HABLEMOS DE LO QUE NO EXISTE - Historias de Exorcismos Oscuros , Apariciones Malévolas y Brujería vengativa | EP 322

Episode Date: September 4, 2025

Bienvenida Familia Nocturna a éste episodio especial de Fogatas OscurasEl día de hoy celebramos que gracias a su apoyo ya somos 500K en la red que antes era de audio y ahora también tiene video, ustedes saben, esa que es verde con negro.Y que mejor forma de celebrar con 8 historias, las más oscuras, extrañas y malévolas que me han enviado.6 las encontraras en este episodio y las dos restantes al terminar el episodio ve a la otra plataforma y busca la platica secreta especial 500k seguidores.Prepárate porque escucharás desde historias de nahuales, seminaristas que perdieron su fe, objetos que bloquean demonios, hasta oraciones a la muerte que atrajeron cosas insólitas y lo peor de todo, los demonios del tiempo.Espero que estés preparado porque estamos por comenzar… Una muy especial y oscura Fogata de Historias en  @HABLEMOSDELOQUENOEXISTE  HABLEMOS DE LO QUE NO EXISTE es un canal de youtube con el formato podcast que comenzó en abril del 2022, su primer episodio fue "vivo en un casa embrujada" en el que una chica narró sus vivencias y sucesos paranormales a lo largo de 20 años en la casa de sus padres, desde ese episodio hablemos de lo que no existe ha marcado una tendencia en exponer casos paranormales de personas comunes que viven en diferentes partes del mundo. Ice Murdock es el conductor o host de éste canal, durante casi 100 episodios no apareció, nadie conoció su rostro y la comunidad de éste canal , la familia nocturna , creó teorías acerca de quién era el dueño de esa voz. Hablemos de lo que no existe se destaca por tener apertura ante las opiniones experiencias y vivencias de cada uno de los invitados. La comunidad de éste canal es conocida como la familia nocturna, de hecho por estar leyendo o escuchando ésto, tu ya eres miembro de la familia nocturna.. bienvenido. El duelo de historias es un concepto que se creó en el canal @Hablemosdeloquenoexiste, idea original del narrador, se estrenó en el episodio "Comité de la Muerte ,historias de Hospitales" el 1 de junio de 2023 y empezó a implementarse formalmente en el episodio "Abrí la puerta a un Demonio" el 11 de Enero de 2024 ; consiste en un duelo entre Narradores, una dinámica sencilla, donde cada uno cuenta una historia y busca superar a la anterior y al final la familia nocturna nos comparte en comentarios cual fue la historia más aterradora.El Narrador y todo el equipo de Hablemos de lo que no existe trabajamos para darles a ustedes querida Familia nocturna contenido original y de calidad, tardamos a veces semanas ideando formatos luego de tomar en cuenta las cosas que nos han pedido a lo largo de la temporada anterior y por eso el día 23 de Septiembre de 2024 comenzamos una nueva temporada que llamamos FOGATA DE HISTORIAS, en donde el narrador prepara una serie de historias escalofriantes una tras otra para retar al espectador a terminar el episodio por el nivel de miedo que genera. En este canal se relatan historias de terror paranormales, sobrenaturales y reales, prepárate para conocer el miedo de una forma en la que nunca lo habías experimentado.​

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Welcome to Famine Nocturna to this oscura foggata of stories in we'll be the day of today. We have a obscure fog of stories

but as you can you can you know, we'll just a celebration more. Today, on this video, I recommend that you go to Spotify and you'll hear the

Plata Secret. Because today I'm going to try six cases of the most strange, perturbators, aterradorers and those who have

done to, let me have done to what we don't talk about things that probably not they're going to never to be

the Platic secret because there there's two more, two that I mean, I can't say here in YouTube

because me the censored at the instant. One of this, and before to start the episode,

you know, please, revisit your button to subscription and revisa also the campaignita

for you subscribe, you pick to the campanita because you are a point to

live an oscura fogat of stories. I've the story of a sacerdote

that is a story that is a is a very very the faith.

It's a a word that's used in the religion in the religion Christian a

Protestant, there are many people people who the people and a and a

intent of that we have both a same both a same vocabulary and a same idea, I'm

to that we're The faith, for one side, is an a creencia in something, but for other

other side, it's like a fortaleza internal, like something that you do a determination,

like something that you help, a that one that you have proposed a certain thing,

nothing in the world will be that's that's that's that's a line

very delgation because if you fallatism is a thing, but if

you're a person that has the place in the and the part of you have a conviction

tremendous. It makes that you destakees for the rest of a way a way

and the faith also is far of the things when a person

has a because in his idiosyncrasia he has sense

to to be to get a certain qualification in the school

and to get a certain the and sierra is doing

all his efforts conformed that meta, it's a very

powerful. Entendient from the part religious, the thing of the faith, we can

say that a person in a person in a person, in the person is with the person,

and that does it is faredes, front to the unvestied of the life,

that the life has for many, and the other things over

natural that they want to get to be the creator. Lejos to a lexionart, it's nothing more for that we can't even

because what I'm going to say to you that vivized a sacerdote is something terrible, but not is going to understand if we don't have this concept. There's a good, we're going to, well, we're going more than a seminarist. A seminarist, that

more or less, from those 15 to the 18 years, when he'd ever a life normal, and it was a subject like any other living a life perfectly normal, with qualifications promedio,

etchandle the way, if, of a moment, no, not he was the heart of the family, but standing there in

his life, that for him was the most important, as all of us, our life is the most important, the repent,

one day sentia that God was he was going. No, it was that was that just to be

a person, not is that the repent, that's just not you want to be I mean, I said that a person that is necessarily

it's a person that's but in the case of he, no succeeded nothing of that. Simply, heinted he certain things

important that had passed in his life, and he was interpreted as God me is a person who is a

god, he was a religion Catholic, as you can't imagine. And after to go to

a center vocational, to be with his family, to talk with a part of

many seminarists, he decided for something. I'm not I'm sure

and I know if God me is going to but I try to try to

do you do you know not in the career enter direct a seminar

this was there for the years and when enter in the seminar

and he and start a get a class of Latin of Greek

and and he's to get classes about about

about apologetic and other things that other things that

depending on where they were to study. He's going to be able to these classes and he said, I was very impacted because I was having many things, but no was there being nothing that really me said, you're saying, I know about the Bible, that in a

certain way I'm not doing of God, but no there was spiritual. And I'm a quote that standing in the seminary, I before I'd ask you to know, let me knowcertain, I'm And I know, in a narrator,

if the day of today, the day of the day of because what what was after after the petitions,

creme, no, I'm not I'm I'm saying, I'm going, I'd have two years to get into,

I'd like, I had much am much amstads, for me it was a question of the study,

he was doing like a new significate to my life, me be I I'm

I'm very in the second year of the seminary, there a a sacerdot exorcist, that will give us a lot of

a lot of time. And for first time, and this you know, is the first time in two years, that I'm a person that is nearer to God, but much.

No, it was what he said. It was this that he transmitted in his silence, in his meditation. When he

was apart, without talking to someone, transmitting a force, a energy, something, that for me,

was like that connection with God. And me He had the father, me He became a friend of him. I began to talk about him, he said to me give up to

his ownings, and the father me was giving certain consegitos that I'm honest. They were exactly the same that was being in the

seminary. No, had nothing to specear those words, but to be a little way, I

thoughtlesia. Two years more in the seminary, I was too did you know that they were that they were

that had been that were to me the people were to be more time together. Now I understand that maybe they're going to prepare for

that eventually me convert into an exorcist, but there's what I'm past. I'm going to, I'm going to the fifth year of my studio, I'm going to those moments very important, I've talked with some of those sacerdotes that are, let's

positions of government in the diocese, and me see in very good profile, because they're in the things that I'm doing, I'm I'm tremendously. I have much

ability and much don't of people, but apart I want to do you know what I'm sure you're in this.

I was there. I was there in buskedom of God. I was going to God was talking and I feltia that

he had been exorcista. Me, he talked to the cases, but I never went to nothing. So, for

me, and I tell you, the form more net, more honest, more can't say,

they're they're in quentitos. All the what I told about were in a

question of I'm think that's I'm not the mind. I'm did the

great error that I'm getting to a exorcism, I thought it was totally a preparation and had been done my

time of allion, to prepare me mental, psychologically, spirituallyally, spiritually, never had

had never had any type of spiritual, more than the presence of this father. And it's

something very difficult to explain to but it's like if it was a force. It's something

that they're not more like the ideas or what they're saying it's something more that he's

this father and he was, and I, you, I, you moment that me get them to what fuses, not just the exorcism,

to what were. And, and I'm found, peaked innocent, that more

well, was overbe because I felt that was prepared for all. Narrador, we were

an exorcism, a ancianita, a person of 72 years that in some moment I had

seen the community, that always they were in a chair in sire

the now, the father had had come exorcism for me was

a debate internal. Because I thought that really that was a man.

Probably he had a kind of a lot of a thing of exorcism. I made

more emphasis to what the really what the father me were about were

things. They were things that he saw from a person more,

and result that the that was that I was a experience, no see if the

people going to understand this that I want to

say. But as you were Seminarist, I think you and we we're going to understand in this. Since

I came to the house, to we've to do you because that exorcism, I know because the

father so I presteed to do with the domicilio, and I felt I'm

that the house was a bad. I'm in the recorritable with the

sacerdote the father exorcista that no I'm talking to with me and getting

to a certain point he put very so it He said, "'For favor, "'and supportlecete.

"'Comencals to rest. "'Onestimely, narrator, "'I'm the middle "'attent in the rosario "'and the other "'attent in the recorried, "'vying that no "'weigham' to

"'chokor, "'because he'll be "'democusing very "'and I'm trying. "'And I'm "'Restown. "'I'm just to "'Rest I'm

"'I'm a "'usus' "'It's a sensation "'spentousa. "'It was like "'if it was "'to all the "'dard the best "'of the

"'oneone. The house was sentia that was a black, but a negro that wasabache, that absorbed all the light, the energy, to do. In the moment in

that cruised the umbral, the narrator was like if me backer the pressure, sent I, I thought the whole, and I had the

power, and I was, the language to my body, I felt like I was so much,

I was started to doormecer, and my head was confused. The father me put the

hand in the arm, when me put the hand, I recobro the compostura and I do

know that I'm doing the stola morada and he's putting on my home and he said the

o'clock. If you don't you start at you know pass nothing and I'm in the car

and I trying to me I'm trying to make my soberia but I want to

he said no father I'm I'm I'm I'm meant I I'm

great error we we're we're to go to the I don't know how the father knew where it was because there the

door was open and nobody no received. Where we entered in the room. There's a signor in sillier of and there's a cellion and they're in the eye closed and is he's saying, no abra the eyes, we're going to come back. And then I see that the

woman of the sillier sonrere and it's a kind of a type of movement trying to let's let's go out of the and it's there when I see that

the the chair. Not is tat a narrator so that's all the whole of a quirtas

and they can't be a carriety intentating that the she's going to

do you know but the sirs that's that's that's that's that's

my reaction was be to give to get to get to these people

and they're being the situation to that's all and

the he's not you don't you do you Don't you know,

and I don't know the narrator, because now I do a question that something I'm going to I'm just no reactioned a time. When I cobrough conscience,

I have the hands puttas over the brazo of this woman, this woman me is being to the eyes and you

go to say narrator, because it's something that the day of today to do you know,

I'm not I'm doing the car of a woman, I was being two cars at the way.

It was the woman and it was the same time as if were in that instant, and I was having

a one moretto with colmillos. And there were, in the place where they had to be in the eyes, it was a cuncass negras, and I was he wastes. From the front of those cuncas only had odio. And then respiro on, and the woman

is a reese, and me says, no, you're not so prepared. You're more of what you're just, and here, we're to show that only you're a mono. where he says that the father and starts

to talk to her to me the words of the father not I'm not

in what the moment the woman I'm was and he he got

and he he was he not he was he was I was I'm

the compostura the the father has the stola over my and he

said the word and prepare me to be a confession profound narrator, I'll go

there. Every pass that I did that every it's a because it's

a lot of we're a little bit of the window and it was like you were not seeing me

were seeing the I'm horrible it was like every every every

movement in every recovee could go to start a man and me was

to get to the rinko the incoons of the Inferno. They started to tremble my

piernas, and it was to tremble to my body, and I'm to see a very much. There's a

time I'm going to be to get to get to be my don't desmallem I'm, I'm in the

car, I'm there's a little, and in a parpadeo, the father he's a little

had been past over and I know I know I'm and I just just he said,

I'm very fatigated, we're going to get to the seminar, and in

the seminar today or to more to last to be the we're going to have to rest. Narrator.

At the day the next we're saying, we're doing to do the seminar after the seminar after.

No, I'm going to the woman. The sacerdote exorcista me said

that for favor not me that was that was just what I said, I'm

I'm sorry I'm said it but I did it a year I'm a man

a peter a peter. If you you're saw the time, observed the

of the duels, know that there's, I'm going in the question. But the

master can't the peter, mentioned a phrase very interesting. A sometimes,

what he does do the day there down, the maligno, the demonio,

is to romper that structure, that cap, that faith, that the creencers that you

have done and what you do a feel a one way that it's a

little, it's a bit of a bit of it's like it's not not the words

textuals of the master to the question I'm know, if this

was a little bambalinas or was directly in the

episode about about that was that was that

with those asatotes exorcists but it there there

there there people that when he have opportunity

to just to run to the value, no pierre the opportunity. You know, in Ablemos

of what no we have a episode that we did we have perfectly, is Angles Cahe, one.

The story not I will be to repeat, is something that I know, what you

want to when when we're going stories of people who say, now I'm

I'm prepared to tell you what I'm having heard that episode,

thanks for having had to have done. We're let. name is Rosario, because this is going to be

a little bit there. Resulta that Rosario, she was a fanatica of the channel. Practically he knew in

his third episode. And in this third episode, or quarter, she gave a question that those

them were that they were in a family very Catholic, very religious, and she

not was a part of things there there were a car that were like, and we

something something a little above of the restaldo a crucifio to the wall and

the caron in a cajita of a plastic little had a rosario that never

used to but it was a rosario that he used to when when they had a rosas. These rosaries,

they're all they're in the little bit of her little someone who did. She said that when

he started to hear and to listen to talk about of what no exists,

he was all the adrenaline and he he was in until he's one.

He said when I heard of the one, it's a super unisagradable and that

that's that I'm that she is in her house, she's listening

the podcast and he's to get a very rare. Siente that the side

where has the the window and the has a kind of

that's that are like they're like transparent, blancuskas, has one

of that is translucent, it's traclucid, it's all over to her and it and it

can't be how when are the night is too and it only a

little light of the light of the light, it's the

light, and this sombra is the silhoueta like of a little she's

all dispeinada. She has really when it is I'm listening to Angels Caidos, because

be that, and, of a minute I'll turn to the cellar a little, when he put a stop, the sensation permanence, but there's no, it's no, it'ser, me suggestioned. Me suggestioned, like, what, brutal, this episode, me

made you feel very stressed, etc., etc. He's going to be to be, two hours after. 10, 11, the night. Is it? Is it? is she's a dormida. The cellar,

I had put in other things, in those two hours she relapsed on some type of program of comedy or something of that was like, but that waspegues,

he was, he'd be, he'd be used a caffeine because not I didn't care that the caffeine,

and not let her to get to do that the sourcite with the coffee with a good, it's he was to

eat a little, just a pedacito just a pieceit just a like all these sensations bonitas

and when you just when she went to get a good, it was when she got to be to get a

morning, something to let's get a new a conversation, a conversation, voices that were the

voices that were a lot soundable like the respiration of someone that

not could not not and apart was the voice of a woman that

was a very angustied and he's to start palms

in the camera to see where the conversation, because it's when it's the seat that comes from the colchon, and is when you know that the cellar is in angels caeos, and what is the episode. When he that, she begins to sustar and it's again again the sensation.

There's something in the window. Something is there. She's still standing. It's here, but she doesn't want to work, until she says that something rasguine the the piece and and then

the window and this cortina that I'm a little little bit of the little is that even more than

more than more than after he's got to look to look at the eyes that are

like two two points redos that are she's she has a need to I can't

say I'm even I know how I'm going to be my ultimate moment when I'm

And in the middle of the grito, I see no more the cortina how it's a and it's a car that thing now is. I'm not the episode because it was done.

I'm sure that not it was to hear of never to hear under any circumstance. In that my mom,

me be there all all, all like stressed, I'm still really, I'm just I'm sorry,

and I said a person, I'm a person, she's like, she'd get a

and she there's a tea. Then I'm going to take. And me say, fichate, what coincidency? I felt like if the spirit of a little, I said, I'm going to, Mom, you're going to and I'm going to say, no. Decho, I don't have, no, I don't idea of why I'm thinking that's the spirit of a little bit. But me sonnava that was a mania mal. Oh, that had been a lot more, suites. I said, in a narrator, me

kept free, fria. I don't have tolded nothing. And she was the that was saying this, that coincide with what I just said. What was? I don't

know. Sylvia me mando this story, that is a legend familiar, and is super,

super-loca, of actually, no me had been had been something in much time.

Resulta that Sylvia is fan of the story just for this story. And is

fan of because we've talked about stories that that's that we

have talked to hear to hear this story. This history passed

before that she naceara. And Sylvia is a person that has a 50 years today of today. The history has been to her abuela Ilda. The Buela Ilda

was a little, or more well, when the Buela Ilda was, she had a much caro and gusto for the animals. She grew in a rancho if she was that she had a much a carlety with the carcels, with

cowboys, with galleons, because the ranchito that had, we were a ranchito medium. The Bula Ilda, never never, never, no,

never, no, no, and when it was growing and he was a 15,

16, 16, 17, years, was a man, a man, very

attractive, physically, is what me says, Sylvia, our subscriber, and I said,

my abuela to go, all, they were, and I'm a quantity

of the person, but it was a thing you can imagine. For the

time, need their papas like resguardar because in this time she used to

robes to the and the oldah and the first that were to their

they were to robes. This had the people, that were that would be

that she would be a but in the few there's there, there's

there, there's there was just in one of these festivals of the

people that a man, that a the two of the same year's, and from there surged the love. Let's say the man, the boyo of Sylvia,

was a type of a family that if the, the old old Ailda had a ranchito and was a median, this had three ranchitos median, so it was incredibly well, and both papas at a level commercial, they could say, that

although they were friends, they were in very good sense, in a good faith, they were in a good concept of one or the other if the things were doing well. The problem is that they said that this muchit, although it was very good,

and it was a good person, and a woman, and a woman of a tall yaya, a woman that more or less had around of those 35 years, but that had given much the attention of the muchuch,

and since then continually they had been aseching and merodeando the ranchos of his papa. We are talking not of the brujas like the day of today, not of these bruchas that are in a place

study and learn. No, no. We are talking of other type of bruchas. Brujas that are chisachan in the obscurity.

Brujas that can change forms. Brujas, that in occasions were the lechusas or they were appearing

or that some somebs in the house and they're the brother. This type of times, this type of

bruchas. You know, because there are much superstitions in torno to that and in turn to a tal Jaya

there was much fear and superstitions around the person. All the bad that was the thing was

the other and now that the family of the manchach had to have to have been

a bad definitely had to be a yeah yeah not they they're

and they're to be and how they're that you yeah was there because she

was directly went to be to be to say he's he's he's

he's he said you could give a back but my my son is a guy

and not is to you know you don't know you and then in a misused

with this tal yaya I'm I'm because there are things

things very when there when there situations and that

are that are a one one that is

the woman in the man she is she

is in the she in the first in her animal very

strange but he really a attention and it a dog a cato black,

negative with those eyes reds and from the and since he was his name

emeralda she he said a one of a little was a

because so he was the little the cat that all

for us is something so for the old Iida never never I

never I never never never no and then he asked to the mom

that's the where did it and that's he put a way of the mom and the mother and then

I'm not not that's not even not even though that people people who were in the city

that they said this is a cat this is too not going to put this is a cat

they're in pancita and they're getting cras and then then they're so

this is macho he's he's going to be pester the he'll be being

he was there and he was here. And well, the thing is that when they understand the time, but it's an gata. And it's reaffirmed the name of Esmeralda, and from here,

Ilda and Esmeralda, for here, for this moment, Ilda has 15, 16 years, continually is coming with this muchach of 20, and there's a situation extrana that they're saying, oh, you've done a little how Esmeralda is very celosa. Apenas isle of the

house, the gata is put to buffer, she put to mawere, been arisca, no he doesn't that's a little and I'm

a little and I'm like a around around around up to get up and really helda descuitable

his troyas he was all the little bit of her and the people around they'd have found that Ilde

let's say a guy again again to say what did you say? What did you say?

No, I didn't like if the cat blara but nobody didn't for what?

Fueron the months. And one day this man, this man is to put to run to Rompant with him.

Because he says that every he's, he says that he doesn't, because his gata not he doesn't

do you know, I don't want a person, that's only for having a little to

be doing a little and it's going to get to he's a child, he's a

he came to him. Emerald is a gout. But, but of this is

going to he's not time for any time for any person. And he is causing problems

at the point that that's almost for per to get a newio, he's got to see a question of what he's

doing, and she and she and he says, Emeraldah, and he says, you and I don't we can't be a lot of time. it's not, you're in a lot. It's not,

Hilda's go with her novio. The house is a little

after the mother's when he's coming a man, he's there's a person

the house entire. When the mom is trying to open the door, it's a little bit of a silence, of a sudden is a silence absolute, and when she open the door, the only that is the cat. Only there is a entry, the windows are all are all closed. The problem is this. There are many rags of the cat, in the camera of Ilda, in the almodas of Hilda, but not are

the size of the garra of the cat. They're of the size of a man of a person adult, that would have had a unias very large and afiladas and as far as the markers are in cortinas,

camas, vestidos, roba of the parents, cama of the fathers, sillions, and all that was a-a-na-krued was a-a-dustrued.

Esmigalda was that day, never regressed and Yaya he had no no

let's the story says narrator, and since my abuela she

she had she had to be a gata to make a little not even if you

know it is recommended for someone of a spiritual and you you can't

talk with things about things about chabroas Mayela

was a situation of this type, has only three months and

until the day of day of he has recovered his pass. Resulted that

Mayela, was living circumstances a little difficult. She

has a new her and she are living in a department.

That department is a place a common, not is a place,

a other is a department little, but right they're

they're their and both are so they do you do

a result of a accident He has stima a foot in the job and he has a year and not he's able to recover

well. And the doctores they're saying that if she's going to recover almost to get to be going to get

because you have two times that the interventions that they're not not all exact. No, they're not

they're, the piece to start a little, it's like deformsing a little the wesso

and well, a pair of things that I'm that today today today Mayela yeah

are going the point is that she gets she's that she's that you know it's

not the tupido, what she is doing that's she's her she's

she's the job, the job that then the accident of the novi and the

recuperations that not they're a back that they're that we're to make

so that we're to get that she but the other they're

not going to do you are part of the situation

I'm you know, the place not the little the most

block acoustic in the night of the first so you may it's a

disveled insomnia molest, mist and a new her work

to work to work, he needs a and it is there

a way, you know, it's you get a she need

a need to a need to a mela she but if

the woman he says and yeah look all

it's all me to change the form of to think, he says, now he's not I don't think to make it.

And so I'm not you're a couple of the woman, and she's a way and good, and they're when they're

received, but he says to Mariela, get out of because you see, you're very very cargated

and I want to me deches the sombras that they're in the mind.

Malela is a back to that you say that but at the time you

say, Mayela you're you're she's And she's She's trying a She's trying

a new, well, for that's saying that you you're going to you're going to get you a little,

that's my my friend. So, that's good, that the things say, and Mayela

is a relaxer. The amygia and he asks, but of a person, she'll be

to get her to barren with a little, then he brings a yearvas, and then

then she's the water that is that's Water Bendita, that he's out of a carnaveral.

That's exactly to what he's referring to who they're in a zone desertica. But this

woman said that Mellah not the very, it's a bouchornado. The place

in the thing they did the limpy is almost in the area, and it was

a car and it was a car in a zone commercial. There are many people did they said the

apestando, extrano, with an water rara, and apart, many people have seen that they're

barring with a way. So, is that we're the best of the moment.

It's stresseda, she's vulnerable, not is a comod. The she says,

that is moment of what that's that's that's there's part of

the part more difficult. It's doesn't the local of this woman. It's

see a local in that he has been a lot and there only a one

there's a part of the painted of color rojo, not a light, but a painture

tenue around. So the room is the room is a red and very cold,

it's very very disagradable. And he asked this woman to Mariela that's in the

house. Mayela is the place. The woman, the man, the

woman, and comes to do you start a symbol of her around of her and he

and then then then after a certain he said, you go to to throw alcohol on

on the over the over to go to see to the eyes. And it's

to get to you can't imagine. But it's something that's a thing

she's getting all the humid in the body and it's very disagradable

and at the end it and she and may get to get to but

she's madres diablos and monsters she are art this this to

what's to be going to be a new way to be a new

Sient it's almost as if they would have an ultrajado, even if it's going to cost a centaur. Well, it's something that is the risa, of burles. So, it's that you're on the way. And the woman says, "'What good that you're parisht. Because now I need to see this.

He's aene one, and he'll arroja. And he's, there will appear the person that you're doing down. Mayela, creak, is a maldito

troco of chemica, but what he doesn't he doesn't know. explanation. All the silhouette of her, for the part of the end of

the same, and they're in a lot of blue, and after that's they're going to form a torbeginos

in the head, in where are the areas of the palms of the hands, and where is the area of

the area of the way of that you know, the fire to be a going to get to

fire and because she is that is that he's a many steps, and the

woman, says, no you're out of the room, because just are going to start to the

suns. Mayel is looking directly to get to see a new new, but the

humo negro, but the number is form a little newbe, it's pega to get to the wall, and

they're at some of some of some of some and it's and it and it's

and one and another and another and another. And then the woman that was

the woman that was there were so they To you and your nobio, those have been well-traved and for that'stimore the lastimed the foot. Mayerah, never,

he kept seeing, and then he goes to think, well, my amiga was the thing, all these things are trucos of chemica. All this that is being passed on puras tontaries,

and I, that's being prestoned a charlatan. After a time, it's all right, these ideas are to come to the

way to his house. In the the way to go to his house, in silence, no, he wants to be He wants to talk with her

friend, he's a little what he lived that was a little bit of a great idea, and is where he's going to

think that this friend was a question like to do charlataner. He gets to his house, the nobio that's a

turn rotative nocturn, or not going to get to get to get to the camera, solo,

Triste, abatida, and thinking that he's all the day in an stupidness. Lamentableablely, is something much

better than that it was a period of time it was the aperture that's maybe of

can't when he's at the time and is a point to get

to get us something strange you know that there is that is emanating

from the piece that is doing like a

or like if were burbush that they're being

being being doing and they're being being being

getting the piece of some type of liquid extra. Like the liquid

that's the day of day of but something more more more than

the idea and the sound is what that has that has a idea

it's something something a little a liquid spes and

almost like was some kind of some kind of she

and she like a Cairne Cemada. Abre the eyes in great,

no he's a beginning to see that the temperature of the room, to get to

to be, to be, to be, and it's then when he does know that the camera

is a time Cemetery. Voltae the ventana, Voltea the foco, all is

perfectly in their place, no's nothing that she's move, only is

the camera, it's and then she says, for favor, leave me in

and the camera, and Mallella, it's all right with all and the base against one of the walled.

No, the front, no gop, maelah, but as if someone he would have rastra'd

but a little bit that when it's so that the many people are the two minutes.

You're all right, you know, Mellela, Marela, for favor, respond, we're going to

talk to the and Mayel was up the camera. No he was how something he was going to

the person that was she said that someone was right she was right and not not was a

person. This he passed two months and from and from the man of

Alkitran that is the form in that has nombrated to the monster demonio or a

thing that has done has made act of apparel three times in the house

and you know why is that that's there because there are some ways black marked as

just for the record of the way of the property where live in Mayela. So, if someone to invite to

a limpia, take a not say that you're going to a channel how it is doing about Mariela.

The thing of the paranormal and the theme of the emotions are two questions that

are very connected when you when you know in the camp as of the experimental, of the real,

of the experiences that that live in each one of the people. I'll tell you all this because Jair vivied was a horrible, spantoso, but it's very

difficult to understand. Jair is a person like very solitary, is a person that is a socialable, and is a

subject that difficultly entablary you can't talk about him in the day a day. Jair me it says,

narrator, I am a person that I'm and so I'm very a good. I go things like a way.

I'm much with my ideas. Something that made you that you kept in your podcast is when you're

when you did you're doing when I started the when I started when I'm I'm going to see to be

me. Now, I've heard that I'm quite quite I'm quite I'm used like my one of my

son of experimentaries in my case. Never me I've done with anybody, never I've

never had problems with nobody. And no if what I'm doing right me the provoked I

or me it's my ex-pacos. I've been from a family of bruchos. Brujus and

bruchas. The truth is that I'm going to say why. I'm I'm more for the

thing of the science. I'm a day of day of I'm very good,

I'm very me they said, no my parents, nor my tios, nor my boys. Never knew in that. Be I was

pure things that were things that were things that were things that one said, and the other I used the

they were that they were changing and they were rites and were puras things bad, I never

of that I'm not of your podcast. I started to hear many questions about of exorcism

also. Also, also me took the part with the Dr. Luzon,

where he said that one of the is the fact of have been ancestors or

antepasas metied in themes of and to me super consta the family of my father and

my father and both have been in this time and they like and they they're and they're

they're and they're so I don't want to start cargating with laster that I'm and I

put to be a game very extrano my game was very simple me

I imagine that the form for that could be to be a time and to change my

past, it was by my dreams. At the final to do you like a game, like to

be a little, and I'm more and I'm a little, I'm a story,

I put to read her in voice high, me the imagineable, and me to dream

with the hope to know, the stories that were not the stories,

were not words, recuards of my adolescence, records of my infancy,

moments in those that I I was in some type of ritual, yeah, or with my

papas or with my father, or with my boys, and then I'm just simply to tell

how I was the day-a-day and the only thing to change to be at the final, and I

put you have done that day, how I could do you know, my lasos with this

family, how I can't runper the bookeries. I'm to say direct,

narrator, what I was that I was that I was a fanatic of John Constantin,

the Mono of the comics, the many who many saw the movie,

that's not that's about but I'm like he, like someone that's in my imagination.

I'm saying, I'm not going to say, what I'm what I'm saying, it's that I'm a game

very different, because in my dreams, I'm going to remember things of the years, but now

now I'm not I'm a detective that could runper the brusperies of my antipasasas

and I was not my last So, more A lot of that if that were to function, well, the

really was the different of my life. I was during that time, I'm going to get to the

night to start to make the thing that you could be the you can't imagine, until that

me happened to one of those dreams. In one of those dreams, I

wrote, I was something I did you to do you to make to the forces of the

the earth and I know what that's my and they're a new and it's a

great year, because the companions that were there, they were going to because they're going to

because they're getting them my father. My papas not were that we're not the people,

they're not they're not so they're that they're that they're they're not that they're put them

and they're doing things like in languages extrai that they're for me the

were invented because my papas not were more than the Spanish. So, since I've this situation of a rechasing to

me me marked. Of the fact, I think the day of the day of you, that is what does it

so, since my year's, the children are they were to join with me and what they

did my father. So, so I'm that I'm that I'm I'm trying to do

what I had passed in this year from the They've been with a roba typical of peoples originaries, that my respect is for

them, but in where I I lived, so no was used to use, that's all I made super-extraigno. Me putsiered a sombrero that had like some

burlas that were a ricko, me sentia a pailaso. It was the first of a new year, and in the

place of a year to six or seven years, for some whatever was being a person of a

different that nobody was made, when my papas are in the little rojo they're in my mom has been a

black and I'm a little bit of a little bit of a boy and gets a little bit more the scene and I'm

kept very grab and all I started to do you know I'm going to put a detail you know you know

a new a year narrator a spejo a new a new that they're to be able to come

to ask me the frugated to do you I don't know I don't know I didn't those things I felt that my

my papas simply were in the lot of the so I'm going to I'm sorry, I'm in a detail

and I'm I'm sure that while he was doing, it was mude narrator.

There's the garganta me'd get them and I had a great-and- and I

know of why I didn't have to my years and because I don't

have a question with no reason and how I don't want to that things in this idea and I

do you like very very very invasive, very without but well

the point is that I'm sure that I'm going to have the best of John Constant I'm going to

get to break and deser and destrozaer and what what was not to what I had written

the first is that my dream to make where they are in some these

doors are red but those I'm I'm more that

I can describe the doors are I'm I'm going to a

passio, I'm that I'm there's a end of the door, there's a new door

that's encrusted in the right. In that door, I know I don't

even to talk to and I don't even to be to be a little my man

over the and when I'm my hand and when I keep it, and there's a way

of the body of the form of my hand. The reloch, brilliantly,

but not like a great brillio, is something very, very, very, very,

he's the manse and the and the doors are all and the way,

in the moment in the the air, a rafing a air

a very cold me and I get in the and I start to be

a two people and with much so like, it's

like they they're like they they're moment me have

been said, this is the spego for this is the rite of a couple of

years. I'm you're you're you're a condensia of

bruchos and those voices narrator me put in the skin

chinita was something was like if those voices

he had had had had my and my

parents were those so I not I not I'm

not they were talking those. Those things, I can't say that they're like spirits of air. It's the most that I can't describe it. Because no see, they were,

they're listening. And then, I'm dispirited, because I'm getting. It was like if they're being castigando. At the moment of start me, I'm, I'm

know that something I'm talking that's over. I'm going to the garganta with the two hands and no I have control over my body to

let me until I'm I'm going to I'm just to get to get to it. It's the thing more

rarer and more more and more more to not to do that to do do that.

I'm there. In some moment I kept in a moment, and I'm just the

rays of the day the next. I know not what was to work. I'm not.

I felt that I'm to go to a chiquet for first first time that was doing,

me were getting crazy, me I'm going, I'm said that this, it can be

some some kind of to be a lot of my little bit to work to

They're going to function. I'm very somnolient. But something rarrow to pass in my life

from there. I'm very al-pendient of the sonnids of the cellos of the old old

those old tic, tak. Tick, tak. No, I have a only one

only the thing I'm all the thing I'm on the sound of that I'm so on the

little in the room, I'm to hear to hear a person to say a I put it mal, narrator, me

I'm sadgo, me I've had to have been to the patio of the department in those people in those I'm in the

point of the person that I'm going to that's not, and I've took that type of riskos because I

can't be in my house, I'm going to a man, and I'm saying,

I'm going to go to a person that's very good, leading the Palma, and that

you help you have a better future, you help to change the destiny. And I'm going to go and I'm going to I'm going to go and I'm

important. Three cacuades. All what I've been doing with my family. Needsito I need to start with this. I'm going to know. The narrator, I'm going to the type. The type no me pied my name. My friend me said that he didn't even he gave my name, nor the end of him. He gave a certain hour. He said, he said

that he said, that no way to live with another person. He said that no way. He said, that no way to go back. But it was a session of 50 minutes. So, so it was a bit. My my friend, no chistow, me he goes to there, we're going there with this person, he's me saying, have, give you, man.

Me, he's going to take the hand of the pulgar and my deado meñike with his two hands, and he will ha'lars to him, because I see the ademann, that will be that'ser, when he goes, and he says, Disculpe, you, no, I'm going to

cover nothing, for favor, for far, salgaze. I don't met with the demonios of the time. And, and just me said, and I just a narrator, and me put paled. And my friend, he said, no, for favor,

no, for far, no, you're doing games and he said, no, no, no, no, no, I'm not I'm going to play a little bit where not he said, and you know what, he said, and are coming to the past, not is a thing good, and it's a thing that likes. Bette from here. And see, and a narrator, from that day, I've looked alternative, I've

played with my ideas, I'm going to the psychologist, I'm going to, the psychiatrist, the voices have have gone, the sensations of presence has been bad, and I'm back, yeah, no me Siento observed all the time. I think the medication

me has helped, but I'm sure that really, for being doing those exercises,

provoke a more. This, what I'm to tell to to do you and it is one of

the other of the other that's a story written, because if this,

Lily, I don't know how you can keep to be hard at day of

today. Resulta that Lily not is a person as a person,

as a Lily, he likes the stories of terror, and it's all. For that I'll say, I hope that this is a story. Lily me says that, that's about a year, she went to live with her partner. The two live a gusto, and they're many plans for future.

There's a question. The question of where they've been is that at the beginning, when they were living together, the pair of Lily, and so, after the two months, look, and it was a very pesable,

impossible to continue. He was ascending in little posts of his job, are people who are people who are very young and it's

then when with the salary extra that they're and with a job that they're they're paying

a decent decided to do you to a department. This first department to the van

those got he got as a part of experts. No, they're they're

they're doing the time they're not they're not that they're even

good cost. Yeah, when they made account of the rest of service, more the dispense,

most of the rest of the gastos extras, they were they're doing that they're

practically working to pay the department. It was so. So, so they

needed to change yeah. It's a transcurs of the contract that was

for a year, and they they're they're practically every every

just saying, for favor, let us move to us other other place is that in

serious is it's being really is very car for us. We're not we have done for a matter. And the rentero

and it's that there's a one is that you're a little bit more. And she'll say, no, because is that the three

months that I'm going to do to get like to get to the other department me going to get to

nothing and it's like having paid the year, no I'm no, I'm no way. Then the

time he's let's say, a bit, let's do this. Vayan looking a place and

if you You know, and at the same time I encounter rentero, we'll have to let's go. In that moment, I'll go you. Lilia, from there, commenced a oration. A oration in the which

is it dedic to the destiny and a who listen to. But when I tell you a friend that is adept at the Santa Muirte, the amiga, the friend has done a word, piding to her the little bit of the little bit of the child

Blanca, for to the listen. A from the prayer to make to make you a lot of the

other things that's all right. The oration, what I'm going to say, what I'm going to say, all the things

that's going to be able in a dream. He started with the same place.

It was a place with a hardine enormous, but in the middle of the

garden there was a one a rectangle where it was a a

profound, but is very strange and has the form of a tomb. She's not at the instant, and that's a start.

No, agitada, no extrana, no, with fear. Simply said, what I'm that's a

strange, and that's weird that I don't know of my dreams. The day the day

the same the same right, do the same recurried into the house, it's all to the

way to the way to the way, but now when it's the double of profound. The third day

is almost two meters of a depth of that has that that's a fourth day yeah there's a deep in a

tegut. Fifth day there is a very rare because at the front of that way is a little

and it is a great is a second and eighth day the rest

of the osamenta is there at the front of the world the world. The things not

She still looking house. The rentero he says that he never not got

a person he's looking for all the sites that put in internet and all his

amistating and she and she's mar and saying what is the money and she's

that she are the thing that's offering the department if you get a

person and she get a good, the new the little bit the time

the time they're I'm I'll say, I've done that they were working practically

to pay the department. So, no can't have problems in the job, because they're going to get

bonuses, and that would be not at the rent. So, is that the new-in-the- -sue,

he's living these dreams strange, and here the dreams are rare. Every that's

aosamenta and then has to have different things that not had the day earlier.

Trosito of the pieces of small, Remedos of Tela After that

after that after after there's a body there a back vesty in a

camisetta that seems like garigolia very very extra

that he would more the bandill that has the

camis a because he's involved in some kind

in some you put you can make you

there many man many in the pantalone. I think the idea is a clear, right? It's a person that was a violented, but the person,

for how it's been for his aspect and for her rope, it seems that he participated in a very active in a conflict, very desegradable. The days pass and it's then when, now the camisa, the pantalone, are perfectly well? It's a garigoleado, now is, very clear,

that has like a kind of cranium in the side of the right of the pecho. The other side has been a lot has some the other and she has been a extra in a

reason, as a other person with a motorcycleist or a company of a motorcycle

that in the city not is a lot of but has seen that he has seen

and he doesn't why it he does do you do it the

the day is totally nidid a barb of

a car a long a person and the time

No, it's not, no, it's not he can't be able to be a poster, but he's imagine that if if you're

in front of her, is a type that's a little two meters, altissimo. She is a person much chaparita

of one, 49, so, I never want to talk with a type of a year,

the year, still going going to and the time, he's seen in the post,

that definitely not not was here in this plan, now, now has the eyes

open, and then, and a day in his see, he's going to go to

the post and he's just outside, front of her. A subject of a little bit, Barbacana,

a roste long, the eyes not be of a good person, has been to a bad

and the head, and this person see for some that's a kind of

bandilla, banded banded banded and while these years,

while she went, she She found a place that could rent. That's a place very beautiful, very, very, very, very but he does a repelus very strange because she's

sure that the interior of that house has seen in some part but no record exactly where. He says, I'm sure that I've seen that that's the place. Pied more photos and it's until

that's the garden that's the dream that I've been having and said, this no me doesn't. Keda in cost? The novio,

the novio, as the option and he saw that the place and he he'll go the cost, he's

no there's no I'm to think it's a time, you know, the

he's the type that he he's the type that he he's a

a little a little a clad of the right and the and the

little he's he's perfectly during a month the

only difference is that he was that a place in a

so so is that when he is that is nervous

but there there directly to the eyes just said you know, and she said,

you know, and they're going to be here. What demonious was what was what happened? Lily,

too, as other people of this episode, also want to know. And with this story,

our family nocturn, we've got to this dark fogata of

stories. So, so it's that you have got to here, let me

say you one. So, first, if you're on Spotify, see

and do us five stars, because we're for the 2026. The Saturday of Sombrass,

I hope, you know, to have you in the first places in the firetas in the first you,

I'm still, I'm not the team of the PSs and but yeah, it's the last time, and I think

that's still. But well, said one this, let's the talk secret.

Because in the platic secreta, there are two stories more that complete in this

episode, and remember, we can't put us put these these on YouTube because

they were very very If you're in this episode and, well, from here to the Plata Secret and to get to the SABETHER SOME, after having heard these stories,

I know you're going to have had had, Durses, Pesadillas.