HABLEMOS DE LO QUE NO EXISTE - Historias de Encuentros Oscuros , Siniestros y Demoniacos | EP 308

Episode Date: July 14, 2025

Bienvenida Familia Nocturna a ésta nueva Fogata de Historias de encuentros Oscuros , Sinestros y Demoniacos en  ⁨@HABLEMOSDELOQUENOEXISTE⁩  El día de hoy les traigo historias que ustedes, querida Familia Nocturna me enviaron al wts de las pesadillas y me dejaron helado del miedo.Escucha historias de posesión, desdoblamiento astral y ouija. Conoce la historia de Julissa y su aterrador pacto de Buena Fortuna y descubre la maldad en la casa de la llorona asi que prepárate porque llegó el momento de que  ⁨@HABLEMOSDELOQUENOEXISTE⁩ 

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Embarked and relax. Cirotay. Bookine. Oh, that also. And profite. Via Rai, the voice that we love that we're

a night. The day of we have to tell us before to start the foggata. And it's Familiar Nocturna,

thank. Much, much, much, much, much thanks of your

service of the team to be the we're going to be we're going to we're doing we're going to the event of

Monterey. Apeness the end of the time we put those the boletos to the and in

less of two days, now no one of two many, much, much, thanks, but also

I want to say something, and this year, probably probably to more a more time

to the sabb of Somras, we're going to the places and the feches of the foggates in live. For those who know,

these foggatas oscuras, you're going to have the opportunity to be there present in an auditorium, in the which I'll tell stories that never will be able to sell in this channel. But now, so, given the thanks to you, and, as we're going to

have this encounter mysteryos in Monterrey, today, we'll be able to about encounters, sinestros, obscure, and diabolical. Comeence us with this a scura fogat of stories.

This that I'm at point to to talk about to occur you for the encounter that we've been in the

coffee supernatural. You can't that we've a first first of a first time. But that

presentation, we've invited to a podcast in-vib in a coffee, and there

was part of the family nocturn and part of the audience of the

night. If I'm I'm not the name, for favor, correct them here down. You know,

you know, but you know, not so very good. But data to this situation, we'll start to talk about things, and I've talked about what I've lived in the

seminar. And, many of you know, no I'm going to hondar too, just about that we've done a lot of the first intentions, like to have an encounter with what divin, sucedo something very obscure. Yeah, these stories, I've

told them, I'm going to go to details. The point is that, when a person is a person's so close to me and me said, me pego much to your story, because I lived something very very similar to the two. He said, and is true, that type of things pass.

This is what he told. And me dejoed. We're going to name to this person. This person is called Marcelo. And Marcelo had a great friend that was Chui. Chui and Marcelo They were two persons of family Catholic

that in some moment of the adolescence they were invited to a retiro, an encounter juvenile, and when they were to go to them to get them. They were in that encounter. They liked much the part as spiritual, what they were living there, and they were to get in these groups.

Ambos, persons very active, persons very proactives, were, little to be doing act of presence in the group, and the people were doing them as a time. It's a

moment after a couple of years, that are people that are that they're

that they're in the execution of new retiros. They're there as part of the staff,

as part of the people that are people. They're people. They're people who

are people who have dedicated much time, that are inamorated inamor the project

that they're like a intimate or internal with this

part spiritual and know, to some way, transmit it to the new people.

At the final, they're in a retiro more. They've passed a few years. They're

two are great friends, they're people who's people who have been in a

way that so that is a very excruient of the other because they're in that

syntonia, but they're two have plattica very profound. Some

people that they love the person that they like to have like that

platica dialogue with God, know, they're in some way, and this you're

saying, so you're going to when they're going to the retry. No, they're

not they're thinking in the attention of the people, not they're not, they're not,

they're simply live in the things as things as they know, profundize how they

they're in the kind of or as they're they're they're they,

and when they're They are there in the Retiro, this, of a certain way, help or is that in what is looking the retiro. So, not are in a time like to do something like to do some type of spectacle. And I'm saying this, because what they've lived was totally aterrador.

The Retire is advancing. Jovenes, from 15 to 20 years, are in that Retire, all there are, they are having a good ambience, are three days of the end of the

day, Friday, Saturday, and and they're all the time. But the

night of Saturday, there's a oration that they called the oration of the

Spirit Santo. The idea in that was really invocar to call

to the Spirit Santa and and then that is where it is where

what I'm that I'm going to say. I'm if

they're they're not. No know if they had been led to a process personal or no.

No, I don't see if before the retire, there were details that they had had made,

that they were in their interior. No, see, if around of the return of

there was things asechandolos. Why I don't think I'm the no idea

of what could have decadenado this, and there many causes and motives, but all

those are are they're known as the day of today of today. Because this when they're to be the

prayerion of the Spirit Santo, and they're they, they're to make a

dialogue, but something in their in the both. Something it's

a lot things a little different, with more more concentration, much more

more metidous in that. But at the same time, there's an energy

different in both and they're not they they're not are

being this story they're to know after the one

and the one of the moment in the thing in the both

both at the same time they're connected and the time

and then he's there also he's there something something that

something something that he's this He He's that something

that's he's he he he he and he he

he's and he he and he the mind with the spirit

to all the people that started his energy and

he he was to he he he was a

moment in he was he was he was he he was so

he was so he he was he was he was a point of

that techo, the place in the recinct, in the recinct, in which they were doing the room, and he, pass that teech, and see the

installations from up, and he's, elevating, levandes, levandose, until that the moment, in the

that that's a greatable, that sensation like a cobihement, that he had a pass, that he'd a power,

even when could be almost all a city from up, and even when, when no

didn't even type of protection and not I don't understand what was going to he went to a moment in that it was a change

for free, it changed for fear, it was changed for uncertainty because came a sensation

behind him behind him something more great than the sky, than the mountain

something that's a lot he was he was he positioned behind he

he was he felt something he was that he was he was

his mind, could turn to to turn to other side, simply the dark, he was

to be to see a it. And it was a malevol, that's he was

to get to a fear of that you never before and he to ask, and he

to ask to give to God, please me to my person, this

thing to me want, and she's like a force no,

no not of that no, no, nothing of the one

is so strong that he can't do anything. He's he's asking, he's asking one and another other time, God, God, please, please, regress me to my body, me want to get me, he wants, and in that he, open the eyes? He is in the piece, just looking the techo of that

room, of that recint, of the place in the place in the that are doing the all the question, and around him, he starts that there's almost a decen of persons, one's resando,

and others moving it, and others, moving it, and say, Marcelo, Reactiona, Marcelo, you're Mancels, Marcelo, Reaction. And in that, Marcelo, he does that are there, the eyes are open, and

he's trying to albusier, but all in his body is hard, his language is rigid, his mandibula also, coo, brazos, sombro, no, he can't

move anything. And, and so, he gets to relaxarse, and he gets to recuperate mobility. The head is

a torbe-y- of ideas, recall perfectly what happened. The is something is something that is something that

has a-cobigated so it's a not so far reactioning to turn to quickly to one and other part as if

if it's in some kind of paranoia and then it's a really, he's in this,

this is I'm talking that passed in three or four minutes, he's he's he's

a person to be a lot of the question and he says the he says the o'clock

take two companions and retire Two companions with him He's going to And standing Out of course,

commencing to take water, commencing to come to come to get a other, the life has

arrived to the normal until 10 minutes after two two other two companions

coming with Chui. And Chui is strange. Chui is rare. Chui is like if

were if were there and it and it will pass a rathes for when

Chui he say that he said, that he was there he was

starting to do that he and that he was a real a energy that was he was

he declaw, he put it his eyes, he put in a negro, he he was to think

and he he he can he he was a question what was

what happened, and he going to start to start that

that a the there was a around to

Marcelo another decency of another Chui. Chui was at the time, desplomated in the floor, because the two

were two felled at the same time. The difference is that Marcelo, had the eyes in black and was about tambalying, was like some kind of convulsion, pataliating, metient and all the body was vibrating, but

it was not respirable, and they were all all very assusted. Chuie was different. Chui was taken in the piece, movia his His brazos, a

sometimes to be up over, a bit of the other people, and he is a

time of the world, he's doing this movements, and he's coming to to be

in different languages that they know, that they know, the problem are the

problems are the voice different. And the voices that are the voices that are the

voices that they're not the voices that they transmit calidididid are the voices freeas.

Some voices that if you listen you're going to leave the sangrelada. Some voices that if you

are where you get to get to your ear, it's difficult that you're going to your head.

They're going to gostious, like, things like things that are you want to the

entire, the people around of Chui were taping the eyes the

more hard that they could be trying to try and

Chui was in the the piece, moving the hands up to the sides, changing

continually of voice, until that of a repent the back on, he was he was agitated

and confunded, and it was when they said, Ponte-de- foot- and they got to

the place. The problem is that that day Marcelo and Chui no

knew what did, not they were to get to get to what was

what was and they were these things to remorinars into them.

In some moment, Chui, he started to be a different. And I'd say to you

that the day of today, you know, the opportunity to find out of to discover what what was what was what

was there. All of all that what they were that what they both, no was a probably of

the sky. And I think you know that you know what happened, but the problem is

that Chui, five years after that, I was in an accident. At the day of today of

the good Marcelo still still looking and he's going to alternatives and in

some way only something has been very clear. The world spiritual is exist and at

a lot of many have to see a moment historic. You could gain

for the final of the Cup of the World of the FIFA

with with Visa with BMO for participate. Incrieve you

or BMW.com bar obliq concour. The Reglement of the Concour's Applic. Family Nauturna, a veces, it seems that you would have some type of chat

for there and put them to agree. Because me sent out of these occasions, that are stories that have

a little that has to have been to these things. The way to be a day of

the day of the thing is a thing very very many people of a good quantity

are a good quantity of what they're I'm talking. Result that there are people in the family nocturn that have been made stories mentioning about

that are they're of families of or that are families that have certain types of dones or attributes and that they'd

start, they'd know, or they'd develop some of those stories, but has to be to talk with

the other people that can be there in turn to this type of don. There's a

child. There's a family, that is a family that have certain don't. She says that are like to be the things. They can see there

that the other don't see, but also can see things that can occurrary there. There's a part intuitive, there

has a part that has to be with the family, the abuela has made many premonitions

that's have been reales. Papa and mom, not they they're they're they're

things that are good to be able to be their parents, Papa and mom are two people are two normal,

standing in family is where reveling these secrets, and this child, since she's little, she's

with a stigma. She neither, she doesn't nothing. For her life is totally normal.

And it is a person that not encah in the family, because in occasions,

without a intention secondary, there are there's in torno this theme, and she

not she not she she's included, because as no, see, nor perceive, nor do you, nor do you, it's a lot of that, it's like if he feltar to something. The problem

is that, when she took up to 20 years, and of this, has been just, decided that I was to take hands to the work, that she was going to

start to do. And he started to get to persons, personitas that were there to be able to see the third her, personitas that

for there were to be insexual with other type of forces and energies, things that she was to popando in internet. He was so

metied in this time that she became an obsession. All the had gained of the job was going to investiener

in this. She had transformed as a hobby, hobby, because it was something that was a

thing. And it came to the moment in that she said, me, there energies around me. And even

I was afraid I'm just and I'm going to do you I'm going to do you're going to do you're going to more

more than my abuela than my father's I'm going to be more more strong but here there's

there's a question she she said that there was a moment in that something

he said deten yeah parate detent you, you know continue

you in that moment me contradicted me myself made

a I got to me myself, and me I'm I'm going to I'm going to I'm going to I'm going to

and I'm doing with a woman that's magicas, no I'm don't mean and I'm

saying a woman who you're and I'm doing a better decision in my life than that's that has played that

that that's a not a game, but not the I'm in it's a very much,

I'm in I'm sure how I'm know that I'm know that that's that this to be a

contact or to have a kind of a power, because my parents, because my parents are people who are not

something in what they're so my abuel my abuela my abel has a new thing that's

never has I'm doing now, so is that I'm going to superer. And I try this in the head. So, no do they need any one second. Me costed a

money, because the lady was over the fact of contact her ancestors. I'm going a day in the night where you have your local,

me receive with a whiffa that's be of a color blackcino, a color coffee-cito, no,

it's a plastic, it seems other type of things. I don't want to ask you what is, but me

he said, this is a wigge special and only I use for encounters you're prepared, you're that I said, and then me said that put her the hands above of the planchette, and

narrator, I just put the hands upro of the planchette, and I don't remember of nothing. The only thing is almost three hours after, in that this woman is a sustada in front of me, I'm just like parpadiating,

I'm going to the boca I'm going to I'm doing kind of a little rarro and I'm going to move to

and this woman just me says Lucy you're doing the head of the head of the head over that's

no me he's just to say you're a side of me he said you've I'm

you've got I'm I'm I'm not I'm trying I'm I'm I'm

the car and I'm just moving of one side of another and me and I say, well, I'll go to and you say to

where you're going. Narrator, me sub to Uber, the woman of a little random, she wanted to do that's

to get it. I'm in the center of my city, I was in to make to make a conscious of

what was going to was a madugated I was I'm very vulnerable for the

place in the place, I'm I'm to ask to ask to put

me, pass it they're they're very bad. I'm to the car, me

I was done and I despired two days after. Dice my family

that they were trying to get to get to not even circumstances they were

very very but they were they were not a medical and the

medical said that the there was no there no

that they're like they're that even they never they're

going I'm with signals with the family, I'm

going to get in the hospital, me are doing things and they're doing this no,

there's no, the results, me say, no, that I'm doing the kind of

that's that I have put in that state, that's probably that's that's

something, or something. I think the medical not had any idea, and not crean the

story of my father. So, so is that I'm going to this woman.

And this woman, first, it's is evading. And then I'm situa out of her local, until that

open the door. I'm almost from the morning, expecting that she going to be to open, and in one of those that's that I

top, it's a time, I'm going to and when I see, she has a sust, and then you get the

door, and I get the pill and I say, no, to me you explain what you're what you're

and then she's very agitada and me, and I'm, you know, not you metas, you say, you're,

you're, So I said, but I'm going to I'm going to say, it's it's it's a bit, but no is what you, what did you? It's what you're going to be to look with some of those eyes like of fear and I'm

what happened? And me said, I know what's been doing, but you don't know you don't want to enter you. I'm going to get to here. I'm going to be insisting like 10, 15 minutes, until the when you gotrashed the table, your eyes

were changed. It's like if all the venitas had been given they had been made because you're going with an

roguedges you're androgecised you're and then you're and you puffed

respiration and you buffa and you said lucy lucy tranquilla maybe

can't you can't you then when toke your hands in my

my head in my image a beastia and it was a me loo. I was away

to you, I was afraid and I'm started to grunier, you're more a animal than a person

you're you're playing, your hands were in the level of the appretado that you

the planchette and it was the unlawed and you did you and I'm that I'm

I'm sorry the door the door in the car. Narrator from that day

no me I'm I'm the things are strange it's like if some

some of me if it's like if there's like if there's something that they're in some way

in a little in the I'm in the I'm feel a lot, I'm they're going, they're

to deposit something, and at the time I feel frie, me siento and I'm like with the

days apagated, I'm trying the arm. Yulisa me made a story, a story that is of

the most that's dark that I've made that they're to take

very in mind if they're going to make a question. Yulisa is a

person that is very honest is very direct and me says, narrator,

I have a long part of my life. The flogera, has been my master,

I've been a time, it not be the primary, I've had many, my secondary me

was a bestpertina in the preparatory, and in the faculty, all the materials that

I gave in the morning, I'm reprobating one to one as if were part of the meta. No, I

can't get me I've never, I've done to do you, I've rendered,

I've been done I've been different and even in the house, and even

simply and simply for me I, I could get to get time.

Also, I've sometimes, I've also also, I'm a

But there was a moment in the that I kept without work, she had three months without work, and I needed, for situations of debt, to get something and I got to

my desperation. For the first time I was able to get to get to any work, but my curriculum, and yeah what had done the past

years, and I'd want to be in any part, and I began to get to get back. It's there when I'm

when I'm trying resources. And an friend of a joke, me says, well, be to you're a some type of

brujeria. With the brusory, you can't go to get a little bit. But she

me was about it. She's not of that of this. And I'm when I hear that

a person desperated, a way to be it. And I'm just. And me top, because there's a place that had a calaver out of and that's there, amarras, enbruch, and I said, here is. I meto and I'm directly to the woman that was there

into. Oh, I need, I need to be contracted. I have a problem with the job. What we can't do. And I mean, well, the most important, the pacto most important that you can't do, the way that you can't open all the comings, is the little bit of the man.

And signala a statue of the small of the murder. And I say, well, but what you have to do? Has a pacto with her? Offrecept. Rezae all the days. Putle all the days

a pure and tantito wine or tantito alcohol. And that alcohol I refer to alcohol digerible, of any mark and nomination.

He says, put it at the side of her. Pidle of the job and you'll make a case very

very quick. But you have to be constant. And then then then me says that's

I'm, it's like what I'm doing I'm going to get me to get a statue or me

you're doing, and then I'm no, no, and me do a stamp and I say it's greatis. I go,

well, how you're going to go back to go back, go, bet, better, let's do what you're doing

and me you'll be when you start. It's perfect. I go to the house, I'm here

the image of the murder, the point the part of the photo of my family

and then then I'm a puro, a puro a puo a A friend me it gave

another friend that is very tomador, that me did a bottle that has made a big empeasada, and then I just I'll go, well, we'll have to rest her this. A friend of the Puro, I go, that every that I've got a bachita me la de, that every that I've got one completeito,

for favor, me it'll regale, that in what is I'll do the puo, then I'll go to pay. I'm also, my other friend, I'm going to make a man, me says, that no problem that always sobachering, and then I'm going to be

that. Narrator, no not passed any 24 hours, or not 24 hours. Of a repent,

standing in the house at the time, they're they're about the business in the

time. But I had been been been in horrible, and me say,

oh, I think we've a wrong with you, we're to get

to make in the morning in the morning. And they've had made

a curriculum. I've I'm I'm months to not to

not to be directly to where is the image of this

Mewartre, of the Nia Blanca I'm inco and I'm inco and I'm inko and I'm going to fall out.

Well, a narrator, they're saying that the pesk there's and so I'm

some kind of some type of a kind of of a particular I'm I'm not

I'm not quite I'm going to get and I'm very but it's

not they're they're they're and they're and continue and continue and and and to continue and

and see it. And no there's for me any a lot of attention. And it's

because I'm very good. I'm trying to all the guys and what I'm to do you do it's

all the and all all right. And I'm still doing continuously for the job.

Gere to my first months, all the everything. It's a perfect. All right,

but I'm doing a thing I'm I'm coming because me's going to my family

that is the photographia that I the other side of the Santa Mewart. One to one, my brothers and

start to get to get to be a little. A grip a little. Hey, the other

in the other in the other and they were to have to the hospital and that's and then

my mom. My my my my dole in much the wosos and where me did

a little bit of I did feel. I said, no, I'm that this is

that they're going to do this and then after my papa, me just they've

to get to I have a narrator and I have to be honest, I'm a month more that the things were going to pay me, I had many I had much debts,

I was thinking that all this was coincidency and I was with these situations, until that my brother came in the hospital and

my father is desperate but is he's acting like in the life has been my papa, my papa no

he's, but he's like he's like he's like he he's like he has been of mal. And then my mom has transformed in a

fury. A person totally different to who was, who had known all my life, is a person different, frie, agressive, enojona, and I said, no, this has to be with what I'm doing. I'm going to, where I have the photographia of the

murder, me parro in front, and I'm to say, to be, no. A bit, to my family, no, you're going to be the things that me said to do do it. I here, I mean, to give the things that me said, and much thanks for what you did, but to my family, no, you're going to be going to be done. And I'll have the stamp. And I'm

enojada, narrator. I'm going to an encedder. I'm going to do it after three, four chispasos, that the encedador no has gas. I'm sure that I was sure that if I had a lot had a month in the house and no I've used it more than two But, well, no I had gas. I gotro cerrillas. The first are cemades. No, they're going to bring.

And I said, no me going to win. I go and I'm going to buy three cajas in the tentita, that's a mid-a-quoddra of the house. In front of the

sir, I'm going to get to the house and I'm, I'm to chichararar. And I'm to get to the abhito, the skinita,

the photo, and it's preending. No, it's kem. It's a It comes all the yam to where I have

the little bit of the and that thing is it's a chicharra my hands I'm

my own and I'm doleen and I'm really really bad so I'm really bad

I'm so I'm so I'm you know you know you know you know you know

the image of my mom fria disconocid of my my papa of my

my brother to be my mom you're no is covarde no is covarde I'll

to the stamp of the Mwarte to the photographia and I'll get to and I'm I'm going to runper in

pedasos there if did the troso in pedacititit let's do alcohol and I'm

I'm chichrra narrator but it it's just yeah to consume something

like to opacar the image because one and another again I have

all the casitas of the things that are those those were all

doubleed and a chicharadas and I said, two days after the two days after,

I'm going to be something, me, they're saying that I'm something that can't

be this this is because it is this something that's some questions and I know who is I know who

is. And I said revisem and revisem and revisem and result that if I trygo

there some pyrasicicula that is what me is that is generating dolores but me

They say that is very strange because all the symptoms that I'm not of that's that's that they're

doing to be doing that I'm doing to get to get to the hospital and to the same

that I'm the first I do with to say what I'm going to be going to not,

I'm going going to happen that. That day I go with her I'm

passed two things horrible. What the woman me did and a call.

The The call was to despondy. Me they were the security. Me left her

with a day of day of the day of the day of you don't have to be able to get to be

a pedasos. But the poor was what I said the woman. I'm with her

and I did you did you did you did you to do that my family. You

just just that you did you did you just that me going to and you said,

oh, hey it you think that the things in the world are that

and you question and you he left there, he didn't I'm

and I'm sure you're she's she's she's not saying me and not making

the part more important and me he said if you want you want to you

want to restarly and he said my family said then I'm those

they're also they're not no, so no and I know

and the narrator to day of day of many things the way to romper a and you have

said and they're they're a group of oration, and they're they're a exorcist

that's here in this community and that's that's strange because here we never had been one but

they're I'm going to be the rain or relampagued I'm going to be and I

get this that's that I'm this and I'm not a person normal and Lamentableable

has seen the Maldd Cara a car For Rebecca, the maldard, has the car of a person major,

vestida in color a old, anianna, with a vestido that no- back according to her age, with a rojo

that looks like a rogo, you know, of the color of this liquid, and it's a moan in

the head. That image has been from that is a little, but no he has

pursued, nor it in the movies, nor in pictures atterererer or

pictures, it has persecuted directly as a a person that's and he's a book

and he he's to do you all the when Rebecca had just seven years one day

was in his house in the house of her house of her there was there in

a particular that had been in a cassette, this movie of the time she had been for a moment in the two people and

the Union, I saw where it was, she was the back, it was in the casetera

for the people who know they're not a hand not a magnetica and you

reproducing to the television the movie. She she she gets

a all the volume and the movie and

not it doesn't even two minutes in the movie

because he start some talk that come coming

that she so that she's so that they

can It's a little bit the fear makes that you congelles, and this was the case. In the little, she gets there sit there, manita over the ascent, bolted to the door, and what see in the door, is a million-beces more aterrador that

see her mom and his papa enochados. There's a woman, of age, yeah major, of the skin very black, very arugated, that's onrying, but her a smile is a good, Her sonrisa is false.

It seems like if it were something that's full of enoho, something of fear, that's about to talk about to. And he's got to cut out of a smile. His eyes are free, are darkers,

the hair is totally blank, he has relamined to and the armidem. And then it's like a moan in a diadem. All is rogo.

His vestido is red. His zapato are rogous, and she, and she comes coming and Rebecca

is he kept being this this woman she's with her false

sonrisa and he starts to come to her and he and

she's and then to give her or without any kind of any kind of to

interactor with her she sit down and Rebecca she kept

watching the televised elated Amenasada, Fria. The worst

It's a minute after She has a carous that's that's sitting at

her way she's not she not emmana no emmitted any kind of any type of

any kind of any person Yeah, no. It's not the thing, and then the door there's a man He gets a

being to begin to reaganiaia But what are you seeing, Rebecca? What are you doing? What are you? That's a movie not put. The movie had

initiated and she had not seen. Nothing. It was aterrata. And only I'll look at his mom. She'd

get to be looking with the eyes and the television, apaga the casetera, the agar

of the hand and he's back to the the most aterrador of all the is what

no was there. No there no no interaction with the

mom and that woman. It's like if mom not could ever and Rebecca is her first she's when she's

when she's she's going to her mom when she goes to the room and the woman is seeing her sitting at

a dog as she she has been she has been she doesn't she doesn't she she that this could be a

kind of hallucination simply he wants he wants that the again the the

regaions have her and her They're castigated, but that stay in-cirquita, and the next days passin as she. Until that she'll like a month,

or two, maybe a month. Yeah, she had relaxed. That's kind of a bad dream. It was like a little bit of

ever, had done, maybe he thought, maybe he imagined. No, it's something that's a type, of things that sometimes do you do things.

And, of a sudden, Rebecca, is in your house, when they in the madrogated, that's open the door

of the She's intent to move and no can't. And is there, the woman, sunriented of the vestido rojo. The woman that's unriented of the vestido rojo, gets, she sits at the side of her in the

camera, and, Rebecca, the only that can move are the unpubilas. No, it's a paralysis of the swine, no ententee that's the person, what he's a man that's just to say to the ear, and with a voice rasposed, aspera, desagradable,

they said, She said, she wants to and in her is a but in her exterior, no can

show you can show nothing. And they're about the time, until that his

mom, enter in the room, and he says, how you go to do you

do that time? The halla of the hand, that does it

that doesn't, he's, he can get a and he and he can be

the light of the eyes, and the time, much probably

for the situation, the mom no he was that she was I'm trying

for something that she not even and not for the regano that they were they're in

never a mother, I was like with much a lot of my mom for that that was

that I did for that I'm getting in the room because I'm

couldn't move and that that thing that my mom no I'm

and I'm I'm very very disagradable. I'm a moment in the time my friend and

my You know, that's what What is what happens? If you're seeing and your mom no see, it's that you're

seeing things that you're going to be and then she she's a she's a little and that they're in

a little bit of and you can't imagine how she'd she'd make a little tititita

and and it's a person that's a person that's a person that's a person that no

that's different to the other people and the Rebecca has all these things in

the head. He's that he's a local. How is going to say to his father?

But into she's to say that. Rebecca, take care with you. You're not normal.

You're not normal. And look to his autoestim, little, a little, so it's going to be

eliminating, no, it and it's going to that that thing was that I'm going to

go to a couple of months in the in the way a person very gris,

very, very gris, her, his alogues, his travesuras, the things that did in the day-a-day that did they'd re-gainting

continually, they're gonna'n't, they're gonna'n't what's up. They're gonna do you do you know, they're gonna do they're gonna'n

about about what, that's gonna be to see what they're in their life because it's being like if it's a-pagra and no

they're gonna what it's, and then a night, Rebecca, in your room, yeah, passing the

things like like this form gris, she's simply that she's a lot. He'scuched some tacones, some tacones

that I've heard about many years in the house of her and with a lot of this woman

is trying and the door and the door with the car back Rebecca can move but

she can't the woman in the o'clock even when she has the other that he

says Rebecca no you moveas and she and she starts a fear

tremendous. She gets there, sentada, congelated, terrada. The woman is sitting in front of her in the camera and he shows that in her end of the indexe has a long. He put the uny in his dead dog ordo of the foot and starts a line from

the leg of his legion, and it's passing by the area, and it's a zone of the roadilla, and terminate justly where she has her shirt of pyjama. The woman in front of her sonrilled, she

and he his closet and in front of his eyes and then you he's got to hear the door to the

room, she goes to the room, and when she's a mother, she says, my ha!

But what you did? Because the the the one of this liquid vital rojo

that's that's derraming continually when they they're to get to the hospital,

he says the doctor very direct to the mom this this man needs a

treatment psychological is doing They're that he took some type of object and she Is that mark? And it's a mark that says, The day of today, narrator,

for me is visible in my Pyrna. I'm going. Even when for the other no, no, no, it's something like if me had marked that thing. The last time that

I was the worst of all, I was stucked in my abitation, and it was like she yeah she had been some type of power over me,

because in occasions I didn't I don't me could move, even when she not stood her, I would goast her and I'd get a dormita and at the startar me, I don't moveia. Now I'm trying

that could have been a paralysis of the but how you do you know of my your body? How you can't move? I know that's

that cause. For me it's the maldard. The maldard made a person. It's like the personification of the mal.

No, I see that that thing. But that thing me marked. And then after that had a certain

control over me and not could do nothing. I don't I don't understand of these themes. I'm in my

apartment. I'm thinking something. I don't know. I'm not I'm going to go to do. When I'm

when I'm talk about the maldits that they're now if I'm going to to rest. I'm going to

the room more rapid and more retumbent more fort. The woman the door to the door with

a force, with a door, and the mother grita at the final of the

I'm glad. I'm a little bit more. This woman me is being with some eyes of odio. The repent the oration

she revolveo in my head? No, I can expressar with my boca and this woman comes to the camera.

Me says, no you moveas. I'm I'm got to the oration that I'm

revolve all, I'm just I'm in black, me to come my feet, and I, I,

I, I, I, I'm, I'm, I'm, I'm camera, just I feel

how I'm going to start little to my view, but at the same time

I can't move and I know the whole I'm a little bit my nucous because where where I

start me start me I'm going and then after that the last that I remember,

is my mom grittando my name, intentando that reactionara

I, I'm my mom is somada and my mom can't be she, that it was like if something had been

marred there, like if me would have been trapped under the feet of the camera, that I'm

that I'm that I'm that I'm that I'm a narrator, I said that I was going to

go back all. Because my mom my my side, just for the

rabbi of the o'clock, I'm this woman. It's there is there back to the part of

the back to the camera. Me is the space more in the

was in the I felt that my life was going to that's the that's the last, that if after

another night more going to be going to get to be to get to and then then it would

come to the house. They're my mom and my and my and they come to

me and they're they're they're they're we're saying, we need a year

to you a place in the where you want to be able to get in a

hospital psychiatric. In this hospital I was beautiful. I was doing well, me sentia protected, me they were monitoring, I occupied to someone

in those moments, I thought that this woman could get in any moment. This woman never was and I started in this week

and I was in this time, what I had been to get to recover very well, I began to feel like I started me

that not was a person extrana, me felicitable for the things that in the studios all

allian and me said, no, this is a mal diagnostic, it's a you're living

much stress and me I'm like a great friend of the people that's there's

a person that's that I'm not you don't you can't explain what is

that you you're you're you're you're you're that you know it's

something that you get to get to my time. And my mom

and my mom just me my mom she's we're we're we're we're

a discult you you're you're you you're the house narrator, my camera, and a

spejo that we had in a game, my mom no mean, I want to say, why? Now, during a month

and I was doing a sleeping bag, and then they brought a camera, no, I saw a

problem, because the woman of Rojo never came to be able to be a much,

much, much, much, much, time, until I go to my mom and I say, I'm,

why I got them to why me said, why me my things. And my mom just me just said, look, one day

that you're not in the house, I'm going to hear your voice in your house of your woman. When I opened

the door, I'm sure of what I was, a vestido red into your closet and me gave much fear.

And I said, this is very strange. I have a friend that she was a friend of a type of

a type that we'd say that we'd didn't, that we'd that would be to come

to here. No, I've to say where happened she went to and said, she said, the room of your

house, and she went directly to your room, and where he's to reza, the space that you have been in a little bit of

and it's and it's and had meches of the hair and had a red red in all the

the world, and I know, I don't think that, just we're just, we're just

we're just, and there was a thing, she she'd that were to the camera, that if

was had had been a group and I don't see how you had that information, because if they were in the same place, and they were in the same whole group. No, I know what was the narrator. Because they were things new. No, I know, because first it was in the house of my abuela. No, I don't know idea.

I do it. Thanks to the soul, to the life, the destiny, to God, of that that no has worked to see her. Because today I have 25 years and you have been close to 10 years, that no I've ever been to top of that thing. But if I can't say, and And you do I swear that I could see the mal directly to the eyes. Malu took a

encounter with what I thought that was the Yorona. But after to hear the podcast, be family nocturna, and start to

see a narrator, I think I toped with something more more more than I'm when I was little bit of

around to the year of because the day of today is mother of a friend with a something that

she denomino that was the Yorona and it was the story that I was practically in every reunion. It's my apparent a yorona,

and as a manu, the day of today of today, is very well, very normal. Nothing malo has passed in his life after that. He was just

just like an anecdote. But then he found the podcast, he started stories, and he started Caves, and now has a

story very different than that he was in the story that when he starts he's a torrent in the gasnate,

and it's something that not to be be very tranquil. Malo me said when he was

a little very abentated, was very brimona, and it was a person supermement eventurra.

He was going to get to the world, and she had to make the little in the place

in the people, and Malo was up in the arpoles in the copas and he

started to start certain chistidos, and the people then when they say, oh,

there's a bruce, a brute, and they were they went to a malu that

was hidden, between the ramas and the foliage, she in the back to start

to make a little bit more. He was to getchars to the windows, when I saw that

there was one person, and then then it was to get a little and then

she was in the little bit in the little the car in the kitchen,

metia the man in cal, then then it was to move in the

water, and that was a man, it was that was So, so after

that's the Melenita, debaugh, in the part inferior of the windows, she had seen, a man who

had said to a little, Codhap, that they'd hear of the shrews in the house, and Malu,

then, then he was going, and then, he was going to they were to get a

back, he was going to make a laugh, and he was a man, Malo, was very travisa,

but there was a time, and even being traviso, his little, his tio,

Juan, The Tio Juan, for Putnerle a A man, the Tio Juan had a house to say

to make sure to make sure that you're that's never when you're going to put a

foot into the house. Malu was I was being an eventurra and she didn't know

to be that she would be not going to if she was able to she's capable

because he was a little Altanera and to start but the father were

very tachante and they said in that never you met alone. When Malo

has one-year-old, is very bromist, and no he does fear of nothing? Yeah, it's a sudden, the house of the Tio-Juan, but never enter, because no-law he'll have a little bit of quis-quis, he'd have a T'-a-a-a-a-

little bit of the Malu. He'd never care to come to-Ni-Nus, and yeah he'd have a Mewuptu' and he'd be a-reput-reve-a-recent. Tocable, the T-O-Wan, and when he'd be-Wi-Wan, and when he'd

I remember the Tio, Juan. Malu, no, you're going to get to sit here? And Malu only said, it's good, Tio, and he went. Malu was, as you can't imagine. A little bit. A chick that was taking those decisions and doing what she was pleasure.

One day, mom and papa are in the middle of a discussion in the house, they're talking about a a thing hard, me says Malu, me passed something that day that that didn't even know because they were they're getting ridating and event things, narrator. But

But I get a moment and me says, Moma, grittando. Andcatio, Juan, goyce to your house and digal to the Tio Juan, that's a lot of so enojada, that I go to the house

because I said, where I'll say, me will have to get to be going to me too, and I want the chanclaso. So, so I'm going to go

to the house of the Tio Juan, that's two, three quadras of the house, and where I'm going to get into the house of the Tio-Juan,

I'm, I'm going to see the door is opening if the Tio no he would have put the security and if

he'd be able to the air. No, it was not much air

but, I'm not he's, I'm like a minute, he'd I'm at

a man, Tio, Tio Juan! Me respond he's from him from him down to but

his voice had a narrator like if was occupied in other other

thing, as if was it was a pager it, and it

and it and it you know you know I'm like the

adrenaline me I want to make me to get to my mom to venter the chancla. So, I do passitos to the house and me and say, Sientat in the sillon, because in the house of the Tio Juan, you metias and at the right of the door

had a cello. There, I don't know because it had the sillon there, but there always had people. In this occasion, no idea. But there in front of the sillon, at one six, seven meters, there was a ventanal grandot that was to give to the patio. I'm sitting in the sillion, and as

I'm going to startrilla and I'm partalling, and I'm paroling, and I'm recarge for one side, and me recargo for the other, and me go back to the other, and me go to the other, and I'm going to talk to, Tio, Tio! Juan!

Venga! My mom my mom-le-lawed a narrator, and I'm here, I'm there, I'm there, I'm there, like, five, ten minutes, and in that I'll go into into that the door is closed. Ah, chikas, but who

it's not a cerro? But if I met and I sent here, Chibos, who's who? And where I I'm asked, I'm, I'm so, I'm wondering, I'm, I'm gonna get her, and me halla, but me halla with a force fea, me pego in the

wall, even though I'm borroso, and I'm pared, like, two hands very fervous, me agrar from the arms, me apriety, and I'm perect and I'm just to generate much dolor, and in that, narrator, me

I'm sure that I'm glad to the but that I'm sure that the window was closed, and I'm to sustar, I'll go back and what I saw, it was the anecdote that I'd countable in the festas, but at the day of I understand that there

more things that no had seen. Fronty to me, I see, as in the patio, it's a little bit of the piece, like a melina of a black, enormous, enormous, enormous, very high, but was to the

and it was moved, but it was rare. It was like if no diara like if not diaries, like if were to move in a type of patin or

something that would run a rapid, right, for the back, for one and to other, and when so

those deslisements, the cabo was to move to one side to and the roba and the

black, and it was black, black, and of and of a person, and the

woman, black totally, with the eyes black, and his mirrored, but so fea, that me a susto much, I'm going to to turn to, and the woman, I'm, I'm

seeing that I'm sorry, but now I'm going to the rostro, is all covered of color black, he's moved to a side, and it's

behind a little bit of an arbor. No, manrador, me bolted to the door, I'm going to make the door,

the door, no, it's like if if it's was a car with a key to teller, Tio Juan, Tio Juan, the Yorna, Tio Juan, Tio Juan, Tio Juan, the Yorona.

And my Tio, me opened the door, but he was out of and he's afraid. And he said, goyce with his mom. I said, he said,

he's a lot of a narrator. And then I'm going to get with much adrenaline, I don't know what happened, no see if he

gave a bromom, if me last is going to what, and then I'm coming and where I'm going, If I was out of the terrano of my Tio Juan,

I see to do not evenens with the hands, like if dibuhras a little bit, and is it being a sound, and in that I'm going to close the door and then it's never seen. With the hands temblorosas, and I'm going. You go to say what with the time

me went to enterando. Number one, in that house, I lived a Brucho. Much before the Tio Juan, the Tio Juan he was called because

it's all my Tio Juan was a adult of more of 30 years and he he was to get a

about the friend the Bruchery. And of the Bruchess and the Bruchess and he erred

the house And the Tio Juan not was that was that had to be there because

they were that was they were that they were they were they were they were

that the Bruchian one that's he was he was he was because if

he had not really going to get to be there there's there in the patio

just below where they put you that that that I was

that I was that I'm that was a other thing and the he had

a little the crystal he he was that he not to not the

part of the time that even the time could be here my tio

Juan He died two years after. Never me quixiered more about what he did he

and resulta that the sillion in the I'm sent the person that were people who

were people who were people, they were to the time. The problem was the tiron in the

the hand of the hand that's there narrator, no he can't be able

he's he's that has that's those hands that those things that were

that was that's something that's kind of with the thing that I live in the

patio of my old and with the story. And with this story family night, we've got to

this dark fokata of stories. Family Nocturna, the day of today was too

emotional. Today we we're doing all the monitoro while we while we were

driving about this first of this first a little distracted, but I'm with a

emotion to the feel. Thanks for having to have until the final.

And if you get to the final of this fogata for favor, tell me in the

commentaries, what was the story that most you know the story nocturn. We'll for that.

Let's a good week and that you know a good and that all this

times and you know a few