than the other two. What Sylvia no has has been,

Sylvia always to do the way a little a little that all over a little that all,

a little that this this time for me the next for you. And Marta is,

look, if in allas I'm I'm I'm I think I think that

I'm the good of the league, but that me entientas the analogy. But the point that

I'm going is that the three chicas had been to get to be two

semesters, about two semesters, and they're a year, a little, more, a good team,

pese a different to the different, and the three wanted to a

consultory. So, so they were and rented a house, but this house had

like certain things and that was quite, the first is that the plant

that was that was made to that they could be a consultorio. And the

second is that in the second plant they were they were in their

and they said we're we're we're we're we're we're

we're and all they're they're they're they're they're they're

a family well accommodated, Martha, we'd have had some

and Paola, simply and simply and simply and would be to make all the money,

and they would be to get to a chero of a job, so it was to

representable a problem, his papas are the people, they're they're

getting to a a accord in the that they're going to

have to work to and the thing, and the

project, even when No, he even it's not a month. And there's and there's

and it's not to be with new things. Resulta that Martha, no I know see

that he never had gone. And just when they're going to go to that's little

things very things that Sylvia not like and they make like kind of

and they make sure like that it's not going to maybe not was that's

that's that's that's if they're the place, that if they're

they're they're in other. And Sylvia he said, Chava, my papas,

yeah rented the place, and there's a contract of you're in a year,

and I said one and another time and again, and I know, I'm a good,

I'm not you're not a time, my papas, you're saying that's going to

not, and you're not your father, but you're not your but you know

you're you're doing you're no, it's no I'm

I've been thinking, is that, if we're going to another place, no pass anything. A penance to start. That's a little. And Sylvia and Martha start with the foot on the project. I'll say,

yeah is rented, no, they need any one-mueble, or, well, give a good manita of a cat or of tiger or the leon. But the point is that

you have to make the place. In that, they've been compromisied the three. In making the business functioned

from what they'd do the other family and they're going to they're going to

be they're going to do this place. But Sylvia is there to be her not

she's talking to his parents, the story of the child of the child because is a child

because she is a idea. The story is the idea that even when he he's

he's the son you with a little bit but but not more and then after

they're he is that no I wanted that was not she was in she

never, she was the place, until that they were to get to buy them to buy them

to get all to do all the to make, and they're and they and they went and

they're and they put her because the point of Sylvia the idea that I

try it was simple first, first is the place the place and

the the first the and then we then we we're

we to the reverse. Then, you're in the first they're in the first,

now they're the bolsio the three out of the money, more than the when they're

in the way to the domicilio to start to get to get with those things.

You know that chikas? No. In serious, I don't want this place,

I want to let me say that I don't let's me say that you but why you're going to do you know,

so we're going to talk about it. No, well, but it's my intuition. It's my intuition. And I'm still to my intuition. No,

well, it's all right to favorize to you. And in us we're a group, I'd say to your intuition

that not so it's a discussion of amygas that you can't imagine to all what you're

and the other and the other that never thought that they were to say that they were to be

that you can't you can't you can't you you had passed on a side in a car, you would have

seen two women that the only that was to be to be able to the one to because they're some cars of

to make a little bit of that they're bad. And if you had to be on the other other side

to the moment to you've seen as Sylvia and the other side as Martha

and she was more than than you and it were more that these people are

they're in the same she'd want to get to the carmanet is there in the auto in the

in the car in the car and they're not to get to get back. Sylvia and iste

the enojated no support the berrinche that's doing this she's not it's

not you're doing it and really you're starting to think that I'm that that I'm

going to see the things and she and it's with this situation when

you just that's when it the vehicle it's it's in a place they're in a

condition and then at the few minutes Marta has to have to be the

door to and she'll have to be and say, and say, now you're going to be

a new an o'clock and she's going to be going to the house and he's going to say,

but is that he's that he's all, that's all, is all things, because

here will have to have to work, and this this woman want to that my

people pay in someone that's that's doing this like. The problem is that what you've been to

that's in the house, I'll say, nothing has to be with a new thing. When they're Paola and Sylvia, the two chikas that are back

cargating all, just to get the house, because Marta yeah, it's met you, they're topan with a

scene that until the day of today, no they can't find a a point. Sylvia and

the door, front to them, just to parade in the recivor, is Martha. Martha has the two

Brasos on the two brasons are in a form a little apitika of the

body, as the normal, the two do you have totally open

and and then he's to come to come with the the so far

with the sound in the tarima because the type of the type of the

not not any marmol or any a little was a a duela

of a bad that were more than more than more they just it. Although not

it was a good so hygienic, it was to allow them to remove them and make some other type of

other type of adequation like mosaics and so he was they were a little flohous

and the and the black a a black of a cement direct. It was a little

that was a lot of making noise and it apart just to the middle

of the cell of this house that has these these maderos

in the the piece, you know, you're like if you are a little a little bit of the foot,

he's a little bit a little bit of the little, like he's a little, and then with other and then he

says, oh, yeah, what's a do you, you're going to cover. No, he said,

the plan from the first of to be a surprise to do. But, be that

she's doing this disordern without, and then then she Sylvia, she has

a little a Marta, Martha is the is the is that's pegged the and Marta and she's

to see her but she'll see to be a little that's not a better than in sec and he's the

what you're and he's a lot of a matter he pega another mader and it move to

the barrote and when it's and when it and she he's a looker but with a

looka with a mind that a sonrisa that never they've never been seen

and that you're that martha is a there's a stina the

Pate three that thing that thing when it's when it's down the point that

there's a way you're this woman met the man to the way and the man he

gets to this part we're talking almost about the middle the hand

the about 10 15 to 17 17 maybe 20 centimeters of the

code but it much met the the man and he he

he's a back a when the Saca, put this palanca in the

madera, it and debauched, and the back of that matter, but not in the piece, but incrusted, there were

various things. There were some little and there a type of a

tachito, that was of a color that was a little a red, a tint, but now

it was a little marron with a mooteado of colors much a tear and tel

arrains and it a little, he was also a a pair of frascus and

also setuilla. He gotro all those things. He was a little bit Sylvia. Sylvia, he was about

because I don't understand what he was he had her his hands, Martha to Sylvia and Martha he

rebata the bolsas where he broughtches and different things with that they're to put a

little in the piece and in the box and put all the water and he's going. That day

was the last once that Martha was part of that project. But it was very rare because Martha, you know,

she was never never seen in the picture. The rare occurred like three years after. The project

of Sylvia didn't even ranco. So, they're in the thing they're just they just didn't to paint.

When they were there, they were going to Martha during a time, they were

so they were so they're so they did the rents of regress. They were

a part of nothing more and they said they were a new thing, that they were to work to other parts,

that not they didn't know that they were to do you have been practically a month and not have done actually

not even not even not are paying time, they're getting a good arreggio as well, but you

go to be to work, and they're going to go to be a month of a month

when a Paola he came to the new Sylvia. Paola you. Recurras who is?

The chica of this group, that she has clopla and no-tina no-in-contra of nobody, and love and peace. And Paola he says, oh, hey, you know, you're gonna'-a-ma-lawed. And he said, and me, I'll be able to forget her. Me arruin'n't. Me

a ruin, years of life. And Paola said, then, it's very exaggerated. But, you know, you know what happened that day? That's what, hey, that started to do you, no, no, not you ask men, if you're-exam. So, you do you know, the matter? If you're not. So, you

You remember? See? Vista exactly that was what was it? No, well, no. Because a me

it's made that they're like things related to and she, but she didn't know the house.

Yeah, yeah, we've talked. That how could know that? That's the eye,

that's the eye of the look, I just, I want to be a and he said, and he said, and he's a

local of a bookerer and you I'm going to say a little, I don't let me I saw her or not

I saw out of the local me they're that's being super popular

that's a lot of people and that's very good with the thing of the

time of my novi that I was going to be I'm saying

I'm I'm going to I'm and I'm I'm I'm like a

way to get to nothing that I'm that I'm recommend this woman

and when me they're they're They took a selfie with her, it's Marta. And not is the same, and it's the same

mirrored. And then what you did then? And then I took a and then then, well, it's the body of

Martha, but yeah not she, nothing, neither the voice, nor the mind,

and she was, I said, you know, I'm just, you know, and just me kept

being, being made being doing the things like like if he had

I don't have asked her But no matter So, so that family nocturna, what do you think you think you

might be the proof Martha, no? Look, Air Canada does it Worldial Super,

an offer for the Astor, station thermal, volcano. You've seen the

price for the Japan? Mm, you're and sushi. Wow, the soles are good

for Mayork also, we're going to go to the beach

and to go to the long march on the shore of

the Addo, the cannoli. Wait, this sold and insure illimited. Reserved to

R-Canada.com or at your agent of voyage. The conditions apply. Irma and Robbie are super friends from

the preparatoria. At the day of today, and the two pass the 30-and-tantos years. Irma in

some moment was very enamored to Roby until that's that was never going to

ever going to be a simple situation. We're that the gusts of Robbie were different.

Irma me describe a Robbie the same way. And me say, to her

I say, is my princess bigotona. Because, because Roby, if you do you know

is a little, super galan, super wapo, he's super strong, but that

he's a moscke and grita and grita with his agudos but brutal. Robi

can't and he can't and he he, I know because not is famous

but abient to his falsetes, narrator, when I saw a cucarach then I always I'm a

bigotona and he's all the carcachad, and it's all a person in my life, I'm a love,

I'm always always always am for him, and Sylvia me says, Narrador, you have to

say the day in the day in the I've got to to be and say, Robbie, is that

you're you're not you're what he did was the thing was the thing was the

more beautiful to be he've turned to see the two hands over a

rodilla and me he said a am I'm sure you're in you're in I'm going to

me said I'm like that's you can't imagine in any moment I'm

he's a more he's a he's my friend but he's a independent

of all he's he's he's he's a local to have to be the

so so that so that's what he's the first to the first that he is the is the is

is the truth or not is the and he says, like what I said, he said, I'm a

little invented, right, and so Robb inventing many things but it's

a much different because it's about it, we've been that if, we're we're going

to go to moon of miel even that we're not our viah. And we

we're we're going to we're to go to a play because it's a city that's a

maybe had been here in Mexico and they're and we that is a place in the energy.

For my account, you have to tell you to tell you to say that I'm going to do with Robbie because I'm just the divorce. Me went bad. The things no functioned. No, I want to talk any of this person because we're just in the process, but no,

no, we're not, the only good of this relation is that we don't have pledged with the theme of the children, he's, but between him and I, God, no

There's no We're We're We're in the Basura And you No, we're in

We're in We're in We're in To put, you To get to these vacations And when I said

He was in She's So, I'm And I'm And I Just I'm And I'm And I'm

And then You're You're And then You're You're He's not And he's

I'm going to And so He's Nobue And he's You're brutal. And I, I, I more

me went to robie, me want to do you know my little bit of their little so they're, so they're

to be a bit of my way to be a idea. Resulted that the place when the time I gave a vibra

I don't you say strange, hermosa. The place is a super rare, something that

never before ever ever something of a humgla and mar. For one we have

we have access to the and by the other side of the hotel, we'd direct a jungle. Never in the life would have created that these two, these two biosferes

or ecosystems, like convivian or coincide. Then, they're of the locus, because my quarter has a window and

an entry. The two are complete of crystal. I'm in a room. Robbie,

he's kept in another room. So, my dear princess bigotona,

I was in a plan that me said, Luna of Mell, but I went in

a plan of league, totally. And for so me said, no, man. Look, in the nights, each one of your story, but in the day, no, there are better friends in this place. At least, Roby, she was a brutal with me, and we

were going to the side to the side. I was in my habitation, as well, I was a lot. Volteed at the right, and I saw the suns'allas, and precious, a soul turkese, narrator, was the thing more beautiful than the video. The

sound was me relaxable, to be, the bye and the and the and to go and the way and

it was being like the different, so lehanes. For the other side, and it

was a passillo and out of the passile because there was a part of a

barbita it, they were pures so red, so precious that I

was like I was in a contact with other facet of me that

I didn't even the other the property energy, but there there were things raras. Not I think

fias. Raras. The first is that there was a area in certain area of abitations, like a more

lucho, in that there a type of garden-sit at the center, there was a mackas

that had been like clavats this type of sombrillas gigantes, and around there was a passillo

circular and in a zone had a restaurantcit. That restaurant-cit You had to go, and you'd have to get,

and then they'd get to or a maca or a camera, because it was in a zone like a place.

The rarer is that the front of the center, to me gave the impression that that had like that was the

that's what I was the that I was that I'm not that was, there were there, they were

on the they were to come down for a and for all you were being distracted and

all, but I was never that that that that's got that I saw that's that's in four

he's over the he was overpresent, he he was there, he was there was a lot of gaiting and I was caught, because when I was sitting a pina with a pina colada because, clear, that was that

was that I was going to do you to do a I mean, I think that I'm in my hand in my hand left and I'm doing the patita two two times like, I'm a catito

precious, precious, precious, that is I'm looking, and I think you can't be alcohol, no I think that's so

that's so that's a major of and the and the catito as I understand,

it's run, it's me subbe on the and it's and I'm up the person more

the person more of the world. So, me are the the problems for a second. For a second,

it's a minute that my children are there. Of course, that of a sudden I'm disconnected. It's all the

thing, of the divorce, the paperleo, the rogues that we've had been to the manutension that we

don't get to the last time that I was with that she was, no. All right.

All right. I was with my piiac colada and a catito that I wanted

and I didn't know Osvei, I said, oh, God, to do you know, to what Arbor? To be able to Rovey, to be here.

I'm going to see if you're going to go back. And I'm kept with the gattito, until that Robbie

me grita, at the end you goth to get a little, and I did it and you

do you know it's more difficult, and when he he'll get to get to the cat, and the

cat, and the cat's put erisado arisco and he's going and he said, oh,

Robbie, you And then, me I said, well, I'd say, I'd say that we're going to say that

we're over and he's over a narrator. The maldito Roby, my beautiful princess, me left her and now I

had a cato that had to because I didn't want to get to be in the hotel to be if me it topable.

No, I had nothing to do you and I toped a part of the hotel very local.

This part of the hotel there are some abitations, that are directly the part of the

arboles, there are a carminton, but the can't be the way of the way to be a little bit more, who has been

when-in-court, like, like some farolita a medium-altura, but no more light. They're in this point,

like, at the time, the time of the time, the time, and it's, the law, and the only

that you see is that the arboles are so are you're going to serrano, that maybe at one 50 or 100 meters ahead,

you know, no's the point of the end of the end of the end of the end I'm trying to live that.

And I'm going to come back. When I'm coming down to get to that I'm that's a

moment, I've put a name, I'm going to put a name of the pina colada

for the moment in the moment in the the moment that I'm going to the other

my and I just Volteading of Tantant but I'm in but I'm

I'm sure with the light, and no there's nothing the lot of the

mottorrales and I'm don't know that's the but it's there was a light and I'm

the light at the final and I know I'm Pinnacolada Peneacolada come

back back come back Pinnacolada and in that Robbie pass

on the other and me says oh my my my am my

mind you you know just my only only kept thinking, I joh, the fregat, this guy always always appears when he's always

when I'm a carcashada, I'm my Robbie, and I'm coming and I'm listening the passos, and I know, where is

a pina-colated, where is that? And I'm do a veruenza to be able to make sure to get to the language,

I'm going to start more to see the light of the other side me help to be to see see

see see see the I'm in, I'm, I'm, and when I'm when I'm

that they're that they're that they're at the altitude of the floor the middle, and it's

a soma like the person, but is black, palid, like a person that

was there on the other side, and the other side, and the eyes, I don't

see the look, and it gets, and it's not gritty, because no said

to be to be to smyarm and it was very difficult the decision.

I kept there, I'm fria, fria. Yeah I don't see if

someone more passed, I don't know how time I'm going to pass in this

moment, but when reactioned, I was coming to run to my room to

get a little a while I'm a lot. I'm going to open the

door and I'm no, no, I need to be talking to be to be

the of her and I know the to be in the way, to be what I'm

to be going to get to a person and I want to I don't want to be a little

dark, and I don't, no, no, no, no, I don't want to get to all the lights, I'm going to

my house, I'm going to the door to go and the pina collated that into.

How's it's not there's not a way that's there. No, the window.

The ventana that I'm, so it's a car, it's a climateized, and the door,

as you do the cargett, if you're not you have to have pina colada,

is dormied over my amoeada. He's a lot of a rottie and I'm thinking,

Roby it's he got to have been seen and to have been and to have rubble, I'm sure that you're going to

go to my say with his men's so much I'm going to the message that I'm going to

say this I'm going to I'm going to go to do a little bit commentio chistos

about her talk of the part of the part of the the part of the person and to see what

And I'm thinking in that to relax me, puras men'sadas to distract me when now is the night and are close at the

10, me per die between the nervousism that I'm and think in that's accommodating and

I'm and start the time, the room, it's, a lot of, in my apartment, so, so you're in my bedation, so they're allas, and when they're in, in a stowa, sit in his quarters,

I'll go to and get to grow, mawial, or make a sound that has never

has seen a lot of a lot, he's not, just is that just being that

that's that's that's that's that that's that that's

that I go to and he back. Norrador, in that same moment,

after after that after that he went the light to the thing,

and I did, no more. I'm I started my maleta, I started to guard the things. I'm a reception piquingingation

to work at Roby. Roby, no contest, no contest, no contest, no contest. I'm sorry. I'm sorry. When we're in the room in the

room of Robbie, Robbie is dismayed in his camera with all the rope and he said that had been a league, that all going to

work, that was his to work to to be to this person, that he had put the not molestar because if no

I would have to have time to put it, and that of a sudden, when I was accommodating the camera, the Luce is back, I'll take to the room because sheented something, and there's a sombre

a rostro black, something that no-to-o-o-o-o-o-o-oos. And in that moment, he was, the hotel no no-n-

did not, but the chica of the reception was that was that was the thing,

you know, that's the one, nobody met a pi-a-colated in my I think that that not was a cat,

he was a kind of a guardian, and I was going to attack and me protectio. RBC Training Ground has discovered

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com. Evelyn lived something something that did that that maybe there realities that

start to converge in this world and not necessarily can't explain to explain to

Evelyn worked about in services of emergency after some years. She me

said that when I had given calls in the different situations very violent

to situations very accidentableable many many there were a part of

a person she she received a very, very good formation

and And me, I'm going to some moment they came to a line

very specific. That that line specific was trying to like identify the type

of problem and it was the second part of the commutator and

he took accidents vial and it was there when

he was that that we say that this

did that this one one they mark some

people and they They count on about certain cases in that there

an accident. The accident is a train that emist a vehicle and you can't imagine.

So this person instantly about with the areas pertinententes and he says the

person that thanks for the call that you go to the person who

go to the time and they're they're to say to Evelyn that

there no there no nobody that for favor, that the next time as corroborate more

data, pass two, three, four days, and receive a call of the same same areas,

same accident. And it's then when she says, when she pass in data, if

be the vehicles that chocated, the type of train, the mark, Santo,

and se, they're all, and all things really, so is that the ambulance,

they're, the ambulance, they're to the ambulance, more other types of

services, and when they're no there's receive a second call of attention and she'll finally with a person that's

her up he says well it's that if some bromas tell me how they're because I'm going

I'm doing the protocol that they're doing not doing nothing to me says that I'm saying that take

something that's that's easy next person that will if they're to say the

because this is one a bumista perele his data So, it's a negate. And in that moment,

we know that's a one of the moment. And there you say, that if you want to do this this is a

way, he will be to do the law, because he can't be doing a lot of services of

emergencies, that's pened. So she says, perfect, we're going to do.

At the days, there's a time. The person that is a man, the man

sounds very alarmed, he has a lot of a accident in that he, he no

he no he to be the moment of the chock, but it's

a lot of this situation, but there's a carrower. The carrows still are the accident and nobody has got to

get a person who still still even that's even that no has passed to the other world,

that needs to help help the the child. The chica, the story, says,

Evelyn got the got heras and the first is, he'd do you know,

and the sir, and the sir, since chistar- it's a little Sure that is. And there is. And, and, sir, I know that maybe you can't do that.

Contact me, for favor, if I see, encountered a survivor because I'm very impacted and I want to feel me tranquil this night. And Evelyn, he says, okay, this is really. Now, now, so, I'm going to say, are the paths of a three, the possibility of an accident exists.

So Evelyn, says, now is real, about her supervisor, for that her supervisor authorize, that no, he will be able to cover to her situation to her. The supervisor of her, they're in friega the services of emergency?

And there no, nothing. When I tell you say, not is that one company has been like it's like no, no, no.

A investida of this type has much rastro a long of many meters. There no there, there's a

limpio the place. No, there's a only person, no, no one one single

rasgo of the same but there a situation in special that's that's the attention.

And is that the services of emergency they got only three minutes after. Not you do I think

all the first three minutes after the first after they were he, they were in a patruy that was there.

In three minutes they were not they've been what was what is what is what is

what is so the heff of Evelyn and he says, how you know,

we know, we're going to know, you're going to say the law of Morphy.

The law of Morphy is if the the worst could pass it's a

place. It's a question. If you're going to get a going to be going to get to do you,

to the two we're going to get to see what I'm doing this. Let me do let me do give them.

It's a place. It's a place of many of a day. You're not that's a

time that you put on on suspension and then we'll go to for the 20 minutes

after the after the times, and the people who were that were so much that's

that did the thing of the train and yeah in second plan, we have to attend the

things that are there and that are there. And that's not so going to talk about

of things that not but the point is that it a moment in the second

the second time, the last day, because is the last

the last that is the that I say, I'm a point, and I'm

going to be a accident there, he's the question, the description

of the vehicles and it's here when Kay Evelyn in something. All the days that

I've had been in the description. No, I've had done the same.

Mism the same numbers of the train, the same signo that has

the train like a kind of a form of a firm

the vehicle same tone, same color. Me described

the parts of the vehicle in the same parts I don't

what is a panilla that's a accord, is a brahma

of a novata, I don't understand. And it's then when I give the data to the conductor,

I think it's a problem, this is a problem, this is a thing that's a point. The conductor,

he's saying, I'm not a little to hear about, you know, you're in the

accident, and he says, no, I've got to pass for there. Perfect. You know

any way to return to, but you do you more data, but you supposed,

signorita, with to help to help do you. Hebelin he's been to be able to

the jeff for the head and the chiefs mark the authorities and go to contact this

person. When they're the authorities, they're just with the

vehicle that that's that's and it's a lot of that's something. If you

you're seeing the the train, we're we're in the

part sur, in an extreme, are the the authorities

that are the vehicle and the two policies of transit, are the two putting the back in the vehicle,

vending to the vehicle, being over a person a major, that comes with a senior major, the type,

a video of the caronet, and he the cellular in the man, he'll start and

they're saying, wait, wait, I'm asking data, and he's and he's

saying, and he's like if was there something that the policeiers not

can't perceive. The police are atonitos never have seen

that's the subject no doesn't not seem a type of the actor

and it they're because if they're an actor he was seen

if it's been two seconds because that's pened. The police

are and when they they're after he after he after he after

after he just to they're not they're they're they're doing they're they're

they I'll ask that he's going to do that's that's that's going to help. We're going to

help to help to help to the people. And in this moment I'm I'm not

again. And the what's they're and the and the and the problem

that's we're doing we're we're to get that's that's and the

she's into and the inside to come in a kind of the

policeies because they're they're having in an ambulance in an hospital

because the two Partando, and Evelynne me said, Stubimmy we're doing all the

maldito case. And the two agents that were there, say, look, let me,

let me, are the stuff of things that maybe not the rest, and if

you're to be to that one, mark us to us us. These

people are not not the person, not the narrator, the I'm

no idea of what I'm but but if someone know, what

demonios could have been And with this story, dear family nocturna, we've got to

end of these dark fugata of stories. So, if you get this at the final, if you get to this

point, tell me in the commentaries independently of the platform in that you're what was the story that

most you liked? Apart, if you were to do you see the end of the end of the

question, how you how you did the show, how sentista this fogata, what was

what was the story that most you impacted? Because Let me say to

a whole the family no one of there's there's there's no more every

showgat will be totally different. That is part of our compromise. Because we know we

know we a family nocturna that is very exigente and we want to

give a fogata in live special for you. So, as you

are very pretty on the feches, if you want to the

if you get to the final of the fokata, tell me what was the story that's the story that most you've got.

One of this for those people that are that you know, or that you're a family night or that you're that's not really,

share you this video. And one of this I've said, I'm going to have you see that you see,

and then you get to get to be a story secret, or at the Wednesday when we're trying

to turn us episode, and here to all these two days, I'd I'd say

that you I'd say you'd be good pesas