HABLEMOS DE LO QUE NO EXISTE - Historias de Gemelos Endemoniados, Libros Encantados y Hoteles Siniestros | EP 319

Episode Date: August 25, 2025

Bienvenido a ésta Oscura Fogatas de Historias de Gemelos Endemoniados, Libros Encantados y Hoteles Siniestros en @hablemosdeloquenoexisteEl día de hoy les traigo historias que ustedes querida Familia Nocturna me mandaron al wts de las pesadillas que me dejaron por un lado confundido y por otro helado del miedo.Coral vivió un suceso tan extraño y aterrador que al día de hoy sigue sin explicarse, descubre junto a Mauricio la razon por la que los persigue una entidad en forma de libro y conoce al Gasparín de Karina. Escucha de Ángeles guardianes, supersticiones ancestrales y hoteles embrujados, asi que prepárate porque llegó el momento de que @hablemosdeloquenoexiste

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Bookiné. Oh, so also. And profite. Via Rai, the voice that we love that we're Nocturna,

to this Scura Fogata of stories in let us to know what no exist. Today we we're going

to talk about thematic of those that I want to raras, spelousnantes, summently

unusual, that yeah of the normal, not as the pan of the day for all the

but I'm about the thing I'm this rubro has much that I'm not the I'm

mean the demos demoniacos, I'll talk about the books that are enchanted

and finally of the other Scurafety of Histories let me invite me to the

time to make the present in the the comments and me from what

they're doing? Because are at point to to hear a series of

relato that probably probably today this you're in dormer. One

once said this, I'm just I'm comment that at the episode, I'm

a surprise that, that, for a time, you know, keep, evens

to the comments, because it's something, and once said this, come

we're, we're with this oscura fogata of stories, and you

don't you don't make to make, you have people who manifest their vocation since they're small, and that is the

case of Coral. Coral, since that had six aeneitos, I knew this world to be a master. And, yes, not is that being a master, but for her, it's part yeah of her identity, because when she had six aeneito, she

had to give her like the lessons of education and corrective to her manita of four. You can imagine. A marungita little titita, that was there was trying to do some garabato or signalling some of the book. And Coral

was separated in front of her. And he said, no, hermanita, if you're going to you're going to goys to the raya. And I was correct and the correct and I corregia. From a little,

Coral has been a maestra and a maestra, but we're going to give to piece to and of those that are good, that are hard, but that always you're going to

record with carino. From little, she knew that she was a master, and conformed she was

just he affirmed about more and more and more. In the school, she was the she was the

people, the way the that was the way to the time of the other other

things, was the things was doing a or if was not a saloing

in the school, the the fact, the the master the men,

the next there was the titular, and Coral, so grew. That identity

was acquiring and was something that was a good at least. Not was a thing that was a matter of

only with about a thing to put to make that the people learn that I'm going

to say that today of today has 50-and-t years is of

a generation very specific and apart it is important to know

that she that she not not not grand city. She creased in a Pueblito in the aphueras of a city and a city chiquita. And

in this pollito in where was Coral, there was a sole school that was made of primary and secondary. There were five or six salons that in occasions those beys descompleted, not all those chaschos were at the final of the course, and it was a lot of education was very irregular. But

Coral was transformed in the grand attractive for the muchachos and the muchachas, see that a young-sita yeah was there was a little bit of a little bit of

16, 16 years, because she was going to help her and the master's, as she were they were

there in the salons of the other than the little. She was a real real, she was a opportunity,

and she was working on that. He was to do it for a teacher, she did not,

the time of a city more grand, and she wants to there because they said, Mom, Papa, here

there's people that need to be needs. I need to help to help the person that's the education is

the number one and only so they are going to start out of very in serious. Since

little, his papal they left the house in the she had been

17 years. You can imagine? She still not not is a higher of age and

she is at front of the house, and all front in the school

and all they're all that's a man All those have passed for that school in that Pueblito, and Coral had had been a lot quite

until that he completed about 40 years. Me, said, In my experience, and in what I lived, in the schools that are like out of the cities grand,

a lot of the fact, but the truth is that we're in our cities, no, no, we don't let us dole ball, no we put up a lot, no we put attention, no we do a situation

a little, a little bit of the little bit of the same thing, and a time, me took to see me and to all of my students, that in that moment were like 15, that in the salon,

from the pizarron, it was a sombre like a new and when passed through the banks, those pussed to move and the banks were to move to one side and for other.

The chuchos were all people were all together, and at final, as if they were put to I don't know, I'm going to to be sure they're to be

a good, and that I really, what we're trying to be able to be able to that's about but those

people are many are adults, and a various are they're and have sparsied the history, only that,

because that they're much, not said, no, they're a master that's

in this turn. In one a occasion also we passed a narrator, that he

began to hearse as the awoyed of a lobo that had from

from the part of the bottom of the house. No, from the front of the

front of the floor. From the part of the problem is that this school is

only of a place. And there there there's there. There's

there. The school has much time. It's very much never

never had modified. Then we're we're we're we're

going to talk to I'm I'm I'm people said

that in the night was a phantasm and that in occasions had heard of the Yorona, that no me consta. But there

a situation that is the situation that is that is a little bit of today is, I'm with much uncertainty. Yeah, I'm retired, and I'm not going to be working in the magistrate. I'm going to work because I'm a person very active. This occurred after 10 or 12 years,

no record with that attitude, but at the day of today no I don't know any idea of what I presentia. Resulta that this

is a very atyipic. There were a pair of the two are gemelos. The

muchachos were to study the primary, but you had a 15 years.

Coses of people, things that we're a time, we're

we're we're we're we're we're to be much and we

we're we're just we're not they're not papelry. The papas were very disoriented, not they were not used to them, but that's

atypical. The most atypical is that's a-tipic, is that they're in here, those people, those were going to come down to see that, nobody wanted to, to see, there was a job, and there had a job. There were people that had worked in the arceradero,

there were people that were from outside, and regressable every day or some once a month. In the poor, there was if there was a job. If you not you did you'd like a cosytas, like a copintero, like a todologist, or start limping casitas,

difficultly you'd have to find something to do. There were a pair of families rich, they'd have some tienditas, of those tienditas, they'd have to those people to have turn, but well, for that's uniddle were a place little, no-hapy, there were almost nothing of work, it was rarestimed

that were rarestimed people from, and this family cameos installed here and they'd these gemelos that I never before ever before ever before. The first day that gets both, first

it's present to one, he's out of the salon and then the other and I go-regawned because I think it's the same, even, although the voice

no, it's I said, here at the school, no, me going to be coming if not they're in

the same because I don't know those will to beferencing and the peinado, you you te you

you do it's more and you you do you you do you're aparted for the middle, because if no, and narrator, and so I'm functioned

because I'm confused the number, I just had to ask you to put it a little bit of a stintam masking tape and then I'm and then I'm

saying, God, how many, it's che to say to learn, but well, it was all with good intention

for that not they're in some situation or not they'd be a little bit of those muchachos were very

strange. Not for the fact of being them, not for the fact of being so identical and that the only that was the only

that was the only that was to be they were to one to another with the other. with the chasions

and they'd not even who knew who were what was allan and Aron so they were and Alan and

Aron had a good relation but they're a little atypical the people the people

in the recreates they'd all and there was a leader that put the game

and all they'd they'd they'd and they're they're they're they're

A few they'd pass them all the recrower in the salon and it's

where I started to do that I'm about the other in a occasion.

In a occasion, that was the first time were in the salon, they were not going

to be going to have been to try out of the first of all

first of just to do you and I just they're they're not,

the problem is that after after the recreo, and they got them to get to the

two, that they were put very violent in the football and that they got to be in a man, not they were in

any moment. And the manchews, and the man, he says, "'They, "'Yes, maestra, "'they,

"'theon, the "'golped "'a' "'on our "'companero, "'and me "'on't "'the point

"'is that, "'how those "'are you "'lose I was "'to the time "'entro the salon? "'Cree I was some type of

drama. So, is that I've got to do a investigation. Me went to talk to talk about

the man. He was you know, you know, you're going to the puny with the hand.

He made you put him a car and when he cameo, and when he said, he said,

he was he he was he's putting a pancaste in the panza that he

put a mureton. The man, he was disorientated, and if me told, that were the

menelos. But I not want to give me to let me want to put a castigo, but the

chasches were very indignated. So, so I was that I made those them to give their version, and the two

did they're exactly what I'm sure. Master, but we didn't even we still to do that

I'm indagating the case, the narrator. And if did you a little that's a

little bit of a lot of the other people, he'd let's make, the call to them to

give them and they didn't make the most popular, look, the the other

companyero, he was going to say with the it. It was a but there

a data very strange. Tant to the child the man who came to report them,

they said their colors of the and they were they were the they were the

same. That's the name. That's me made a very strange.

I'm I'm Alan and A Aron maybe not are two men,

maybe are four men, and even the other other not they're in the

school or maybe have been been been been been

the most intelligent, and those who can get the many cases, in many occasions they're in many times they're that they're

not two, and no, two, and we're they're doing for turns. So, so I was, and it's a narrator,

no, they're more men, I'm not quite so much because I was very rare the case, and I'm

very a pecho, so is that one a month after I'm going to visit the house of his papas. And in the

house of his papas, only there a quarter for the chas with the chas individual. The quarters

and the small are the much chasons are very differentiated, not see that there's a lot of

people, and it's me make very extrano. When I'm with the papas, they're

they're the only two kids that they're that they're that they're not, but I

noticed, and I didn't know, they're not they're not. Norrador, they've

started things very strange in the school. In one a occasion that I was going

on the time, I'm I'm I don't know, I'm sure, that I go to those two that I'm set out of the water. And then I'm acerco at the school, and when

I go to the bar, I'll say, Alan, Aron, come to back, what are you doing there? They're down, and as well, I'm going too far away, and I'm going to be a moment in which I'm front of a wall. And then, then, I'm going to do you know, and there's where I'm going to discusses with them, because they're in the installations.

When I go to the part of the rea, I still I'm doing the passos, but no, no they're not there, no, I'm into the school

because I had the key, and no there's not there's had said to do, because they were some barritas altas.

At the day the next I'm what chasions, what are you do you're doing at the time? And the two are

to be able to look at a look at a little and say, no, master, here,

nothing, here, we don't know, and I said, no, I was I said,

I, I said, they went, and the The muchachos me just a car of,

No, Maestran us confundio. But, well, but as I'm going to confunders,

if you're not quite, and they're those un-niqued? No, I'm not I'm not that I'm

back to be here. I said, these two do you do this, I'm done with the other people,

that the pair of gemers are doing a lot of destroosos in the three occasions

coincide that I have the muchachos so I decided to do do this

this is a problem and I know how I'm going to run to I'm in

the time I'm on the time I'm in a couple of after the last time I'm going to I'm

going to ask you go to let's go to and they're going to get out of

because the recreo not to not going to go to the two men who

don't know so they're I'm I'm the door

I'm I'm put just behind the front of the

front of the camp of the game to go to be more chosos, disfrasated or bestied or exactly like they're exactly like they're

when I'm not, when I'm when I'm talking about people in the salon and are doing things, and even I just I've seen

me, Aron and Alan playing football, now, out of the salon, there's an Alan and an Aron.

With the camisies that me have been having been describing the other the other the other

the black, the and the red and they're destroying I said, I'm going to the door, I said,

I'm sorry, if they're and when I open the door, the only that I'm with my eyes, a book

that was in the air, caleb, and that's absolutely a little bit no, no,

it's a other way, no way to enter. I went to the papas, and I said,

it's going to all the things, the people, I'm saying, no, don't see

worry, we're going to go over to happen, and the day the next,

you know were to classes. During a one time I'm going to be the end of I'm going to

go and I'm about it's not it's but the family entire, but the family never knew of the Me,

He said, Mauriceo, that his family, has been acosed by an entity, but that not as the rest of the entities, it's a little bit. When I read that, I said, A'er, I really want to know your story how is that situation. And he says, the narrator,

there's a situation. We, we're doing for the work of my papa, we'd move on continually since I was very little. My father worked almost 20 years 20 years in a time

related with petroleras and installations. Not exactly like the show because it was a much thing thing

confidential, but we're in a city, in city, in city. Every city in the

we never knew we never knew we were to be able to be there. So, we

didn't we have many people, I and my family in that time,

and we were the we're the most of this them, then we we're

we're a group of a group of people, but I had, the project,

we had to go another place, and we're again, we're going to the time, and this

to do you go to be to say, that you're to do you know that's that you know, that

even you know, there's a moment that, oh, and again, what's for what you want to

know, then we're going to get to or we're to start to do things

different, I'm to go to the city. And that that's attitude that I

came, to do, that I , that I Isla more than my My brother No, my Armana, no, my

marmana was the alma She was a She was a she was a She was a situation

like situations like many destructive but not even time because nobody would know of her to get

a new city and I was a lot of things in experiments of chemically chemo causes almost incendia

a salon he met you in problems with all the students of a saloon because he met him a day and

he was insulted to all the people, he was going to the victim and he went to the novel a newel

of the risa in how he's that all the college is in the poor-sita

and my mom I could believe what I was I'm I'm not never a

surprise for me I'm oh, oh, that's oh, oh,

how you see that's past time with my her man, my armana is so she is super

So, we started to grow in a way different. She and I, my brother and I

know we we're all we're not we're not, I'm not I'm doing and I'm said,

never a time, you're know, I'm doing this, and me said, I, you're my brotherito Hermitae,

even though you never will be able to you, and I'm I was kind of being and me reed.

But is that's a abronna, my but so I'm a car rome, I'm not you're going to be a

little bit more. The point is what we've been in a narrator, but it was before I had to be a 15 years.

Me top a day in the house when I'm with this attitude in that I need to be going to know people

because now we don't even to never be to get to to any part and very And I'm going to go here, you're going to to get here and you're going to be doing amistice.

Me top in the house that we're going to be a quarter destined to a library. Tal-bees, because in some places to go ahead and we've finished to install. But, until that moment, I came in

into that. A quarter, we had as if it was a biblioteca, like a library, because there was a lot of books all parts, and it were

very rare. There was a lampra and a sofa. was a place like very very great the room

not so the but what was when my pap were to order these

books. The room had books from the room practically actually

to the wall was all and after one after one and other

one's one of small there's there some there was

the cubo the cubo had a little part that had a

little inserted, it was a badrissima. And then that's in mind, but I never have seen these

things when we go to the house and I put to do this little. So, maybe that's this

house and simply put it those books that have been able to have been many books. And I've

never seen that idea. In some moment, my father, in an idea that we've had

to be the school, I'm they're not possible. Or, to do a construction

like the that I'd you'd I'd I'd know a day, not a

morning, but well, the point is that in that I'm that I'm that we're a quarter

I'm in mind that you I'm going to I'm a part of the three mosqueteros, I'm a little book of

Alhander, Dumas I think the Conde of Monte-Crist or of the three Mosqueteros, and so I saw many titles that not had recognized, there were titles in other

other idiomas, there were books that were for adults, no me were the attention, there was nothing of the different of the

different, and in those buskages and after the time, that I was in the book, and

it was there was that I had no more than I was, I'm very a lot of the attention. The book

is all all empastated like in a color black, but when I talk the pasta is a chiklosa. It's rare, because

not it was like the rest of pastas that you're talking some type of carton or paper. Here's it was chiklosa, like that's a little to the little bit.

I got the book and it has an aroma that was of these aromas like a-podried but not a petilent,

horrible that you want to say, but one, that's the time and you have got to give them

You know, ascareous, but in the life I've been other thing that's like more than the regusts a margot of the cereza

that I'm a lot much to be a time when I'm like, that's a that's that's

kind of, and then that's what I describe. The book had your aroma,

it's felt pothiosios, it was a rarro, I'm the book,

and it has a lot of things that are at point to start to get

all to the place because the book has like the book has but

although I don't know because when I'm it's always it's not in any of

the eyes although it's that it's that it's when I

know that the book has the little very fine very

very delgated because when I goerer I'm lastime a I'm

a lot of a lot of a so I remember that my papa

me had said one of one of the pejorest things that you can't pass and the

of the dolors more you're going to get you and you're really a time.

Because I'm imagine the the old that we're and I'm this papa is a local when I'm

going to go to a one of a one of the spina and not the and now

that I'm the cuted with the letterer call you the call you

the bollie but I'm the dog so it's didn't get so and it's

was really me chuped the dead and I still continued sandry, and I took the discue of agrar that book, and I left marked in the part of the top of the above, as a line red under all the

and it was very rare. Not was the only line that was there, but the others were in red, they were in red, they were in color coffee, and there were one a side and other side, and other side. When I grab the book and the only that I'm a fear, narrator, is that

when I open the book, I'm just to the center of a page that's all in black, my name is written when I saw it's written in the

estanteria me salgo I'm out of the and at a time I remember that I'm the light

that's when I meto the second so sto there's the book the book

I'm in the book but the light is the cello reclinable in the I'm

sitting to learn is I'm again is over and I'm

more than I'm more than I'm I'm much me to do not do, that

that's not going to to be to get to the biblioteque in a time, that that's that's the cellon

no, me did it a very good in the book, not was a great,

I'm to take a time, maybe if it's to be to be to make

of the time. And the day the book, and the book is just the door to the homemower.

I'm going to come in your room, I'm tropese, the book So it's all overland. And then my mom my mom said, Cuddle, me met a

santo tranceau in the car. And it's all I forgot for complete what I had left in the camera, that for favor no me it was going to be in the camera, that's the error that I made it, but that me da fear and he was to tell all, I don't let me tell anything. We're putting us like unwentos

of water free in the car because it was me was still emplomable of the trancasso. And the worst is that after that, yeah, like a media I remember the book. And the book no was in the passio. No, I don't know I'm going to find out that I'm going to hear that

every moment if I was to be a pedasos. I said, I'm going to find o'hast for all the sides and me going to regaignar. And nothing. And like two or three days after, it appears in my room, just to the side of my zapato. I had a cruet little, I had four paris of sapato, one for the dominoes, two for the

school, one for a side of my my friends, and just on the side of my friends, was there a little bit the book. Who did it?

I know. But yeah no it's not I'm not I'm not I'm really. It was something that

I'm going to want to get back. That who know what's going to be my papas, and of a repent and I'm

the right. I'm doing, but I'm doing like if I'm doing like if were doing flores.

And that the odor like a nauseabundo, but that that's a little a little a

little to don't know in-counter and I'm responding profoundly. Narrator, I don't know how time it was a

night, of a moment, I'm going to my apartment with the door and the door-sehrased, and I'm

holding it, until I'm saying, I'm going, I'm going, this this is a good,

because, why, because it's doing this thing, then I'm I'm going, I'm going,

I'm going to go to the question, I feel that's that's derided in my man, and here

there's a situation that is like very difficult to explain it. But from that day I can't feel like if my man had

the goma of that book. Me I've lavated. How's times you've got a moment in the I'm with a psychologist

and with a psychiatrist many years after this situation because I thought that had some a problem and then

after what I said, me they said that's that then we're nothing of what we did we seem to

and, believe me, I was a person Apegated to the problem that they were there's

more rasgos of this transdron. No, there were more things. No, there were

nothing. It was so I'm so I'm after what to do you get to get to that

part. The point is that day I started that sensation like of gum,

like something something addedido, like something on my hand

my my pen. I go and I talk with my

my But I reveled all, all. And you know what? Conformly this I'm

I'm going to see to visualizing to the different scenarios. My dad is going to start to

me in the carcashas and me will say that I'm going to say that's going to get to

my mom will be obligar to have a family or me going to say that

I say that I'm going to but the form in the they're

that they're that really in that case and with that book was going to something that was going. My

papa had the mouth open, he had in the labos paled, palid, it was like

was about to dismayers, that was a bad. My mom, the rostro, the color

rogo that had never never, they're going to have, they're going to

say, and my papa just, and my father just, for favor, you know,

you know, you know, you know, you know, you know, you know, you're going to you're going,

how you're not to be able to no, he's not, is that, no, I know, no, I know

how to tell you, and I, and my mom and my mom to go to to be to him, and

me will be a and I'm and after that you say, there's a something, and I'm

just my my papa go, go, and the of the other, but,

but, but, but, but, but, no, no, we can't say and I'll look to see, and I'll

get to the bibliotheka. I'm paro. Those beo. Let's say, really are you are doing that I'm nervous and what are you doing

not is a good? How do you want to you get the library? Well, it's the case you

know, you know, where are you know, and you want to be my mom, I'll turn to my dad, just the more of the

head's of above or my papa like he's my father,

he's and he's let's let us let's have the book, I'm going coming

by the passio indignated, nervous, very confundied and just at the final of the

passio is there the door of the book, I'm going to go,

here's the here's the book, you're you're you, you're

you're who's who are who's you're the so you And then my father says,

"'For favor, "'and when I open "'and when I open "'theirn't a "'is a "'muchissimo "'mach "'than a

"'the book, "'there are "'stances, "'there are "'stah, "'the "'Roppa' "'or

"'and we "'twee' "'and I said, "'I'm "'ifunded "'the "'Cerro' "'Cerro the

"'Pews. "'No, "'mere to "'No, "'no, there "'mob "'the other. "'Voteo "'Voteo "'This "'Quoteo "'Quoteo "'I

Yes, it's certain. I've I've been I've done some I'm and my father me say,

here you you know you're the book, and then I'm and then I'm

a bit of my dad, and my father and me say, no, with the case,

no, it's a problem, this, no, we'll let me and not

you know to be a book. Narrator, the the next the next time in

my house, it was like if you were in a

house of Mimus. Nobody said nothing. Only were, me mirabing, no express any one one single

I don't know why, but no me nacea. And my my papas not said nothing.

But apart the silence was so so that it was that I'm that I'm that I'm

that I'm that you, can't you, you're in the ambient and you're

that's the maldited silence incoododod. the door that was there

in two occasions in this year, it was the one, in one, in the

other, was the other, but the sillion was just up like if

someone had been there, when I was that I saw, I was

I was I'm I'm I'm to I'm and I know,

and my father, I'm I'm can't, and he's the

door the and he he says, I don't to occur to leave it ever to

get it. Then I am sure to do you do you to get to him and then is the

court of the blackos and he says, when he's when he's he's not. Narrator,

my head had stalled. The engineer and my mom that's only to

just to the life social of the people of people rich and things and things

and they were saying without words that there had a a room that was like

a small in the house, to that was able to and that was it was a no, it was a reason to that's a reason,

acered a lot of papelary and two or three months after we were moving. In the Camino Narrado, it was

when me said, of this time, because me said, we don't know we can't talk in house and

not we can make many because we go to not you can't go to the book, no entres

that that place, that The place not is our, nor is our, it's our, it's percy. Then, it's just,

he's going to present to, he'll to learn that you will use, will care that you dokes. My papa is me

kept seeing, and it's a little palid and nervous, because I am I'm doing my

hand to the eyes, you know, yeah, you're talking, you're doing, you're still still,

you're still, and I'm he's getting and I'm know, I'm going, He started to have effect And he said,

No, you know, He asked a book, and me told her story that is the thing that's the other

and I've never had lived what I would have he'd be able, he'd he told, he took a

brother, a man, a man, he never ever seen a photographia, the family of my

papa, never has mentioned, and he said that that he's him he did

and that the book was the book was the book, that in a

occasion in a house in that in the family had moved he had

found the brother a little he's used a

book that that that my time he was

but said that the book was he was

a person a person he he he had

he he had he he was he not he was

that he was that was He was in the darker to hear of the o'id and he'd say things. And for the reactions of him, of his brother, he said that his brother, no reaction about that. Then I knew that there was something

that was involved with him, that was sick or that he was sordid. And to things evident, and of a sudden, his brother, passed days, seminars, months,

he started a day in the night, a quejid, my papa, he did count that in his abitation was the camera of his brother, but not he.

He said that the kegido comes of the room in the brother, he's a He's a second the room, he's a second

and one and other other way. It's the room that has the little bit of the house. There was

there were the kegid of his brother, then they were to get to the days,

never ever did, never he was he was, and the time, all the family he was he was increpa being

a manchach and he was and then the and then the roba and the camera that I'm there and his

papes and you've done we've done the caprico that you never did you what had

passed is that something something that nobody never was that that's the

thing that I've heard of my life I've not you know

it's because during the six years the case in the that we

took tope the library. Casa in that that was the book was to until

that one day decided that that I had to get to help spiritual. So,

they manifested some little things in the house, but the most important was, that the

book, that never never was to look. You know, the caricatura of Gasparin, the

phantasm amigable? Karina she was when it was very little, and

never he was that he was that it was a person. But this not is a story that

has a story that has to have to be with actors of Hollywood. This is a story that has been

with a guardian is a phantasm. Resulta Karina, when it was very little

was a gasparin and from her she was inamor and that person for her

to be that form, like that kind tierna that was a a person, as

the name, the phantasm amigable so they were like in

this. For her was like a A friend, a friend that was there always that's needed. They're going pasting the years, because this

was the most tierna infancy. And, of actually, she says that no she doesn't even of the caricature. When it was a little, she was very, very little bit. His mom said that was her favorite, she'd put in the television. Also, you can't know

of what time we're talking. But then, when it grows, she'll forget about for complete the caricature and they're going to pass some things very strange in their life. Something in

some point of the infancy, that maybe has been with the separation of mom

and papa, maybe with a man, maybe he's got to a time,

maybe has been with the form in the that's my mother,

but Karina has very clear something, it has

no remember fragments grand of your life when was

when she her Her infancy, no, she doesn't remember with much carino. She remembers to feel like a person

with much fears, sent us to be a little little bit ascura. There was in the

school. No, there were people, there were possible amazas. In the

the way, the school to the house, she had to come coming up she were

a woman, she was a lot, and now she had to work, her

she was there was there was there Tio, he'd ever Repelus, certain gas of him,

not because he was made a little, or well, no, he said, but if there's a

house, that's the place, that's the way, that's all the house,

when he goes, she'll get in his house, she's on the put the

almoas around of her and she's in a corner, because there

is she's sure. In the the the area of her room, a

little bit of a little past all the times in the time in the time in the dark, and she can

get to be dormied until the day next. It's very clear that there were days of the

hunger, that there had noches of insomnia for the pain of the house, and it was because

she was she was she was she's always and Karina's she sentia very insecure in

that was. It's the recorried to the separation of the

papas, the situation of this tio living, the fact that she wascoughed this rinko in his quarter, when the time was to accelerate a little, started these lagunas, and, of a sudden, it's about six months

after having initiated that type of life in that is like in a mode of supervivency, trying to just pass desercivied by the persons that can be an amazza, and she doesn't know why it was like it,

but they're around six months, maybe, maybe, a year, when she comes to to give to tell you

someone is that the problem is where and in what moment he's he's

observing in your room when they're the door when

is in the corner in the room and is around just

just just he's there is there there there

there there there there is she she she

she she she she no And it gets a moment in that he says, he says,

I know that you're there, because you're doing, and he does know that that someone he responds, but for the

first time in his life, he's he's got with a greatida that never before I

never before, and he he's said, but not in his eyes, but in his

little, I'm Gasparin. In that moment he's rye, something he caused he,

something that was there, maybe the voicecita with that voice agudita, with that she was about, maybe the sensation that that was a thing that was in the corner began to be backers and began to start maybe the fact that he had a man

that was he was about. And she begins to ask her, who are you? And other again in her mind, Karina, he'scuched, very clear, I'm, I'm doing, I'm your friend. A part of that moment, Karina and Gasparin, And they're all parts.

It's the secreto of Karina that's the secreto, that neither to get to not even to know the because who know how can

reactionar. If the other school of Karina see they're they're all the time, she can't

hear of that rissas burlona, yeah no want to that they're they're not that they're

to be able to her if it's a secret that has a secret because Gasparin no,

he in that house. Casparin Hebe with Karina He's he's all the

partes when Karina go to the school Casparin he says detente is at

a point to pass a car a high velocity she she detien

and a vehicle that has never that's the right

he's he's he's you're to get to get you

get to he's no in my relo he's that even

They don't have 10 minutes. And Gasparin he responded, he's retrasado 10 minutes. They're at point to initiate the field. Commence to

get a like a carparen he does and get indications of when to get

more and he gets two minutes and it doesn't cause a problem, total agitata

and in effect. I had the clock retasated and not he had done

but he was he was at put to when Gasparin in

various occasions he said you don't you Terea. And she says, it's

for the Marches. He says, Yes, and you think it is a domino, but today is Lonez? And then open the eyes, pay, revisit the calendar, and Gasparin, no was about minty. He had confused with days. He has to give the Taree, for some situation, for his age, we can't

understand. Had I had been confused this, and this in the night, working. And Gasparin, in some moment, he says, go to Dormin, in the morning, terminale. Because if you not to be able to disveled and they're going to to ask why not

do you're going to re-gawn. Dichaelin is transformed in the consens'n't number one. Cosa that says Gasparin,

something that occurs, something that he advertes, something that you know, but you know, they're

that the children, especially those who live in situations difficult, have been people, but he

has advanced much this reloge, this time, and have passed many many because Karina

has been 15 and Gasparin still giving advertencies. No, you join with that chica.

That chica has some very violent when you go to visit to the house. Something bad you

can't be going to her. This muchach that's trying to well, is talking

about the to your back to the man, that's the man who you don't you know,

you know, and the thing that does that he's she's, she has a friend,

she has a friend, and he and he's to get to that little to

be able to is there is going to the real thing. And she still being a person

not extrana, is a person amable, amigable. The life

began to a point in when the point in that's the he's

the little more, and to get a more more of more

more than the life. The life began to change and it I was a repent, no had noticed that is

a person a person that's very comfortable and that's a person that's very well very well guarded on a secret.

She has a confidante invisible with that he and that nobody's because she has seen

many people, that are many different to the other and all those cataloging like locus and she

not want to be in that catalg. So, so it is that he he's he's

but Gasparin Casparin, know many things. He was to advance the time

until he he's 18 years. A 18 years if Karina it's clear,

I'm my first friend, my real. A chick she was very nervous

that had a family, that was that was in the my had

separated when she was a little and for a other

I'm I'm I'm a potential per we we're

we we're we I was down that at being I was

I'm more and that that's that's that's he was that's

so he's he's going to advance the time and when

we're two years we're the we're we're we're

we just a thing I'm not I'm not of Gasparin

I didn't know I'm I'm said I'm said

extrana that I've lived in the life. Well, a pair of things of that he made with

he had about he about he and he and he did he many things but

has been the only strange. And thanks to him, I think that I

think that I'm a lot of my imaginary, but not I'm and I'm

to say for what. When my my for not to tell him he was the

only secret that was the was the only that was the he had said to be the but the

same time because never had had been a good friend never had had been a

person that really really for me and I was that

she was a one day in the night he said he said

tell to me no doesn't she she she she will

she be she can't she he's that one day I went to my friend and I

did I have a secret to I'm going to tell you want to be that's a very much time and

for favor no me just because my my friend so he's back put the

put the hands just in the camera and just you know you know I'm

and then I'm I'm and I did you know I'm not it's

not you don't get to be any problem but no it's just it's then you

then you I don't you put it very nervous that is he said that I know a Gasparin and my

am I'm just a man just a little oh it's a problem that's a caroparine puras

and all the I'm like I think it's a secret and it's in serious I'm a I'm a

friend you can't he's he's too he's not he's he's a and he's

he's he's a brother and is a a bromom no is a a friend

imaginary No, it's Gasparin. And how is Gasparin? No, I know, no I can't be. But, no, I don't know, why you're saying this? Because I feel that you're I'm occulting, and it's my only secret. And as you're my amiga,

the only friend that I've had been ever, no I want to feel that I'm still. And then says, and I want you, want to talk with Gasparin or something? And then I'm going to read and I go, no, lo, I mean. I mean, you know, you know, he's to interact with him. He's my friend, and nothing.

you want to say that I said, but you're sure that you're not that's like that's a imagination that's your imagination

or something and then I'm going to you're going to you're going to do you say but let's a

am a big is an amigionion or is someone real that we can't be able and I

think it is real for you or for all? Well, no see and then

then he he's he's he's where I'm I think that's because

I'm I'm And I say, Gasparin, you can't to talk to her and me say in my mind directly, no, nothing more I can't talk to me. Then I'll talk with my

friend and he said, I know if I'm like I'm making sure. And he says that no I can't talk to and say, and my friender to me he says,

I'm going to ask him a question to give us to reality. And I'll say, how do you doves of reality? You,

ask you. If it's so done like you are doing, Gasparin, he's going to to say that she. She at the instant,

Gasparin, because it seems that I said in my case, yes, if I'm doing it,

do you know, he has done, and I said, and then, she said, my friend, my friend, me said,

me say, to say, to get a, that right, I'm going to write a number in my man,

and that you, what is. Narrator, what what was so, she said, she's

out of the house, she's out of the houseation, agarra something, I don't see

a plume or a plume, because no me he said, and he's rio a number. And Gasparin me said in my

mind, 37000. And then just never I'm just 000 and then me says

1, 3, 2, 1, 3, 2, and my am I'm made the ad how you? And me he muster,

and she was describing the numbers of grandotets to chiquitos and the 1,3, and he was

going to be in the other I'm going to to continue giving to the

way in the way to know that I'm going to this and I'm

going to be I'm you know, I'm you know, I'm I'm saying that I'm

tell you a gasparin, and then a narrator, a novel that was of that was the moment,

he said, and I mean, he said, how he's, he's, ah,

but that's in some that I'm put you never said, no, no, something that

something that's Gasparin me I'm going to say something that I'm going to say, but

it was a very strong. And me it's a word by word, and I just let repeat.

And my am I'm very free, very yellow, a lot of and I say, how you know what

you know? And so, but that's something that is something that is something that you had to be

for me. Because Gasparin is, you can say to you can't say a

Gaspian, and then then just So then just I'll and Gasparin me and he said

no I the spy she's the she's a guy who he's saying that's

so then just I'm saying he said he's he's he's

and he said that he's there was he didn't

I'm there that I know that I'm he was he was he

and for me that was after me that was that he's something something I don't

say to say that he's the he's a man, if he's my guardian, for me

was my angel of the guard but no no pass no a month

when a day he he said I'm to talk to you and I

said you do you do you do you do you want you do you do you

do you do you need I need you need you I'm

we we don't we can we need you

want to be you And then I say, oh, yeah, no, no, it's just so so that's a retort. And then, and I say, you know, I'm saying, for that you're saying,

for you to be to be with you always, but you're going to be able to say, but how I can do you?

And just me, I just, I'm, I did I did I, never I've worked to

listen. After that those many times had done that that's

I'm only confi on it and I'm to have to rest of my life complete.

But the day of today in occasions although no me talk,

I'm see and I'm seeing being from the narrative.

Mem had a time a many years in that was a person

very credula was a person to he was a car

he was to get to three things the first a

crucififix the second a patita of a be molested, Memme

it was a plastic and nothing more said a little bit of a little bit of years after. Just was one of of the things for the

whole he was he was a superstitious and the third was three dents of a boat in a boatecito with a

little bit. Cossas that she did her little bit of a little or she'll do it or

he occurred but me me me said that he took that time in that was very supersticioso

if she was out of the house and percinable and other to the and then then he was out of

his orations and revisable always his bolstice, that I'd these three amuletos, because they were

like amuletos. No, it was a person religious, it was a person superstitious, and his life began to advance

and he was going to times of terror and he was a man and peluda and all this

type of situations or all this type of content, as we'll we'll be we'll be

that we we'll talk to the story, and he's suggestionable much. He said

in this time I was a door. I was I was going to visit because I saw that the

sombre were in my invitation. Honestly. He had a courtina. A-Fuerre was in the light of a

faron mercurial that parpadeia. Well, if you know, I had some because not had

imagination. My quarter was always full of like, but it's a problem

of the light, that with time, I went to get to do it supersticioso.

The day that I got my pat of the cono, it's my Kae in the Pye in the

Pissue and it's a a piece of plastic in form of a patte of coneho and involved in a type

of terseopelo but all is false? I said, what menso I've seen, well, I'm thinking

puras tonteries and a part of there, it's the person more eseptica

that exists. All of questionable, no more rationaler, that's some men, that are

so don't that's to start playing in that and I'm I'm in the anti-meme? I was all the

time I'm in the time I'm if I'm thought that I'm never, now I'm never,

I'd get a sama and I would have the sun, and I'm there's things,

and that that's that time that's long, because I'm, more or than those

16, 17 years to have two months, and I'm twenty-seven. Me It endured a good ratito this situation.

But, but I've gone something that I think that he's a re-reased a little time, and I regressed,

oh, narrator, because there's what you've what's going. I have a time. I go and I visit hotels and

reviso the quality of the services, and I revising that the things are good, that manage

well, I'm doing a person, I'm a person, but I'm an auditor emmascarated.

Nobody knows that is going to that that. I do my reservations. No me know because I'm part of, you know,

because I'm part of, you know, I'm a person occult. I'm a type of a spy of hotel. I'm

really because I like to disdrasar me. I like to get me in these things, and a sometimes I'm

like someone very formal, and a very often, and a other occasions, well, it's not the

other than to say it, but I go with a couple a partner, and it has been,

but I go, always in this plan that I'm auditing and revising the things. I mean me

I'm really to my time. At the first I'm when I'm earlier,

the meme that had a little of a little and that had like the other bad the

bad he said the o'er a lot of let's do an or an oration put your

crucifio take the pate of the pate of but every every

that that me mentionable the pate the one of aeneo, me dave a enojada, and I would and I'd be able to the luses and

I was with a couple of the and I'm you're not you're a cobald? Are you? Are you just a lot of

sotteries? Dehhreire in that's just do you? Because here what you're doing is to work,

pass it work, you need to take a pointes of all, then you know, and revisa, how in the

work. That's the initial. With the time, the other things were some

more large, more loggosos, others were a lot of many less lucosas. One, they were

problems of sanitization very important, others were some beautiful, but they were apartments

of hotel, and it transformed in a routine. I'm my maleta. My maleta

can be that can be so that sometimes is great, a sometimes is a bit, a basis,

it's a few, it's It's old, it's new, it's pesed, is very, very cargated, it's practically vacill, I'm practically vacuous, I'm,

always I'm trying, I'm attuendo too, but I go to the room, I'm going to the malet, whatever that has been the moment, the point, the

room that that's the place, and then I'm seeing all the lights and I'm going to see re-inspections to detail.

After that, I do service to the court, I do in a little bit of because I have biaticos and me cover in that. And then I'm going to be

practically all the menu. How much time time time in to try. It's what to be good quality. Etceteer, et cetera, et cetera, et cetera. But for me, at that moment, I'm going to be in my camita, after having taken a while. And I'm trying to come one and other way to try me my dinner or my food and

my postres and more and more things that I'm going to end upperdicating, but I'm going to audit, not just to come. If you can't see, a in the vata that I've offered some hotels have been

on my room, with my arms abjured, the control of the television,

and I'm trying to me bring my dinner. Delicioso. My work

I was I was two months. Ace two months happened,

that no I'm to know, that is something that is something that's that's

a new and I don't like. I'm a hotel. A hotel that has his

years, but it had recoprown other market, and even I'm the name

they're remodeling the complete, I'm made to a one and then

they're they're they're they're they're they've over-vendied the hotel,

not they really the type of that I had to separate or that had

separated, and me they're doing another in substitution that was

that was the last when we went to the person that

me had with the Maleta. In the Camino, me I asked So, I'm

superstitious. And the meme that I brought in the meme of the past I'm going to but I'm

to have to continue? And I just I'm just I don't think of those don't know

I'm sorry and then the little bit of the abutations I'm sure I'm doing don't know I'm gonna

so that's just that's not I'm recommend that not put the secure of the door for if it

has to go out of the carriending, because you know us have passed in various occasions. And then I

keep doing and I go, it's your form of the yellow because no, it's a

good, consider it a detail and I hope that he's not he's not so the day

of the day of morning if it doesn't not he's so you

don't so a manrador I I think that was like a

type tonto, that no knows how to maintain a person a interaction, that's a greatable, and that he utilizes these resources that make that maybe pass in the

clientes, a bad night for this type of phrases. So, when I came in the room, the first that I said, we're going

for the formatos, for the formularies, I'm going to get my tablet, and I'm, I'm a pessimo trato by part of your personal,

yeah that it's going to influence, saying that you have an abutation enbrugated, this can affect to the

clientes to tell and this is a and all and not a narrator, I'm I'm desawed

the real that I'm saying to the he's saying to the mame more than that he's

that I'm doing the I'm saying I'm was talking my fears because so I'm

there's so I'm now in this hotel more than anyone practically I've

pretty I'm more the entire and even reprove for all. Detay

that I did you did you the time. The food is malisima not you don't you

do you're doing it. I'm saying because I'm to be absolutely honest with you. I'm just

I'm just that I'm also because it's a bad news that's not that's what did that

the abitational or what was to be there to be that's I'm I don't have done

that I've had been with a time that I'm that's that I'm that I'm

not a time, I'm getting done with after I'm just doing it and you a little

a bandegett in the piece with a cardet that said that said I'm

we're not that we're not that's not that I'm to try to my tablet to make

more bad the classions and when narrator I'm that

I'm I'm I'm there's a movement in the very, very, very

extrano. It's a movement like the sandas. It's the movement of this when you move you

and the sotas in the air and then it's a kind of a type of sound that one of you

have seen. You know, my camera is exactly like the I think. I'm, you know,

you know, the habitations are making that pass the tablet and I'm

to put to put there, problems acoustics that could be When it's

When it's I go to I'm this hotel Poredstitos will be but it's the hotel

more reprobated that I've been in my career as an and in that something not you

say that a presence a something something I'm my tablet in the hands

with the light that light to look at the the same the

the same the the same as someone he had got got around and when you

go back Form a silhouette and then it's and then I'm quite being that's

atonito, no I'm I'm do a coraue no no me those

things don't exist I'm I'm so I'm and I'm know I'm

I'm the switch of the light someone had piqued the button

and that's so I'm a lot so I'm so I'm I'm not

I'm so sure so, will be to pay, with my tablet I'll go to the

other other way, the other way, I'm not to be able to be a lot of I'm going to be a lot of

the stuff, I'm before the table, I'm going to the table, and where I put it,

but the rostro of a person is a man, he's a person, he's a

bigote very, very fine, but the eyes but the eyes, I'm

so that the person, I, I don't know, in you, that's strujow and then it strujew, acto-segirds I'm going to the door, and me

meant a trancas for having put the secure, that I'm that I'm that night in the infirmary. The subjecto

the day next I saw that I had put puttons like some types of compresses in the

car, and just me put the hand on the arm, and me he said, I'm

I'm sorry, but in the place I'd another invitation, because one that's

a first a first night, and then it detain. Narrate I changed

the description of the hotel because if I put a tunduro in the auditada me going to do you want to do you know,

and look, to the day of the moment of the first I didn't know that I'm, I don't know

that I'm going to forget the night, we've got to get to the dark fogata of

stories, but before to tell you the surprise, you can you can't find

the differentions in the scenario and in my person. If if you'll discover the three, put them in the comments to know if you last you're going to

you're doing. For sure, if only you're listening, you're going to be in video. And one of this, there's the surprises that not one,

but two. The first, at those groups of the diffusion this week, because if all the same, this time, they're

to the vent to the boletos of the fogatas in the place in the place in the time that the time, but also the

last time you've been that's It's just I'm going to get an opportunity to get a

bullet to get to get a in the foggat and start near the family nocturner. Recurting

not not more the firm autographs. There are various surprises that are going

is going to count. But in the general, all the stories are inedits

and no important if you have been a fireate in this

foggata that you will be to be totally different because each one

of the fogatats is a a program totally distinct to the fog at the other

place. So, what you've is going to get a lot of stories that's done. And now

see. Ditch one this, atento the groups of diffusion because this just put

very very much and the last a few some years, remember

that I said that I said, I was we're in a timestackes, and go to get to

some friends of the mystery world that's that I'm a super abrassote to Darian and to Capi, because they've

done to start a podcast that you recommend that you're going to see the first episode, an interview with Dros, so that's going to in creepy pastas everywhere. Recurred on creepy pastas everywhere,

there's the podcast where they're interviewed and if you see in that episode, for favor, put in the comments Capi, the family nocturn and the narrator, let's send saludos.

And now say, Dich one of this, Povina Nocturra, the Mierckels, we'll we're going to Spotify.

We'll see us. But from here, but from this I'd wish you have you

have a desoces Pesadilla.