HABLEMOS DE LO QUE NO EXISTE - Historias de Espíritus Ocultos, Apariciones Infernales y Conocimientos Secretos | Episodio 424 | Hablemos De Lo Que No Exsite

Episode Date: September 10, 2026

Bienvenida a #FamiliaNocturna a esta oscura, extraña y manifestada #FogataDeHistorias en #HablemosDeLoQueNoExisteEl día de hoy hablaremos acerca de manifestaciones extrañas que ocurren con los esp��ritus de las personas. La pregunta es ¿conviene apegarte a las cosas materiales? Después de escuchar estas historias, me encantaría saber tu opinión. También hablaremos de entes oscuros, un encuentro con dos seres espirituales que me gustaría saber si los reconoces, y si hay un patrón que se repite en las manifestaciones de espíritus humanos puedes reconocerlo.Todo esto y más en esto #oscura #aterradora y manifiestada Fogata de Historias en @HABLEMOSDELOQUENOEXISTEPor cierto, si llegaste aquí escribe; manifiéstate vocecita más allá y sólo tú y yo sabremos de lo que estamos hablando.Por cierto, ya tienes tus boletos para las Fogatas de Historias en Tu Ciudad porque dentro de 2 semanitas estaremos en #Saltillo y #Torreon consigue tus boletos en nuestra Link en Bio. Y si llegaste aquí escribe; manifiéstate vocecita más allá y sólo tú y yo sabremos de lo que estamos hablando.

Welcome to Family Nocturna to these Cura Fogata of Stories in Let's Let's The Today, The Day of Today, My Dear Family Nocturna, I'm going to talk about manifestations spiritual, Spirits, and persons that occulting information spiritual. But, before to initiate this episode, let me say to something. Today, at the end of the episode, I'm going to the voceitre to the more than,

because, at this moment, no has yeted at the studio. You're extrañan and me they're asking me. So, at the final, accompany, and help me invocally that act of precesses that voice-a-one. Once you've said this, prepareate. VETE for something to take, go for something to eat. No, apaguer the light, no you're recommend.

And if you have a possibility to hear this better in the day, for your own own, because we're going to start a very obscure fogata of stories. Comeensamos. Yeah, I've commented that today I'm going to talk about

of manifestations of spirits. Sin of however, I want to start with this story super atypical. It's a story

very rare. It's a very curious and also there's a pattern that I'll know that at the

end of the episode I'll let's see if for then you doces. There's

there a person in the family nocturna that the day of today is

a father of family live in a city very in a

city, we we're to call this person lettered, studied and studied

a lot of a reason of a situation that lived in a little he was made very marked

and he felt that he not know the things, he was that he

was able that he was that with the ignorance there is a part

there in the you know you know that's a surprise.

But there other part that you know you know you're

you go with much tranquillity and of a great time you're in a cove of the coveve of the

little. Mario, in this moment of his life, in the he was he was in

his circumstances, he was a very good time. He lived in one of these

little little little don't know them, it's a city. Are you

these places that are the other houses to the caretterer. In the

last time we've heard stories of this time and you

have heard bars that are in the canal. But this is very strange. Mario, when I lived there, he said that he was accustomed to very little to the accident. Very certain where they were, there were, there were the air and bring, ambulances, of patrues, and

the about the same-to-all-co-accident. As well, as he was very little, no, he interested in much, his papas, not he'd be able to these things, but not were a time that to let's let's call the attention. There, in that place, vivian, a good group of

of the kids, the grand majority of the other side of the era, so is that very little bit he's seen that. He was going to cross that

carreterer, because it was a very much really in that there was there wasnt. Salvo in one occasion.

In a only occasion, when he had, I think that he was he was out of his house,

he was down the the back, the carreterra, go to the back on the

carterer, I can't say patio, because not are the people who are those are practically

connect with the front and the front and the patio. But he is the part

the car. When he's a fronton, a strendo

and then they're loud and then he and he he

he's and he He gotro of the Pissue, he went to, and it was like if all his senses

were to focus in that, because if had left 10 cmet the vista, over the casco,

and had to have to be the carruing that was covering both carrilles of the carrile of

the motor and the subject that he had seen in the piece with a carco

with a little bit rogo around. But he no view nothing of that

he was he's was marvellied. It was a part of his rostro. Also, when it was a

figure in figures strange. The color rojo of the casco was a marvellous. The tallyon that had

on one side with the bolladura, well, that was not so the other rest of the casco

was very very good. The other very simple, without think it, he went to the casco,

he went like if she had to see what he had to do you he was going to

the house and he he was he put up above of his camera. And he was made a rest of the day. After three or four hours

discovered that the viscera was to get a little and she could get a back. It was a rota of a corner. Then then after four or five

subidas he started to leave her all the time permanently above. The casco was there. The time of

his dad and his mom were talking continually about a accident that no. No,

no way to be a way to rescat that person, you see how it's how it's but Mario has kind of vaguerredu

of that's for him the important had been the treasure that he he was he percat was

nothing of the other of the strange is that it is that the beings we're

not only in life but after because at the three or four days

Mario is out of his house has been the great conversation

with all the car those has had another other other,

it was over nobody of these people knew a casco one of the little of the little bit of the cyclist.

And where he said he was, he was going to think the manhuis, he was all the man, like the

manchchchus was he said what he had passed and he had been of the accident of two days but no

he said nothing in that they started to know, because they got to get used

because he's going, and it's when we came to this day Mario enter to his

abitation and when enter in your habitation, there's a subject parable

very, is very very very rigid there. It's not that is a

little bit of that person. All his body comes from the

body and it can be in a person human it's where

it's never to terminate no a person here in the

there there there absolutely nothing nothing. And Mario, when I went to see that, he'll go to a gritty,

he'll go to your mom, his mom, he's down from the house, with the old woman, and when it's there, no there's nothing. The subjecto he started to every day, at the room of Mario. At

point that Mario, in the madrugada, no-se could be able to be in, because the second manifestation was there. He was he. He was done. Descansando. Let us. Let's get a part of those

rituals recent. The fact of first to go to be a little to put a little to be a

time to and in occasions just in front his head and get us dormied. And in a night

in the madrogated a a sensation that I'm not never to describe

it was very to know to say to put to say to the certain

and the question and he was the light and it collable for the

door, she'd see the rendigita of the door that was the room, it was a

little bit of that's a normal, because his papa in many that was a lot of a lot of course, and it's a problem of insomio, the car, the subject was trying to

the subject practically is he doesn't want there, grita. His papa enter, and he asks and then the signal he says, is that here is a

man, here is a man, and the father of Mario, he says very great for this type of new yearies. You've seen you

know you know you know when you're when you're when you're you're doing, and Mario, for more

that he made a mind, that's it's been a new there's it's a time to

a month after that he gets to the his abuel. His abuela her mother

in a public a little bit and she gets to visit them because it's

part of the custom she's going to get three days in the house. Mario

received instructions very clear. No, you're you're going that you want to be

that you that's that's that's that that's that's that's

so you're that's what you're that's but for Mario, was a something that

was the person the little bit he did a a brazo and he did a signer to

getcha and when he gotcha to the little bit of in the house of phantasmas and just the papas of Mario they were to

look at a guy with a guy of this wherco the abuela with a real real a present

me to your friends and he went to with mom and with papa sonriending with the

minding with the mind like you don't be sure it's a a man it's a

little the problem is that when when you He's just with Mario? He said, H, Hsu,

Cuntame well, what is what is what is the thing. And Mario, he

said, all the I'm the little he told a story that's

to be a locus. He said, look, Mario, in front you

to you, a three houses, you know, you know, says, yeah, the of Don

Mige, they're saying that's malo, no is not a don't Mige doesn't,

so he's too is to to have to have been very very In fact that you're in, I mean,

I just when recently I was a little bit of my house of your father and me encountered a pelotita. The pelotita was all mordid

me, I got to get a car, you don't knowces and the idea was to give the pelotita for that they

put them to play. The rarerer was that the perrits, since that I had the polo, and

in the nights around the camera he was to do it to give a little bit to a perro that I could but I could have

but I was and I'm in and he was he used to be how the unions pegs on the

animal me morded the foot and I made to have the mark I was I was

I was up I'm not like I'm like I'm to know but I'm able to get to

get a and I think I'm I'm so I'm here with your mom when I

when I came and I'm and I'm and I'm and I'm in what had

passed I didn't want to I didn't want to any type of any time, but no he was in the place in the

place in the place that you don't want to get to the house they're a little bit of the and that was a manned

that was a badioso because always was like grunying and was ladrando and it

when a day he's he's he's got he's he said, ohian no me they

don't me they're they're they're gonna you're you know you're just you know

He's been estrafalario, with those robes that are all rotas, and above, try, the roba normal, and that's always he used to be using sombritos different to the head.

Well, so he went, they used, rare that stood in the door, they'd be in the door, and they were, but then, Don Miguel,

said so, abertament something that the two was left without, "'Pos, the spirit of the parrito that

they're allostan, "'no me "'You're not "'You're not "'You're not "'You're not due, He said, If you, for

favor, let's see, to us. It's the problem. And they say, they've seen to hear of the

little bit more, he's going and just the house, he gotchacha and I know how he went to

do that they, but they said they're that's a little and it's that I'm

that I didn't, but I don't know it. How did you know, who got

he's the person, he was the person, he was the he did to appear the per.

And then Mario he said the ballita. And so, what abulita? And the abulita he says, Oh, and Mario,

if you'reas. Well, I'll get to get to think. But, but I, I don't know I'm going to

know the and the and the father's, your father are very chismos. You think that I'm

what you're to say, but if I had been prepared for that to see, to see let me exactly

what is what's and then, and then, he's he's all the role and that the

mano-al- and that's the shoulders to upro up uproof and the abuela

is the same thing that's the same thing you know it's there's a carnet in the carnet

to get the cargister that's the cargues, and then Mario's he's your

what you're what you're what you're doing? That's that same day Mario took a

decision even though he costed the heart of the heart to do you to get

to do he's that it's that thing was to get to to be the carnet

to get the carter with the casco in the He gets the door to D'Amige, and when he talks, Don Mige tarred on 10 minutes in saliv. He's where he was recently dormido, and there's a conversation very rare between the two. Mario has recalled vaguely,

because he said that he was so incommod that he wanted to go. Don Midge is out of the house. There's a paraded in the porch. Bello of the casco, see, you're saying, And Mario, he says, Oh, Gorn Mige, and listen, in the house a port-and-in-law.

and Mario is to come to and don't make the he says, he says, he says, and he says,

he says, he says, I'm doing on the motor, and the Mario he says, well, I know,

but is that you say, you're saying that you callcheons casks, no, the things

that's like they're like the little there, and my papas after years.

Ah! Trae a morrow. Well, no. To get a a goal nothing

but not I don't try a month, and Don Miguel he gets being, and he says, A-ever, Mario, to be, why you want to be because in the night if I'm apparently something I'm going to,

and how you're going to to get? Well, my papas no, they're I don't want to do anything. And then the things not are

gratis, what we're to do? And Mario, just he's just he's just, ah, well, yeah, I see,

so it's very important that you know that's important to know what you're going to hear no more than for Mario, but Mario

he says, She'll do you. But I'm going to visit her one one way to visit her one one way. Why not he's pretty?

And then Don Miguel sonrised and say, I'm like a good trato. He agar the casco and he says,

Vente, and you say, Vented, and when you get to hear you, he'll listen a portas.

The portas is a portas a portas and after the portas they're all passos. The receiver

of Don Migge is full things for all the house. It's like a lot. It's like

accumula things in no are in order not in not have a

specific all of all of the other other there are things there are

things that very things new and things new and things there's a things that's things that's

different that's more than the thing that's the way to make the right you can't the passillo. No could

create how. From his side right, could have the light of the sun,

and front of him, it was the night more that he had seen in the

time. With all the dark, they were the two of the

side, one to the front, all all all. Mario

commenced to make to that he is to get

to and when he about, before to get to the first

before the a passillo very long, Don Miguel, he'll put on the side of the side of the left, and he said, "'Cudadito with that. And where "'In where it's front of the door, the door "'se abri and soothed. And then,

"'so he gets, Mario, to Don Miguel, "'don Migge, goes to him, and he says, "'No, you see, don't you figure, "'are, so on the next door, let's go, "'sue, continue to get "'to the next door, he goes to "'and he says, no, put "'as at this door. This is more

"'peterousous, and where "'and where he's going to "'are sure that, Ojo, see that the door is openly and there's a little bit of Mario no

doesn't say. Mario no means a little bit a little bit more ahead, he's going to get to the next door he's going to

move, he camina to the left, he he'll be away, he's a little learn, learn,

so, but Don Miguel no, he was there he was the side of the doors, he doesn't

he doesn't he says to Mario, he he says to Mario, he when he says, when you're

at the final of the passio, to where we go? And he signer the door to the front.

He said, the abro, the abe you. And Don Miguel, he says, abel

you, it's a little really what he was, it's a little bit of the thing.

Because he he said, he's got, he's going to put a on a mess, and it

was a no, no, it's there's a rare, no is nothing in

the the person, it's a a idea or a a in the head in the head, but he'll

go back, he says, no, no, no, no, here, no, no, no, here. And he's looking, the court, is saturated of things. There are mesites, there are buro, for all parts, there are movels greats of

madera, other movels little little, but all over, and above and up, and up. The same passings have things, and don't Michael, he says, take much

care, no those paters, move them. And, go vowing things that just he's just he think, one of those those, they're move with some of the

and at the fund, around of some blusas, put the cask and says, here he is there. Mario never

never said to forget that that's thinking, because he said, and he's so much thinking in

that it, that while he was the regular the rule of the door

and the place in the house of the house, and it's there when when it was the

second thing that he he left a mark of for

life. It's going to the door that's sure that is a little bit of

the right. But it's not a door to be the door to be able and the

moment of a lot of that's a very hard. But it's very rare because no see

hands, no that something he'll do it he'll it's simply that they

it's that's that's more that can't express or to explain of this.

He, he's for a moment he's was a a a pieter imman and that there

a man with another pole and that he was a so he's a little bit of him, don't he goes

he's over the leg, he goes to the legion of the room and he said to this no,

he put out and Mario, when he out of the house he's very very

very very thinking in what exactly is what he he's because

he saw that the behind the the house there's little rosters with eyes that were observing,

he came to never to ever to never to go back, but with an idea at the the case, why the casco

wants to be that, why I said that I've that I've got comeo to the head, that's all

of the paranormal, he put to investigate things, he was a type and he

began to study with the time, enterro all these records, and when he took

39 years, he discovered that her his daughter of Kinse was a certain podcast with a

certain subjectio that was a matter strafalaria. His his wife put a episode and

when he heard that said, narrator, me desblocked in my poor records,

and here his story. The manifestations of the spirits it is something

that many people say say, certain many however, as I

said in the camp of the paranormal, the major problem that I've noted is that no

there's a differentiation of concepts or phenomena, and of nothing. I'm going to talk to three manifestations of spirits, that are very strange because it seems like the human is strange, as much in the life as as well, there.

There's a child in the family nocturnal that's called Nora. And Nora me says, narrator, I have a vivance paranormal, that is very tont. It's very sosa.

It's something super-menso, but you know, not is until that you live that in the same it's a that you

say, but what carhous is this? So, this, how can explain?

It's very little. But it's honest. It's my experience for a

normal, honest. I had a man, this he was a

man, he was he was with a year, he was a little

five years after five years after the poor all the time with respirators,

was conscious the the major part of the time, but had many the jollors and chasks. And in occasions, when they'd only be taken the respirator and

he was made a instant, but roncable much, no descansable that. That ronquido of the tio, all we have

because we suffered with him, we've been all the time, and it was our form to reirnors

of the situation. But, how can you can't say that no he's can't with those

Ronquiddos, we know that we'd have the family entire and the whole whole but you after bambalinas was our

way to algered the carg because we saw that we're doing so much. We're we're just

that one day, after they were to do they were the sunsions, for that

the person to prepare to part- after that after the two minutes parted in silence

and so if you'd have you've seen how the time to do the sensation of

that's that's that's all us did tranquillity. The first we did

suburinos, to clean the detail, it's perfectly clean the house,

we've got to talk about the two days, narrate it we're about the time, and we decided it's

that it's time when when I'm going to get to be the house is all right, the house

is there not of the time, we've got to be a process personal, but yeah,

that respirate an ambient sound, a ambient that if was something that would be a

little to not that that was a car that was a something difficult to explain. Well, we're going to do you do you know, when

they're on those passes in the piece of the above, some of the little passos that get in the room, it's a little that's a cruging that was the same

sound of my my too when regressable and then we'd be done we're gonna roncar. To us.

How diandres you'd say that's you? Tio, all we've how it's his attaud various meters

below the earth. We've seen all. All we've stood there with my t'n't solan-landola. All we've been in the moment

that we're saying Tia, all is all right. It's all right. No, has a question. And in this line of

things that are inexplicable occurred another. We have a one we're going to put to

the name Louis. Louis was the nieto Don Tano, Don Gettano. Don Gettano was a mechanic

and the last years of his life Don Gettett. Gallaudenol, only and exclusively to work, not only and exclusively for the family, no time for nobody.

Don Galletano was a biudo since many years. He, he was up to do his time. He was up to his tahrir. He had any had much work, the fact that, all of them, all right? All right, they knew about it, because he never was actualized. So, we're the few people's clients that had, of many, many years.

He'd be there to moscuears. He'd get to dormido, or he'd a little it was a time. And when he'd

try in a car, I'm always was refunfun't and batallion for all.

Don Galletano let's let's that the thing that more that much

was not in a sense positive because always always really

very rancio a combination very disagraphed of and sudor

and the sunor of two three days the house

of Don Gettano apestable but but apestaba So, the family, she had

been tired after the old guy, he had to get to nobody, no I'm not going to

get to nobody, not you don't I'm saying, he was a kind of malewo,

but simply not he interested socialize. No, he had, that's, that tacto

to receive you get to without, he'd without you to pass, not you to invite

a little a little a little a coffee, if you go to you go to you want,

you're going to visit, then you're And he visited. And Don Gattano was not so. No, he interested about

to nothing. A little was the appearance that he had. One day, lamentablely, not receive

notices of him. Yeah, they're in the age of the old old. And when they're in

the house, well, it's a time to come to services medical, they're going to do a part

because, you know, and they're a person major that has from the other world. The family,

clear, that's, It's clear that they had a certain care of the father. The abuel was the boy was the he had decided

to put in a barrera. Passing all these situations of funerals and it's going to go to be

a year, until that the time to move the property of the papat. It has the tally

the house there's a ranchit there. Because if not are to come people,

and a house, they're going to be to be a problem for all. They're

being what they're doing, what are they're they're, but when they're

to do the visit the houses, they said, no, it's a year. A year and still o'liending a papa, and I'll say,

the lor of the water of papah, are the oil, they're not really. The rancho ollie is

the same, and the house o'est, well, and the house oiled well. Well,

contracted services of the limpeas. The services of the work, they're

they're doing they're they're not a month extra because they're especially the

time. It was difficult the quantities of the the walled, in the

piece, in all the other parts. No, no, there were any any type of the

material. They were practically making all the pertendions of Don Galletano for the

beneficiary, the ones were the ones that were pylones, were caskare when they

were the kids, jolle, one, one, one, one, one,

they're all, the other, they're all going to the four there, going to the many

quantity of distance, we're also that was a form also to be a duel

and to get to get to this type of this type of convivences but

all of they're with the same idea and the same we're

going to have to talk to work because they're doing

they're doing a but up and they repent

the casas to make a lot of things because

not you know there drainage but it was

a with some quantities industriales of product, we're not the places relucients, that wuelan beautiful,

that wuelan and the person that receives the pedid, accept a whole, receive the keyha,

no, he wants to give the guarantee, because I said, well, is that

the level too, we're the level, too, we did we did it, we're

to do the protocol, so you know, you've seen, you know, it's a thing of

aromas, and that theme of aromas, we're going to manage, we're going to do this packet. They're in

an accord. The things do you know, well, they're going to be the service, and they're a day

complete in each one of these places, but doing all the detail, mandan a lot of

photographs and evidences, saying, and when they're they're not, express an the place,

the place, like, as they're the house, we've done, we're in one, in other aromas of camp. All right. Tare, the same.

This has been a problem tremendous. It's all the ducts, but for the queja, no we're going to adder to give any cost extra. But the place, no, it seems to have been no one con-tayor, that's all over, that no we're going to dismantle us. Rancho, the same situation. All perfect. You're the most

simple. The most simple. The most of the best. They're all right. All righte. Exactly exactly equal. Ransio the aroma of Papa and also that maldito aromaceites synthetical. What do we do? No, well, you

know, well, you know, we're going to do the job. They'll buy products industrial and the brothers are doing. There's a lot. There's a lot and is that the aroma comes to all the parts and of no one nowhere at the way. It's like one when you enter in the house,

you see. You know, what was the principal problem? You'd he has to continue when the group. One of the wuelen

others, no. But when they're all to do you a little to get a pester.

That's very rare. And it's one of the hermannas that we say,

we're the only that has the that's that you say, and not it's

not that he's not a back, and all you're saying, but this is

a situation that has been with with hygiene, no, no,

that has she got to be with she's them molesta, I'm going to

do a little all the light red, coincide with one of those days

of the time of the sacerdote, the sacer and he making a or the

or the rome and he goes and he will be manifest it.

It doesn't that Don Galletano even still not

not and and and seeing this order that's many, it's

there is the to learn to to get a untapegarten of a way internal, of a manner

real, of the objects of this world, that you understand as something as something, and that

emotionally, internally, internally, spiritually, not you don't you're being

as much a marrado to the things. There are that are so much, there are

people who have people, it's more than their own family. There are people

that are people who are dispuished to to have the same life

before to be able to get to that there's there's people who have done

that you that's it's not a lot of a cataclysm that's being down and they

get to these and they are things there things of high value

economic but many of these things are more more of an

level of emotional or a level of apego tremendous. I'm to talk to Margarita. Margarita, a seguider,

had a girlie. The senior Candida. The senior Candida, a person that was very amable, salvo, when you were to doce.

She transformed in a beastia. It was the person with less tacto and less humor of the planet to the

person sumament aggressive. His machine to coer, that was a little was a machine,

was with all the carretes of the is of the perfectly puttons, how it had been a manufacturer, because it was a

machine that was a quite that was a little he had got out of a car, a machine

with vases of the madera, with a carretes where I put his carretes and

had all the hils in order, and just had been and it and it had always

the same mark of the little you, and in a closet, and had there were

there had a the little that in mark, could get to

get to get to and she was the work and she she was the work that

she was she she was she was adult, she was very good confectioning

vestiges, offerio that she did so for her family and

now now yeah of a person major it was

only for she the confection, the but basically was a mota of polvo,

all perfectly lubricated and ready to work, and there, static, because he didn't it, if you'd occurrower a little of the

mother. No, I'd say that you're going to you know, and the balla, and the

little bit of a lot of a romew, and you're a blasphemy, you're going to topar with satanaz.

And, the wayla was put in mal, manifestable all the bad spirits of those

we've talked in this can't after other, for meadow by the verbalizations

altisonance that's that we're not even mention it, because we're not there's

not in that way she was not much she was a little, and was an an

anciana very little, and a person that always you had to

a little, that's to put in to be to be that you, I'd

to be profanable a machinita because not to you're to be

to be to you're to But as we all of us It gets, there's the hour,

a day a better and the family after the time after the situation to have to have to do

something to do the machine. The first is simple. We need to move her the place. The

abel of a one under the room in the room, in a storm. Now,

that you were to start to move things because if they were to move to

do you to make to make to make a better to make to make to make

with what they were not and they're in that situation when when they're in the situation when they're making the movements of the machine they're all perfectly,

all very a when you can't when it's a struend in the house, it's a back from the and the the machine is

another on their they're all they're all they're all they're all the things extra because they're not

they're all they're all they're all all puttussed on it and without, the caja, la vented the closet, that's full of more cages with

clothes, they put in a sabana, up the machinita of the and they say, Abolita, now, now, now we'll be we're going to

to have to use this place. And the day the next, very beautiful in the morning,

the door is closed, nobody can enter, they can't enter, they're in the machine

is in the car, and the machine is in the things, they're all the things, because they're,

ah, this finally was the the house of the abuela and the sobrients came in for a time.

And then we'll we'll be we're we're going to get them. Because they're in the studios in the city, some of the

situation like it because it was a time. Never they were to do in that room. They said that she sent

the wuela. She sentia and she was a lot of she was a feeling. And you

know they they had done it. And as it had gotten the machine and they had moved

various this spirit of there was to be the place, it was there's

there. And in the nights when they were in the time, there's there

was a machine to the machine to make to make a new a good time,

it was the to make a make sure and for the spirit

of the more and the episode. And all this this about these

manifestations we're to this point, the point most of the fogata.

We're let's plan to put it. It would be there some manifestations of the spirits,

almas, or I don't how call it, when I don't know how you know it's because

really not I don't want to put a name specific to the things.

I feel that from the description we can we can start to differentiate more

these things. No, is because is for it's in contra

of some I want to make that But then, we have to

plantar the question. And is a case that only exist in spirits human? Yeah

we've seen in a story that for a little bit was the spirit of a little.

And what were those things that were in the room of the room and they

were in other things? And with the different stories, what I

want to make clear a thing, and there is, we

have to be good Ambit. Because there are things that are in a thing that's something very

different and in the world of the paranormal, when the things are going to be bad, can be more than what you

imagine. The first of these cases, I've seen in TikTok. You know, I have a memory and

with the numbers, so is that you know, if you know, I'm going to say, to give them

to this person and to give them this story is of a subject to Argentino. I'm going to be

I'm going to be the impression that's Argentine. And he he's a question a question, he says, he's one of the

city in the city in the city is one of these cities in which no-day-Nochurna. It's a city

little. No, there's nothing to do after the six or seven of the time.

Then he he's to develop a custom he and a new he and during

two or three hours they'd to go and to do car and they'd to

talk chisters, pass her anecdotes and it was a way to pass a good.

They were in occasions, in some little place, I'll say, is a little

a city a little concourried, and they were things that they were

that they were to get the day not in the rhythm of normal.

To do do something. Entendable this. Re-eers pass her bad, comment,

anecdotas, do something, They'd want to end up positive. For that when

when I'm going to say to say, it's not it's not in the vehicle

of your his friend, the his friend is going to manage a certain

velocity when when the when he said he said he

said something a fear something something something visceral

the car the car no there no there

no the thing but you the right they're

just in front of a alleyhole, and in the corner of the side of the cajean, is a subject

alto, that he has a a man, he is a little in him, is a occulted in the sombers, but it's

distinctly the silhouette perfectly, and just he poses his mind at him a thousand a second, he's a

great-and- that's- that's-larked that he's in a little bit, he was, he was,

like if the man, and it was like the Because in that instant the car is on march and go to the speed, the most the most

the most minutes after more close, he's the type of the repented, I'll see the and he said,

he said, you also, he said, the subject, he says, the sombrero. The two did you have, and they're

something very clear. No, they're not they're a human, what they were there.

Ponte for a second in that situation. You go with a friend, Rieddote,

you have seen the long of your life, you have seen, in television, in internet, in your

cellular, or in the real, a person that are people who are people who are many

many people many people who have seen people with that they have a typical that? A little

one, that has seen one, that's maybe the mind-a- maybe the form in the

way in the case, only was just was a figure, neither they even they were

distinguished and the instinct after the his friend, was what he did he

had to the car, he was he the after the car,

the the person here in the copilot, that's the story, he he

was the he was that was that was that was there that was

a thing that not in an unexplicable rara rara

if not because they're going to go six months

the an anecdote, the anecdote, they're to enterer there in the sub-consient

in that part of the records that you want to you're in that you never more regents in

the and you don't to have them in the mind. Because the simple

thing to think it's that's a way to call that and think me, you

don't want to never to never, then. So, six months

after, the the story, he's, he's, and will be a person personal. When he gets with this person, to the

person, to the one that never before had seen, with the never before had had been a conversation, and that the anecdote of the man of the sombrero is an anecdote that he never has told to anybody. One that is the first that woman, he says, ah, in the place in the where you live, there are

many energies. And then, he says, what do you refer you? He says, no, You know, you're very but you've seen something. You've seen and the

woman, if that's a sign on the head of the head manifesting the sombrero.

He moved the head to the right and he says, he's he's good and not

you'll be to pop but it's your essence so it is a feeling that you're in

he perplex. How demon is a woman who never had seen with an anecdote that

never had never had to nobody, you know that me the top he said to he

a man, he's a little you, you know, you know, he's he said,

in the other than to talk to that time, never he never I never going to and never

to be a person, that's, you know, a year exact, living in the same community. We've in a place very peculiar. Vive in a colony that is a hondanada. And to enter that place is complicated.

Tantra, as to enter, as well as the way, the type of viability, the form in the way that are configured, the streets, and all of that. If you know what you're doing that, you're going to enter's in that colony. It's complicated. That's it will be a colony very secure. The people of that

place they know them. They're very very good. And are people who

are very people who have done a little community. Very very close of this

place. There's a park lineal enormous and you do it and all

those of that that the area that that they're that you

know, they're they're people, and they're there's a little

with traditions antivus to presentars, to know with

who you can't you can't that you they're in another person. It's a place

very secure and very amable, or it was a repent, it was a lot of a lot of a lot. Mirate a

day, standing in this place, it's all to trotar for the streets. It has a

way of exercise that for her is a different. And is that for the form that

are made to the cases, we're not that are all to do a other.

There's there. There's some puras the They were going to traverse, but topan with him, and every street terminate in a serrada. Miranda's all to

go to a carre. It's a way, it's a next, go to the next, go to the next, and a year's, and once that terminate the colony, agarre the park lineal, it's going to start the initial, and yeah, yeah a little bit, that's the first that's in one of the extrems.

Doing that, pierde the time very rapid, and has it's almost about 65 minutes trotting, what he does a very good condition physical, and and she distractorne much. She is about to complete the

year in this place to be incredible. The people amable, the place beautiful, make that

that's not even to get to nobody, and she every way that's the house,

discover new new things, new colors, the colors of certain things, how is the house of other house,

how are the things accommodated, times, the teech, distance, gusts, customs,

of all, the time. Miranda is a person like very peculiar, very observator,

and not that two months that's at last, in the penultima quadra, before she termine and had to regress for the park lineal, there was a house

that had been a letter of that rector, he was there a repent, he was, he was a lot of the carerer, and then he saw, he was,

he was a manned and a manned to get into the letterer of that reentat and permanence and permanence, but in the

last month, evita that quadra, because only were two occasions that he took with something that no

he used. Oh, Becinos with other customs and customs that's a customaries that when she's going to

when it's a final and it's an aroma a hume a badgerable is a cigar someone that's a

person who is something that is something that's that's a part there there's a carer, as someone

someone's that's so impregnating that I do you're being being from a

chakouacco then she she's she's she she't in some way

a wrongia and he's it's no is my quadra. I don't have to impose

nothing. But I felt like if me stubiering my hours of exercise. Now that quadra with a color

a cigar, then I'm so I'm really a pretty much. So, so it's that's the

first. When it when it's the final of the quadra and it and it

is a side of the Cera and it is trotando by there when in the house of

Cerenta you know that's a letterer that you call the attention he'll

turn while while he's the see that there is a subject that's looking to see a

outside and have a cigar in the book. The subject is super strange. But the

strange, I'm saying, amazant. The type is high, so it is a

very, and it's a torsid, he's the cigar in the back, he's

looking to find to looking the miranda, and they put in the

car of the catena and you know, because because in the

rostro has a In the dead, then it's going to know that

it's like like if it's like a little that's a new new that's a new new person

that's there's that she has that she might be that she'll accept all the customs

but it's a colony a conservative all the people very modocit with costumes

very similar very similar a cigar there, never had seen a person molestando

another and now this type that appears disdressed for Halloween fumando

cigars out out of the no send you a menace tremendous. It was going to have been

to know that he had been able that he had been back back to go back and and when

he said I'm going a chisdick and he and the subject is a peggard

with the cigarro bending directly to the eyes the the carne of the

maximum and who gets Demonious is that loco that's that's up with arapos exactly like he's got a calavera painted up

up in the hair and a sombrero all desgarated that seems he's got in the basura horrible,

horrible! And she's no, I'm going to go to sub the chat of the chat of

the best I'm going to that's there that's there that's that's that's doing.

And where where's the chat is going to the chat, the impacta Miranda? That's

that's a house, although you not you're not going with that. When describe the subject, all the

people of the recindary they say that's a chat serious, that even if you is the new,

no, she's going to be the doing that's doing the subject that she has seen,

but he gave a message directito to her. Yeah, no, the

group. And the you know, you know, what you've got to you're not They've probably probably

say, we're they're working with this type of things. I know of that's

a time that you don't you know a conversation. And Miranda, when came to

the final of the contract of the arrendamient decided that it was to be

to go to to re-nobor. Now, how will be that the place to

day of that people, that's the family nocturna and we know, and with

We've got to final of these oscura fogata of stories, but before to despedier me, permit them to

say this one thing. The first, dear family nocturned of Torreon, preparens because in

two months we're to be there in the city. When we let's the fogates

in the city, and if even they have been a little I recommend

that you do you do you do this. Dich one once this will be a

good, see to be the fogat in the I hope you've enjoyed this episode. And, before to despegible,

me I'm going to say, I'm boceita of the Maseyah because all the people and they're saying, and I'm saying, I'm saying, I'm saying,

I'm doing this. How's this? Where did you go to? Well, there's a other, I'm saying

that I was going to Canda, because I'm like a question. You know, you know, there's a lot

you have you do you guys, I'm sorry, I'm sorry, I'm so I'm, so I'm, I'm just to

the comments, but many, many, the other and nobody me followed the other,

I'm going to the game. Oh, yeah, another. Sire the extra- but not

it's not it's a very abusive to do you part, it's that no, it's that you

know, and the other, well, that's not, well, for that for you,

she doesn't, she's she, she's a she doesn't for the family nocturn.

If I me it does it that, you know, it's part of the people of the

PECs, it's part infiltrared in the team of the pastadillas. Nah, it's true,

we're all we're doing nocturna. Boceita, you've got two stories. Because I'm prepared,

and I'm know that I'm going to go to get to see. To what start.

Is that one is that is that super rara aterrada and the other is super rare,

aterrador too. Ah, I know I'm going to get for the final.

This first story nobody doesn't for what happened. Nobody knows for

what what happened this. What is that thanks a God, the family

is a family, there's a child, or well, in this time it was a child

unica, he was, I mean, about of 15 years when occurred this.

All her life has been his life, she had lived in that house. His

papas are two people Christian protestants, not I know of what

denomination, but are people are people like very a pegged to her cult

and of her church. She received a formation a Christian. But we're

that a person not the thing more relevant for her in the life.

Entendient this context it's nothing more that's that you know, the house

is a house a very beautiful in a very very good. I'm a Two pieces, a garden

chiquet, a patio little, but some of the people, many to do, parks, enormous in that colony, and there

many, many beautiful. She, she loved and about the place. With his people,

and all, they're all, they're very well, and their people, they're always they're

good, amstas, they're in the leaders, are more more than like,

pegganded and they're people very recognized for being people very calided, very certain, very competent,

and yeah. To where I go with this? That for more that they've been rascated after the years,

no entient that this is a situation or detonate of a problem with someone more.

Cren that it's other type of thing. It's all very rare. They're in this

house of two-pitsions great. His papas have a room, she has a apartment

a bit of a a quarter of black, where met them in there, say, let them get, there, you are going to the stairs to the second

piece. There's a lot of the sun. Some of the time. His papas not are in house.

When he's going to go to your room, it's a door, the door, it is open to and front of

her, and it's a little bit of a little bit of a little bit back, the little bit more, the hair

reds, those of liquid vital rojo, the car also maguied and marked by all all the little bit of

the little the other the problem is that there there would be there are there are some little

there's a thing that is a thing that has has been some dabbos and it's start

after after not form a sonrises it's like if it's just just turn right to

that's that commisura of the the back the toes have manyas large

the totally lostimated and has liquid vital rojo for all the and the

two of the feet also have some the eyes she's she's she's going to

see what she's and he and he and he starts and she can't

hear of she's going to describe more about like about

peter and and they're being to get to move

to move to and they they're doing all that

that time was that was to be there was that I was

to be to But where she's then this thing and they

were in a macabro of the scavenousions. When they were a night, she's

she's all running, he's and he's a little and then to you're to say to

and say to say this and say they're in this game, they're in this moment the pastor.

The pastor they say that tomorrow they're at all hour in the house, detain

all their activities, they're this is like a situation complicated-sima. In the night they're still in the night.

They're in the little bit of a child in a child of a kid of a little. And, well, it's going to this when

the pastor to go to the house, let us they say, they're going to get an and the

hands, and they're to do you, say, let's make some, let's do things,

very, very specific. When they're when they're going to hear of them, there's something that

is with the unasks, the piece, coming into, then they're on the second piece,

a door and it's aubri, and it's a little, it's the door and the pastor

comes to reprende and reprende and reprende to this entity, the door of the

entry, the door, they're doing, and all the process, and all they're all they're

all right, and so after, more or ten seconds after, the pastor

has a repingo, it's move a one side and has the brazo

so rasgued the little bit of the back in the back in the mother and the

mother and the father in the area the part of the area when they

when they are done the the plants of the of the people

of the people who do they're in the time they're going to

there rugs there there there Pastor, has to

come, they're to do more orations. One person has a a little of her

that's a little that's a thing that's very good, that's that's because I

never had heard of any other culto, but they're trying this this little,

and when the little when the little she's their own and then

they're they're in the she's something that she's something that's something

that's something that's that's something That momentably that put her in a danger because

20 minutes after he's like a little in the second piece and he

about the little the description that I'm the hair and it's a little bit of the

thing that's the middle the pastile there's a lot there's a bad there's a back to be a bedation of

this chileau And then when when she was to go to the little to get the little bit of the she went to the

manifestations. Papa and mom, even when they're in manifestations, put it in the house,

they're going to them to get them to get them and they're going to another side and never the never did

never ever ever put up that. The chick me says, it's a fecha that we

never did it. The pastor only said, is that's a attack of demoniac is the demonio that's the

demonio that's the blood of the child of I'm that's never

we've been No, we're not we're doing with anybody, no practicamos nothing bad. No, I don't know what happened. But there's a second history. And that story that I want to

say, about the things that we're always, because, maybe, there are stories there's in the family that are

to things that even when we haven't done cajews consequences over us. Why do you this?

The family of the Alvarez, for putting an apey. It's a family

that has many generations. It's of these families that have children that are

like, having with with a old Alvarez. It's the

tio, the abuel, and they're and they're about the

great proesas and are some families are that they

have a certain culto for put a name to

the stirpe a lineage, to a this that

that supposedly is a manifest by the same thing because it's a creency

personal. And if there studies about this kreensis family. In this family,

there's a saying, there's that's never about the not they're not they're

not the football. Only is never about the porterer. There's a house

Alvarez, which is a house very great, very an case has been been

living there for many generations. Normally, the major and those who have, say, major power economic, are those who are who they're not having their own. It's a question, let's make an issue, like, internal of the family. It's in that house, where no has to talk to the porter. But,

after various generations, the family no one was able, and passed something for having to have been about. Resulta in an occasion, there's a reunion familiar, in that reunion family in the that they're

talking of the grand proesas of the bisabuel and the father-a-a- old, the

building that he was a man, he was an architect, and things of that people,

and they started to the logros actual. They were in that situation. When

the light, it came a torment of the nada, and they they're

that in the porton principal, that is a porton of a firero enormous,

something it's going by three Gullpes in three Gulpice. After

of a six times that occur in those three Gulpese, and they're all in

all the family that's all the family that saw and that's very great

much a more to the topuched that oversaly that he was

out of the door to the house a little a crossy and he would be over

the door. Three times. Descansable one seconds, three times.

Then a man, he's the porter. And a little a new year says,

Mom, what is that of the porter? All the other were

not never of the porter. Nobody mention something. They

can't look at a miras. Despite of some minutes

they don't to hear the Rewoods, had been the vision of

that thing, because it was like you'd like to be very much, and you're going to be to be able to

the door, you know there's got to see that you're there's a morning, and finally it was the night,

no regress the light, all the day of the next, and the day people, no mone

the person who the porterer and the the new he was then the next the

day's the family refrended the done, never you know, never be the porter, because

you can get to get your life. What's the time? You know, your stories? Famine Nuctura,

we've paid the debt. Boceita, thanks for to be here. And to all the other other than

to say, we'll see us and saltillo because we're there in two times. Now, so,

I'm going to this time. You're doing this time. You're more yeah. And that's Marrador

even. And that all right. And that's say yes. Bye bye. Bye bye bye, Bozsitah.