HABLEMOS DE LO QUE NO EXISTE - Historias de Encuentros Siniestros, Posesiones Macabras y Regalos Malévolos | EP 318

Episode Date: August 21, 2025

Bienvenido a ésta Oscura Fogata de Historias de Encuentros Siniestros, Posesiones Macabras y Regalos Malevolos en  ⁨@HABLEMOSDELOQUENOEXISTE⁩  El día de hoy les traigo historias oscuras y aterradoras que ustedes, querida Familia Nocturna, me compartieron al wts de las Pesadillas .Escucha el evento paranormal mas escalofriante que vivió Francisco en el aeropuerto. Tiembla de Miedo junto con al hermano de Celia, la chamana y la unidad embrujada. Descubre la traición de Jovita, la situación que que le robó la tranquilidad a Martin y la obsesión qué llevó a Ximena a uno de los encuentros mas espeluznantes que seguro serán protagonistas en tus dulces pesadillas. Asi que prepárate porque llegó el momento de que  ⁨@HABLEMOSDELOQUENOEXISTE⁩  HABLEMOS DE LO QUE NO EXISTE es un canal de youtube con el formato podcast que comenzó en abril del 2022, su primer episodio fue "vivo en un casa embrujada" en el que una chica narró sus vivencias y sucesos paranormales a lo largo de 20 años en la casa de sus padres, desde ese episodio hablemos de lo que no existe ha marcado una tendencia en exponer casos paranormales de personas comunes que viven en diferentes partes del mundo. Ice Murdock es el conductor o host de éste canal, durante casi 100 episodios no apareció, nadie conoció su rostro y la comunidad de éste canal , la familia nocturna , creó teorías acerca de quién era el dueño de esa voz. Hablemos de lo que no existe se destaca por tener apertura ante las opiniones experiencias y vivencias de cada uno de los invitados. La comunidad de éste canal es conocida como la familia nocturna, de hecho por estar leyendo o escuchando ésto, tu ya eres miembro de la familia nocturna.. bienvenido. El duelo de historias es un concepto que se creó en el canal @Hablemosdeloquenoexiste, idea original del narrador, se estrenó en el episodio "Comité de la Muerte ,historias de Hospitales" el 1 de junio de 2023 y empezó a implementarse formalmente en el episodio "Abrí la puerta a un Demonio" el 11 de Enero de 2024 ; consiste en un duelo entre Narradores, una dinámica sencilla, donde cada uno cuenta una historia y busca superar a la anterior y al final la familia nocturna nos comparte en comentarios cual fue la historia más aterradora.El Narrador y todo el equipo de Hablemos de lo que no existe trabajamos para darles a ustedes querida Familia nocturna contenido original y de calidad, tardamos a veces semanas ideando formatos luego de tomar en cuenta las cosas que nos han pedido a lo largo de la temporada anterior y por eso el día 23 de Septiembre de 2024 comenzamos una nueva temporada que llamamos FOGATA DE HISTORIAS, en donde el narrador prepara una serie de historias escalofriantes una tras otra para retar al espectador a terminar el episodio por el nivel de miedo que genera. En este canal se relatan historias de terror paranormales, sobrenaturales y reales, prepárate para conocer el miedo de una forma en la que nunca lo habías experimentado.​

Welcome to Family Nocturna, to this oscura fogata of stories of blemns of what no exist. The day of today, Family Nocturna,

they had a pendent. Yeah, that the Lunez, we could have this episode.

Today, we had to smelard, I and the team. So, so we're just that we

did we have a group of stories, a packetit of stories absolutely oscura. Today,

we're going to be about the encounters sinistros, obsessions malevos and regal

macabros. But, before to initiate, I invite to you know, to relaxes, you see, you know,

you know, or something to eat, and if is that you get you to be able to the episode,

for favor, make me the final in the comments. One of this, let's do this scura-fogata of stories.

Francisco had a normal after three days, because in the history that me says,

narrator, after what I've been very probably my life not will be able to be the same, nor I can't think to think

but to think but to understand to what's the what was what he was what he has been to talk to a little about it.

Francisco is a family nocturran since more of a year. He is part of a firm of

abogados that has a good renomber at a national. For questions of the

work, in the the the world has been more than has been

to do do do things in the Republic Mexican. He to make

a series of contracts for the company, and that's normally a person with the

feet in the land, sumamente sobri, very cauteloso, analyza much the

situations. For what he was, he has a little mea, a little

fissura in that maya or in that construction that he thought that he

was a about what is and not is real. Resulta that,

he said Francisco, was in a city of a city of a place, in the he was just

to do a start a contract. And me said, Fichternerner, that were some days

about stressants. The thing of the contract, that's that we had been a

little a new and I did a and I'm got to many surprises, the clients,

and we had to make some modifications express, what what implica

that during 24 hours, practically for three days a seguidos, no dorms,

nor come. It was made a manoe of stress and the nerve- but finally the contract was made,

what he made to me quitted to make a lot of and what I wanted to do that

to get to get to my house and to be a time, I'm to be a

time. I'm a vehicle you know for questions of the company, as I'm

pay them biaticos, I've and I pay one of a look. So,

so I'm just going to be in a car, of a vehicle, in the case no, I'm going to nobody want to talk to me,

I'm trying, and I'm thinking in that I'm going to get to get to my house in three,

four hours more, I'm going to do that two days and then after that then I'm

going to get the business and I'm going to receive a good lot of applauseos

and probably probably a bonification. I'm in the car, I'm perfectly well,

and I remember that I've been I was all the Sondra that mentioned some of some episode

of San Carlos. I don't have heard so I'm put to listen to and as I'm very

can't be so I'm pretty much I'm on the time I'm just a hour and

we're to get a hour and it's so it so it and the history

of San Carlos and I get in a pair of a car that's very

strange I think I'm I'm I'm because it I'm because it's

images woman in front of a multitude and his eyes, we're not good. So, so the image, I have taken to feel a little bit of nervous, and I'm feeling that the pill is put in a galleon, and then he gets, and then it's the vehicle and he says, yeah, we're going to be able to

first time. I mean, me just a lot of the theme of terror. You're just simply for that me will the time for that the hours passen more rapid, but not it's like something in what

is presteering or create a much, for me this is fantasy. So, when I go getting to the airport,

I'm nervous. I'm feeling so, and I'm perfectly what I'm a expert in that thing. I'm in the

question of contracts, me to talk to learn to the part of the negotiation. So,

I'm very that if I would be a contract, I don't have possibility of another to gain. And I'm

looking to come a position. I'm directly to the manned to the airport.

For this I've had already the water. I'm go, I'm going to

put a lineer my robe to see me again, I'm all my documentation,

all, I'm still, I'm I'm I'm I'm a problem

nonon of the that I have done I've done count. It's supposed that in

this moment I should I'm going to be able to the car to be almost 20 minutes

and then I'm thinking that I'm going to go to the door I'm going to my

pass, I'm my credit my I'm to get by the marita

that I know that can't be a very agile, I'm I'm just that I'm

very quick that I'm too that's probably you're probably attended very

amable all, it's a situation a situation very strange. I think because

me view very nervous or very accelerated, and just behind of him was a

there's a point of the and I know that my flight to me

relaxed as I can't tell you all the tensions that I had

on the stress that I had to I'm and I want to the

I'm a question, I And then then he said, I know I'm very nervous, what What's the question? And I said, I'm, officer.

I've said, I've ever that the whelowel I'm back. But originally I'm back. Then I thought that he had left and me to get in a problem

with a company, but that's all. So the type me still like interrogating, a pair of questions that do the same,

yeah at the final, be and he's, and he's, and it's a problem, and there was a problem,

yeah, me he'd pass, and all the perfect. Yeah, I'm quite I'm going to

go to go in a coffee or when I'm when I'm in the time, that even that's

even in that moment, they're doing the time, you're doing the first, you know, the ones are going to

get a problem, and I've got to my bolzill, one of the first ascentos of the vehicle,

because something I don't know when I know, because they're to understand the

people, that this is something that is something I go, I go I go various

times a week, then I represent a problem that when I don't know there's a place to put it

and have to go to get to the air, because a time I'm like I'm like I'm I'm a

three days and get to get to my things and I'm going to make a lot of many occasions I'm going to have to be

to come to be a problem all and some those are the so for me is it's a problem

so that my bolsting a second but if I don't get in time in time those files no me

respect to any space of my maletta, no space so I'm in the situation

like if no that you know, I'm in fin I'm I'm

that I'm that I'm that I'm going to go and I go back the entry into the end REL

the the end of where it has to form every one of the

are in the different groups and those questions of who enter first, and who enter after the first. I'm acerco with the lady, I'm worried, and one part of my head says, like, as if you were your whelow. So I'm very nervous of that really, I have seen as far as

indications, because yeah, I mean a tardy, for the retraso apart of the guardia, and the seniorita me said that no, that is going to say in that place, and that, of actually, has a little more of retraso that with all tranquillity me that's into 10 or 15 minutes

are to put the letterers and there I'm going to form it. I don't know how explain to you, because at the moment I'm going to a luch interna one of the last

great that I've been in the life I'm up to get me dormied because so many chockes of stress since I

backed of the taxi for the susto that you made you're still the guard of the airport and now with

the lady with the idea of that he had been relaxed and it was me started the eyes

they were I said, I'm going to get the avion, and I don't know I'm to say,

for I'm just to say, me get to do this, I'm sitting there I'm sitting, no I'm

want to be like a but really really I don't try I'm not of energy.

Intentto come in a part of things to start masticand and that me maintain

and I make sure, I'm that I'm that's the and the contrary to me,

I'm going to cause a problem because maybe me will to be to

trygando So, I decide that Yeah, that pass what I have to pass I'm going to do my better Lucha, I'm kept

sent out, I'm going to the assa of the maleta over that recargo, my barbilla, my barbilla,

my mind, and I'm going to get to my maletta, but that will be that's all

that's all my better, my better to be my going to be so I'm so.

I don't know, how time really happened, but not could have been much,

because the people of the airport still not put in the letterers. Where I was sent out originally,

no idea. But in some moment in the when I started to keep up to be

to be in my heard of the right, Francisco, me I was up, I waspate

with a nerve because who who he knows there, and apart in the

moment in the moment in the I'm like in my mind, I'm

say, I'm I've been, I was, I'm a dormido, and I know that's a dream, but with my eyes and in my mind, I see this mona of San Carlos, and

I almost pung a grito in the sky. No, I'm in the airport. I think me I'm imagining. Or, maybe

no, no see. The point, narrator, is that I'm just pego a grito, me have to the right,

and I have two ascentos to my right and then I'm a woman. The sirs talking with your family,

nothing to have to be to me side left and a narrator is a

a seat and then there's a person sat down that's a person a man who

a man about about about about about about about

ten years delgado it's very very very is a curved

and it's where it's his codos on his little he's like you a marmunt

has a side of the the person's, and the type comes with a

black that's the of those of that are for the amount of in the airport.

That's me makes very and it makes a kind of a alert.

I'm he kept being and I get to do find

to there there a rarer like a sensation

of a tension I see a I'm the

people that are and all are going to to see this subject. There's a

person in the other people in the front and they're going to see and I don't know why. So, then

I'm going exactly if this is this me the I'm really really, because even I'm also

I'm too much of getting a facions of the rostro. It's like if we're we're not

we're in full of night and there were lights with much intensity and if they're

light, narrator. It's were the the day, there are ventanals, a lus tremendous, but for much that I intend to record, I don't recall the factions of him, and all this, I do in my head as a night. That person is there, murmuring, and, of

a sudden, he starts, tell you that he's going, tell you that he's going, tell you that he's going. And then, gruegmy, and other once, says, I said, I that's that way.

I don't think it. I'm not this person. It's not it's not. I'm not so he's in the

thing you know something. I don't see. I'm not a lot. I'm very dispirto, but I'm going to

say, narrator. Very dispirto, what you want, all that scene for me

is the night. No, there's light in that there's enough because no the look

the car. It's I'm trying, I'm present all the attention that I'm

I'm to make the maleta but with a force tremendous. Because if he gets to

attack, this is going to be a good, or maybe I'm going to have to have to

have to a lot of this. I have to have a lot of someone, because the

person is that's in the five sense. And apart it's is a

person who is a very strange of anxiety. I'm I'm very very strange because

I'm I'm not a person so susceptible. I've gotrast in curva with your

story of San Carlos but that's the time in the day-a-day and in the normal. I'm in many situations of tension, and to me not you're going to be able to be able to show a

emotion, because for the inside I have to have a temple of a zero, and here yeah, it's filter, all the anxiety of the way I'm able to maintain and support. I have gotas to goreying to there,

I'm going to get to ask you, and I'm doing a effort a titanical to control me. This subjecto, of a sudden, and the nade,

and then it's and in that he's his brasos and he's his back to the top and he's

saying I am I am God I am God I am God I am God! and he starts

the narrator but his voice not was his voice not was not the voice not was

not the voice of a person it was it was it was like if her voice was

had a voice that was that was that's detract, not the person, retumbar in the place, and we'd have all audiphonos that synchronized in those, because we'd gettable in the ears. I'm

to taping the ears, and I'm still listening, like, grittando me, and I see that various people are still and all we're doing, but with a tremendous, and then, I'm saying, you're saying, that's saying, that's going to be go, so, God! And in that,

Kae of roadillas to the piece, it's going to up up at the

other. No, I'm not this subject is like if it's like covered in

somebrough to the other way but it's there in back, not it's not a

guardia? All in that place is a silence absolute. I'm a new

my life I'm never before I have never I've been

to do all to do all this to do not not I'm

paranormal is narrator, but I'm a fear and I'm a bit of a point of to lose the life. It's what I can't express. It's still refunfuneing and still being like some some kind of grunied and then let's get your body with the hands extended and with the head, with

force, I'll play the piece and he's getting there, grunying almost for a minute, two minutes. For me for an eternity, but I'm just thinking that if I'm just going for there and he's and he's a arm's

a hand of a hand in the airman in the airport, there's a lot of revisions but where are those people

like they're doing all the people, and they're talking about by radio and they're saying

they're still like I because I can't move me. No, I'm my head

is accelerated my my body me says that this is a bigger imminent,

I'm there more more than this subject that starts that's just to get to

what is what is going to to the air I'm a little and in that the

subject is put to a foot put in the lot of a lot of and he go to

a place in a I'm not you know I'm a lot of how time after

after that because I'm me me myself with the hands extended

above the ass of my maleta but I'm my mind

is in black no I'm I'm put so I'm a situation

that's what's what's what I still thinking that that subject will go to regress, not going to do that. And the time begins to pass. It seems like if the place

would be colded. Because nobody's move. All of them are still with the mirrode. And it's went, and it's he went, and it's he went, and it's going to

get a moment. And of the time, I'm a time, I'm can't move, regress to me to me like

a sensation of tranquillity, of peace, and the place is the day. I'm going in my hands,

a thing they call denario, or decenario, that is a circle that has a little bit of

a cross, and I see in front of me is a man, and a whole, and a

manned, you know, that's your character, and he says, he's smiling,

and nothing more, me says, with this you're going to be being, thank you,

no doesn't nothing. And it and it to me, just where

was the type that did all that that farranch that's that's a moment a part of

me he's to say you have a posseal he's narrator my

my my heart so I'm I'm going to I'm I'm I'm

feeling a bad at physical I'm to make sure I'm

the decenario I see this type I know then that's

vestido like a frule like if were some some

kind of be the scenario, me I'm going to that if the friels not are not so people are

people not much, I'm doing just looking like I'm just going to be doing still being

stressing but I can do things I'm put on the put a bit a bottle a bottle of

a bottle of a water I'm put to take there, I don't have any I'm sure

because all the rest of the world I'm not dorming nothing, but there I'm

in the case, and if this type regress and if this quate

more than a a person is something more and we're going to do that do you?

If you're a little thing, and I'm at the airy. And I'm going to get in a

problem, I'm going to be able to all. If I'm this guy, this type that's

this guy, he's got to the boy, I don't, and if I'm going to get to be something,

I'm going to get in my malet, no me important. With all the all the

and I'm all right and I has been a little plan. I'm going to be able to

be the last of the other people who enter in the car, even the people who are this is the

last time we're going to be able to get to get. No me important that I have

been brought the place, no me important that my not that my matter.

Now, now I really think I'm really, I'm really I'm in that I'm get to

get to get to get a so. So, so I'm a narrator and I

see how go passing the people and they're more of 20 minutes after that they're

going to all the I'm going to see that the guy he's he's he had been he's

a little bit of the last final and finally yeah I get a moment in the last

never he never he's this person I'm I'm that the people who's

very nervous and it's when it when he he's when I'm he said you're going

to do you say you're I'm I'm I'm I'm I'm I'm

to have to have the opportunity to put my marita in my place, to have a good place for fear and not capture something so they're

going to be able to after this person who's probably probably maybe, without a far rancho, without a

and they were getting a little. It was obvious that that that was that was over, so that's

that's a narrator, me go coming and me met in the the passio this that you get to

the car to get to the seniorita. The seniorita me says,

sir, your maleta is going to have to be documented to be, I'm going to have in serious some space. Me, he's

in what we we're doing, in what we're the last time, we're going to start the door, so is that revise

all the passio and see if there some there's a little people, a seniorita

up at the front of the avion, me says, here there's a case there's a way,

oh, that's my asient was in the second-fiel. So, I've got to carry all the

but I said, I'm going to I'll try to go to see the I'm going to I'm going to start by the passio and

more or less like the middle of the airing passing the saluted and me he says it I'm a

with the smile and I'm going to make a move to do you back. I don't I'm a person

religious but at final it's a great I've done I've been very nervous

and very so I'm put in the mind and well it's the idea I'm dominand, a narrator, and no

I see no one side, for any that's the subject, but also, not a single ascento, I go, I'm so I'm

so I'm, I'm sure, I think that that person would be to be to be here in the plane, and no,

nothing to make these ideas, until I came to the final the final the first,

and I know I'm that the only a second is the one is the is the

that is the that's the my. And I'm I'm trying to that maybe that's a subject that's sent to to two asient of me

in the airport I was to go to be a lot of me and I would be going to be a vehicle to

be a man. And this idea me starts to the head to the head to so I'm

so I'm that I'm I'm going I'm going to hear a voice that I said, Francisco.

And when I'm going the eyes, For one single second, I saw that subject sat down there. And then

I thought that narrator, no see if my imagination, no see if there are many coincidences, no see

if it was my cansancy, but I thank you I have had been that I'm sure,

I think my life could be the same after this because now it

makes that I'm making I'm think I'm sure sur-joled, Pucance

Moines for 15 minutes. We're like it's the hour Dojo? Prere to play? Vive the pleasure with Leo Jo.

The casino in line that proposes the most recent machine-as casino in direct. Profite of 50

Tour Gratue on Zah without exiganceance of Mise and it's

done you whewo! Sontier the Pleasure Play-Ojo 108 and plus, 1,000

Depos only depo only depo Tours RANNus B'Bass Bonanza DePo Minimimim $10 $0 million

to pay of a way responsible. The conditions apply. Biennue at board of Viarai. Embarked and

profited. Embarked and relax. Cirotay. Bookiné. Oh, so also. And profite.

Via Rae. The voice that we're about to tell you about these things that are of

these things that most I love and since many good time, and since

many made a story He had a situation that for him no has an explanation no know what was what he lived but from the day he left for complete

the peace. His head no he's over-pensar things, no he has to be going one and other once for the

route that they are in a encrucigated that make that in the nights that he he'd never

he'd be a life quite, he was making much. After the five years of having been

in a time of the time he had He did many other things that not he liked. Hecabed to get a new

employment. He was going to get into 15 days in the that's the same. And now, if his functions

were very according to what he wanted to do what he was very much. He was so content

that he set a little of his hours, he was due to his mother and he said,

we're going to celebrate the new life that we're going to give to this

and he he said, she were to the city, because they'd in the afueras just about

about the economy, he said, go to the money and you know, the quantity that he gave

of the money was nothing dispreceable. She and he said, he said,

and he said, and he said, he said, a very good a good amount of time,

a good time, it's a few years, we're not we're going and we're not the

things that are you are doing, you know, you're you're you're

this and you're so and that's money, it's a a regular,

he's a car, and he goes to the car, and he he's two children,

two children, who are five and seven years, and that they're

in a minute all the time, or for the controls to

a video or for the cellulal that one want to

want to see that one for the same television in

that he was his put a little just, just, just,

one says that you not want to see that that's that's when two minutes before

he's in because these two kids are the people who have been in the infancy. His wife

is a a little bit before the he said, he said, he said, he said, and it's

no, pass nothing, I'm in a car error. Never confiased in this type of

situations, although, well, no, no, no way to anticipate what

what he lived, Martin. He said Martin that at the principle, all was very simple, that for him

always had seen the problems of his children as a situation very easy to resolve. If they're

being those things different, and yeah. D, the more obvious and that's the

cell. The other he does the other one in the other, he's going to the second,

he's he's that the tele. And the plan of Martin he's went to

the part of Martin understood because his esposa, passed a grand part of the days stressed, saying,

one time that he got up at the job, for favor, you know, you're incargat the children, because he did a point that one and other only were just they used to be

a lot, that one he served more cereal than the other, that the leech is more free than one and the other, that is the same, is exactly

the same, but the children are to put in a play. And is that give me of your food, because is that more

more fere, no, is that the t'cue is that to eat that you is the you're the you're the and they're the

time picking the buching, as it's in some and other time. It's a

moment that Martin is that hard, but so hard, and just have passed

two hours in which decide that the better is to make the fresh,

start with the and then that's that the only way that that's

matter, is to take a one and take to the one and the

most the most little of all coming to the door,

it's a quarter, he can't that's the thing, and then it's a problem of

to get a little bit, he's that maybe could have to be able to the door, and he's

going to be a little little, he's a problem, that's good that's that's

that's that's that's that's because he he's he's not he's not

he's gonna and the other guy, and I'm me, car me, car me, and I'm

that's a car, Markin, is a car, Casa of Locos. So, just that just he's just

he's just, I'm going to see, Ponte a television, yeah, for favor! Agar the little his

forces, he's out of the house, and he a car, and he's a house. Put the

the little the person and he says, for God God, he's like a normal.

Deh, to start to playing. And the little, act of he gets being seen

and he he's on and he and he and he and he and he and he

is like limpeying the and he starts and he starts to cry, but he's to worry with a lot of a lot of

and Martin he's not what he's going to do it, he's going to think he's doing some kind of and the only

that's doing is to get free of the class of the chasels that he has all the time that's generating

some type of that situation. No, he's absolutely has over-reived the last years with this pair of the two of the

two of the way that's that's in a good moment and it's free. He's a calle. No, he's want to get

strugar, no he want to get to get to 20 minutes, you have passed two people and

they're getting weird. Martin, no know where is to find the case? When then

then says the other thing that has been that's that's he's been Martin in

he's the he has done, and he says, Yeah, what I can do you to get you and the little and the boy me a chocolate

descarated and disalmated. He just knew that that he's used using to use and he's noca.

And where's he put the hands in the arms in the arms, he'll and just

above the head of the little the barred of the the bestina and he he's

got to get to something to happen a a nyebla very dense that comes to come to. A newbara, but it's

something that never has seen. It's like if the nubes had been back to bea'n't the height of the piece and

they're going to see a little. There's a movie. There's a movie that the author of

terror, that is the name a nibla, and then see that I'm not, I'm just imagine.

And there is where it is where it has a more rarro that I have lived. The color

of the nibra, of the color, to be a black, it's a red.

But it's there when it's there's a little all the way it's a kind of the

thing that's like if something they're some like they're those little bit of the little. I'll see

the new. The new also has matices in the rostro, all of the color, all

is a matisse, he's all being deconcerate to be getting to the nebler the same, you know,

narrator, in my life I've I've seen I've seen a lot of my child for me and my husband,

I said, this is the thing, something, so something something that's something that's something that's

something that's something of a girl or something that's all right and I'm a new

to be in a new, I'm a carro, I'm in the other, I'm over the door,

my my new now is my new not doing and it's all right the other

is being to the Then I met with those two, the back, I'm going to do. The door, I say to the other that's the window

and it's going to come to come to the door to, leave the window abirted, he comes with me, I'm going to see the window and when

I go, all is the color of other way, all this is totally normal and no one and I'm going. And I'm

still in black. Volteo with my children and you're just they're all and then then I said, if you're

they're saying what, Papa, let's do the bird the nubes, Papa, of what you're talking?

And from and from there I've never asked but I'm sure of what I am I'm sure that that

that was over that those were there and that's that's the day in my head not a idea

to give me a simulation to a Celia no he not you know,

the story that I'm going to tell you the day that the day that they said the person that she was her

person that's He was a lot of fear and perjurva that what was saying he had to pass. There's a man. The brother of Celia he's a company that's in a company that's

in charge of different points of the city. No, I don't think if it's water potable or a theme of water of riego. What I see

I'm not sure is that have an horrors that are horrors. Manage are times rotativos, in occasions are for

necessities that they have to cover. So, we say we we say it's a, a, a place

personal and he's over a job. Pover, Emano of Celia, in occasions there's some people who

do it in the caro, she gets to be to be in the company, because he done two, two or three

hours of and he has to get to get to get to a little to get a

or a potable. The question is that he has to be made in a

quantity of places that not you'd You dare you'd be to be able to be able to be not only of the city, but places that are despoblaced out of the city,

and getting there the services for those those who are those contractors in the company. He, of all these situations, has never had been in some situations. He has been precautions for the places in those who are,

that are, that are places like a high level delictive, places in those that he can suffer an assault. But this has been the only time that Celia has been a lot of his brother. He's he

he said that in a certain nocturno, he asked to go to a one of a little little bit a little bit the problem is that they said

they were in the unit 112. The problem of the unit 112 is that nobody want to get to get that they're

that's simple and simply and simply simply the person that are that after after two or three hours

something will going to pass. Or a a little choque, or they're going to assaulting. Or, of a sudden, they're going to be able to solar, that they're going to problems in the transmission, and terminate in situations

very compromisdoras, where there have been cases in those that have accidents lamentable. None of the cases have been so quite to say

that's been a life, but have been terminated persons in the hospital. So, that all have been tachated, The 112 is the is the bad

Suartre, of the especially when someone he's a report a person, it's still

more after your unita is waiting, he's still going to get to get a and even if

they're overcalentata or prefer in another than use in another, as he has been four

years there, you know, that legend has had been of accidentes and in the

night and you even a one is a one particularly you're

doing your card to renunciate your card of despid and your card of defunion so he decides

that he has to go that zone so he's really, he's he says no, no, no me come you guys with those

tontaries, no be, you know, you've been, you know, with those of people, that's

that's all you're doing you're, you know, you're going to work as a professional. And the the other

he says directly to his jeff, is that if if no, I'm the unidad,

no I'm going. And then then the chief he says, if not you go

you I'm despido, and I'm going to go to gore to do you work. And as you're asking,

that's something I'm there's a part of the cargated the cargated the carriages, and the pass

and we're in a problem, or you go's just you know this the one of the first he was so

and he's so much he's seen like that he's he's to let's let's

let's he was to get to this situation for the goal and then

And then, certain part of his mind he said, if you get to be without you get a

husband. He is a pap primarisa. His his child is a point

to do you not have a good thing. She has she's she's

she's she's that's still constantly. But also he has been

that cause because in various occasions he has got part of

the raya of the pay of his 15th in bever alcohol and have

got to alcohol and the madugated when they're when they're in the house. So,

is that's that you get a job at never they can't open the door.

It's a situation in that you sit in the person and it doesn't feel to feel like

a bit of a so bad. So, so it is that is that you go,

he's not, and it just when is a point to get to the place

in this PIP, it's like if someone is So, back

the carmette and he's thinking, no, no, no, no,

I'm going to be going to get to be a accident, and I'm to see that I'm doing this

and he does, what I'm and he says, and she said, the chaman,

because his friend, the chaman, he's has made to the other and she

does, and she does it with people, I've said, he's a

person, but already, a a quite a to rest. So,

he's that a cellar, he's a small of the time, the chaman, he says, well,

you're going to do you do you know, and then he's going to the jeff, and he's we get him

the problem of the pipa. The chief is too, not you have been still? Jefe, you know,

you know, you know, I've been a lot of a limp, he's got to the limpe, he's over,

yeah, he'll be going to be a little bit and he Jura and me assure that never will

pass nothing. And you after that will be going to be able to be able to

the world. If it's a lot of $2,000 and then he'll get the cellular, he said,

you know, and the chamanca- and the chaman says, in 15 minutes there's there's all,

and get to all your arsenal, three mochila little and one things,

the chief if he didn't tell you never to know to know just

the money, here's you're You pay the lana, no they've got to their excuses of that the pipa

is too that's inbrujada that the bad luck and they're going to get to get a man yeah,

yeah, yeah, yeah, the chaman the chaman he says, I said, 1,000,

you know, he's done, a man, just a little, that's all to do it all,

we're going to let's get the camera but, look, like, no, without,

without a bad suart, and he said, and he's, narrator this that I'm

going to say to what my brother. He said he he gotro some of the he said he

had been necessary she was his last my brother saw how these things were put and they

were put down a lot of umo the chaman he said and then you're going to see

you're going to get to the camoetta see what the carmionette see what's what is this I don't

I'm not and nervioso, what is happening, he begins to vibrar the man, and then see, of a repent, that they're going to to venter a much more, but a

quantity tremendous, out of the cabin, all of the water, and then all the humo is to go to the copilot of a person,

and the humo and the humo in the ventils, and my man, it's a friar, the chaman guard his

things, he regress to his $1,500 pesos, and he says, no, you'll be, you go,

and he's something. And he's not he helped to do the thing. My

brother. My my my Well, if you get all the deject, let's go in peace,

and it's where you start, and it's going to get to not the matter of the but I'm

saying, my brother is very bravo, well, for the chancasos, my

brother never never ever he had seen that has been that'susted. After of that,

he was he was working on the company, but never he's

never talking about we're this. to be to be in culled me with all. What they're to hear about them, is something that we've lived, I and my family.

I need to understand that because I'm going to understand what is what we're going to understand what is what we're going to be few names feos, and it's a tradition that they've been in the women since much time. No, I don't let's

people who are the other people that say but it's something that I'm very present in my family and I will runper this tradition. My abuera is a hobita that I think

for vengeance, he put my mom, Rafael, and my mom, for vengeance, me me put Tonya, Antonia. And I'm so a problem, no, non-narrador, because if me questions, you know, you know what you're asked your name, and if you're going to say, not you know, because I'm so don't know how much a tonnet, but tan, too nita, that no me kept a other

name. So, look, in my family, we have the tradition of the numbers feuds in the women, I know why, I'll tell you to hear that tradition. And that tradition the initial my abuela, and my abuel is a can-in-yja. My abuel and I we had the best relation of the world. My abuela and I, all the

time, we used to gogamous bromas. She was like my complice in many pechories that I had in casa since that was a new-in-lawed. But the very can-in-jia me tried when I had 14 years, and never me going to forget about that. Just in the birthday of my mom, my

my abuela went to visit us. And that night, for first time in my mom a new life, my mom a new a new because it was

so really that thing, that night, we got to get a rebanada. Not was very great,

for so I think that I was a really costos. And it was that in the morning,

me got it very very much I did do you because I didn't get to the

refrigerator to come me and then after then I then after my abuel Jobita

with the boca-yen-dain to eat the last bocad-o-vok-o-o-vok-o, and I I see from the entry of the cuisine

indignated, and then he's it. Ah, Tonyita, what did you did you? And so,

the bit-en- to the box, and then my mom pego a great-on- in the

cello- no, to-o- I- did you did you, I did when you

when he's when he goes and he said, no- he-old, that-

she- -one- and she- the carina. No has idea of narrator, because it was so very much

that's a problem, that me wanted all the reganions that I'm my mom, me those and I'm

did it. I mean, I said, the other than she was the she was she was but never

I'm going to forget that she that she she so I'm going to some things

with the little she and the way of the I'm doing it

was my abel was jorobadit so so I had to and with

a chorovava He said, Oh, Hobita, oh, Hobbit! And I'd say, You're a bit about it. And I said,

You're a cabronna. And then I said, it's that was good at the rebanada, right, Jovita. And me even. She and I we were very

good. We used a chore. Sometimes we we'd have been the case. She was the last year, because she was

the one of the hand and me was to the front. My abuela, I was the I loved, and the day

that was you didn't idea of how much me do you. But also was very very In the

very a very a very a few four months was a very much for a

time you and the day I'm I'm I'm in the house in the hospital

still was and I go to her and I'm the hand and I'm

oh my hobita oh chobita because I'm trying to try it we're

we're we're in the time and then she she got she got

like an a a I'm I'm I'm I'm

He said, I'm going to haller the when I go to you go to the baller and I'm

I'm kebred I'm and I'm and I'm two hours after my my abo' my abo'u'

I've parted I've had parted I've the opportunity to despiderm of her and I

think that one of the moments more more more beautiful of my life and

so it had been to go to the house to my to start to

to to the I don't you can't say what I costed. No, I can't express with words, but it was a

torture and at the same time it was a goos. It was to make not even incredible.

I'm I'm when I made one of the first and I was a little bit

a and I didn't know and I'm that you put more and more and more more

and the job on and I don't think you was going and I'm saying, oh my

my jita you did and say you I started to cry more and he I'm going to say

no, Abolita, no, I'm going to get her and I'm getting to get a little bit

when I'm when I'm seeing a person to the person that was a person that's a local.

Re-eer, I'm and I'm going to startchaearned I'm sorry and I started to

she's and I'm you're you're you're and I'm there's there's

moments very difficult and and it And we've to be front of the

situation. All we'd us care we're a Jobita. All right. We're the Alba in the fiesta

Jobita. He was a bromist and a person that's always a smile to share to or a

big of a because it was a manika that she and just when we got to the final

of that year in that had fellecided my my old, we're all

in the We're in a reunion and we're going to be the

last reunion in house of the abuela. There's situations economic. We can

maintain her in good state to the house. Nobody can buy. Then, then they

decided all their children. It's going to repartive the money. And at

final, my abuel never was a person materialist. I always I really the good.

So, is that they're all the great. And there, in that Fiesta,

I knew the Infer and I knew the diablo. We were all in the cell, we're

we're reunied, and we we're going to start to count the good records. There was a moment in that mom came to talk parts of the things that I

know know about my abuela, and was that she developed all this sense of the humor, because my abelio fellacy was very

young, and as the mother had to be to be cargo of those kids, she was a very nervous

and very frustrated, and with the a way of to be a good relation with all,

without having to get to get to get to get to get to get to get to get to get to get to

a can I'm because for her their children they were also in his friends and in

his all this adventure until that after that after the little was trying

some good work, and the final, the form of my time my time my kids were

studying and all over So when they started to tell this, it was a new in the garganta and I not wanted to be there.

Nothing more me pared. I'd go to go to go ahead, to be able to my old old I was

not know I not know in life. It was much or something that I'm going to manage.

I'm going to go to the back. The bayon is just in front of

the room of my abuela. And for respect that even had

all the everything was all all the and we're going to the bathroom, I'm going to clean the car, some of the car,

some of the cradrylid, some of the cradryl, I'm going to put to air free, I'll grab the to- I don't want to even though all we're

we're not so, I'm not yet I'm going to be jovial, I'm sure, I'm sure, I'm sure, it's the

last time that I'm in my abelita probablyment, and then when I'm going about and I'm talking,

Tohita, Tohita, Remember that you have to to romper the tradition familiar. So, is that you know a man feo,

but you have a car pretty and you're a car, come to the sonrisa and where I'm the eyes

I'm going to see that the door of my little bit, the door of my ballita is that's all right.

Who's met you? That's that's rare. No, no, no, it's not it's

not the moment. No, and I, and we we're we have to get to those things,

are things at the final. My abuela no, no is that. But no is the moment. So is that I'm

nojo, I'm so I'm really, I'm going to get to get to get the attention there.

I mean, no, don't me they're going, not so, not so, or not these things,

not is proper. And I'm thinking that when I am just in the umbrella at the door and

I'mer the thing that I go to the final of my life, but I

am sure that what I I was not was a little there's a light

that's just out of the house and it's like a franja on the

side there's somebs there's light and then there's there's

there more with the things that so that's there's there in the obscurity

the the cell of my abuel the perchero things of

the stuff and I know of the right of the roper

something is move. Camina. Gila the light, narrator. And I'm at point to peg a

point of a great of a little bit at the same much time much a great of my old old

saying when me go and I'm going to go to the I'm going to I'm going and it's

there's and it's and it's with a second that I've some years after,

me's and it's and it's and when you When you ask that sonrisa narrator,

I do much a lot of a lot of a lot fear, because one idea in my

head in my head no is me that's a old when I

think that that I think that that I could I think it, I'm a necker

the neck to the back, all the body, and that that's like like

literally sonriending and it stira and the a smile, and then does a pass, but do a pass with an agility that no had my abuela. My

abuela came down to despacito, remember that he had a horova, and then when he gets to this part of the sombras, I'm, I'm like if to take a posture different, like if it would get it

more, but it begins to get to, and I'm seeing how that thing is something is a little thing that's getting to the techo, and the arms are to be

to make to the pome of the door, I'm the door to get to go to get a little,

I'm last I'm my head, I'm in the heart of all you know, all you know, to be

what I'm that they could be to be a little about the door of my old,

but they're not a person that was there in there's there in the person, he was

there, he was a patruia, and when they were, they were, they were, all the

A fourth was moved, but no nobody had any of the endro. And no have been signos of that nobody had said to be there. I'm sure that that day, the maldito diablo

took the form of my abuela to trauma me. But no know that Jobita is caneja. Javita me will ha'ar

the pastas. That not was Jobita, and not going to have my my brother. A little the line between

the love and the obsession tending to be a littlegated. And there people who trying to show

his better sentiments, they're atando to the other person, a little

that they can't the liberty. In the case of Jimena lived a very

very when I was a time, and he had to a new

and he had a many years. This that I going to happen,

it happened and more away to be to just

that every can have their opinion that is

something that that was a And it's something that when I hear you the history complete, you're going to understand that is more

more important than a first appearance. Jimena's enabor of a child. A man who continually went to the preparatory and always was a motorcycle.

It was popular with the children of the last year and it was simply for his aspect that he was probably at the final

of a career. Jimena he was he was he waso especially because he had this air of rebellion He had this air in that he was the person that put the

Reglass, that no segued the Regals of nobody more. And as she was living a theme in casa, in the case in the shock, with the thing she wanted, but her his papas no, they'd understand. She thought that that was what he did that would be that sorener soxionated with him.

Because I'd say with him, and he'd, all the day was with ideas in which he was in his thinking. Maybe. Maybe not necessarily the creensions of Jimena is that bad.

But probably not is taking in mind those factors that you are going to to take to the final of

this story. Resulta that one day this chico is a little a woman. Jimena

was a woman very beautiful, very developed in many different in many

for her age. It was more higher had a vocabulary

a much more more more apparented his 15 years, she was a major. And she knew

perfectly, because she bestia in a way they'd get to all the places that were for more 18,

without necessity of identification. She knew perfectly of her appearance. And when this kid came and he's got a

plastic, she, in the place to get a little bit of seducion, in the he was to

get used a little like the difficult, this is the thing, are the words textole

of there me said narrator. I, when I saw that I came to back I said, you're my, but this you're going to cost. And I'm to play to make

a case, that no I said what I said, that if me was about, I had to get to get to more because he was called a narrator,

that is a name, and he no knows the he knows, or it's supposed that he's not he said, Jimena,

no is you just going to me, I'm going to. Me. I'd a Abrazo, me

He gets a motor, and he's heard you hear the I'm in the instant, and I

was there a car to do you never a car, and I didn't even any kind of I'm a

person risked, I'm doing things that's that I'm never I've never done to do you know but there

was like aided, obsonated to some manner. And I go with him to give a little bit in the motorcycle. No I know how much time we're going to hour or one hour, but when I

go back, and they're all all going to go to class. I'm going to get to go ahead. He gotro all the books. Those those books. He's met her back to the bank to the mochila. Me, he, what, what you? What do you did you? Then I said,

then I'll do. Then, I'm going to go to the mochilla. Me iste-experating this chabro. Narrator, no, even he had asked the name. I'm I went with him and me left out of my house, I don't you

want to be my mom, because we saw get to get to me, and thenceau to get me to get to that's a

person who was, that was the person who was that was the person who was that I'm talking to be with people

that I'm that I'm that if I had to be to get to and we've to come with a

argument, orrenda, orrenda, perhaps of the peorres that we've got to my

brothers Al Qaeda. Entro my papa to the discussion, and at final of that day

I'm going to go to my house and I'm going to get to get to

my family, and I'm going to that he may be to get to me. Narrador,

I don't have the idea, because I have any other because it doesn't make a

person, so it's a person, and we're in a world in the world that's just we're not we're

we've got to come, but to the first house to the I go. He gets about two hours

after two hours and he invite to me go to go to him and my friend my name

I'm sure you don't manches, no you know you're going to say you don't me you're going to pay that

and then then since that day I'll let's that she I go with this

chabo and when I'm to get to my first I'm make I'm

not you don't I'm don't say but in the word

that's the word that and just there there's a statue of more of one 60 and I know because I made

1.56 in this time then I stere tantito more but there I made a 156 and the statue me passed

for some centimeters and in the statue was a calaver with a guadana me

I kept being and it was just in that moment when in my case

came a phrase that this this man is working

with people not good. No I want to give more data because I

didn't know that I'm so I'm so I'm going to feel a bad,

because of a repented I'm going to a trap and he will do a

and he does a pass, and he does a person and me say,

I'm I'm going to be in front of my little

my she's what she I'm you're my narrator no

I'm to explain what I started but I had I had to cry, and at the same time a voice-a

into my and I said no he you're doing you're saying you're not you're not to make

you know, so you see that I'm sorry and I I said I said I'm a

very that that's that will be so you're to start to carcahas and he makes to get

to get to get to get to some of a other other side, and then then open the door of a

quarter, the room is all all right, all right, has been in the piece, clothes,

food, food, and there's, a camera, a camera great, that's all covered

of sabanas black, the room has, the light of bellas, that I

keep up how it thought to let him and then the camera, there's a ram of

rosas negas, me agar, me car, me abient around of the camera and me

he says, I'm going to sell more car to that ram. I'm going to the ramo, I'm pretty

and I'm much more caro. Lever me to my house because today, I'm going to

go to this. After that that he he's he gets a little bit more than this.

If you're my house and we'll be that day narrator, me he he gets to the

house and a Partier of that you do you think you did do not

I'm going to do my family of because I'm going to make a place to get to get to

talk about. I'm going my mom, I'm I'm saying the ramo in the when she

she's she's she's going because she's a she's a little and then I

don't know to get to give you give you give you give to what you do you

my papa is the the word says about to or someone who no know,

finally I'm in a house of a prima, then I'm to go to a car with a old of a friend,

and he's a car, in a time of the time. In those seminars, he's not

he's he's going to be. He's is waiting. Me's a little bit. Pita with a

motorcycle, narrator. He's got to me asome and I'm not my window. I'm saying, I'm there's a chican,

I'm going to my roba, I'm a cardetita that says, you're going to be my

and I'm a certain when I did you know my my rope, I didn't want to

think it, I gotre and one that they got her because they're some way

and they were there's that I didn't I'm so, I'm

just to just I just I just didn't that I'm that I'm that I'm

that had been so you have been a second two that I

had this this chico, I'll go that targetta, they're all of the house, I'm

met in a room, go and I go and I'm a bellator, I'm a rosario, like if

I'm put around of the bell, I'm going to go to the bell, and I

put that that cargetta just to get to that's that I'm, and I'm and I'm

that's that thing to be that this thing is good, that for that's

this thing, and this is the a peor thing I've

lived in my life. After that I've never never got to be never

I'm going to be it's a lot of it's a time. start to get a but it's a time to be able to that the bellator not so it's

that's a moment. I hear some those passes into the house, no

I think I'm a but I'm my only two seconds in this planet.

Sentia that he's had met with and here, now is it was going to be to be

to be able to my heart, I'm going to the door and I

see where there a figure more than the mark of the

door, all vestida with a capuched and try some

a kind of a that to tremble. And when I I'm going to start, nothing to say I don't believe in you,

I don't have nothing to be with you. Bette here, for favor, be here, and I'm going to to raise a

Father Nuestro, I'm a Beah, and another Father Nuestro and another Beemarie and I'm going to go and he

and go back to me I'm going to I'm a target and I go, Godsito, God, I'm,

get to this thing, get to the thing to And I saw that Targetta Narvore, not so it was

it. It was a little into the bell. When that thing came out of

the the yama but it is a very much to go to a point that he

a mark in the the techo and where it's very much in a color

violetta and it and it and it I'm I'm no no I

nobody there, I'm only in the room has a frio tremendous

and I'm how something something's revienta. Pongue my hands behind me

because I'm a fear of I'm going to go to get, I'm going to do you, and I'm

going to sounded, was that the was the ball of the blow to and I got to

get me got to be that. After of that I've never been never

to be able to be to be he. Then I'm said that he's a regresso

and for so you never is that me salvaged that the death me

and the story we're going to the first this dark of the fogata of stories.

So, is that before those who have you have been to the foggau leave me

in the comments with a detail more. Degan me what was the

story that most you once said this I'm I'm good

this time we're we're on the Saturday of the SOMras

that you not at all of the Reds, you know that in the channels of the

time we're on the time to get to we're going to see us on the same and if you're doing,