HABLEMOS DE LO QUE NO EXISTE - Historias de Experiencias Paranormales , Brujería Familiar y Lugares Embrujados | EP 272 | EL NARRADOR

Episode Date: March 10, 2025

Bienvenidos a esta oscura fogata de historias de Experiencias Paranormales, Brujería Familiar y Lugares Embrujados en  @HABLEMOSDELOQUENOEXISTE  El día de hoy el tío Narrador les trae historias que ustedes querida familia nocturna mandaron alwtsdelaspesadillas ; escucha del nahual que el abuelo alimenta en su patio. Conoce la historia del amarre, el guardián y la reina de hielo. Descubre los secretos macabros que esconde la pluma de hueso y cómo los invitados de la Tierra de Brujos casi desviven a un niño… así que prepárate porque llegó el momento de que  @HABLEMOSDELOQUENOEXISTE HABLEMOS DE LO QUE NO EXISTE es un canal de youtube con el formato podcast que comenzó en abril del 2022, su primer episodio fue "vivo en un casa embrujada" en el que una chica narró sus vivencias y sucesos paranormales a lo largo de 20 años en la casa de sus padres, desde ese episodio hablemos de lo que no existe ha marcado una tendencia en exponer casos paranormales de personas comunes que viven en diferentes partes del mundo. Ice Murdock es el conductor o host de éste canal, durante casi 100 episodios no apareció, nadie conoció su rostro y la comunidad de éste canal , la familia nocturna , creó teorías acerca de quién era el dueño de esa voz. Hablemos de lo que no existe se destaca por tener apertura ante las opiniones experiencias y vivencias de cada uno de los invitados. La comunidad de éste canal es conocida como la familia nocturna, de hecho por estar leyendo o escuchando ésto, tu ya eres miembro de la familia nocturna.. bienvenido. El duelo de historias es un concepto que se creó en el canal @Hablemosdeloquenoexiste, idea original del narrador, se estrenó en el episodio "Comité de la Muerte ,historias de Hospitales" el 1 de junio de 2023 y empezó a implementarse formalmente en el episodio "Abrí la puerta a un Demonio" el 11 de Enero de 2024 ; consiste en un duelo entre Narradores, una dinámica sencilla, donde cada uno cuenta una historia y busca superar a la anterior y al final la familia nocturna nos comparte en comentarios cual fue la historia más aterradora.El Narrador y todo el equipo de Hablemos de lo que no existe trabajamos para darles a ustedes querida Familia nocturna contenido original y de calidad, tardamos a veces semanas ideando formatos luego de tomar en cuenta las cosas que nos han pedido a lo largo de la temporada anterior y por eso el día 23 de Septiembre de 2024 comenzamos una nueva temporada que llamamos FOGATA DE HISTORIAS, en donde el narrador prepara una serie de historias escalofriantes una tras otra para retar al espectador a terminar el episodio por el nivel de miedo que genera. En este canal se relatan historias de terror paranormales, sobrenaturales y reales, prepárate para conocer el miedo de una forma en la que nunca lo habías experimentado.

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Depos Minimimams of 10 dollars. Veillethe me of a fashion responsible. The conditions apply. Welcome to Family Nocturna, to this obscure fogata of stories. The day of today we have relato very oscura,

sumamentateurreders, yeah that we'lllare we're about experiences supernaturals, brujeria familiar, and places very enbruhados. But,

before to start, I'll give the new ones, and I'll explain two things. The first? A me, to the family

noctura, us would want to formes part of our fields. And for this only to be two things

very simple, are absolutely gratuitous. The first is, in this instant you can't do you. And it's pressioning the button to continue, and pressurion the campanita. It's gratuit.

Recurricular in YouTube, seguir and a campanita is gratuit. The second, is over-vivir to the fogata. And in that so, no, we can't help you. But invoked the family nocturna, for that we'll support during this

Scura Fogata. And let's I ask them, please, family nocturn, make it present in the comments, and pongan for favor. Some of the little fogatitas, for that the new ones minimums

see that there a little light at this dark way. One of this, comesements. All we have a little

vener of chismos and morbos. But in the case of Sophia, he would have got to not to have that because of

what she had been after a few he's he's robing the swan. Resulta that Sophia

is working and a company of the time during the last last time has been

or like acting of a manner media erratic, media and this company of work,

she be distracted, she be very preoccupied, and continually gets a time and comes to

come to our family nocturna. She, she knows that something

that's going to know, but no know how I'm not quite

I'm a chismosos it, it's to do do you do and she

is that you So is that, with little details to different people, he's going to say phrases like,

I'm very very preoccupied for our company, take a a guyeta, I need, I need to so

a guy, we're many, and now I'm going that I think so much, I'm going,

and I'm going, just says that, and I'm going to be the problem, and he said, but there

is that, the morbo, and this necessity, the curiosity, of this necessity of the necessity of

the often, it's a not for the information, but for the fact of the same,

because Sophia, when he has seen the reactions of the other people, now has a

need a extreme to know what the what the demonio to be the

person, because every that I think the people they're they're

they're that they that's that they just that they're just they just be

that's they're they're they're no, no, don't don't

I think it's to be able to to know to know what he's going to see what you know what you're not you're

so you're a little bit more like if were a dialogue a friend and us said sophia narrator from there

I've ever made to have made a intuition my intuition me said if the river is that

water yeah if something are reaction so it's for something not you not you

but other voiceic into me me I said I'm I'm I'm sure

I'm I'm know this. And then, rompient all of the caro, I'm to go to the companyer of the job. Leveral, he gave a little bit of the

little little bit of the little bit of was, I know that's passing bad, I'm going to I'm going to the companyer of the work, she

put a palid and he said, no, no, you know, reces for me, not you don't know what I'm

doing, right? And this that I'm going to say, was the conversation of that morning that in

place to to have two hours approximately that I will do the parts more essential

the parts more scabrosas this this company of the job of a woman Laura

has a mother solterer her his wife is a child she has

had had a certain talent artistic from very

for all he doesn't do do she love

to talk instrument but there something is good

to draw. It has a finura, a finesse, a form that magistral to use the lapis, the crayolas,

the broches, the paintura, it's like if she's in front if they're in front, they're one. Of each,

her letter is precious. Her letter? It's a letter made by some render of a

computer medieval, something something mitifit. It's hermosa. How learned you

to do that the letter. Her mom is known. She's she's with a

letter very different. He says Pats of Arana. Because are forms that learned you

and, well, the life no he took easy and never had priority to

better. But her his is the letter that is something that's

people that get to be a card written by this child

that we let's call to Claudia. Claudia. Claudia

that is the her, the child, the chick, that has this letter perfect, that is a good and a great artist, a person, a person, a penas to have 14 years, is so anxiously of his 15 years. He asked a mom a game of lapices. Lapices that are supermently carous, for you give an idea, $100.00.

$100 is a world of money for, for some lapaces, from the perspective of her mom. her mom, that all the time is doing a horrors because the money not gets a recortar the food for one and other

other side, the blusa that has been three years with her and he's and she's saying that the people don't know,

that they did a hundred hours. No, it was like a old oldie of a while but she wants. Clive is

very amated for her mom. And she so it's so it's little time little time for there,

peasantatements for here, and start to do food in the house to to sell a companyers to work

to buy them to paycito dollar per dollar penny per penny punted the hundred the year and

getting the year's number 15 no you don't you know the car that had

Claudia no occupa a genio the mom didn't even even didn't even

even though the money over the caja since he saw the

the part exterior I was perfectly that it and you know what she really not could create. Traia a furritte transparent.

They were new. No, they were to come up to second-man. She was to start her lapisces carous for the first time in her life. When she does, what pastel, any what fiesta, or what a night-a-na-a-na-a-na-ha-ha-ha-ha-a-ha-ha-ha-a-ha-a-a-court.

He went, and he went directly to her court. In her fourth, it's where the second number one. And here is where the things they're going to turn very strange.

Because at the day next, when it when it's when you're to come to a woman vestida

like if were a repartidora of some a new name that you want to imagine that

that you're that's that's that's that you don't that in the

building in the part of the back I've seen the

the car the repartidora of that company but saluda

the the woman is talking with Claudia and see that the woman is trying a a box with the logos of

the company and she's not going. The mom doesn't need to be a genie. That's a little bit. A part of

that Claudia is in bevied. His mom gets the court to see the car to be what he got because he's

much preoccupation. Ohha not has got to that much that not that has not got

money that I have used for an runke for creating a paper more

or have some some of the things because we don't have more. And then, he's investigate there in the

quarter and he said, Claudia, where did you get the gift of the gift of my birthday, mom, for that's. But, but you paid. No, mamma, no you preoccupies. No, gasped, no, I'm going to

do that. The mom so much great in the school. A maestra, the mother of family of one of the casas, a companyer.

Someone's it did you. No, you have to give you much vultas. It would

be good that he had been that would be good that would be that would be I'm extraign what was

happening, and more extrano every day. Claudia? Of a repent it was like

not dormia. I was with the eyes totally and the cap of the dark of that you

talk about a person that's very disveled and very very fast so much

she be more delgated and Claudia always has been a delgated but now

you can the clavicles they they're one a time a

alarm, because he's that Claudia is going to go to the bagger the toilet and when he's covered a

part of the cintura, you know, the bones of the head. This is not good.

Never he had put attention in the chamorrows. Those things are some little bit little,

and is then when he's he's a little bit, I'm going that's a little bit. No,

mom, it's that I've been just got a bit because I'm very inbevied with my

his drawings. His mom mom has put to to be able to see a but he's but he's she's not we're going to

do you know the doctor. The next days the poor mom of Claude is very preoccupied,

but no could do do anything. Entra to to work at the night but she no have

vehicle property. The way to work is two hours and she has to

get to the time. It's to the house around to the six and

seven of the time. Sal to the four. His work he

It's to make time. But there's traffic in the city and no have a property. And no

there's a way of the way of the car you know, there's of the thing she has said it to

give her to give her job, she has she has to have to have to have a

child in the only has been 15 years recently and just see how it's decalliening

there is when they are when they're when they start to start to be

a little disveled a little preoccupated a little time, because in the morning she kept in the house. Claudia, for

favor, please. Desayuna. And no, so that I saw that she was, and she advanced. And for second occasion,

she top a woman, the transportist, is out of her house, and he says, I'm here a packet for Claudia. And she, as she's very

preoccupied, he says, ah, if it's a, who's, no, no, no, no, doesn't, the etiquette,

only comes here, that should be be sent in this direction to a little a child Claudia.

But as the last I've got a package, I know who is. And he's, he's,

he's, he's, he's, he's, he's, he's, you know, you know,

to be the back, so, then she says, well, it's, well, it's all, that's,

she, and the chica, Claudia, is in the room, but it's not in the she's not,

in what he doesn't know that she did a way, the pacitos of her , that's

is circling to her not he does know of the kind of the kind of

the presence of the the the part of the a little bit. It's a thing that not is a ceramic. It's a spantosue and of a bad

vibra, as no you know, she has idea. She looks like if if I was writing in automatic, because the rostro no it has to be to see it over, it's in front,

and is it's starting to write of paper that seem summently antivus, and that are full of different the

other than probably not know-and- and of symbols, that some that maybe he toped one of them,

in a a movie of terror in the that they were they were they're going to the demonious when the mom see that he's

he said Claudia and he's he's he's going to he's still scribing even when the

oja not the he has been absolutely absorted in that's like if it was another person

like if not if she were a kind of in a type of tranceerraro the mom

and says oh my god and claudia the first what is grunir. Comience to grunir and

he's going to start to start. And then just he's, let's say, and he gets a moment in the he's kept in black and still

scribing, he aparted the pluma and in that moment Claudia, vomita to one side and fall in the soil desmallied. A part of there, is a situation

very difficult because the mom is sure that have more than six occasions that tear that pluma to the basura and the pluma

and the pluma he has left in the carmion in the carmone in the car in the car where are the

where are the where are the where are the And when Claudia Voltio to Her Pluma He said, He said

horrible, he's this, he's not that Claudia, since a few I've been I've

used using manas long, there's a little little detail that you

know I know no more that's not a red, it's roha

and when he's the manta you know that's she's getting

that's she's she's she's and she does that absolutely everything

and if she's to get to get to get to have to go to the city,

all of going to do you to get to get to be the other to be the other than the other than

it's not a thing to be a lot of there's in the closet of Claudia there's

four books more, written from the first page to the last the last

the and here when the woman is about the door

desperated because Claudia enter in a trance in that

he starts in a way you and she not and when the

door the department with all the book, Sient some the hands that

they're that's and the doctorate. And the lady I've been doing

those things he's not I'm going to get where not he's it's and it

and it he's he's enter the she sent her she's she

sent her she not he's no time and she never I'm

I'm I'm to venting this story because I'm that

was that was More than the morbo, there's a life in danger. She's not her not

and her and her and you what do you do you do this this child?

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Oh, that also. And profite. Villaray, the voice that we love that we love. Imagineate that the 10 years, You've the situation more traumatic of your and from your

family is a new secret. That is the history of Matilda, and here we're to tell her.

Matilda has an abuelito that lives in the faldas in a cellar. It's just a house and around

of it practically no there's a business. That zone to get to his house no

even has a way to be subient in the terracery to get to get to

up a Caballo, in car, as you see as, but it's a a way that's the reason for that the old

that's the reason for the father, he's a little he's a father of his mother, is the father of his

mom. This Mr. Pepe to some way, something, something did in the past

that Matilda not knows she is very little. For the moment in that

this story, he had only ten years. But after a time

he will get down that the abel the abel he's she's she's

my abelite has a photo a where the abel and the

he is and the and the two are being being

the she is matilda full of a great

of a photo a situation is that every that she she

she mom, we're going to visit to the abuel? The mom rapidly, he's a little bit. He says, like, yeah, matty, yeah. No, no, no. No, no. We don't have time. We're very occupied. And when

when you're just going very in serious, very insistent, she put nervous to the mom, no enochated, nervosa. And he says, better we'll get another activity, hisita, other thing. And it's good that Matilda

mention the abelow. If you're a little, if you want a elote if a golociana. Because the mom will try to persuade her

at the final. The situation is that not is only the mother. They're

all the father. Nobody want to get to his children with the

father. No she's she is that she's that's that's

that the moment, that's she and the mother's and the men

and the front of the little the you know, not is good. No, you doves for

there. And then Matilda, when he says, it's funny fudica. No, you're saying things to my abuelito. No, you're saying my abolito, my abolito, Pepe,

me care much. My abelito Pepe is good. And it's bad, Matilda. The mom, never ever seen that Matilda so much many times. All the time. No, I'd say that he

were talking to all the time, and then I'm I asked mom one and other way, mom, the abelito

Pepe is good? The mom no one of the mother, he said, she'd be a calliated, desvied the

mirabed, intents about the glosinas or these things that had been served before. Yeah,

no. Never nobody had insulted that man, to that his mother

he said, he said, we're going to the house of your old, no,

I'm to be to be there, I'm I'm there and I want to ask if he is good or is mal.

We'll see the one. And yeah, if he says that is good, we'll get us. If he says that is malo, we're going. For this, that's a-is-a-a-casa the house of the abelow. It's not quite.

Like, you know, the fall of a serro. No, it's easy to get there. The last time, if you don't have a vehicle, you're going to cost.

And the mom has time to get so that's parted, that she has very clear that the abuel no is well. Only

just wants to the little to the little to the little so you're to be in it's a

good. Why not it's good what he is what they're they're nobody

he's saying. Matilda not you know what is a feeling the next

three days. All the time we're going to go to go to the abelit

mom and he he says to the primos burlona ha ha ha ha ha ha ha ha

a me me will be to my because our little

Pepep no is mal. And he's a little bit chifled. It's the regal that nobody, any of his prims, and his primas

will have never. Because all they're the abuelito and Pepe for something. But she is a newtah favorite.

She's sure. And they're three, four, seven months. Matilda is despera and he

that's a mom he's just that she's, yeah, I prepared all to go to

go. When they're in the car, because they're in a carmion of a

car, and they're He said to them to get to one of the of the residents of the area, that she know, that he was to the fadles of the serro, because this colony there's no, there's form of enter, if it's coming. We're talking. We're talking

of a lot of decades back. They're at this place. When they're in the road and they're in the transport public, her mom, agarra, a type, like of the liston of color coffee that has a quadritor

adele and other quadrito atras. she'll put on on the little and he says, no you're going to get to do you know, and he says

that the robits of her stuff. And he says, what's that's that's the mom, no me don't you

let's go out of a form of pulser that's coming in a cross and he's a and he's, no you get the pulser.

Because, Mama, not more you're going to do you're going to do you get us. And Matilda

not is doing that when the mom is putting purses with the Rosario and the Virgin

for some situation. So family is a family religious, and much less, no there are images religious, no have anything related to religion, no there areations in that house. But now, for the first time, is it being those articles and they're doing interesting and strange.

The mom, is doing the same, and apart, saco a boathecetet of a seat, and she gets to be able in voice, and she gets to make some crosses in the front, some crosses in the box, and some crosses in the pecho, and she does it like to get to. And Matilda he asks, and just let's hear, and just that's

State, just let me. And not you quits that. Yeah, when they get to the house of the abel, after a peripese

tremendous, Matilda, that had in some moment had been in some point, she was very content,

he was very content, he was in the house at the instant. And then he said her mom, grita

the abuel to come, we're going to ask to get into before come, let me,

let me let me getmonn't a lot all the we've mycha, what you did,

you, you're going to to ask to your abelowel. And depending of what we'll say, if we're going to know. Matilda, commenced to gritter, abolito, Abolito, Pepe, Abolito Pepe!

And he begins to comeinar to the house, and then he grabs a velocity. What he wants to distancearse to him to mom. He wants that the abelito, he'll be able to be able to be and he'll be able to be able to, and look, who's got to Mama. And so, so it's to be

until the door, and nobody he has heard, but it's sound that come from the side right. Just the

right from the house. It's there. Because no there's a bad. It's the

house. It's all. And it's that's there's so it's so it's to come in

his left. And so she's a cargated of things, he's this, vent to come

back. Vente to come to not you go to you're to be to be

to be to be to be the time. And while Matilda, and once you're

mom. His mom mom begins to persinars. All the instant all the whole thing. And he's done all the other things that

she had made. A metragetter. One at one other. And what's because probably they were invented and mixed-asclad.

But the she never had to say orations and to give her and to give her and her and her that she was

going to be because she was she'll be doing. A man. A-Money. A-Macon a scene of

a lot of this country lived a horrible. Because the The lady, what was a disconcertant,

experiences different, experiences different. When the mom of Matilda gets just to the part of the entrance of the

house of the abuelo Pepe, there's a little to get a little to that a

person is a person that the not you're not the and it's about about four or

five people one at the other. The she's there is and is

putting air, buffando because it's that I'm a great condition.

And that is a very effort. He's a lack the but your his little

and she's not there. And where he's he's got two, three bucanadas, he's

he prepare mentally to and he he's and he just the little bit the guy

and he says let me mom, let me ma'am and he let memone and he'll let me

the abo'n't him and he's he's gonna get to the same the fire but

decide the says the is for something. What he he's the he's a he's a

sure he's much much while he's the ropeita is a bit putt no, no,

he doesn't a little something to the thing that's good at see what you saw it saw a

see what he said no question to the ninja is a manna very much every time

go to let me get the ballito the abo the abelito is well it is very malo and they're

going to no agarararer car, vehicle, that would have to the car, the little the little the little bit.

He's much fear. And he's being too. Let's be mom, that no, we'll get to

the parade of the carmion, they're up in the carmion, Matilda, Abraza the mom, she's cunded

in the zone here, between the shoulder and the sobac the part of the exila,

and he starts a poor the poor little, but as you know, the mom

not he could ask, nothing, he was she was rota, he broke the heart.

It was a bad little said the abuelito is a mal mom, the abelito is malo

and I'm and I'm two hours two hours and a half three of three of and it

was until they were in the parada that the she was just oldosos

that all know there no he had there never had I'm still being

still still still too I'm too the mom of Matilda

in to take the story. What we've lived Matilda is a little profoundly aterrador and totally traumatic,

especially if you're a little, you'd traumat you? You'd be traumatous if you

when he can't know, he's perfectly the voice of the but no he says

a surprise when the abel and she see, and she will be and he will

go back to get to like to get to the photo and he's going to that the abuel is good. So, is that is that

can't come in the point of because even to be not really any respiration when he starts the voice of

the abuel that's saying yeah, Benjamin, calmate Benjamin, yeah, I'm not

the same last, she's my not, she not, and her mom her mom her mother,

her mother, she, she's she's maybe, if she doescuit, maybe,

and she's coming down for because he doesn't what happens. And he said, Benjamin, I always

I'm you're all the and when he's a only, he's in front of a a little,

a little a little big of the that's that's right in the and in a part of the

bribor of cascabel and you know the dichos of the man. The abuel is about to get to

the little, and the little, he's a little bit, he or she kept with the

idea that's he's he's that you think that's that

was the thing that's that's the first love in the case

of Valeria the first love was terror real Valeria

was he just in the first year in the first

year I'm studying she she's she sent attracted no is

a princess of a quote. It's a person that has a character, he's a

narrator, I'm very enojona. Apart, with many little things, I'm fatidio. Jonas,

me result was he wanted and he was that I'm that's the first he's the first, and then

he's got to coquetier it. Cossita that she knew that had that were

their presentient and nobody he had said a case one is a much chaperro

the other is very one is a one is too black, the other is a moreno,

one is a dienton, the other seems there's there's a very little very tauts, this is a person

promedious, no has a person, this person me that's too very, that's this is this

me try to that she had done that, is that was that was was working some

kind of kind of simply simply simply that waserer, you that voiceicita in the the person in front. In the case of Jonas,

occurred. It was he did so attractive, he commenced to coquetier, and Jonas, well, we'll, we'll, we'll get him the sonrissita, the guinno of the eye, the, a sense that all they're going to get to us, that's just, that just

bled at allas, and he did a moment other? Jonas, yeah, I was in the bolzio. After a few of the moments, of, say,

many acalorado-a-calorado. She's started to make that maybe she had made a idea that not necessarily was good. At the contrary,

Jonas, he was super enamorado. He'd I'd try to roses every day, one,

and a sometimes, and a place, but the detail. He knew the color that

he was and he had a other that he was the little bit of every time

every day a little little detail and when no time, a cartita, a

something, a few a few my books of this chica, and Valeria so

to fastidial very rapid. Ah, this enamorado, like the other, no, it's not

interesting, and this I'm, I'm, I'm, say, Valeria, no is

a princess of a quote, but it a very sometimes the villain, but occurred,

that's a time, that for more that I'm, thinking much time. Oh, I'm going to to get, and I'll say, you know, I'll say, you know, and I'm going to go to do. And I'm going to run the

heart, but yeah, with that. With us, you know, there's nothing. And if I'm just going to be doing, like, no, I'm going to be doing, like, I'm going to tell us, that he's a bad person, that he's a matter that I'm talking about to him, and then when he comes to to say, I'll say, no-seh,

you know, I'll say, you're going to give us and get to nothing more with me, and I'm going to make him, and I'm their own own own own a little Princessa as a

as a big as a she is she's looking to mandarin what I know

is that they were to go to put to completely the situation apart apparently

this chico by a man Edor O'Hor Vos

Verde Desmurna U quite that that combination that she

I just I'm a attraction and said this is my type

of a repente he saw this car, like the nose, like if was like if was going to

feel like if it's what you're getting a little a little to get a little to

learn. The problem is that when he was was just in front of him the words

were in the word, the decision that had had

ensued in the that scene never never occurred and

they had the and Johnas was more enamorado and she

she sentia every day more more a toned the day that John he went to

know a their family to the family of Jonas Valeria accepted and a voice and she

was going to that invitation if you you know that you don't know that family

of mugrosos all they have to be able to all that are all and they're

and it's with the dialogue in the when Johnas simply he says

I love the idea that my papas are enchanted if they want to know you.

He does a bit of a bit of the way of the way to do make a gesture horrible because no,

why is it she's not. She's, she doesn't. No, he doesn't because demonios,

when he not is, he wants to make to the devil, and when he's a

man, but he's a chica that, we're a cobarde because not is

that time, we're that. A. Valeria is like a person

to be a very much. A sometimes is a same that's a person that's a

person who's what you think of the other and the other's well, it's

a lot of very blandito or very blandita. So, so you think Valeria. Because

Valeria is the princess, it's the villain. But here the things just are

the things you're and as all the villain and it doesn't because.

So is he's going to go to the house, and it is a

scene horrible. Be to start to criticize the place when the lady when she's going to see a

back to be and then he will say a bad at it's not that's it's a

more than the whole to get to that's that's it's the more that's

it's clear in the car in the car to see the car of all when they're a reina

the reina of yellow being she she and in front of all, and not a cubbardada,

and not with the words enredated, all the time, every time the ensuing, words,

and say, words, and the other, and things that express much more more,

it's more more, the day that's the day that's he's not, he's he's

getting to start, now, so first first time with a princessa, a chica

a woman she's supermated to her, because all the time is thinking that

but will be more contundant. And they're going to to the house of the family of Jonas. When in the road, he said,

oh, I'm going to you know, you're going to go to the house and I you'll get to get back.

And she says, how? He says, I'm going to get to me to get here and I

want to you know, and you take the place. It's a tradition that we

have our family, I know, I know that it's rarer, but they want to give the welcome. And then I'm going to get. Then she begins to do her mathmatica and

says, this is perfect. Because he's not going to understand why me are going to be here. When he gets up to I'm also horrible with him, no, he'll be able to get separated. It's perfect. He will be a double

surprise, because I'm already I'm aft of him. And definitely no I want to know anything. I'll hear to the house. He's in the asiento of Copilot.

Honas is managing a vehicle an vehicle an thing that about

that's of the things that you have been in that's in the carucho

she should she should do that you don't that you

don't he's the day so it is that put a sound absolutely

false to and he and he says very good my

love I'm to visit to your papas that you

know remark much the that you know the entrance,

to the door, and strangelyly, he the door, not the father,

not the mom, because no, they're that's a one of

a man, anian, a man, the is absolutely black, he has all the

hair enchinate, and then when she says, hello, I'm Valeria,

the take of the the man, and the hala into the house,

and act, act, so the Anciana he said

directly to her No, it's to come to do you think that you're

not a because where you do you go to you're to get palid

this woman never she has she is, she's a nobody

has said because this woman is that this and then the

door to be behind she and then he says he's he

he said you know my father and when she

when she I see to and there no nobody

and he's he said Fria Janice Your abelita me opened the door And Jonas

he said My abuelita Who's Who's Who opened the door? He said A woman

Very great of age With the Cabeo Chino I No I'm

I'm The door He said For favor Largate I'm to I'm

I'm She's She's nothing What she She has planned the a farranchos that

was going to do to do all these situations nothing of that's it's a lot of it's the thing that's the thing

more confuses that's a little a taxi this chick she's a very entorpecised mentally

for what he has been two arandied absolutely inesperated and he to get to the house

and after that day conas no he he will be direct the word and she

she still in him she's she he's she he he will he he He doesn't in his house, in the university.

And this chico, that was very sweet and very good, he said to the people that are around of the way, that has to be that has to talk with this woman for the last time. And then she has to say, no, no, I don't know what happened to that day.

I want to go back to you. He said, you don't want to me. My papa, you're to marro to me. That's what he happened. And you know, you know, we know, we're a guardian

in the family, a woman an tally that is very savvy and that we're that's

people who want to I'm trying to give but now I'm don't you do you

don't you don't you don't you don't want to feel nothing you're let you

want to go over to see a few a few a few times as as

the words of Johnas were a reality absolutely she

she she Construyning, the pass of the years, she desiso with the caloricito of the verano, with the calorsito of the heart of Johnas, because of that reina no could have nothing. And Valery, there in the way in advance, is he reclaimed as much as a person very nervous,

a person sumamente insured, someone who knows who knows who is there in front, and what thing atterable at the other side of any door, of any other door, of any other person. Now I'll tell, who is the malo of this story? Family Nocturna,

you know that the channel has grown much just for the identification. I mean, to be that as you to make stories of you,

of things that are the people that in a moment not are part of the family nocturn, the ones that in the

moment they're and say, wait, that's me. And here there's a

very interesting. Because here is where the family nocturna and the new and those people

that are know the channel, we know that we're

we're that they're in the things that they're in the people who have been something,

because they're identified, and those who are they're that they are the stories of

terror. You I'm this, because Adriana, that's the little

she's the story, brinked to a group to another. Normally, it's

difficult you're that you think you that's the group of the group of

Adriana, not the exception. She was a person that only saw be the channel for stories of terror. He used them. He used them

much of stories of fantasies, stories of possessions, and me I was the type of people who was like, I need to

I need more more. Until that me took to live it in carnet property and

now see me I'm the 20 of something that you don't it's the

not it to hear to live in car property. Now, so I still

consuming stories of But no I want that I want to

ever to never ever never to this is the very much the very

last. Adriana has a super friend. This friend is

Alexis. Alexis is a little a little particular. He,

for situations of the life he has he has taken his

life from his very he he he he

has a he's a person very luchon. It's very, very, imbevied in

questions of studies, has been good qualifications, but no he's to work. You

to do you get to top to this Alexis and not a person of 16, 17 years.

He's someone, for the way of refer to, but also for the rags of

the rancasio that you have done in the hard. Adriana, is a

child, they're a story of because they are good, and they love to I would have this adrenaline, but no

creed nothing of that. It's there where in this work of the verano, that I don't see if it was at finals of the preparatory and starting the career, it's more, I don't know if they're

exactly the same point is that they're very friends, and Alexis, and he marks a day to Adriana and he says, Oye,

Manita, is the form in the way in that that's the way to say to I'm a chamba

here in the balniario. What on? You're you? or what? And Adriana he says, I don't know, it's

that I'm a flojera. And he said, no, man, look, I'm going to say the man,

I'm going to get me too me do this. And I'm getting a lot of some of some of the you think

that I'm thought it two times. No, cacki. Don't he said, what?

How are enbruched? No, is that you have various shusts, but no, no, I

want to get your ideas in the in the I'm do you do it no, no,

no, no, I don't you do anything. Venter for a cat, if you're getting, if you're going to get with me, I'm going. No, I want to. No, I want to. It's a feal in the environment. And he says, but,

well, me's quenteing, you're going with me, just you want to work there and no, and it's a lot, and me says, Adriana, in

serious, if you have a good suorpe, no going to be going to be here, because what I've been doing to do you know, and again,

well, well, well, well, tell me, I'm, don't you say,

nothing. Or you're going to to work or not you're going to have a instant. It was clear that she. Yeah,

she had decided to go to go. The only that was that would be if it was worth the money the effort.

Dice, Adriana, as a moment, that I'm that never ever ever of what she lived to

nobody more. Because it's something that you make a very strange, like if if there

something to something of you would be more more enddeble than what you think

you're like that you're that's that you have to be that you know that

that's that's that's that that's a little a little

little little and where he and nobody he doesn't know I'm

because the things that the things that's that's a banyarian

very old and it's around of the 10 years

that they're reconstruct and before definitely it was over

15 or 20 years the place not was in conditions

to give service a part of a person

and they they start they start they and

a and a little re-a the but never

have done they have some They have zones of albercas that can use, zones of albercas where is prohibited the pass, and is very strange.

Because, says Adrienne, that when he went to the zone of albercas, he saw a couple of children playing in one, just to the border of the alberka. The problem is that I saw that no had water, and then he said to Alexis, Oye, because they're going to be able to passen there,

so they can't get and be lastimed. And Alexis is he says, these are of the alberks prohibited, for that no they're not. and why there are there's Alexis is a person because he's

part of the person who work and the security of the people that's your time, he's a southeastern and he's

where are. And when they're both to the albercas, there no there's a adriana

seemed that all the those the hair they put on chinitos and then he said

you're saying you're saying you're saying you're doing what you're doing a man you I'm

a man you're is a enrujured. No, it's a minute. I'm afraid. Here is a parenthesis very important. What was what did that

did she decided in the first second to go? The fact that could be things? No. It's the

fact that Alexis has a man. Alex is a type that he's attacked to get the thing, he's

he's front to all. He's assaulted he, he has assaulted, he has been put down, he has

robed the money, he has been to live in the street a week a week

unfortunately, but a pure tranceaso. It's a good type. But no he has no more than

he's when she did that when he he was he said, he said, yeah,

he said, no, I've done sure, because if they had been passed a

time too my he said, I don't he was no me no me no me

do not do anything or if me will be I'll say, look, here's the runarita, there's take the way

very quiet. When you're when I'm sure that I'm that the convention no sonnable and it

was not being the not you're not going. Really there's a question. Let's see,

let's see, no, no, I don't know I'm going to get to talk. The sustos they're

going to when you're curiousity. Here, here, we're we're going with the

world, we the presenta with the the owners. The doors they say that they're to work in areas

different and Alexis made a big up in the mess and he says no, no. I said that if I had a person

we'd have to work or me I'd get a and he said what's the saying what's

you're saying you're saying you know that this place is embruched you know is quite

something I'm not going to work here so Adriana no can't

think he's never I've never been so nerviosisicissississim. And even he's saying all this, it's a palid Alexis. Pallido!

It's like the sole idea of there's on the corridors in the alberks, in the habitations, only, no. It's impossible. No, it's tolerable. So, Adriana, says, I don't, I know, I know this place to what I'm saying. And Alexis he'll grab a hand and he's a guy

and he's just a lotmating. He said, me you're not stymand. He says, Adriana, no you're going to get this. No, you know what you're saying. And I'll go to largare if no they're going to and say, yeah, yeah, tranquill, well, but let's go to put more more work. If, so no, no matter. No, me does me do the job, but solos no. It's, well, and

where are you going to do a room? And Alexis, they say no. No, no me important if me doorm on the piece. No me important. No, me important, if me does it make me doorme in the but not I'm going to

let's go to get a day more on this place. Callate the book that's to that's over

the emotion because he all that lastimo's your friend, her lastime her time that's been

that's been that's been that's that's a way of a kind of the time. And,

like Alexis perhaps that's he has that's not a time personal. Adriana

she agar the moeke when they come to that when they say, Oh, Alexis,

I'm going to have to have to have a little bit lastimated. And Alexis, Voltea very serious for first time

to see that that's the arm of the arms and he says, Adriana, not is a game.

Here are things bad, take care for favor. No, and he

only, no, only end of and she. She, now, now is he still

the time not is not doing, not so not is not taking the things

to the She know that with that Puniala, that's nearer to another world, he says to carcageandos.

This is in the first night in this place, because it was a while after that was a

spanto. The maldito balniario no he'd have any a second free to

the one of the area of the people, because the visitors no have

there no people there were there, but the people those, poorstitos.

Dice Adriana that she has to be in your court. And standing in your room, he's

sitting in the room, he's not that this quater wants to be that we're like a

momentit and say the way to move to and you know, you're not a

little angustied when Alexis he says, ohie, you tell me

where you want you you need to come to work if you do you to do you

to do to do to you to do you you don't permanesks much time here.

And he's a little the elephant in the room. All the doubts she could have if she was responded without

that she was asking her. I want to your privacy I don't be to be doing nothing. Tend your

zone. If you want you want my work in the place, no, no,

you're you're doing a great favor. So, you know, you're just that you

can't be more you a second for the person to you know you know you know

what you know what you And as her eyes he got a no way.

No, there's a busk to do this type Alexis has been fear,

but has a fear. She's she's good, that they're people, that's

that's that's that's more, that's not more, you don't

be a more than he to be to be to be not as she,

and she she, and he's, it's, it's, it's, it's,

it's, it's, it's, What he says Alexis is that, without three cacuates, what they're going to say, the chiefs, he's going to the

house, and he's cargant on the sun, one individual, and me did feo and me gave a pestoone, and he says, here I'm going to

do not you don't you, and the base of the camera, no, you're doing, so I do, do you,

he'll do you get in a one of a skin, and he says, I'm going to say, I'm here,

I want to you pass a bad moment, then you do you, you're just more comod.

You want to to go to the wall. You want to me put in the feet of the camera.

I mean, you know, I want to get you. I'm I'm just I'm I'm sure.

I'm that you're very nervous. Thanks for the efforts. And, well, we we're going to

do this things. But those things were present other other time.

Adrianne is at costated. He's said that Alexis is in the court

because he he's to hear and he he's to hear and he's not to breathe in the

corner, and he's got but Adiana something something something else when she went to do with to get the

place like bochornoso he's back, because what you want is what you see what you're that's the

prognostico of the time and it's did a first that he's not he has never ever

never and she she gets like that's that I'm now I'm not so I

don't know to be able to do because it's much a little cold, then so that

nobody move to a one one one of the air-aconditioned that didn't even she had had done that she had

the air condition of the air-aconditioned and he says, Alexis, you know, and when

says that he's to see that his cellular it has the front of the car he,

he's to where he's and see the silhouette of a woman that is a

parted just in front of the camera that she She's got elated. Tira a gritty, and here comes the

The door of the door of the quarter of the quarter of course. Pardon me, I've got to say to an cigar, what happened? The room is there was a case. Who was the thing that was breathing in the corner? Who

know? And that woman that was there, she was a nervous, how no you have an idea, the worst. That's that was the first visit, but not the ultimate. She is

Asusatism No, he wants to Yeah, because she's so nervous that she

that she's that if says something he can see a and he says, Alexis, acustate

for favor with me. And Alexis is, no, wait a I, no,

I don't, I'm I'm not, no, I'm, I'm, I'm, I'm,

I'm, I'm, me, I'm so, if you I'm, if you, I'm sorry,

for just, I'm not to are Acostados one the other

And she He says, for favor Abrasame. And Alexis he starts when the

two see that the door of the door and and then he's coming down

a man just in front the camera and he to see to the door

of the entry and the door and the two

are both they're when Lexis had entered she he was

he invited in the car what did Alexis to

not have an orlient, horrible a cigar, was to getters to the bathroom, lavars the dintes, to do you know, some inquiries and there are buches,

siara the door, go to the door, and in the door, it's just and five minutes after after

that's going to that I'm going to say. That night you can't get the partpads, you're not

there's no way, no there's power in the world that you make a time, they're very incomodododus the

the light of the room is a present at 100% and Alexis says something that's

that she does that she's I'm going to be able to do not the light apagated

and she she's horrible how many many many he support

this only it's not it's really and it really

she's bad adriana she the series, he says, Oh, yeah, don't you

want to go We're going to And Alexis, he responds very Triste, I'm I'm going to have to

I've got to get a last time for for a You know, you know, and you

say, but why? Is that they're paying very because nobody I'm going to do to go to go to go to Adrian, that day is a spanto.

There are many things that are in the balniario. When they're to go to do you, they're in the

way, it's a place that's a lot of the watercats and the water's and the

water and the water, it's, they're in the people, they're doing, they're

that's a very much is that they're they're there's there's there's

there, and they there's there's there's there's there's, and present

attention that no there more If nobody respond, they say, because we're the aseo and we're a woman and we don't want to, no we're going to We're not going to pass in a bad moment. If nobody respond, the two enter in the of the Homs, the two enter in the

Mujer, and she, you know that it's an exaggeration, but is very incommod. So that day, the things are going to pesas but they're poor because, after the did you do the aseo, they're going to listen to commentaries of the clients. Commentaries

That's not SENTED For people That's what What's the What's the Comentaries That they're

They're They're in the Wadda The Sanger After the Two of Ayes, A couple of

Maybe probably between 30 and 40 years Entran in the Baio Just after

that did you And they They're And they're Like Oh, No,

No, they're They're All right The Acerer Abir And Wows

With Wows on all Partes I said, I'd say, I'd say I'd like the aseo. In this moment, we're going to to make sure. Diggar me just, for favor, where were the wails enloaded? Dice, well, is that, my, if you're going to be doing here aseo, minimum, ponte zapatoos, and all the wheyes of your feet, all loidososos in all parts.

Just in the zone of regaders, where they used to limpied, a detail, that no there were any a mark. After they marked some they're not the foot. The people that were

they were to the culp. But he saw it and Adriana also, they were they're

perfectly that they're they're those things that they were in that they were

a disculia these people these part of chicas they're in effect there,

there are some there's there some there's with the little

there not the not the time of them of them and some

and some weas of hands that are in all the spejo of the problem is

that they are the problem is that it's a little more than because these

things not they're you know if you're the light the light of the room

the light is the light and they're they're and a Alexis

he says adrianna no abras the door you have to do the

door I'm not over the door adriana she never will

be she the day she she that someone he was about

and then he started to put carinoza with Alexis and he he said, what the other

he said, he was he put her and he he was he was at the other other side

the other thing that he was there not there no there no there's a bad

the day you're a piece and a adriana so he's he said Alexis

in serious I'm going I'm I'm going and Alexis says for favor,

for favor, manna, for favor, two semannitas more, and I'm going to do you want to do

you know, what you do you know, I'm going to be able to the life.

She'll say, but in serious, it's that horrible. She has got to

a woman that has the skin verdos that that's that's

that's he's been and it's and he's and it and it

when the those were in the other they were they're

there were the children, now that you have seen more near the skin also has like a bit of fatta.

Not too, like to all that they're to do you know, you have to be a detail that the color that

has been redosito not is normal. Ah, and Adriana is a living a inferno and then

detoca this situation. Alexis is in the discussion with the duke. And he's saying to

gritos, no, not they're going to separate, and they they're saying,

but is that we can't do we're They cover these posts and not those They're not doing to cover you, and you, and you, and they're in can't do.

I'm sorry, I'm sorry, and you're in this, and so, largat. And then Alexis, he said so direct, then, and in that moment they were,

Adriana, that was out of this situation, afora of the room, where they're discussing, and they no had nothing to be

that to be that Lexi's he's, he says, and just comes to the head, and they say, I'm going

with him. And it's It's a narrator Never, never never ever ever

would ever ever that I'm that I'm hear of this relato you can tell you

I'm going to because I think we're the people who have done that this man who

those phantasas or the demons that that have been in this

balneario in Michoacan I Have you ever had heard

you the and you know that you never too early

to plan your summer's story in Europe with WestJet from rolling countryside to cobblestone streets begin your next chapter book your seat at westjet.com or call your travel agent westjet where your story takes off to terminate this episode, I'm going to tell you three stories of things that occurren with people that are practically family. The first story has to be with Joel and with Ramiro. Joel and Ramiro are two great friends. They're many years of know-se. They're not

people that are people who are like a mugre, two people with a pegs with a time in the

years that have been to have been long as six and eight months that's not seen not a

one one of every every time they're all all is a lot of a lot of a lot of

a lot of a good the people around the people around he always he said ramiro

not is a good man this type he takes all the things to make

all the risk to various persons for decisions tontas that he so I'm would be

good good but I'm not the type of people who's that's the type of people who

need to you know you know what you know he's a person who he takes and he

he comes and he's his problem what is the problem for you so that's the thing

still are being the day when both they were around of between 22 and

24 years, the day that Joel received a time about the

night and he's Ramiro making an invitation to that's

that he's a person he illuminated the two

23 24 years Joel live even with his

parents never have never lived with a time he

is the time all the is invited for to live

together is perfect. Joel, he has a job. Garner a medianamently well, it's a grand post, but he's able to make some pendentitutes and still he'ller a little.

Ramiro, when he says the cost, Joel, says, it's perfect. No, does it make many many of the calculations, just think, well,

it's so can't pay, so, he can't, and he's back. No, passed any three days when I had had the maletas

when he was decided to go to the department of Ramiro, and it's there when, with his papas

in front, he says all this situation with all the people are you say, why,

because of all your friends you have to get with Ramiro, Ramiro, no is a good person

that you don't get the venda of the eyes of the eyes. No,

they're not a person, he's a he, well, if you know I'm saying,

well, I'm saying what is what I'm doing what I'm doing, and you're

my the last moments here in the house. So, for favor, minimum, give me your

bend your best in the good swart or good, whirras, what's the mother, and they say,

like, it's like, it's like, and the father and they say, so they're a little

he said, well, he's, you know, you're saying, no, they're

that's the beginning of a story that's that's that's, my court,

in my apartment, let's do permission, let's do no I'm going to go to go to

48 hours he was a great adventure for all the 48 hours after. It was he was made a lot of the He subbed his maletas and went to the

department of Ramiro. He pays the type of the taxi he he back to his maletas

and he made a message to say to hey I'm and I'm a man with a

maleta and Ramiro no he doesn't he can be doing playing a video

game playing a duch or dormido Ramiro he's so

he's he was he was he was there he was there he was

he was he had been so I was that I said that I said I would have to have to wait a little bit. He gets out of the department of Ramiro,

is sat down of the mallet and is then when he starts a baby and he says what lata I know why

me because I am sure I'm the most chumbroso of our friends probably probably maybe here

some girl has been a baby and he was disvelling in the night his company

has to have been he has I'd look at who who he would have asked that if

had some problem with the department no, I'm don't know

I'm so I'm don't you it's a problem minor and I

am I'm thinking in things that I'm thinking for the little

in the little that's not a recommendable but he said a

little of the little of oh I know here a farmace that

vending there put some topon and I put in the almoada.

That's how how much he can yore a baby? The baby still year after

more. He's put to to talk the because he's a moment in the

is fastidious that it is that nobody does it and then so. Ramiro

says from the person who he he said he said from

he said Ramiro, I'm I'm I'm I'm I'm I'm

and then so Rami Ramiro so Rackackackackack and he he abre the door. He does a

brazo and he says, Joel, what I'm used to have to have you. He does it in front of a lot of chishtes. Joe, he's left to the carcashada. And he thinks, no, man, this will be be good. This adventure will be great. When they get in the table of the kitchen, Ramiro, he said, look, no, I don't try much dispense, but

a lunche of hamon with cheese. And he says, and it's a lot. To take. Look, look. Right. I mean, I'm just the last services. But, I've got a water or leech. What you like? Eligio one of the two, no It's not even The table

With a A second Aqueatica In front of his friend of They're Those two Counting

About the things That's going to Have you And he He's front of the Mesa

That's Larga Like for Six Personas And the Right Right

So he He's He's He's He's He's His Vos With the

He's He's He's He's He's He's He's He's

that the Fondon the passillo that is in front the the

the door the the door of the door are there are two quarters

there there there two apartments a room a

a room and a hall the the door two

two and both two and they are open

and a baby and a gette in the room and it's

And he's molesta and he says, no, no, it's this type of plan no, no, he doesn't know, is it, he's living with a baby? Well, if I'm a rato without, probably it's Papa, and no me said, and now, yeah, I didn't, no me

brought here, because not he had had to be able to the baby of the two-nearer. No, he's, he's, he's a, boy, to think, rapid, me convien, no me, me, I'm I don't

I get, but I'll cover a land and I do you do you get to when I'm the way to

when I'm he's going when Ramiro he says, what's the what you see that bad?

You know, well, you know, you know you know I'm just you know what? How?

You know, you're just you know? You know, you're not you're let's the car of the

bobo. Yeah, I see that me brought to the newero? The new of you?

No, no, no, no, no, no, no, no, of a newner. He said, yeah, I see,

you know your baby, that cruised, you're the first that I'm gonna, and say, no, you know, you're the first that's been able to do every rumins, because it's the baby that's all the night, but,

but, well, it's a phantom, who knows what you know what? And he says, Ramirez, you're just you're playing? No, but I, but I'm put on diphon, me put to play, and, so, if you're

trying, so, yeah, that man, so much, that's he's so much, that's there in the only is to not is the case. Joel

he's he's a top of the hell he's going to he's going to him. So he's

that he is that he's walking by the door. The doors of

the are open so so it and the other and the quarters

are and the night. But there's there's there's there

and you know and he's hear the yant of the baby that comes from

from the room and they're like getting to gete to a nene that's

the room. He's is free, frio, frio, frio, Ramiro,

has puttos those auricolars and he was precepting on the camera, he was

moving something, and he said, what you say, what you then he

then he then he's the little he said the baby, he said,

no, and he said, you know, I'll say that's a part, he's the he's

he's a he's not he's not he's no he and he and just a ladit

to a middle where he he's he's he said he he

he he he he support. but when I was in the madrogate

I wanted I'd go to go to the refrigerator with his tapones

put and be that there's a alzando in the refrigerator as wanting to open he went to

his room and said I don't can't stop at this to the his friend really seems that the

things are a game and it doesn't live in a place in a tragedy and

now it's being abitated by phantas people you're going a group or you can't pass what you

know the family Mendiola is a family a family a family the head of this family at a level laboral, is a person

that, sometimes, he gets to give to get some luchitos, luchitos, little, $0.

$0.00s that's got in a pair of services, he's out of his car, and being in

a mecedora, she put with a pair of other people more, that are in the same conditions,

and they're taking just in front of the house. In front of the house, there,

there's a place valdio, a terrain in the that's not has been

as a little bit of a place, your zone of reunion. No, they've done anything. They've done their mecederas

and every one is going to their house. The center, the mecedora of the center is the of the senior

Mendiola. He's going to front directly for your house, and there's meciending a rato,

she aghach and he does some tracos of his service, he's talking with his friends,

and he he'll that any of his two children is going to go to be

to be because there a guy in front and, even he's a type responsible. His two children are Arturo and Ismael.

One has 10, the other has three. Arturo and Ismail are very occurrentes. They're young curious, they're just to explore and start to

see things. There's a situation very strange that no has much sense. But years after, the brother

of the Mr. Mendiola, he he started to incredibly well, but incredible. Of the night to the

morning, he had a lot of money, he had a lot of time, and he was

a lot of things, that the Mr. Mendiola, for him, there was a way to

that he had to things of architecture and questions of government. He had studied.

He had not of constructions, no know of government, or if this type

was he was a man, he was a borracho, borracho, and he was a

going to the barrens to look and you know, and now? Who knows what happened? But, well,

constructs, he was, a point, there in his state, and is there in certain places of

government. The last years has generated a fortune tremendous. Well, no,

it's correct what you did that the Mr. Mendiola no not,

not said, because to his brother he was a man, with the the past of the years, a day that the

brother took to the more he revealed the truth. And since the Mr. Mendiola

no he wants to know about him. The brother, intendating to make

the mingas with the maniola, he did something that has a point to that he

was the place, he built in the patio, a alberka. The house in the Mr.

Mendiola has three small little that all all all

and the cella and the for say that are the cell and a commedore and

it's a quadrador and there's a little, the stove is in a little bit of the refrigerator

is in a little and they're a new and they're a space in a middle

and if if someone want to they don't have any in television he's much

the man and the thing is that difficult and he he's he's

he's he's he's a one one one only

alberca you know what to maintain a alberka? The alberca, to clean the water

and get in a eye in a eye of the car. Dehers clean the water, no,

it's a tremendous. A few of the situation in that he was in the house,

taking, and waiting that's not a year, a month before, he decided

that he was going to be a good to do you and he was going to get

the alberka and they went to the day in an day in

the alberka, the they passed very well, but three days after they found there

there are a part of the other people who even in the night, it's not, probably a person who, he has a

little bit more, that's a little bit of saying, the sir, Mendiol is good people. And he

went to be a little that's a time, so the manned over the house of the house, so is that he

has been the rest of the time and many days more, that the The alberka of the patio, nobody has

been, very probably because he he has been, the water will be full of the water,

will be full of these residues that are doing with the time, that is material

organic that is made there, because simply not has been not seen,

it's in a moment of relaxation. For that he has to be to show

to the eyes to that you don't go to the cross and that they're

that they don't see to be to the alberka of the front, in the house,

it's going to a situation very particular, very strange. Arturo

has 10. Ismael has three. Arturo he got to enter to the

room in that's because he was out in the room to be looking

to be out of his he and when he's he, he goes

he's he's that he he's that he when he's that he's See that there's another

a little. A little a chaparrito that he had marked like a bigotito the cabo black,

negro, negro, negro, negro, the eyes also are those are in the

dark, those dark, the the rop that's, it's more like a

a crop of a gracultor, it's a guy, a little and when he said

Ismail and then he's Mal, he's called and he says, he's who, who

who is that, and he he says, Venned we're going to put here a name invented he's made

Chetul how he's he's he's but Chetul is too two years

before before that the father the man of the man of his father

he was also these questions politics he was he was a

trip to get a he he's he's he's he's

he's he's the first that was his father was a

molestissimo. And he said, He said, "'For what "'For you "'as "'a? "'He's not

"'He's not. "'He's not. "'He said, "'and he said, "'Mold, "'and then "'he's no "'he said,

"'Coh, "'so's "'theirir- "'of-he- "'the-cue-the- "'in-a-tire "'in' "'Oh, man,

"'it's "'as, "'and, "'and, when, "'Isma, "'I mean, "'the, "'Cet-T-T-Tul is. So, Lejo is that

that's the little he's the room. The room is there. This

little does he saw the little other little he's he's

he's he's going to the kitchen that I say to say

is for I'm doing his mom he's he's he's with a

he's he's he's he's he's he's not mom in serious

he's a he's a man's When the mom When the mom She says Pellida

But reaction The instant He goes A-pourriending A-purt A-purt Saca And he

He says Piajo Come back And then The sir Mendiola That's with His friends

He says Wait a Mugher, you Get a Rattito Vente back And then Thence he

And then says Waitate Mugger No Pasa Nothing And he He said There

There's a Cetul in the Ceta Mendi S' Pondi Cone Pallid

palido, palido, palido, palido, never had been so much as if he were to give a lot. Those friends, they're saying, what is, what is, you're saying,

you know, what is, you're doing, rumbo to the house, but in the other than to get to get to,

it's a back to be a reason. And the woman, he says, he's here there's here

there in the man, is there is there in he's there and he's not, no, no, no, no, no, it's a

And the sierra he says, what are talking? Tomast the more and the

manned to get to be able and the he's not he's not he's not he's three minutes

after he a son his son in the his all all and he

spupying water because he was that was a he was

there there there's a car has a one one of

the windows not not nothing. It's a house that has certain limitants.

Nobody saw that that was the boy. The father all the time was in front

seeing the house, the only the only the only saw it. Nobody was what he

is that the day the day the day there's an time to do you know, and the call to the

father saying, it's the last time that you know, no me important those no new things,

or You do you do what you have to do? Or do you do. Because a year we came an invitation of Chetul and my kids can't do you or do I go

you. Passed a few days. And he, standing there in this cell in the house because

he was out of his children, he said how they took on the window, he'll take out of and see a

little and he says, you're the you're the little and the little he does it. I knew

that that that was what he was to go to go to his because no

a little that's that any new new no those eyes that's the

the sir Mendeol he said go to get to get to you see that

you know I'm I'm I'm I'm but you're but not you

want to you'll move the head to be the back

to go back something something the sir Mendi was that

all during two, three days is to be a pendent of them. And, and then, when amazes all,

the sir. Mendiola, no, he goes back. He goes bad, and he said, he said,

he did what he said. In less of a month, the brother that had a fortune, and I

did I, fortune, properties, caros, and cars, and cars, and places, and the carcel

all the whole, two years after, the Mr. Mendiole, he begins to and to end up, and to form mal.

And Arturo says, narrator, I'm 20 years. I'm a good very well of that time.

Because my papa moved to a horrible, very dolorous. And I remember that he asked

to him to be that's going to be put up, because I did what I did what

he was what you do? And you know, what you this is this, the time,

Chetul, in this this history, dear Family Nocturna, we've

got to this fogata of stories. So, is that, for favor, let me

to get to the fogata of one, dehens me in the comments, especially if

some first once you that's a lot of and then it and you're great, and if

you're listening from Spotify, Apple podcast, Amazon Music, for

favor, singens and give us the five stars, because this year,

this year we want to get to the first And one

said this, Family Nocturna, I'm invoked, and give the welcome to our brothers to the new members

of the family nocturna. Pongal for favor, in your comments, the Lunita and a pair of

people, because this family every way is growing more. Thanks to your

support. One once said this, we'll see the next next week and

you know, in the Sabbath of Sombras, we're to tell those stories

that not we could count in these episodes. One of this, I've said this. You want to

this. We'll see the Wednesday. We'll see the time.